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Truman Capote was born on 30 September 1924 in New Orleans, Louisiana, USA. He was a writer and actor, known for Murder by Death (1976), The Innocents (1961) and Breakfast at Tiffany's (1961). He died on 25 August 1984 in Los Angeles, California, USA.In Cold Blood- Writer
- Producer
Charles Brackett, born in Saratoga Springs, New York, of Scottish ancestry, followed in his attorney-father's footsteps and graduated with a law degree from Harvard University in 1920. He practised law for several years, before commencing work as drama critic for The New Yorker (1925-29), in addition to submitting short stories to The Saturday Evening Post. In 1932, Brackett left for Hollywood as a screenwriter. He was signed by Paramount primarily on the strength of his novel "Week-End". Brackett remained at the studio until 1950, doubling up as producer from 1945.
During his tenure at Paramount, Brackett became part of one of the most celebrated screenwriting partnerships in the motion picture business, alongside Billy Wilder. They were eventually dubbed by Life Magazine as "the happiest couple in Hollywood". Despite having very different personalities and arguing incessantly -- Wilder being the more extroverted and cynical, while Bracket was, to quote Gloria Swanson, 'quieter, more refined' -- their collaboration endured until 1951, spanning fourteen motion pictures. Many of their most popular hits, such as Ninotchka (1939), Ball of Fire (1941) and The Lost Weekend (1945), were noted for their intricate scripting and witty, sardonic dialogue. The culmination of their efforts was Sunset Blvd. (1950), which won an Academy Award for Best Writing, Story and Screenplay. Following this, the team split up at the peak of their success, each going their separate ways.
Brackett moved on to work under contract at 20th Century Fox for the next eight years. With Walter Reisch, he co-wrote the screenplays for Niagara (1953) and Titanic (1953), winning his third Oscar for the latter. He also produced the superior western Garden of Evil (1954), the historical drama The Virgin Queen (1955) and the lavish musical The King and I (1956). Brackett retired due to illness after producing State Fair (1962).Midnignt(1939)
Ninotchka(1939)
The Lost Weekend- Writer
- Director
- Actor
Son of a small shopkeeper, he attended Manchester Grammar School. He later said that he made poor uses of his opportunities there. He went to work in an insurance office, but later entered Manchester University, taking a degree in History. A post-graduate year at Exeter University led to a schoolmaster's position, first at a village school in Devon, then for seven years at Millfield. During this time he wrote a dozen radio plays, which were broadcast. Encouraged by the London success of his stage play "Flowering Cherry" he left teaching for full-time writing. 1960 saw two of his plays ("The Tiger And The Horse" and "A Man For All Seasons") running concurrently in the West End.A Man for All Seasons- Writer
- Actor
- Second Unit Director or Assistant Director
Legendary Italian screenwriter was born Antonio Guerra on the 16th of March 1920 in Sant'Arcangelo, Italy, south of Ravenna. He wrote several short stories, poetry and novels and in 1956 his first screenplay "Man and Wolves" (co-written by Elio Petri) was directed by Giuseppe De Santis. Three years later he wrote the masterpiece, "L'Avventura", which began his long collaboration with one of the greatest directors of all time Michelangelo Antonioni. Tonino Guerra earned Oscar nominations 3 times: for the Casanova 70 (1965), for Blow-Up (1966) by Antonioni and for Amarcord (1973) directed by Federico Fellini. He has worked with many other masters such as Francesco Rosi on _Lucky Luciano (1974)_ and and Andrei Tarkovsky on Nostalghia (1983). Tonino Guerra is a poet and one of busiest and the most important screenwriters of cinema who won Cannes Film Festival's Best Screenplay award for the "Voyage to Cythera" by Theo Angelopoulos and received an honorary award of the Venice Film Festival. Tonino Guerra is a great fan of two persecuted film geniuses Andrei Tarkovsky and Sergei Parajanov.Blow-Up- Writer
- Producer
- Director
One of the most critically and commercially successful screenwriters in Hollywood history, Lehman grew up on Long Island, graduated from NY's City College. One of his first jobs was as a copywriter for a Broadway publicist. This experience would later be reflected in his novel and screenplay, "Sweet Smell of Success." He also worked as a radio comedy writer, and as editor of a financial magazine. He freelanced short stories for the likes of Collier's magazine and one of these fiction piece 'The Comedian' led to his first job in Hollywood as a screenwriter for Paramount in the mid 1950s. Nick Roddick, in Dictionary of Literary Biography, praised Lehman as "a champion of the well-crafted, what-happens-next screenplay." Served as president of the Writers Guild of America from 1983-85.West Side Story- Writer
- Director
- Producer
Preston Sturges' own life is as unlikely as some of the plots of his best work. He was born into a wealthy family. As a boy he helped out on stage productions for his mother's friend, Isadora Duncan (the scarf that strangled her was made by his mother's company, Maison Desti). He served in the U.S. Army Signal Corps during WWI. Upon his return to Maison Desti, he invented a kissproof lipstick, Red-Red Rouge, in 1920. Shortly after his first marriage, his mother demanded that he return control of the company to her. Kicked out of Maison Desti, he turned to inventing. A tickertape machine, an intaglio photo-etching process, an automobile and an airplane were among his some of his commercially unsuccessful inventions. He began writing stories and, while recovering from an appendectomy in 1929, wrote his first play, "The Guinea Pig". In financial trouble over producing his plays, he moved to Hollywood in 1932 to make money. It wasn't long before he became frustrated by the lack of control he had over his work and wanted to direct the scripts he wrote. Paramount gave him this chance as part of a deal for selling his script for The Great McGinty (1940), at a cheap price. The film's success launched his career as writer/director and he had several hits over the next four years. That success emboldened him to become an independent filmmaker, but that did not last long--he had a string of commercial failures and acquired a reputation as an expensive perfectionist. He moved to France to make what turned out to be his last movie, The French, They Are a Funny Race (1955). He died at the Algonquin Hotel, New York City, in 1959.The Invisible Man
imitation of Life- Writer
- Director
- Second Unit Director or Assistant Director
André Cayatte (b.1909 in Carcassonne, Aude, France) was a lawyer turned novelist and journalist, then screenwriter in 1938, after which he became a film director in 1942. He was known in France from the 1940s to the 1970s for uncompromising films examining the complex ethical and political dimensions of crime and justice in the French judicial system. He saw film as a stimulus for reform, advocating social concerns, and in this way was much a seminal forerunner to Costa-Gavras. Cayatte wrote or co-wrote the scripts for all of his films (his collaborators often including Charles Spaak). He was largely considered the 'Sidney Lumet of France'. Highlights of his career: "The Lovers of Verona" (1949), with dialogue by poet Jacques Prévert, is considered by many to be Cayatte's towering achievement, a first international success, a story loosely based on William Shakespeare's "Romeo and Juliet". His film "Justice is Done" (1950) won the Golden Lion at the Venice Film Festival and was one of the first films to deal with the moral acceptability of euthanasia. "We Are All Murderers" was one of the first strong indictments against the death penalty; it focused on a bleak vision of prisoners who were waiting to be executed and received a special award at the 1952 Cannes Film Festival. "Piège Pour Cendrillon" (1965) (remade in the UK as "The Cinderella Trap") was a tense thriller based on a Sebastien Japrisot novel. In 1967 "Les Risques Du Métier" starring famed Belgian singer Jacques Brel dealt with the tragedy of a school teacher,accused of abusing his pupils. "Mourir D'Aimer" (1971) was based on the real life Gabrielle Russier affair and in an highly emotional manner depicted the forbidden love of a teacher for one of her students. The film would introduce actress Annie Girardot, who was to become a French star and his favorite actress. "Il N'y A Pas De Fumée Sans Feu" and "La Raison D'Etat" were both political thrillers. "A Chacun Son Enfer" was in particular a highly disturbing and provocative criminal thriller, focusing on the unbearable suffering of the mother (Annie Girardot) of a kidnapped daughter, and is considered Cayatte 's most terrifying work. "The Mirror Has Two Faces" (1958) was one of the forerunners of movies dealing with the consequences of plastic surgery, namely the emotional and psychological repercussions on the relationship between a husband and a wife. The film, starring Michelle Morgan, was later remade by Barbara Streisand as "The Mirror Has Two Faces" (1996). Cayatte published six novels before entering the film industry. The opus of his French work, in particular his socially conscious films, can be summed up as a sincere moral plea for a more humane form of justice in the face of rigid and difficult systems of laws and regulations. He exclusively worked for TV in the eighties; he died in 1989 in Paris, France, age 80.- Writer
- Actor
- Additional Crew
Jacques Prévert was born on 4 February 1900 in Neuilly-sur-Seine, Hauts-de-Seine, France. He was a writer and actor, known for Children of Paradise (1945), The Score (2001) and Midnight in the Garden of Good and Evil (1997). He was married to Janine Tricotet and Simone Dienne. He died on 11 April 1977 in Omonville-la-Petite, Manche, France.Le Jour Se Leve- Writer
- Producer
- Actor
Stephen Edwin King was born on September 21, 1947, at the Maine General Hospital in Portland. His parents were Nellie Ruth (Pillsbury), who worked as a caregiver at a mental institute, and Donald Edwin King, a merchant seaman. His father was born under the surname "Pollock," but used the last name "King," under which Stephen was born. He has an older brother, David. The Kings were a typical family until one night, when Donald said he was stepping out for cigarettes and was never heard from again. Ruth took over raising the family with help from relatives. They traveled throughout many states over several years, finally moving back to Durham, Maine, in 1958.
Stephen began his actual writing career in January of 1959, when David and Stephen decided to publish their own local newspaper named "Dave's Rag". David bought a mimeograph machine, and they put together a paper they sold for five cents an issue. Stephen attended Lisbon High School, in Lisbon, in 1962. Collaborating with his best friend Chris Chesley in 1963, they published a collection of 18 short stories called "People, Places, and Things--Volume I". King's stories included "Hotel at the End of the Road", "I've Got to Get Away!", "The Dimension Warp", "The Thing at the Bottom of the Well", "The Stranger", "I'm Falling", "The Cursed Expedition", and "The Other Side of the Fog." A year later, King's amateur press, Triad and Gaslight Books, published a two-part book titled "The Star Invaders".
King made his first actual published appearance in 1965 in the magazine Comics Review with his story "I Was a Teenage Grave Robber." The story ran about 6,000 words in length. In 1966 he graduated from high school and took a scholarship to attend the University of Maine. Looking back on his high school days, King recalled that "my high school career was totally undistinguished. I was not at the top of my class, nor at the bottom." Later that summer King began working on a novel called "Getting It On", about some kids who take over a classroom and try unsuccessfully to ward off the National Guard. During his first year at college, King completed his first full-length novel, "The Long Walk." He submitted the novel to Bennett Cerf/Random House only to have it rejected. King took the rejection badly and filed the book away.
He made his first small sale--$35--with the story "The Glass Floor". In June 1970 King graduated from the University of Maine with a Bachelor of Science degree in English and a certificate to teach high school. King's next idea came from the poem by Robert Browning, "Childe Roland to the Dark Tower Came." He found bright colored green paper in the library and began work on "The Dark Tower" saga, but his chronic shortage of money meant that he was unable to further pursue the novel, and it, too, was filed away. King took a job at a filling station pumping gas for the princely sum of $1.25 an hour. Soon he began to earn money for his writings by submitting his short stories to men's magazines such as Cavalier.
On January 2, 1971, he married Tabitha King (born Tabitha Jane Spruce). In the fall of 1971 King took a teaching job at Hampden Academy, earning $6,400 a year. The Kings then moved to Hermon, a town west of Bangor. Stephen then began work on a short story about a teenage girl named Carietta White. After completing a few pages, he decided it was not a worthy story and crumpled the pages up and tossed them into the trash. Fortunately, Tabitha took the pages out and read them. She encouraged her husband to continue the story, which he did. In January 1973 he submitted "Carrie" to Doubleday. In March Doubleday bought the book. On May 12 the publisher sold the paperback rights for the novel to New American Library for $400,000. His contract called for his getting half of that sum, and he quit his teaching job to pursue writing full time. The rest, as they say, is history.
Since then King has had numerous short stories and novels published and movies made from his work. He has been called the "Master of Horror". His books have been translated into 33 different languages, published in over 35 different countries. There are over 300 million copies of his novels in publication. He continues to live in Bangor, Maine, with his wife, and writes out of his home.
