les femmes fatales
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Hi. I think the celtic-blood women are irresistible or the most interesting than usual.
Here, we have a tribute to whose built, with the name, origin or work , the famous charm of the french woman (on the screens)
And naturally, his beauty....
Hi. I think the celtic-blood women are irresistible or the most interesting than usual.
Here, we have a tribute to whose built, with the name, origin or work , the famous charm of the french woman (on the screens)
And naturally, his beauty....
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Carole Bouquet is a French actress and fashion model. She is best known for played Bond girl Melina Havelock in the James Bond film For Your Eyes Only (1981).
She also starred in That Obscure Object of Desire (1977), Nemo (1984), The Bridge (1999) and Do Not Disturb (2014).
In 2017 she starred in the Mini-Series The Mantis.
In the 1980s and 1990s she was a model for Chanel.
That Obscure Object of Desire was her film debut.- Actress
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Gabrielle Lazure was born on 28 April 1957 in Philadelphia, Pennsylvania, USA. She is an actress and director, known for The Beautiful Prisoner (1983), Arbitrage (2012) and The French Revolution (1989).- Actress
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Catherine Fabienne Deneuve was born October 22, 1943 in Paris, France, to actor parents Renée Simonot and Maurice Dorléac. She made her movie debut in 1957, when she was barely a teenager and continued with small parts in minor films, until Roger Vadim gave her a meatier role in Vice and Virtue (1963). Her breakthrough came with the excellent musical The Umbrellas of Cherbourg (1964), in which she gave an unforgettable performance as a romantic middle-class girl who falls in love with a young soldier but gets imprisoned in a loveless marriage with another man; the director was the gifted Jacques Demy, who also cast Deneuve in the less successful The Young Girls of Rochefort (1967). She then played a schizophrenic killer in Roman Polanski's Repulsion (1965) and a married woman who works as a part-time prostitute every afternoon in Luis Buñuel's masterpiece Belle de Jour (1967). She also worked with Buñuel in Tristana (1970) and gave a great performance for François Truffaut in Mississippi Mermaid (1969), a kind of apotheosis of her "frigid femme fatale" persona. In the seventies she didn't find parts of that caliber, but her magnificent work in Truffaut's The Last Metro (1980) as a stage actress in Nazi-occupied Paris revived her career. She was also very good in the epic drama Indochine (1992), for which she earned her first Academy Award nomination (Best Actress). Although the elegant and always radiant Deneuve has never appeared on stage, she is universally hailed as one of the "grandes dames" of French cinema, joining a list that includes such illustrious talents as Simone Signoret, Jeanne Moreau, Isabelle Huppert, Isabelle Adjani and the younger Juliette Binoche.- Actress
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Isabelle Yasmine Adjani was born in Gennevilliers, Hauts-de-Seine, a suburb of Paris, to Emma Augusta "Gusti" (Schweinberger) and Mohammed Adjani. Her father was a Kabyle Algerian, from Iferhounène, and her mother was a Bavarian German. She grew up speaking German fluently. After winning a school recitation contest, she began acting in amateur theater by the age of twelve. At the age of 14, she starred in her first motion picture, Le Petit Bougnat (1970). Adjani has appeared in 30 films since 1970. She holds the record for most César Award for Best Actress (5), which she won for Possession (1981), One Deadly Summer (1983) (aka "One Deadly Summer"), Camille Claudel (1988), Queen Margot (1994) (aka "Queen Margot") and Skirt Day (2008) (aka "Skirt Day"). She was also given a double Cannes Film Festival Best Actress Award in 1981. She also received two Academy Award nominations for Best Actress. She performs in French, English, Italian and German. Adjani was made a Chevalier de la Légion d'honneur in 2010.- Actress
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Brigitte Bardot was born on September 28, 1934 in Paris, France. Her father had an engineering degree and worked with his father in the family business. Brigitte's mother encouraged her daughter to take up music and dance, and she proved to be very adept at it. By the time she was 15, Brigitte was trying a modeling career, and found herself in the French magazine "Elle". Her incredible beauty readily apparent, Brigitte next tried films. In 1952, she appeared on screen for the first time as Javotte Lemoine in Crazy for Love (1952). Two more films followed and it was also the same year she married Roger Vadim (the union lasted 3½ years). Capitalizing on her success in French films, Brigitte made her first American production in Act of Love (1953) with Kirk Douglas, but she continued to make films in France. Brigitte's explosive sexuality took the United States by storm, and the effect she had on millions of American men who had not seen a woman like her in a long, long time--if ever--was electric. Rise to the phrase "sex kitten" and fascination of her in the United States consisted of magazines photographs and dubbed over French films--good, bad or indifferent, her films drew audiences--mainly men--into theaters like lemmings. In 1965, she appeared as herself in the American-made Dear Brigitte (1965) with James Stewart (she only appeared in one scene). Just before she turned 40, Brigitte retired from movies after filming The Edifying and Joyous Story of Colinot (1973). She prefers life outside of stardom. While it enabled her to become internationally famous, it also carried with it annoyances. It was not anything for her to have "fans" enter her house or wander around the grounds of her home in the hopes of getting a glimpse of her or to take something that belonged to her. Paparazzi constantly hounded her with their cameras. She has been so soft-hearted that some people even have taken advantage of her generosity. After her life in the spotlight, Brigitte went on to become a leading spokesperson for animal rights and started the "Foundation Brigitte Bardot" dedicated solely to that cause. Her work in that realm is, perhaps, far greater than any film she could have made. Brigitte has been married to Bernard d'Ormale since 1992 and they reside in St. Tropez with their nearly 50 pets.- Actress
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Jacqueline Bisset has been an international film star since the late '60s. She received her first roles mainly because of her stunning beauty, but over time she has become a fine actress respected by fans and critics alike. Bisset has worked with directors John Huston, François Truffaut, George Cukor and Roman Polanski. Her co-stars have included Anthony Quinn, Paul Newman, Nick Nolte, Jean-Paul Belmondo, Kenneth Branagh and Marcello Mastroianni.
Her somewhat French-sounding name has led many to assume that she is from France, but she was brought up in England and had to study to learn French. Her mother was French and was an attorney before being married. As a child Jacqueline studied ballet. During her teenage years her father left the family when her mother was diagnosed with disseminating sclerosis; Jacqueline worked as a model to support her ailing mother and eventually her parents divorced, an experience she has said she considered character-strengthening. She took an early interest in film, and her modeling career helped pay for acting lessons.
In 1967 Bisset gained her first critical attention in Two for the Road (1967), and that same year appeared in the popular James Bond spoof Casino Royale (1967), playing Miss Goodthighs. In 1968 her career got a boost when Mia Farrow unexpectedly dropped out of the shooting of The Detective (1968); Farrow's marriage to co-star Frank Sinatra was on the rocks, and her role was eventually given to Bisset, who received special billing in the film's credits. In the following year she earned a Golden Globe nomination as Most Promising Newcomer for The Sweet Ride (1968) and gained even more attention playing opposite Steve McQueen in the popular action film Bullitt (1968). In 1970 she was featured in the star-studded disaster film Airport (1970) and had the main role in The Grasshopper (1970). Then she co-starred with Alan Alda in the well-reviewed but commercially underperforming horror movie, The Mephisto Waltz (1971). In 1973 she became recognized in Europe as a serious actress when she played the lead in Truffaut's Day for Night (1973). However, it would be several years before her talents would be taken seriously in the US. Though she scored another domestic hit with Murder on the Orient Express (1974), her part in it, as had often been the case, was decorative. She did appear to good effect in Believe in Me (1971), Le Magnifique (1973), The Sunday Woman (1975) and St. Ives (1976).
Jacqueline's stunning looks and figure made quite a splash in The Deep (1977). Her underwater swimming scenes in that movie inspired the worldwide wet T-shirt craze, and Newsweek magazine declared her "the most beautiful film actress of all time." The film's producer, Peter Guber, said "That T-shirt made me a rich man." However, she hated the wet T-shirt scenes because she felt exploited. At the time of filming she was not told that the filmmakers would shoot the scenes in such a provocative way, and she felt tricked. On the plus side, the huge success of the picture made Bisset officially bankable. She was next seen in high-profile roles in The Greek Tycoon (1978), a thinly disguised fictionalization of the marriage of Jacqueline Kennedy and Aristotle Onassis, and Who Is Killing the Great Chefs of Europe? (1978), for which she received a Golden Globe nomination as Best Actress in a Comedy.
In the early '80s, Bisset starred in the box office disasters When Time Ran Out... (1980) and Inchon (1981), but her well-received turn opposite Candice Bergen in Rich and Famous (1981) between those two films helped gain her recognition as a serious actress from American audiences. She rebounded neatly with Class (1983) and Under the Volcano (1984), getting a Golden Globe nomination as Best Supporting Actress for the latter. She also earned praise for her work in the excellent made-for-cable WWII drama Forbidden (1984), then appeared on network TV in adaptations of Anna Karenina (1985) with Christopher Reeve and Napoleon and Josephine: A Love Story (1987) with Armand Assante. In 1989 she co-starred in the raunchy yet witty comedy Scenes from the Class Struggle in Beverly Hills (1989) and the erotic thriller Wild Orchid (1989), neither of which fared too well, but her output remained consistent. As she transitioned seamlessly out of her ingenue years, smaller-scale productions such as CrimeBroker (1993) and Leave of Absence (1994) would provide Bisset with plum roles, even if they went largely unseen.
In 1996 she was nominated for a César Award, the French equivalent of the Oscar, for her performance in Claude Chabrol's La Cérémonie (1995). She held roles in period pieces like Dangerous Beauty (1998), as well as the Biblical epics Jesus (1999) and In the Beginning (2000). Other notable credits included the miniseries Joan of Arc (1999) alongside Leelee Sobieski, which gained her an Emmy nomination, and The Sleepy Time Gal (2001), which premiered at Sundance but unfortunately was not picked up for theatrical distribution. In 2005 Jacqueline was back on the big screen, playing Keira Knightley's mother in the Domino Harvey biopic Domino (2005) for Tony Scott. In 2006 she appeared in the fourth season of Nip/Tuck (2003) as the ruthless extortionist "James." Bisset then turned in strong performances in Boaz Yakin's disturbing independent drama Death in Love (2008) and the telepic An Old Fashioned Thanksgiving (2008), garnering accolades for both. In 2013 she appeared in BBC's program Dancing on the Edge (2013), for which she finally won her first Golden Globe. She followed that up with the movies Welcome to New York (2014) with Gérard Depardieu and Miss You Already (2015) with Drew Barrymore and Toni Collette.
2016 saw the long-awaited release of Linda Yellen's comedy The Last Film Festival (2016), where Jacqueline was a riot as a washed-up Italian diva alongside Dennis Hopper in his final role. Since then she's kept busy on the indie circuit, appearing in Backstabbing for Beginners (2018) with Ben Kingsley, Here and Now (2018) with Sarah Jessica Parker, and Asher (2018) with Ron Perlman and Famke Janssen, as well as the Amazon original movie Birds of Paradise (2021) and a title role in Loren & Rose (2022).
Bisset has never married, but has been involved in long-term romantic relationships with Canadian actor Michael Sarrazin, Moroccan entrepreneur Victor Drai, Russian ballet dancer Alexander Godunov, Swiss actor Vincent Perez and Turkish martial arts instructor Emin Boztepe. She continues to make numerous films, and frequently participates in film festivals and award ceremonies around the world.- Actress
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Juliette Binoche was born in Paris, France, to Monique Yvette Stalens, a director, teacher, and actress, and Jean-Marie Binoche, a sculptor, director, and actor. Her mother was born in Czestochowa, Poland, of French, Walloon Belgian, and Polish descent, while her father is French. Juliette was only 23 when she first attracted the attention of international film critics with The Unbearable Lightness of Being (1988). Roger Ebert, Chicago Sun-Times film critic with an international following of his books on film and TV reviews, wrote that she was "almost ethereal in her beauty and innocence". That innocence was gone by the time Binoche completed Louis Malle's Damage (1992) (aka "Fatale"). In an interview after the film was released, Binoche said: "Malle was trying direct and wanted something more sophisticated". A year later, Krzysztof Kieslowski's Three Colors: Blue (1993) was added to her film credits. After a sabbatical from film-making to become a mother in 1994, Binoche was selected as the heroine of France's most expensive ($35 million) movie ever: The Horseman on the Roof (1995). More recently, she has made The English Patient (1996), for which she won an Oscar for 'Best supporting actress' and Chocolat (2000).- With classic patrician features and an independent, non-conformist personality, Capucine began her film debut in 1949 at the age of 21 with an appearance in the film Rendezvous in July (1949). She attended school in France and received a BA degree in foreign languages. Married for six months in her early twenties, she never remarried. In 1957, she was discovered by director Charles K. Feldman while working as a high-fashion model for Givenchy in Paris and was brought to Hollywood to study acting under Gregory Ratoff. She was put under contract by Columbia studios in 1958 and had her first leading part in the movie Song Without End (1960). She made six more major movies in the early to mid 1960s, two of which (The Lion (1962) and The 7th Dawn (1964)) starred William Holden, with whom she had a two-year affair. Moving from Hollywood to a penthouse apartment in Lausanne, Switzerland, in 1962, she continued making movies, mostly in Europe, until her suicide in 1990.
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Jean Dorothy Seberg was born in Marshalltown, Iowa, to substitute teacher Dorothy Arline (Benson) and pharmacist Edward Waldemar Seberg. Her father was of Swedish descent and her mother was of English and German ancestry.
One month before her 18th birthday, Jean landed the title role in Otto Preminger's Saint Joan (1957) after a much-publicized contest involving some 18,000 hopefuls. The failure of that film and the only moderate success of her next, Bonjour Tristesse (1958), combined to stall Seberg's career, until her role in Jean-Luc Godard's landmark feature, Breathless (1960), brought her renewed international attention. Seberg gave a memorable performance as a schizophrenic in the title role of Robert Rossen's Lilith (1964) opposite Warren Beatty and went on to appear in over 30 films in Hollywood and Europe.
In the late 1960s, Seberg became involved in anti-war politics and was the target of an undercover campaign by the FBI to discredit her because of her association with several members of the Black Panther party. She was found dead under mysterious circumstances in Paris in 1979.- Actress
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Lucia Bosè was born on 28 January 1931 in Milan, Lombardy, Italy. She was an actress, known for The Lady Without Camelias (1953), Death of a Cyclist (1955) and Story of a Love Affair (1950). She was married to Luis Miguel Dominguín. She died on 23 March 2020 in Segovia, Segovia, Castilla y León, Spain.- Actress
The daughter of actress Geneviève Sorya, in 1948 she played the part of Juliette in The Lovers of Verona (1949). During the 1950s and 1960s she made various films, including Montparnasse 19 (1958) and La Dolce Vita (1960), but only Lola (1961) , Jacques Demy, and A Man and a Woman (1966) Claude Lelouch saw major success. With the latter she had, but did not use, the chance to establish herself in America. Therefore she was only participating in second-row productions in Europe and America.- Geneviève Page was born on 13 December 1927 in Paris, France. She is an actress, known for Belle de Jour (1967), The Private Life of Sherlock Holmes (1970) and Fanfan la Tulipe (1952). She was previously married to Jean-Claude Bujard.
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Audrey Hepburn was born as Audrey Kathleen Ruston on May 4, 1929 in Ixelles, Brussels, Belgium. Her mother, Baroness Ella Van Heemstra, was a Dutch noblewoman, while her father, Joseph Victor Anthony Ruston, was born in Úzice, Bohemia, to English and Austrian parents.
After her parents' divorce, Audrey went to London with her mother where she went to a private girls school. Later, when her mother moved back to the Netherlands, she attended private schools as well. While she vacationed with her mother in Arnhem, Netherlands, Hitler's army took over the town. It was here that she fell on hard times during the Nazi occupation. Audrey suffered from depression and malnutrition.
After the liberation, she went to a ballet school in London on a scholarship and later began a modeling career. As a model, she was graceful and, it seemed, she had found her niche in life--until the film producers came calling. In 1948, after being spotted modeling by a producer, she was signed to a bit part in the European film Nederlands in zeven lessen (1948). Later, she had a speaking role in the 1951 film, Young Wives' Tale (1951) as Eve Lester. The part still wasn't much, so she headed to America to try her luck there. Audrey gained immediate prominence in the US with her role in Roman Holiday (1953). This film turned out to be a smashing success, and she won an Oscar as Best Actress.
On September 25, 1954, she married actor Mel Ferrer. She also starred in Sabrina (1954), for which she received another Academy Award nomination. She starred in the films Funny Face (1957) and Love in the Afternoon (1957). She received yet another Academy Award nomination for her role in The Nun's Story (1959). On July 17, 1960, she gave birth to her first son, Sean Hepburn Ferrer.
Audrey reached the pinnacle of her career when she played Holly Golightly in Breakfast at Tiffany's (1961), for which she received another Oscar nomination. She scored commercial success again playing Regina Lampert in the espionage caper Charade (1963). One of Audrey's most radiant roles was in the fine production of My Fair Lady (1964). After a couple of other movies, most notably Two for the Road (1967), she hit pay dirt and another nomination in Wait Until Dark (1967).
In 1967, Audrey decided to retire from acting while she was on top. She divorced from Mel Ferrer in 1968. On January 19, 1969, she married Dr. Andrea Dotti. On February 8, 1970, she gave birth to her second son, Luca Dotti in Lausanne, Vaud, Switzerland. From time to time, she would appear on the silver screen.
In 1988, she became a special ambassador to the United Nations UNICEF fund helping children in Latin America and Africa, a position she retained until 1993. She was named to People's magazine as one of the 50 most beautiful people in the world. Her last film was Always (1989).
