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- A tragic and secretive romance ensues over many years after two men meet while herding sheep on Brokeback Mountain in this opera based on Annie Proulx's short story and its subsequent Oscar-winning film adaptation.
- Who was Moliere? He is known everywhere as one of the world's greatest playwrights. But who was he? Born Jean-Baptiste Poquelin in 1622, the son of a prosperous tapestry maker. His mother died when he was a boy. Growing up in the teeming streets of 17th century Paris, Jean Baptiste received a good Jesuit education and was fascinated by the street fairs and traveling carnivals that flourished in spite of the religious repression and hypocrisy of those cruel times. As a young man he joined the theatrical Bejart family to establish the Illustre-Theatre, which soon went bankrupt. The troupe reformed, found patronage, and went on the road for thirteen years, performing all over France. Poquelin developed his stagecraft adapting Commedia dell Arte plots to please brutalized peasants and cynical townspeople. He also married Madeline Bejart, the widowed daughter of the troupe's founder. Later he entered into a love affair with Mme Bejart's daughter, to the dismay of all. The troupe eventually returned to Paris and, on October 24, 1658, greatly impressed the 20-year old King Louis XIV, later to be called the Sun King. Moliere's life became bound up with the magnificent court at Versailles, and with its intrigues. He wrote, staged and acted in the plays now famous all over the world. He fought with his enemies and his friends, enjoyed success followed by failure, organized court festivities and defended himself against increasingly fanatic religious authorities. Above all, his theater was taken from life as his life was theatrical.
- A choreographer must face an unresolved romantic encounter from her past as she creates a new dance work.
- A magical version of Tchaikovsky's masterpiece by the Zurich Ballet and choreographer Heinz Spoerli.
- Composed in the 1930s by Kurt Weill and Bertolt Brecht, this is a mordant satire on capitalism and the inexorable industrialization of a society in which the ultimate crime is not having money.
- This film follows Polish countertenor Jakub Josef Orlinski and three facets of his singing, evoked through three countries. In New York, it will be opera for his debut at the MET, in Warsaw it will be Lied accompanied by piano and finally in Barcelona, it will be Baroque arias with the ensemble Il Pomo d'Oro. Each of these three cities will also be the occasion to evoke an aspect of his personality. The whole, will be embellished by breakdance that he has been practicing for a long time as well as by extracts filmed by Orlinski himself with his phone and integrated into the material of the film itself, as a dialogue between the media and formats supposed to draw at the end an intimate and digital portrait with multiple points of view.
- A small part of a large cemetery. End of fall. It has just rained. Black trees, a few leaves are still attached, other leaves litter the ground. A gravel driveway. A bench whose painting flakes. A man advances in the aisle, leaves the aisle, goes to a grave, reads what is written on the tombstone, stays there and looks at the stone, goes to another tomb, also reads this Who is written on the tombstone, remains for a moment to look at it, then joins the aisle and will sit on the bench.
- As the first collaboration ever between conductor William Christie and director Luc Bondy, this production of Hercules was the major event of the 2004 opera season. Originally Created in Aix-en-Provence in July 2004, the show then moved on to the Palais Garnier in Paris where it was recorded in December of the same year. The Hercules received the student prize at the Golden Prague 2005.
- Two youths have secretly married ladies but not the ones their fathers who are away on trips had selected.A mischievous valet plays tricks to see that the lovers can stay together.
- Mixing history, romanticism and passion for the arts, this film tells the saga of the Morozov brothers, Russian textile industrialists. Mikhail and Ivan Morozov assembled one of the most remarkable collections of French art in the world.
- A dramatic, energetic adaptation of Heinz Spoerli's ballet based on Grieg's Peer Gynt by the Zurich ballet. Marijn Rademaker is excellent as the title character, clearly telegraphing the emotional range required. Each of the characters and the dramatic scenes are supported by the orchestral passages and songs provided by Grieg; some spoken word passages extracted from the Ibsen play.
- A spoof on the Ancient Greek myth, Orpheus and Eurydice are two bickering spouses who are happily separated when she is kidnapped by the gods and forms a love triangle with Pluton and Jupiter. But Public Opinion forces a reluctant Orpheus to go into the Underworld to save her.
