The 30 Sexiest Celebs
My idea of sexy. Full stop.
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- Actress
- Director
- Producer
Born into a family of doctors and educated in China at the Shanghai Film Academy and the Shanghai Institute of Foreign Languages, Joan Chen was discovered by veteran Chinese director Jin Xie while observing a filming with a school group. Her performance in Xiao hua (1979) (A.K.A. "The Little Flower") won China's Best Actress award, and resulted in the Chinese press dubbing her "The Elizabeth Taylor of China" for having achieved top stardom while still in her teen years. She came to the U.S. to attend college in 1981, first at the State University of New York at New Paltz, later at California State University at Northridge. She a succession of small parts in movies and T.V., with her first break coming in 1986 when, in true Hollywood legend, producer Dino De Laurentiis noticed her in the parking lot of Lorimar Studios and cast her in Tai-Pan (1986). The film bombed, but it led to her being cast as the ill-fated Empress in Bernardo Bertolucci's The Last Emperor (1987), which won critical acclaim. This, and her role as enigmatic mill owner Josie Packard in the cult TV series Twin Peaks (1990), are her best-known roles in Europe and North America. However, Hollywood's practice of type-casting East Asians has led to a dearth of major roles for Chen since then, and in recent roles, she has often been cast as a villainess.
After taking a few years off to start a family, Joan returned to the screen in important supporting roles playing women in early middle age, such as the mother of a principle adult character. As a result, her career is flourishing again on both sides of the Pacific. Her two directing efforts were well-received critically, and in a 2008 interview she revealed she planned to direct again but was putting that off until her daughters were grown, since directing took her away from them too much, whereas acting could be done on a part-time basis.Simply the most beautiful woman in the world (at least until I get married — then I’ll have a lot of explaining to do). A young star in China, she came to the U.S. to make a name for herself as a grown-up actress. Sadly, after making such a spectacular splash as the female lead in The Last Emperor (1987), her career never really lived up to its potential. I can only conclude that Hollywood didn’t know what to do with her. (Case in point: a disproportionate number of her roles in the West were as either prostitutes or ex-prostitutes: The Night Stalker, Tai-Pan, Twin Peaks, Turtle Beach, The Hunted, Wild Side, etc.)- Actress
- Soundtrack
Maggie Cheung was born on September 20, 1964, in Hong Kong, and moved at the age of eight with her family to England. After finishing secondary school, she returned to Hong Kong, where she began modeling and appearing in commercials. In 1983 she participated in the Ms. Hong Kong pageant, winning first runner-up, which proved not to be a detriment since she went on to become a star of both Hong Kong television and film.An alluring coming-together of ethereal grace and angular features, this Hong Kong-born, British-raised beauty has appeared in everything from the junky-but-fun Hong Kong action movies of the 1980s and ’90s to the art-house offerings of Wong Kar-Wai, Zhang Yimou, and ex-husband Olivier Assayas. I’m still waiting for her to star in “Attack of the Killer Cheekbones!”- Actress
- Writer
- Music Department
Born in Taiwan, Qi Shu has won the prestigious Golden Horse Award in Taiwan (regarded as the East Asian Oscar) for Best Supporting Actress in 1998. She has also received a Golden Horse Award for Best Leading Actress in 2005. She appeared with Jackie Chan in the romantic comedy Gorgeous (1999) ("Gorgeous"). Her name is spelled in a variety of ways, including Hsu Qi, Hsu Chi, Qi Shu, and Shu Kei, and there are quite a few other variations on her name on foreign V.C.D.s, D.V.D.s, and internet sites.Her elfin exquisiteness spanning all of Chinese-language cinema completely eclipses her career’s less prestigious origins in Hong Kong soft-core porn. The Taiwan native would probably be much better known to occidental audiences if her manager hadn’t yanked her out of the role of Jen in Crouching Tiger, Hidden Dragon (2000) to appear in a Japanese soda-pop commercial. (In other words, Shu Qi is to Crouching Tiger what Pete Best is to the Beatles.)- Actress
- Sound Department
Diane Hsu was born on 11 May 1961 in Seattle, Washington, USA. She is an actress, known for Licence to Kill (1989), Lil' Bush: Resident of the United States (2007) and The Young and the Restless (1973). She was previously married to Stephen Wayda.Playboy’s Miss May 1988 went on to play a small part in the James Bond flick Licence to Kill (1989), as well as dancing in the movie’s title sequence — and after that, nada. The Seattle native’s soft, sublime face atop her firm, athletic dancer’s body was an unbeatable combo. (Edit: Okay, folks, I stand corrected: she actually has added some credits since the Bond film. And she has updated her page — 25 years since she posed for Playboy, and she still looks great! But what's with the new name?)- Kiana Tom was born on 14 March 1964 in Los Angeles County, California, USA. She is an actress, known for Universal Soldier: The Return (1999), Cyber Bandits (1995) and Family Law (1999). She was previously married to Dennis Bradley Breshears.The Hawaii-born fitness guru with a soft voice and hard body — and the former star of Kiana’s Flex Appeal on ESPN — struck a sensuous balance between slender sexiness and Schwarzenegger-style pumped-upness. But I may need to downgrade her if she continues on her recent quest to look like an excessively cosmeticized drag queen.
- Deliciously lithe, busty, and enticing brunette knockout Hiromi Oshima was born on January 6, 1980 in Tokyo, Japan. Oshima has a B.A. in communications and speaks fluent English, Spanish, and Japanese. She eventually moved to Miami Beach, Florida and first tried out for "Playboy" magazine scouts for the 50th Anniversary Playmate Hunt. After posing for a couple of newsstand special editions and being featured in a pictorial in the December, 2003 issue of the famous men's magazine, Hiromi was chosen to be the Playmate of the Month for June, 2004. Oshima has the distinction of being the first Japanese woman to be a Playmate. She went on to pose for a few more newsstand special editions and has appeared in several "Playboy" videos. Moreover, Hiromi was the January girl in the 2005 "Playmates at Play at the Playboy Mansion" swimsuit calendar. Outside of modeling, Oshima has also worked as a photo production coordinator, stylist, and producer for a number of magazine covers and photo shoots. She appeared as herself both in the comedy film "The House Bunny" and on the realty TV series "The Girls Next Door." Hiromi is featured in the music video for "Shake Ya Tailfeather" by Nelly, Sean "P. Diddy" Combs, and Murphy Lee. She has small roles in the movies "Bchelor Party 2: The Last Temptation" and "Race to Witch Mountain."How to describe Playboy’s Miss June 2004? Gorgeous face? Check. Winning personality? Check. Irresistible joie de vivre? Check. Bountiful bodaciousness? Double check!
- Producer
- Actress
Brooke Burke holds many titles, including: mother, television host, fitness guru, pod-caster, author, social media mogul (with almost 4 million followers), and cancer survivor. Forbes recognized Brooke's work by listing her as one of America's top ten moms to follow.
Brooke wrote her first biography entitled, "The Naked Mom, A Mother's Fearless Revelations", and then co-authored her 2nd book, Chicken Soup for the Soul's, "The Joy of Less".