In June 1999 King was severely injured in an accident, he was walking alongside a highway and was hit by a van, that left him in critical condition with injuries to his lung, broken ribs, a broken leg and a severely fractured hip. After three weeks of operations, he was released from the Central Maine Medical Center in Lewiston.The Shawshank Redemption- Writer
- Script and Continuity Department
- Additional Crew
Carl Meyer was the son of a stock speculator who committed suicide. He had to leave school at 15 to work as a secretary. Mayer moved away from Graz to Innsbruck and then Vienna, where he worked as a dramatist. Meanwhile, the events of the First World War turned him into a pacifist.
In 1917 he went to Berlin, where he worked at the small Residenztheater. He befriended Gilda Langer, the leading actress of the theatre and probably fell in love with her. He was tired of his job at the theatre when he wrote the script for "Das Kabinett des Doktor Caligari" (1920) together with Hans Janowitz. It is thought that Gilda Langer was supposed to star in the movie, but she suddenly engaged herself with director Paul Czinner and then died unexpectedly early in 1920. Mayer took care of her tombstone and notes from Wagner's "Tristan and Isolde" were engraved in it (this was found out by Olaf Brill who rediscovered the tombstone in 1995).
"Das Kabinett" made Mayer famous and soon he was a leading film writer, working with the best directors in Germany. He worked with F.W. Murnau on "Der Letzte Man" (1924, known as "The Last Laugh" in the USA) and he also wrote the scenario for Murnau's "Sunrise" (1927). But he was a perfectionist who worked slowly and this frequently resulted in conflicts or financial trouble.
Being a Jew as well as a pacifist, he had to flee Germany in 1933 after the Nazis came to power. He went to England, where he worked as an adviser to the British film industry. In London he became friends with director Paul Rotha.
In 1942 he was diagnosed with cancer. Near the end of his life he wanted to make a documentary on London, but due to anti-German sentiments he was unable to find a producer. His illness was maltreated and he died in 1944, poor and almost forgotten. All he left was 23 pounds and two books. He was buried at Highgate Cemetery and his epitaph reads 'Pioneer in the art of the cinema. Erected by his friends and fellow workers.' The city of Graz named a prize after him.3 Murnau classics:
The Last Laugh, Tartuffe and Sunrise- Writer
- Actor
- Producer
Ben Hecht, one of Hollywood's and Broadway's greatest writers, won an Oscar for best original story for Underworld (1927) at the first Academy Awards in 1929 and had a hand in the writing of many classic films. He was nominated five more times for the best writing Oscar, winning (along with writing partner and friend Charles MacArthur, with whom he wrote the classic play "The Front Page") for The Scoundrel (1935) (the other nominations were for Viva Villa! (1934) in 1935, Wuthering Heights (1939) (shared with MacArthur), Angels Over Broadway (1940) and Notorious (1946), the latter two for best original screenplay). Hecht wrote fast and wrote well, and he was called upon by many producers as a highly paid script doctor. He was paid $10,000 by producer David O. Selznick for a fast doctoring of the Gone with the Wind (1939) script, for which he received no credit and for which Sidney Howard won an Oscar, beating out Hecht and MacArthur's Wuthering Heights (1939) script.
Born on February 28, 1894, Hecht made his name as a Chicago newspaperman during the heady days of cutthroat competition among newspapers and journalists. As a reporter for the Chicago Daily News, he wrote the column "1001 Afternoons in Chicago" and broke the "Ragged Stranger Murder Case" story, which led to the conviction and execution of Army war hero Carl Wanderer for the murder of his pregnant wife in 1921. The newspaper business, which he and MacArthur famously parodied in "The Front Page", was a good training ground for a screenwriter, as he had to write vivid prose and had to write quickly.
While in New York in 1926 he received a telegram from friend Herman J. Mankiewicz, who had recently arrived in Hollywood. The telegram read: "Millions are to be grabbed out here and your only competition is idiots. Don't let this get around." Hecht moved to Hollywood, winding up at Paramount, working uncredited on the script for Lewis Milestone's adaptation of Ring Lardner's story The New Klondike (1926), starring silent superstar Thomas Meighan. However, it was his script for Josef von Sternberg's seminal gangster picture Underworld (1927) that got him noticed. From then until the 1960s, he was arguably the most famous, if not the highest paid, screenwriter of his time.
As a playwright, novelist and short-story writer, Hecht always denigrated writing for the movies, but it is for such films as Scarface (1932) and Nothing Sacred (1937) as well The Front Page (1931), based on his play of the same name, for which he is best remembered.
He died on April 18, 1964, in New York City from thrombosis. He was 70 years old.Scarface, Stagecoach, Angels with Dirty Faces, Gilda- Writer
- Producer
- Director
George Axelrod was born on 9 June 1922 in New York City, New York, USA. He was a writer and producer, known for The Manchurian Candidate (1962), Breakfast at Tiffany's (1961) and The Seven Year Itch (1955). He was married to Joan Axelrod and Gloria Washburn. He died on 21 June 2003 in Los Angeles, California, USA.The Seven Year Itch- Writer
- Producer
- Additional Crew
Paul Haggis established himself over twenty years with an extensive career in television, before his big break into features arrived when he became the first screenwriter to garner two Best Film Academy Awards back-to-back for his scripts: "Million Dollar Baby" (2004) directed by Clint Eastwood, and "Crash" (2005) which Paul directed himself.
In 2006, among others, Haggis penned two Clint Eastwood productions, "Flags of our Fathers" and "Letters from Iwo Jima," for which he earned his third Best Screenplay Oscar nomination. He also co-wrote "Casino Royale," which garnered considerable acclaim for reinvigorating the James Bond spy franchise.
In 2007, Haggis wrote, directed, and produced "In the Valley of Elah." The film starred Tommy Lee Jones, Charlize Theron, and Susan Sarandon, and earned Jones a Best Actor Oscar nomination for his performance.
In 2010, his film "The Next Three Days" was released, starring Russell Crowe, Liam Neeson, and Elizabeth Banks.
And in 2013 he wrote and directed the romantic, personal drama "Third Person," which starred Liam Neeson, Olivia Wilde, Mila Kunis, Adrien Brody, James Franco, and Kim Basinger.
Most recently, Haggis directed and executive produced all six episodes of the HBO mini-series "Show Me A Hero," starring Oscar Isaac, Catherine Keener, Winona Ryder, James Belushi, and Alfred Molina.
Currently, Haggis is co-directing a feature length documentary on the AIDS crisis in San Francisco, called "5B."
Equally committed to his private and social concerns, Haggis is the founder of Artists for Peace and Justice. Under this umbrella, many of his friends in the film business have come forward to major build schools and clinics serving the children of the slums of Haiti (www.APJNow.org).Million Dollar Baby- Writer
- Actor
- Director
Dalton Trumbo, the Oscar-winning screenwriter, arguably the most talented, most famous of the blacklisted film professionals known to history as the Hollywood 10, was born in Montrose, Colorado to Orus Trumbo and his wife, the former Maud Tillery.
Dalton Trumbo was raised at 1124 Gunnison Ave. in Grand Junction, Colorado, where his parents moved in 1908. His father, Orus, worked in a shoe store. Dalton, the first child and only son, was later joined by sisters Catharine and Elizabeth. The young Dalton peddled the produce from his father's vegetable garden around town and had a paper route. While attending Grand Junction High School (Class of 1924), he worked at The Daily Sentinel as a cub reporter. Of his early politics, a much older Dalton Trumbo told how he asked his father for five dollars so he could join the Ku Klux Klan, a mass organization after the First World War. He didn't get the five dollars.
While at university, he realized that his calling was as a writer. He worked on the school's newspaper, humor magazine and yearbook, while also toiling for the Boulder Daily Camera. He left school his first year to follow his family to Los Angeles. The family moved due to financial difficulties after his father had been terminated by the shoe company. In L.A., Dalton enrolled at the University of Southern California but was unable to complete enough credits for a degree. Orus Trumbo died of pernicious anemia in 1926, and Dalton had to take a job to become the breadwinner for his widowed mother and two younger sisters. Dalton Trumbo took on whatever jobs were available, including repossessing motorcycles and bootlegging, which he quit because it was too dangerous. Eventually, Trumbo took a job at the Davis Perfection Bakery on the night shift and remained for nearly a decade. Trumbo continued to write, mostly short stories, becoming more and more anxious and eventually desperate to leave the bakery, fearing that he would never achieve his destiny of becoming an important writer. During this time, he sold several short stories, written his first novel and worked for the "Hollywood Spectator" as a writer, critic and editor. His work also appeared in "Vanity Fair" and "Vogue" magazines. Trumbo's first novel, "Eclipse" (1934), was set in fictional Shale City, Colorado (a thinly veiled Grand Junction) during the 1920s and 1930s, with characters who resembled notable community members. One of its main characters, John Abbott, is modeled after Trumbo's father. Dalton had tried, perhaps unfairly he admitted later, to avenge his father on the town where he had failed.
In 1934, Warner Bros. hired Trumbo as a reader, a job that entailed reading and summarizing plays and novels and advising whether they might be adapted into movies. It lead to a contract as a junior screenwriter at its B-pictures unit. In 1936, the same year he of his first screen credit for the B-move Road Gang (1936), Trumbo met his future soulmate Cleo Fincher and they married two years later. Daughter Nikola was born in 1939 and son Christopher in 1940. A daughter was added, Mitzi, the baby of the family.
He wrote the story for Columbia's Canadian-made Tugboat Princess (1936), clearly influenced by Captain January (1936), which had been made into a silent in 1924 before being remade with superstar Shirley Temple, substituting a tugboat in the original with a lighthouse. His screenplays for such films as Devil's Playground (1937) showed some concern for the plight of the disenfranchised, but the Great Depression still existed, and social commentary was inevitable in all but fantasies and musicals.
After leaving Warners, he worked for Columbia, Paramount, 20th Century-Fox, and beginning in 1937, M.G.M., the studio for which he would do some of his best work in the 1940s. By the late 1930s, he had worked himself up to better assignments, primarily for RKO (though he returned to Warners for The Kid from Kokomo (1939)), and was working on A-list pictures by the turn of the decade. He won his first Oscar nod for RKO's Kitty Foyle (1940), for which Ginger Rogers won the Academy Award for best actress as a girl from a poor family who claws her way into the upper middle class via a failed marriage to a Main Line Philadelphia swell.
By the time of America's entry into World War II, Trumbo was one of the most respected, highest paid screenwriters in Hollywood. He had also established a name for himself as a left-wing political activist whose sympathies coincided with those of the American Communist Party (CPUSA), which hewed to the line set by Moscow.
Trumbo was part of the anti-fascist Popular Front coalition of communists and liberals in the late 1930s, at the time of the Spanish Civil War. The Popular Front against Nazism and Fascism was been torn asunder in August 1939 when the USSR signed a non-aggression pact with Nazi Germany. Many party members quit the CPUSA in disgust, but the true believers parroted the party line, which was now pro-peace and against US involvement in WWII.
Trumbo reportedly did not join the Party until 1943 and harbored personal reservations about its policies as regards enforcing ideological conformity. However, the publication of his anti-war novel "Johnny Got His Gun" in 1939 coincided with the shift of the CPUSA's stance from anti-Hitler to pro-peace, and his novel was embraced by the Party as the type of literature needed to keep the US out of the war. Trumbo agreed with the Party's pro-peace platform. The book, about a wounded World War One vet who has lost his limbs, won the American Book Sellers Award (the precursor to the National Book Award) in 1939. In a speech made in February 1940, four months before the Nazi blitzkrieg knocked France out of the war, Trumbo said, "If they say to us, 'We must fight this war to preserve democracy,' let us say to them, 'There is no such thing as democracy in time of war. It is a lie, a deliberate deception to lead us to our own destruction. We will not die in order that our children may inherit a permanent military dictatorship.'"
His speech was a rebuke to New Deal liberals. The Party began demonizing President Franklin D. Roosevelt, who hated Hitler and was pro-British, as a war-monger. The Party ordered its members to henceforth be pro-peace and anti-FDR in their work and statements. In June 1941, after Nazi Germany invaded the USSR, the CPUSA shifted gears to become pro-war, supportive of FDR's aggressive behavior towards Nazi Germany.
Shortly after the German invasion, Trumbo instructed his publisher to recall all copies of "Johnny Got His Gun" and to cease publication of the book. After the Japanese attack on Pearl Harbor and the German declaration of war against the U.S. catapulted the U.S. into both the Asian and European theaters of World War II, the book - always popular with peace-lovers and isolationists who opposed America's involvement in foreign wars - suddenly became popular among native fascists, too. However, it proved hard to get a copy of the book during the war years.
