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- Jim wishes to make an impression upon Jane, his sweetheart. He calls upon her in a taxi, which he forgets to dismiss when he enters the house. Judge Holden, Jane's father, dislikes Jim and leaves the house when the boy calls. Later, when Jim leaves he faces a taxi bill he cannot pay. He is arrested and taken before Judge Holden. Jane calls to see her father and arrives while Jim is being tried. Jim is fined. Jane saves him from jail by slipping him the money with which to pay his fine. The chauffeur and the judge dive for the money. Holden gets it and pockets it, after which he discharges Jim. Jim is elected town marshal. He elopes with Jane. Judge Holden pursues the pair. Jim allows him to catch up and then arrests him for speeding. He places handcuffs on the Judge and has him arraigned in his own court. A substitute judge fines Holden. The humor of the situation appeals to Judge Holden. As Jim and .lane are leaving the court, he calls them back. Surprised, the two return. Turning to the substitute judge, Holden laughingly orders him to perform the marriage ceremony.
- Pauline, a young maiden, must protect herself from the treacherous "guardian" of her inheritance, who repeatedly plots to murder her and take the money for himself.
- The Little Fellow finds the girl of his dreams and work on a family farm.
- A tender young woman and her musician husband attempt to eke out a living in the slums of New York City, but find themselves caught in the crossfires of gang violence.
- A brother and his two younger sisters inherit a modest amount from their father. When the brother is away, their shady housekeeper decides to take it for herself.
- A religious woman seeks to save her people from destruction by seducing and murdering the enemy leader, but her plans get complicated once she falls for him.
- Walking along with his bulldog, Charlie finds a "good luck" horseshoe just as he passes a training camp advertising for a boxing partner "who can take a beating." After watching others lose, Charlie puts the horseshoe in his glove and wins. The trainer prepares Charlie to fight the world champion. A gambler wants Charlie to throw the fight. He and the trainer's daughter fall in love.
- Mr. Pest tries several theatre seats before winding up in front in a fight with the conductor. He is thrown out. In the lobby he pushes a fat lady into a fountain and returns to sit down by Edna. Mr. Rowdy, in the gallery, pours beer down on Mr. Pest and Edna. He attacks patrons, a harem dancer, the singers Dot and Dash, and a fire-eater.
- Lieutenant Yancey's southern sweetheart, Rose, is jealous of Elinor, a northern girl, who is visiting her aunt Mary de Lane. This jealousy is excited by an invitation which Yancey receives from Mary to call and meet her niece. Yancey visits the de Lane home, and while walking along the river with Elinor, he shows her where the Confederate Ironclad is being constructed. Elinor, having strong Union sympathies, reveals the location of the Ironclad to the commander of the Federal gunboats. An attack is made on the Ironclad and Yancey rides to give warning. The Confederates are temporarily helpless as their power is exhausted. Yancey, knowing that a supply of ammunition is loaded on a train in another location, prepares to bring the needed powder to his compatriots. As the train is about to leave, a Federal scouting party rides up and opens fire. Rose and Yancey jump on the engine and make a wild dash to escape with the powder. Elinor, from a distance, sees the fight and sets fire to the bridge over which the train must pass. While riding over the bridge the last car catches fire. Yancey, who has been wounded, is left in the engine cab while Rose crawls over the loaded train and succeeds in cutting off the end car just in time to escape the explosion. The powder is delivered to the Ironclad in the nick of time, and a fierce battle wages between the Confederate vessel and the Union gunboats.
- A documentary about Montessori schools.
- Charlie does everything but an efficient job as janitor. Edna buys her fiance, the cashier, a birthday present. Charlie thinks "To Charles with Love" is for him. He presents her a rose which she throws in the garbage. Depressed, Charlie dreams of a bank robbery and his heroic role in saving the manager and Edna ... but it is only a dream.
- 191114mNot Rated5.1 (652)ShortA Confederate officer is called off to war. He leaves his wife and daughter in the care of George, his faithful Negro servant. After the officer is killed in an exciting battle sequence, George continues in his caring duties, faithful to his trust. Events continue to turn for the worse when invading Yankee soldiers arrive to loot and torch the widow's home. George saves the officer's daughter and battle sword by braving the flames.
- Charlie is trying to get a job in a movie. After causing difficulty on the set, he is told to help the carpenter. When one of the actors doesn't show, Charlie is given a chance to act but instead enters a dice game. When he does finally act, he ruins the scene, wrecks the set, and tears the skirt from the star.
