10 Unsung Brilliant Performances
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Hart Matthew Bochner was born in Toronto, Ontario, Canada, to Ruth (Roher), a concert pianist, and Lloyd Bochner, an actor. He is of Russian Jewish and Ukrainian Jewish descent. Hart made his feature film debut portraying George C. Scott's son in Ernest Hemingway's Islands in the Stream (1977) and would go on to gain notice for his role in the Academy award-winning, Breaking Away (1979). However, it was his role in Die Hard (1988), opposite Bruce Willis, that would earn him pop culture status. His performance as the obnoxiously sleazy Harry ("Hans, Bubby") Ellis was bestowed the #2 spot on Maxim's "The Greatest Movie Sleazeballs Of All Time" list. Other films also include playing opposite Susan Sarandon in Wayne Wang's Anywhere But Here (1999), Break Up (1998) with Bridget Fonda, the cult hit Apartment Zero (1988) opposite Colin Firth, George Cukor's Rich and Famous (1981), with Jacqueline Bisset, and John Schlesinger's The Innocent (1993), opposite Anthony Hopkins.
On television, Bochner starred in the Emmy award-winning epic miniseries, War and Remembrance (1988), Ernest Hemingway's The Sun Also Rises (1984), John Steinbeck's East of Eden (1981), And the Sea Will Tell (1991), Children of the Dust (1995), and Haywire (1980).
He would inevitably transition to behind-the-scenes work as a director, making his debut with the cult comedy, PCU (1994), for Twentieth Century Fox, and High School High (1996) for Columbia Pictures. Just Add Water (2008) for Sony Pictures is his latest directorial effort, which he also wrote, and stars Danny DeVito, Dylan Walsh, Jonah Hill, and Justin Long.
He will next be seen starring in the upcoming Campbell Scott film, Company Retreat (2009), as well as Spread (2009) opposite Ashton Kutcher. Most recently was seen starring as Debra Messing's love interest in the USA Network series, The Starter Wife (2008).
Bochner lives in Los Angeles and is actively involved in several causes, sitting on the board of directors for the Environmental Media Association as well as the DGA-PAC Leadership Council, and L.A.'s Green Ribbon Commission. In 2008, Bochner was named Time Magazine's "Greenest Celebrity in Hollywood".His performance in "APARTMENT ZERO" is a truly original creation. Seductive, intriguing, dangerous, inviting and very funny. I'm very surprised this beautiful man is not yet a huge movie star.- Actor
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Louis Garrel was born on 14 June 1983 in Paris, France. He is an actor and director, known for The Dreamers (2003), Little Women (2019) and The Innocent (2022). He has been married to Laetitia Casta since 10 June 2017. They have one child. He was previously married to Golshifteh Farahani.He was great in "DREAMERS' but he conquered me completely in "LOVE SONGS" but I don't know anybody who's seen it.- Actor
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Dean Robert Stockwell grew up in North Hollywood, the son of Broadway performers Harry Stockwell and Elizabeth "Betty" Stockwell (née Veronica). His vaudevillian father was a replacement Curly in the original production of "Oklahoma!". He was also a decent tenor whose voice was used for the part of Prince Charming in Disney's Snow White and the Seven Dwarfs (1937). Dean's mother was a one-time Broadway chorine who used the stage moniker "Betty Veronica." His older brother was the actor Guy Stockwell.
At the age of seven, Dean made his stage debut in a Theater Guild production of Paul Osborn's The Innocent Voyage, in which his brother was also cast. The play ran for nine month. Dean was eventually spotted by a talent scout, and, on the strength of his performance, was signed by MGM in 1945. Under contract until 1947 (and again from 1949 to 1950), Stockwell became a highly sought-after child star in films like Anchors Aweigh (1945), with Gene Kelly and Frank Sinatra, The Green Years (1946) and Song of the Thin Man (1947). His impish, dimpled looks and tousled brown hair combined with genuine acting talent kept him on the box office front line for more than a decade. Having won a Golden Globe Award as Best Juvenile Actor for Gentleman's Agreement (1947) (on loan-out to 20th Century Fox), Stockwell went on to play the title role in an adaptation of Rudyard Kipling's Kim (1950). He came to admire his co-star Errol Flynn as a sort of role model. Thereafter, Stockwell segued into television for several years until resurfacing as a mature actor in Richard Fleischer's Compulsion (1959), (based on the infamous Leopold & Loeb murder case), co-starring with Bradford Dillman as one of the two young killers, and Orson Welles. He had already played the part on Broadway in 1957, on this occasion partnering Roddy McDowall. His last film role of note in the early 60s was as Edmund Tyrone in Eugene O'Neill's Long Day's Journey Into Night (1962). Despite developing a drinking problem on the set (for which he was chastised by Katharine Hepburn), Stockwell gave a solid performance which he later described as a career highlight.
