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1-50 of 54
- Chief Inspector Morse has an ear for Western classical music, a taste for beer, and a nose for crime. He and Detective Sergeant Robert Lewis solve intriguing cases in and around the Oxford area.
- In the midst of the Hundred Years War, the young King Henry V of England embarks on the conquest of France in 1415.
- A man becomes obsessed with vengeance when his soul mate marries another man.
- Widower Thomas Jefferson (3rd US president 1801-09) lives in Paris 1785-90 with his daughter. He has a pretty slave girl accompany his other daughter to France. He has an alleged affair with her resulting in children.
- The last days of legendary opera singer Maria Callas.
- Telling the story of a lonely woman in 19th-century Russia who falls in love with one of her husband's workers and is driven to murder.
- Verdi's famous opera is brought to life in this production. The immortal tale of the noble Moor and his beautiful young wife, and of his lieutenant, whose jealousy and lust for power lead him to commit the ultimate treason.
- Few of Maria Callas's performances were filmed, so these two gala concerts recorded at the Royal Opera House, Covent Garden, in 1962 and 1964 are special. On 4 November 1962, it was before an excited audience that she appeared unexpectedly in a live television transmission of a concert with several other performers. She was in excellent vocal condition, which reassured her fans, who had heard rumors that she was vanishing from the stage to be with Aristotle Onassis or because her voice was failing. Callas sings "Tu che le vanita" from Verdi's Don Carlo and the flirtatious gypsy girl's role in the Habanera and the Seguedille from Bizet's Carmen. In 1963 Callas occasionally recorded for EMI in Paris, but her last triumph was her appearance in Puccini's Tosca at Covent Garden in 1964. The director was Franco Zeffirelli and singing in the role of Scarpia was baritone Tito Gobbi.
- A stage performance of the Shostakovich opera, filmed in Barcelona.
- Benoit Jacquot reinvents the way we view opera in this magnificent production of Puccini's story of Tosca's love for the painter Cavaradossi and the intervention of Scarpia.
- Meet the inhabitants of the "Casa di Riposa" in Milan, the world's first nursing home for retired opera singers, founded by composer Giuseppe Verdi in 1896. In his documentary film Tosca's Kiss, which has developed an underground cult following over the years and is a favorite among opera and music lovers worldwide, director Daniel Schmid has captured a world in which these wonderful singers (many of whom had significant careers on the opera stage) re-live and re-enact their triumphant roles of the glorious past. Tosca's Kiss is a touching and often hilarious film on the subject of aging and the power and timeless capacity of music to inspire.
- Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.
- The spectacular mezzo-soprano Cecilia Bartoli is joined by the ensemble Il Giardino Armonico in a program of baroque music from composer Antonio Vivaldi, "The Red Priest". The concert encompasses arias and instrumental pieces from the oratorio Juditha Triumphans and the operas L'Olimpiade, Tito Manlio, Ottone in Villa, La fida ninfa, Bajazet (Il Tamerlano) and a chilling, passionate performance from Farnace. The ensemble performs Concerto in C major for Flautino (affectionately known as the Penny Whistle), and Concerto in D major for Lute. The predominant portion of music was unknown and specially transcribed from Vivaldi's original manuscripts by musicologist Claudio Osele. The International Film Crew from RM Associates is directed by veteran opera director Brian Large and produced by classical music producer Colin Wilson. The sell-out musical event was presented at the superb art-deco Théatre des Champs-Eysées, Paris in September 2000.