Audrey Hepburn died, aged 63, on January 20, 1993 in Tolochnaz, Vaud, Switzerland, from appendicular cancer. She had made a total of 31 high quality movies. Her elegance and style will always be remembered in film history as evidenced by her being named in Empire magazine's "The Top 100 Movie Stars of All Time".- Dominique Sanda was born in 1951, in Paris, France. When she was 16, she left her upper-class family and married, but divorced two years later. She found a temporary job as a Vogue model, when Robert Bresson gave her the starring part in his absorbing drama A Gentle Woman (1969); she was quite impressive as a young woman who commits suicide when she finds out that her husband is unable to love her for what she really is. She was then offered the female lead in Vittorio De Sica's The Garden of the Finzi-Continis (1970), as the provocative daughter of a rich Jewish family. Afterwards, she worked with Bernardo Bertolucci on the much-discussed The Conformist (1970), as the sensual wife of an anti-fascist professor, and co-starred with Paul Newman in John Huston's spy thriller, The MacKintosh Man (1973). She worked again with Bertolucci in the epic, 1900 (1976), and won the Cannes Film Festival Best Actress Prize for her performance in Mauro Bolognini's The Inheritance (1976), as an Italian patriarch's daughter-in-law. She gave one more unforgettable performance in Jacques Demy's original musical, A Room in Town (1982), as a femme fatale. Today, in her seventies, she is still busy, appearing in international films and TV series.
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An intelligent, slender leading lady of the 1960s and 70s, Yvette Carmen Mimieux was born in Hollywood, California, to Maria (Montemayor) and René Mimieux, an occasional movie extra. Her father was born in England, of French and German descent, and her mother was Mexican. While she was first persuaded to go into acting by a Hollywood publicist, her discovery for the screen can be attributed to the director Vincente Minnelli who saw her perform in a play and decided to cast her in his melodrama Home from the Hill (1960). Though Yvette's small role ended up on the cutting room floor, MGM producers were sufficiently impressed with her looks to sign her under a long term contract. Her first role of note, Platinum High School (1960), won her a Golden Globe nomination as Most Promising Newcomer. She was then properly 'launched' with the part of Weena, the naive Eloi cave girl, in George Pal's version of The Time Machine (1960). This turned out to be one of the studio's biggest box office winners of 1960. That same year, Mimieux also played a carefree collegian in Where the Boys Are (1960), a teen comedy (with serious undertones) dealing with adolescent sexuality. Both of her performances were well received by critics, but also set the trend for the actress to become typed either as fragile or insecure characters, or as sex kittens.
After a two year hiatus, Mimieux gave a genuinely compelling performance as Clara Johnson, a retarded girl who captures the affections of a young Italian in Light in the Piazza (1962). Though disliking the film, New York Times critic Bosley Crowther described Clara as "played with sunshine radiance and rapturous grace." Having essayed more conventional heroines in Diamond Head (1962) (sister of blustering land baron), The Reward (1965) (a fugitive's girlfriend) and Dark of the Sun (1968) (girl caught up with mercenaries in the Congo), Mimieux began to concentrate on TV movies which gave her the opportunity to further expand her dramatic range. Her contract killer in Hit Lady (1974) and the unhinged stalker in Obsessive Love (1984) were based, respectively, on her own screenplay and story. Probably her last role of note was as the victim of a harrowing chain of events in Jackson County Jail (1976), a downbeat exploitation drama produced by Roger Corman's New World Pictures. In 1985, Mimieux had a recurring role in Berrenger's (1985), a glossy soap opera set in a luxurious department store. The series lasted just one season before being canceled. Though ultimately nominated for three Golden Globes, Mimieux came to bemoan the fact that scriptwriters of the period tended to depict women as 'one-dimensional'.
In 1992, Mimieux left the acting profession to form a partnership with Sara Shane (another ex-MGM contract player) in a Los Angeles-based enterprise called "Partners in Paradise", selling embroidered tapestries, bedspreads and pillows based on Haitian designs. She subsequently went on to find even more lucrative opportunities in real estate. In her spare time, Mimieux traveled extensively, painted and studied archaeology. At the time of her death at the age of 80, she was married to Howard F. Ruby, founder and chairman of Oakwood Worldwide, a large global corporation providing furnished apartments.- Actress
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Genevieve Bujold spent her first twelve school years in Montreal's oppressive Hochelaga Convent, where opportunities for self-expression were limited to making welcoming speeches for visiting clerics. As a child she felt "as if I were in a long dark tunnel trying to convince myself that if I could ever get out there was light ahead." Caught reading a forbidden novel, she was handed her ticket out of the convent and she then enrolled in Montreal's free Conservatoire d'Art Dramatique. There she was trained in classical French drama and shortly before graduation was offered a part in a professional production of Beaumarchais' "The Barber of Seville." In 1965 while on a theatrical tour of Paris with another Montreal company, Rideau Vert, Bujold was recommended to director Alain Resnais (by his mother) who cast her opposite Yves Montand in The War Is Over (1966). She then made two other French films in quick succession, the Philippe de Broca cult classic King of Hearts (1966) and Louis Malle's The Thief of Paris (1967). She was also very active during this time in Canadian television where she met and married director Paul Almond in 1967. They had one child and divorced in 1974. Two remarkable appearances - first as the titular Saint Joan (1967) on television, then as Anne Boleyn in her Hollywood debut Anne of the Thousand Days (1969), co-starring Richard Burton - introduced Bujold to American audiences and yielded Emmy and Oscar nominations respectively. Immediately after "Anne," while under contract with Universal, she opted out of a planned Mary, Queen of Scots (1971) ("it would be the same producer, the same director, the same costumes, the same me") prompting the studio to sue her for $750,000. Rather than pay, she went to Greece to film The Trojan Women (1971) with Katharine Hepburn. Her virtuoso performance as the mad seer Cassandra led critic Pauline Kael to prophesy "prodigies ahead" but to assuage Universal, Bujold eventually returned to Hollywood to make Earthquake (1974), co-starring Charlton Heston, which was a box office hit. A host of other films of varying quality followed, most notably Obsession (1976), Coma (1978), The Last Flight of Noah's Ark (1980), and Tightrope (1984), but she managed nevertheless to transcend the material and deliver performances with her trademark combination of ferocious intensity and childlike vulnerability. In the 1980s she found her way to director Alan Rudolph's nether world and joined his film family for three movies including the memorable Choose Me (1984). Highlights of recent work are her brave performance in the David Cronenberg film Dead Ringers (1988) and a lovely turn in the autumnal romance Les noces de papier (1990).- Actress
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When people gave Louis Malle credit for making a star of Jeanne Moreau in Elevator to the Gallows (1958) immediately followed by The Lovers (1958), he would point out that Moreau by that time had already been "recognized as the prime stage actress of her generation." She had made it to the Comédie Française in her 20s. She had appeared in B-movie thrillers with Jean Gabin and Ascenseur was in that genre. The technicians at the film lab went to the producer after seeing the first week of dailies for Ascenseur and said: "You must not let Malle destroy Jeanne Moreau". Malle explained: "She was lit only by the windows of the Champs Elysées. That had never been done. Cameramen would have forced her to wear a lot of make-up and they would put a lot of light on her, because, supposedly, her face was not photogenic". This lack of artifice revealed Moreau's "essential qualities: she could be almost ugly and then ten seconds later she would turn her face and would be incredibly attractive. But she would be herself".
Moreau has told interviewers that the characters she played were not her. But even the most famous film critic of his generation, Roger Ebert, thinks that she is a lot like her most enduring role, Catherine in François Truffaut's Jules and Jim (1962). Behind those eyes and that enigmatic smile is a woman with a mind. In a review of The Clothes in the Wardrobe (1993) Ebert wrote: "Jeanne Moreau has been a treasure of the movies for 35 years... Here, playing a flamboyant woman who nevertheless keeps her real thoughts closely guarded, she brings about a final scene of poetic justice as perfect as it is unexpected".
Moreau made her debut as a director in Lumiere (1976) -- also writing the script and playing Sarah, an actress the same age as Moreau whose romances are often with directors for the duration of making a film. She made several films with Malle.
Still active in international cinema, Moreau presided over the jury of the 1995 Cannes Film Festival.- Actress
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French actress and model Eva Gaëlle Green was born on July 6, 1980, in Paris, France. Her father, Walter Green, is a dentist who appeared in the 1966 film Au hasard Balthazar (1966). Her mother, Marlène Jobert, is an actress turned children's book writer. Eva's mother was born in Algeria, of French, Spanish, and Sephardic Jewish heritage (during that time, Algeria was part of France), and Eva's father is of Swedish, French, and Breton descent. She has a fraternal twin sister, Joy. Eva left French school at 17. She switched to the American School in France for one year. She left the American School and studied acting at Saint Paul Drama School in Paris for three years, then had a 10-week polishing course at the Weber Douglas Academy of dramatic Art in London. She returned to Paris as an accomplished young actress, and played on stage in several theater productions: "La Jalousie en Trois Fax" and "Turcaret". There, she caught the eye of director Bernardo Bertolucci. Green followed a recommendation to work on her English. She studied for two months with an English coach before doing The Dreamers (2003) with Bernardo Bertolucci. During their work, Bertolucci described Green as being "so beautiful it's indecent".
Green won critical acclaim for her role in The Dreamers (2003). After "The Dreamers", Green played the love interest of cult French gentleman-thief, Arsène Lupin (2004), opposite Romain Duris. In 2005, she co-starred, opposite Orlando Bloom and Liam Neeson, in Kingdom of Heaven (2005), produced and directed by Ridley Scott. The film brought her a wider international exposure. She turned down the femme fatale role in The Black Dahlia (2006), that went to Hilary Swank, because she didn't want to end up typecast after her role in "The Dreamers". Instead, Eva accepted the prestigious role of "Vesper Lynd", one of three Bond girls, opposite Daniel Craig, in Casino Royale (2006) and became the fifth French actress to play a James Bond girl, after Claudine Auger in Thunderball (1965), Corinne Cléry in Moonraker (1979), Carole Bouquet in For Your Eyes Only (1981) and Sophie Marceau in The World Is Not Enough (1999). She achieved international recognition for the film, one of the highest-grossing Bond movies ever.
Since then, Green has starred in the films Dark Shadows (2012), 300: Rise of an Empire (2014), Sin City: A Dame to Kill For (2014), and Miss Peregrine's Home for Peculiar Children (2016). She also starred as Vanessa Ives in Showtime's horror drama Penny Dreadful (2014). Her performance in the series earned her a nomination for Best Actress in a Television Series - Drama at the 73rd Golden Globe Awards.
Since her school years, Green has been a cosmopolitan multilingual and multicultural person. Yet, since her father always lived in France with them and her mother, she and her twin sister can't speak Swedish. She developed a wide scope of interests beyond her acting profession and became an aspiring art connoisseur and an avid museum visitor. Her other activities, outside of acting, include playing and composing music, cooking at home, walking her terrier, and collecting art. She shares time between her two residencies, one is in Paris, France, and one in London, England.- Actress
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Marie Bell was born on 23 December 1900 in Bordeaux, Gironde, France. She was an actress, known for Life Dances On (1937), Madame Récamier (1928) and La garçonne (1936). She was married to Jean Chevrier. She died on 14 August 1985 in Neuilly-sur-Seine, Hauts-de-Seine, France.- Actress
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Cyd Charisse was born Tula Ellice Finklea on March 8, 1922, in Amarillo, Texas. Born to be a dancer, she spent her early childhood taking ballet lessons and joined the Ballet Russe at age 13. In 1939, she married Nico Charisse, her former dance teacher. In 1943, she appeared in her first film, Something to Shout About (1943), billed as Lily Norwood. The same year, she played a Russian dancer in Mission to Moscow (1943), directed by Michael Curtiz. In 1945, she was hired to dance with Fred Astaire in Ziegfeld Follies (1945), and that uncredited appearance got her a seven-year contract with MGM. She appeared in a number of musicals over the next few years, but it was Singin' in the Rain (1952) with Gene Kelly that made her a star. That was quickly followed by her great performance in The Band Wagon (1953). As the 1960s dawned, musicals faded from the screen, as did her career. She made appearances on television and performed in a nightclub revue with her second husband, singer Tony Martin. Cyd Charisse died at age 86 of a heart attack on June 17, 2008 in Los Angeles, California.- Actress
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Françoise Fabian was born on 10 May 1933 in Algiers, Alger, France [now Algeria]. She is an actress and writer, known for My Night at Maud's (1969), Belle de Jour (1967) and Me, Myself and Mum (2013). She was previously married to Marcel Bozzuffi and Jacques Becker.- Actress
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French ballet dancer Leslie Caron was discovered by the legendary MGM star Gene Kelly during his search for a co-star in one of the finest musicals ever filmed, the Oscar-winning An American in Paris (1951), which was inspired by and based on the music of George Gershwin. Leslie's gamine looks and pixie-like appeal would be ideal for Cinderella-type rags-to-riches stories, and Hollywood made fine use of it. Combined with her fluid dancing skills, she became one of the top foreign musical artists of the 1950s, while her triple-threat talents as a singer, dancer and actress sustained her long after musical film's "Golden Age" had passed.
Leslie Claire Margaret Caron was born in France on July 1, 1931. Her father, Claude Caron, was a French chemist, and her American-born mother, Margaret Petit, had been a ballet dancer back in the States during the 1920s. Leslie herself began taking dance lessons at age 11. She was on holidays at her grandparents' estate near Grasse when the Allies landed on the 15th of August 1944. After the German rendition, she and her family went to Paris to live. There she attended the Convent of the Assumption and started ballet training. While studying at the National Conservatory of Dance, she appeared at age 14 in "The Pearl Diver," a show for children where she danced and played a little boy. At age 16, she was hired by the renowned Roland Petit to join the Ballet des Champs-Elysees, where she was immediately given solo parts.
Leslie's talent and reputation as a dancer had already been recognized when on opening night of Petit's 1948 ballet "La Rencontre," which was based on the theme of Orpheus and featured the widely-acclaimed dancer 'Jean Babilee', she was seen by then-married Hollywood couple Gene Kelly and Betsy Blair. Leslie did not meet the famed pair at the end of the show that night as the 17-year-old went home dutifully right after her performance, but one year later Kelly remembered Leslie's performance when he returned to Paris in search for a partner for his upcoming movie musical An American in Paris (1951). The rest is history.
Kelly and newcomer Caron's touching performances and elegant and exuberant footwork (especially in the "Our Love Is Here to Stay" and "Embraceable You" numbers, as well as the dazzling 17-minute ballet to the title song) had critics and audiences simply enthralled. The film, directed by Vincente Minnelli, won a total of six Oscar awards, including "Best Picture," plus a Golden Globe for "Best Picture in a Musical or Comedy". Leslie was put under a seven-year MGM contract where her luminous skills would also be featured in non-musical showcases.
While Leslie's dramatic mettle was tested as a New Orleans nightclub entertainer opposite Ralph Meeker's boxer in Glory Alley (1952) and as a French governess in The Story of Three Loves (1953), it was as the child-like urchin who falls for a cruel carnival puppeteer (Mel Ferrer) in Lili (1953) that finally lifted Leslie to Academy Award attention. The film, which went on to inspire the Tony-winning Broadway musical "Carnival," earned Leslie not only an Oscar nomination, but the British Film Award for "Best Actress" as well. At her waif-like best once again in the musical Daddy Long Legs (1955), Leslie was paired this time with the "other" MGM male dancing legend Fred Astaire. The story, which unfolded in an appealing Henry Higgins/Eliza Dolittle style, was partly choreographed by Roland Petit, who founded the Ballet des Champs-Elysees, Leslie's former dance company.
While the actress gave poignant life to the ugly-duckling-turned-swan tale, The Glass Slipper (1955), choreographed by Petit and co-starring Britisher Michael Wilding as Prince Charming, Leslie also played a ballerina in love with WWII soldier John Kerr in Gaby (1956), a lukewarm remake of the superior Waterloo Bridge (1940). It took another plush musical classic, Gigi (1958), to remind audiences once again of Leslie's unique, international appeal. Audrey Hepburn, who had played the title part on Broadway, was keen on doing the film, but producer Arthur Freed wrote the part expressly for Leslie. It was also Freed who called up Fred Astaire to suggest her as his leading lady in Gigi (1958). Leslie tried the role out on the London stage prior to doing the film version. The musical wound up receiving nine Academy Awards, including "Best Picture," and Leslie herself was nominated for a Golden Globe as "Best Musical/Comedy Actress".
A few more forgettable film roles came and went until she returned triumphantly in a non-musical adaptation of a highly successful 1954 Broadway musical. The film version of Fanny (1961) was more adult in nature for Leslie and was blessed with gorgeous cinematography, a touching script and the continental flavor of veterans, Maurice Chevalier, Charles Boyer, and Horst Buchholz. At the movie's centerpiece is a child-like Leslie (at age 30!) who is mesmerizing as a young girl with child who is deserted by her sailor/boyfriend. Even more adult in scope was the shattering British drama The L-Shaped Room (1962) wherein the actress plays a pregnant French refugee who is abandoned yet again. She earned her a second British Academy Award and a second Oscar nomination for this superb performance.
On stage in London with the Royal Shakespeare Company, Leslie earned applause in another Audrey Hepburn Broadway vehicle, "Ondine," in 1961. While the mid-1960s and 1970s saw her film career take a Hollywood detour into breezy comedy with a number of lightweight fare opposite the likes of Rock Hudson, Cary Grant and Warren Beatty, she managed to shine with a complex working class mother role in the remarkable Italian film Il padre di famiglia (1967) starring Nino Manfredi and Ugo Tognazzi, and was spotted in the popular crossover film Valentino (1977) starring iconic Russian ballet star Rudolf Nureyev.