- Charles Chaplin, a convict, is given $5.00 and released from prison after having served his term. He meets a man of the church who makes him weep for his sins and while he is weeping takes the $5.00 away from him. Chaplin goes to a fruit stand and samples the fruit. When he goes to pay for it he finds his $5.00 is missing. This results in a battle with the fruit dealer, but Chaplin finally escapes. He is held up by a footpad and finds it is his former cellmate. He is inveigled into joining him in robbing a house. They put a police officer out of commission with a mallet and stack up the silverware. They then start upstairs to search the upper rooms, but are met by a young woman who implores them to leave because her mother is ill and fears the shock will kill her. Chaplin's heart is touched but the footpad insists on ransacking the house. This results in a battle between the footpad and Chaplin. While they are fighting, a squad of police arrives. The footpad makes his escape, but the police capture Chaplin. The woman of the house, however, saves him by telling the police he is her husband. She gives him a dollar and he leaves. He goes to a lodging house and in order to save his dollar from thieves puts it in his mouth, swallowing it while he sleeps. A crook robs all the men in the lodging house but Chaplin takes the money away from him, and also the rings his "pal" had stolen. This starts a battle in which all join. Chaplin flees. In order to do a good turn to the woman who had saved him from the police, he takes her rings back.
- Young gypsy girl Mary, is seduced by the immoral Robert Crane and abandoned. She is exiled from the gypsies and, along with her mother Zenda, known as "The Woman in Black," she vows revenge. Meanwhile, Crane blackmails Stella Everett's father into forcing her to marry him, even though she loves Frank Mansfield, Crane's rival for a congressional seat. Frank wins, but Stella still faces the prospect of marriage to Crane until Zenda comes to her with a plan. On their wedding day, after the vows are recited, when Crane lifts the veil from his wife's face, he is shocked to discover, that his new bride is Mary. Now Stella and Frank are free to marry, and Zenda has gained her revenge.
- A primitive tribe are attacked by apemen and menaced by various prehistoric monsters.
- After a visit to a pub, Charlie and Ben cause a ruckus at a posh restaurant. Charlie later finds himself in a compromising position at a hotel with the head waiter's wife.
- Edna's father wants her to marry wealthy Count He-Ha. Charlie, Edna's true love, impersonates the Count at dinner, but the real Count shows up and Charlie is thrown out. Later on Charlie and Edna are chased by her father, The Count, and three policeman. The pursuers drive off a pier.
- A young woman discovers a seed that can make women act like men and men act like women. She decides to take one, then slips one to her maid and another to her fiancé. The fun begins.
- Edith is a salesgirl in the department store and toils most arduously to eke the lives of her decrepit mother and blind father. Quasi-poverty is their condition, as Edith's meager pittance is all there is to depend on for the existence. Sadly she compares her own loneliness with the condition of her store-mates, as she views them passing by with their sweethearts, lighthearted and happy. Hence it is small wonder that she feels highly flattered and pleased at the attentions of a traveling repertoire manager who enters the store advertising his show, and presents Edith with two complimentary tickets for that evening's performance. The next day the manager appears again at the store and invites her to take a stroll with him. This is the first attention the poor girl has ever experienced, and when the manager tries to persuade her to go away with him it is a supreme struggle with inclination that prevents her leaving her old folks. The manager leaves her with ill-concealed displeasure and the next time he visits the store he tries to win her through jealousy by flirting with one of the other girls. This has the effect, and she yields to the great temptation of meeting him after store hours. With renewed endeavor he persuades her and she at last consents to go away with him, leaving a letter for her parents to the effect that she is tired of the drudgery, and longing for pleasure, has gone away. Arriving at the railroad station, where she is to meet her tempter, she sees a party of old folks on their way to the almshouse. "Remember thy father and thy mother." And she does remember, seeing them most vividly in her mind's eye. This thought so impels that she at last realizes that she is playing with fire, and turning on her heel, runs back home to find that the letter she bad written is gone from the table where she left it. However, her fears are allayed when she finds the letter in possession of her blind father, who, of course, cannot read it. Taking it and tearing it to bits, she folds her dear old papa in her arms as her mother enters to share in the embrace. Her eyes opened to the falseness of the world, she is now more than ever determined to perform her sacrificial duty of caring for the old folks.
- Chalmers, young space writer on the Beacon, is approached by a seedy man named Tripp from the mechanical department of the paper, who says he has knowledge of a big story that may be obtained, worth $15 in space rates, if he will but spend $4 to get it. Chalmers has just earned $5, but will not risk it until he hears more about the matter. Tripp then confides that the story is about a young runaway girl from the country. He found her on the streets utterly bewildered, and she told him about venturing to New York to find one George Brown. She said she was about to marry a rich young farmer at home, but she couldn't forget George Brown, the lover who had gone to the city four years before, promising to come back. Tripp, therefore, had taken her to a boarding house and put her in hock, so to speak, until he could raise money to send her home, for she had arrived with but 25 cents, all of which she had spent on gumdrops. The chivalry of Chalmers is aroused, and he goes with Tripp to the boarding house, pays the girl's board bill and advances fare back home. The girl shows him a broken silver dime, the keepsake Brown had given her, the other half of which he had put on his watch chain. He urges her strongly to forget about Brown, who is doubtless a worthless fellow, and to marry the rich farmer. All of this good advice Tripp seconds. Chalmers now has his story, but as he turns from the ferry station he sees Tripp's shabby coat fall back and discerns on his cheap silver watch chain the other half of the dime. Tripp is the missing George Brown. The reporter realizes that this is a drama of human souls too sacred to be profaned, and brings into the office the report, "No story."