- ACT I Rome, June 1800. Cesare Angelotti, an escaped political prisoner, rushes into the Church of Sant'Andrea della Valle. After finding the key his sister has hidden for him, he hides in his family's private chapel. Soon, the painter Mario Cavaradossi arrives to work on his portrait of Mary Magdalene. The painting has been inspired by Angelotti's sister, the Marchesa Attavanti, whom Cavaradossi had seen praying in the church. Angelotti, who was a member of the former Bonapartiste government, emerges from his hiding place. Cavaradossi recognizes him and promises help, then hurries him back into the chapel as the singer Floria Tosca, his lover, calls from outside. When he lets her into the church, she jealously asks Cavaradossi to whom he has been talking and reminds him of their rendezvous that evening. Suddenly recognizing the Marchesa Attavanti in the painting, she accuses him of being unfaithful, but he assures her of his love. When Tosca has left, Angelotti again comes out of hiding. A cannon signals that the police have discovered the escape, and he and Cavaradossi flee to the painter's home. The sacristan enters with choirboys who are preparing to sing in a Te Deum celebrating the recent victory against Napoleon at the Battle of Marengo. At the height of their excitement, Baron Scarpia, chief of the secret police, arrives, searching for Angelotti. When Tosca comes back looking for Cavaradossi, Scarpia shows her a fan with the Attavanti crest that he has just found. Seemingly confirming her suspicions about her lover's infidelity, Tosca is devastated. She vows vengeance and leaves as the church fills with worshippers. Scarpia sends his men to follow her to Cavaradossi, with whom he thinks Angelotti is hiding. While the congregation intones the Te Deum, Scarpia declares that he will bend Tosca to his will. ACT II That evening in his chambers in the Palazzo Farnese, Scarpia anticipates the pleasure of having Tosca in his power. The spy Spoletta arrives with news that he was unable to find Angelotti. Instead, he brings in Cavaradossi. Scarpia interrogates the defiant painter while Tosca sings at a royal gala in the palace courtyard. Scarpia sends for her, and she appears just as Cavaradossi is being taken away to be tortured. Frightened by Scarpia's questions and Cavaradossi's screams, Tosca reveals Angelotti's hiding place. Henchmen bring in Cavaradossi, who is badly hurt and hardly conscious. When he realizes what has happened, he angrily confronts Tosca, just as the officer Sciarrone rushes in to announce that Napoleon actually has won the battle, a defeat for Scarpia's side. Cavaradossi shouts out his defiance of tyranny, and Scarpia orders him to be executed. Once alone with Tosca, Scarpia calmly suggests that he would let Cavaradossi go free if she'd give herself to him. Fighting off his advances, she declares that she has dedicated her life to art and love and calls on God for help. Scarpia becomes more insistent, but Spoletta bursts in: Faced with capture, Angelotti has killed himself. Tosca, now forced to give in or lose her lover, agrees to Scarpia's proposition. Scarpia orders Spoletta to prepare for a mock execution of Cavaradossi, after which he is to be freed. Tosca demands that Scarpia write her a passage of safe-conduct. After he has done so, he attempts to make love to Tosca, but she grabs a knife from the table and stabs him. She takes the pass and flees ACT III At dawn, Cavaradossi awaits execution on the ramparts of Castel Sant'Angelo. He bribes the jailer to deliver a farewell letter to Tosca, and then, overcome with emotion, gives in to his despair. Tosca appears and explains what has happened. The two imagine their future in freedom. As the execution squad arrives, Tosca implores Cavaradossi to fake his death convincingly, then watches from a distance. The soldiers fire and depart. When Cavaradossi doesn't move, Tosca realizes that the execution was real, and Scarpia has betrayed her. Scarpia's men rush in to arrest her, but she cries out that she will meet Scarpia before God and leaps from the battlement.
- Mozart's second collaboration with the mercurial librettist Lorenzo da Ponte is among the very blackest of black comedies. Glyndebourne welcomes back the winning team of director Jonathan Kent and designer Paul Brown, while the music is conducted by Vladimir Jurowski. In the title role, the bass-baritone Gerald Finley, joined by Luca Pisaroni, Kate Royal and the young Russian soprano Anna Samuil.
- 10 years after the release of "Philadelphia", director Jonathan Demme, Tom Hanks, Denzel Washington and others discuss about the making of that film and it's important legacy through the years of being the first mainstream Hollywood film about dealing with the topic of Aids, revealing its impact on culture and society. Cast and crew talk about the inception of the project, the making of it and curious stories about one of the greatest hits of 1993.