In the 1980s, Leslie appeared in stage productions of "Can-Can", "On Your Toes" and "One for the Tango". She also was invited and accepted to appear on American TV. At the age of 75, the actress won her first Emmy Award with her very moving portrayal of an elderly woman and closeted rape victim in a 2006 episode of Law & Order: Special Victims Unit (1999). More recent filming have included Damage (1992) by Louis Malle, Chocolat (2000) by Lasse Hallström, and the Merchant Ivory romantic comedy/drama The Divorce (2003).
Leslie's private life has been more turbulent than expected. She is divorced from the late meat packing heir and musician Geordie Hormel; from avant-garde Royal Shakespeare director Peter Hall, by whom she has two children, Christopher and Jennifer (both of whom have careers in the entertainment field); and from her Chandler (1971) movie producer Michael Laughlin.
One of the few MGM post-musical stars to enjoy a long, lasting and formidable dramatic career, Leslie Caron is still continuing today though on a much more limited basis. In 2008, the actress published her memoirs, "Thank Heaven," later translated to French as "Une Francaise à Hollywood". In 2010, she triumphed on the Chatelet Theater stage in Paris with her portrayal of Madame Armfeldt in Stephen Sondheim's "A Little Night Music. More recently the still mesmerizing octogenarian had a recurring role as a countess in the British TV series The Durrells (2016). Over the years, she has received a number of "Life Achievement" awards for her contributions to both film and dance.- Actress
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Maria Schneider was a French actress. At age 19 she became famous for Bernardo Bertolucci's film Last Tango in Paris (1972), and The Passenger (1975).
As a teenager, she adored films, going to the cinema up to four times a week. She left home at 15 after an argument with her mother and went to Paris, where she made her stage acting debut that same year.
Her film debut was an uncredited role in The Christmas Tree (1969).
In Last Tango in Paris she performed several nude scenes. After the film release she decided never to work nude again.
In early 1976, she abandoned the film set of Caligula and was replaced by Teresa Ann Savoy.
She and Brando remained friends until his death.
Schneider died of breast cancer on 3 February 2011 at age 58.- Actress
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Born Joan de Beauvoir de Havilland on October 22, 1917, in Tokyo, Japan, in what was known as the International Settlement, to British parents, Lilian Augusta (Ruse), a former actress, and Walter Augustus de Havilland, an English professor and patent attorney. Her paternal grandfather's family was from Guernsey in the Channel Islands. Her father had a lucrative practice in Japan, but due to Joan and older sister Olivia de Havilland's recurring ailments the family moved to California in the hopes of improving their health. Mrs. de Havilland and the two girls settled in Saratoga while their father went back to his practice in Japan. Joan's parents did not get along well and divorced soon afterward. Mrs. de Havilland had a desire to be an actress but her dreams were curtailed when she married, but now she hoped to pass on her dream to Olivia and Joan. While Olivia pursued a stage career, Joan went back to Tokyo, where she attended the American School. In 1934 she came back to California, where her sister was already making a name for herself on the stage. Joan likewise joined a theater group in San Jose and then Los Angeles to try her luck there. After moving to L.A., Joan adopted the name of Joan Burfield because she didn't want to infringe upon Olivia, who was using the family surname.
She tested at MGM and gained a small role in No More Ladies (1935), but she was scarcely noticed and Joan was idle for a year and a half. During this time she roomed with Olivia, who was having much more success in films. In 1937, this time calling herself Joan Fontaine, she landed a better role as Trudy Olson in You Can't Beat Love (1937) and then an uncredited part in Quality Street (1937). Although the next two years saw her in better roles, she still yearned for something better. In 1940 she garnered her first Academy Award nomination for Rebecca (1940). Although she thought she should have won, (she lost out to Ginger Rogers in Kitty Foyle (1940)), she was now an established member of the Hollywood set. She would again be Oscar-nominated for her role as Lina McLaidlaw Aysgarth in Suspicion (1941), and this time she won. Joan was making one film a year but choosing her roles well. In 1942 she starred in the well-received This Above All (1942).
The following year she appeared in The Constant Nymph (1943). Once again she was nominated for the Oscar, she lost out to Jennifer Jones in The Song of Bernadette (1943). By now it was safe to say she was more famous than her older sister and more fine films followed. In 1948, she accepted second billing to Bing Crosby in The Emperor Waltz (1948). Joan took the year of 1949 off before coming back in 1950 with September Affair (1950) and Born to Be Bad (1950). In 1951 she starred in Paramount's Darling, How Could You! (1951), which turned out badly for both her and the studio and more weak productions followed.
Absent from the big screen for a while, she took parts in television and dinner theaters. She also starred in many well-produced Broadway plays such as Forty Carats and The Lion in Winter. Her last appearance on the big screen was The Witches (1966) and her final appearance before the cameras was Good King Wenceslas (1994). She is, without a doubt, a lasting movie icon.- Actress
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Madeleine Lebeau was born on 10 June 1923 in Antony, Seine [now Hauts-de-Seine], France. She was an actress, known for Casablanca (1942), 8½ (1963) and Gentleman Jim (1942). She was married to Tullio Pinelli and Marcel Dalio. She died on 1 May 2016 in Estepona, Malaga, Spain.- Actress
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Sophie Marceau was born Sophie Danièle Sylvie Maupu in Paris, France, to Simone (Morisset), a shop assistant, and Benoît Maupu, a truck driver. She grew up far from the studio spotlights. When she was 14 she was living in the Paris suburb of Gentilly with her father. She learned from friends that director Claude Pinoteau was looking for new faces for a movie about teenagers called The Party (1980). She auditioned for the role, got it, and the film was a success. She played in The Party 2 (1982), then bought back her contract with Gaumont when she was 16 years old for one million French francs. She is a critically acclaimed actress, having received the Cesar for Best Feminine Hope for "La Boum 2" in 1983. She was elected Romantic actress for Chouans! (1988) at the Festival International du Film Romantique (International Festival of Romantic Movie) of Cabourg in 1988, and was awarded the Moliere of the Best Theatrical Revelation for "Eurydice et Pygmalion" in 1994.- Pouty-lipped, kittenish Annette Stroyberg was best known, and briefly known, as the sexy young nubile blonde who replaced bombshell Brigitte Bardot in the late 1950s as the wife and object of exploitation of Svengali-like French director Roger Vadim. Possessing Bardot's similar erotic balance of melancholy and fragility within her Lolita-like stunning looks, Vadim married Annette in June of 1958. Billing her as Annette Vadim, he was unable, however, to recreate the same Bardot magic and their marriage and her career quickly fell by the wasteside.
The beautiful Stroyberg was born on the island of Fyn, in Denmark, on December 7, 1936. Her father was a physician who died when she was quite young. She and her sister then moved to Copenhagen where she was raised. She found her way to Paris in her late teens where she worked at couture houses as a model, later finding employment with such fashion notables as Chanel. Annette hooked up with Vadim during the filming of his legendary first feature ...And God Created Woman (1956), the movie that catapulted BB to mythic status. When BB started up a heated affair with young co-star Jean-Louis Trintignant, Vadim moved in with Annette, who subsequently gave birth to their daughter Nathalie Vadim in 1957. Vadim then proceeded to build and groom a replica of BB with Stroyberg. Her biggest chance for fame was when he put her on display in the film of the classic novel Dangerous Liaisons (1959) as Marianne de Tourvel, the virtuous victim of the evil Jeanne Moreau and Gérard Philipe. Making her debut, Annette was stunning, of course but found herself quite outclassed by her cast, hardly ready for such a demanding role. She earned far more recognition when Vadim cast her as a society girl-cum-lesbian vampire Carmilla (catch the cozy scene with "victim" Elsa Martinelli) in the exploitive Blood and Roses (1960). By the time of the film's release, however, her marriage to Vadim was history. He had moved on to try and conquer underage actress Catherine Deneuve and she put designs on guitarist Sacha Distel.
Annette subsequently packed her bags for Italy where she made a few unmemorable pictures, reverting to her maiden name of Stroyberg on the marquee boards. In between she managed to amass a number of love affairs with such available (and unavailable) playboy actors as Vittorio Gassman, her co-star in Roberto Rossellini's Anima nera (1962), Alain Delon, Omar Sharif and Warren Beatty. Her last film was Lo scippo (1965). Giving up on her career, she turned socialite and married Moroccan sugar king Guy Senouf in 1967, dividing her time between Paris and Africa. The couple had a son, Yan, but this marriage, like her first, was short-lived. In 1974 she married Gregory Callimanopulos, a Greek shipping magnate, and settled for a time in America. They had a son, Peri Callimanopulos. She returned to Europe after their divorce in the early 1990s and married a fourth time to lawyer Christian Lillelund. Stroyberg died at age 69 of cancer on December 12, 2005, and was survived by her husband and three children. - Actress
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Edwige Feuillère was born on 29 October 1907 in Vesoul, Haute-Saône, Franche-Comté, France. She was an actress and writer, known for Olivia (1951), Lucrezia Borgia (1935) and Wicked Duchess (1942). She was married to Pierre Feuillère. She died on 13 November 1998 in Boulogne-Billancourt, Hauts-de-Seine, France.- Actress
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Maria Schell studied in a religious institution in Colmar (Haut-Rhin, France). She received a dramatic training in Zurich, Switzerland. To pay her studies, she was a secretary there. Besides being a film star; Maria appeared in plays in Zurich, Basel, in Vienna (Josefstad Theater), Berlin, Munich (Kammerspiel Theater), at the Salzburg Festival and went on provincial tours from 1963. Among the plays she performed there were such classics as William Shakespeare's "Hamlet", Johann Wolfgang von Goethe's "Faust" and such modern classics as "Pygmalion" by George Bernard Shaw.- Actress
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Mathilda May (born Karin Haïm) is a French actress and dancer from Paris. She is primarily known to English-speaking audiences for playing the alien vampire Space Girl, the main villain of the cult horror film "Lifeforce" (1985). The role required her to appear naked for most of the film, though her character remained mysterious and menacing. In France, May's breakthrough role was that of Juliette, the suicidal young woman whose love life was at the center of the psychological thriller "The Cry of the Owl" (1987). For this role, May won the "César Award for Most Promising Actress".
In 1965, May was born in Paris. Her father was the playwright Victor Haïm (1935-) . Her paternal ancestors were Sephardic Jews from the city of Thessaloniki in Greek Macedonia. May's mother was the Swedish ballet teacher and choreographer Margareta Hanson. May herself was trained as a dancer in early life. In 1981, May won the "Premier Prix du Conservatoire de Danse de Paris" (First Prize of the Paris Dance Conservatory). At the time, she was only 16-years-old.
May pursued an acting career in the early 1980s. She made her film debut in the fantasy film "Nemo" (1984), where a boy from New York City is transported to an alternate reality. She became known to international audience with "Lifeforce" (1985), and had some success in France during the late 1980s. Following "The Cry of the Owl", May played the romantic lead in the controversial musical "Three Seats for the 26th" (1988). In the film, an aging actor falls in love with Marion de Lambert (played by May), the daughter of his former lover. He is relatively unfazed when he learns that his new love interest is his own illegitimate daughter.
May's first significant film in the 1990s was the biographical drama "Isabelle Eberhardt" (1991), where she had the lead role. May played the Swiss author and explorer Isabelle Eberhardt (1877 - 1904), and also portrayed Eberhardt''s accidental death in a flash flood. The film was nominated for three AACTA Awards, without ever winning. The film was negatively received by critics for overemphasizing Eberhardt's femininity and sexuality, while mostly ignoring the political context of her activities in North Africa, and her status as a social outcast.
That same year, May played the female lead in the erotic drama "Naked Tango". The film depicted the life of an Eastern European young woman who was forced into prostitution in 1920s Buenos Aires. The film was largely inspired by the activities of the Zwi Migdal (1867-1939), an international sex trafficking organization which controlled about 2,000 brothels in Argentina during the interwar period.
May also had the lead role in "Becoming Colette" (1991). The film dramatized the early life of the actress, journalist, and novelist Sidonie-Gabrielle Colette (1873-1954). The real Colette is primarily remembered for her vivid depictions of the French demimonde of elite courtesans, and for her lesbian affairs with the fellow writer Natalie Clifford Barney and the aristocratic artist Mathilde de Morny.
May next had the female lead role in the crime drama "Toutes peines confondues" (1992). She played Jeanne Gardella, the wife of a shady businessman. She genuinely loves her husband, but fails to inform him that she is an Interpol agent who was assigned to spy on him. The film was an adaptation of a novel by Andrew Coburn (1932-2018).
May had the female lead in the romantic comedy "The Tit and the Moon" (1994), playing the beautiful French dancer Estrellita. In the film a preadolescent boy is fascinated with Estrellita and her breasts, but finds himself competing for her attention with Estrellita's husband and with an adolescent singer.
In 1996,. May had her first role in a video game, cast in the space flight simulation "Privateer 2: The Darkening". The main plot featured an amnesiac man who chose a new life as a privateer, while trying to find out why there was no record of his past life. The game was introduced as a spin-off of the space combat series "Wing Commander" (1990-2007), but had little resemblance to its predecessors.
May had her final major role in the 1990s in the action thriller film "The Jackal" (1997). She played Isabella Celia Zancona, a retired member of the Basque terrorist organization ETA. Zancona becomes a key witness for the FBI, as she is thought to be the only person able to identify the wanted assassin "The Jackal" (played by Bruce Willis). The assassin is an old foe of Zancona, who wounded her during a past encounter and caused her to miscarry their unborn child. She agrees to help, partly because she is promised safe haven, and partly because she wants revenge. The film was a minor box office hit.
During the early 2000s, May regularly appeared in television films and television series. Her theatrical roles were few in this period. She was eventually cast in a supporting role in the comedy thriller "A Girl Cut in Two" (2007). The film depicts a love triangle which results in the murder of one suitor by the other one. May's next significant film role was in the anthology film "The Players" (2012), which depicted various tales of male infidelity. The film attracted controversy for the sexually suggestive posters of its release, which were seen as violating France's regulations for advertising.
May continued regularly appearing in television roles throughout the 2010s, and was part of the main cast in the television series "Access" She resumed playing in theatrical films in 2019, initially cast in the World War II-themed drama "An Irrepressible Woman". By 2022, May was 57-years-old. She has never retired, and remains a well-known face in the European film market.- Kelly LeBrock was born in New York and raised in London. She is the daughter of a French-Canadian father and an Irish mother. Kelly LeBrock began her career as a model beginning at the age of sixteen. She has appeared on hundreds of covers and magazines including a Christian Dior ad. She became one of Eileen Ford's most sought-after models. Her motion picture debut was in the movie The Woman in Red (1984) in which she played a model. She has appeared in many films including Weird Science (1985), Hard to Kill (1990), Wrongfully Accused (1998) and The Sorcerer's Apprentice (2001). She was married to actor Steven Seagal, with whom she has three children, Annaliza, Dominic and Arissa.
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Emily Erin Deschanel (born October 11, 1976) is an American actress and producer. She is best known for starring in the Fox crime procedural comedy-drama series Bones as Dr. Temperance Brennan since 2005.
Deschanel was born in Los Angeles, California, to cinematographer and director Caleb Deschanel and actress Mary Jo Deschanel (née Weir). Her younger sister is actress and singer-songwriter Zooey Deschanel. Her paternal grandfather was French, from Oullins, Rhône; her ancestry also includes Swiss, Dutch, English, Irish, and other French roots.
Deschanel attended Harvard-Westlake and Crossroads School in Los Angeles before graduating from Boston University's Professional Actors Training Program with a Bachelor of Fine Arts in Theater.
In 1994, Deschanel made her feature film debut in It Could Happen to You. Her next notable role was in Stephen King's Rose Red in 2002. Then she appeared in Cold Mountain, The Alamo, and Glory Road and was named one of "six actresses to watch" by Interview Magazine in 2004.
In 2005, Deschanel won the role of Dr. Temperance Brennan with David Boreanaz as FBI agent Seeley Booth on the Fox crime procedural comedy-drama Bones, based on the novels and the career of forensic anthropologist and author Kathy Reichs that premiered on September 13, 2005. For her performance, she received a 2006 Satellite Award nomination and a 2007 Teen Choice Award nomination. Deschanel and Boreanaz served as co-producers at the start of the show's third season, before becoming producers in the middle of the show's fourth season.
Deschanel, with Alyson Hannigan, Jaime King, Minka Kelly, and Katharine McPhee made a video slumber party featured on FunnyorDie.com to promote regular breast cancer screenings for the organization Stand Up 2 Cancer. In recent years, her passion for animal welfare has led her to providing the narration for My Child Is a Monkey and serving as an associate producer on the documentary film How I Became an Elephant. Deschanel ranked number 72 in The 2012 Hot 100 on AfterEllen.
Deschanel is a vegan and a committed supporter of animal rights causes. She can be seen in an Access Hollywood video at the book launch event of Karen Dawn's Thanking the Monkey: Rethinking the Way We Treat Animals, discussing how vegetarian and vegan diets help the environment, and a video on the homepage of the book's website talking about the importance of animal rights. She collaborated with PETA on a video encouraging mothers to raise their children as vegans. In September 2014, she joined the board of directors at Farm Sanctuary.
Deschanel was raised Roman Catholic, but is no longer practicing, and has expressed agnostic views, saying "I am more of a spiritual person, if anything, and I am of the belief that we don't know, and I'm not going to pretend that I do."
