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1-7 of 7
- Milo has to get his brother to rehab before 8pm to keep him from doing 3 years in prison. Milo films the trip as documentary while his partner/Olivia Wilde drives, starting 5:20am in LA. Complications follow.
- " It's cool man. We've got black friends..." Two rich, clueless film school grads ("the Filmfakers") are shooting a modernized "ghetto" interpretation of an ancient Greek play on the mean streets of Los Angeles. Their equipment is "borrowed" by three street youths ("the Camjackers"), who shoot a compelling documentary on underground hip hop. The Filmfakers rip off the Camjackers' film and rise to fame and fortune. The Camjackers see their stolen work on TV and seek revenge.
- Deep into the art and lifestyle of Flamenco - a perfect example of Heideggerian authenticity - there was this constant struggle to express one's originality within the context of very deep-seated rules and structures.
- As politicians stand up and promise "change" to the nation, people with a whole lot less power then politicians are out there actually making change. As writer Peter Linebaugh comments in the film you are about to watch, "We can't wait around any longer for the wheel of history to turn - we are the wheel of history." Living together in a converted school bus, a wildly diverse group of artists, filmmakers and musicians set out to fill in our national narrative. They ended up with a road movie like no other, featuring Dead Prez, Oliver Stone, guerrilla poster artist Robbie Conal, and Hurricane Katrina survivors of New Orleans' 9th Ward. Follow the LAFCO (Los Angeles Filmmakers Cooperative) crew as they search for, and find, pockets of change in the most downtrodden parts of America. From Venice Beach to Brooklyn, New York, through the Southwestern desert to the deep south, this is a portrait of the United States seldom seen in the mass media.