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- It's Christmas Eve. The miser Scrooge and his assistant Bob Cratchit finish their work in the office and go home. When Scrooge is going to open his front door, he sees the face of Marley's ghost in the door knocker. Inside he takes on his night dress, eats his supper, and falls asleep at the table. Marly's ghost shows Scrooge a vision of himself at a Christmas in the past. Then the ghost escorts him to the present Christmas, and the homes and families of Bob Cratchit and Fred, where Scrooge sees Bob and Fred drink to him in his absence. At last the ghost shows Scrooge the Christmas that might be. Here Scrooge has to face his own grave and the death of Tiny Tim. Confronted with this Scrooge regrets his callousness and egoism.
- A British trick film in which a motorist ends up driving around the rings of Saturn.
- The sea is quite rough, and at Dover a series of heavy waves pounds against a pier and along the adjacent shoreline. The scene then shifts to a different view of flowing water, and shows a heavy current from a point along a riverbank.
- A satire on the way that audiences unaccustomed to the cinema didn't know how to react to the moving images on a screen - in this film, an unsophisticated (and stereotypical) country yokel is alternately baffled and terrified, in the latter case by the apparent approach of a steam train
- A stationary camera, looking diagonally across a racetrack toward the infield, records the horses as they race past. Once they are out of view and the race is over, police officers run onto the infield. The crowd moves around.
- A woman sitting on a bench is approached by a soldier. Momentarily, she refuses his advances, but in no time at all, they are kissing each other passionately.
- Although the content of this film is primitive in the extreme - a shot of the traditional Oxford versus Cambridge University Boat Race, filmed on March 30 1895 - this film is of immense historical importance as being the first ever British film
- A Spiritualist causes a group of table-turners to walk upside down on the ceiling.
- A magician makes a woman sitting on a covered chair disappear and appear again.
- A barmaid plies a swell with smiles and with cherries from a box that's just been delivered. When she refuses a cherry to a roughly-dressed tradesman who runs a tab at the bar, he pays off his debt in a huff, using all his week's pay. He then storms penniless and without provisions into his ill-furnished house where his wife and two children, ill-clad and ill-fed, cower. Is there any hope for him and for his family? If he does realize how low he's sunk, what help is there to lift him up? Will the family ever know the taste of cherries?
- A couple look at a statue while eating in an art gallery.
- A stationary camera looks on as two dapper gents play a game of chess. One drinks and smokes, and when he looks away, his opponent moves two pieces. A fight ensues, first with the squirting of a seltzer bottle, then with fisticuffs. The combatants wrestle each other to the floor and continue the fight out of the camera's view, hidden by the table. The waiter arrives to haul both of them out.
- An old proprietor is startled by the sudden appearance of a skull. Just as he draws back from the uncanny object, the doors of a mediaeval wardrobe fly back and a hand prods him with a sword. He turns to confront his assailant when it vanishes, and at the same instant the skull flies to the other end of the room. He clutches at the skull, when it turns into the half form of a girl from the waist up, suspended in mid-air. As he gazes in amusement, the other half of the girl, fully dressed from her waist down, walks across the room, and the two halves of the figure join, making a girl complete. In an amorous fashion the old man folds his arms around the girl's waist with the intention of stealing a kiss, but the girl immediately changes into an old woman, who grins in evident delight at the old man's discomfort. In great anger he throws her into the wardrobe and locks the door. Unseen by him, the woman has again become a girl. A great effect is here produced. Through the doors, which are solid and closed, the form of the girl appears through the woodwork. Hastily opening the door, the old man is then confronted by an Egyptian mummy. Other strange things happen. As the pawnbroker flies from the room a large and grotesque head arises from the smoke and slowly advances toward the spectators. Larger and larger the head grows until it fills the entire picture, and appears as though it would swallow the whole audience. A most laughable and mystifying scene.
- On the roof of an ancient palace appear a young Knight and his lady. While they are making love an ugly old witch appears and is rather troublesome. The Knight commands her to leave, and when he is about to force her away she sits on her broom and rises to the moon. After disappearing she causes various hob-goblins to haunt the pair, the last of them stealing away the lady while the Knight's back is turned. The Knight, frantic with grief, is suddenly confronted by a Fairy, who presents him with a magical sword, and tells him that he can use it to regain the young woman.
