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1-38 of 38
- An exploration of the world and the work of the most international Catalan filmmaker through the director's entomological vision and his portrayal of the characters and themes he loves and hates.
- How many times have we seen that we are our own worst enemy (?)
- After thirty years of being a daughter, wife and mother, Dolors decides to see what happens when she tries thinking of herself for the first time. Dolors has to learn how to follow her own path to its end, and be strong enough not to look back - to home, and a husband she still loves and respects, but who has still to learn to listen to his wife and find out what her needs are.
- The girl who appears in your nightmares can turn out to be the girl of your dreams, or is it the other way around?
- Features the coming of age of classmate teenagers on their last night before college. Those boys and girls are scheduled to leave Madison High School. That night, each has his own doubts about love. That night, will be last Claire's chance to tell Albert I love you, while Albert's heart belongs to Molly.
- Today is mine.
- A brief and revealing account of the life and work of Catalonian filmmaker Josep Torrella. It examines his career as a filmmaker and writer, and also his personal life as a friend, husband, confidant and patriarch.
- This story begins with Rachel and her new life in Catalonia, after having left her native Brazil along with her brother Kevin and her grandparents, in order to be reunited with her mother here in Catalonia.
- Just when you think you're in the clear, you never know what could come next.
- Carme's memories, an old woman reliving her youth since she became a woman for the first time until the solitude she felt after her husband died, remembering the 40 years they lived happily together.
- Portrait of the life and works of the great Catalan painter Josep Madaula.
- I'm not a kid anymore.
- Sam and Lucy are both students who met and quickly fell in love while attending NYU. As Sam continues working towards his doctorate, in his modest apartment in the East Village, he may soon find himself sharing with another, and perhaps even a third when Lucy tells him the good news. Will his parents insist they get married, or will allow them to continue living in sin? These issues often come up for couples in love, welcome to the club!
- In 1994, year during which time veteran Catalan director Antoni Ribas chose to live in a tent, in the Plaça Sant Jaume, directly in front of the Palau de la Generalitat de Catalunya, in protest for the sudden lack of funds he had been promised to finish the production phase of Terra de canons (1999), a feature he had been busy directing up to that point. (Said feature was neither premiered nor even finished until the year 1999.) Sergi Rubió, on two separate occasions, went to the Plaça Sant Jaume to film interviews with him, in Super 8 format, in an effort to give visibility to the director's protest and/or message. This investigative report was given the title Retrat d'un lluitador (1994), or 'Portrait of a Fighter'. As an anecdote and certainly as an added plus, renowned director Santiago Lapeira happened to be present, showing solidarity with his friend Antoni Ribas, in the Plaça Sant Jaume, on Rubió's second day of shooting.
- A declaration of love for one's vocation in life.
- How many times have we seen that we are our own worst enemy (?)
- Portrait of the sacrifices made by Marta, in an effort to grow older and be ready for marriage.
- When we need to love, just love, does it matter who it is? What's more... do you need to apologize?
- This is a diary of my days at summer camp between the years '87 and '88, back when I was still in school. Mireia knew I had had a crush on her for two semesters already when I finally decided to express it in a handwritten letter I once wrote on one of those long, lazy afternoons when I would daydream about taking her for a ride on the motorcycle I'm convinced I'll own someday. I can't hold back my feelings any longer. If she doesn't respond to my letter then I'll know it's hopeless.
- When love can appear at the time and place you least expect it.
- Eduard is divorced and works as a lawyer who has trouble admitting to himself that his little girl is growing up and prefers spending her Saturday afternoons chatting through Messenger or hanging out with her friends instead of going on excursions with her father as they had always done every time he had weekend custody. Eduard seeks to respect his daughter's space, leaving behind the memories of when they spent more time together as a family; himself, his ex-wife and the little girl, until one day Núria, a colleague from the office and former classmate from years ago, accepts an invitation to go out to dinner with him.
- Connie walks alone along the New York sidewalks, trying to come to terms with something we all have to face sooner or later: the final goodbye to certain memories.
- When shyness can be your own worst enemy.
- Proignant story of a father-daughter relationship, filmed in Super 8.
- In December of 1999, Director Sergi Rubió was inspired to film himself leading an interview with an older version of himself, the intention being that of viewing said material on his sixtieth birthday. At that point, a young -twenty one year old- Sergi Rubió would then ask the older -sixty year old- about his life; specifically about whether or not he will have been able to accomplish his dreams, in addition to giving him news about his own life as a young man.
- This is the story of a blind date that ends well.
- This is the story of women from two different generations who find themselves in different phases of their lives.
- Helena believes that no young man will ever love her because of her illness.
- This is the story of daily life -or perhaps of those who are simply passing through- on an average sidewalk, and how, on one given day, the presence of a parked car changes traffic thereby altering the transit of both motorists and pedestrians alike, not to mention that of local residents, all of whom are not forced to rearrange their activities to fit the smaller space they now have to maneuver in. However, soon enough, the car disappears and life on said sidewalk begins to flow peacefully as before, especially with regard to that of the local residents who are now able to say hello to passersby at a closer distance and for noticeably longer time.
- The first film directed by Sergi Rubió.
- Like a brief article in a local newspaper, only told with images, only told with images recorded on a Super 8 camera.
- Carol is set to move out of her apartment that very day, despite the fact that her dear friends and roommates have trouble accepting her decision to leave.