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- A slide show of the performance "Rhythm 0" by Serbian artist Marina Abramovic in which she stands impassively and put herself completely in the hands of her audience.
- This multi-channel video installation, consisting of seven short video works presented on vertical wall-mounted display panels, is based on Marina Abramovic's research into Balkan folk culture and its use of the erotic.
- A 3-part variation in the Balkan Erotic Epic Series presenting a double mirror projection of Balkan Erotic Epic: Marina Abramovic Massaging Breasts (2005) on each side of the central video workpiece Balkan Erotic Epic: Women Massaging Breasts (2005) shown on vertical wall-mounted display panels.
- Balkan Erotic Epic explores the sexual aspects of Serbian folklore. Ancient myths that have trickled into everyday household remedies or explanations are juxtaposed with the joys of the female and male sexual forms from which all human life originates. Functioning as both sexual liberation and reinvented modern myth, Balkan Erotic Epic is a display of the need for a cultural change in viewpoint around sex.
- 7- channel video installation (color, no sound), first performed at the MoMA, New York, which explores the complex relationship between artist and audience, as the performer is pushing past perceived limits of the body and mind.
- Presents a folkloric image of the artist riding a white horse in the countryside while carrying a large white flag. Neither she nor the horse move as we hear a voice-over singing and humming a Serbian song dedicated to the conquered hero.
- Serbian performance artist Marina Abramovic is cutting a five-pointed star around her belly button with a razor blade.
- The multi-channel installation is based on Marina Abramovic's research into Balkan folk culture and its use of the erotic. Obscene objects and male and female genitals have a very important function in the fertility.
- Approaching each other from different sides of the space, Ulay and Marina Abramovic collide with each other in the middle of the room and then disappear from view for a few seconds before the process starts to repeat itself.
- A five-pointed star made of wood is set on fire. The artist walks around it and throws hair clumps and toe-nail clippings into the fire at each point of the star (8 mm film transferred to digital video in 2011, no sound, b/w).
- The artist is lying outdoors on a metal bunk bed as a storm seems to approach. Metaphorically, her body holds an electrical source and becomes a transmitter and conductor of energy as the current flows through it.
- A video of the performance Relation in Movement: The Van, 1975-1980 (1980) where Marina Abramovic and Ulay drive a Citroën type H van round and round in a circle inside a city square in Paris.
- A naked woman sits on a raised bicycle seat in the middle of an empty room as a projected light on her is forecasting her shadow around. It's a work about luminosity and the human being's transcendental quality, the body being just a tool.
- A reel of TV interviews conducted by Marina Abramovic in the 1980s and the 1990s on the topic of performance.