Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-50 of 608
- Four vignettes about the lives of the Cuban people set during the pre-revolutionary era.
- Simon transports illegal immigrants to New York, leaving them to their fate. He is discovered by the coastguard and Andrés, a young sailor, saves his life. When he falls for a young protegée of Simon conflict erupts.
- Aging Cuban musicians whose talents had been virtually forgotten following Castro's takeover of Cuba, are brought out of retirement by Ry Cooder, who travelled to Havana in order to bring the musicians together, resulting in triumphant performances of extraordinary music, and resurrecting the musicians' careers.
- A man's life has been marked by the story of his mother, a Mambisa heroine of the war of 1895. After her death, he is sent to Spain. In 1931, he returns to Cuba to reclaim the family possessions and discovers the value of love and death, truth and lies, pain and hatred.
- A Cuban man cycles through his opinions and memories as the threat of foreign invasion intensifies and the rest of his family moves to Miami.
- "Not everything is what it seems". This is the motto of Fernando Pérez's Madrigal, an esoteric fable built, in the first part, around a handsome actor's love story with an overweight and homely girl (does he have eyes for her, or for her swanky apartment?) and, in the second part, recounting the story of a futuristic novel the actor is writing (which turns Havana into some dark orgyesque playground with a film noir tone).
- Story of two men who are opposites: one gay, the other straight; one a fierce communist, the other a fierce individualist; one suspicious, the other accepting; and how they come to love each other.
- Two twin sisters, who grew up separately, Dóra, a pseudo-aristocrat, and Lili, an anarchist bomber, are reunited through Z, a mysterious traveller of the luxurious Orient-Express.
- The director Icíar Bollaín presents the story of the Cuban dancer Carlos Acosta, a legend on the dance world and the first black dancer to perform some of the most famous ballet roles. A dancer who did not want to dance.
- A vampire family from Cuba is preparing for a showdown between the USA vampires and the Eastern European vampires. But with the aid of a scientist, they need a type of vaccination where they can live in daylight.
- Traces episodes in the lives of three Cuban women, each named Lucía, from three different historical periods: the Cuban war of independence (with Spain), the 1930s, and the 1960s.
- A young man attempts to fight the system in an entertaining account of bureaucracy amok and the tyranny of red tape.
- Two Cuban friends play in a blues band in La Habana. When a Spanish music producer offers them a contract to record an album and build a career in Europe, they must decide whether to stay in their birthplace with their loved ones or to grab the chance of leaving Cuba.
- It is a satire about life in Cuba. The members of a funeral procession and some truck drivers who need to take the same route begin to talk about God and the world and they end up discovering that life for both groups has many similarities and many differences, depending on the point of view.
- Aging teacher Carmela has a special heart for pupils from broken homes and is challenged by the headmaster to follow up 12 year old Chala which is infatuated in Yeni. They are both poor, and has severe home troubles.
- Cecilia, a Cuban girl of mixed race in violent 19th-century Cuba, is raised by her mother and grandmother as a courtesan. Soon, pale-skinned Cecilia catches the eye of the estate owner's son, Leonardo. Cecilia bows to Leonardo's demands provided he agrees to shelter a wounded member of the resistance movement at his home. Leonardo's wealthy father, Cándido de Gamboa, arranges the engagement of his son to a white girl of their own class. Cecilia tries to stop the wedding with tragic results.
- A Russian cosmonaut is stranded on The Mir Space Station during the collapse of the Soviet Union.
- In Miraflores, Cuba, the growing romance between Mario, a factory worker, and Yolanda, a schoolteacher, throws into relief the differences in their perspectives and values in Revolutionary Cuba.
- A pious plantation owner attempts to teach Christianity to 12 of his slaves by inviting them to participate in a reenactment of the Last Supper.
- The architecture student Estela (Silvia Aguila) makes a suicide attempt after her plans for solving Havana's housing shortage are rejected. This brings her into contact with earthy, cynical hospital nurse Ernesto (Jorge Perugorria). Estela invites him home for dinner, and he succeeds in offending everyone present. Unable to find a quiet spot to be alone, they finally find a squatters' tenement, where their sexual frenzy causes a ceiling to collapse. They next try vertical love in a stalled elevator, trapping people in the modern building minus stairs. Fleeing responsibilities, they stage a romantic rendezvous alongside a country river, but once again they are interrupted as Cuban commissars arrive with papers and forms because the couple constructs a hut beneath a bridge. Amid the misadventures, lust turns to love
- A desperate group of people wait at a rundown Cuban transit station for the next bus to arrive. The problem is, it never shows up. While a number of busses pass by the station, and others that are either full or at the end of the line stop by, it soon becomes obvious that the bus everyone was waiting for has left them high and dry. While one of the would-be passengers, Emilio, uses his downtime to win the affections of the beautiful Jacqueline, most of the rest decide that if they're stuck without anywhere to go, they might as well make the station a better place to wait, and they begin forming a plan to turn the decrepit bus terminal into a showplace that people would look forward to visiting.