Trumbo joined the CPUSA in 1943, the same year Victor Fleming's great patriotic war movie A Guy Named Joe (1943), with a Trumbo screenplay, appeared on screens. In 1944, Original Story was a separate Oscar category and David Boehm and Chandler Sprague were nominated in that category for an Academy Award. Trumbo's screenplay was overlooked. Like other communist screenwriters, he proved to be an enthusiastic writer of pro-war propaganda, though except for the notorious pro-Stalin Mission to Moscow (1943), few films displayed any overt communist ideas or propaganda. One that did was Tender Comrade (1943) , which Trumbo wrote as a Ginger Rogers vehicle for RKO. Directed by his future Hollywood 10 comrade Edward Dmytryk, it depicted a mild form of socialism and collectivization among women working in the defense industry. He also wrote the patriotic classic Thirty Seconds Over Tokyo (1944) for M.G.M., which was based on the Doolittle Raid of 1942.
Trumbo voluntarily invited FBI agents to his house in 1944 and showed them letters he had received from what he perceived were pro-fascist peaceniks who had requested copies of "Johnny Got His Gun", then out-of-print due to Trumbo's orders to his publisher. He turned those letters over to the FBI and later kept in contact with the Bureau, a fact that would later haunt blacklisted leftists, urging that the F.B.I. deal with them. His actions conformed to the CPUSA policy of denouncing anyone who opposed the war.
In 1945, the last year of the war, MGM released the Margaret O'Brien / Edward G. Robinson vehicle, Our Vines Have Tender Grapes (1945), penned by Trumbo. Robinson was a future member of the Hollywood "gray-list" with those, like Henry Fonda who were suspected of leftist sympathies or for being Fellow Travelers, but who could not be officially blacklisted. Drawing on his own rural childhood, it was a picture of a young girl's life on a farm in rural Wisconsin. The year 1945 was crucial for Trumbo and other Hollywood party members in terms of the CPUSA's desire to have their work reflect the party's ideological agenda.
HCUA was originally created in 1934 as the Special Committee on Un-American Activities to look into the activities of fascist and pro-Nazi organizations. Then popularly known as the McCormack-Dickstein Committee, the Special Committee on Un-American Activities exposed fascist organizations, including a planned coup d'etat against President Franklin D. Roosevelt, the so-called Business Plot. Later on, it became known as the House Un-American Activities Committee or the Dies Committee after the new chairman, Martin Dies. HCUA originally was tasked with investigating the involvement of German Americans with the Nazis and the Ku Klux Klan.
HCUA became a standing committee in 1946, still tasked with investigating suspected threats of subversion or propaganda that attacked "the form of government guaranteed by our Constitution." The focus was solely on the communists and their allies, so-called Fellow Travelers who made common cause with communists during the War Years. Fellow Travelers was a loose term that seemed to embrace many liberal FDR New Deal Democrats.
HCUA subpoenaed suspected communists in the entertainment industry. Trumbo's screenplay for Tender Comrade (1943), which concerned three Army wives who pool their resources while their husbands are away fighting was denounced as communist propaganda. However, writer-producer James Kevin McGuinness, a conservative who was a friendly witness before HCUA, testified that left-wing screenwriters did not inject propaganda into their movie scripts during World War II. McGuiness testified "[The movie industry] profited from reverse lend-lease because during the [war] the Communist and Communist-inclined writers in the motion picture industry were given leave of absence to be patriotic. During that time...under my general supervision Dalton Trumbo wrote two magnificent patriotic scripts, A Guy Named Joe (1943) and Thirty Seconds Over Tokyo (1944)."
Appearing before HCUA in October 1947 with Alvah Bessie, Herbert J. Biberman, Lester Cole, John Howard Lawson, 'Ring Lardner Jr' , Albert Maltz, Adrian Scott, and Samuel Ornitz, Trumbo - like the others - refused to answer any questions. In a defense strategy crafted by CPUSA lawyers, the soon-to-be-known-as "Hollywood 10" claimed that the First Amendment to the U.S. Constitution gave them the right to refuse to answer inquiries into their political beliefs as well as their professional associations. One line of questioning of HCUA was to ask if the subpoenaed witnesses were members of the Screen Writers Guild in order to smear the SWG. It was a gambit played by the Committee as it knew that which of the 10 were in the unions, and it knew which were communist. As Arthur Miller has pointed out, HCUA left the Broadway theater alone, despite the fact that there were communists working in it, because no one outside of the Northeastern U.S. really cared about theater or knew who theatrical professionals were, and thus, it could not generate the publicity that HCUA members craved and courted through their hearings.
HCUA cited them for contempt of Congress, and the Hollywood 10 were tried and convicted on the charge. All were fined and jailed, with Trumbo being sentenced to a year in federal prison and a fine of $1,000. He served 10 months of the sentence. The Hollywood 10 were blacklisted by the Hollywood studios, a blacklist enforced by the very guilds they helped create. Trumbo and the other Hollywood 10 screenwriters were kicked out of the Screen Writers Guild (John Howard Lawson had been one of the founders of the SWG and its first president), which meant, even if they weren't blacklisted, they could not obtain work in Hollywood. Those who continued to write for the American cinema had to do so under assumed names or by using a "front", a screenwriter who would take credit for their work and pass on all or some of the fee to the blacklisted writer. Later, as one of the Hollywood Ten, Trumbo claimed for himself the mantle of "Martyr for Freedom of Speech" and attacked, as rats, those who became informers for HCUA by naming names. In 1949, Arthur Schlesinger Jr., wrote in The Saturday Review of Books, that Trumbo was in fact NOT a free speech martyr since he would not fight for freedom of speech for ALL the people, such as right-wing conservatives, but only for the freedom of speech of CPUSA members. The anti-communist Schlesinger, a Pulitzer Prize-winning Harvard historian, thought Trumbo and others like him were doctrinaire communists and hypocrites. In response, Trumbo wrote a scathing letter to The Saturday Review to defend himself, characterizing himself as a paladin championing free speech for all Americans under the aegis of the First Amendment, which the Hollywood 10 claimed gave them the right to refuse to cooperate with HCUA.
After his blacklisting and failure of the Hollywood 10's appeals, the Trumbo family exiled themselves to Mexico. In Mexico, chain-smoking in the bathtub in which he always wrote, usually with a parrot given to him by 'Kirk Douglas' perched on his shoulder, Trumbo wrote approximately thirty scripts under pseudonyms and using fronts who relayed the money to him. His works included the film noir classic Gun Crazy (1950) (AKA Gun Crazy), co-written under the pseudonym Millard Kaufman, Oscar-winning Roman Holiday (1953) (with screenwriter Ian McLellan Hunter as a front), and The Court-Martial of Billy Mitchell (1955) for director Otto Preminger and upon which blacklisted Oscar-winning screenwriter Michael Wilson also worked).
At the 1957 Academy Awards, Robert Rich won the Oscar for best original story of 1956 for The Brave One (1956). Rich was not present to accept the award, which was accepted on his behalf by Jesse Lasky Jr. of the Screen Writers Guild. When journalists began digging in to the background of the phantom Mr. Rich, they found out he was the nephew of a producer. Suspicion then arose that Rich was a pseudonym for the blacklisted Trumbo.
Though Hollywood has always been inundated with writers, Trumbo, even while blacklisted, was prized as a good writer who was fast, reliable and could write in many genres. Despite being a communist, Trumbo's favorite themes were more in the vein of populism than Marxism. Trumbo celebrated the individual rebelling against the powers that be.
With rumors circulating that Trumbo had written the Oscar-winning The Brave One (1956), it triggered a discussion in the industry about the propriety of the blacklist, since so many screenplays were being written by blacklisted individuals who were being denied screen credit. The blacklist only worked to suppress the prices of screenplays by these talented writers. In 1958, Pierre Boulle won the Oscar for the screenplay adapted from his novel The Bridge on the River Kwai (1957), which was unusual since Boulle could not speak nor write in English, which may have been the reason he did not attend the awards ceremony to pick up the Oscar in person. It was immediately realized that the screenplay had likely been written by a blacklisted screenwriter. It was - Michael Wilson and Carl Foreman.
Kirk Douglas hired Trumbo to write the script for Spartacus in 1958. In the summer of 1959 Otto Preminger hired Trumbo to write the script for Exodus. On January 20, 1960, the New York Times carried the story that Otto Preminger had hired Dalton Trumbo to write the script for Exodus, and that he would start shooting in April. On August 8, of the same year Kirk Douglas announced in Variety that Trumbo had written the script for Spartacus. Both pictures opened in the winter of 1960.
Trumbo wrote many more screenplays for A-list films, including Lonely Are the Brave (1962), The Sandpiper (1965), Hawaii (1966) , and _Fixer, The (1968). In 1970, he was awarded the Laurel Award for lifetime achievement by the Screen Writers Guild. He made a famous speech that many saw as a reconciliation of the two sides of fight. In 1971, he wrote and directed the movie adaptation of his famous anti-war novel, Johnny Got His Gun (1971). His last screenwriting credit on a feature film was for Papillon (1973), in which he also had a cameo role.
A six-pack-a-day smoker, he developed lung cancer in 1973. Two years later, the president of the Academy of Motion Picture Arts & Sciences (which had supported the black list), Walter Mirisch, personally delivered a belated Oscar to Trumbo for his The Brave One (1956) script, now officially recognized by AMPAS as his creation. Eighteen years later, AMPAS would award him a posthumous Oscar for Roman Holiday (1953).
Dalton Trumbo died from a heart attack in California on September 10, 1976. At his memorial service, Ring Lardner Jr., his close friend and fellow Hollywood 10 member, delivered an amusing eulogy. "At rare intervals, there appears among us a person whose virtues are so manifest to all, who has such a capacity for relating to every sort of human being, who so subordinates his own ego drive to the concerns of others, who lives his whole life in such harmony with the surrounding community that he is revered and loved by everyone with whom he comes in contact. Such a man Dalton Trumbo was not."Papillion_from Henri Charrière's book
Spartacus_from Howard Fest's book- Writer
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I.A.L. Diamond was born on 27 June 1920 in Ungheni, Romania [now Moldova]. He was a writer and producer, known for The Apartment (1960), Some Like It Hot (1959) and The Private Life of Sherlock Holmes (1970). He was married to Barbara Diamond. He died on 21 April 1988 in Beverly Hills, California, USA.Buddy Buddy- Writer
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Born in 1947 in Chicago, he was educated at Goddard College, in Vermont, and studied drama at New York's Neighborhood Playhouse, before returning to Chicago and establishing the St Nicholas Theatre Company in 1972. He remained their resident writer for four years. The first of his plays to secure international recognition was 'Sexual Perversity in Chicago' (1974) and 'American Buffalo' (1975). The latter was eventually performed by Al Pacino on Broadway and London's West End earning him an 'Award Obie' when it transferred from Chicago to New York. His play 'Glengarry Glen Ross' won the Pulitzer Prize and the New York Drama Critics Circle Award for Best Play. His other plays include 'A Life in the Theatre' (1977). 'Edmond' (1982). 'The Shawl' (1985) and 'Speed the Plow' (1988). The rejection of his screen adaption of 'Sexual Perversity in Chicago' was completely rewritten and released as 'About Last Night in 1986. He soon attracted wide acclaim as a screenwriter when his version of 'The Postman Always Rings Twice' (1981) was made by Bob Rafelson and his original screenplay for 'The Verdict (1982) was nominated for an Oscar. Subsequent screenplays include 'The Untouchables' (1987), 'We're No Angels' (1990), 'Glengarry Glen Ross' (1992). He then wrote and directed 'House of Games' (1987), 'Things Change' (1988) and 'Homicide' (1991). He's also published two collections of essays 'Writing in Restaurants' (1986) and Some Freaks' (1989). In 1987, he conducted a series of classes at Columbia University Film School which were put into print as 'On Directing Film' (1992).The Untouchables
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John Milius is a screenwriter and director who came to prominence in the 1970s, when he was associated with Francis Ford Coppola and the pre-Star Wars: Episode IV - A New Hope (1977) George Lucas. Born on April 11, 1944 in St. Louis, Missouri, Milius was one of the first movie industry professionals to be a film school graduate, having matriculated at the University of Southern California. In 1967, Milius won first prize at USC School of Cinema-for his student film Marcello, I'm Bored (1970).
