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- This is a Los Angeles crime film. But it's as if several films on celluloid fused together and what you end up with is an art film that gets overwhelmed by urban documentary and then collapses into a narrative thriller. It's filled with hints, clues, evidence and misdirection. Images, ideas and sounds bounce off each other, mirror each other. In my film, the increasing association of the artist with criminality is central. The artist as a secret identity is a perfect and unexplored area for film noir.
- The film is science fiction because it concerns the use of memory images for time travel. The powerful imagery of the singular event - the horrific event - is etched forever in the mind, yet it becomes fluid and its influences cannot be entirely trusted. What led up to the singular powerful event? What course was set following it? The film uses a mash-up of archival footage, drawings, digital painting, new video and video shot many years ago. It duplicates the way images move through the mind as it circles around an ultimate objective. There are a multitude of connections and meanings to be drawn from the sequence of images. Some meanings might be very obvious, others would be almost impossible to predict.