Amongst her many credits, Brooke is often recognized for first winning, and then going on to Co-Host 8 seasons of, "Dancing With The Stars". For the past two years, she hosted and co-produced the award winning Saturday morning educational show, "Hidden Heroes". Currently she stars in TV Land's new branded content series entitled, "I Dare You", in which she is dared by the TV Land audience and fans of her social media to take on the wildest of challenges.
Brooke has ventured into the world of Podcasting, launching "The Brooke Burke Show". Her guests have included authors, celebrities, chefs, inspirational women and close friends.
In 2007, Brooke founded and launched BabooshBaby.com, the online store for her popular post-pregnancy belly wraps, Tauts. Brooke later developed Baboosh Body, a fitness product (belly wrap) made to trim the tummy. In 2011, Brooke launched the online mommy destination, ModernMom.com, of which she remains the CEO.
In 2012, Brooke brought her own personal brand of fitness workouts via her DVD series with SONY HOME ENTERTAINMENT, "Transform Your Body With Brooke Burke", "Strengthen & Condition and Tone & Tighten", "Brooke Burke Body: Sexy Abs", and "Brooke Burke Body: 30-Day Slimdown".
Inspired by her dedication to promote women's awareness of the importance of physical and mental health, Brooke's next fitness project was to create her signature "Booty Burn" workout which she personally teaches in her hometown of Malibu, California. "Being a teacher and helping women transform their lives has been one of the most rewarding efforts of my career."
Continuing her quest to educate women about health and the value of exercise, this year Brooke designed and produced her newest passion project BrookeBurkeBody, a fitness lifestyle app that allows anyone to take a fitness journey with her anytime, anywhere.
Brooke has graced the cover of countless fitness, fashion, and lifestyle magazines proving that she is an inspiration to women. She has proudly been the feature story in Health, Fitness, Women's Health, Redbook, and Ladies Home Journal, to name a few.
In 2007, Brooke did her first Primetime Network hosting gig on CBS's "Rock Star INXS" and then "Rock Star Super Nova" with iconic producer Mark Burnett. In 2010, she hosted, "She's Got The Look", while simultaneously taking on (then) her new role as co-host of "Dancing With The Stars". She continued to co-host DWTS' for eight consecutive seasons. Brooke also co-hosted Miss America for four years.
Synonymous with Health & Wellness, over twelve years ago the Skechers Shoe Company chose Brooke to become a spokesperson for their brand starring in multiple National commercials for them.
Brooke has always been heavily involved in humanitarian causes. 12 years ago, she became a "Smile Ambassador" for Operation Smile. Her efforts have included hosting their biggest fundraisers in Los Angeles and New York, appearing in PSA's, raising funds, and traveling on medical missions with her family to personally experience the miracle of helping those less fortunate. Brooke has personally helped raise large sums of money for Operation Smile, but more importantly she has helped change children's lives forever. Continuing to pursue her dedication to charities, in the past two years Brooke has emceed the annual UNICEF gala in Dallas, Texas.
Brooke beat cancer in 2013, but she continues to bring awareness and inspiration to people regarding the disease. She became the face of the American Cancer Society's "Bucket List" campaign in 2014.
The most important pursuit in Brooke's life is and always will be the raising and caring of her four children.When this Arizonan took over the hosting duties of E! Television’s Wild On in 1999, she radiated a fresh-faced and casual comeliness as she traveled the thrill-seeking world. And her informal, seemingly thrown-together travel duds showed off her brick-house body in a way that wasn’t self-conscious. She now makes Dancing with the Stars more fun to watch.- Actress
- Producer
Kristin Kreuk was born in Vancouver, British Columbia, Canada, to Deanna Che, who is of Chinese ancestry, and Peter Kreuk, who is of Dutch descent. Her parents are landscape architects. She attended and graduated from Eric Hamber Secondary School. Although she did some stage work in school, she focused more on her studies. She described herself as shy and boring.
For her first professional work, she went to an open casting audition for Edgemont (2000), a teen drama series aired on CBC Television in Canada. She plays the role as "Laurel Yeung". Laurel was the last main character to be cast because the casting director was having a problem finding an actress. Fortunately, for them (and us), they found Kristin just in time.
Her career was set to take off when she landed on the highly acclaimed serial drama series for The WB, Smallville (2001). It follows the story of "Clark Kent" in his pre-Superman days in a small town of Smallville, Kansas. Kreuk played the role as "Lana Lang", Clark Kent's object of desire before he meets "Lois Lane".
Smallville (2001) proved to be a giant step for Kristin's acting career, as she landed several interviews with several magazines, including YM (Young and Modern) and Rolling Stone. She also did a commercial for Neutrogena, popular for its skin care products.This Canadian aurora is so beautiful, poised, and well-spoken that she puts Audrey Hepburn to shame. She possesses the stately kind of sex appeal that you want to take home to mom and take home by yourself. Now that she’s moved on to greener pastures (and pay days), there’s no good reason to watch Smallville anymore.- Actress
- Composer
- Soundtrack
Vanessa Mae was born on 27 October 1978 in Singapore. She is an actress and composer, known for Arabian Nights (2000), The Violin Fantasy (1998) and Risas y estrellas (1997).As it alights from her delicately sculpted face and midnight eyes to her full lips and willowy frame, the eye may be excused for mistaking this British violinist for a supermodel. True, her stardom in the classical music scene probably owes more to her impact on the eyes than on the ears, but the ocular sensation she provokes is astounding. So, how is her violin playing? I can’t say. When I watch her concert videos, I’m not really listening.- Actress
- Producer
- Stunts
Arden Cho was born on 16 August 1985 in Amarillo, Texas, USA. She is an actress and producer, known for Teen Wolf (2011), Chicago Med (2015) and The Honor List (2018).An on-the-rise newbie who’s probably a more familiar presence in the print ads and commercials from Madison Avenue than in the halls of Hollywood. But give her time. Those finely chiseled features and hypnotic brown eyes can’t stay a secret forever.- Actress
- Costume Designer
- Costume and Wardrobe Department
Lovely, slender, and sensuous raven-haired knockout Laurette Marcia Gemser was born on October 5, 1950 in Java, Indonesia. In 1955 Gemser left Indonesia at age four and moved with her parents to the Netherlands. Laura grew up in the Dutch city of Utrecht and attended Mulo Regentesseschool high school. She studied fashion design at the Artibus Art School in Utrecht. Gemser first gained public recognition with her nude modeling in various men's magazines in Belgium and the Netherlands. The exotic dark-haired beauty moved to Italy in the mid-1970's and made her film debut as Janine in the obscure Amore libero - Free Love (1974). However, it was Laura's small, but memorable role as a masseuse in Emmanuelle II (1975) that really launched her career in racy soft-core exploitation fare. Gemser achieved her greatest enduring international cult popularity with her incredibly erotic and uninhibited portrayals of the titular hedonistic and sexually adventurous globe-trotting photojournalist in the steamy "Black Emanuelle" series that were often directed by the notorious Joe D'Amato and frequently co-starred Gemser's real-life actor husband Gabriele Tinti. Other notable parts include charismatic cult leader the Divine One in Divine Emanuelle (1981), evil sorceress Indun in Ator, the Fighting Eagle (1982), and compassionate mutant telepath Lilith in Endgame - Bronx lotta finale (1983). Outside of acting, Laura also worked on a handful of movies as a costume designer. Gemser quit the motion picture business in the early 1990's and still lives in Italy.The Indonesian-born, Dutch-raised star of French and Italian exploitation programmers of the 1970s and ’80s never appeared in a film worthy of her beauty. Watching her movies, I always got the idea that a cinnamon-skinned Venus stepped out of a Botticelli painting and made a wrong turn into a low-rent Roman grindhouse.- Actress