Stockwell dropped out of show biz for some time in the 60s to join the hippie scene at which time he befriended Neil Young and Dennis Hopper. Later in the decade, he made a gleeful comeback in low budget psychedelic counterculture (Psych-Out (1968)) biker films (The Loners (1972)) and horror comedies (The Werewolf of Washington (1973)). Keeping a considerably lower profile during the 70s, he became a frequent TV guest star in popular crime dramas like Mannix (1967), Columbo (1971) The Streets of San Francisco (1972) and Police Story (1973). By the early 80s, work opportunities had become scarcer and Stockwell was compelled to briefly sideline as a real estate broker. He nonetheless managed to make a comeback with a co-starring role in the Wim Wenders road movie Paris, Texas (1984). New York Times reviewer Vincent Canby wrote of his performance "Mr. Stockwell, the former child star, has aged very well, becoming an exceptionally interesting, mature actor." Stockwell subsequently enjoyed high billing in David Lynch's noirish psycho-thriller Blue Velvet (1986) and received an Oscar nomination for his Mafia don Tony "The Tiger" Russo in Married to the Mob (1988). His television career also flourished, as cigar-smoking, womanizing rear admiral Al Calavicci in the popular science fiction series Quantum Leap (1989). The role won him a Golden Globe Award in 1990 and a new generation of fans. When the show ended after five seasons, Stockwell remained gainfully employed for another decade, still frequently seen as political or military authority figures (Navy Secretary Edward Sheffield in JAG (1995), Defence Secretary Walter Dean in Air Force One (1997)) or evil alien antagonists (Colonel Grat in Star Trek: Enterprise (2001), humanoid Cylon John Cavil in Battlestar Galactica (2004)).
Outside of acting, Stockwell embraced environmental issues and exhibited works of art, notably collages and sculptures. In 2015, he was forced to retire from acting after suffering a stroke. Stockwell died on November 7, 2021 due to natural causes at the age of 85.Dean Stockwell is an icon but how is it possible that his performance in "COMPULSION" is not in a pantheon among the greatest- Pierre Blaise was born on 29 February 1952 in Moissac, Tarn-et-Garonne, France. He was an actor, known for Lacombe, Lucien (1974), Le grand délire (1975) and Les noces de porcelaine (1975). He died on 31 August 1975 in Moissac, Tarn-et-Garonne, France.His performance in "LACOMBE LUCIEN" still unmatched.
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It's fair to say that if 'Frank Capra (I)' hadn't cast Robert "Bobby" Williams in his 1931 film Platinum Blonde (1931) the actor would be entirely forgotten today. When the movie was made available on video in the 1980s the promotional copy on the video box emphasized the names most buffs would recognize: actresses Jean Harlow and Loretta Young, and director Capra himself. But for many viewers there's no question about it, Williams steals the show, with his low-key flair for comedy and unique, sleepy-eyed charm. Viewers may well ask "Who is this guy, and why haven't I heard of him?" The reason is simple, and sad: he died of peritonitis in 1931 just as 'Platinum Blonde (1931)_ went into wide release, just when he was on the brink of stardom.
Born in 1897 in the vicinity of Morganton, North Carolina, he was raised on a farm. The acting bug bit early: he ran away from home at age 11 to join a tent show. He endured a long, hard apprenticeship as an actor, performing on Mississippi river boats and in stock companies touring the Midwest before he reached New York as a young man. When Williams made his Broadway debut in the early 1920s, the New York stage had entered its richest era, when hundreds of shows opened each season. Williams' stage credits include Eyes of Youth opposite Marjorie Rambeau, The Trial of Mary Dugan, Milgrim's Progress, Scarlet Pages, and Love, Honor and Betray with Alice Brady. Several of these plays were made into silent movies but Bobby was not cast in the film versions, perhaps because he was based in New York. His best remembered Broadway role was that of Abie in the original production of Abie's Irish Rose (1922), an ethnic comedy considered old fashioned even when it opened. Critics hated it, but the show became the biggest success of its era, running for five years.