- The chronicle of the political tension in Chile in 1973 and of the violent counter revolution against the democratically elected government of Salvador Allende.
- The film is based on the biography of the legendary Russian ballerina Anna Pavlova. She became an internationally regarded ballerina after her performances in 1909 with the Dyaghilev's Ballet in Paris and in London. Anna Pavlova eventually formed her own troupe. She made a successful world tour together with Viktor d'Andre, who was her husband and manager.
- Like her mother before her, beautiful Sissy wants to be a dancer at the Tropicana, Havana's famous cabaret. But her truck driving father, Candido, forbids her to do so because of his ongoing grudge against Armando, his former rival and choreographer at the nightclub. When Candido and his friend Promedio accidentally run Sergito over, Promedio sees the star-shaped mole on the boy's buttock, identical to Candido's. Much to Sissy's delight and to Promedio's dismay for fear of incest, Candido takes the boy home, unaware that Sergito is his son and therefore Sissy's brother. Promedio's worries are confirmed when the two youngsters fall madly in love.
- A young seamstress in Havana with a dream of becoming a fashion designer, has to choose between the two men she loves - a suave foreign photographer, on a mysterious errand, and her loyal but laid back Cuban boyfriend who will, some day, build her a home.
- The killing of a fiery young teacher sets Detective Mario Conde on the trail of a drug kingpin with ties to the high school he once attended.
- A love story in the context of the magical-religious beliefs of the Peruvian Amazon.
- Anna, Teresa and Helena are naughty triplets that always get into a mess. As punishment the Bored Witch sends the girls into a tale in order to learn the lesson.
- A Cuban man dying of AIDS in Havana.
- The struggles of the community of the Coconuco indigenous reservation in Cauca, which by the eighteenth-century royal card is entitled to 10,000 hectares, and in 1971 it barely has 1,500.
- Castro's Spies tells the thrilling story of an elite group of Cuban intelligence agents sent undercover to the US in the 1990s.
- By the first time, Simon Bolivars story is been told from the perspective about the man, not the heroe but the human been itself; with his weakness and troubles that led him to think even in death. Based on one of the most dramatic years at Libertadors life, between May 1815 and May 1816, can be seen the man without the uniform, the man who suffered a rough exile on Jamaica, in the midst the loneliness and the penury from a young man who though he have failed.
- Filmmaker Patricio Guzmán tracks the deterioration of Salvador Allende's position following the attempted coup d'état of 29 June 1973, and analyzes the 10 weeks before Augusto Pinochet's CIA-backed seizure of power.
- Teresa is overwhelmed: with a husband, three young sons, a job as a crew leader in a textile factory, and volunteer commitments as cultural leader of her union. Her husband, Ramón, wants more of her attention; her feelings are mixed, wanting domestic peace, feeling responsibilities to the revolution, and wanting to control her own life beyond doing dirty dishes. They separate; he begins an affair. When he wants a reconciliation, she asks what his response would be if she'd had an affair too. "But men are different," is his reply. He's failed her test, and to hold on to independence and self-respect, she remains uncompromising and hard-edged.
- In Santa Fe de Tierra Firme, an imaginary Latin American country, the indigenous dictator Santos Banderas rules with an iron fist. A group of rebels trying to seize power by force while some liberals try a change of government legally.
- Three characters in present-day Havana must choose between clinging to their self-restricting beliefs, or getting rid of them to live more freely. Ballerina Mariana has promised God celibacy if she gets the role of "Giselle"; Social-worker Julia always faints after hearing a certain word; and pot-smoking percussionist Elpidio was abandoned by his mother, coincidentally named Cuba, some time ago and has not yet gotten over the loss.