- Writer
- Producer
Tamlyn Tomita was born on 27 January 1966 in Okinawa, Japan. She is an actress and writer, known for The Day After Tomorrow (2004), The Karate Kid Part II (1986) and The Eye (2008). She is married to Daniel Blinkoff.Here is someone I actually met on a couple of occasions. Not only is she very beautiful, but she’s also very poised, gracious, and well-spoken (when she wants to be).- Actress
- Soundtrack
- Producer
Tia Carrere, born and raised in Honolulu, Hawaii, was discovered in a grocery store and landed the female lead in the film Aloha Summer. She then moved to Los Angeles and continued her ascent in the acting world as a series regular on General Hospital as well as a string of guest starring roles on MacGyver, Quantum Leap, Married With Children, and Friday the 13th among others. With her iconic breakthrough role as Cassandra in Wayne's World and Wayne's World 2, Tia was able to showcase both her considerable singing as well as acting chops. Wayne's World was a worldwide phenom and set the stage for the femme fatale role of Juno Skinner in James Cameron's film True Lies, opposite Arnold Schwarzenegger; the computer whiz Jingo Asakuma in Rising Sun opposite Sean Connery and Wesley Snipes; and her very own series lead as Sydney Fox in Relic Hunter. Other work includes Nip/Tuck, In Plain Sight, Curb Your Enthusiasm, and many more. Subsequently Tia returned to her Hawaii roots starring in Disney's animated film Lilo & Stitch, while on the musical front, being nominated four times and winning the Grammy twice with her records 'ikena and Huana Ke Aloha. She also co-hosted and performed during the ceremony. Lately, Tia can be seen in Michael Patrick King's series AJ & the Queen starring RuPaul, Amblin Films "Easter Sunday" starring JoKoy and Mindy Kaling's Never Have I Ever. She also just released a single and video of a song she wrote called "I'm Still Here".Her beamish eyes and vaulted cheeks rising from a glowing complexion of burnt sienna, the sublime presence of this native of Hawaii enhanced any film she was in, and even made racist drivel like Showdown in Little Tokyo (1991) and Rising Sun (1993) bearable.- Actress
- Producer
- Writer
Gemma Chan (born 29 November 1982) is a British film, television, and theatre actress and former fashion model. She played Charlotte in season four of the Showtime and ITV2 series Secret Diary of a Call Girl (2007); Ruth in Channel 4's Fresh Meat (2011); Mia Bennett in The Waters of Mars (2009), and Soo Lin in The Blind Banker (2010). She also appeared in the feature films Exam (2009) and Paramount Pictures' action-thriller Jack Ryan: Shadow Recruit (2014). Chan made a film for Amnesty International to celebrate the 60th anniversary of the Universal Declaration of Human Rights.
Chan was born at Guy's Hospital in London, England. Her father grew up in Hong Kong and was an engineer. Her mother, a pharmacist at Guy's Hospital, emigrated from pre-Cultural Revolution Communist China via Hong Kong with her parents (Chan's maternal grandparents) and younger sister, growing up in Greenock, Scotland. Chan was raised near Sevenoaks, Kent, and attended Newstead Wood School for Girls in Orpington, Bromley, London. She later went on to read law at Worcester College, Oxford.
Following graduation, Chan gained a training contract offer as a graduate at the law firm Slaughter and May, but instead pursued an acting career and studied at the Drama Centre London. Spotted at her showcase by British film producer Damian Jones, she signed to acting agent Nicki van Gelder. In 2006, Chan was one of the models in series one of Project Catwalk, the UK version of Project Runway. She has been photographed by Rankin for a campaign for Nivea Visage, having previously worked as a model in order to fund her studies and drama school training.
Chan played geologist Mia Bennett in The Waters of Mars (2009), starring David Tennant and Lindsay Duncan, which aired 15 November 2009 in the UK. She was cast as a series regular in Secret Diary of a Call Girl (2007), the fourth and final series airing on ITV2 in the UK and Showtime in the US in 2011. She also appeared in Sherlock (2010), and the fourth series of The IT Crowd (2006) for Channel 4.
In 2012, Chan was a regular in series two of Sky Living's supernatural drama Bedlam (2011) and in True Love (2012), a five-part semi-improvised television series produced by Working Title for the BBC One. In 2013, she starred in new BBC One crime drama Shetland (2013), alongside Douglas Henshall and Steven Robertson, and guest starred in the BBC's Death in Paradise (2011). She was a cast-member of Channel 4 romantic drama, Dates (2013).
Chan played the synthetic Anita/Mia in the AMC/Channel 4 eight-part science-fiction drama Humans (2015). Filming commenced in autumn 2014 with a June 2015 premiere. The second series premiered on 30 October. For her portrayal, she was nominated for numerous awards. In July 2016, Chan provided the voice "Dewdrop" in BBC One's animated television series Watership Down (2018). She appeared in the World War II drama film Shanghai (2010) and the comedy-drama Submarine (2010). Chan starred in Jean-Paul Rappeneau's Families (2015).
She made her professional stage debut in the British Premiere of Bertolt Brecht's last play, Turandot, at the Hampstead Theatre, London, directed by Anthony Clark. In November 2012, she performed in The Sugar-Coated Bullets of the Bourgeoisie, a new play by Anders Lustgarten at the Finborough Theatre. In June 2013, she performed in the UK premiere of Yellow Face by American playwright David Henry Hwang at The Park Theatre, London, directed by Alex Sims. It was revived in 2014 at the Royal National Theatre with the original London cast returning. In November 2013, Chan performed in the world premiere of Our Ajax by Timberlake Wertenbaker at the Southwark Playhouse, London. Wertenbaker chose her to play the war goddess Athena after she saw her performance in Yellow Face.Crikey, mate, what a bird!- Chikako Aoyama was born on 7 July 1968 in Osaka, Japan. She is an actress, known for Robotrix (1991), Two Punks (1996) and Nemurenai yoru wo kazoete (1992).The Osaka native’s delicate face exudes a kinetic air of wide-eyed innocence — which is immediately contradicted by her startlingly curvaceous figure. An especially welcome presence in the Hong Kong action movies of the 1990s.
- Actress
- Director
- Producer
Born to immigrants in New York City, Lucy Liu has always tried to balance an interest in her cultural heritage with a desire to move beyond a strictly Asian-American experience. Her mother, Cecilia, a biochemist, is from Beijing & her father, Tom Liu, a civil engineer, is from Shanghai. Once relegated to "ethnic" parts, the energetic actress is finally earning her stripes as an across-the-board leading lady.