- The work of Fernand Pouillon, the "most wanted architect in France" after being imprisoned and mysteriously escaping in the 1960s, seems to have faded into the background today. However, in 50 years he built more than 5 million square meters, mainly between France and Algeria. At a frantic pace, Fernand Pouillon travels tens of thousands of kilometers per week, by propeller plane, to reach construction sites at night between Marseille, Paris, Algiers or in the middle of the desert, until he burned his wings. Among others, Fernand Pouillon decided to build houses for the most modest. The beauty and quality of Fernand Pouillon's housing estates prove that this much maligned architect may have found a remedy for what is known as the "pathology" of large housing projects.
- The Ballet de l'Opera National de Paris mounted this production of the late Pina Bausch's dance-opera Orpheus und Eurydike, which Bausch had adapted from composer Christoph Willibald-Gluck and Ranieri de' Calzabigi's 1762 opera Orfeo ed Euridice. As the title suggests, it takes its basic narrative from the myth of Orpheus, and his courageous but ill-fated attempt to rescue his lover Eurydice (also known as Eurydike) from the jaws of the underworld. This particular production finds Yann Bridard dancing as Orpheus and Marie-Agnès Gillot dancing as Eurydike , with mezzo-soprano Maria-Riccarda Wesseling accompanying Bridard and soprano Julia Kleiter accompanying Wesseling. Pina Bausch did the choreography and stage direction, while Rolf Borzik designed the sets, costumes and lighting. The Balthasar-Neumann Ensemble and Choir, under the direction of Thomas Hengelbrock, lend musical accompaniment.
- Author-designer Mikhail Shemiakin's sinister re-imagining of Tchaikovsky's beloved Christmas ballet.
- Starring Dimitris Tiliakos, Violeta Urmana, Ferruccio Furlanetto, and Stefano Secco.
- Carmen, a wild Spanish gypsy, is unscrupulous in matters of the law and of the heart. A knife fight breaks out between Carmen and another woman, and José, an incorruptible constable in Seville, is ordered to arrest Carmen.
- For a year, the film follows the pianist Lucas Debargue through his encounters, his discoveries and his quest for music. In his early career, revealed by the XVth International Tchaikovsky Competition, praised by the public and critics, Lucas is confronted with the concerts that come one after another. He discovers the relationship with the conductor and music partners, studio recordings, post-concerts, success and autographs. He has now found his new life, a whole life devoted to music.
- Composed in 1931 by Dmitry Shostakovich, The Bolt is based on a book by Viktor Smirnov and is being revived for the first time in more than 70 years. Shostakovich composed a caustically humourous ballet, blending popular tunes, serious music, circus music, waltzes, marches, tangos. He had imagined his ballet as a joyful lampoon of proletarian drama. His intention was to highlight the eventful and ambiguous relationship existing between proletarian experience and the representation given of it by the Soviet vanguard. Alexei Ratmansky's choreography develops into a true marvel, opening with a ballet of giant robots and ending in a blood red delirious grand parade.
- Latin origin, Panamanian on their mother's side and Peruvian on their father's, the two Castro-Balbi brothers were born and raised in Besançon, France. After learning music there (cello for Alexandre, violin for David), they became professional musicians and now make a living from their profession. After many years, they returned to Panama and Peru for two major concerts. Based in Besançon, where the family continues to live, the film tells the story of their return to their origins, the better to anchor themselves in the present and move forward.
- Philippe Boesmans sign his fourth opera with Julie. Harking back to the model of the chamber opera, the composer focused on the chemistry of human relationships that lead heroine of the drama of Strindberg to end his life. Three voices, a chamber orchestra, a unique place, a night time make us witness the fate of this young woman touching. Composer in residence at the Théâtre Royal de la Monnaie for nearly 20 years, the Belgian Philippe Boesmans, born in 1936, is undoubtedly a major figure in the musical landscape of our time. Julie is an intimate work, a chamber opera in one act, based on the drama of the Swedish August Strindberg's Miss Julie, written in 1888. Boesmans music is very personal: his writing is dense and precise, rich and colorful, delicate and colorful and his writing for the voice proves that with opera, the composer was in his natural element.