- Florida, 1830 - Of all eastern Native American tribes, only the Seminoles have resisted being moved to reservations. Having retreated to Florida, they live a simple horticultural life. But white plantation owners, angry at the increasing numbers of black slaves fleeing to Seminole protection, want to take their land. Plantation owner Raynes, in particular, has convinced the military to wipe out the Seminoles. His rival Moore, a sawmill owner from the North who has a Seminole wife, is against slavery and considers it unprofitable. Chief Osceola sees the coming danger; he tries to avoid provoking the whites, but cannot prevent the war that breaks out in 1835. Osceola was primarily filmed in Cuba and Bulgaria.
- In 1930 Chile, amidst the economic crisis, syndicalist Jose spearheads the battle against landlords and the government.
- Alsino, a boy of 10 or 12, lives with his grandmother in a remote area of Nicaragua. He's engulfed in the war between rebels and government troops when a US advisor orders the army to open a staging area by the boy's hamlet. Alsino tries to be a child, climbing trees with a girl, looking through his grandfather's trunk of mementos and trying to fly; he goes to town to sell a saddle, has his first drink and is taken to a brothel. But the war surrounds him. The US advisor takes Alsino on a chopper flight, but he's unimpressed. The soldiers' cruelties awake rebel sympathies in Alsino, and after an army assault backfires, the lad is fully baptized into the conflict.
- The dictator Anastasio rules with an iron fist backed by business-men making deals and speeches about building canals, completely disconnected from the chaos amongst the population. Anastasio is rumored to have died after an incident with a mirror and a violent confrontation after literally crowing as a cock amongst his chicken followers. The afterlife is shown as a casino where Anastasio strong-arms his way into heaven. Divination is used to find the next dictator, and a sailor and his black, peasant sidekick find themselves attempting to start a revolution with an organ, dragging it through the countryside, as the movie explores the country, culture and music. They attempt to trade with a flattened poster of a traditional family woman as well as a younger shrew, and encounter innocence in the form of a virgin. The war escalates into mythical proportions between heaven and hell in astonishing surreal sets involving dinosaur bones, stagy cages, huge pinball games and a bullfighting show, as well as rich countryside shots of a peasant uprising. Bombs fall from heaven and storms are brought about by a dictator in a bull costume using a fire-hose. An inexplicably obscure, surreal French-Cuban production on the Cuban revolution that predates Jodorowsky with its delirious and bizarre visuals. Filmed by Armand Gatti, a playwright with ties to Monaco and France who worked with Chris Marker and was imprisoned in a camp during WWII for anti-fascist activities. This is a satire with free-form surrealism, symbolism and absurdities.
- Montevideo, Uruguay. In this comedic drama, Elisa, 27, dreams of opening her own hairdressing salon in one of the rich districts of the Uruguayan capital. A bit of a rebel, one day Elisa moves out of her mother's house with her two children and breaks up with Garcia, her boss and lover who has infuriated her by not wanting to get married. So, in the space of twenty-four hours, Elisa finds herself without a roof over her head, without a man, without a job and without money. Her best friend Loulou finds her a job - in the brothel run by Dona Jacqueline. And without really being aware of it, Elisa slides into prostitution, which leads her to Barcelona. She falls in love, she is exploited, she gets involved in transvestite gang wars, and meanwhile just dreams of earning enough money for her little beauty salon back home.
- Dawn breaks in La Habana, and as the day advances we follow the simple lives of ten ordinary Cubans, with only sounds and images accompanied by music.
- Based on the novel Francisco by Anselmo Suárez y Romero, "The Other Francisco" is a socio-economic analysis of slavery and class struggle through the retelling of the original novel. The film contrasts the romantic conceptions of plantation life found in Suárez Romero's novel with a realistic expose of the actual historical conditions of slavery throughout the Americas. It offers a critical analysis of the novel, showing how the author's social background led to his use of particular dramatic structures to convey his liberal, humanitarian viewpoint.
- 1810. Enrique Faber, a Swiss surgeon, lands in Cuba in search for his son. After a few weeks of investigation, he is told that his son was burnt alive in the attack on a plantation led by a slave revolt. Enrique Faber does not believe this. He settles in Baracoa and carries on with his research. His success as a doctor and his marriage to Juana, a young strange and attractive pariah from the area soon create jealousies. Malicious rumours immediately spread about his high-pitched voice and his fragile appearance. One night, he comes across four men sent by a slave trader. They undress him and discover that Enrique is a woman... Enrique is thrown into jail. Soon begins the most scandalous trial of Cuban colonial history. Based on a true story
- Story shows the genesis of the career and the rise of Esther the most beloved actress of most popular theater in Havana at the turn of the 19th century.
- A drama about grandmother-grandson relationships.