She graduated from Stuyvesant High School in 1986 & enrolled in NYU. However, she was discouraged by the dark and sarcastic atmosphere, so she transferred to the University of Michigan after her freshman year. She graduated w/ a degree in Asian Languages & Cultures, managing to squeeze in some additional training in dance, voice, fine arts & acting. During her senior year, she auditioned for a small part in a production of Alice in Wonderland and walked away with the lead. Encouraged by the experience, she decided to take the plunge into professional acting. She moved to L.A., splitting her time between auditions & food service day jobs. She eventually scored a guest appearance as a waitress on Beverly Hills, 90210 (1990). That performance led to more walk-on parts in shows like NYPD Blue (1993), ER (1994) & The X-Files (1993). In 1996, she was cast as an ambitious college student on Rhea Perlman's ephemeral sitcom Pearl (1996).
She first appeared on the big screen as an ex-girlfriend in Jerry Maguire (1996) (she had previously filmed a scene in the indie Bang (1995), but it was shelved for 2 years). She then waded through a series of supporting parts in small films before landing her big break on Ally McBeal (1997). She initially auditioned for the role of Nelle Porter, which went to Portia de Rossi. However, writer-producer David E. Kelley was so impressed w/ her that he promised to write a part for her in an upcoming episode. The part turned out to be that of growling, ill-tempered lawyer Ling Woo, which she filled w/ such aplomb that she was signed on as a regular cast member.
The "Ally" win gave her film career a much-needed boost-in 1999, she was cast as a dominatrix in the Mel Gibson action flick Payback (1999) & as a hitchhiker in the ill-received boxing saga Play It to the Bone (1999). The following year brought even larger roles: first as the kidnapped Princess Pei Pei in Jackie Chan's western Shanghai Noon (2000), then as one-third of the comely crime-fighting trio in Charlie's Angels (2000).
When she's not hissing at clients or throwing well-coiffed punches, she keeps busy w/ an eclectic mix of off-screen hobbies. She practices the martial art of Kali-Eskrima-Silat (knife-and-stick fighting), skis, rock climbs, rides horses &plays the accordion. In 1993, she exhibited a collection of multimedia art pieces at the Cast Iron Gallery in SoHo (New York), after which she won a grant to study & create art in China. Her hectic schedule doesn't leave much time for romantic intrigue, but she says she prefers to keep that side of her life uncluttered.Her past roles: Ling Woo on Ally McBeal, O-Ren Ishii in Kill Bill, Sever in Ballistic, one-third of Charlie’s Angels. Her current role: the invisible woman. I hope she reappears soon. Her pixyish pulchritude — combined with her characters’ energetic and assertive personalities — deserves to be seen again. (Edit: Congratulations, Ms. Liu, for being back in the spotlight as the first female Dr. Watson [if you don’t count Joanne Woodward in They Might Be Giants].)- Actress
- Sound Department
- Additional Crew
Gwendoline's breakthrough was a Series Regular role on Desperate Housewives as naughty maid Xiao-Mei. She was then handpicked by Robert Duvall to star opposite him on Emmy Winning Western Broken Trail which garnered her a NAMIC Vision award nominated for best supporting actress.
She starred in the 2018 Emmy-nominated American Girl: Ivy & Julie, Amazon Prime's first movie with an all Asian American cast.
Gwendoline received critical acclaim on TV series American Crime, created and directed by Oscar winner John Ridley as Oklahoma born Sargent "Richelle" alongside a racist mother-in-law portrayed by Felicity Huffman. She has guested on other hit TV shows like NCIS & Grey's Anatomy.
She won two best actress awards for indie feature Heathens & Thieves at the Houston International Film Festival and Iowa Film Festival. She was in movies The Jane Austen Book Club with Emily Blunt & Hugh Dancy & The Magic of Ordinary Days with Keri Russell.
Gwendoline has voiced over fifty games and cartoons including Shinigami on TMNT, Nala Se on Star Wars Clone Wars & Paine in Final Fantasy X2. She has been nominated for 3 BTVA awards.
She was honored as Alumna of the year with the UCLA Asia Pacific Alumni Award in 2016.
Gwendoline designed a sold out clothing line from which proceeds benefitted the Appalachian region in Kentucky.
Gwendoline Yeo immigrated from Singapore to San Francisco at eleven. She won Miss Teen Chinatown SF, Miss Asian America & Miss Chinatown USA. She graduated from UCLA Summa Cum Laude, Phi Beta Kappa and has a diploma in piano from the San Francisco Conservatory of Music.
She was discovered playing the Chinese Zither by NPR executives and was invited to write, narrate and score her immigrant and ugly duckling journey in a one woman radio show on "The Politics of Culture." She later turned this into a theatre piece titled "Laughing With My Mouth Wide Open" that had a successful run at the El Centro Theatre. Both received rave reviews.The Singapore native’s sparkling eyes and incandescent visage are too seldom seen on U.S. screens. Perhaps her most widely viewed role was the leader of the women rescued by Robert Duvall from a life of prostitution in the T.V. mini-series Broken Trail (2006). I’d like to see her more often. (Edit: Okay, on second thought, her mostly widely seen role was probably in Desperate Housewives.)- Actress
- Producer
- Director
Ziyi Zhang is a Chinese actress and model. She is best known for Crouching Tiger, Hidden Dragon (2000), Rush Hour 2 (2001), Hero (2002), House of Flying Daggers (2004), and Memoirs of a Geisha (2005).
She made her feature film debut in The Road Home (1999).
For her work in Memoirs of a Geisha she was nominated for an Golden Globe for Best Actress.Yeah, her.- Sandrine Holt was born in London, England, UK. Sandrine is an actor, known for House of Cards (2013), Mr. Robot (2015) and Homeland (2011). Sandrine was previously married to Travis Huff.Beautiful.
- Daniella Wang was born on 6 August 1989 in China. She is an actress, known for Due West 2: Our Sex Vacation, Mojin: the Worm Valley (2020) and Ye ban shu tou (2014).Bartender, I’ll have a double!
- Sung Hi Lee was born on April 1, 1970 in Eunpyong-Gu (Gija-Chon), a borough of Seoul, South Korea. She moved to the United States in 1978 and spent a large part of her childhood moving around from city to city. Sung Lee was a studious child and teenager spending more time at the library than at stay-overs and parties before attended Ohio State University on a scholarship for three years. During a visit to a local night club she joined a pageant which drew attention to her. She soon received a scholarship and started modeling. This led to that and several months later Sung Lee landing in the pages of Playboy. Sung Lee, still a college student, put her academics on hold to pursue modeling in New York City. Her short stature made it hard to land permanent gigs. However, during a trip to Los Angeles she met once more with Playboy and from 1993 to 1998 appeared 12 time for the magazine. While in Los Angeles, she also made movie and silver screen contacts and landed a few parts on the Mortal Kombat TV series, Nurse Betty, and V.I.P., amongst others - as well as advertisement spots. Sung Hi Lee hasn't forgotten her books and wishes to pursue her degree in sports medicine.I didn’t put this former Playboy model on my original list because her severe chevron eyebrows give me the collywobbles. (And even though she appeared in a number of Playboy “special editions,” she was never a Playmate of the month. Huh?) But she gets everything right in all the other departments — bone structure, body tone, fetching figure — so I need to give her kudos and finally add her to the list.
- Kessarin Ektawatkul is known for Born to Fight (2004), Pirate of the Lost Sea (2008) and Game Rak Game Payabaht (2021).She’s also a champion martial artist. Hoo boy.