- An amorous couple. A crook. A policeman. A nursemaid and a stolen handbag. These are some of the things the Little Tramp encounters during a walk in the park.
- A man disguises himself as a lady in order to be near his newfound sweetheart, after her father has forbidden her to see him.
- The story of the massacre of an Indian village, and the ensuing retaliation.
- Intent on scuttling his ship, a financially-pressed shipowner conspires with the vessel's captain to collect the insurance money, unbeknownst to him that his daughter and her beau, Charlie, are aboard. Will they get away with it so easily?
- An account of the life of Jesus Christ according to the New Testament, told as a series of tableaus interspersed with Bible verses.
- Mrs. and Mr. Sarah Jane Brown, note the names, are a married couple of 1920. They first appear in the Brown dining room, where Mr. Brown enters from the kitchen with a tray and puts breakfast on the table. One of the Brown girls slaps one of the Brown boys, a timid creature of 13, and makes the poor dear cry. Mrs. Brown, dressed in a very masculine costume, comes in, sits down at the table and pours her coffee. Mr. Brown waits on her, tremblingly. She tries to cut the meat, but it is too touch. She declares the coffee is cold, gets angry and scolds Mr. Brown. That poor man bursts into tears and flees to the kitchen. Mrs. Brown rises angrily, takes her overcoat and Derby and goes out, slamming the door. We next see Mrs. Brown at her office, where she is very attentive to a lady-like young man, her stenographer. We see her at the club, smoking and playing cards with others of her kind. We see Mr. Brown at home making beds, sweeping, washing the clothes, hanging them out and gossiping over the back fence with another man who is similarly employed. We see Mr. Brown "up against" a problem that troubles some present-day women. He stops his wife, one morning, just as she is leaving for the office, shows her his worn-out clothes and shoes and pleads with her for money to get new ones. Mrs. Brown laughs and snaps her fingers and goes out, slamming the door and leaving poor Mr. Brown in tears. Then, dear, sweet, Willie Brown is wooed and won by a handsome young woman, whom his mother brings home and introduces, and the scene closes with the wedding bells ringing merrily for the young woman and her blushing bridegroom.
- The mechanic Etienne Lantier is a competent workman out of a job, whose tempestuous disposition is more than atoned for by a good heart. With bundle in hand he looks for work from town to town and in vain until he comes to the coal mines of Montsou. Luckily for him there is a vacancy because of a workman being absent, and the foreman, Maheu, hires him at the suggestion of his daughter, Catherine, who dressed as a man is wont to work like a man in the mine. Lantier creates an impression on her and she takes his part much to the chagrin of her accepted lover, Chaval, an unworthy and violent man. Lantier fails to recognize her as a woman until after sharing her lunch with him in the depths of the mine, her hair falls from under her miner's headgear. From that moment he devotes his whole heart to her. At the end of the day's labor Lantier, who has excited a fierce jealousy in Chaval, is invited by Maheu to become a boarder at his house and he joyfully accepts. The engineer, Negrel, making his daily descent into the mine finds the shoring timbers holding up the earth in a bad state and ready to fall. He makes a report recommending that the woodwork he immediately and properly repaired so as to avoid accident. The company, however, posts a notice saying that because the woodwork has to be repaired the price received by the miners per car of coal mined will be decreased. This arbitrary and unfair notice causes much discontent and anger among the miners. A mass meeting is called for at the Cabaret Rasseneur; Souvarine, an anarchistic workman, advocates violent measures. Lantier opposes this and suggests concerted action. The anger of the workmen breaks out afresh when they begin to receive their reduced wages and urged on by Lantier, whose influence is growing, they vote to strike. In the meantime Catherine, though in love with Lantier, dares not go back on her word to Chaval and marries him. Chaval treacherously carries full information of the strike proceedings to Mr. Hennebeau, the chief director of the company, and accepts pay for being a spy. The strike is now on amid general enthusiasm. In the meantime, Negrel, the engineer, who is in love with Hennebeau's daughter, pleads with Hennebeau to answer the miners' requests. Miss Hennebeau also pleads with her father, but in vain. The stores refuse to extend credit to the striking workmen and famine soon stalks among them. Lantier discovers to his surprise that Chaval is an exception and that he has plenty of food and money. As yet he has not discovered that Chaval is the paid spy of the company. Catherine brings secretly to her starving relative food and money. Chaval follows her, drives her from the house and strikes her. Lantier seeing it interferes in her behalf, and being attacked by Chaval thoroughly thrashes him. Chaval, taking advantage of the growing misery among the miners, urges some of them back to work. While they are in the mines the other strikers cut the elevator ropes. There is a panic in the mine depths. The imprisoned miners finally escape by ladders, but have to run the gauntlet of the enraged strikers, who still hold out. When Chaval is dragged from the mine Lantier rashes at him, but Catherine steps in between and prevents harm being done to her husband. Blinded by hatred Chaval goes to Hennebeau and denounces the miners' leaders, especially Lantier. The police are called upon to arrest him, but warned in time he escapes to the abandoned shaft of Voroux. The strike becomes violent and the troops are called in to reinforce the police. In the absence of Lantier, Souvarine is called in to head the strikers. Hennebeau's house is attacked and stoned. Seeing the soldiers preparing to fire on the mob, the director's daughter rushes from the house to try and avert the coming calamity. She is caught in the storm of bullets and dies together with many of the miners