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- About the daughter of the Borgia, a noble medieval house. From her numerous and unhappy weddings, to the forced monacation, to the will of her family.
- King Lear decides to divide his kingdom amongst his three daughters. The oldest two daughters fawn insincerely over their father, and get most of his possessions. The youngest daughter, Cordelia, is much less lavish in her displays of affection, and disappoints her father. But events soon lead the old king to find out how each of his daughters really feels about him.
- With a friend desperate for money, a merchant takes out a loan from a ruthless money-lender. Confident that his ships will soon be bringing him great wealth, the merchant willingly agrees to conditions of the loan that put him at great personal risk.
- Romeo, of the House of Capulets, and Juliet, of the House of Montagues, scorn the family feud of years, and love each other with all the fervor of Veronian youths. The ardent wooer sings his love beneath his lady's window while the stars wink their approval of the lovers' happiness. Juliet's father urges her marriage to Tybalt, a man of his choosing, but Romeo determines she shall not, so together they visit the venerable Friar Lawrence and are secretly united in marriage. Romeo is challenged by his rival, Tybalt, and in the encounter wounds his antagonist, for which he is exiled. Romeo's departure leaves Juliet open to the demands of her father, who insists upon her immediate marriage to Tybalt. In terror she flees to the old Friar, who gives her a powerful sleeping potion, and on the day she is to marry Tybalt, her friends are horrified to see her fall into a deathlike swoon. She is interred in the vault of her ancestors, and Romeo, hearing of her death, returns home, enters the vault and after gazing upon the face of his beloved plunges a dagger into his heart. Juliet awakens to see him expiring, and in her agony seizes the same dagger, inflicts a death-wound, and expires beside her lover.
- The scenes open with Jesus in the act of performing miracles before leaving Jerusalem with His disciples. He passes through Samaria, where the people mock both Him and His followers, and finally He comes to Jacob's well. Here, wearied with His journey, he seats Himself, while the disciples go into the town to buy food. To the well also comes a Samaritan woman to draw water, end Jesus asks her to moisten His parched lips. The woman at first refuses, protesting that the Samaritans can have no dealings with the Jews, but the words of the Stranger proving to her that she is speaking to the Messiah, she raises her pitcher so that He may drink. She then runs into the city to announce the news, afterwards returning to the well to beg Jesus to accompany her to her own people, whose slower moving feet she has outstripped. Jesus complies, and the Samaritans, whose mockery and incredulity die away on their lips as they perceive the Messiah, acclaim Him joyfully.
- This picturesque narrative of Spain, from the magic pen of the brilliant writer, Posper Merimee, and set to music by the immortal Bizet, is the subject now presented in film d'art form. Madame Lepanto as Carmen, typifies the description of the Spanish girl. Don Jose Navarro, a Basque, and a Christian of the ancient type, had enlisted in the cavalry regiment of Almanza and was on duty at the tobacco factory in Seville where four or five hundred girls were employed in rolling cigars. As the bell rings for the girls to return to their work the young men watch them as they pass. One, a handsome, merry-looking girl, the beauty of the place and known to all as "La Carmencita," struts by the line of admiring men. Don Jose being a quiet sort of fellow, is not much attracted at first by the saucy-looking beauty, who, not accustomed to being ignored, asked Navarro to give her the chain he is fashioning out of some brass wire. Navarro replied that he could not, as he was making it for a certain purpose, whereupon she took the flower from her month and struck him in the face with it, much to the amusement of all the others. As Carmen passed on. Navarro, when no one was looking, stooped and picked up the flower and put it in his pocket. Two or three hours after this incident a porter rushed into the guard house saying that one of the factory girls had been murdered. With several of his comrades Don Jose hurried to the factory, where he beheld a wounded woman lying on the floor and recognized Carmen in the grasp of five or six of her companions. When the wounded girl beheld the soldiers, she accused Carmen, who stood with a defiant expression on her face. Don Jose's duty was plain: he must arrest the girl. So taking her gently by the arm (she being a woman) he bound her hands behind her and placed her under arrest. The wily gypsy asked her for her