- Actress
- Soundtrack
Reiko Sato was born on 19 December 1931 in Los Angeles, California, USA. She was an actress, known for Flower Drum Song (1961), The Ugly American (1963) and Woman on the Run (1950). She died on 28 May 1981 in Los Angeles, California, USA.Not the most well-known or gifted of actresses, this American Aphrodite is probably best remembered for the supporting role of Helen Chao in the screen adaptation of Rodgers & Hammerstein’s Flower Drum Song (1961). But her radiant features outshone even those of leading ladies Miyoshi Umeki and Nancy Kwan.- Actress
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Born in Namegata, Ibaraki Prefecture in 1931, Kagawa Kyoko (also Makino Kyoko) has endured through the golden age of Japanese cinema, into the end of the century and onto the new to act in many of the more important films from her native country. Growing up she had aspired to learn English and then to become a ballerina after watching Swan Lake, but fate and a beauty contest sponsored by The Tokyo Shimbun newspaper intervened and cast her into the role of an actress. She began her career at the defunct Shintoho Studio in 1949. Films like Tokyo Story, Sansho The Bailiff and High And Low directed respectively by Ozu, Yasujiro, Mizoguchi, Kenji and Kurosawa, Akira have captured and immortalized her. She married and moved to New York City, USA with her husband, a reporter, and child for three years in 1965. She went through a couple of dry spells mid-career when roles had vanished, one of which lasted three years and was broken when a call came from Kurosawa to work on Maadadayo. It was the first time the actress and director worked together in 28 years. Kagawa won a Japanese Academy Award for Best Supporting Actress for the film. She was awarded a Japanese Medal With Purple Ribbon in 1998 for her contribution to Japanese life and arts. She was the subject of a film perspective at the Tokyo International Film Festival and Japan's National Film Centre in 2011. She also received an award in the same year from The International Federation Of Film Archives for her movie preservation effort. She was the first Japanese actor to receive this prize. She has done commercial work in the '70s and '80s (House Foods) and more recently for Lawson stores and Kirin Brewery. Overall she has a dozen awards, a couple of books and even a music single to her credit.After working as an ingénue for Yasujiro Ozu, Kenji Mizoguchi, and Akira Kurosawa in the 1950s Japanese cinema, this graceful gamine finally gained the acting chops and experience necessary to tackle the lead human role in Mothra (1961). (Edit: I saw her in a recent interview. She’s in her 80s and still looks lovely! Take that, Father Time!)- Actress
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Anna May Wong, the first Chinese-American movie star, was born Wong Liu Tsong on January 3, 1905, in Los Angeles, California, to laundryman Wong Sam Sing and his wife, Lee Gon Toy. A third-generation American, she managed to have a substantial acting career during a deeply racist time when the taboo against miscegenation meant that Caucasian actresses were cast as "Oriental" women in lead parts opposite Caucasian leading men. Even when the role called for playing opposite a Caucasian in yellowface, as with Paul Muni's as the Chinese peasant Wang Lung in The Good Earth (1937), Wong was rejected, since she did not fit a Caucasian's imagined ideal look for an Asian woman. The discrimination she faced in the domestic industry caused her to go to Europe for work in English and German films. Her name, which she also spelled Wong Lew Song, translates literally as "Frosted Yellow Willows" but has been interpreted as "Second-Daughter Yellow Butterfly." Her family gave her the English-language name Anna May. She was born on Flower Street in downtown Los Angeles in an integrated neighborhood dominated by Irish and Germans, one block from Chinatown, where her father ran the Sam Kee Laundry.
The Wong family moved back to Chinatown two years after Liu Tsong's birth, but in 1910 they uprooted themselves, moving to a nearby Figueroa Street neighborhood where they had Mexican and East European neighbors. There were two steep hills between the Wongs' new home and Chinatown, but as her biographer, Colgate University history professor Graham Russell Gao Hodges, points out, those hills put a psychological as well as physical distance between Liu Tsong and Chinatown. Los Angeles' Chinatown already was teeming with movie shoots when she was a girl. She would haunt the neighborhood nickelodeons, having become enraptured with the early "flickers." Though her traditional father strongly disapproved of his daughter's cinephilia, as it deflected her from scholastic pursuits, there was little he could do about it, as Liu was determined to be an actress. The film industry was in the midst of relocating from the East Coast to the West, and Hollywood was booming. Liu Tsong would haunt movie shoots as she had earlier haunted the nickelodeons. Her favorite stars were Pearl White, of The Perils of Pauline (1914) serial fame, and White's leading man, Crane Wilbur. She was also fond of Ruth Roland.
Educated at a Chinese-language school in Chinatown, she would skip school to watch film shoots in her neighborhood. She made tip money from delivering laundry for her father, which she spent on going to the movies. Her father, if he discovered she had gone to the movies during school hours, would spank her with a bamboo stick. Around the time she was nine years old, she began begging filmmakers for parts, behavior that got her dubbed "C.C.C." for "curious Chinese child."
Liu Tsong's first film role was as an uncredited extra in Metro Pictures' The Red Lantern (1919), starring Alla Nazimova as a Eurasian woman who falls in love with an American missionary. The film included scenes shot in Chinatown. The part was obtained for her by a friend of her father's (without his knowledge) who worked in the movie industry. Retaining the family surname "Wong" and the English-language "Christian" name bestowed on her by her parents, Liu Tsong Americanized herself as "Anna May Wong" for the movie industry, though she would not receive an on-screen credit for another two years.
The rechristened Anna May Wong appeared in bit parts in movies starring Priscilla Dean, Colleen Moore and the Japanese-born Sessue Hayakawa, the first Asian star of American movies. Due to her father's demands, she had an adult guardian at the studio, and would be locked in her dressing room between scenes if she was the only Asian in the cast. Initially balancing school work and her budding film career, she eventually dropped out of Los Angeles High School to pursue acting full time. She was aided by the fact that, though still a teenager, she looked more mature than her real age.
Director Marshall Neilan cast the teenage Anna May in a bit part in his film Dinty (1920), then gave her her first credited role in the "Hop" sequence of Bits of Life (1921), the American movie industry's first anthology film. In "Hop" Wong played Toy Ling, the abused wife of Lon Chaney's character Chin Gow, which the Man of a Thousand Faces played in yellowface. She next appeared in support of John Gilbert in Fox's Shame (1921) before being cast in her first major role at the age of 17, the lead in The Toll of the Sea (1922). She played Lotus Flower in this adaptation of the opera "Madame Butterfly," which moved the action from Japan to China. "The Toll of the Sea" was the first feature film shot entirely in Technicolor's two-strip color process. By appearing top-billed in this romantic melodrama, Anna became the first native-born Asian performer to star in a major Hollywood movie. Most portrayals of Asian women were done by Caucasian actresses in "yellow-face," such as the 1915 Madame Butterfly (1915) starring "America's Sweetheart" Mary Pickford (who was born in Toronto, Canada) in the title role. In "The Toll of the Sea," Anna May's character perpetuates the stereotype of the Asian "lotus blossom," a self-sacrificial woman who surrenders her life for the love of a Caucasian man. The film was a hit, and it showcased Wong in a preternaturally mature and restrained performance. This breakthrough should have launched Anna May Wong as a star, but for one thing: She was Chinese in a country that excluded (by law) Chinese from emigrating to the US, that forbade (by law) Chinese from marrying Caucasians and that generally excluded (by law or otherwise) Chinese from the culture at large, except for bit roles as heavies in the national consciousness.