and their wives, among them Catherine's father. This crushes the strikers' movement and instigated by Chaval they vote to resume work. Lantier, emerged from his refuge, tries in vain to dissuade them, but his influence is gone and bowing to the majority he also goes back to work. Souvarine, alone implacable, determines upon desperate measures. He releases the bolts binding the barriers that hold back water from flooding the mine and the flood breaks loose. He is drowned in the cataclysm that follows. The miners, caught like rats in a trap, run madly hither and thither. Some escape, others, among them Lantier, Catherine and Chaval, are caught. These latter three find themselves imprisoned in an abandoned working pit, where they sit in despair with the water up to their knees. They have little food and when after long hours Catherine attempts to give a little of her lunch to Lantier. Chaval furiously opposes. Chaval finally attempts to deprive his wife by force of her morsel of food. In righteous rage Lantier strikes him and kills him. His dead body, floating on the water, haunts them. Forgetting their animosities, directors and workmen unite in the work of rescue. Through an abandoned pit they come near to Catherine and Lantier. Their signals being answered by the prisoners they redouble their exertions. By imprudence, however, an explosion takes place, which kills many of the rescuers and sets back the work. Among those killed is Catherine's brother. When the workers finally pierce the intervening walls they find only Lantier alive, for Catherine lies dead in his arms. When the unconscious man is brought into the daylight and at last opens his eyes it is the bereaved Negrel who, with a heart of sympathy, comforts him in his grief when he sees the body of his dead sweetheart. Broken in spirit he sees injustice rule and the poor pay the piper.
- Before going out to do some shopping Marguerite Vandall reminds her husband Arthur, a young artist, that it is her birthday by writing the fact across the calendar. Arthur sees the note, and hastens out to purchase a present. Meantime a burglar, who has looted the banker's flat below, takes refuge in the Vandall's store-room, leaving part of his booty on their studio table. Marguerite returns and imagines that this is her husband's present. On Arthur's return, however, he insinuates that it is a present from the banker she has received, and gathering up the articles in his arms, enters the banker's flat just as the latter is giving the detectives details of his loss. Suspicions point to Arthur as the culprit and all march up to his flat. Things are looking bad, but the burglar happening to knock over some cases in the store-room, is discovered, and everything is soon easily explained.
- A hungry mosquito spots and follows a man on his way home. The mosquito slips into the room where the man is sleeping, and gets ready for a meal. His first attempts startle the man and wake him up, but the mosquito is very persistent.
- PART I. The incidents of this story are some of those preceding and lending up to the Civil War in 1861 and the Declaration of Emancipation. The central figure in the drama is Uncle Tom, a slave in the possession of the Shelbys of Kentucky. Tom is a peculiarly extraordinary character, possessing all the virtues and none of the bad qualities of his race, a possession brought about by a gradual realization, absorption and practice of Christian principles through a close study of the Bible. To the Shelbys he is an invaluable asset, because of his honesty and trustworthiness. Mr. Shelby, although owner of vast estates, has become greatly involved in debt, as is often the case with aristocracy. His notes have come into the hands of a slave trader named Haley, who presses Shelby for money long overdue. While visiting Shelby on one of his periodic "duns," he agrees to purchase "Uncle Tom" and Harry, a child of a quadroon, Eliza, Mrs. Shelby's maid. It is a hard bargain, but necessity, which is apt to drive to extremes, succumbs and the deal is made. Eliza overhears the transaction, and, loving her child with all her heart, decides to flee with him to the Ohio side of the river. She escapes from the house during the night, goes to "Uncle Tom's" cabin and tells him and his wife, "Aunt Chloe," all about her trouble, and also that Tom has been sold to the slave dealer, and advises him to get away while there is yet time. Tom, feeling it his bounden duty to live up to the tenets of his sale as well as his own conscience, refuses, but blesses Eliza and wishes her Godspeed. When Haley discovers the flight of Eliza he is frantic, and, calling into service some of Shelby's slaves and the ever-ready bloodhounds, he starts in pursuit of his prey. Eliza has made her way with her dear Harry clasped to her bosom to the banks of the Ohio River in a driving snowstorm, with the piercing cold winds carrying the baying of the bloodhounds to her ears as they follow mercilessly in her tracks. The ferryboats are not running, and the boatmen who usually ply their traffic across the river are afraid to encounter the fierce storm and the ice floes at the risk of their produce and their own lives. Spurred on by mother love and courage born of liberty and protection of the helpless, Eliza unhesitatingly jumps down the river's bank onto a large cake of floating ice, which rafts her down the stream, then from one piece of ice to another she leaps like a deer until she reaches the Ohio side of the river, where she is assisted up the bank and seeks shelter for herself and child. Haley and his negro aides are baffled in the capture of their quarry. Haley is furious, the negroes delighted, and while Haley goes to the tavern to appease his wrath the darkies show their pleasure in fits of laughter, and return to the Shelby place to report Eliza's escape. Haley, after a night of it in company with Marks, the lawyer, and Tom Rorer, a human bloodhound, goes back to take possession of "Uncle Tom," by the sale of whom he hopes to make up the loss of Harry. Uncle Tom, after a last farewell to his wife and little pickaninnies, and a hearty good-bye from young "Mars" George Shelby, who promises he will purchase "Tom" himself some day, gets into Haley's