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1-6 of 6
- After the Syrian Revolution, Al-Assad's regime besieges the district of Yarmouk, largest Palestinian refugee camp in the world. Yarmouk is cut off. The director records the daily deprivations while celebrating the people's courage.
- In 2011, twenty-year-old Saeed, an engineering student, left Damascus for Douma (eastern Ghouta) and took part in the Syrian revolution. He will be joined later by his friend Milad, a painter and sculptor, then a student of fine arts in Damascus. In Duma liberated by rebels, revolutionary enthusiasm wins youth, then it is war and siege. For more than four years, Saeed and Milad film a daily newspaper punctuated by bombings, children who grow in the ruins we graze, laughter, a sniper who thinks of his mother, music, death, madness, youth, trouble, life. Radiography of an unsubmissive territory, a look of exceptional density on the war in a movement of cinema and humanity striking.
- Syrian construction workers build skyscrapers in Beirut while their homes are being bombed.
- How to make a film on violence without directly showing or reproducing it? The film Our terrible country attempts to respond to this approach by taking us on the perilous journey of Yassin Haj Saleh, a well-known Syrian intellectual and dissident, and young photographer Ziad Homsi who travel together in an arduous, dangerous route from the liberated area of Douma, Damascus to Raqqa in northern Syria, only to find themselves eventually forced to leave their home country for a temporary exile.
- Aleppo-Armenian filmmaker Avo Kaprealian shows the life of an Armenian family that has fled to Beirut during clashes in the New Village district of Aleppo, Syria, in 2015. Kaprealian documented the destruction in the district and the civilians who faced hardships. He managed to shoot footage from the balcony of his house in the wartime to show the tragedy and to underscore that the Armenian and Arab populations in Syria equally suffer as a result of the barbaric activities. He draws parallels between the sufferings of the Syrian residents and the Armenian Genocide in a unique way.
- The film is an intimate and personal recording of the sufferings of the civilians of Aleppo during the time of siege, hunger, and war - and a recording of the relationship of activists brought together during the civil movements.