"The Toll of the Sea" made Anna May Wong a known, and thus a marketable, commodity in Hollywood. She became the #1 actress when a young Asian female part had to be cast, but unfortunately lead roles for Asians were few and far between. Instead of becoming a star, this beautiful woman with a complexion described as "a rose blushing through old ivory" continued to be stuck in supporting roles, as in Tod Browning's melodrama Drifting (1923) and the western Thundering Dawn (1923). She even played an Eskimo in The Alaskan (1924). She appeared as Tiger Lily, "Chieftainess of the Indians," in Paramount's prestigious production of J.M. Barrie's Peter Pan (1924), but the role was very small (the film was shot on Santa Catalina Island, where the cast stayed during the production.
The 170-cm-tall (5'7", although other sources cite her height as 5'4½") beauty was known as the world's best-dressed woman and widely considered to have the loveliest hands in the cinema. Her big breakthrough after her auspicious start with "The Toll of the Sea" finally came when Douglas Fairbanks cast her in a supporting role as a treacherous Mongol slave in his Middle Eastern/Arabian Nights extravaganza The Thief of Bagdad (1924). The $2-million blockbuster production made her known to critics and the movie-going public. For better or worse, a star, albeit of the stereotypical "Dragon Lady" type, was born.
Despite her waxing fame, she was limited to supporting roles, as Caucasian actresses, including most improbably Myrna Loy, continued to be cast as Asian women in lead roles from the 1920s through the 1940s, despite the ready availability of Anna May Wong. She was unable to attract lead parts despite her beauty and proven acting talent, even in films featuring Asian women, but she did carve out a career as a supporting player in everything from A-list movies to two-reel comedies and serials. The characters she played typically were duplicitous or murderous vamps who often reaped the wages of their sin by being raped. It was a demeaning apprenticeship that most Caucasian actresses did not have to go through. Anna wanted was to play modern American women all through her career but was thwarted because of racism. Later, when she journeyed to Europe to escape the typecasting of Hollywood, she told journalist Doris Mackie, "I was so tired of the parts I had to play. Why is it that the screen Chinese is always the villain? And so crude a villain--murderous, treacherous, a snake in the grass."
Wong embodied the Caucasian ideal of a foreign exotic beauty, an alien presence despite her American citizenship. The movie magazine "Pictures" published a memoir of hers in 1926 in which she complained, "A lot of people, when they first meet me, are surprised that I speak and write English without difficulty. But why shouldn't I? I was born right here in Los Angeles and went to the public schools here. I speak English without any accent at all. But my parents complain that the same cannot be said of my Chinese. Although I have gone to Chinese schools, and always talk to my father and mother in our native tongue, it is said that I speak Chinese with an English accent!". Many Chinese-Americans considered themselves "Chinese in America," an attitude bolstered by the anti-Chinese, anti-Asian attitude of the US government and the American culture. In her memoir, Wong referred to herself as "Chinese" or "Americanized Chinese," but not as an "American" or "Chinese-American."
Anna May Wong appeared as a dancer in a play within a movie shot in Technicolor for the Ronald Colman vehicle His Supreme Moment (1925), but her Hollywood output generally was undistinguished. In 1926 she seems to have appeared in a "race" film made by Chinese-Americans for a Chinese-American audience, The Silk Bouquet (1926) (aka "The Dragon Horse"). Moving between Poverty Row and the majors, she appeared again with Lon Chaney in Mr. Wu (1927) at MGM and with Warner Oland and Dolores Costello in Old San Francisco (1927) at Warner Brothers. Warners also cast her in support of Oriental yellowface queen Myrna Loy in The Crimson City (1928). Despite her WASP looks and red hair, Loy in Chinese yellowface had become a major "Oriental" star in American films desiring an exotic element. This indignity may have been what pushed Wong to seek her future somewhere other than Hollywood.
She moved to Europe in 1928, where she made movies in the UK and Germany. She made her debut on the London stage with the young up-and-coming Laurence Olivier in the play "The Circle of Chalk." After receiving a drubbing for her voice and singing from the London critics, she paid a Cambridge University tutor to improve her speech, with the result that she acquired an upper-crust English accent. Later she appeared in Vienna, Austria, in the play "Springtime."
European directors appreciated Wong's unique talents and beauty, and they used her in ways that stereotype-minded Hollywood, hemmed in by American prejudice, would not or could not. Moving to Germany to appear in German films, she became acquainted with German film personalities, including Marlene Dietrich and actress-filmmaker Leni Riefenstahl. She learned German and French and began to develop a continental European attitude and outlook. In Europe she was welcomed as a star. According to her biographer Graham Russell Gao Hodges, Wong hobnobbed with "an intellectual elite that included princes, playwrights, artists and photographers who clamored to work with her." Anna May Wong was featured in magazines all over the world, far more than actresses of a similar level of accomplishment. She became a media superstar, and her coiffure and complexion were copied, while "coolie coats" became the rage. According to Hodges, "[S]he was the one American star who spoke to the French people, more than Greta Garbo, Joan Crawford or Mary Pickford, the top American actresses of the time." But, ironically, "[S]he's the one who's now forgotten." Wong was cast in Ewald André Dupont's silent film Piccadilly (1929) as a maid who is fired from her job at a London nightclub after dancing on top of a table, then rehired as a dancer to infuse the club with exotic glamour. Her first talkie was The Flame of Love (1930) (aka "The Road to Dishonour", although some sources claim it was "Song" aka "Wasted Love" in that same year), which was released by British International Pictures. In a time before dubbing, when different versions of a single film were filmed in different languages, Wong played in the English, French and German versions of the movie.
Paramount Pictures offered her a contract with the promise of lead roles in major productions. Returning to the US in 1930, Wong appeared on Broadway in the play "On the Spot." It was a hit, running for 167 performances, and she moved on to Hollywood and Paramount, where she starred in an adaptation of Sax Rohmer's novel "Daughter of Fu Manchu" called Daughter of the Dragon (1931). She was back in stereotype-land, this time as the ultimate "Dragon Lady," who with her father Fu Manchu (played by ethnic Swede Warner Oland, the future Charlie Chan) embodied the evil "Yellow Peril." While "Daughter of the Dragon" may have been B-movie pulp, it enabled Wong to show off her talent by delivering a powerful performance.
Her best role in Hollywood in the early 1930s was in support of Marlene Dietrich in Josef von Sternberg's Oscar-winning classic Shanghai Express (1932). However, Hollywood in the 1930s was as racist as it had been in the Roaring Twenties, and MGM refused to cast her in its 1932 production of The Son-Daughter (1932), for which she did a screen-test, as she was "too Chinese to play a Chinese." Helen Hayes played the role in yellow-face. Similarly, she was later kept out of both a lead and supporting role in MGM's prestige production of The Good Earth (1937), its filming of Pearl S. Buck's popular novel, after flunking another screen test for failing to live up to a white man's idea of what "looked" Chinese. MGM screen-tested her for the lead role of O-Lan, the sympathetic wife of Chinese farmer Wang Lung (to be played by Paul Muni, personally cast in the part by Irving Thalberg). She also was considered for the supporting role of Lotus, Wang Lung's concubine. Anna, an ethnic Chinese, lost out on both roles to two Austrian women, Luise Rainer and Tilly Losch, as Albert Lewin, the Thalberg assistant who was casting the film, vetoed Wong and other ethnic Chinese because their looks didn't fit his conception of what Chinese people should look like. Ironically, the year "The Good Earth" came out, Wong appeared on the cover of Look Magazine's second issue, which labeled her "The World's Most Beautiful Chinese Girl." Stereotyped in America as a dragon lady, the cover photo had her holding a dagger. Luise Rainer would win the Best Actress Oscar for her performance of O-Lan in Chinese yellowface.