wagon, shackled hand and foot, with a sad heart but Christian resignation, bids farewell forever to his old Kentucky home. PART II. Haley, with Uncle Tom and his other slaves, boards the steamboat and starts down the Mississippi for Louisiana. On the boat going home from a visit to Vermont is Mr. Augustine St. Clare with his little daughter, Eva, a beautiful child of delicate temperament, and a maiden aunt named "Miss Ophelia." On the way down the river poor Tom makes himself helpful and cheerfully obliging to everybody, lending a hand with the freight and saying a kind and courteous word whenever spoken to. Whenever he can find time he reads in his laboring way his Bible, which is a source of great comfort to him. Eva is especially attracted to Tom. He has his pocket stored with odd toys of his own manufacture, which furnishes her great amusement during the long and tedious progress of the boat. One day Eva falls overboard. Uncle Tom with unhesitating courage jumps into the river and brings her safely back to the boat. This cements her attachment for Tom. She begs her father to buy him for her own. The father, always ready to satisfy her every wish, makes a deal with Haley, and Tom is purchased for Eva, who makes him her companion and attendant. "Miss Ophelia," although a northerner, is shocked at the readiness with which Eva associates and confides in Tom, but as she learns afterward it is not misplaced and well deserved. The St. Clares arrive at their home in New Orleans. Tom is initiated as a member of the household, and while officially the coachman he is personally the bodyguard of Eva and he is her confidant fides achates. We can see the sensitive nature and constitution of the child gradually succumb to the climatic changes and the rackings of the severe cough and cold which has settled upon her lungs. Her father decides to move the family and household to his country home where he hopes Eva will improve and get well. It is here we are introduced to "Topsy," a coal black little negress whom St. Clare buys for "Miss Ophelia" to call her own and bring up in the way she would have her go. From this time on to the close of the film "Topsy" is a noticeable and amusing person. For two years Uncle Tom's life with the St. Clares is an uninterrupted dream, excepting the thoughts of his separation from his dear old wife and his children. After two years little Eva's illness becomes so bad she appears to be undergoing a process of translation and looks more like a vision of immortality in the midst of mortal things. Often she talks with Uncle Tom about Heaven with an understanding that makes Tom think, and everybody else for that matter, that she is not long for this world. These suppositions are well founded, for it is not long before Eva is seen on her bed surrounded by her parents, Aunt Ophelia, Uncle Tom and the servants of the family. She bids each one good-bye, giving each some little keepsake, then peacefully passes away to join the other angels in Heaven. PART III. The sorrow following the death of little Eva has scarcely passed when the house of St. Clare is again thrown into mourning by the death of Mr. St. Clare, who was stabbed while trying to stop a quarrel between two men. Mr. St. Clare had promised Uncle Tom his freedom, in anticipation of which he is inspired with new hope and great ambition to work for the liberation of his wife and children, but all this is doomed by his master's untimely end, and all the servants of the St. Clare place are sold to speculators and other masters. Tom is sold to Legree, who is brutal in the extreme, and treats poor Tom with little less consideration than a dog. Legree has established as his mistress Cassie, a quadroon slave, whom he treats as badly as he dares, for she has a strong influence over him and despises him with a heartiness that she cannot hide. One day, working in the cotton field, Cassie meets Uncle Tom, and is impressed by his generosity and gentleness of spirit and his all-abiding faith in God. At the same time Legree bought Tom he bid on a young mulatto girl named Emmeline, whom he also introduced into his household to displace Cassie, whom he tries to relegate again to the cotton picking rank of slaves. Emmeline likes Cassie, abhors Legree, and keeps as far from him as possible. Tom is subjected to every sort of indignation and uncomplainingly does his duty. It is not until he is asked to flog a poor slave girl that he refuses to obey his master, and is himself unmercifully whipped by Legree and two of his slaves. Cassie finds life with Legree unbearable, and hates him with an indescribable intensity. She plans to accomplish escape for herself and Emmeline, and asks Uncle Tom to go with them, but he refuses to leave while others suffer for no more reason than himself. Cassie plays upon Legree's superstition and fear, for, in reality, he is an arrant coward, and she makes him believe there are ghosts in the garret of his house, and when she and Emmeline take flight and he pursues them with bloodhounds and slaves, the women retrace their steps, after passing through the swamp to throw the dogs off the trail, and return to the garret, where they remain for three days and make good their escape when favorable opportunity presents itself after Legree has given them up as gone. Legree, filled with rage, for want of better excuse accuses Uncle Tom of knowing something about Cassies escape and being party to it. Tom denies that he had any hand in it, and refuses to reveal his knowledge of it. Legree vents his spite and cussedness by administering a severe beating to Tom and felling him with a savage blow. Young Shelby, who promised Tom at the time his father sold him to Haley that he would repurchase him as soon as he could, now comes to Legree's place to buy him back. Too late! Poor Tom has gone to his eternal freedom to dwell with his Master, who makes no distinction in color, creed or class and prepareth a place for all those who love Him and keep His Commandments, and of whom Tom was a faithful disciple. - The Moving Picture World, August 6, 1910
- 19117mNot Rated7.1 (1.8K)ShortCartoon figures announce, via comic strip balloons, that they will move - and move they do, in a wildly exaggerated style.
