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- An analysis of the construction mechanism for the magic in dominant narrative cinema though the filming of Count Dracula (1970), a commercial film by Jesús Franco.
- The film is divided into two large segments. The first is made up of a couple of fixed shots of the pianist, Carles Santos, playing Frédérick Chopin. The second segment shows him listening to this own recording from a loudspeaker, before he dons headphones lets silence take over the film.