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1-16 of 16
- While the country is under the yoke of a military junta and corrupt priests preach the apocalypse, a lawless, eccentric couple trek through the Brazilian interior with their son and daughter.
- The routine of an inept apprentice gravedigger changes when a new employee arrives at the cemetery. Together they must locate abandoned graves, but strange events make them think about the implications of tampering with the dead.
- Gabriel settles under a tree in an upper class neighborhood in São Paulo, Brazil. Clarisse is forced to witness firsthand, powerless, the harsh treatment Gabriel receives while she paces around a narrow and dependent existence under her mother's wing.
- Sandra is pregnant and wants a girl. Her husband Marcos wants a soccer player.
- In a salmon-colored living room, a seventy-year-old sadomasochistic literature writer narrates her turbulent sexually explicit life story, once as a pseudonym and once as herself.
- In Sao Paulo, Janaína and João take care of each other. She has epilepsy. He is in a relationship with a man who prefers to keep his distance. Above their lives floats the vague trauma of a mudslide that may have buried men and machines alike. Together, they try to protect their bodies from the evil that seems to spread like a fever.
- I recorded four years of the life of a great friend of mine in the attempt to catch some sort of catharsis. As I tried to deal with endings that were taking place in my life, the inevitable happened to him. His mother passed away without leaving any record on video. This is a movie to refrain from the fear of forgetting.
- A botanical expedition in Ecuador's Amazon becomes a medium for an indigenous Huaorani community to remember the genocidal colonization it suffered in the 1960s. Meanwhile, a group of ecologists from the capital tries to stop oil exploitation in the last remaining forests where the isolated Huaoranis still live, who to this day refuse to come into contact with civilization.
- Brian walks through his childhood neighborhood, looking for new areas for real estate development. Romeo, in his glassy office, develops a marketing strategy. Carla plans her new investments looking the city from above. A board game. An image of the future. A project of city.
- After heartbreaks and professional disappointments on planet Earth, Julio and Clara decide to flee together into space.
- How to register the world of children? Between the possibility of radical distancing - represented by the projected idealization of childhood fantasy, an imaginative locus that has been lost by the adult world - and adhesion - inevitably impossible within a universe of experience all the while foreign and familiar - Manoela Ziggiati chooses, in a context of family record, to film time: the discovery of the pitfalls of love, an encounter of both worlds at some coincident moment, both adult and children.
- Elisa (16) escapes from Sao Paulo with her friend Roberto (40) in his car. In the odd landscape of the property that they trespass, their behavior, which shows and hides things, gradually outlines the relationship that they maintain.