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1-16 of 16
- We love to watch her because I don't know what she's going to do next. A TV-documentary on French actress Isabelle Huppert.
- The musical world of the legendary bass virtuoso, following his journey from his New York roots, to his collaborations with Miles Davis, and his musical explorations up to "Renaissance."
- Louis Meunier first landed in Afghanistan in 2002. A humanitarian contract in hand, he wishes to participate in the reconstruction effort of a land torn by war. The night before his departure to a far-flung corner of a country - his base for the next six months - a friend gives him a book: "The Horsemen" by Joseph Kessel. In this novel, Kessel tells the fiery story of the Afghan game of buzkashi, a mounted tournament whose name literally translates into "goat-grabbing" and in which riders use all their strength and violence to compete over the dead carcass of a goat. Captivated by the book, Louis has only one wish: take part in a buzkashi tournament. He will stay ten years in Afghanistan to fulfill his dream and become the only foreigner to be allowed to be part of a buzkashi team. In this award-winning documentary, Louis Meunier brings the magic of Kessel's book to the screen and shares the magic of a country known only for its four-decade long conflict.
- A dream big band, made of McCoy Tyner, Herbie Hancock, Marcus Miller, John Scofield, Dee Dee Bridgewater, James Carter, David Sanborn, Roy Hargrove, Kirk Whalum, Medeski, Martin and Wood, Lionel Loueke, Roberta Gambarini and DJ Logic, is on board of the MS Rotterdam, a fabulous cruise ship, just about to cast off the Copenhagen harbor. As a hidden stow-away passenger, I will also be on board of the MS Rotterdam, and I will be part of the journey and one day will be able to tell the story of this Odyssey who will be known as one of the most memorable in Jazz history.
- If there are dozens of cinema films in the United States that deal with the issue of slavery, in France most viewers can only name one feature film: Case Départ (2011). How to explain such a discrepancy? why are there so few films here? Can we speak of a French "taboo"?