On September 25, 2010, Deschanel married It's Always Sunny in Philadelphia actor and writer David Hornsby in a small private ceremony in the Pacific Palisades area of Los Angeles. On September 21, 2011, Deschanel gave birth to their son Henry Lamar Hornsby. On June 8, 2015, she gave birth to their second son, Calvin.
Deschanel is best friends with her Bones co-star Michaela Conlin, who plays her best friend Angela Montenegro on the show; she is also friends with her Bones co-star David Boreanaz with whom she has a strong working relationship.- Actress
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Suzanne Pleshette achieved television immortality in her role as Bob Newhart's wife in the 1970s classic situation comedy, The Bob Newhart Show (1972). For her role as "Emily Hartley," wife of psychologist "Bob Hartley" (played by Bob Newhart), Pleshette was nominated for the Emmy Award twice, in 1977 and 1978. She was also nominated for an Emmy in 1962 for a guest appearance on the TV series, Dr. Kildare (1961) and, in 1991, for playing the title role in Leona Helmsley: The Queen of Mean (1990) in a 1990 TV movie. Her acting career lasted almost 50 years.
Suzanne Pleshette was born on January 31, 1937, in New York, New York, to Gene Pleshette, a TV network executive who had managed the Paramount Theaters in Manhattan and Brooklyn during the Big Band era, and the former Geraldine Kaplan, a dancer who performed under the pseudonym Geraldine Rivers. Pleshette claims that she was not an acting natural, but just "found" herself attending New York City's High School of the Performing Arts. After graduating high school, she attended Syracuse University for a semester before returning to NYC to go to Finch College, an elite finishing school for well-to-do young ladies. After a semester at Finch, Pleshette dropped out of college to take lessons from famed acting teacher Sanford Meisner at the Neighborhood Playhouse.
She made her Broadway debut in 1957 as part of the supporting cast for the play Compulsion (1959). Initially cast as "The Fourth Girl," she eventually took over the ingénue role during the play's run.
Blessed with beauty, a fine figure, and a husky voice that made her seem older than her years, she quickly achieved success on both the small and big screens. She made her TV debut, at age 20, in Harbourmaster (1957), then was chosen as the female lead opposite superstar Jerry Lewis in his 1958 comedy, The Geisha Boy (1958). On Broadway, she replaced Anne Bancroft in the Broadway hit The Miracle Worker (1962).
Once Pleshette started acting, her career never lagged until she was afflicted with cancer.
Her most famous cinematic role was in Alfred Hitchcock's classic, The Birds (1963), as the brunette schoolteacher jilted by the hero of the film, "Mitch Brenner" (played by Rod Taylor). Pleshette's warm, earthy character was a perfect contrast to the icy blonde beauty, "Melanie Daniels" (Tippi Hedren).
Frankly, it is hard to understand how Taylor's Mitch would jilt Pleshette's Annie, other than to work out Hitchcock's dark vision of society and psychosexual relations between the sexes, in which amoral blondes triumph for aesthetic rather than moral reasons.
Still, it is for Emily Hartley she will always be remembered, for both the original show and her part in another show that had the most clever sign-off episode in TV series history. Bob Newhart had enjoyed a second success during the 1980s with his TV sitcom Newhart (1982), and when he decided to end that series, he asked Suzanne Pleshette to come back. She did, reprising her tole of Emily in a final episode of Newhart, where Newhart woke up as Bob Hartley from "The Bob Newhart Show" in the bedroom of the Hartley's Chicago apartment, Pleshette's Emily at his side. Bob Hartley then told his wife Emily of a crazy dream he'd just had, where he was the proprietor of a Vermont inn overrun with eccentrics, the premise of the second show.
After "The Bob Newhart Show" ceased production, Suzanne Pleshette worked regularly on television, mostly in TV movies. Although she was a talented dramatic actress, she had a flair for comedy and, in 1984, she headlined her own series at CBS. She helped develop the half-hour sitcom, and even had the rare honor of having her name in the title. Suzanne Pleshette Is Maggie Briggs (1984), however, was not a success. She co-starred with Hal Linden in another short-lived CBS TV series, The Boys Are Back (1994), in the 1994-95 season, then had recurring roles in the TV series Good Morning, Miami (2002) and 8 Simple Rules (2002).
Pleshette was married three times: In 1964, she wed teen idol Troy Donahue, her co-star in the 1962 film Rome Adventure (1962) and in 1964's A Distant Trumpet (1964), but the marriage lasted less than a year. She was far more successful in her 1968 nuptials to Texas oil millionaire Tommy Gallagher, whom she remained married to until his death in 2000. After becoming a widow, she and widower Tom Poston (a Newhart regular) rekindled an old romance they had enjoyed when appearing together in "The Golden Fleecing," a 1959 Broadway comedy. They were married from 2001 until Poston's death, in April 2007.
Pleshette was diagnosed with lung cancer and underwent chemotherapy in the summer of 2006; she rallied, but in late 2007, she barely survived a bout of pneumonia. She died of respiratory failure on January 19, 2008, a few days shy of her 71st birthday.
Suzanne Pleshette was remembered as a gregarious, down-to-earth person who loved to talk and often would regale her co-stars with a naughty story. Newhart and his producers had picked her for the role of Emily in "The Bob Newhart Show" after watching her appearances with Johnny Carson on The Tonight Show Starring Johnny Carson (1962), where she showed herself to be a first-rate raconteuse. Because she could hold her own with Newhart's friend Carson, it was felt she would be a perfect foil as Newhart's TV wife.
She accepted the part, and TV history was made.- Actress
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Actress and producer Eva Marie Saint was born on July 4, 1924 on Newark, New Jersey. She is known for starring in Elia Kazan's On the Waterfront (1954), for which she won an Academy Award for Best Supporting Actress, and Alfred Hitchcock's North by Northwest (1959). Her film career also includes roles in Raintree County (1957), Exodus (1960), The Russians Are Coming the Russians Are Coming (1966), Grand Prix (1966), Nothing in Common (1986), Because of Winn-Dixie (2005), Superman Returns (2006) and Winter's Tale (2014).
Saint made her feature film debut in On the Waterfront (1954), starring Marlon Brando and directed by Elia Kazan - a performance for which she won the Academy Award for Best Supporting Actress. The film was a major success and launched her movie career. She starred in the pioneering drug-addiction drama A Hatful of Rain (1957) with Don Murray and Anthony Franciosa. She also starred in lavish the Civil War epic Raintree County (1957) with Elizabeth Taylor and Montgomery Clift.
Director Alfred Hitchcock surprised many by choosing Saint over dozens of other candidates for the femme fatale role in what was to become a suspense classic North by Northwest (1959) with Cary Grant and James Mason. Written by Ernest Lehman, the film updated and expanded upon the director's early "wrong man" spy adventures of the 1930s, 1940s and 1950s, including The 39 Steps (1935), Young and Innocent (1937), and Saboteur (1942). North by Northwest (1959) became a box-office success and an influence on spy films for decades.- Producer
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Charlize Theron was born in Benoni, a city in the greater Johannesburg area, in South Africa, the only child of Gerda Theron (née Maritz) and Charles Theron. She was raised on a farm outside the city. Theron is of Afrikaner (Dutch, with some French Huguenot and German) descent, and Afrikaner military figure Danie Theron was her great-great-uncle.
Theron received an education as a ballet dancer and has danced both the "Swan Lake" and "The Nutcracker". There was not much work for a young actress or dancer in South Africa, so she soon traveled to Europe and the United States, where she got a job at the Joffrey Ballet in New York. She was also able to work as a photo model. However, an injured knee put a halt to her dancing career.
In 1994, her mother bought her a one-way ticket to Los Angeles, and Charlize started visiting all of the agents on Hollywood Boulevard, but without any luck. She went to a bank to cash a check for $500 she received from her mother, and became furious when she learned that the bank would not cash it because it was an out-of-state check. She made a scene and an agent gave her his card, in exchange for learning American English, which she did by watching soap operas on television.
Her first role was in the B-film Children of the Corn III: Urban Harvest (1995), a non-speaking part with three seconds of screen time. Her next role was as Helga Svelgen in 2 Days in the Valley (1996), which landed her the role of Tina Powers in That Thing You Do! (1996). Since then, she has starred in movies like The Devil's Advocate (1997), Mighty Joe Young (1998), The Cider House Rules (1999), The Legend of Bagger Vance (2000) and The Italian Job (2003). On February 29, 2004, she won her first Academy Award, a Best Actress Oscar for her performance in Monster (2003).- Actress
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Over the course of a five-decade career, she starred in nearly 150 films. She is a three-time César Award winner (1977, 1996, 2002), a two-time Molière Award winner, a BAFTA nominee, and a recipient of several international prizes including the Volpi Cup (Best actress) at the 1965 Venice Film Festival for Three Rooms in Manhattan.
Born in 1931, she was raised by her single mother, a midwife from Normandy. After studying to become a midwife like her mother, she enrolled at the prestigious Conservatoire de la rue Blanche in Paris. After graduating in 1954 with the "First Prize in Modern and Classical Comedy", she joined the Comédie Française, where she was a resident actor from 1954-57.
In 1955, she began her film career, making her film debut in Treize à table (1955), but it was with theatre that she started to attract the attention of critics. Her performance in Jean Cocteau's play La Machine à écrire in 1956 was admired by the author who called her "The finest dramatic temperament of the Postwar period"
In 1956 she was awarded the Prix Suzanne Bianchetti as best up-and-coming young actress but only with Luchino Visconti's epic Rocco and His Brothers (1960), she was able to draw the public's attention to her. In 1962, she married Italian actor Renato Salvatori. Travelling back and forth between two film careers in France and Italy, Girardot also worked with renown Italian directors, including Marco Ferreri in the scandalous The Ape Woman (1964).
Famously ignored by French New Wave directors (with the exception of Claude Lelouch), Girardot found her glory in popular cinema alongside more established and traditional directors such as Jean Delannoy, Michel Boisrond, André Cayatte, Gilles Grangier, or André Hunebelle.
By the end of the 1960s, she had become a movie star and a box-office magnet in France with such films as Vice and Virtue (1963); Live for Life (1967); Love Is a Funny Thing (1969); and Death of Love (1970), the fact-based tale of a middle-aged teacher whose affair with a much younger student made her the object of bourgeoisie ridicule. The film was nominated for a Golden Globe, and remains Girardot's biggest box office hit in France.
Throughout the 1970s, Girardot came back and forth between drama and comedy, proving herself an adept comedienne in such successful comedies as Claude Zidi's La zizanie (1978), Michel Audiard's _Elle boit pas, elle fume pas, elle drague pas, mais... elle cause! (1970)_ and Philippe de Broca's Dear Inspector (1977). She also played the mother of upcoming stars like Isabelle Adjani in the hit teen movie The Slap (1974), and Isabelle Huppert in the drama Docteur Françoise Gailland (1976).
The 1980s were less kind, as her film career floundered and parts dwindled. However, Girardot had a major comeback on the big screen playing a peasant wife in Claude Lelouch's Les Misérables (1995).- Actress
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Marie-France first came to the fore as an actress of the Nouvelle Vague movement in the 1960's. She had spent her early childhood in French Indochina, where her father was employed as colonial governor, but the family moved to Paris when she was twelve. Just five years later, she was spotted by a casting director, who had been tasked by François Truffaut to discover a 'fresh and cheerful' new face for his 32-minute film Antoine and Colette (1962). While finding her feet in the acting profession, Marie-France attended Paris University, eventually attaining degrees in law and political science. By the time, Truffaut cast her again as Colette in the second of two sequels, Love on the Run (1979), she was involved in the writing process of the screenplay herself. Prior to that, she had also co-written the script for Celine and Julie Go Boating (1974), in which she starred herself as an enigmatic governess.
In her private life, she held strong socio/political convictions, outspoken on women's rights and legal abortion, and taking part in student demonstrations in Paris in 1968. On screen, she displayed poise, style and femininity in abundance. She was often well cast as a seductive temptress or as women of mysterious background. She was excellent as Agathe in Surreal Estate (1976), and in the part that won her the prestigious Cesar and led to her brief sojourn in Hollywood as Karine in Cousin, Cousine (1975). Her experience in America did not prove a happy one, though she lent an undeniable touch of glamour to her roles as high fashion designers in the otherwise mediocre miniseries Scruples (1980) and (in the title role) of Chanel Solitaire (1981). More at home in the cinema of her native France, she had a few more worthy roles come her way, notably as Madame Verdurin in Marcel Proust's Time Regained (1999). She also directed two films, the first of which, Le bal du gouverneur (1990), was based on her own novel about childhood experiences in New Caledonia.
Marie-France died tragically as the result of accidental drowning at her villa at Saint-Cyr-sur-Mer, near Toulon, at the age of 66.- Actress
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Emmanuelle Vaugier is a Canadian actress and model. She began acting in grade school, after she was cast as an understudy in a play and had to fill in when the lead actor became ill. She modeled in Japan for three years. She made her acting debut in the 1995 made-for-TV movie drama, A Family Divided. She took up horseback riding in 2010; entered a Burbank, CA, horse show in which she placed third. She is involved with animal protection organizations including JIMI'S Angels and Best Friends Animal Society; she created Fluff-ball, an animal fundraiser event, to provide monetary support for the groups.- Actress
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Claudine Auger, a former Miss France 1st Runner-up (1958), received her dramatic training at the Paris Drama Conservatory and is best known to US / UK audiences as the stunning brunette "Domino" opposite Sean Connery in the James Bond thriller Thunderball (1965), She has kept fairly busy since her Bond days, acting in a number of Italian, French and Spanish films including The Bermuda Triangle (1978), Credo (1983), and La bocca (1991).- Actress
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Françoise Forton was born on 8 July 1957 in Brasília, Distrito Federal, Brazil. She was an actress and director, known for The Clone (2001), The Mutants: Ways of the Heart (2008) and Estúpido Cupido (1976). She was married to Eduardo Barata and Ênio Viotti. She died on 16 January 2022 in Rio de Janeiro, Brazil.- Renée is the daughter of a Frenchman and a native of Alagoas, a Brazilian State. Her paternal great-grandfather was an entrepreneur in the industrial sector, and the family owned a car factory in Montrouge, a city on the outskirts of Paris. Her paternal grandmother was from a circus family and worked as an actress and acrobat.
In 1913, three years after arriving in Brazil, her great aunts, sisters of her paternal grandmother, founded the Great Circus Nerino, where at the early age of only five months old, she debuted on stage, playing the role of baby Jesus, in the Christmas show. The Circus turned out to be the place where he would spend her vacations, and, eventually, inspire her to become an actress. In 1964 the circus closed.
At the age of sixteen, she moved to São Paulo, in search of personal and financial independence. It was there that, after a successful audition, and some acting classes with Russian instructor Eugenio Kusnet, she debuted in film, in the leading role of director Antunes Filho's Compasso de Espera (1969).
In 1972 she was hired by Rede Globo, Brazil's largest TV production network, as a contract player and moved to Rio de Janeiro. Her career achieved new heights as she played a variety of roles in successful telenovelas for the next three decades.
In the early 90s, she decided to continue her studies and attended Pontifical Catholic University of Rio de Janeiro (PUC-RJ). From this point on, she limited herself to only a few special appearances so as not to hinder her studies and, in 1998, after completing her undergraduate degree in History, she began to dedicate herself exclusively to her work as a historian and to academic life. - Actress
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Marlène Goulard is known for Ladies of the Law (2000), The Canticle (2016) and Julie Lescaut (1992).- Actress
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Paulette Goddard was a child model who debuted in "The Ziegfeld Follies" at the age of 13. She gained fame with the show as the girl on the crescent moon, and was married to a wealthy man, Edgar James, by the time she was 17. After her divorce she went to Hollywood in 1931, where she appeared in small roles in pictures for a number of studios. A stunning natural beauty, Paulette could mesmerize any man she met, a fact she was well aware of. One of her bigger roles in that period was as a blond "Goldwyn Girl" in the Eddie Cantor film The Kid from Spain (1932). In 1932 she met Charles Chaplin, and they soon became an item around town. He cast her in Modern Times (1936), which was a big hit, but her movie career was not going anywhere because of her relationship with Chaplin. They were secretly married in 1936, but the marriage failed and they were separated by 1940. It was her role as Miriam Aarons in The Women (1939), however, that got her a contract with Paramount. Paulette was one of the many actresses tested for the part of Scarlett O'Hara in Gone with the Wind (1939), but she lost the part to Vivien Leigh and instead appeared with Bob Hope in The Cat and the Canary (1939), a good film but hardly in the same league as GWTW. The 1940s were Paulette's busiest period. She worked with Chaplin in The Great Dictator (1940), Cecil B. DeMille in Reap the Wild Wind (1942) and Burgess Meredith in The Diary of a Chambermaid (1946). She was nominated for an Academy Award for Best Supporting Actress in So Proudly We Hail! (1943). Her star faded in the late 1940s, however, and she was dropped by Paramount in 1949. After a couple of "B" movies, she left films and went to live in Europe as a wealthy expatriate; she married German novelist Erich Maria Remarque in the late 1950s. She was coaxed back to the screen once more, although it was the small screen, for the television movie The Female Instinct (1972).- Actress
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One of the brightest film stars to grace the screen was born Emilie Claudette Chauchoin on September 13, 1903, in Saint Mandé, France where her father owned a bakery at 57, rue de la République (now Avenue Général de Gaulle). The family moved to the United States when she was three. As Claudette grew up, she wanted nothing more than to play to Broadway audiences (in those days, any actress or actor worth their salt went for Broadway, not Hollywood). After her formal education ended, she enrolled in the Art Students League, where she paid for her dramatic training by working in a dress shop. She made her Broadway debut in 1923 in the stage production of "The Wild Wescotts". It was during this event that she adopted the name Claudette Colbert.