A gun enthusiast, Milius serves as a member of the National Rifle Association's Board of Directors.- Writer
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Cesare Zavattini was born on 20 September 1902 in Luzzara, Emilia-Romagna, Italy. He was a writer and director, known for Bicycle Thieves (1948), Umberto D. (1952) and It's Forever Springtime (1950). He was married to Olga Berni. He died on 13 October 1989 in Rome, Lazio, Italy.- William Faulkner, one of the 20th century's most gifted novelists, wrote for the movies in part because he could not make enough money from his novels and short stories to support his growing number of dependants. The author of such acclaimed novels as "The Sound and the Fury" and "Absalom, Absalom!", Faulkner received official screen credits for just six theatrical releases, five of which were with director Howard Hawks. Faulkner received the Nobel Prize for Literature for 1949 and he received two Pulitzer Prizes, for "A Fable" in '1955 and "The Reivers", which was published shortly before he died in 1962.
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Dashiell Hammett was born May 27, 1894, in St. Mary's County, Maryland, to Richard Hammett and Mary Bond. He joined the Baltimore branch of the Pinkerton Detective Agency in 1915. He enlisted in the US Army's Ambulance Corps in June 1918 and was posted to a camp 20 miles from Baltimore, where he caught the flu, which developed into tuberculosis. He was invalided out of the army in July 1919 and returned to Pinkerton's. Hammett entered the veterans hospital near Tacoma, Washington, with tuberculosis in 1920. Upon his release he worked at Pinkerton's Spokane branch. Hospitalized again with tuberculosis, he met and courted a nurse, Josephine Dolan. In February 1921 he was moved to an army hospital near San Diego. After he was released he married a now-pregnant Josie in San Francisco. Hammett worked for the San Francisco branch of Pinkerton's, but left the agency in 1921 or 22 due to ill health. He took a writing course and sold droll vignettes to "The Smart Set" magazine during 1922, and some short stories to other magazines. He began to sell detective stories to "The Black Mask" from 1923. After the birth of the couple's second daughter in 1926, Hammett gave up freelance writing and became an advertising copy writer for the jeweler Albert Samuels, but left after six months due to ill health. Forced by his tuberculosis to live apart from Jose and the children, the marriage eventually broke up. Hammett supported himself through writing, chiefly for "The Black Mask", now under editor Joe Shaw. Hammett's long short stories were republished in novel form by Alfred Knopf. In 1929 Hammett moved to New York. After the success of his novel "The Maltese Falcon", he was engaged as a screenwriter by Paramount Pictures and moved to Hollywood, where he met Lillian Hellman. He returned to New York in 1931, where he wrote "The Glass Key". "The Thin Man" was published as a magazine serial in 1933. Hammett was encouraged by Hearst to write the "Secret Agent X9" comic strip, which ran from 1934-35, his last original work. In 1942 he re-enlisted in the army and was posted to the Aleutian Islands off of Alaska, where he edited The Adakian. When discharged in 1945, he returned to New York and became President of the NY Civil Rights Congress. In July 1951 Hammett was subpoenaed to testify on the Civil Rights Congress' bail fund, and was jailed for refusing to answer questions. Upon his release from jail, he was presented with a bill by the Internal Revenue Service for $111,000 in back taxes. In failing health, he lived off and on with Hellman. In 1961 he was admitted to New York's Lenox Hill Hospital, New York, where he died on January 10.- Writer
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Born into a wealthy and influential English family, Ian Fleming spent his early years attending top British schools such as Eton and Sandhurst military academy. He took to writing while schooling in Kitzbuhel, Austria, and upon failing the entrance requirements for Foreign Service joined the news agency Reuters as a journalist -- winning the respect of his peers for his coverage of a "show trial" in Russia of several Royal Engineers on espionage charges. Fleming briefly worked in the financial sector for the family bank, but just prior to the Second World War, was recruited into British Naval Intelligence where he excelled, shortly achieving the rank of Commander. When the war ended, Fleming retired to Jamaica where he built a house called "Goldeneye," took up writing full-time and created the character that would make him famous -- British Secret Service agent James Bond, in a novel called "Casino Royale." Fleming spent the rest of his life writing and traveling the world, but as his Bond character reached new heights of popularity on movie screens, Fleming was in ailing health. He died of a heart attack (his second) in England in August 1964 at the age of 56.- Writer
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An American novelist, writer of crime fiction featuring the private detective Philip Marlowe, Raymond (Thornton) Chandler was born in Chicago of an American father and an Anglo-Irish mother. He moved to England when his parents divorced. He attended Dulwich College and studied languages in France and Germany before returning to England in 1907 and becoming a naturalized British subject. He took a civil service job in the Admiralty, which he left in 1912 to return to America, settling in California. After the US entered World War I he enlisted in the Canadian Army, then transferred to the Royal Flying Corps. After the armistice he returned to California and got a series of bookkeeping jobs, finally becoming a vice-president with the Dabney Oil syndicate.
All along, however, he had been submitting stories, poems, sketches and essays to a number of periodicals, but when the Depression hit and the bottom fell out of the oil business, he lost his job and turned to writing full-time. He found a niche with stories of the "hard-boiled" school popularized by Dashiell Hammett, and had many of his early stories accepted by Black Mask, the same mystery magazine that had first published Hammett. His first four novels--"The Big Sleep" (1939, filmed 1946 [The Big Sleep (1946)] and 1978 [The Big Sleep (1978)]); "Farewell My Lovely" (1940, filmed 1944 [Murder, My Sweet (1944)] and 1975 [Farewell, My Lovely (1975)]); "The High Window" (1942, filmed 1947 [The Brasher Doubloon (1947)]); and "The Lady in the Lake (1943, filmed 1946 [Lady in the Lake (1946)])--which reworked plots from some of his short stories, were his most successful.
He spent some time in Hollywood as a screenwriter, contributing to Billy Wilder's Double Indemnity (1944), the film noir classic The Blue Dahlia (1946) and Alfred Hitchcock's Strangers on a Train (1951). He wrote realistically, in stark contrast to the English style of drawing-room puzzle mysteries where an amateur detective always knows more than the police and clues turn up at just the right moment. Chandler dismissed these plots as "having God sit in your lap."- Writer
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Jean Cocteau was one of the most multi-talented artists of the 20th century. In addition to being a director, he was a poet, novelist, painter, playwright, set designer, and actor. He began writing at 10 and was a published poet by age 16. He collaborated with the "Russian Ballet" company of Sergei Diaghilev, and was active in many art movements, but always remained a poet at heart. His films reflect this fact. Cocteau was also a homosexual, and made no attempt to hide it. His favorite actor was his close friend Jean Marais, who appeared in almost every one of his films. Cocteau made about twelve films in his career, all rich with symbolism and surreal imagery. He is now regarded as one of the most important avant-garde directors in cinema.- Writer
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Arthur Conan Doyle was a British writer of Irish descent, considered a major figure in crime fiction. His most famous series of works consisted of the "Sherlock Holmes" stories (1887-1927), consisting of four novels and 56 short stories. His other notable series were the "Professor Challenger" stories (1912-1929) about a scientist and explorer, and the "Brigadier Gerard" stories (1894-1910) about a French soldier in the Napoleonic Wars. Doyle's literary works have frequently been adapted into film and television.
In 1859, Doyle was born in Edinburgh, Scotland to an Irish Catholic family. His father was Charles Altamont Doyle (1832 - 1893), a professional illustrator and water-colorist who is primarily remembered for fantasy-style paintings. Doyle's mother was Mary Foley (1837-1920). Through his father, Doyle was a nephew of the antiquarian James William Edmund Doyle (1822 - 1892), the illustrator Richard Doyle (1824-1883), and the gallery director Henry Edward Doyle (1827 -1893). Doyle's paternal grandfather was the political cartoonist and caricaturist John Doyle (1797-1868).
During his early years, Doyle's family had financial problems due to his father's struggles with depression and alcoholism. They received financial support from affluent uncles, who also financed Doyle's education. From 1868 to 1870, Doyle was educated at Hodder Place, a Jesuit preparatory school located at Stonyhurst, Lancashire. From 1870 to 1875, Doyle attended Stonyhurst College, a Roman Catholic boarding school. He disliked the school due to its rather limited curriculum, and the constant threats of corporal punishment and ritual humiliation used to discipline students.
From 1875 to 1876, Doyle received further education at Stella Matutina, a Jesuit school located at Feldkirch, Austria. His family wanted him to perfect his use of the German language, but this school offered a wider range of study subjects. Stella Matutina attracted student from many countries, and was more cosmopolitan in nature than Doyle's previous schools.
Doyle decided to follow a medical career. From 1876 to 1881, Doyle studied medicine at the University of Edinburgh Medical School. He also took botany lessons at the Royal Botanic Garden in Edinburgh. During his university years, Doyle started writing short stories. He had trouble finding a publisher, and "Blackwood's Magazine" (1817-1980) rejected his submitted work. Doyle's first published short story was "The Mystery of Sasassa Valley" (1879), featuring a demon in South Africa. That same year, Doyle published his first academic article in a science journal. The article examined the uses of the flowering plant Gelsemium as a poison. As an experiment, Doyle self-administrated doses of the poison and recorded the symptoms.
In 1880, Doyle worked for a while as a doctor in the whaling ship "Hope". In 1881, following his graduation from medical school, Doyle served as a ship's surgeon on the SS Mayumba. In 1882, Doyle and a former classmate established a medical practice in Plymouth, Devon. Their partnership failed, and Doyle soon started his own practice in Southsea, Hampshire. He did not have many patients, so he decided to resume writing fiction to supplement his income.
In 1886, Doyle created the character of Sherlock Holmes. He loosely based his creation on his former college teacher Joseph Bell (1837 - 1911), inspired by Bell's emphasis on the importance of "deduction and inference and observation". Doyle completed the first Holmes novel, "A Study in Scarlet" (1887), and sold the rights to the publishing house "Ward, Lock & Co." (1854-1964). The novel's publication was delayed until November, 1887, but it was well-received by professional critics.
Doyle next completed the sequel novel "The Sign of the Four" (1890), commissioned from the American literary magazine Lippincott's Monthly Magazine (1868-1915). He started writing short stories about Holmes for the British literary magazine "The Strand Magazine" (1891-1950).
Besides Holmes stories, Doyle wrote seven historical novels between 1888 and 1906. He wrote "Micah Clarke" (1889), as a fictionalized account of the Monmouth Rebellion (1685) and its consequences. The novel also voices Doyle's arguments against religious extremism. He wrote "The White Company" (1891) to examine the role of mercenaries in 14th-century warfare, depicting the campaigns of Edward the Black Prince (1330-1376) in the Kingdom of Castile. He wrote "The Great Shadow" (1892) to feature the experiences of soldiers in the Battle of Waterloo (1815). He wrote "The Refugees" (1893) to examine the fates of Huguenot refugees who were fleeing 17th-century France to escape religious persecution by Louis XIV (1638-1715, reigned 1643-1715). He wrote "Sir Nigel" (1906) to examine the early phases of the Hundred Years' War (1337 - 1453). He regarded these novels to be his best literary work, though they were never as popular as his crime novels.
In 1900, Doyle served as a volunteer doctor in the Second Boer War in South Africa (1899-1902), though he had no previous military experience. He was stationed at a field hospital at Bloemfontein. At about this time, Doyle wrote the non-fiction book "The Great Boer War" (1900), which covered in detail the early phases of the war. He also wrote the companion work "The War in South Africa: Its Cause and Conduct" in order to defend the British Empire from accusations of misconduct in its military efforts. These works were translated in multiple languages, and were appreciated by the British government. For his services to the British Empire, Doyle was knighted in 1902. In 1903, Doyle became a knight of the Order of Saint John, a British royal order of chivalry that was based on the original Knights Hospitaller.
In 1906, Doyle was involved in efforts to exonerate the lawyer George Edalji, a mild-mannered man who had been convicted of animal mutilations on insufficient evidence. Doyle helped publicize other instances of miscarriages of justice, and convinced the public that there was need of reforms in the legal system. In 1907, British authorities reacted to this campaign by establishing the Court of Criminal Appeal.
In 1909, Doyle wrote the non-fiction work "The Crime of the Congo" (1909). In the book, Doyle denounced the human rights abuses in the Congo Free State, and claimed that the Belgian colonial forces had enslaved the local population. He quoted testimonies from many witnesses and tried to convince the public of a need to intervene in the area.