When Abie's Irish Rose opened, Bobby was married to singer Marion Harris, a vaudeville and recording artist who was far better known than he. Perhaps her greater fame was a source of tension, but for whatever reason the marriage did not last long. The couple had one daughter, also named Marion, who later became a singer in her own right under the name Marion Harris Jr.
Even at the time of Williams' greatest Broadway success in Abie's Irish Rose, he seemed stalked by tragedy. Just a few days after the show opened, Bobby was driving from his home in Great Neck, Long Island, to the theater for a matinée performance. When he reached Corona, Queens, a 7 year-old boy named James Cali dashed into the street in front of his car. Williams was unable to stop or swerve, and the boy was knocked to the ground. The child died of a skull fracture hours later while Williams was held by the police for questioning. Character actor Wallace Ford, who had played the role of Abie during the show's pre-Broadway tour, stepped back into the role for the matinée and the next few performances while Williams recovered from shock. It appears that no charges were filed against him in the wake of the tragedy. Williams resumed the role of Abie but did not stay with the show much longer.
In the spring of 1924, Williams married actress Alice Lake, best known as leading lady in several film comedies made by 'Roscoe 'Fatty' Arbuckle' and Buster Keaton in the late 1910s. Once again, the marriage was brief. In February of 1925 the daily paper the New York Mirror detailed the couple's separation in an article with the headline: "Gay Life Parts Couple; Robert Williams, Juvenile Actor, Packs Trunk and Leaves His Wife, Alice Lake, Pal of Viola Dana ." Without directly stating that either Lake or Dana were gay or bisexual, the article strongly implied that their relationship went beyond friendship, and was responsible for the breakup of Lake's marriage to Williams. The following day the newspaper allowed Dana a rebuttal in which she denied being a home wrecker and said she knew nothing of the Williams' marital problems. In any event, the couple divorced soon afterward.
For the next several years Williams remained busy with stage work. He also married actress Nina Penn, and at last seemed to find marital stability. In 1930 Williams was cast in the Broadway production of Donald Ogden Stewart 's play Rebound which proved to be moderately successful, or at least successful enough to be purchased by RKO for filming. By this point the talkie revolution had hit Hollywood and the studios were snapping up plays, playwrights, and stage actors by the hundreds. Williams went to Hollywood and repeated his role of Johnnie Coles opposite Ina Claire in the film version of Rebound. In rapid succession he appeared in two other films for RKO, The Common Law (1931) opposite Constance Bennett, and Devotion (1931) with Ann Harding and Leslie Howard.
It was then that 'Frank Capra (I)' cast Bobby in Platinum Blonde (1931), for Columbia Pictures. Williams played down-to-earth reporter Stew Smith, who is drawn to socialite Anne Schuyler (Jean Harlow ) despite their obvious differences in background. Stew marries Anne while his fellow reporter Gallagher, a gal accepted in the city room as "one of the boys," waits patiently for Stew to recognize that his marriage was a mistake and that she is in love with him. The role of Gallagher was assigned, rather bizarrely, to the luminously beautiful Loretta Young, who was then 18 years old and would never be anyone's idea of "one of the boys." For that matter, Harlow wasn't all that believable as a haughty socialite either, but for Williams the role of Stew Smith fit like a glove. This was the sort of role that within a few years would become the province of actors like Spencer Tracy, James Cagney, and occasionally Clark Gable: the man's man with attitude, macho without being obnoxious about it, a guy who is good at his work but has a faint air of insolence about him. Williams pulls it off beautifully and effortlessly steals the show from his miscast co-stars. One wants to see more of his work.
Unfortunately, his work was at an end, for this star-making performance turned out to be Williams' swan song. Bobby was rehearsing with Constance Bennett for his next RKO picture, Lady with a Past (1932), when he complained of stomach pains. After a day or two the pain worsened, and despite his protests Williams was rushed to a hospital for an appendicitis operation. Before the operation was completed his appendix burst. Days later, on November 3, 1931, Williams died of peritonitis. He was 34 years old. Platinum Blonde (1931) had been released just four days earlier, and the first reviews proclaimed that Hollywood had a new star. Instead, Robert Williams became one of Hollywood's great might-have-beens.His performance in Capra's "Platinum Blond" \Is still ahead of its time