When the Great Depression shut down most of the theaters, Claudette decided to make a go of it in films. Her first film was called For the Love of Mike (1927). Unfortunately, it was a box-office disaster. She wasn't real keen on the film industry, but with an extreme scarcity in theatrical roles, she had no choice but to remain. In 1929 she starred as Joyce Roamer in The Lady Lies (1929). The film was a success and later that year she had another hit entitled The Hole in the Wall (1929). In 1930 she starred opposite Fredric March in Manslaughter (1930), which was a remake of the silent version of eight years earlier. A year after that Claudette was again paired in a film with March, Honor Among Lovers (1931). It fared well at the box-office, probably only because it was the kind of film that catered to women who enjoyed magazine fiction romantic stories. In 1932 Claudette played the evil Poppeia in Cecil B. DeMille's last great work, The Sign of the Cross (1932), and once again was cast with March. Later the same year she was paired with Jimmy Durante in The Phantom President (1932). By now Claudette's name symbolized good movies and she, along with March, pulled crowds into the theaters with the acclaimed Tonight Is Ours (1933).
The next year started a little on the slow side with the release of Four Frightened People (1934), where Claudette and her co-stars were at odds with the dreaded bubonic plague on board a ship. However, the next two films were real gems for this young actress. First up, Claudette was charming and radiant in Cecil B. DeMille's spectacular Cleopatra (1934). It wasn't one of DeMille's finest by any means, but it was a financial success and showcased Claudette as never before. However, it was as Ellie Andrews, in the now famous It Happened One Night (1934), that ensured she would be forever immortalized. Paired with Clark Gable, the madcap comedy was a mega-hit all across the country. It also resulted in Claudette being nominated for and winning the Oscar that year for Best Actress. IN 1935 she was nominated again for Private Worlds (1935), where she played Dr. Jane Everest, on the staff at a mental institution. The performance was exquisite. Films such as The Gilded Lily (1935), Drums Along the Mohawk (1939) and No Time for Love (1943) kept fans coming to the theaters and the movie moguls happy. Claudette was a sure drawing card for virtually any film she was in. In 1944 she starred as Anne Hilton in Since You Went Away (1944). Again, although she didn't win, Claudette picked up her third nomination for Best Actress.
By the late 1940s and early 1950s she was not only seen on the screen but the infant medium of television, where she appeared in a number of programs. However, her drawing power was fading somewhat as new stars replaced the older ones. In 1955 she filmed the western Texas Lady (1955) and wasn't seen on the screen again until Parrish (1961). It was her final silver screen performance. Her final appearance before the cameras was in a TV movie, The Two Mrs. Grenvilles (1987). She did, however, remain on the stage where she had returned in 1956, her first love. After a series of strokes, Claudette divided her time between New York and Barbados. On July 30, 1996, Claudette died in Speightstown, Barbados. She was 92.- Renee Adoree was born Jeanne de la Fontein in Lille in Nord-Pas-de-Calais, France, on September 30, 1898. She had what one could call a normal childhood. Her background is, perhaps, one of the most difficult to find information on any actress in existence. What we do know that her interest in acting surfaced during her teen years with minor stage productions in France. By 1920 she had attracted the attention of American producers and came to New York. Her first film before US audiences was The Strongest (1920) that same year. That was to be it until 1921,, when she appeared in Made in Heaven (1921). Renee wondered if she had made the right move by going into motion pictures because of two minor roles in as many films. Finally MGM saw fit to put her in more films in 1922. Movies such as West of Chicago (1922), Day Dreams (1922), Mixed Faces (1922) and Monte Cristo (1922) saw her with meatier roles than she had had previously. Renee was, finally, hitting her stride. Better roles to be sure, but still she was not of first-class caliber yet.
All that changed in 1925 when she starred as Melisande with John Gilbert in The Big Parade (1925). The picture made stars out of Renee, Gilbert and Karl Dane. Based on the film's success, Renee was put in another production, Excuse Me (1925). It lacked the drama the previous picture but was well-received. In a plot written by Elinor Glyn, Renee starred as Suzette in Man and Maid (1925). This was Renee's most provocative role yet and she was fast becoming one of the sexiest actresses on the screen. In 1927 Renee starred as Nang Ping in Mr. Wu (1927), along with her sister Mira Adoree. The film was a hit, with co-stars Ralph Forbes and Lon Chaney, but it was Renee's character that carried the film. After several more pictures, her career was slowing down. She appeared in a bit part in Show People (1928) later that year. The following year she had an uncredited bit role in His Glorious Night (1929). Re-discovered by First National Pictures after being released by MGM, she appeared in The Spieler (1928), in which she was a struggling carnival manager trying to overcome the dishonesty that went on in her organization.
Ill with tuberculosis, she retired in 1930. Less than a week after her 35th birthday, on Oct. 5, 1933, Renee Adoree died in Tujunga, CA. - Actress
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Academy Award-winning actress Marion Cotillard was born on September 30, 1975 in Paris. Cotillard is the daughter of Jean-Claude Cotillard, an actor, playwright and director, and Niseema Theillaud, an actress and drama teacher. Her father's family is from Brittany.
Raised in Orléans, France, she made her acting debut as a child with a role in one of her father's plays. She studied drama at the Conservatoire d'Art Dramatique in Orléans. After small appearances and performances in theater, Cotillard had occasional and minor roles in TV series such as Highlander (1992) and Extrême limite (1994), but her career as a film actress began in the mid-1990s. While still a teenager, Cotillard made her cinema debut at the age of 18 in the film L'histoire du garçon qui voulait qu'on l'embrasse (1994), and had small but noticeable roles in films such as Arnaud Desplechin's My Sex Life... or How I Got Into an Argument (1996) and Coline Serreau's comedy The Green Planet (1996).
In 1996, she had her first lead role in the TV film Chloé (1996), playing the title role - a teenage runaway who is forced into prostitution. Cotillard co-starred opposite Anna Karina, the muse of the Nouvelle Vague.
In 1997, she won her first film award at the Festival Rencontres Cinématographiques d'Istres in France, for her performance as the young imprisoned Nathalie in the short film Affaire classée (1997). Her first prominent screen role was Lilly Bertineau in Gérard Pirès's box-office hit Taxi (1998), a role which she reprised in two sequels: Taxi 2 (2000) and Taxi 3 (2003), this role earned her first César award nomination (France's equivalent to the Oscar) for Most Promising Actress in 1999.
In 1999, Cotillard starred as Julie Bonzon in the Swiss war drama War in the Highlands (1998). For her performance in the film, she won the Best Actress award at the Autrans Film Festival in France. In 2001, Marion starred in Pretty Things (2001) as the twin sisters Marie and Lucie, and was nominated for her second César award for Most Promising Actress.
Cotillard's breakthrough in France came in 2003, when she starred in Yann Samuell's dark romantic comedy Love Me If You Dare (2003), in which she played Sophie Kowalsky, the daughter of Polish immigrants who lives a love-hate relationship with her childhood friend. The film was a box-office hit in France, became a cult film abroad and led Cotillard to bigger projects.
Her first Hollywood movie was Tim Burton's Big Fish (2003), in which she played Joséphine, the wife of William Bloom (played by Billy Crudup). A few years later, Marion starred in Ridley Scott's A Good Year (2006) playing Fanny Chenal, a French café owner who falls in love with Russell Crowe's character. In 2004, she won the Chopard Thophy of Female Revelation at the Cannes Film Festival. In 2005, Cotillard won the César award for Best Supporting Actress for her performance of Tina Lombardi in Jean-Pierre Jeunet's A Very Long Engagement (2004).
In 2007, Cotillard received international recognition for her iconic portrayal of Édith Piaf in La Vie En Rose (2007). Director Olivier Dahan cast Cotillard to play the legendary French singer because to him, her eyes were like those of "Piaf". The fact that she can sing also helped Cotillard land the role of "Piaf", although most of the singing in the film is that of Piaf's. The role won Cotillard the Academy Award for Best Actress along with a César, a Lumière Award, a BAFTA Award, and a Golden Globe. That made her only the second actress to win an acting Oscar performing in a language other than English next to Sophia Loren (Two Women (1960)). Only two male performers (Roberto Benigni for Life Is Beautiful (1997) and Robert De Niro for The Godfather Part II (1974)) have won an Oscar for solely non-English parts. Trevor Nunn called her portrayal of "Piaf" "one of the greatest performances on film ever". At the Berlin International Film Festival, where the film premiered, Cotillard was given a 15-minute standing ovation. When she won the César, Alain Delon presented the award and announced the winner as "La Môme Marion" (The Kid Marion), he also praised her at the stage saying: "Marion, I give you this César. I think this César is for a great great actress, and I know what I'm talking about".
Cotillard has worked much more frequently in English-language movies following her Academy Award recognition. In 2009, she acted opposite Johnny Depp in Michael Mann's Public Enemies (2009), and later that year played Luisa Contini in Rob Marshall's musical Nine (2009) and received a Golden Globe nomination for her performance. Time magazine ranked her as the fifth best performance by a female in 2009. The following year, she took on the main antagonist role, Mal, in Christopher Nolan's Inception (2010), and in 2011 she had memorable parts in Midnight in Paris (2011) and Contagion (2011) and reteamed with Christopher Nolan in The Dark Knight Rises (2012).
In 2011 and 2012 respectively, Cotillard appeared on the top of Le Figaro's list of the highest paid actors in France, it was the first time in nine years that a female topped the list. Cotillard was also the highest paid foreign actress in Hollywood.
In 2012, Cotillard received wide-spread critical acclaim for her role as the legless orca trainer Stéphanie in Rust and Bone (2012). The film was a box office hit in France and received a ten-minute standing ovation at the end of its screening at the 65th Cannes Film Festival. Cotillard won the Globe de Cristal (France's equivalent to the Golden Globe), the Étoile d'Or award and was nominated for the Golden Globes, SAG, BAFTA, Critics' Choice and César Awards for her performance in the film. Cate Blanchett wrote an op-ed for Variety praising Cotillard's performance in "Rust and Bone", the two actresses competed for the Academy Awards for Best Actress in 2008, Cate was nominated for her performance in Elizabeth: The Golden Age (2007) and Marion for her performance in La Vie En Rose (2007) and Cotillard won the Oscar.
She had her first leading role in an American movie in 2013, in James Gray's The Immigrant (2013), in which she played Ewa Cybulska, a Polish immigrant who wants to experience the American dream. Cotillard received wide-spread acclaim for her performance in the film at the 66th Cannes Film Festival, where the film premiered, and also won several critics awards. In 2014, Cotillard played Sandra in the Belgian film Two Days, One Night (2014) by the Dardenne brothers. Her performance was unanimously praised at the 67th Cannes Film Festival, earned several critics awards, Cotillard won her first European Award for Best Actress and also received her second Oscar nomination and her sixth César award nomination.
In 2015, she played Lady Macbeth opposite Michael Fassbender in Justin Kurzel's Macbeth (2015) and voiced two animated movies: The Little Prince (2015) in which she voiced The Rose, and April and the Extraordinary World (2015), in which she voiced the lead role, Avril. Her 2016 included Nicole Garcia's From the Land of the Moon (2016), Xavier Dolan's It's Only the End of the World (2016), Justin Kurzel's Assassin's Creed (2016), in which she worked again with her Macbeth co-star Michael Fassbender; and Robert Zemeckis's Allied (2016), with Brad Pitt.- Actress
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Audrey Justine Tautou was born on August 9, 1976 in Beaumont, France, to Evelyne Marie Laure (Nuret), a teacher, and Bernard Tautou, a dental surgeon. Audrey showed an interest for comedy at an early age and started her acting lessons at 'Cours Florent'. In 1998 she won the best young actress award in the ninth 'Jeune Comedien de Cinema Festival' in Bezier. Then, she came to the attention of Tonie Marshall who gave her a role in her film Venus Beauty Institute (1999) for which she won a Best New Actress Cesar. It came as a surprise to even Audrey: "I was so certain I could not be chosen that I told her that she probably dialled a wrong number." The director chose her for her natural nature: "She came, she gaffed, she turned reddish, her ears were in a funny position and her hair was relaxed. In five minutes, she gave me the heart of the character, a petite young girl who would like to be a lady and will become a woman." In 2000, Audrey was again nominated for a Cesar and her movie Amélie (2001) has been a phenomenal success worldwide.- Actress
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Before Arlette-Leonie Bathiat went to the movies she was a secretary and had posed several times as a model for different painters and photographers. In 1920 she debuted on stage at a theatre. She only began to work in movies after 1930. After World War II she was condemned to prison for having been the lover of a German official during the ocupation of France. In 1963 she had an accident which left her almost blind. Her most important movies were filmed and directed by Marcel Carné ("Hotel du Nord (1938)" or "Enfants du Paradis, Les (1945)").- Actress
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At age 16, Annabella was chosen by Abel Gance to appear in Napoleon (1927). In the 30s, she became a star of French movies. She made movies in numerous other countries, before being called to Hollywood in 1938, where she met and married Tyrone Power. She remained in the USA until 1947. Then she attempted a comeback in France. She retired from show business in 1954.- Actress
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Emmanuelle Seigner is the daughter of a well known photographer and her mother is a journalist. She was born in Paris, France on June 22, 1966. Her grandfather was Louis Seigner, chairman of the Comédie Française and who also appeared in several movies. Emmanuelle was raised at a convent school . At age fourteen she became a model. Her mysterious beauty made her an international cover-model. Jean-Luc Godard gave her a part in his crime movie Detective (1985), starring Johnny Hallyday and Nathalie Baye. In 1986 Emmanuelle played the part of Zanon a young girl in the movie Cours privé (1986) (by Pierre Granier-Deferre). She met Roman Polanski and married him. He gave her a part in the thriller Frantic (1988) with Harrison Ford. Four years later Polanski gave her the leading part in the movie Bitter Moon (1992).- Actress
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Lili Damita was a French-American actress, best remembered today for whom she married than for the movies in which she appeared. When the sound revolution arrived in Hollywood, all of the studio's scrambled to find actors who could speak lines and record well. It was at this time Lili burst onto the scene. While her accent would always be quite noticeable, the novelty of sound overcame the quality of lines uttered. In the MGM movie The Bridge of San Luis Rey (1929), she played against Ernest Torrence as his love interest. In 1931, she was cast with Gary Cooper in the early western Fighting Caravans (1931). After that, her career was almost over as she continued to make only a few other movies over the next few years. In 1935, she married a hell raiser by the name of Errol Flynn. This rocky tempestuous union lasted until 1942.- Actress
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Leslie Coutterand, was born on October 20 in Chamonix, France. She is a director, speaker and a former actress. For the past two years, Leslie has taken a turning point in her career and started to focus only on causes and productions that have a positive and constructive impact on our society and the environment. In 2015, she started working of the documentary series I LOVE THEREFORE I AM. She and her co-director shot a Teaser in Indonesia and Nepal. Some well respected experts already accepted to be interviewed. In January 2018, Leslie was in pre production of the series. In December 2016, she gave a TEDx talk in Lyon, to present the project and talk about Love and its impact in our society : "From powerlessness to the power of Love".
In September 2017, she co-directed a web series for BBC. The show "Miss Holland", set in London, is a comedy that highlights society's conditioning and how women are perceived in our daily lives.
In January 2018, she gave a second TEDxtalk about social conditioning and success. Drawing from her personal story and her career, Leslie encourages us to step out from our vision of success, medias and social conditioning, and start reflecting on the global impact of our actions. She invites us to reconnect to our ourselves, others and the environment, to create in a world that needs us now more than ever.
Leslie grew up in the Alps and spent most of her childhood skiing, mountain climbing and hiking. After graduating high school, she moved to New York to study. A year later, she moved to Paris to attend the European acting school Cours Florent, from which she graduated in 2008. During her third year at Cours Florent, she was cast as the lead in the French television series 'Deja Vu'. They filmed the second season in Vietnam and Singapore, and the show aired throughout Europe, Asia and Africa. Deja Vu was nominated for Best "Serie Jeunesse" at the Festival de la Fiction de la Rochelle in France. She appeared in several different productions and TV movies before landing the role of Mado, a series regular, in the French series 'Julie Lescaut'. Shortly thereafter, she decided to move to LA to pursue her international career. She quickly booked the role of Isabella in the movie Larry Gaye: Renegade Male Flight Attendant and various other roles in American productions. She was also the lead in the award winning short film Her Name is Crazy which has played at numerous festivals throughout the world. Leslie modeled as well. She is the new face of Nivea and has worked for such brands as Head and Shoulders, Joe's Jeans, and Louis Vuitton.- Actress
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Julie Delpy was born in Paris, France, in 1969 to Albert Delpy and Marie Pillet, both actors.
She was first featured in Jean-Luc Godard's Detective (1985) at the age of fourteen. She has starred in many American and European productions since then, including Disney's The Three Musketeers (1993), Killing Zoe (1993), Three Colors: White (1994), and the "Before" series, alongside Ethan Hawke: Before Sunrise (1995), Before Sunset (2004), and Before Midnight (2013).
She graduated from NYU's film school, and wrote and directed the short film Blah Blah Blah (1995), which screened at the Sundance Film Festival. She is a resident of Los Angeles.- Hélène Perdrière was born on 17 April 1912 in Asnières, France. She was an actress, known for Le mystère de la chambre jaune (1949), Le parfum de la dame en noir (1949) and If All the Guys in the World... (1956). She died on 27 August 1992 in Boulogne-Billancourt, Hauts-de-Seine, Île-de-France, France.