World War I (1914-1918) was a difficult time for Doyle , as several of his relatives and friends died due to the war. Doyle's son Kingsley was seriously wounded in the Battle of the Somme (1916), and never fully recovered. Kingsley died of pneumonia in 1918, while still hospitalized. Doyle's brother, Brigadier-general Innes Doyle, died of pneumonia in 1919. Doyle's brother-in-law, the famous author E. W. Hornung, died of pneumonia in 1921. The series of deaths led Doyle to further embrace Spiritualism, and that faith's claims about existence beyond the grave. He spend much of the 1920s as a missionary of Spiritualism, and investigated supposed supernatural phenomena. He also wrote many non-fiction spiritualist works. In 1926, Doyle financed the construction of a Spiritualist Temple in Camden, London.
In July 1930, Doyle suffered a heart attack while staying in his then-residence, Windlesham Manor, in Crowborough, Sussex. He spend his last moments in reassuring his wife Jean Leckie that she was wonderful. He was 71-years-old at the time of his death. He was survived by two sons and two daughters. His daughter Jean Conan Doyle (1912 - 1997) was the copyright holder of much of her father's works until her own death.
Since Doyle was no longer a Christian at the time of his death, his family declined giving him a Christian burial place. Doyle was buried in Windlesham Manor's rose garden. His remains were later re-interred in Minstead churchyard, New Forest, Hampshire. His wife's remains were buried beside him. His gravestone epitaph described him as "Steel true/Blade straight/Arthur Conan Doyle/Knight/Patriot, Physician and man of letters".
Doyle is long gone, but his works have remained popular into the 21st century. Doyle has been cited as an influence on later crime writers, and Agatha Christie's earliest novels were strongly influenced by Sherlock Holmes' stories. His life's events have inspired several biographies, and a number of fictionalized accounts.- Nikos Kazantzakis was born in Heraklion, Crete (Greece). He studied Law in Athens and in Paris, but soon he studied philosophy and literature. He travelled almost everywhere; he learnt many foreign languages and left his scientific research for Nitsche. At philosophy: "Ascetics" (Salvatores Dei, 1927), script that expresses the writer's belief for metaphysics. At poetry: "The Odyssey" (1938) "Tertsines" and also some poetic works for theatre: "Protomastoras" (=foreman) "Melissa" (=Bee) "Julian" "Prometheus" etc. His novels are: "Alexis Zorbas" (1946) "O Xristos xanastavronetai" (=Christ is recrucified) (1948) "O ftoxoulis tou Theou" (=The God's poor man) (1952-3) "Anafora ston Greco (=Reference to Greco) (1961) He died in 1957.
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Writer, born in Bromley, Kent. He was apprenticed to a draper, tried teaching, studied biology in London, then made his mark in journalism and literature. He played a vital part in disseminating the progressive ideas which characterized the first part of the 20th-c. He achieved fame with scientific fantasies such as The Time Machine (1895) and War of the Worlds (1898), and wrote a range of comic social novels which proved highly popular, notably Kipps (1905) and The History of Mr Polly (1910). Both kinds of novel made successful (sometimes classic) early films. A member of the Fabian Society, he was often engaged in public controversy, and wrote several socio-political works dealing with the role of science and the need for world peace, such as The Outline of History (1920) and The Work, Wealth and Happiness of Mankind- Writer
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Arthur Asher Miller was born on October 17, 1915, in New York City, one of three children born to Augusta (nee Barnett) and Isidore Miller. His family was of Austrian Jewish descent. His father manufactured women's coats, but his business was devastated by the Depression, seeding his son's disillusionment with the American Dream and those blue-sky-seeking Americans who pursued it with both eyes focused on the Grail of Materialism. Due to his father's strained financial circumstances, Miller had to work for tuition money to attend the University of Michigan, where he wrote his first plays. They were successful, earning him numerous student awards, including the Avery Hopwood Award in Drama for "No Villain" in 1937.
The award was named after one of the most successful playwrights of the 1920s, who simultaneously had five hits on Broadway, the Neil Simon of his day. Now almost forgotten except for his contribution to Gold Diggers of 1933 (1933), Hopwood achieved a material success that the older Miller could not match, but he failed to capture the immortality that would be Miller's. Hopwood's suicide, on the beach of the Cote d'Azur, reportedly inspired Norman Maine's march into the southern California surf in A Star Is Born (1937).
Like Fitzgerald, Miller tasted success at a tender age. In 1938, upon graduating from Michigan, he received a Theatre Guild National Award and returned to New York, joining the Federal Theatre Project. He married his college girlfriend, Mary Grace Slattery, in 1940; they would have two children, Joan and Robert. In 1944, he made his Broadway debut with "The Man Who Had All the Luck", a flop that lasted only four performances. He went on to publish two books, "Situation Normal" (1944) and "Focus" (1945), but it was in 1947 that his star became ascendant. His play "All My Sons", directed by Elia Kazan, became a hit on Broadway, running for 328 performances. Both Miller and Kazan received Tony Awards, and Miller won the New York Drama Critics Circle Award. It was a taste of what was to come.
Staged by Kazan, "Death of a Salesman" opened at the Morosco Theatre on February 10, 1949, and closed 742 performances later on Nov 18, 1950. The play was the sensation of the season, winning six Tony Awards, including Best Play and Best Author for Miller. Miller also was awarded the 1949 Pulitzer Prize for Drama. The play made lead actor Lee J. Cobb, as Willy Loman, an icon of the stage comparable to the Hamlet of John Barrymore: a synthesis of actor and role that created a legend that survives through the bends of time. A contemporary classic was recognized, though some critics complained that the play wasn't truly a tragedy, as Willy Loman was such a pathetic soul. Given his status, Loman's fall could not qualify as tragedy, as there was so little height from which to fall. Miller, a dedicated progressive and a man of integrity, never accepted that criticism. As Willy's wife Linda said at his funeral, "Attention must be paid", even to the little people.
In 1983, Miller himself directed a staging of "Salesman" in Chinese at the Beijing People's Art Theatre. He said that while the Chinese, then largely ignorant of capitalism, might not have understood Loman's career choice, they did have empathy for his desire to drink from the Grail of the American Dream. They understood this dream, which Miller characterizes as the desire "to excel, to win out over anonymity and meaninglessness, to love and be loved, and above all, perhaps, to count." It is this desire to sup at the table of the great American Capitalists, even if one is just scrounging for crumbs, in a country of which President Calvin Coolidge said, "The business of America is business," this desire to be recognized, to be somebody, that so moves "Salesman" audiences, whether in New York, London or Beijing.
Miller never again attained the critical heights nor smash Broadway success of "Salesman," though he continued to write fine plays that were appreciated by critics and audiences alike for another two decades. Disenchanted with Kazan over his friendly testimony before the House Un-American Activities Committee, the two parted company when Kazan refused to direct "The Crucible", Miller's parable of the witch hunts of Sen. Joseph McCarthy. Defending her husband, Kazan's wife, Molly, told Miller that the play was disingenuous, as there were no real witches in Puritan Salem. It was a point Miller disagreed with, as it was a matter of perspective--the witches in Salem were real to those who believed in them. However, subsequent research has shown that the cursorily-researched (at best) play contains fictional motifs (regarding Goodman and Goodwife Putnam and their offspring), limited research, and carelessness in identifying (or not identifying, as with William Stoughton) the true authors of the witch trials. Directed by another Broadway legend, Jed Harris, the play ran for 197 performances and won Miller the 1953 Tony Award for Best Play. Miller had another success with "A View from the Bridge", a play about an incest-minded longshoreman written with overtones of classical Greek tragedy, which ran for 149 performances in the 1955-56 season.
It was in 1956 that Miller made his most fateful personal decision, when he divorced his first wife, Mary Slattery Miller, and married movie siren-cum-legend Marilyn Monroe. With this marriage Miller achieved a different type of fame, a pop culture status he abhorred. It was a marriage doomed to fail, as Monroe was, in Miller's words, "highly self-destructive". In his 1989 autobiography, "Timebends", Miller wrote that a marriage was a conspiracy to keep out the light. When one or more of the partners could no longer prevent the light from coming in and illuminating the other's faults, the marriage was doomed. In his own autobiography, "A Life", Kazan said that he could not understand the marriage. Monroe, who had slept with Kazan on a casual basis, as she did with many other Hollywood players, was the type of woman someone took as a mistress, not as a wife. Miller, however, was a man of principle. He was in love. "[A]ll my energy and attention were devoted to trying to help her solve her problems", Miller confessed to a French newspaper in 1992. "Unfortunately, I didn't have much success."
The conspiracy collapsed during the filming of The Misfits (1961) (1961), with John Huston shooting the original script Miller had written expressly for his wife. The genesis of the story had come to him while waiting out a divorce from his first wife Mary in Nevada. Monroe hated her character Roslyn, claiming Miller had made her out to be the dumb blond stereotype she so loathed and had been trying to escape. Withering in her criticism of Miller, and ultimately unfaithful to him, she and Miller separated. Norman Mailer, in his 1973 biography, "Marilyn", ridiculed Miller for not doing enough to help Monroe. Film critic Pauline Kael lambasted Mailer by imputing petty machismo and jealousy as the cause of his animus against Miller. Miller would later reunite with Kazan to launch the new Lincoln Center Repertory Theater, with the play "After the Fall", a fictionalization of his relationship with Monroe. "Fall" ran for 208 performances in repertory in 1964 and 1965 and won 1964 Tony Awards for Jason Robards and Kazan's future wife Barbara Loden, playing the Miller and Monroe stand-ins Quentin and Maggie. Miller's own "Incident at Vichy" played in repertory with "Fall" in the 1965 season, but lasted only 32 performances.
On June 1, 1957, Miller was found in contempt of Congress for refusing to name names of a literacy circle suspected of Communist Party affiliations. The State Department deprived him of his passport, and he became a left-wing cause célèbre. In 1967 Miller became President of P.E.N., an international literacy organization that campaigned for the rights of suppressed writers. He published a collection of short stories entitled "I Don't Need You Any More", that same year. Returning to the Morosco Theatre, the site of his greatest triumph, "The Price" was Miller's last unqualified hit in America, running for 429 performances between February 7, 1968 and February 15, 1969. Though Miller won a 1968 Tony Award for Best Play, the bulk of his success as an original playwright was over. The Price (1971) (a 1971 teleplay) was nominated for six Emmy awards, including Outstanding Single Program-Drama or Comedy, and won three, including Best Actor for George C. Scott, who would later win a 1976 Tony playing Willy Loman in a 1975 Broadway revival.
Miller never again achieved success on Broadway with an original play. In the 1980s, when he was hailed as the greatest living American playwright after the death of Tennessee Williams, he even had trouble getting full-scale revivals of his work staged. One of his more significant later works, "The American Clock", based on Studs Terkel's oral history of the Great Depression, "Hard Times", ran for only 11 previews and 12 performances in late 1980 at the Biltmore Theatre. Also in 1980, Miller courted controversy by backing the casting of the outspokenly anti-Zionist Vanessa Redgrave as a concentration-camp Jewess in his teleplay Playing for Time (1980), an adaptation of the memoir "The Musicians of Auschwitz". Despite the fallout in the United States for America's then-greatest living playwright, his works were popular in Great Britain, whose intellectual and theatrical communities treated him as a major figure in world literature. The universality of his work was highlighted with his own successful staging of "Death of a Salesman" in Beijing in 1983.
"Death of a Salesman" has become a standard warhorse, now revived each decade on Broadway, and internationally. In addition to George C. Scott and Lee J. Cobb (who received an Emmy nomination for the 1966 teleplay; Miller himself received a Special Citation from the Academy of Television Arts and Sciences for the production), Dustin Hoffman and Brian Dennehy have garnered kudos for playing Willie Loman. The 1984 Broadway revival of "Salesman" won a Tony for best Reproduction and helped revive Miller's domestic reputation, while Volker Schlöndorff's 1985 film (Death of a Salesman (1985)) of the production won 10 Emmy nominations, including one for Miller as executive producer of the Outstanding Drama/Comedy Special. Hoffman won an Emmy and a Golden Globe for playing Willy Loman. The 1999 revival won four Tonys, including Dennehy for Best Actor, and ran for 274 performances at the Eugene O'Neill Theatre. Arthur Miller died in Roxbury, Connecticut in 2005, aged 89. He had been suffering from cancer, pneumonia and a heart condition.
