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1-7 of 7
- This is 75 minutes and 6 seconds of pure blue screen. Nothing less and nothing more. New movie by Nigel Tomm demolishes the boundaries of new absurdism. In 1951, a novel 'The Catcher in the Rye' by J. D. Salinger was published. In 2008, a film 'The Catcher in the Rye' directed by Nigel Tomm was filmed. Intelligent. Eccentric and subversive. 'The Catcher in the Rye' by Nigel Tomm preserves and destroys, it lifts and anchors, it aids and hinders, it's convenient and frustrating. It has two sides. The most extravagant depths of your wildest imagination are packed in 75 minutes and 6 seconds of pure blue screen. Breathtaking.
- The Prince of Denmark sees a ghost.
- Seventy-four minutes of an unchanging yellow screen; nothing more, nothing less.
- With no sound, with no dialogue, monologue or action, Nigel Tomm's film adaptation of James Frey's book "A Million Little Pieces" is the transfer of the story to the space of art. Somebody calls it absolute art. Somebody calls it abstract film. Somebody calls it fraud. Totally innocent yet completely alluring. Let your eyes judge the ultimate beauty.
- Felt to feel. Enigmatic. Twisted. Absolute morph and absolutely on the edge Nigel Tomm's film version of Fyodor Dostoevsky's novel "The Brothers Karamazov" lasts 73 minutes and 5 seconds. This is 73 minutes and 5 seconds of pure magenta screen. Nothing less and nothing more. From the outside in, and from the inside out. Unique sense of text visualization. Nigel Tomm is, however, not interested in the meaning of the text. He is interested in the layering and superposition of the text, to serve you exclusive viewpoint of perfectly charged emotions which now are expressed in the purest forms. Be provoked, challenged and inspired.
- 72 minutes and 5 seconds of pure green screen. Nothing less and nothing more.