- The first of many filmed adaptations of Rex Beach's adventure novel of the Alaskan gold-rush.
- I.M. Mann, millionaire president of a large corporation, is known as "the man with the iron heart." James Boyd, cashier for Mann's corporation, is delayed one morning because of a dying mother, and is discharged. Then Boyd goes to Union headquarters with his story. The thousands of workmen employed by Mann finally reach the limit of endurance, and at a union meeting, resolve to demand increased wages, a cessation of child labor and other benefits, or strike. He refuses to hear a committee of workmen and says, "I'll close up the factories and let you starve." Boyd resolves to plead with Mrs. Mann for the workmen. He tells the wife, "Your husband holds the destiny of 50,000 people in his hands." Mann arrives at his palatial home at this moment. He is infuriated at the sight of Boyd. He strikes him and orders him thrown from the house. And then it is that Conscience appears to "the man with the iron heart." "Out of my heart forever, Conscience," exclaims Mann, but he is unable to stifle Conscience. Mrs. Mann leaves her stone-hearted husband, telling him that she will return when he resolves to grant the favors asked for by his workmen. Mann orders a strike breaker to fill his factories with non-union men by noon of tomorrow. At noon the following day, the union men march from the factories. They encounter the mob of strike breakers and a terrible conflict ensues in which the police are summoned, who with difficulty quell the rioters. Mann returns to his home and as he enters the threshold, he is shot by one of the rioters. Placed in his bed, Conscience appears before him in his delirium and also Death. He overcomes Death, but is unable to repulse Conscience. Conscience shows "the man with the iron heart" the scenes of suffering which he has caused, of his discharged cashier caring for the dying mother, the death of a little child, and of his wife pleading for leniency to the workmen. Overcome by Conscience, Mann is no longer known as "the man with the iron heart." He summons his wife to his bedside. He grants the request of his workmen and his reformation is complete.
- A man tells his grandchildren about prehistoric man. Weakhands is unable to court a woman because of his physical weakness. Humiliated by Bruteforce, he bumps into Lillywhite, who has also been cowering since her mother died. But when they venture out in search of breakfast, Bruteforce separates the couple and sends Weakhands scrambling into a cave. There, he hits upon the design for a club: A rock on the end of a stick. With this equalizer, he soon vanquishes Bruteforce and wins Lillywhite back again.
- When the double wedding takes two daughters away from the old man at once, the youngest, now the only one left, in outraged spirit promises never to leave her father, but soon she too is departing for a new home. Then comes a cold hard fact of life. The son-in-law claims his right to make a home alone for his wife. In his bitterness and anger, the father denies them both the house. Several years later the lonely old man meets at the gate a babe in arms. When he learns whose baby it is, heart hunger craves another sight, and sought, brings with it the only natural result.
- Harold is ensnared by the wiles of Sybil, an adventuress. The boy forgets Helen, his country sweetheart. Sybil's influence over him is so evil that he can no longer apply himself to his work. His employer finally discharges him. When Harold's money is gone, the adventuress throws him over. He becomes a drunkard. Helen, failing to hear from him, comes to the city, where she secures a position. Harold decides to become a hold-up man. To pass away the time before midnight, he goes to a theater where Bert French and Alice Eis are presenting their famous "Vampire Dance." The characters are an artist and a vampire, in the guise of a wood nymph. Harold sees the artist attracted by the beautiful creature and then his struggles as he realizes what the result of the fascination must inevitably be. The victim beats her in his frenzy of fear, but is irresistibly drawn into the coils by the vampire's fiendish wiles. The vampire fascinates the man by her beauty and lures him toward a forest dell There the horrible creature succeeds in taking his life. Harold feels that a veil has been torn from his eyes. He seems to have reviewed his life with Sybil, and vows to reform. He succeeds in regaining his position and once more takes his place among men. The boy learns of Helen's presence in the city, but can find no trace of her. Sybil, learning of Harold's prosperity, attempts to drag him into her net once more, but the boy, with the memory of "The Vampire Dance" before him, resists her efforts. That night he finds Helen, and to insure his reformation, proposes immediate marriage. His sweetheart consents, and the knot is tied.