mantilla and then started off with Don Jose. On the way she turned and asked him in a childlike tone where he was taking her, Don Jose, determined to do his duty, answered that he was taking her to prison. Upon which she begged and pleaded with him to have mercy. Soon, therefore, when they come to a narrow lane, with one throat of her tiny hand she gives Don Jose a push, and he obligingly falls back and his prisoner hopping over his prostrate body regains her liberty. Navarro is compelled to return to the guard house without succeeding in locating her, and consequently is reduced to the ranks and imprisoned for a month. While he is in prison his keeper comes to him one day with a loaf of bread, which he said was sent him by his cousin. Navarro knows very well that he has no cousin in Seville and immediately suspects that Carmen is responsible for the loaf of bread. As he attempts to cut it his knife strikes something hard and he finds that a small English file has been placed in the dough before it was baked. He also finds two pastries with which Carmen evidently intended him to purchase a civilian's coat, and also a note from Carmen telling him to meet her at Lillas Pastia's. Thanks to the gypsy girl's thoughtfulness, Navarro escapes and finds his love waiting for him at the old gypsy eating house. Well, the end of it all is that Carmen has decided to persuade Navarro to join a band of smugglers. At first he would not listen to it, but finally out of love for the girl he consented. For his devotion, however, the fickle beauty repays him by flirting with other admirers, thus making Don Jose most unhappy. She had at this time become acquainted with a very handsome and skillful picador named Lucas. One day one of his comrades told him that he saw Carmen in a shop with Lucas and Navarro became inflamed and questioned the girl, who confessed her love for the picador, at the same time tearing off her finger a ring Don Jose had given her. The latter, unable any longer to control his rage, strikes her a deadly blow with his knife and then remains with arm uplifted as if turned to stone as he gazes down on the huddled up little figure of the woman he had so passionately loved.
- Marguerite Gautier, a poor but beautiful country girl, who, a few years before she became the rage in Paris, did not know how to write her own name, first met Armand Duval at the theater. This is the opening scene of this wonderfully beautiful and interesting film d'art. Marguerite in her box, beautiful as a dream, and Armand standing looking at her transfixed with admiration. After obtaining an introduction to his divinity. Armand becomes a constant visitor at her home. One night, at a little dinner given by Marguerite to her friend, Prudence Duvernoy, a well-known milliner, and at which were present her devoted admirer. Armand and one or two other congenial spirits, Marguerite was taken with a desperate spell of coughing. Symptoms of the dread disease she had inherited from her beautiful mother bad already made their appearance. Her faithful maids, rushing to the aid of their mistress, carried her to a couch in a nearby room, where Armand follows and imprints a kiss on the girl's hand, receiving as a reward a smile and one of her favorite flowers, a camellia. This was the first sign that Marguerite, the much-sought-after beauty, gave that she was beginning to care for the poorest, but handsomest, of her many lovers. Up to the time of Marguerite's meeting with Armand, the rich and influential Duke de Linieres had been her devoted admirer. She had met the duke at a health resort, where the latter had come with his daughter, who suffered from lung trouble as did Marguerite. The duke's daughter died just before Marguerite's arrival, and when he met the latter in the corridor of the hotel, she reminded him so forcibly of his child, that he took a great fancy to her, and hated to have her out of his sight. Although Armand knew of this friendship between the rich nobleman and the girl, he did not despair of supplanting the former in Marguerite's affections. He succeeded in this, and at Marguerite's own suggestion, for she had now become very much attached to Armand. They left Paris for the country, where we see them rowing on the river or strolling hand-in-hand, happy as two children. Marguerite describes these days in her diary, which Armand permitted Dumas to read, as the happiest days of her life. But, like all happy days, they were of short duration. One afternoon, the greater part of which Armand and Marguerite had spent together on the river, we see the girl jumping out of the boat which her lover takes further up to moor. As she walks slowly along she is stopped by one of her maids who hands her a letter, which she opens with fear at her heart and almost swoons away when she reads a message from Armand's father, begging her to