Miller based his works on American history, his own life, and his observations of the American scene. His stature is traditionally based on his perceived refusal to avoid moral and social issues in his writing. His willingness to fight for what he believed in his chosen art form made him a literary icon whose name will live on in world letters.- Writer
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Norman Mailer, the Brooklyn-born and -bred writer who fought for what he characterized as the "heavyweight championship" of American letters after the 1961 death of Ernest Hemingway, never came close to his dream of writing the Great American novel, but he was a colossus of American culture and literature in the 1960s, '70s and '80s. When he died in 2007 at the age of 84, Mailer towered above all other American writers of his and subsequent generations,according to his "New York Times" obituary. A primal life force whose writing elucidated the human condition among America and Americans better than any of his contemporaries for better than three decades, Mailer likely will rank with Herman Melville and Hemingway as among the greatest writers produced by the United States. Although denied the Nobel Prize that he had long coveted (winner of two Pulitzer Prizes, Mailer believed that the near-fatal stabbing of his second-wife Adele Morales by himself in 1960 attributed to his failure to win the big prize), Mailer will be the writer that future generations go to to understand the America of the late 1940s through at least the early '80s. "Advertisements for Myself" (1959), "An American Dream (1966)" (1965), "The Armies of the Night" (1969) and "Executioners Song, The (1980) (TV)_" -- one compendium of odds and ends interlaced with Mailer's musings, one novel, and two books of "journalism" that he classified as novels -- will be mandatory on the reading lists of universities 100 years in the future.
Norman Mailer was born in January 1923 in Long Branch, New Jersey, to Fanny (Schneider), who ran a nursing/housekeeping agency, and Isaac Barnett Mailer, an accountant. His family was Jewish. Mailer entered Harvard College in 1939 at the age of 16 to study engineering at a time when there was still a quota on Jews at the Ivy League universities, to keep them the province of the WASPs that still controlled the control up to and through World War II. (Mailer would be a commentator on WASPs and their loosening grip on America and American culture in the post-World War II period. He saw the space project and the landing of a man on the moon as the apotheosis of WASP culture.) He fell in love with literature at Harvard, and began his first attempts at creative writing. Mailer took his degree in 1943, was drafted into the Army the following year and served briefly with a rifle company in the Philippines. His experiences as an infantryman would be the genesis of his 1948 novel "The Naked and The Dead", one of the first of the World War II novels written by the men who had fought it.
Mailer would never have termed the generation that went to war in 1941-45 "The Greatest Generation", a concept alien to such post-war writers as Mailer's erstwhile friend James Jones (author of "From Here to Eternity", "Catch-22" author Joseph Heller, or populist American historian Howard Zinn, all of whom served in the War. The officers and enlisted men of Mailer's novel "The Naked and the Dead" are not saints, nor are they on noble missions, let alone quests for something as abstract as "democracy". Democracy is not a staple of Norman Mailer's Army. The officers, as a class, represent an insidious form of fascism -- in kind, if not degree -- in this war against fascism. Published in 1948, "The Naked and The Dead" was a bestseller and made its 25 year old author famous and relatively well-off, financially. Mailer would never have to toil at any craft other than writing for the rest of the nearly 60 years allotted to him. His next two novels, "Barbary Shore" (1951) and "The Deer Park" (1954) were artistic and commercial failures. For 10 years after the publication of "The Deer Park" until "An American Dream" (serialized in "Esquire Magazine" in 1964, rewritten and published as a novel in 1965), Mailer eschewed tackling another novel. Instead, he turned to journalism and revolutionized what had been one of the ghettos of American letters. If there had been no Norman Mailer, perhaps there would have been a "New Journalism", but it would have been poorer as he was its greatest exponent. "New Journalism" was a moniker hung on a particularly personal type of reflection added to the pedantic Who, What, Where & How? of traditional reporting. Rather than exile himself from the story in the interest of an impossible-to-obtain "neutrality" that is so dear to the mainstream American newspaper and magazine culture currying favor with advertisers beyond the truss & body building equipment slums of the old "Men's magazines", Mailer injected himself into the story and wrote about how he was effected by events. His seminal article about the 1960 Democratic National Convention in Los Angeles, "Superman Comes to the Supermarket" (Superman being John F. Kennedy and the Supermarket the Los Angeles where the DNC was held, as well as the new post-War America at large") might very well be considered as the starting point of the New Journalism. The article was published in the November 1960 issue of "Esquire Magazine." Tom Wolfe and other masters of the "New Journalism," which stressed a kind of irreverence towards the subject, soon followed.
In an American society that is still enthralled to Victorian-era concepts of class (Virginia Woolf denounced authors who wrote for money, a reflection of the aristocratic disdain for anyone who made rather than inherited money as vulgarians whose seed was tainted by contact with the till), Mailer's achievement was looked down upon. Rather than being hailed for revolutionizing American letters, Mailer was treated patronizingly by the Literary Establishment. Yet, the serious literary novel now is as nearly dead as all the Cassandras of the 1960s and '70s prognosticated, replaced by "non-fiction" memoirs, in which writers no longer hide behind fictive personas to tell stories, but take full-credit for living lives as full of foul incidents as any novel ever published. (That many of these "true tales" are fiction is beside the point.) Ironically, Norman Mailer, who longed to write the Great American novel, likely must bear the lion's share of responsibility for the death of the novel and the rise of the confessional "non-fiction" book, as he elevated "mere journalism" into an art form. Reporting became and art when Mailer married his beautiful writing with naked confession that made him a world-class celebrity in the 1960s and '70s, featured as a regular staple on television talk shows. Simply put, without Norman Mailer, there would not be American literature as we know it.
As concerns Hollywood, Mailer wrote a novel about Hollywood ("The Deer Park") and the first "serious" biography of Marilyn Monroe, which got him (and Monroe) the cover of the July 16 1973 edition of "Time Magazine." He made three improvisational films in the late 1960s: Wild 90 (1968), Beyond the Law (1968) and Maidstone (1970) and directed the 1987 adaptation of his own neo-noir novel Tough Guys Don't Dance (1987). He despised the 1958 movie made from The Naked and the Dead (1958), but had better luck with The Executioner's Song (1982) (1979), for which he wrote the screenplay for the 1982 telefilm. In 1983, Mailer was nominated for an Emmy for Outstanding Writing in a Limited Series or a Special for his work, three years after his 1979 "novel" (Mailer had characterized his "The Armies of the Night" as "The novel as history, history as a novel") had won him his second Pulitzer Prize, for Fiction. ("Armies" had conquered him his first, for General Non-Fictionm in 1969.)
Norman Mailer died of acute renal failure at New York City's Sinai Hospital on November 10, 2007. He was 84 years old.- Writer
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Tennessee Williams met long-term partner Frank Merlo in the summer of 1948 (Merlo died of lung cancer in the fall of 1963). Though separated briefly in 1961 and again in 1962, the two were partners for 15 years. Merlo acted as his personal manager/secretary.
Williams spent much of his most prolific years in Rome, Italy, and his enduring friendship with Italian stage and screen legend Anna Magnani lasted 24 years and inspired both "The Rose Tattoo" and "Orpheus Descending". Magnani realized the lead parts of these two plays, which were written for her, in their film versions. The turbulent and inspirational friendship shared between Williams and Magnani is the subject of the internationally acclaimed play "Roman Nights" by Franco D'Alessandro.
Aside from his published "Memoirs", the only authorized biographical book on Williams is by Bruce Smith, entitled "Costly Performances - Tennessee Williams; The Last Stage." This book deals with the last four years of Williams' life (1979-1983).- Eugene O'Neill, the winner of four Pulitzer Prizes for Drama and the 1936 Nobel Prize for Literature, is widely considered the greatest American playwright. No one, not Maxwell Anderson, Tennessee Williams, Arthur Miller, nor Edward Albee, approaches O'Neill in terms of his artistic achievement or his impact on the American theater.
James O'Neill, one of the most popular actors of the late 19th century, was his father, so one could say that Eugene O'Neill was born to a life in the theater. His father, who had been born into poverty in Ireland before emigrating to the United States, developed his craft and became a star in the theaters of the Midwest. He married Mary Ellen "Ella" Quinlan, the Irish-American daughter of a wealthy Cleveland businessman, whose death when she was a teenager had hurt her emotionally. She remained emotionally fragile throughout her life, a condition exacerbated by a further tragedy, the loss of a child. A further strain was placed on her when it was discovered that James had lived in "concubinage" with a common-law wife who later sued him for child support and alimony, claiming he had fathered her child. Both were pious and believing Catholics.
They had three sons, including James Jr. (born 1878) and Edmund (1883), who died at the age of two from measles, leaving Ella distraught. Their last son, Eugene Gladstone O'Neill (his middle name a salute to the British prime minister who was in favor of home rule for Ireland), was born at the Barrett Hotel (home of many theatrical artistes) in New York City, on October 16, 1888. Supposedly, it was a difficult delivery, and in the spirit of the times, Ella was given morphine for her pain. She became an addict.
James O'Neill made a fortune playing The Count of Monte Cristo, both on Broadway in multiple productions and as a touring show. However, he suffered an artistic death as a performing artiste through the sheer repetition of the Monte Cristo role, which he turned to repeatedly as it always proved a success. He reportedly played the role at least 4,000 times, perhaps nearly twice that number. He would provide the prototype for the character of James Tyrone, the pater familias in his son's "Long Day's Journey Into Night". James O'Neill Sr. knew that he had suffered artistically from his commercial instincts, and Eugene never forgot that. His son remained steadfast in his own fidelity to his principles of artistic integrity.
The father also was a notorious skinflint, terrified that some unforeseen calamity would throw him back into the hellish poverty of his childhood in Ireland. Both young Gene and his older brother Jamie tried their hands at acting, and though Jamie was more successful than Gene, he never developed a significant, independent career as a professional thespian due to instability caused by his alcoholism. Jamie relied on his father for work, which further fueled his drinking.
Jamie was a full-blown alcoholic, just like his younger brother, Gene, and he drank himself to death at a relatively young age, a fate Gene managed to avoid, but not from lack of trying. The characters of Jamie in "Long Day's Journey Into Night" and James Tyrone Jr. in "A Moon for the Misbegotten" were based on him.
As a young man, Eugene suffered from tuberculosis, which likely exacerbated his propensity for pessimism (the stuff of his life became the guts of his last masterpiece, "Long Day's Journey Into Night"). His pessimistic, tragic outlook on life likely was hereditary: O'Neill's two sons, Eugene O'Neill Jr. and Shane O'Neill, became substance abusers as adults: Eugene Jr. was an alcoholic and Shane was a heroin addict. Both committed suicide. He disowned his daughter Oona Chaplin, for marrying Charles Chaplin, who was just six months younger than O'Neill himself. He had never had much to do with her anyway, nor any of his children. His life was devoted to writing.
After recovering from tuberculosis, O'Neill attended Princeton for the 1907-08 term, but was kicked out after his freshman year, allegedly for being drunk and disorderly at a reception held by the university president, future President of the United States Woodrow Wilson. For the next eight years he led a freebooting existence, fortune-hunting for gold in South America and plying the seas as an able-bodied seaman, while trying to drink himself to death (he even made an attempt at suicide). Eventually he returned to New York City and tried his hand at playwriting, and with the financial help of his father, studied playwriting at Harvard in 1915. His father was unimpressed by the results, and died the same year his son made his big breakthrough on Broadway (he did live to see the production of Eugene's first full-length play, "Beyond the Horizon", which opened on February 2, 1920 and ran for a then-impressive 111 performances, and its honoring with the 1920 Pulitzer Prize for Drama that May. James O'Neill Sr. died on August 10, 1920. His namesake, James O'Neill Jr., died three years later, at the age of 45.)
Where Eugene truly learned his craft was in the writing of one-act melodramas that dealt with the lives of sailors, that were performed by the Provincetown Players, which had theaters in Provincetown on Cape Cod and off of Washington Square in New York City (John Ford made a 1940 movie out of four of his sea plays, collected in The Long Voyage Home (1940)). The theater he created was a reaction against the theater of his father, the old hoary melodramas that packed them in for a night of crowd-pleasing entertainment.
Eugene started out as a dramatist at a time when there was an average of 70 plays being performed on Broadway each week. The Great White Way resembled a modern movie multiplex in that potential theatergoers would peruse the various marquees in and around Times Square seeking an entertainment for the night. At the time O'Neill began to establish himself, in pre- and post-World War I era, entertainment was first and foremost in most people's minds.
The movies and O'Neill would change that. The competition of the more sophisticated movies of the late silent era, and then the talkies, usurped the position of Broadway and the theater as the premier venue for American entertainment. The light plays that were the equivalent of television fare became extinct. Musicals continued to thrive, as did comedies, but drama became more serious and developed a psychological depth. O'Neill was the midwife of the phenomenon.