There were practical considerations for MGM's refusal to cast Wong opposite Muni. It was illegal in many states, including California, for Asians to marry Caucasians, and featuring an interracial couple, even if they were playing the same race, likely would mean the movie would be rejected by many theater chains in regions in which anti-Asian prejudice was particularly severe, such as the South. The new Motion Picture Production Code of 1934 forbid black/white miscegenation and MGM did cast Walter Connelly (a white actor) opposite Soo Yong (a Chines-American actress) as a married couple. Anna May returned to England, reportedly distraught at the injustice perpetrated by MGM and her home country. In England she alternated between films and the stage, but she was obliged to return to the US to fulfill her Paramount contract. She appeared in two Robert Florey-directed pictures, Daughter of Shanghai (1937) as a non-stereotypical Asian-American female lead, and Dangerous to Know (1938). She also appeared in major roles in King of Chinatown (1939) and Island of Lost Men (1939).
Anna May Wong did not appear in films from 1939-41, when she was cast as a supporting player in Ellery Queen's Penthouse Mystery (1941), an entry in the B-movie series. Her last two starring roles in films were in a pair of anti-Japanese propaganda films, Bombs Over Burma (1942) and Lady from Chungking (1942), both of which were made by Producers Releasing Corp., the lowest of the Poverty Row studios. The major studios, when shooting propaganda films requiring a sympathetic Asian lead, reverted to the old practice of casting Caucasians in yellow-face, no matter how absurd the result.
As her movie career went into eclipse in the 1940s (she would not appear in another motion picture until 1949), she found work on the stage and in radio and then in the new medium of television. Wong wrote a preface to the book "New Chinese Recipes" in 1942, which was one of the first Chinese cookbooks printed in the US. The proceeds from the cookbook were dedicated to United China Relief.
Though Wong was vocal in her opposition to stereotypes and typecasting, and was one of Hollywood's more memorable victims of racism in being denied leading roles in A-list pictures because the racist mores of the times prevented an Asian woman from kissing a Caucasian actor, she was considered socially suspect by her own people. The roles she was forced to accept in order to have an acting career, as well as her status as a single woman, disgusted many Chinese in America and in her ancestral homeland, where actresses were equated with prostitutes and where women were still played by men in classical opera. On a trip to China in 1936, Anna May was welcomed by the country's cultural elite in cosmopolitan Beijing and Shanghai, but she had to abandon a trip to her parents' ancestral village when her progress was blocked by a crowd of protesters. Someone in the crowed denounced her with "Down with Huang Liu Tsong, the stooge that disgraces China. Don't let her go ashore." Upon her return from China, Wong was determined to play Chinese characters more authentically, but her only options were to reject roles she deemed racist or to try to soften them from within the belly of the beast. Ultimately for this proud woman, it was a losing battle.
Chinese nationalism had been on the upswing since Yat-sen Sun ended the Manchu Empire in 1911 and was rife in reaction to the war of aggression launched against China by the Empire of Japan. Chinese nationalists, concerned about the portrayal of Chinese people as evil incarnate in American popular culture, were offended by Wong's portrayals of Asians and exotics. Though she would spend the World War II years working for Chinese charities and relief agencies, she was snubbed by Madame Chiang, the sister-in-law of Yat-sen Sun and wife of Kai-Shek Chiang, the army general who led the Nationalist Chinese, during Madame Chiang's 1942-43 propaganda tour of the US. Her biographer Hodges claims this was the beginning of a consensus among Chinese and Chinese-Americans that Wong was an embarrassment. Chinese and Chinese-Americans chose to blame her rather than Hollywood for the demeaning stereotypes she had to play in order to work. The result of this new consensus, according to Hodges, was that "her memory has been washed away."
Anna May's career in motion pictures was virtually finished after the war. She got her own TV series, The Gallery of Madame Liu-Tsong (1951), on the Dumont Network, playing a Chinese detective in a role written expressly for her, a character who was even given her real Chinese name. The half-hour program, which ran weekly from August 27 to November 21, 1951, was the first TV show to star an Asian-American.
Wong's personal relationships typically were with older Caucasian men, but California law forbade marriage between Asians and Caucasians until 1948. One of her white lovers offered to marry her in Mexico, but the couple's intentions became known and he backed off when his Hollywood career was jeopardized. Wong mused about marrying a Chinese man at times, but the Chinese culture held actresses to be on a par with prostitutes, which made her suspect marriage material. She was afraid that the mores of her culture likely meant that marrying a Chinese would force her to quit her career and be an obedient wife.
Anna May Wong appeared in over 50 American, English and German films in her career, making her the first global Chinese-American movie star. She was forced to fight against racism and stereotyping all her professional life, while simultaneously being criticized by Chinese at home and abroad for perpetuating stereotypes in the media. Despite this tremendous burden, the beautiful woman assayed an elegance and sophistication on-screen that made her the paradigm of Asian women for a generation of movie audiences.
Anna May Wong loved reading, and her favorite subjects spanned a wide range, everything from Asian history and Tzu Lao to William Shakespeare. She never married but occupied her time with golf, horses, and skiing. Wong smoked, drank too much, and suffered from depression. She was poised to make a comeback as a character actress on the big screen toward the end of her life, having appeared as Lana Turner's maid in Ross Hunter's sudsy potboiler Portrait in Black (1960). She was cast in the role of Madame Liang in Flower Drum Song (1961), the movie version of Richard Rodgers's and Oscar Hammerstein II's Broadway musical "Flower Drum Song," but before shooting could begin she passed away.
Anna May Wong died of a massive heart attack on February 3, 1961, in Santa Monica, CA, after a long struggle against Laennec's cirrhosis, a disease of the liver. She was 56 years old. Her fame lives on, four decades after her death. She is a part of American popular consciousness, chosen as one of the first movie stars to be featured on a postage stamp. And the interest in her continues: a play about Anna entitled "China Doll--The Imagined Life of an American Actress," written by Elizabeth Wong, had its premiere at Maine's Bowdoin College in 1997. A lecture and film series, "Rediscovering Anna May Wong," was held at the UCLA Film and Television Archive in 2004, sponsored by "Playboy" publisher Hugh Hefner. That same year New York City's Museum of Modern Art held its own tribute to Wong, "Retrospective of a Chinese-American Screen Actress." Finally she was getting the respect in her own country that was denied her during her career.