discontinue her friendship with his son, not only for the boy's sake but for that of his sister who is soon to marry. The maid tells Marguerite that the gentleman is awaiting her at the house, and pushing the maid aside she hurries along to get the dreaded ordeal over. The old man is at first inclined to be a little imperious with the girl, but seeing that she truly loves his son and is willing to give him up if it is for his own good and his father wishes it. He becomes less severe and even takes Marguerite's hand as he bids her good-bye and expresses his gratitude for her unselfishness. Marguerite sets out for Paris without letting Armand know of her intention, but sends him a letter telling him that all is over between them and that he must not try to see her again, but return to his family, where he will soon learn to forget an unfortunate called Marguerite Gautier. When Armand discovers that Marguerite has flown he becomes like a madman and hurries to Paris, determined to have an interview with her and try to induce her to change her mind. He cannot find her at her house, which is closed, for Marguerite has taken up her residence with an old friend, Olympe by name, and when Armand hears this he secures an invitation to the home of his friend where a ball is to be given to some kindred spirits. On entering the drawing room the first one Armand sees is Marguerite who is gaily dancing with one of the handsomest men in the room and whom Armand recognizes as a wealthy young nobleman, who had always been a great admirer of Marguerite, but for whom she always professed a great dislike. Although Armand tries in every way to attract Marguerite's attention, for he is confident that she is conscious of his presence, she never looks in his direction or gives any sign that she knows he is in the room. Mad with jealousy and disappointment, Armand, when the guests are leaving endeavors to get a few words alone with the girl, but she repulses him and he unable to restrain his passion calls back the guests and denounces the terrified woman in their presence. All this excitement added to the sorrow she had experienced on being compelled to part with Armand had been too much for the already doomed Marguerite. Shortly after this scene she takes to her bed and many and many a weary day and night she passes, as all her gay friends have little time for her now that she is ill and unable to take part in their round of pleasure, The one thought that keeps her up in these days of suffering is that Armand, now that she is about to die, will come to see her and forgive her before she passes out of this life forever. As we see the emaciated form of the once bright and beautiful butterfly stretched out on her bed of pain, we start with horror on viewing the change that has come over the beautiful woman we saw but a short while ago seated surrounded by admirers in her box at the theater. Nanine, her faithful maid, enters just at this juncture and from her expression her mistress knows she is the bearer of joyful news. And so it is. Armand has finally arrived. On hearing the news Marguerite leaps from her bed and throwing her gown about her is in a moment clasped tightly in the arms of the only man she ever loved. But the joy had been too much for the poor, weakened frame. A terrible fit of coughing comes on and Marguerite Gautier, barely twenty-one years of age, but who has seen so much of life in this short time, passes away in the arms of one, who, had fate only brought him in her path a little sooner, might have made of her a different woman.
- This is the beautiful story of Francesca di Rimini, which is known the world over for the charm of its heroine. Paul falls deeply in love with Francesca, to whom he has been sent by his brother, Lancietto, to propose for him. After her acceptance of the proposal she is accompanied by Paul to her future husband. Paul cannot keep away from the object of his affections, and during the voyage their friendship deepens and ripens into an all-absorbing passion. On the trip there is also a court fool, who, while disporting himself for the amusement of others, is really plotting dark deeds. When the twain arrive at Rimini Francesca cannot repress a shudder of horror at the sight of her betrothed, nevertheless, they are married, and Paul, in order to stifle his love, begs of his brother to be sent on a mission, to which his brother consents. Lancietto's fool, however, has a grudge against his master, and in order to be revenged upon him, and knowing the love that Paul bears to Francesca follows Paul and persuades him to return. This Paul does, and unable to withstand the beauty of Francesca, makes love to her. The perfidious fool now tells Lancietto of his wife's inconstancy, and the latter enters the apartment where they are together and pierces them both with one stroke of his sword.