- A young boy, opressed by his mother, goes on an outing in the country with a social welfare group where he dares to dream of a land where the cares of his ordinary life fade.
- The story of Ononko's Vow is a pretty love tale through which is intertwined the story of an Indian's fidelity to his promise. The prologue takes place during the course of the Bloody Brook Massacre when an Indian chief, one of the rescuing party, saves a young Puritan, Jonathan Smith, from the tomahawk of a hostile Indian. Ungagook is the name of this chief, and he is accompanied by his little ten-year-old son, Ononko. Ungagook unknown to Smith receives his death wound in rescuing the latter. Together the chief and his son come to the house of Smith and as they see him safely to his door the colonist's young wife expresses her thanks to Ungagook. The chief makes a gesture which is intended to convey the Idea that he thinks lightly of what he has done, and immediately thereafter betrays the fact that he is mortally hurt. He expires in the home of Smith, but before doing so has his little son Ononko promise fidelity to the family in whose house his spirit goes to the Great Manitou. Twenty-eight years later we see how Ononko, now a vigorous young brave, keeps the pledge which he made his father in the years gone by. Deerfield has been sacked. Jonathan Smith and his daughter Ruth, who has just been affianced to Ebenezer Dow, are driven before the tomahawks and flintlocks of the Indians. Dow has gone for assistance, managing to evade the raiders, and the rescuing party comes from the settlement below. Jonathan Smith is saved by a trapper, but his daughter Ruth is among the colonists who are being taken on across the meadow toward Pine Hill and thence to Canada. Ononko has seen the light in the sky from the village below and has hastened with the relieving party of colonists and Narragansett Indians to the scene. He enters the room where the colonists had stoutly defended themselves but where most of them were massacred. Failing to find his friend he seeks him without, and meets him as he is leaving the awful scene of carnage. Learning from the father that his daughter is among the retreating Indians, Ononko promises to seek for her and bring her back to the grieving old man. The story ends in his successfully carrying out his promise. After the rescue, which is accomplished in a most thrilling manner, we see the young colonist and his bride-to-be approaching the edge of the settlement under the guidance of the tall young chief of the Narragansetts. Behind them walks their friend, the trapper. Ononko stands at the edge of the forest and points toward the settlement below. The three others pass him and turn to bid him good-bye, first asking him to proceed with them into the village. Ononko refuses. Why? Perhaps because in the breast of the handsome savage some gentle thought of the girl he has saved has entered: but his nobility of character permits him to entertain the thought only for a fleeting moment. When Ruth was in captivity she was protected from the snow only by the woolen dress she wore. On the homeward march Ononko had given her his blanket to keep her warm. As he bids Ebenezer and his pretty fiancée farewell Ruth offers Ononko his blanket, which she is wearing. The young chief prettily presents it to Ebenezer and places it across the shoulders of the girl. After accepting the gift the young people go to their home, their trapper friend accompanying them. Ononko stands contemplating the settlement below him. What his thoughts may be the observer is left to imagine. At the finish of the film we again see Mr. Sheldon bidding good-bye to the two young people who have been visiting his town.
- Two staid judges, Hay and Holt, are close friends. They have but one child each, an attractive daughter. These old fellows are very dignified and old-fashioned in their ideas, and they guard their girls with jealous care. Two young men of the town are enamored of those pretty girls and pay court to them. They are both surprised in their love-making, by the judges, who angrily order them from their houses, thereby humiliating the young men in the eyes of their sweethearts. The boys swear to get even. They determine to humiliate the judges. So they enlist the services of two gentlemen of shady reputation. The old codgers are enticed from their houses, carried off to a lonely shack in the woods, their beards are shaven off and they are dressed in the garb of children. Frightened half to death by their experience, the old fellows are turned loose to make their way back home as best they can. Their experiences are most amusing. The matter gets into the papers next day, but the names are withheld pending further investigation. Now the boys have them on their hips and threaten to reveal their names unless they give their consent to their daughters' marriage. Of course, the boys win, much to the gratification of the girls and the chagrin of the two crusty old jurists.
- A gypsy seductress is sent to sway a goofy officer to allow a smuggling run.
- The fact that an Indian tribe is eating puppies starts an action-packed battle in a Western town.