A biography by Colgate University history professor Graham Russell Gao Hodges, "Anna May Wong: From Laundryman's Daughter to Hollywood Legend," was published by Palgrave Macmillan in 2004. Hodges considers Anna May's life and career to be amazing, particularly in light of the fact that her star has yet to be eclipsed by any other Asian-American female star, despite the change in attitudes. Finally, in 2004, the British Film Institute restored E.A. Dupont's 1929 silent film "Piccadilly".With her smoldering eyes and flowery features blooming above the latest trends in 1920s fashion, this dauntless Los Angeles native heralded the new face of the cosmopolitan flapper. Her unique presence in Hollywood and European movies of the late-silent and early-sound eras stole the show from her co-stars, even Marlene Dietrich in Shanghai Express (1932).- Actress
Gloria (Maylia) Fong was born Gloria Chin in Detroit, Michigan. She married actor Benson Fong and received great reviews for her first film, Singapore (1947). She and Benson later ran the fabulous "Ah-Fong" Chinese restaurant in Beverly Hills. They have five children including Pamela Kwong Fong and Lisa Fong.Too bad her movie career — which she gave up for motherhood — was so brief.- Producer
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Alex Wagner is the host of MSNBC's Now with Alex Wagner (2011) (weekdays at noon ET). She had been an MSNBC analyst and a frequent MSNBC guest since 2010. She was also a reporter with Huffington Post, where she covered innovation in the American economy, investigating the intersection of business, politics and new technology. Prior to this, Wagner served as the White House correspondent for Politics Daily, where she chronicled a number of international and domestic affairs ranging from the BP oil spill to the Egyptian revolution.
Wagner was the Executive Director of Not On Our Watch, an advocacy and grant making non-profit founded by George Clooney, Matt Damon, Brad Pitt and Don Cheadle, from 2007 to 2009. With the goal of stopping and preventing mass atrocities, Wagner traveled to troubled hot spots including Burma, Sudan and Zimbabwe.
From 2004 to 2007 she was the Editor in Chief of the Fader Magazine, covering cultural movements around the globe from Brazil to China to South Africa. Prior to this, she served as the Cultural Correspondent for the Washington, DC-based think tank Center for American Progress.
Wagner is a native of Washington, DC, and attended Brown University.Problem: When this MSNBC host is talking, it’s hard to concentrate on what she says.- Actress
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Gabrielle Union was born on October 29, 1972, in Omaha, Nebraska, to Theresa (Glass), who managed a phone company, and Sylvester E. Union, a military sergeant and business executive. When she was eight, her family moved to Pleasanton, California, where she grew up and attended high school. There, Union was an all-star point guard and a year-round athlete participating in soccer, basketball, and track. She graduated from Foothill High School (Class of 1991).
After high school, Gabrielle attended college at University of Nebraska, where she played on the soccer team; and then later transferred to Cuesta College. Eventually, she ended up at UCLA. On her way to law school, just planning on being a working stiff, things started to happen during her senior year. Gabrielle had a college internship at a L.A. modeling agency, she thought it would be an easy way to pick up some extra credits. Little did she know that clients were eyeing the help. Upon the completion of the internship, she was asked to become a client with the agency. Gabby thought of it as a great way to pay off a stack of college loans, and modeled until her agent found that she could actually act. Her first audition/job was landed without any headshots, on Saved by the Bell (1989). Since then, she has gone on to have many small but substantial film roles and has guest-starred on several hit TV shows, all before landing the role of "Dr. Courtney Ellis", on CBS' short-lived medical drama City of Angels (2000).
Although she plays parts that are opinionated and strong, Gabrielle believes that, "Hollywood needs to recognize all shades of African-American beauty." Gabrielle is a 1996 graduate of UCLA with honors in sociology.Those adorable dimples... Okay, folks, I’m out of metaphors. You gotta help me out here.- Actress
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Odette Annable was born Odette Juliette Yustman on 10 May, 1985, in Los Angeles, California. Her mother, Lydia (Nodarse), is Cuban. Odette's father, Victor Oscar Yustman, was born in Bogotá, Colombia, of Italian and Polish Jewish descent. Odette started her career with a minor role in the movie Kindergarten Cop (1990) as "Rosa."
After graduating from Woodcrest Christian High School in Riverside, California, where she was the homecoming queen, she turned to modeling with a few roles through the years. Some of her credits include Danielle Steel's Remembrance (1996) and Dear God (1996) with a few guest appearances in Quintuplets (2004). In 2006, Odette was cast in Jennifer Lopez's South Beach (2006) where she played "Arielle Casta". She was then cast in the drama October Road (2007) as "Aubrey," which has received its second season. She has since been seen in the action monster movie Cloverfield (2008) as "Beth McIntyre".She doesn’t need to be glammed up to look great.- Actress
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Rachel Anne McAdams was born on November 17, 1978 in London, Ontario, Canada, to Sandra Kay (Gale), a nurse, and Lance Frederick McAdams, a truck driver and furniture mover. She is of English, Welsh, Irish, and Scottish descent. Rachel became involved with acting as a teenager and by the age of 13 was performing in Shakespearean productions in summer theater camp; she went on to graduate with honors with a BFA degree in Theater from York University. After her debut in an episode of Disney's The Famous Jett Jackson (1998), she co-starred in the Canadian TV series Slings and Arrows (2003), a comedy-drama about the trials and travails of a Shakespearean theater group, and won a Gemini award for her performance in 2003.
Her breakout role as Regina George in the hit comedy Mean Girls (2004) instantly catapulted her onto the short list of Hollywood's hottest young actresses. She followed that film with a star turn opposite Ryan Gosling in the adaptation of the Nicholas Sparks bestseller The Notebook (2004), which was a surprise box office success and became the predominant romantic drama for a new, young generation of moviegoers. After filming, McAdams and Gosling became romantically involved and dated through mid-2007. McAdams next showcased her versatility onscreen with the manic comedy Wedding Crashers (2005), the thriller Red Eye (2005), and the holiday drama The Family Stone (2005).
McAdams then explored the independent film world with Married Life (2007), which premiered at the Toronto Film Festival and also starred Pierce Brosnan, Chris Cooper and Patricia Clarkson. Starring roles in the military drama The Lucky Ones (2008), the newspaper thriller State of Play (2009), and the romance The Time Traveler's Wife (2009) followed before she starred opposite Robert Downey Jr. and Jude Law in Guy Ritchie's international blockbuster Sherlock Holmes (2009). McAdams played the plucky producer of a failing morning TV show in Morning Glory (2010), the materialistic fiancée of Owen Wilson in Woody Allen's Midnight in Paris (2011), and returned to romantic drama territory with the hit film The Vow (2012) opposite Channing Tatum. The actress also stars with Ben Affleck in Terrence Malick's To the Wonder (2012) and alongside Noomi Rapace in Brian De Palma's thriller Passion (2012).
In 2005, McAdams received ShoWest's "Supporting Actress of the Year" Award as well as the "Breakthrough Actress of the Year" at the Hollywood Film Awards. In 2009, she was awarded with ShoWest's "Female Star of the Year." As of 2011, she has been romantically linked with her Midnight in Paris (2011) co-star Michael Sheen.I think that this Canadian belle is cute beyond words — when her hair is brunette. But lately, she’s been dying her hair blonde, a color that clashes with her slightly bisque-cast skin tone. So, I’m adding a caveat: Brunette Rachel makes this list. Blonde Rachel doesn’t.