- Jacqueline Andere was born on 20 August 1938 in Mexico City, Distrito Federal, Mexico. She is an actress, known for The Exterminating Angel (1962), The Other Woman (2002) and Trampas de amor (1969). She was previously married to José María Fernández Unsáin.
- Chantal Andere was born on 25 January 1972 in Mexico City, Distrito Federal, Mexico. She is an actress, known for The Other Woman (2002), Sweet Challenge (1988) and Sortilegio (2009). She has been married to Enrique Rivero Lake since December 2008. They have two children. She was previously married to Roberto Gómez.
- Gaby André was born on 5 March 1920 in Châlons-sur-Marne, Marne, France [now Châlons-en-Champagne]. She was an actress, known for Goliath and the Dragon (1960), The Life and Music of Giuseppe Verdi (1953) and Highway 301 (1950). She was married to Eli Smith. She died on 27 August 1972 in Rome, Lazio, Italy.
- Actress
- Music Department
- Soundtrack
Danielle Darrieux was born in 1917 in Bordeaux, France, to Marie-Louise (Witkowski) and Germain Jean Darrieux, a physician. She was raised in Paris. She was only fourteen when she auditioned for a secondary role in Le bal (1931): she got the part, and the producer offered her a five-year contract. She had her first romantic lead in La crise est finie (1934) and scored an international hit with the historical drama Mayerling (1936) in which she played Marie Vetsera opposite Charles Boyer. In 1938, she went to Hollywood to appear in the fine comedy The Rage of Paris (1938) but quickly returned to Paris.
Darrieux remained in France during the Occupation and was one of the leading actresses during this period, starring in major hits such as Premier Rendez-Vous (1941). In 1945, she appeared both on stage (in "Tristan et Isolde") and on screen (in Au petit bonheur (1946)). In the next three decades, she found several important roles, in films like La Ronde (1950), The Earrings of Madame De... (1953) -- in which she gave her best performance, as a society lady torn between her husband and her lover -- and The Young Girls of Rochefort (1967).
In 1970, she replaced Katharine Hepburn on Broadway in "Coco." Afterwards, she made occasional screen and stage appearances. But she made a triumphant comeback in 2002, playing Catherine Deneuve's mother in the international hit 8 Women (2002).
She died on October 17, 2017 in Bois-le-Roi, Eure, France. She was 100.- Suzy Vernon was born on 26 June 1901 in Perpignan, Pyrénées-Orientales, France. She was an actress, known for Le masque d'Hollywood (1930), Napoleon (1927) and Mother (1925). She was married to Ralph de Leon and Iksander Salem. She died on 24 January 1997 in Mougins, Alpes-Maritimes, France.
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Claudine Georgette Longet was born in Paris, France on January 29, 1942. Although known as an actress and singer, her career still is overshadowed by being known as a former wife of Andy Williams as well as shooting boyfriend, ski legend Spider Sabich in 1976. After a number of roles in episodes of high profile TV programs such as Combat! (1962), Hogan's Heroes (1965), Dr. Kildare (1961), Mr. Novak (1963), and 12 O'Clock High (1964), Claudine landed the role of Michele Monet in the Blake Edwards film The Party (1968). As a recording artist, Claudine was signed by Herb Alpert's A&M Records. She released a string of albums in the late 60s ("Claudine", "The Look of Love", "Love is Blue", "Colours", and "Run Wild, Run Free") covering songs from the Bee Gees and Donovan among others. She had four hits reach the US top 100 singles chart including "Love is Blue" and "Hello Hello". After switching to the Barnaby label, she released another two albums, "We've Only Just Begun" and "Let's Spend the Night Together". A third album, "Sugar Me", recorded in 1974, had to wait almost 20 years before it was finally released. Standout songs included the title track, a cover of the Lynsey de Paul hit, as well as "Guess Who I Saw in Paris" by Buffy Sainte-Marie.- Marie Matheron was born on 2 June 1959 in Paris, France. She is an actress, known for La lettre à Dédé (1985), Come Undone (2000) and Poussière d'ange (1987).
- Actress
- Director
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Emmanuelle Béart was born August 14, 1963, in Gassin, France. She lived with her mother, brothers, and sister on a farm not far from Saint-Tropez in Provence (southern France), because her father, singer and poet Guy Béart, did not want his children to be affected by the glamour world of Paris. When Emmanuelle was thirteen, she saw Romy Schneider in the movie Mado (1976). From that time on, she wanted to be an actress. In Emmanuelle's teens, her parents sent her to Montreal, Quebec, Canada, for four years, so she could learn English. There, she was engaged for a Robert Altman movie that was never made. After returning to France, she took drama classes and got her first TV role, in Raison perdue (1984). David Hamilton, the photographer/director, was impressed by her beauty and gave her a role in First Desires (1983). She met her spouse-to-be, Daniel Auteuil, while making Love on the Quiet (1985). The film that made her famous in France was Manon of the Spring (1986), in which she played the role of a blonde shepherd dancing nude in the fields. Director Tom McLoughlin chose her out of 5,000 candidates for her first Hollywood picture, Date with an Angel (1987). Emmanuelle is a very sensitive and a perfectionist. For the part of Camille in the film A Heart in Winter (1992), she took violin lessons for a whole year. Her biggest success was as a nude model in the art film La Belle Noiseuse (1991), which starred Michel Piccoli and was directed by Jacques Rivette.- Actress
- Soundtrack
Natacha Régnier was born on 11 April 1972 in Ixelles, Brussels, Belgium. She is an actress, known for Criminal Lovers (1999), The Dreamlife of Angels (1998) and The Benefit of the Doubt (2017).- Actress
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- Producer
Marie-Christine Barrault was born on 21 March 1944 in Paris, France. She is an actress and writer, known for My Night at Maud's (1969), Cousin, Cousine (1975) and Marie Curie, une femme honorable (1991). She was previously married to Roger Vadim and Daniel Toscan du Plantier.- Actress
- Soundtrack
Blonde Corrine Marchand began her career as a vocalist, singing in nightclubs, operettas and revues. In addition, she was a successful photographic model who eventually made her motion picture debut as an oriental dancer in Cadet Rousselle (1954). After several years playing minor parts, she hit the big time as the sad, pensive titular protagonist of Agnès Varda's Cléo from 5 to 7 (1962). In the role of the beautiful, vain and superstitious Parisian pop singer Cléo Victoire who confronts her mortality, Marchand was spot-on casting and gave a performance which is still regarded as iconic in the French New Wave cinema of the sixties. 'Cleo' was further enhanced by Marchand's charming rendition of Michel Legrand's "Sans Toi", "La Joyeuse" and "La Menteuse". The actress never had another role to match this, despite significant leads in several international and French productions like Nunca pasa nada (1963), The Hour of Truth (1965), Les Sultans (1966), the Italo western Man from Nowhere (1966), the dour Charles Bronson thriller Rider on the Rain (1970) and the rollicking gangland crime drama Borsalino (1970).
Aside from her work as an actress, Marchand developed a lucrative side project as an apiarist, following her graduation from the Charenton School of Beekeeping- Actress
- Soundtrack
Stéphane Audran was born on November 8, 1932 in Versailles, Seine-et-Oise [now Yvelines], France as Colette Suzanne Jeannine Dacheville. She was an actress, known for Der diskrete Charme der Bourgeoisie (1972), Babettes Fest (1987) and Der Schlachter (1970). She was married to Claude Chabrol and Jean-Louis Trintignant. She died at the age of 85 on March 27, 2018 in Neuilly-sur-Seine, Hauts-de-Seine, France after an illness.- Louise Lagrange was born on 19 August 1898 in Oran, Oran, France [now Algeria]. She was an actress, known for The Side Show of Life (1924), Le petit écart (1932) and Cinderella or The Glass Slipper (1912). She was married to Maurice Tourneur and William Elliott. She died on 28 February 1979 in Paris, France.
- Actress
- Soundtrack
Paris-born Josette Day debuted in films at the age of five, but soon returned to the stage, including a stint as a child dancer in the Paris Opera. She did not return to the screen until she was into her adulthood, and her career took off. She played leads in countless French films, but is probably best known for the role of Beauty in Jean Cocteau's Beauty and the Beast (1946) (French title: "La Belle et la Bête"). She had an affair with Marcel Pagnol. It is to be noted that several English-language sources stated that Day had married and divorced from director Marcel Pagnol; however French sources have discredited this claim. The French newspaper Le Monde ran a correction (on 2 July 1978) of her obituary, stating that the union of Josette Day and Marcel Pagnol "was never consecrated by a marriage." Day's career lasted until 1950 when she retired to marry Maurice Solvay, multi-millionaire Belgian industrialist and businessman, who was reported to be "one of the richest men in Europe" during his lifetime.- Actress
- Soundtrack
An actress from the age of 6, Anita appeared with Walter Hampden in the Broadway production of Peter Ibbetson. As a juvenile actor, Anita used the name Louise Fremault and made her film debut at 9 in the film The Sixth Commandment (1924). She continued to make films as a child actor, and in 1929, Anita dropped her "Fremault" surname, billing herself by her first and second names only. Unlike many child actors, her film career continued as a teenager, and as a blue-eyed blonde, Anita became a star in Warner Brothers costume dramas such as Madame Du Barry (1934), A Midsummer Night's Dream (1935), The Story of Louis Pasteur (1936), and Marie Antoinette (1938). Anita complained that her looks often interfered with her chances to obtain serious roles. With her ethereal beauty, she continued to appear in ingénue roles into the 1940s as she played girlfriends, sisters, and daughters. By 1940, Anita was only in her mid 20s, but her career had turned to 'B' movies, and her time on the big screen ended with the rehashed Bulldog Drummond at Bay (1947). In 1956, Anita was cast as Johnny Washbrook's mother, Nell McLaughin, on the Television series My Friend Flicka (1955), the story of a boy and his black horse. Anita was also the substitute host of The Loretta Young Show (1953) when Loretta Young was recuperating from surgery. Other shows Anita hosted included Theater of Time (1957) and Spotlight Playhouse (1958). Her television guest roles included Mannix (1967) and Mod Squad (1968). Anita devoted her final years to various philanthropic causes.- Actress
- Second Unit Director or Assistant Director
- Writer
Ève Francis was born on 24 August 1886 in Saint Josse ten Node, Brussels, Belgium. She was an actress and assistant director, known for Eldorado (1921), Yamilé sous les cèdres (1939) and La fête espagnole (1920). She was married to Louis Delluc. She died on 6 December 1980 in Neuilly-sur-Seine, Hauts-de-Seine, Île-de-France, France.- Catherine Hessling was born on 22 June 1900 in Moronvilliers, Marne, France. She was an actress, known for Nana (1926), Little Red Riding Hood (1930) and Whirlpool of Fate (1925). She was married to Jean Renoir. She died on 28 September 1979 in La-Celle-Saint-Cloud, Yvelines, France.
- Actress
- Soundtrack
Popular star in Hollywood for two decades through 1936, Marie Prevost began as a Mack Sennett "Bathing Beauty" in 1917, later starring in dozens of light comedies. But not long into the sound era, she encountered problems with her burgeoning weight, to the jeopardy of her career. Her self-remedy resulted ultimately in her starving to death.
Marie Prevost was born Mary Bickford Dunn in Sarnia, Ontario, Canada, on November 8, 1898. She broke into films when she was 18 years old in Unto Those Who Sin (1916). Finding work in films was difficult in the early days, just as it is today. Marie found herself doing odd jobs until 1917, when she made another film, Secrets of a Beauty Parlor (1917). After filming was completed, Marie found herself unemployed again and went back to scraping around for a living. She kept going to casting calls, but it wasn't until 1919 when she landed a role in Uncle Tom Without a Cabin (1919). Finally, in 1921, movie moguls discovered her talent and began casting her in a number of roles. She appeared in four films that year and an additional six in 1922. Marie seemed to be on a roll. She stayed busy through the balance of the 1920s in a number of films, mostly comedies. As a matter of fact, she would continue making films until 1933, when her appeal began to fade. She made no films in 1934 and precious few after that. With the advent of sound her thick New England accent didn't lend itself well to the "demon microphone", despite her beauty. Her depression about her career--or lack of it--drove her to alcohol, and she died on January 23, 1937, in Hollywood, of a combination of alcoholism and malnutrition, virtually broke and living in a dilapidated apartment. She never saw the release, in 1938, of her final film appearance: Ten Laps to Go (1936). She was 38 years old.- Actress
- Producer
- Soundtrack
Anna Paquin is the first millennial to have received an Academy Award nomination for acting, and the first to win.
She was born on July 24, 1982 in Winnipeg, Manitoba, Canada, to Mary (Brophy), an English teacher from Wellington, New Zealand, and Brian Paquin, a Canadian phys-ed teacher. Anna moved to her mother's native country when she was four years old. Her first acting job ever was at age nine in the movie The Piano (1993), which was shot in New Zealand. At age 16, she relocated to Los Angeles where she completed her last two years of high school (graduating in 2000). She then moved to New York where she attended Columbia University for one year. Between 2001 and 2004, she worked almost exclusively on stage in both New York and London. In 2007, Anna was cast in HBO's True Blood (2008), which concluded shooting its seventh and final season in 2014.- Actress
- Additional Crew
This lovely, docile, sensitive-appearing blonde French leading lady started impressively in films at age 6, making a most notable debut in René Clément's Forbidden Games (1952). She abandoned acting a few years later for schooling and a normal upbringing. After a brief career as an interpreter and translator, she returned to the cinema as a young adult and met with great award-worthy success in mostly European movies, including François Truffaut's The Man Who Loved Women (1977), Chanel Solitaire (1981), etc.- Actress
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Anne Parillaud was born in Paris, France on May 6, 1960 and even though all her travels took her to many lands, is still a Paris resident. Anne studied ballet in school, and her first appearance was in the film Un amour de sable (1977) where she played "La jeune fille avec un petit chat" ("The girl with a kitten"). However, her first real role was as "Estelle" in L'hôtel de la plage (1978) and, even though she had only appeared in this film during summer vacation, by then she had caught the show business bug. Anne was in eight other films, and then she gave her breakout performance in her signature role as "Nikita" in the wildly popular La Femme Nikita (1990), which spun off the American remake Point of No Return (1993) starring Bridget Fonda, and the USA Network television series La Femme Nikita (1997) starring Peta Wilson. Anne had taken judo lessons for three months to prepare for this part. Anne said that when acting, she can abandon herself; indeed the character Nikita is nothing like her. Anne hates guns and even said of Nikita: "For a while, she was in me like a demon".
When it comes to which films and directors to work with, Anne has her one rule: it must touch her heart. Obviously director Luc Besson touched her heart, they had a daughter together, but the couple separated shortly after La Femme Nikita (1990); (in 1997, Besson was briefly married to Milla Jovovich, but they divorced). Anne traveled to America to do several films, including Innocent Blood (1992), in which she plays a French vampire. She said of her character "Marie", that she wasn't born a vampire, didn't decide to be one; in that sense, the movie is a parable about dealing with the problem of being different in society. And difference equates to loneliness. Anne is still busy appearing in movies. Offscreen, Anne enjoys simple pleasures such as dancing, and talking with friends. And she is always led by her heart, Anne says she is someone who lives by impulse first. Her many fans would say it seems she has made a lot of right choices.- Actress
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Marie Trintignant died tragically on the 1st of August, 2003 from a cerebral edema in Neuilly-sur-Seine near Paris, France, following a violent fight with her boyfriend, Bertrand Cantat, lead singer in the French rock band, Noir Désir. She was just finishing filming a TV movie about Colette, directed by her mother.
Born into show business, she made her first screen appearance when she was just four-years-old but her breakthrough came in 1979 with the film "Série noire". In 1990, she had her first leading role in "Une nuit d'été en ville". Her second major role came in 1992 as "Betty", a bourgeois alcoholic. She also did theater work, notably "Le Retour", by Harold Pinter.
Her last film, Janis et John (2003), was completed three months before her death.- Jeanne Delvair was born on 19 December 1877 in Paris, France. She was an actress, known for Marie Tudor (1917), Mysteries of Paris (1912) and Blessée au coeur (1917). She was married to Georges Le Roy. She died on 13 January 1949 in Levallois-Perret, Hauts-de-Seine, France.
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The daughter of an opera star turned actress, Gladys Hulette began her career as a three-year old on the stage. On Broadway from 1906, she played juvenile leads in "The Kreutzer Sonata" and "A Doll's House". She was also Tyltyl in "The Blue Bird". A genuine pioneer of the movies, Gladys first starred on screen in Carl Laemmle's one-reel IMP production of Hiawatha (1909). During the 1910's and 20's, she appeared variously in films with Edison, Biograph, Thanhouser, Vitagraph, Astra and First National. In 1917, she was voted most popular actress by students of New York University. In truth, Gladys was a true all-rounder, who took on just about anything from high drama to slapstick farce. She even starred as the titular heroine in the comedy Prudence, the Pirate (1916). In private life, Gladys was fond of flowers, a voracious reader of books, including classic literature and a painter in oils, whose works occasionally found their way into major exhibitions. Long after leaving the Hollywood scene, she found work as a ticket seller at Radio City Music Hall in New York City.- Simone Genevois was born on 13 February 1912 in Paris, Ile-de-France, France. She was an actress, known for La merveilleuse vie de Jeanne d'Arc (1929), Simone (1918) and Napoleon (1927). She was married to Jacques Pathé and André Conti. She died on 16 December 1995 in Ascona, Switzerland.
- Andrée Lafayette was born on 19 May 1903 in Achères, Yvelines, France. She was an actress, known for Three Musketeers (1932), Trilby (1923) and La dame aux camélias (1934). She was married to Arthur May Constant. She died on 3 October 1989 in Équemauville, Calvados, France.