- The love of a Moorish maiden, the daughter of the commander of the army, for a Christian knight, is the basis for the story. The first meeting of the two lovers takes place at her father's castle, where the armed knight has come to sign the treaty which ratifies the boundary line between the two nations and terminates a long series of battles. The Moorish chief, a devout believer in his faith, to prove to his enemy the sincerity of the compact, makes a vow before Allah that he will slay, with his own hands, the first person of his race that breaks the bond and crosses the boundary line of his domain. After the affairs of state are disposed with, the chief invites his worthy antagonist to remain as a guest of honor in his castle, as becomes the custom of the time. The young knight accepts the invitation and it is ever thus; that he who tarries on his way ofttimes wanders into Cupid's snare. The dark-eyed maid of noble race looks mysteriously forth from beneath her half-veiled face and Sir Knight forget not the look nor misunderstood its meaning. Love when veiled is a dangerous art and Sir Knight soon finds himself lingering beneath the balcony of his royal lady love of the soft southern moon oft looks down upon the old, old story told again to listening ears. But the course of true love rarely runs through green fields and especially if man and maid are of a different race and faith. So it came to pass that the princess had a rival lover, of her own race, who soon spread the rumor that her knight has been fatally wounded in battle. Secretly she steals forth to join him and great is her joy at finding him well. But soon the lovers realize that she has been made the victim of a trick and its awful truth comes upon her when her father discovers that she has broken the treaty, has crossed the boundary line and he is compelled to keep his vow to his God, to slay her with his own hands. The lover hears of her plight and at the head of a gallant army comes to her succor where Crown and Crescent flash in fierce battle array. Love conquers and all ends well.
- A beautiful story of a poor young musician who has composed an exquisite symphony. Adjoining his squalid quarters is a room occupied by a young lady of good family, but impoverished. She can hear the wonderful strains of the symphony played by the young musician and becomes first interested in the music and then in love with the composer. Together they plan to apprise the world of the genius. One evening, as a renowned musician is leaving a concert hall, after one of his great successes, the young composer throws the score of the symphony into the carriage of the great musician. Curiosity compels the musician to read the music and, at home, on his own instrument, he discovers the great work of the poor young composer. He adopts the symphony as his own and adds new laurels to his already great career. One evening at a concert at which the symphony is played the real composer rises in the audience and denounces the player, claiming the symphony as his. He is taken to prison and later put into an asylum. The young woman lover hears of his plight and intercedes with a rich aunt to secure his release. The aunt believes in the young composer and his work and conspires to show the musician who has stolen the symphony in his true colors. She invites him to a musicale in her home and requests him to play the symphony. As he is playing, the young composer, now released from the asylum, tears the score into pieces and asks the musician to now play the symphony. Of course the musician cannot and acknowledges the young pauper composer's wonderful genius.
- 1911 adaption of "The Hunchback of Notre Dame" in which three men around the Notre Dame Cathedral are romantically interested in Esmeralda, a Romani girl: Commander Phöebus, Quasimodo the bell ringer and archdeacon Claude Frollo.
- Film "Alice's Adventures in Wonderland" based on the novel "Alice's Adventures in Wonderland" by Lewis Carroll.
- D'Artagan leaves home to seek his fortune. Armed with his father's sword and a letter to the Captain of the King's Musketeers, he rides forth boldly to face the world. At a wayside inn he arrives just in time to rescue a young woman from the clutches of several of the Cardinal's spies. He arrives in Paris shortly after and presents his letter to Captain de Treville of the Musketeers. Here he catches his first glimpse of the famous Three Musketeers, Athos, Porthos and Aramis, and decides to fight his way into the Musketeers. In leaving, he runs into Athos, who berates him for his stupidity. This is more than he can bear, even from a Musketeer, and a duel is arranged for one o'clock at the rear of the convent. Hastily turning from Athos he comes into violent contact with Porthos, tearing his cloak from his shoulder and disclosing his ragged jerkin beneath. D'Artagnan bursts into violent laughter at this unexpected disclosure and is challenged to a duel at two o'clock at the convent grounds. Upon reaching the street he spies Aramis chatting with two musketeers and decides to join them, when he discovers that Aramis' foot is resting upon a beautiful lace handkerchief. Wishing to ingratiate himself in the good will of Aramis, he calls his attention to the handkerchief. Aramis denies ownership, but D'Artagnan insists that he saw him drop it and, picking it up, hands it to him. D'Artagnan is again soundly berated for his stupidity; the result is another challenge at three o'clock at the convent. D'Artagnan has lost so much time quarreling that he finds it now time for his first duel. He hurries to the convent only to find all three musketeers waiting. Hardly has he crossed swords with Athos, however, when a company of the Cardinal's guards appear and attempt to take them into custody for dueling. D'Artagnan volunteers to fight on their side and is gladly welcomed. The fight proves a glorious victory for the musketeers, who gather up the swords of their fallen enemies and march triumphantly from the field, arm in arm with D'Artagnan, their sworn friend. They are all brought before the king, but when he hears of the odds against them he not only rewards them, but promises to make D'Artagnan a Musketeer.