Eugene O'Neill helped foster the maturation of American drama, as he incorporated the techniques of both European expressionism and realism in his work. Influenced by Henrik Ibsen and August Strindberg, brought to the American stage a tragic vision that influenced scores of American playwrights that followed.
Eugene O'Neill died in the Shelton Hotel in Boston, Massachusetts, in 1953. Allegedly, his last words were, "Born in a hotel room, and goddammit! Died in one!" His health had been hurt by his alcoholism and he suffered from Parkinson's disease-like tremors of his hands that had made it difficult, if not impossible, to write since the early 1940s. It is believed that he suffered cerebellar cortical abiotrophy, a neurological disease in which certain neurons in the cerebellum of the brain die off, adversely affecting the balance and coordination of the sufferer. As a dramatist, he had flourished on Broadway from 1920, when his first full-length work, "Beyond the Horizon", debuted, winning him his first Pulitzer, until 1934, when his first and only comedy, Ah, Wilderness! (debut October 1933) came to an end that June and his play, "Days Without End," was staged in repertory between January and November). After 1934, he entered a cocoon, staying away from Broadway until after World War II, when the 1946 production of "The Iceman Cometh" debuted. The first production of "Iceman" failed, and O'Neill's reputation suffered, but the 1956 production of "Iceman" starring Jason Robards and directed by José Quintero was a great success, as was the posthumous production of "Long Day's Journey Into Night", which brought O'Neill his fourth Pulitzer. The two plays solidified his legend. - David Herbert Lawrence was born in Nottinghamshire, England, 11 September 1885. His father was a coal miner, his mother a genteel woman who sought education and refinement for her son. Lawrence earned a university degree and taught school for a short time. While still a student he began to publish his poems and short stories. He fell in love with the wife of a professor, Frieda von Richthofen Weekley. She eloped with Lawrence, abandoning her husband and three small children. Lawrence's pet themes of myth, freedom, redemption, the difficulty and necessity of emotional, erotic expression and the inevitable torments of family relationships occupied him throughout his life. Eventually, there would be accusations of obscenity, his novel "Lady Chatterley's Lover" being the most prominent example.
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Isaac Asimov was born Isaak Judah Ozimov, on January 2, 1920, in Petrovichi shtetl, near Smolensk, Russia. He was the oldest of three children. His father, named Judah Ozimov, and his mother, named Anna Rachel Ozimov (nee Berman), were Orthodox Jews. Ozimov family were millers (the name Ozimov comes from the eponymous sort of wheat in Russian). In 1923 Isaac with his parents immigrated to the USA and settled in Brooklyn, New York. There his parents temporarily changed his birthday to September 7, 1919, in order to send him to school a year earlier. Their family name was changed from Ozimov to Asimov.
Asimov was an avid reader before the age of 5. He spoke Yiddish and English at home with his parents and spoke only a few word in Russian. He began his formal education in 1925 in the New York Public School system. From 1930-1932 he was placed in the rapid advance course. In 1935 he graduated from high school, in 1939 received a B.S. and in 1941 he earned his M. Sc. in Chemistry from Columbia University. From 1942-1945 Asimov was a chemist at the Philadelphia Naval Shipyard's Naval Air experimental station. After the war ended, he was drafted into the U.S. Army and was transfered to the island of Oahu and was destined to participate in the atomic bomb tests at Bikini Atoll in July 1946. He narrowly avoided that by receiving an honorable discharge in May 1946. In 1948 he completed his post-graduate studies and earned his Ph. D. in Chemistry. In 1949 he began his teaching career at the Medical School of Boston University, becoming assistant professor in 1951, and associate professor in 1955. In 1958 Asimov became a full-time writer and gave up his teaching duties because his income from his literary works was much greater than his professor's salary. He was fired, but he retained his title and later returned as a lecturer and was promoted to the rank of full professor in 1979. Asimov was considered one of the best lecturers at Boston University.
Young Isaac Asimov was raised as a non-religious person. His parents observed the Orthodox Judaism, but did not force their belief upon young Asimov. He did not have affiliation with a temple, did not have a bar mizvah and called himself an atheist, then used the term "humanist" in his later life. He did not oppose genuine religious convictions in others but opposed superstitious or unfounded beliefs. Asimov defined his intellectual position as a Humanist and rationalist. He opposed the Vietnam war in the 1960s and was a supporter of the Democratic party. He embraced environmental issues, and supported feminism, joking that he wished women to be free "because I hate it when they charge". He was also humorous about many of his memberships in various clubs and foundations. Asimov did not approve exclusionary societies, he left Mensa after he found that many of the members were arrogant. He liked individuality and stayed in groups where he enjoyed giving speeches. As a free thinker, Asimov saw sci-fi literature serving as a pool where ideas and hypotheses are expressed with unrestricted intellectual freedom.
Young Asimov was fascinated with science fiction magazines which were sold at his parent's general store. Around the age of 11 he wrote eight chapters of a fiction about adventures of young boys in a small town. His first publication was "Marooned Off Vesta" in the Amazing Stories magazine in 1939. Asimov shot to fame in 1941 with 'Nightfall', a story of a planet where night comes once every 2049 years. 'Nightfall' has been described as one of the best science fiction stories ever written. Asimov wrote over five hundred literary works. He is credited for introducing the words "positronic", "psychohistory", and "robotics" into the English language. He penned such classics as "I, Robot" and the "Foundation" series, which are considered to be the most impressive of his writings. He also founded "Isaac Asimov's Science Fiction Magazine", which became a best-selling publication.
Asimov was afraid of needles and the sight of blood. Although he had the highest score on the intelligence test he had the lowest score on the physical-conditioning test. He never learned how to swim or ride a bicycle. The author who described spaceflights suffered from fear of flying. In his entire life he had to fly only twice during his military service. Acrophobia was revealed when he took his date and first love on a roller coaster in 1940, and was terrified. This phobia complicated the logistics and limited the range over which he traveled; it also found reflection in some of his literary works. He avoided traveling long distances. Instead he enjoyed cruise ships like the RMS Queen Elizabeth 2, where he occasionally entertained passengers with his science-themed talks. He impressed public with his highly entertaining speeches as well as with his sharp sense of timing; he never looked at the clock, but he spoke for precisely the time allocated. Asimov's sense of time prevented him from ever being late to a meeting. Once he discovered that his parents changed his date of birth, he insisted that the official records of his birthday be corrected to January 2, 1920, the date he personally celebrated throughout his life.
Asimov met Gertrude Blugherman on a blind date on Valentine's Day in February of 1942, they got married in July of the same year. The Asimovs had two children, son David (born in 1951), and daughter Robyn Joan (born in 1955). Asimov had known Janet Opal Jeppson since 1959. She was a psychoanalyst and also a writer of science fiction for children. Correspondence with her convinced Asimov that she was the right kind of person for him. He and Gertrude were separated in 1970, and he moved in with Janet Jappeson almost at once. His first marriage ended in divorce in 1973. That same year he and Janet Jeppson were married at Janet's home by an official of Ethical Culture Society. Asimov had no children by his second marriage.
In 1983 Asimov contracted HIV infection from a tainted blood transfusion received during a triple bypass surgery. He eventually developed AIDS and wanted to go public about his AIDS but his doctors convinced Asimov to remain silent. The specific cause of death was heart and renal failure as complications of AIDS. He died on April 6, 1992, in Boston, Massachussets, and was cremated. His ashes were scattered.
Ten years after Asimov's death, his widow, Janet Jeppson Asimov, revealed that his death was a consequence of an unfortunately contracted AIDS.- Writer
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Arthur C. Clarke was born in the seaside town of Minehead, Somerset, England in December 16, 1917. In 1936 he moved to London, where he joined the British Interplanetary Society. There he started to experiment with astronautic material in the BIS, write the BIS Bulletin and science fiction. During World War II, as a RAF officer, he was in charge of the first radar talk-down equipment, the Ground Controlled Approach, during its experimental trials. His only non-science-fiction novel, Glide Path, is based on this work. After the war, he returned to London and to the BIS, which he presided in 46-47 and 50-53. In 1945 he published the technical paper "Extra-terrestrial Relays" laying down the principles of the satellite com- communication with satellites in geostationary orbits - a speculation realized 25 years later. His invention has brought him numerous honors, such as the 1982 Marconi International Fellowship, a gold medal of the Franklin Institute, the Vikram Sarabhai Professorship of the Physical Research Laboratory, Ahmedabad, the Lindbergh Award and a Fellowship of King's College, London. Today, the geostationary orbit at 36,000 kilometers is named The Clarke Orbit by the International Astronomical Union. The first story Clarke sold professionally was "Rescue Party", written in March 1945 and appearing in Astounding Science in May 1946. He obtained first class honors in Physics and Mathematics at the King's College, London, in 1948.
In 1953 he met an American named Marilyn Torgenson, and married her less than three weeks later. They split in December 1953. As Clarke says, "The marriage was incompatible from the beginning. It was sufficient proof that I wasn't the marrying type, although I think everybody should marry once". Clarke first visited Colombo, Sri Lanka (at the time called Ceylon) in December 1954. In 1954 Clarke wrote to Dr Harry Wexler, then chief of the Scientific Services Division, U.S. Weather Bureau, about satellite applications for weather forecasting. Of these communications, a new branch of meteorology was born, and Dr. Wexler became the driving force in using rockets and satellites for meteorological research and operations. In 1954 Clarke started to give up space for the sea. About the reasons, he said: "I now realise that it was my interest in astronautics that led me to the ocean. Both involve exploration, of course - but that's not the only reason. When the first skin-diving equipment started to appear in the late 1940s, I suddenly realized that here was a cheap and simple way of imitating one of the most magical aspects of spaceflight - weightessness." In the book Profiles of the Future (1962) he looks at the probable shape of tomorrow's world. In this book he states his three Laws: 1."When a distinguished but elderly scientist states that something is possible he is almost certainly right. When he states that something is impossible, he is very probably wrong." 2."The only way of discovering the limits of the possible is to venture a little way past them into the impossible." 3."Any sufficiently advanced technology is indistinguishable from magic." In 1964, he started to work with Stanley Kubrick in a SF (Science Fiction) movie script. After 4 years, he shared an Oscar Academy Award nomination with him for the film version of 2001: A Space Odyssey. He co-broadcasted the Apollo 11 , 12 and 15 missions with Walter Cronkite and Wally Schirra for CBS. In 1985, He published a sequel to 2001 : 2010: Odyssey Two. He worked with Peter Hyams in the movie version of 2010. They work was done using a Kaypro computer and a modem, for Arthur was in Sri Lanka and Peter Hyams in Los Angeles. Their communications turned into the book The Odyssey File - The Making of 2010. His thirteen-part TV series Arthur C. Clarke's Mysterious World in 1981 and Arthur C. Clarke's World of strange Powers in 1984 has now been screened in many countries. He made part of other TV series about the space, as Walter Cronkite's Universe series in 1981. He has lived in Colombo, Sri Lanka since 1956 and has been doing underwater exploration along that coast and the Great Barrier Reef. So far it has been to over 70 books, almost as many non-fiction, as science fiction. In March 1998, his latest, and probably last, novel: 3001: The Final Odyssey was released.- Writer
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Jean Anouilh was born on 23 June 1910 in Bordeaux, Gironde, France. He was a writer and director, known for Deux sous de violettes (1951), Le Voyageur sans bagage (1944) and Anna Karenina (1948). He was married to Nicole Lançon and Monelle Valentin. He died on 3 October 1987 in Lausanne, Vaud, Switzerland.- Writer
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The German novelist Erich Maria Remarque was born in Osnabrück in 1898. His first novel, the famous anti-war epic All Quiet on the Western Front (1930), was written based on his experiences as a soldier in WWI, and published in 1929. He moved to Switzerland until 1939 and later emigrated to the US. He died in 1970 in Locarno, Switzerland.- Writer
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Lajos Biró was born on 22 August 1880 in Nagyvarad, Austria-Hungary [now Oradea, Bihor, Romania]. He was a writer, known for The Thief of Bagdad (1940), The Last Command (1928) and Women Everywhere (1930). He died on 9 September 1948 in London, England, UK.- Writer
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John le Carré was born in Poole, Dorset in England on 19 October, 1931. He went to Sherborne School and, later, studied German literature for one year at University of Bern. Later, he went to Lincoln College, Oxford and graduated in Modern Languages. From 1956 to 1958, he taught at Eton and from 1959 to 1964, he was a member of the British Foreign Service as second secretary at British Embassy in Bonn, and then, as Politician Consul in Hamburg. His first novel was written in 1961 and, by the time of his death in December 2020, he had published nearly 30. His books took many prizes, and inspired numerous films.- Writer
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Robert Douglas Benton is an American screenwriter and filmmaker from Waxahachie, Texas who is known for screenwriting Bonnie & Clyde, Kramer vs. Kramer and Superman. He won two Academy Awards for writing and directing Kramer vs. Kramer. He directed other feature films including Twilight, Bad Company and Nobody's Fool. He is married to Sallie Rendig since 1964.- Writer
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The son of a Russian émigré clothing merchant, Sidney Buchman was born in Duluth, Minnesota, on March 27 1902. He initially attended the University of Minnesota. After his family moved to New York, he continued his studies at Columbia University, graduating in 1923. The following year, he travelled to England and worked as an assistant stage manager at the Old Vic. Upon his return to New York, he tried his hand writing for the theatre and had two plays produced, "This One Man" (Broadway, 1930) and "Storm Song", both of which flopped.