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Musidora was a French actress, film director, and writer. She is particularly remembered for portraying the vamp villainess Irma Vep in the crime serial film "Les Vampires" (1915-1916) and the gang leader Diana Monti/Marie Verdier in the revenge-themed film serial film "Judex" (1917). Her screen persona depicted her with "heavily kohled dark eyes, somewhat sinister make-up, pale skin and exotic wardrobes". Her characters were among the most popular femmes fatales of their era.
Musidora's real name was Jeanne Roques. She was born in a Parisian family of artists. Her father was the composer Jacques Roques, while her mother was the painter Adèle Clémence Porche. Musidora started an acting career in her teen years, and made her film debut in 1914. She took the stage name Musidora, naming herself after a character of that name in the novels of Théophile Gautier. The name means "gift of the Muses".
Early in her film career, Musidora collaborated with the film director Louis Feuillade. He was a pioneer in the development of the crime thriller as distinct genre. By playing villainesses, Musidora became one of the most famous French actresses of the 1910s. But she also found some success as a film director and a film producer. She directed 10 films between the late 1910s and the early 1920s, though only two of them have survived. Two of her films were adaptations of the novels of Colette (1873-1954). The novelist happened to be a personal friend of Musidora, and was willing to help with the screenplays for the adaptations.
Musidora's acting career ended by 1926, but she continued working as a writer and film producer until the early 1950s. In her old age, she worked in the ticket booth of the Cinémathèque Française. In 1957, Musidora died in Paris. She was buried in the Cimetière de Bois-le-Roi.- Little-known today but regarded in her time as one of the screen's great beauties, New Jersey-born Marguerite Courtot was sent in 1909, at age 12, to be educated in a European convent. By the time she returned to the US she had blossomed into such a beauty that she soon had a career as a top photographer's model; it didn't take long for offers from the film industry (much of which, at the time, was based in New Jersey) to come pouring in. Her mother, determined that Marguerite would finish her education, refused all offers until 1912, when she let her daughter take some small bit parts in movies filmed at a local New Jersey studio. Within a year Marguerite went from extra work to starring roles. Although excelling in comedy roles, she preferred to do action/drama pictures, and by 1915 was making serials for Kalem. She was off the screen for a year during World War I, when she decided to help in the war effort and toured the country selling war bonds and savings stamps. She returned to the screen in 1918 playing a World War I Belgian refugee in The Unbeliever. In 1919 she was in a succession of serials, all of which were extremely successful. In 1918 her co-star in The Unbeliever was actor 'Raymond McKee (I)' and she starred with him again in Down to the Sea in Ships in 1922. They were married soon after. She made only a few more films, then retired from the industry to raise a family. She died in Hawaii, her longtime home, in 1984.
- Actress
- Soundtrack
Elegant, dark-haired Parisian Micheline Presle (billed in the U.S. as Micheline Prelle) was the daughter of a businessman whose surname was Chassagne. Taking acting classes as a teen, she was discovered by Georg Wilhelm Pabst and cast in Jeunes filles en détresse (1939) (portraying Jacqueline Presle, whose last name she chose as her own marquee name). Very early into her film career, she was awarded the Prix Suzanne Bianchetti as the "most promising young actress" in French cinema.
While Micheline proceeded to make movies during the Occupation with such offerings as Four Flights to Love (1939) (dual role), La comédie du bonheur (1940), Foolish Husbands (1941), La nuit fantastique (1942), Twilight (1944), and Paris Frills (1945), she was regarded as an important young French star in the post-war years when she appeared in the classic films Angel and Sinner (1945) and, in particular, Devil in the Flesh (1947), both gaining her world-wide notice.
After a brief post-war marriage to Michel Lefort, Micheline's second marriage to US actor-turned-producer William Marshall in 1949 led her to attempt Hollywood pictures. Receiving a 20th Century-Fox contract, none of the those pictures, which included Under My Skin (1950), American Guerrilla in the Philippines (1950) and Adventures of Captain Fabian (1951), the last one produced and directed by husband Marshall, captured the hearts of American audiences despite co-starring opposite Hollywood's top male superstars stars at the time -- John Garfield, Tyrone Power and Errol Flynn.
Divorced in 1954, Micheline never truly adjusted to the Hollywood way of life and returned quite willingly to Paris with her daughter, the future actress/director Tonie Marshall. She would, however, return briefly to the US in the early 1960s to appear in the Dee/Darin comedy fluff If a Man Answers (1962) and the spy drama The Prize (1963).
The supremely talented Micheline continued to reign supreme back in Europe and appeared frequently on the stage as well. Some of her post-Hollywood films (mid-1950's on) included House of Ricordi (1954), Royal Affairs in Versailles (1954) (as Madame de Pompadour), Her Bridal Night (1956), Demoniac (1957), Mistress of the World (1960), Imperial Venus (1962) (as Napoleon's Josephine), Dark Purpose (1964), The Nun (1966), King of Hearts (1966), Donkey Skin (1970), The Legend of Frenchie King (1971), A Slightly Pregnant Man (1973), A Young Emmanuelle (1976), Démons de midi (1979), Thieves After Dark (1983), Good Weather, But Stormy Late This Afternoon (1986), High Finance Woman (1990), Fanfan (1993), Les Misérables (1995) and Diary of a Seducer (1996).
Into the millennium, Micheline graced a large number of French films such as Le coeur à l'ouvrage (2000), Charmant garçon (2001), Le diable dans la boîte (1977), Transfixed (2001), France Boutique (2003) (directed by daughter Tonie), Grabuge! (2005), Plein sud (2009), Just Like Brothers (2012) and her last, an unbilled part in Sex, Love & Therapy (2014).
Nominated for a supporting actress Cesar Award for her role as in the Venice Film Festival winner I Want to Go Home (1989), Micheline received an honorary César Award in 2004.- Actress
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Lacey Nicole Chabert was born in Purvis, Mississippi, to Julie (Johnson) and Tony Chabert, a representative for an oil company. She is of Cajun (French), Italian, English, and Scottish ancestry. Chabert started in drama and music performances in and around her hometown in Mississippi from an early age, and was a finalist on Star Search (1983) in 1991. She gained her break in a cough syrup commercial, before successfully auditioning for the Broadway production of Les Miserables, where she played young Cosette for two years. Since then, she has been on a few television series, notably Party of Five (1994), a number of telemovies like Gypsy (1993), and her big-screen debut, Lost in Space (1998). Known for her natural acting skills and charming personality, her cotton candy voice has seen her record many advertising jingles, plus play parts in animated films and TV shows like Nickelodeon's The Wild Thornberrys (1998). A more than capable violinist, she enjoys various activities, especially shoe shopping, and she is particularly fond of Cajun cooking. As a result of her promising career, her family, including two sisters and a brother, have moved from Mississippi to California.- An only child, Emmanuelle was born Paulette Germaine Riva in Cheniménil, but eventually grew up in Remiremont. Her mother, Jeanne Fernande Nourdin, was a seamstress. Her father, René Alfred "Alfredo" Riva, was a sign writer. Her paternal grandfather was Italian. She dreamed of becoming an actress since she was six, so that the entire world would take notice of her. This ambition was, however, to be met with firm opposition from her own family. Emmanuelle's father, a strict disciplinarian to whom the word "actress" was basically a synonym for "prostitute", disapproved of her way of thinking, since it clashed with the simple values he wished to pass on to her. Emmanuelle felt great affection towards her parents, but, at the same time, was under the impression that they couldn't really understand what she wanted. A bit of a tomboy and a rebel in her schooldays, she showed little interest in studying, but always directed her passion towards acting, appearing in every year-end play. In her early 20's, Emmanuelle was to find out the true meaning of nervous depression. Having completed the seamstress apprenticeship she had started at age 15, she eventually resigned herself to take up this profession, also discouraged by the thought that, in a city like Remiremont, the only possible alternative was to become a hairdresser. The sense of boredom that was weighing her down actually got so devouring that sewing sort of became the only form of escape from the horror of her everyday reality. But luckily, things were soon to change for the better. The day Emmanuelle discovered the announcement of a contest at the Dramatic Arts Centre of Rue Blanche was the day she found the courage to stand up to her parents and state that she would have traveled to Paris to become an actress. Having finally understood the depth of her sadness, her family couldn't oppose her wishes any longer, so, on the 13th May of 1953, she arrived in Paris.
At the Rue Blanche contest, Emmanuelle auditioned in front of one of the leading actors and directors of the Comédie-Française, the great Jean Meyer. She acted one scene from "On ne badine pas avec l'Amour" by Alfred de Musset. Meyer and the other acting teachers in the jury were just mesmerized by her performance and immediately realized that they had found the next big thing. It goes without saying that Emmanuelle was awarded a scholarship and Meyer himself decided to take her as his own pupil. At 26, Riva was too old to enter the French National Academy of Dramatic Arts, but she soon got her big break anyway, since French stage pillar René Dupuy cast her in a production of George Bernard Shaw's "Arms and the Man". Her next theatrical credits were "Mrs.Warren's Profession" (Shaw), "L'espoir" (Henri Bernstein), "Le dialogue des Carmélites" (Georges Bernanos), Britannicus (Jean Racine), "Il seduttore" (Diego Fabbri). Emmanuelle's small screen debut was in a 1957 episode of the history program Énigmes de l'histoire (1956), "Le Chevalier d'Éon". In the program, she played the Queen of England opposite Marcelle Ranson-Hervé as the cross-dressing knight in the service of the French crown. 1958, on the other hand, was the year that saw her first film appearance, an uncredited role in the Jean Gabin movie The Possessors (1958). The following year would, however, mark a turning point in her career. Emmanuelle was starring in the Dominique Rolin play "L'Epouvantail" at the "théatre de L'Oeuvre" in Paris when one night she found a visitor in her dressing room. His name was Alain Resnais and he was a young director responsible for a few shorts and documentaries (including the Holocaust-themed masterpiece Night and Fog (1956)). He was apparently looking for the female lead of his first feature film, Hiroshima Mon Amour (1959), based on a script by the great author, Marguerite Duras. Having seen a picture of Riva in a playbill of the production she was starring in, Resnais had immediately urged to see her. Without promising her anything, the director just asked Emmanuelle if he could take a few photos of her, so that he would have later shown them to Duras for a response. In addition to this, he also invited her at his place where he filmed her reciting some lines from "Arms and the Man". When he brought Duras the material, the author set her eyes on Emmanuelle's melancholic, enigmatic expression and immediately realized that they had found the one they were looking for. "Hiroshima Mon Amour" turned out to be one of the most acclaimed and representative movies of the French New Wave and launched both Resnais and Riva's careers in full orbit. Being somehow familiar with a sense of captivity, Emmanuelle gave an incredibly personal and involving performance as the unnamed heroine of the movie, and it was one that came straight from her heart. Playing an actress from Nevers who develops a love affection towards a Japanese architect (Eiji Okada) while filming an anti-war movie in Hiroshima, Emmanuelle helped modernizing acting and female figures in film through an intimate, almost minimalistic woman portrayal that was quite unlike anything else that had been seen on the silver screen to that moment. Speaking her character's thoughts through a great deal of voice-over that could give the viewer constant access to her mind (making for an unusual amount of psychological introspection) , she was able to masterfully translate every last one of these feelings to subtle facial expressions whose richness and eloquence made her face the mirror of the compex soul she was baring before the camera. Combining this heartfelt approach with a refined diction that could perfectly deliver Duras' deep, existentialist lines of dialogue, she gave the world a new type of heroine who, while set apart by a distinctive intellectual charm, remained very humanly relatable. This ground-breaking acting was greatly praised by the critics of the time who were most open to innovation, including some that later became masters of revolutionary cinema themselves. Jean-Luc Godard stated: "Let's take the character played by Emmanuelle Riva. If you ran into her on the street, or saw her every day, I think she would only be of interest to a very limited number of people. But in the film she interests everyone. For me, she's the kind of girl who works at the "Editions du Seuil" or for "L'Express", a kind of 1959 George Sand. A priori, she doesn't interest me, because I prefer the kind of girl you see in [Renato] Castellani's film. This said, Resnais has directed Emmanuelle Riva in such a prodigious way that now I want to read books from "Le Seuil" or "L'Express"." This was Éric Rohmer's take on Riva's 'Elle': " She isn't a classical heroine, at least not one that a certain classical cinema has habituated us to see, from David Griffith to 'Nicholas Ray'." Jacques Doniol-Valcroze summed her up this way: "She is unique. It's the first time that we've seen on the screen an adult woman with an interiority and a capacity for reasoning pushed to such a degree. Emmanuelle Riva is a modern adult woman because she is not an adult woman. She is, on the contrary, very childlike, guided by her impulses alone and not by her ideas." And Jean Domarchi commented that "In a sense, Hiroshima is a documentary on Emmanuelle Riva." The phenomenal intelligence and dramatic intensity of Emmanuelle's performance made "Elle" one of the most indelible characters in film history: however, while Duras' screenplay received an Oscar nomination, her star-making turn was sadly overlooked by the Academy. At least she won the "Étoile de Cristal" (the top film award in France between 1955 and 1975, given by the "Académie française" and later replaced by the César) for Best Actress for her work in the movie.
One year later, Emmanuelle was known as a major talent and, consequently, plenty of directors from different nationalities were knocking at her door. She followed her Hiroshima success with two acclaimed turns in Le huitième jour (1960) and Recours en grâce (1960). In addition to playing these leading roles for French cinema, a scene-stealing Riva was also seen as Simone Signoret's feisty friend in Antonio Pietrangeli's excellent Adua e le compagne (1960) and gave the standout performance in Gillo Pontecorvo's superb Kapo (1960) as a Jewish prisoner in a concentration camp. Enter 1961: another year, another career highlight. Emmanuelle was cast opposite Jean-Paul Belmondo in Jean-Pierre Melville's ground-breaking (and shocking for its time) Léon Morin, Priest (1961). In the movie, Riva's Barny, an atheist widow, and Belmondo's Morin, a young and seductive priest, develop a deep, theological relationship with strong sexual implications. Melville cast Emmanuelle thinking that she possessed the kind of intellectual eroticism the character needed and decided to demean her appearance as much as possible by having her dressed in the plainest clothes, so that Barny's major appeal would have been the cultural vivacity shining through her beautiful facial features. Riva and Belmondo's performances turned out to be outstanding and the film, against all odds, ended up being a big success. Riva next appeared in Climats (1962), the first (and only) feature film of TV writer and director Stellio Lorenzi, the man behind celebrated history programs such as La caméra explore le temps (1957) and its immediate predecessor, "Énigmes de L'Histoire", where Emmanuelle had done her screen debut. Adapting André Maurois' novel, Lorenzi hired Emmanuelle seeing her great interpretative sensitivity as being close to the nature of the character she would have played in the movie, also starring Jean-Pierre Marielle and Marina Vlady. In the story, Marielle is torn between sacred and profane love, leaving Vlady's vain and frivolous Odile for Riva's kind and good-hearted Isabelle. The same year, Emmanuelle scored another huge personal triumph as the title heroine of Georges Franju's Therese (1962). Her performance as François Mauriac's ill-fated 20th century Emma Bovary was a true masterpiece of psychological introspection: she perfectly captured all the key traits of the character at once, making her vulnerability coexist with her spirit of rebellion and her desire for freedom go along with a strong sense of self-destruction. Emmanuelle's work in the movie won her enormous raves and a sacred, unanimous Volpi Cup at Venice Film Festival. For the rest of the 60's (her golden period), Emmanuelle kept playing leading roles in French and Italian movies alike and also kept expanding her work to the TV medium. She found excellent, showcasing roles both in Thomas the Impostor (1965) (where she was directed by Franju for the second and last time) and in the lovely comedy The Hours of Love (1963) where she enjoyed a very unusual kind of wedding to Ugo Tognazzi. The third segment of Io uccido, tu uccidi (1965) paired her for the first time with Jean-Louis Trintignant. In this story of "Amour Fou", Riva plays a woman willing to make the ultimate sacrifice to save Trintignant's character, a man undeserving of her affection. Some TV work the actress did in this decade deserves to be noted as well. She reprised the role of Thérèse Desqueyroux in La fin de la nuit (1966), a dark and crepuscular adaptation of the Mauriac novel of the same name. This sequel follows Thérèse as she relocates to Paris where she has nothing to do but waiting for death to come. The TV play La forêt noire (1968), a fictionalized retelling of the relationship between Brahms and the Schumanns, featured another remarkable Riva performance, and so did Caterina (1963), which saw her taking on the role of Caterina Cornaro.
Going into the 70's and 80's, it wasn't easy for Emmanuelle to keep replicating the impact of her early performances and, while she always played leading roles in her native France, the majority of her movies didn't have a great international resonance. Misguided productions like Fernando Arrabal's I Will Walk Like a Crazy Horse (1973) proved totally unworthy of her talent. Like her contemporaries Delphine Seyrig, Bernadette Lafont, Bulle Ogier and Edith Scob, she liked to pick alternative, anti-mainstream projects, stating that she had no interest in doing things that had already been done before. In this period, she declined countless roles because she found them too traditional and, as a direct consequence of this, most directors stopped making her any more offers. Between 1982 and 1983 she was served with another couple of meaty parts to sink her teeth into. The first was in Marco Bellocchio's The Eyes, the Mouth (1982) (an underrated sequel of sorts to Fists in the Pocket (1965)) as the mother of Lou Castel, here taking on the role of Giovanni, the actor who had supposedly played Alessandro in the classic movie. The second was in Philippe Garrel's poignant Liberté, la nuit (1984) where she was paired with the director's father, the glorious actor, Maurice Garrel. In the subsequent years, Emmanuelle always found work in respectable productions, with the great director occasionally calling her for a project of superior quality (like Krzysztof Kieslowski's Three Colors: Blue (1993)) but the great roles seemed to be way behind her by now. In 2008, she had a nice cameo in A Man and His Dog (2008), a French remake of Umberto D. (1952) which reunited her with her "Léon Morin, prêtre" co-star, Jean-Paul Belmondo. Riva briefly appears in the movie as a gentle lady who meets Belmondo's character -not coincidentally- in a church. She was soon to enjoy, however, an incredible and unforeseen career renaissance.