- A series of three fifty-eight-minute archival programs featuring David Oistrakh.
- Maria Callas: Life and Art is a brilliant documentary of opera diva Maria Callas. The documentary includes extensive interviews with her friends and colleagues, as well as performance footage.
- Filmmaker Bruno Monsaingeon visits piano virtuoso Glenn Gould more than ten years after his self-imposed exile from the stage, which results in a mixture of interview and performance.
- The Frankish knight Roland captures Fierrabras, son of the Prince of the Moors, and out of chivalry has King Karl spare him. Karl remands Fierrabras to Roland's custody, and they become friends. Ronald is in love with Karl's daughter Emma, but as a simple knight, he is not of the status to marry Princess Emma, although she loves him. Emma is betrothed to Eginhard, King Karl's army commander. Roland and Emma decide to elope in the garden at night, but King Karl catches them. In the bad light, Fierrabras is able to take the fall for Roland, who spared his life, and gets put in prison. Eventually, King Karl learns the truth from Emma and sets Fierrabras free, and Fierrabras and Roland strike out together against the Moors. Fierrabaras will not strike his own father, however, and the opera ends in a happy reconciliation between the parties. In this production, Franz Schubert himself appears, taking bits of the spoken dialogue and manipulating the characters onstage, sometimes handing them sheet music from which to sing, as though he is composing the opera as it is being performed.
- In János Darvas' film, Pappano speaks about his career and his views on music.
- Hamlet suspects his uncle has murdered his father to claim the throne of Denmark and the hand of Hamlet's mother, but the prince cannot decide whether or not he should take vengeance.
- Shot over a period of 2 years, the film set out to retrace the most important stages of the great singer's career and show the range of her musical activities. In addition, it makes use of a wealth of archive footage from different period.
- From childhood injury, to physical disability, and a lifetime battling arthritis, famous classical pianist Byron Janis has fought adversity his whole life. He stands as a lesson to all those who face hurdles in life and can still succeed.
- A filmed record of two concerts given in Hamburg, Germany, by opera star Maria Callas in 1958 and 1962.
- Among the archival footage jewels from the vaults of the INA, the BBC, the CBC, and many other international television channels, are exhumed amazing and rarely seen recordings of the greatest classical music stars of the 20th century.
- Great Opera Arias: Concert With Domingo, Alagna, Gheorghiu movie was released Nov 18, 2008 by the Kultur Films Inc. studio. World-renowned tenor Plácido Domingo is joined by opera superstars Angela Gheorghiu, Roberto Alagna and a host of other international stars in this glittering and entertaining Gala Concert on the stage of the Royal Opera House, Covent Garden. Great Opera Arias: Concert With
- Ballet adaptation of Bach's famous Cello Suites.
- The story of a disabled beggar in Charleston, S.C. who falls in love with a prostitute, this is the first filmed version of Gershwin's opera which uses Gershwin's own orchestrations and practically all of the music, with only one major cut.
- 2006– 3h 25mNot Rated7.5 (32)TV EpisodeTo unite the lands he has conquered, the First Emperor of China, believes that a national anthem is needed. He hires a childhood friend to compose it for him, not realizing that his friend does not share the Emperor's aspirations.
- 2006– 1h 52mNot Rated6.7 (22)TV EpisodeSet in the industrialized 1950s, Hansel and Gretel are latch-key kids to a depressed mother and overworked father. The witch runs a stainless-steel kitchen with modern gadgets and a glass-door oven. One hopes it's the self-cleaning kind.
- The witches tell fortunes: Macbeth will be King, Banquo will beget Kings. Macbeth helps the agenda by murdering King Duncan; and, what the heck, Banquo, too. Macbeth takes the crown, Lady Macbeth hosts a dinner; Banquo crashes the event.