- Bookmaker struggles with police and is arrested.
- The water beats relentlessly against the Hell's Mouth (Boca do Inferno), one of the main natural attractions of Lisbon's west coast, filmed from above almost in a vertical plunge onto the deep, rocky ground.
- A man and a woman talk beside a street near a corner where a cop stands. Just as a horse-drawn cart rounds the corner, the man backs off the sidewalk saying good-by to his companion. The horse and cart flatten him and continue on, out of the camera's stationary range. The cop runs after the cab, the woman dashes to the body. The cop brings back the driver; is the victim dead?
- A woman offers refreshments to the men painting her storefront. A policeman enters and flirts with the woman. A jealous painter dumps his paint on the officer. A chase ensues in which the officer keeps knocking over innocent bystanders.
- A Chinese magician turns himself into a huge bat.
- An actuality record of Blackfriars Bridge, London, taken from the southern end looking northwards over the Thames by R.W.Paul in July 1896. It was screened as part of his Alhambra Theatre programme shortly afterwards, certainly no later than 31 August, as it is included in a printed programme of that date (as 'Traffic on Blackfriars Bridge'). Two or three of the pedestrians seem aware of the camera's presence, though not to any particularly noticeable extent.
- Pierrot draws a lady in sections, and the parts come alive.
- One of the prettiest pictures of child life we have yet offered. Two pretty children are seated in their high chairs playing "Tea Party" with their dishes arranged about them. They become engaged in a dispute over the possession of a piece of cake and one of them cries, giving the most perfect and child-like facial expressions we have yet had the pleasure of seeing.
- A sweep flirts with a girl, then fights her miller father.
- A miser dies of shock when the ghost of a poor woman appears.
- An up to date idea and a great picture. The professor sits in his laboratory with his newly invented baby incubator. A mother who is anxious for the growth of her child enters, places her baby in care of the professor, who promptly places it in the incubator. An alcohol lamp is lighted under the apparatus, but the professor evidently gets his machine too hot, for in a few seconds the top is opened and the baby taken out. To the great anger of its mother it has grown about two feet in height and has long hair and a full beard.
- Procession of representatives of the British Empire's far-flung territories, including Canada, though it had gained its independence in 1867. Shows the continued fealty to Britain even among former colonies that would continue well into the 20th century.
- Soldiers play cards and jeer as shells burst around them.
- Vesuvius erupts and people escape from a room as the ceiling falls.
- An old man dreams a fairy enlarges his Noah's Ark and toy animals enter it.
- Husband comes home late and wakes the wife.
- A conjurer makes furniture return from the bailiff's.
- The Derby is an 1896 British short black-and-white silent documentary film, produced and directed by Birt Acres for exhibition on Robert W. Paul's Kinetoscopes, featuring the end of the 29 May 1895 Epsom Derby viewed from a raised position close to the finishing line with the main stand in the distance. A stationary camera looks diagonally across a racetrack toward the infield showing the horses as they pass. Once the horses have passed the camera it is clear that the race has come to an end and there is a close finish between three horses. Once the race is over police officers run onto the field. The camera also displays various members of the audience moving around.
- Many of the cyclists are women, and wearing skirts. Although women had been riding bicycles since the 1880s, it was only towards the end of the 1890s that they could do so comfortably without wearing trouser-like garments such as bloomers, as the design of early bicycles made riding in skirts impossible. This had been controversial for observers and cyclists alike, the former because they were convinced that women in 'male' outfits or even split skirts were immoral in some way, the latter because wearing such garments suggested a radical political outlook that they might not possess.The side of the road is lined with promenading onlookers, and the pace of the cyclists and pony-traps is gentle and leisurely, suggesting a Sunday outing of some kind.
- Passenger drops child from steam launch; it is rescued by swimmer from river bank.
- Wire-walker performs on woman's clothesline.
- The insignia visible on the train identifies it as Queen Victoria's own personal conveyance, and the presence of the monarch (or at least a very senior member of the Royal Family) is suggested by the large crowds that have gathered to witness its arrival, as well as the formal police guard of honor. If this was indeed taken in 1896, this would make Royal Train one of the oldest films depicting the British monarchy, albeit on this occasion from a discreet distance. The following year, Paul would shoot the celebrations for Victoria's Diamond Jubilee from a great many vantage points.
- Robber forces wayfarer to undress.