In 2010, Emmanuelle was cast in Michael Haneke's latest movie, Amour (2012). The script managed as well to get Jean-Louis Trintignant out of retirement and frequent Haneke collaborator Isabelle Huppert also got on board for the ride. Haneke had written the script with precisely Trintignant in mind, but hadn't already thought of a specific actress to play the leading female role. The director had greatly admired Emmanuelle's performance in "Hiroshima Mon Amour", but wasn't much familiar with her subsequent work. Still, a recent photo of hers lead him to think that she would have been believable as Trintignant's wife and decided to audition her along with a few other actresses her age. It soon became obvious that she was the best choice in the world. The Austrian director's most recent masterpiece follows Georges (Trintignant) and Anne (Riva), a long time married couple whose life changes drastically when she suffers a stroke. An incredibly deep reflection about the two most important components of life, love and death, Haneke's heartbreaking movie took Cannes film festival by storm, making obvious from the day it was screened that no other film had the slightest possibility to win the Golden Palm. A fundamental part of "Amour"'s success were of course the immense central performances of its two leads. Jury president Nanni Moretti would have liked to give "Amour" the main festival prize along with top acting honors for its two veteran stars, but unfortunately a festival rule forbids to give any other major award to the Golden Palm winner. Moretti was displeased by this, but he still managed to find a way to recognize Trintignant and Riva's work. Although the Best Actor Award went to Mads Mikkelsen for The Hunt (2012) and the Best Actress Award was given to Cosmina Stratan and Cristina Flutur for Beyond the Hills (2012), the Golden Palm which the director was awarded was given alongside a special mention to the film's leads for their indispensable work. All three were invited on the stage to make an acceptance speech: it was one of the highest honors a thespian could ever dream of. Although Haneke remains the only official recipient of the Palm, Riva and Trintignant were, in spirit, the big acting winners of the 65th edition of the prestigious film festival. But the love for "Amour" wasn't to end here. After it amazed the audience at Toronto film festival, it became clear that the film would have done this over and over while getting screened all around the globe. Further accolades for the movie came at the end of November, when it scored an impressive four wins at the European Film Awards (Picture, Director, Actor and Actress). In the following weeks, Emmanuelle also racked up a good share of critic awards in America, including wins from major groups such as the National Society of Film Critics. On Oscar nominations day, Emmanuelle's performance was recognized along with the movie, its director and its screenplay. Having traveled to New York to attend the 2013 National Board of Review awards (where Amour had been named "Best Foreign Language Film"), Emmanuelle was still there when, bright and early, her room neighbors' jubilation cheers told her that she had been nominated. In great humbleness, she stated that she didn't expect it because 'there's plenty of talented people everywhere'. Shortly after, she also added a BAFTA to her mantle. After her triumph, Culture and communication Minister Aurélie Filippetti complimented Emmanuelle on her charisma and on the quality of her performance and stated that she would have defended France's colors at the upcoming Oscars. Emmanuelle's next appointment was with an overdue first César. After receiving a well-deserved standing ovation, she made a very beautiful and moving speech, quoting Von Kleist and paying homage to Maurice Garrel. A couple of days later she attended the Oscars and eventually failed to win the award, but this couldn't change the fact that she had made history already. Having always been in possession of one of cinema's most expressive faces, being equally effective with her physical language and having displayed unsurpassable courage and honesty in portraying the deterioration of Anne's body and soul, Emmanuelle gave a performance that went beyond every linguistic barrier and strongly touched and affected everyone who saw it. Her stunning work is for the ages.
Having hit such a high note near the end of her film career, it seems only natural that Emmanuelle did the same thing on the Parisian stage shortly after, scoring a new triumph in Didier Bezace's production of Marguerite Duras' play "Savannah Bay", which marked her theatrical return after a 13 years absence. Acting a text of the celebrated author who had penned the movie which had simultaneously given her immediate fame and screen immortality was the most inspired way to bring her exceptional career to full circle. Duras had written the part (originally performed by Madeleine Renaud) on the condition that only an actress no longer in the spring of youth would have played it: disregarding this wish would have been a mistake, but it must be added that no other actress in the same age range and associated with the author could have been an equally perfect choice. Wearing that slightly absent look loaded with a mixture of vulnerability and melancholy that only she can do so effectively, the actress reached- for the few, privileged ones who witnessed this new achievement- some basically unmatchable levels of heartbreak, repeating several times the words 'mon amour' to such an involving and powerful effect no one else could have produced. The actress stated that she would have probably refused to ever return to the stage hadn't she been offered this part. And her choice was, once again, a winning one. Emmanuelle kept working regularly for the next two years-- shooting films and doing poetry recitals all around Europe-- until she died on the 27 January 2017 after a secret battle with cancer. As profoundly devastating as the news of this artistic and human loss were, the world had to salute with utmost admiration a woman who, true to her formidable spirit, always lived a life that was determined by the choices she wanted.
Now, considering that she won her first audience by acting one scene from "On ne badine pas avec l'Amour" in front of her future mentor, got her international consecration by playing the leading role in "Hiroshima Mon Amour" and rose from her ashes with her superlative work in "Amour", one can conclude that the word Amour is most definitely a good luck charm to Emmanuelle Riva. - Actress
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Aurore Clement was born in Soissons, France. Her parents were farmers, and after the death of her father, she left for Paris where she found work with a modeling agency. She quickly made a name for herself, preferring a natural style and refusing to wear make-up. In the seventies,Louis Malle, searching for a new face and look, discovered Aurore on the cover of the French magazine Elle and cast her in the role of France, a young Jewish woman in love with a collaborator in the controversial Lacombe, Lucien (1974). She then met Chantal Akerman and soon became one of her favorite comedians (from The Meetings of Anna (1978) in which she plays a lonely movie director traveling all over Europe, to Tomorrow We Move (2004) in which she portrays an intrusive and eccentric mother). In 1978 Aurore left for the Philippines to begin filming Apocalypse Now (1979), by Francis Ford Coppola, in which she was cast as the enigmatic and drug-addicted Roxanne who represented the typical 'femme fatale' for all French former colonists still dreaming of Indochina. However, the sequence, dubbed the 'Plantation', was unfortunately cut from the film and not seen again until the release of the Redux version in 2001. She met her husband, production designer Dean Tavoularis, while filming with Coppola. After several movies in Italy (Mario Monicelli, Dino Risi, Elio Petri) Aurore Clement was featured in two films shown in Cannes the same year. Portraying a loose woman for Claude Chabrol (The Hatter's Ghost (1982)) she totally reinvented herself and played a mysterious woman lost in the rain for Peter Del Monte "L'invitation au Voyage"). Two years later, she was cast by Wim Wenders as Dean Stockwell's wife in Paris, Texas (1984) which won the French Cannes Festival Palme d'Or. Excelling in playing both dramatic and lunatic characters, she reconnected with the 'cinéma d'auteur', notably in Anne-Marie Miéville's Nous sommes tous encore ici (1997) in which she played the wife of Jean Luc Godard; in Laetitia Masson's distressing world (For Sale (1998) , Only You (1994), La repentie (2002)), and in Serge Gainsbourg's nefarious and ultimate film, Stan the Flasher (1990). Aurore appeared also in well received and widely distributed movies such as Tanguy (2001), Bon Voyage (2003), and Jet Set (2000) before being directed again by Claude Chabrol as a cute hairdresser (The Bridesmaid (2004)) and by Sofia Coppola as the Duchess de Chartres in Marie Antoinette (2006). She has also been cast in numerous high quality films made for television such as Une péniche nommée 'Réalité' (1985) directed by Paul Seban (1982) in which she reconnects with her farming routes; Deux amies d'enfance (1983) with Ludmila Mikaël, directed by Nina Companeez (1983); "Quidam" (1984) in which director Gérard Marx casts her against type; Le regard dans le miroir (1985) directed by Jean Chapot (1985), in which she portrays a former camp survivor next to Bruno Cremer and Michel Bouquet; Les Alsaciens: ou les deux Mathilde (1996), directed by Michel Favart, a film shown in two parts in which she plays a woman struggling and suffering throughout two world wars and "Maigret et le corps sans tête" (1991) in which she offers a stunning performance as a bar keeper in the mid-fifties rural France. She has also been recently seen in the series Zodiaque (2004) and Zodiaque (2004). In addition to her film and television careers, Aurore has been a successful stage actress having first been seen in "La Vie singulière d'Albert Nobbs" (1988), directed by Simone Benmussa in which she portrays a young woman forced to disguise herself as a man in order to make a living in Victorian England. For this premiere on stage, she won an acting prize given by the French theater critics association. Ms. Clement was also seen in Anton Chekhov's "La Mouette", Marguerite Duras' "Les Eaux et Forets" and Alexandre Dumas fils' "La Dame aux Camelias", alongside Isabelle Adjani, for which she has been nominated for the Molieres (the equivalent of the American Tony's).- Actress
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Marianne Denicourt was born on 14 May 1966 in Paris, France. She is an actress and writer, known for Up, Down, Fragile (1995), Divertimento (1992) and SK1 (2014).- Actress
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Vanessa Paradis is a renowned French actress, model and singer born in 1972. She started her career as a model and singer before becoming a movie star. Her song "Joe Le Taxi" brought her success in 15 countries at the age of 14. Later, in 1990, she was awarded a 'César' (French equivalent of Oscar) for her debut movie White Wedding (1989). For the next 5 years, she concentrated on her musical career, she rejected Pedro Almodóvar and John Boorman. In 1995, she appeared in Élisa (1995), but decided to concentrate on her private life with Johnny Depp and their children. After several years, Vanessa continued her singing and acting career.- Actress
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This pert, petite, delicate, dreamy-eyed French dish of post-war filming with the piled-high blonde hairdo was a one-time threat to the sexy, kittenish pedestal Brigitte Bardot stood on during the 1950s. While working for such legendary directors as Marcel Carné, Marc Allégret, Julien Duvivier, Henri Decoin and René Clair, she also got to work opposite France's most handsome leading men, including Georges Marchal, Jean Marais, Jean Servais, François Périer, Daniel Gélin, Jacques Sernas and singer Marcel Amont, Dany became the epitome of the romantic, virginal heroine in light comedy souffles, although she was just as entrancing and touching in dramatic works.
Born Danielle Robin on April 4, 1927, the lithe Dany trained as a ballerina as a child and eventually made her way dancing with the Opera de Paris. At age 19, however, she opted for a movie career and decided to study at the Paris Conservatoire. Making her screen debut with a bit part in Lunegarde (1946), she first turned heads in the romantic dramedy Man About Town (1947) directed by Clair and starring Maurice Chevalier.
Dany continued to touch pulses with her naïve lovelies throughout the 50's with such pictures as Naughty Martine (1947); Monelle (1948); four films co-starring heartthrob Georges Marchal, whom she married in 1951 -- La passagère (1949), La voyageuse inattendue (1950), The Thirst of Men (1950) and Valley of Fire (1951); Elle et moi (1952); Deux sous de violettes (1951); Frou-Frou (1955); the title role in the films Holiday for Henrietta (1952) and Julietta (1953); the US/French co-production Act of Love (1953) starring Kirk Douglas; Napoleon (1955) (as Desiree); Frou-Frou (1955); Maid in Paris (1956); C'est arrivé à Aden... (1956); Bonsoir Paris (1956); C'est la faute d'Adam (1958); L'école des cocottes (1958); the title role in Mimi Pinson (1958); and The Chasers (1959).
Though most of her films were produced in her own homeland, Dany branched out internationally from time to time in the 1960's, appearing in the British sex comedy Waltz of the Toreadors (1962) opposite Peter Sellers and the innocuous, teen-oriented flick Follow the Boys (1963) starring singing teen pop idol Connie Francis here in the U.S. She matured with roles in Love and the Frenchwoman (1960), Les mystères de Paris (1962), Mandrin (1962), X-Ray of a Killer (1965) and a pair of British comedies Carry on Don't Lose Your Head (1967) and The Best House in London (1969). She would last appear on film in the Alfred Hitchcock thriller Topaz (1969), an American production.
Divorced from first husband Marchal, the father of her two children, in 1968, Dany married British agent/producer Michael Sullivan the following year and retired quietly. On May 25, 1995, the 68-year-old former actress was tragically killed, along with Sullivan, in a fire that consumed their Paris apartment.- Writer
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Cécile Aubry was born on 3 August 1928 in Paris, France. She was a writer and director, known for Manon (1949), The Black Rose (1950) and Poly (1961). She was married to Brahim El Mezouari El Glaoui. She died on 19 July 2010 in Dourdan, Essonne, France.- Actress
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Linda Bella was born on 6 July 1992 in Nice, Alpes-Maritimes, France. She is an actress and producer, known for Dracula: Reborn (2012), First Dog (2010) and The Paper Boat (2015).- Actress
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Gisèle Pascal was born on 17 September 1921 in Cannes, Alpes-Maritimes, France. She was an actress, known for L'arlésienne (1942), La vie de bohème (1945) and Les J3 (1946). She was married to Raymond Pellegrin. She died on 2 February 2007 in Nîmes, Gard, France.- Lise Delamare was born on 9 April 1913 in Colombes, Seine [now Seine-Saint-Denis, Île-de-France], France. She was an actress, known for Lola Montès (1955), Captain Blood (1960) and La Marseillaise (1938). She was married to Tony Taffin. She died on 25 July 2006 in Suresnes, Hauts-de-Seine, France.
- Véra Norman was born on 28 December 1924 in Paris, Ile-de-France, France. She was an actress, known for Cet homme est dangereux (1953), Violetas imperiales (1952) and Un jour avec vous (1952). She was married to Pierre Henry. She died on 19 May 2023 in Deauville, Calvados, Normandy, France.
- Francette Vernillat was born on 16 April 1937 in Strasbourg, Bas-Rhin, France. She was an actress, known for The Adultress (1953), Maria du bout du monde (1951) and Le destin exécrable de Guillemette Babin (1948). She died on 2 December 2019 in Fontenay-lès-Briis, Essonne, France.
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Francine Bergé was born on 21 July 1938 in Neuilly-sur-Seine, Hauts-de-Seine, France. She is an actress, known for Judex (1963), The Crimson Rivers (2000) and The Depths (1963).- Alice Isaaz was born on 26 July 1991 in Bordeaux, France. She is an actress, known for The Gilded Cage (2013), Elle (2016) and Smart Ass (2014).
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Melissa Marie Benoist is an American actress, singer and dancer. She was raised in Littleton, Colorado , the daughter of Julie and Jim Benoist, a physician. She is of French, German, English, and Scottish descent. She started dance classes at the age of three and when she was four years old her aunt put her in a church play she was directing. As a teen, Benoist performed anonymously at Disneyland for three summers with the Academy of Theatre Arts, a musical theatre school located in Littleton, Colorado run by Paul Dwyer and Alann Worley. She performed locally in productions including Cinderella and Bye Bye Birdie at Town Hall Arts Center, and Evita at the Country Dinner Playhouse.
In 2006, The Denver Post named Benoist one of Colorado's five "Can't Miss Kids". She graduated from Arapahoe High School in Centennial, Colorado, in 2007,and from Marymount Manhattan College in New York City in 2011 with a Bachelor of arts in theatre arts. Benoist has become known for her portrayal of the title character in the CBS/CW superhero drama series Supergirl (2015). She had risen to prominence for her portrayal of Marley Rose on the fourth and fifth seasons of the Fox musical comedy-drama television series Glee (2009), and has appeared in films such as Whiplash (2014) ,Danny Collins (2015), The Longest Ride (2015), Lowriders (2016) , Patriots Day (2016) and Sun Dogs (2017).- Actress
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Hayden Lesley Panettiere was born on August 21, 1989 in Palisades, New York, to actress Lesley Vogel and fire department captain Skip Panettiere. Her younger brother was actor Jansen Panettiere (1994-2023). Her parents are both of half Italian descent, along with German and English. Her mother got her started in the business by doing commercials when she was just 11 months old. Then, at only 4 1/2, she was cast on the soap opera One Life to Live (1968), where she remained until 1997. Since then, she has gone on to appear in many feature films and TV movies. But she is probably best known in the United States for her role as "Claire" on the hit TV show, Heroes (2006).
As for movies, Hayden starred in Remember the Titans (2000) with Denzel Washington and Joe Somebody (2001) with Tim Allen. When Hayden isn't working, she enjoys singing, dancing, horseback riding, gymnastics, taking piano lessons, and swimming.
She has been involved with many animated movies, beginning with A Bug's Life (1998) as "Dot", later to follow was Dinosaur (2000), the video game Kingdom Hearts (2002), and The Mark of Kri (2002). Her next movie is Racing Stripes (2005), a partly animated film, but Hayden will star in the human role; other cast members include the voices of Whoopi Goldberg, Dustin Hoffman, Joshua Jackson and Mandy Moore.
In 2003, she joined the likes of Jessica Lange, Tom Wilkinson and Clancy Brown in Jane Anderson's Normal (2003), a film about a Midwestern husband and father who announces his plans to have a sex-change operation. In July of the same year, Hayden appeared in a John Guare play, "Landscape of the Body", for the Williamstown theater festival in Williamstown, Massachusetts.