- Beatrix D'Este, a beautiful Italian widow, is loved by Orlando, an Italian nobleman, and also by the powerful Duke of Milan. She refuses the duke, who plots to prove to her that her lover is false. The plot succeeds and she gives her consent to the duke. Orlando, hearing of this, seeks to die, and the young widow is informed that he has killed himself for love of her. She rushes to him, in her bridal robes, and learns from his own lips that she is the victim of treachery.
- The Countess de Challant has the misfortune to be married to a most disagreeable man, and it is small wonder that she falls in love with a young courtier, who finally, in order to still more win her favor, kills her husband. The night watch finds the body of the slain man and follows the trail of the assassin, which leads to the home of the countess. The house is searched, but the countess has permitted the young man to escape. Nevertheless, a bloody handprint on a pillow betrays him as well as his inamorata, and she is accused of being an accomplice of the crime. She is tried, condemned to death, and her lover witnessing the execution from the crowd, falls dead at the foot of the scaffold.
- Joachim Napoleon Murat, the son of a laborer, who rose to be a powerful aid to Napoleon Bonaparte, and who married Bonaparte's sister, Caroline, was created King of Naples. He was regarded as a usurper by many of the Neapolitans. A meeting of conspirators is taking place in a church. Lots are drawn for the man who is to make an attempt upon the life of Murat, and the die falls upon Perugini, a florist. Anna, Perugini's daughter, is accosted by young bloods and roughly handled. A passing man protects her. This man is Murat, walking incognito through the city. Perugini makes his attempt upon Murat. Murat defends himself, and the florist. is arrested. Anna recognizes in Murat her protector. She is stricken with grief at the thought of her father's fate, and she goes to Murat to ask for pardon for her father. Murat is easily induced to grant the pardon. Captain Renzi is commanded to carry it to the prisoner's inquisitors, and Anna accompanies him. Perugini shows scornful indifference, until he learns that it is due to his daughter's intervention with Murat. Then he passionately denounces her as unworthy of his fatherhood. Anna, thus repudiated, is glad to accept the consolation of Captain Renzi, who counsels her to enter the service of Queen Caroline. She is brought before the Queen, and is made waiting maid. Anna faithfully performs her duties, but she makes a hero of Murat. Murat shows her some favor. Captain Renzi warns the Queen anonymously, and Murat, to dissipate the Queen's distrust, affiances Anna to Renzi. Anna, to escape from the union, returns home, deciding to brave her father's anger. Again she is turned away, but her return has disclosed to her a new plot against the King. The day her father makes a second attempt to thrust a knife into Murat's breast, she flings herself between him and his victim, and receives in her own bosom the death wound. She dies bravely with Murat's kiss of gratitude upon her lips.
- Hippolytus, the handsome son of Theseus, the great legendary hero of the Greeks, is beloved by all the women. His father's second wife, Phaedra, is also charmed by his magnificent looks. He, terrified, spurns her, and in his rage treats her roughly. Theseus, who has been at the wars for some years, returns a conqueror, and is met by his son and together they proceed in triumph to their home. Here Phaedra, thinking to be avenged on Hippolytus for his treatment of her, informs Theseus that in his absence Hippolytus had made love to her. Theseus, enraged, curses his son and banishes him from Athens. Hippolytus accordingly starts off in his chariot drawn by three fiery horses. His course is directed along the seashore, but Poseidon, the god of the Mediterranean, in accordance with the curse of Theseus devoting his son to destruction, causes a wave to dash up and frighten his horses, who bolt, with the result that the chariot is overturned and Hippolytus is killed. The crowd, who quickly assemble, place his corpse on a plank and carry it to his father. Phaedra, stricken with remorse on seeing his dead body, declares his innocence, and confessing to Theseus that her accusation was unjust, kills herself at the foot of the bier.