In 1931, Buchman went to Hollywood, having secured a screenwriting contract with Paramount. He remained for two years, then moved on to Columbia, where he was given the opportunity to work on several sophisticated and witty comedy scripts which often juxtaposed simple, honest country folk, with slick, corrupt urbanites. Along with Frank Capra, he helped raise the studio's prestige and shake off the stigma of having once been a 'poverty row' outfit. His biggest hits were She Married Her Boss (1935), Theodora Goes Wild (1936), Mr. Smith Goes to Washington (1939) and Here Comes Mr. Jordan (1941). In view of the massive box office success of these pictures, Buchman was promoted up the ladder to producer in 1937. Five years later, he was made vice-president of production (with his own production company within the studio), effectively functioning as Harry Cohn's right-hand man.
He held this post until 1951, when he was subpoenaed to appear before the House Un-American Activities Committee and forced to admit that he had been a member of the Communist Party between 1938 and 1945. However, he steadfastly refused to 'name names'. In March 1953, he was found guilty of contempt by Congress, fined $150 and blacklisted. While based in the south of France, Buchman was given a reprieve by 20th Century Fox, who defied the blacklist, by hiring him in 1960 to work in their European department. He eventually did most of the work on the screenplay of The Mark (1961), a British/German co-production starring Maria Schell and Stuart Whitman. He was also one of the many contributors to Fox's epic Cleopatra (1963). Buchman died in his adopted home in Cannes in August 1975 at the age of 73.Cleopatra (1963)
Here Comes Mr. Jordan (1941)- Writer
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Luciano Vincenzoni, born in Treviso, March 7, 1926, studied law in Rome and Padua. In 1952, with his friend Tony Roma, he produced "Oliva Incantesimo Tragico", starring María Félix. In 1954, he wrote his first script "Hanno Rubato un Tram", directed by Aldo Fabrizi. In this year, he met 'Pietro Germi' and wrote "The Railroad Man". 1956 began a collaboration with Dino De Laurentiis, and created films like "The Great War", "The Best of Enemies", and "The Hunchback". In 1960, with Mino Roli he co-authored "Sacco e Vanzetti", staged in Italy and many foreign countries. During 1963-65 he wrote "Seduced and Abandoned" and "The Birds, The Bees and The Italians" with Pietro Germi, produced by Robert Haggiag. In 1965, with his friend Sergio Leone he wrote "For a Few Dollars More", and helped him to sell the film to United Artists, and in the same year wrote "The Good, The Bad and The Ugly". Vincenzoni has worked with Billy Wilder, Peter Bogdanovich, 'Rene Clement' and many others. He is WGA member, emeritus.The Good, the Bad and the Ugly
Seduced and Abandoned-oscar to Sophia Loren- Writer
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Woody Allen was born on November 30, 1935, as Allen Konigsberg, in The Bronx, NY, the son of Martin Konigsberg and Nettie Konigsberg. He has one younger sister, Letty Aronson. As a young boy, he became intrigued with magic tricks and playing the clarinet, two hobbies that he continues today.
Allen broke into show business at 15 years when he started writing jokes for a local paper, receiving $200 a week. He later moved on to write jokes for talk shows but felt that his jokes were being wasted. His agents, Charles Joffe and Jack Rollins, convinced him to start doing stand-up and telling his own jokes. Reluctantly he agreed and, although he initially performed with such fear of the audience that he would cover his ears when they applauded his jokes, he eventually became very successful at stand-up. After performing on stage for a few years, he was approached to write a script for Warren Beatty to star in: What's New Pussycat (1965) and would also have a moderate role as a character in the film. During production, Woody gave himself more and better lines and left Beatty with less compelling dialogue. Beatty inevitably quit the project and was replaced by Peter Sellers, who demanded all the best lines and more screen-time.
It was from this experience that Woody realized that he could not work on a film without complete control over its production. Woody's theoretical directorial debut was in What's Up, Tiger Lily? (1966); a Japanese spy flick that he dubbed over with his own comedic dialogue about spies searching for the secret recipe for egg salad. His real directorial debut came the next year in the mockumentary Take the Money and Run (1969). He has written, directed and, more often than not, starred in about a film a year ever since, while simultaneously writing more than a dozen plays and several books of comedy.
While best known for his romantic comedies Annie Hall (1977) and Manhattan (1979), Woody has made many transitions in his films throughout the years, transitioning from his "early, funny ones" of Bananas (1971), Love and Death (1975) and Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972); to his more storied and romantic comedies of Annie Hall (1977), Manhattan (1979) and Hannah and Her Sisters (1986); to the Bergmanesque films of Stardust Memories (1980) and Interiors (1978); and then on to the more recent, but varied works of Crimes and Misdemeanors (1989), Husbands and Wives (1992), Mighty Aphrodite (1995), Celebrity (1998) and Deconstructing Harry (1997); and finally to his films of the last decade, which vary from the light comedy of Scoop (2006), to the self-destructive darkness of Match Point (2005) and, most recently, to the cinematically beautiful tale of Vicky Cristina Barcelona (2008). Although his stories and style have changed over the years, he is regarded as one of the best filmmakers of our time because of his views on art and his mastery of filmmaking.- Writer
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Alma Reville was born on 14 August 1899 in Nottingham, Nottinghamshire, England, UK. She was a writer and assistant director, known for Suspicion (1941), Shadow of a Doubt (1943) and The 39 Steps (1935). She was married to Alfred Hitchcock. She died on 6 July 1982 in Bel Air, Los Angeles, California, USA.- Writer
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The most renowned female screenwriter of the 20th century, and one of the most respected scripters of any gender, Frances Marion was born in San Francisco. She modeled and acted and had some success as a commercial artist. She entered into journalism and served in Europe as a combat correspondent during World War I. She moved to Los Angeles and was employed by director Lois Weber as an assistant, in which position she received a thorough apprenticeship in the film industry. She began writing scripts and attracted the attention of Mary Pickford. The pair began a long relationship as both friends and artists, with Marion serving as Pickford's official screenwriter. She wrote many of Pickford's most famous and memorable silent films as well as many other of the great successful pictures of the 1920s and 1930s. She won Oscars for her writing on The Big House (1930) and The Champ (1931). Her influence resurrected the career of Marie Dressler and resulted in her greatest glory, and her scripts for Marion Davies are among the most memorable of that actress' oeuvre. At MGM, where she was long under contract, she enjoyed enormous creative freedom for a writer. With the death of Irving Thalberg, MGM's creative head, in 1936, Marion's power and influence waned. In 1946 she left Hollywood and thereafter concentrated on plays and novels. She was at one time married to 1920s cowboy star Fred Thomson and subsequently to director George W. Hill. She died in 1973, one of the most respected names in Hollywood history.- Writer
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Leigh Douglass Brackett was born in 1915 in Los Angeles. She was the author of numerous short stories and books regarding science fiction and has been referred to as the Queen of Space Opera. Hollywood director Howard Hawks was so impressed by one of her novels that he had his secretary call in "this guy Brackett" to help William Faulkner write the script for The Big Sleep (1946). As a screenwriter, she is best known for her work in The Big Sleep, Rio Bravo (1959), and Star Wars: Episode V - The Empire Strikes Back (1980). She died of cancer in 1978 in Lancaster, California.- Writer
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June Mathis was born June Beulah Hughes in 1887 in Leadville, Colorado. Her father died at a young age and her mother married William Mathis. She grew up in Salt Lake City, Utah, which she would proudly consider her hometown for the rest of her life.
At the age of 13 she pursued a career in vaudeville, doing imitations and dances. She had success in San Francisco and eventually played The Orpheum. Her stage career grew over the next few years, bringing her good reviews and much acclaim. In 1908 she played with Julian Eltinge in "Brewster's Millions" and in 1912 joined him in "The Fascinating Widow", which was a major success.
After a brief one-time foray in front of the camera in 1910 (or possibly 1911), Mathis decided she would like to be behind the camera. After two years of self-prescribed study she submitted a script in a screenwriting contest. Even though she didn't win, Mathis received several offers. She took one from Edwin Carewe, and her first produced script was for the film The House of Tears (1915).
Mathis signed with Metro Pictures, where she quickly rose in the ranks. By 1918 she was writing for the studio's biggest stars, such as Francis X. Bushman, Viola Dana, Mae Murray and Alla Nazimova. Mathis became head of the scenario department, making her the first female film executive ever.
In 1920 she began work on The Four Horsemen of the Apocalypse (1921), a film that was hers from casting to crew to writing to production. For a director she chose Rex Ingram, and for the role of Julio she chose a small-time actor named Rudolph Valentino. The film was a major success and launched Ingram, Mathis and Valentino into superstardom. It was the top-grossing film of 1921 (beating out Charles Chaplin's The Kid (1921)), made $9 million during its original run and was the sixth highest-grossing silent of all time.
Mathis and Valentino were good friends until a disagreement in 1924 over The Hooded Falcon (1924), but they reconciled before his death in 1926. Mathis moved with Valentino to Famous Players-Lasky, where she wrote Blood and Sand (1922), The Young Rajah (1922) and The Spanish Dancer (1923) (originally intended for Valentino). "Blood and Sand" was a huge success, becoming one of the top 4 grossing movies of 1922 and a defining film for Valentino, his co-star Nita Naldi and Mathis.
After Valentino embarked on his one-man strike, Mathis signed with Goldwlyn Pictures as an editorial director. She was in charge of Ben-Hur: A Tale of the Christ (1925) in the same way she had been for "The Four Horsemen". However, director Charles Brabin did not see it that way and the production was a disaster, eventually Brabin was fired and replaced by Fred Niblo and all the film that had been shot, including all of the expensive location work done in Italy, had to be scrapped and the production begun from scratch. After a year at Goldwyn Mathis left for First National. There she was again an executive, this time writing comedies (something she enjoyed doing) for Colleen Moore and Corinne Griffith.
After her rift with Valentino she married Silvano Balboni, who she met while filming "Ben-Hur". After First National Mathis was rumored to be writing for UA or MGM once again, but neither came to be; she died unexpectedly in 1927 at the age of 40 from a heart ailment (from which she had suffered all her life) while watching a performance on Broadway.
She was buried next to Valentino, who had died the year before, severely in debt. Mathis had loaned him the crypt but by the 1930s the arrangement became permanent. Balboni sued Mathis' 84-year-old grandmother for her estate over a technicality, causing her to lose the inheritance Mathis had intended for her. He returned to Italy in the 1930s, and her grandmother died in 1933.
Mathis was not only responsible for Valentino's superstardom but for his love of art in film, and his beliefs in spirituality as well. Today she is mostly forgotten but when she died she was the third most powerful woman in Hollywood (outranking the 3 other major women screenwriters: Anita Loos, Frances Marion and Jeanie Macpherson). She was also a founding member of the Academy of Motion Picture Arts and Sciences.- Daphne Du Maurier was one of the most popular English writers of the 20th Century, when middle-brow genre fiction was accorded a higher level of respect in a more broadly literate age. For her services to literature, she was made a Dame Commander of the Order of the British Empire in 1969, the female equivalent of a knighthood. Thus, she achieved a trifecta of sorts, as her father and her husband were both knights.
She was born on May 13, 1907 in London, the second daughter of the famous actor-manager Gerald du Maurier, who himself was knighted in 1922, and the actress Muriel Beaumont. Her grandfather was the famous anglo-French writer George L. Du Maurier, the creator of Svengali in his 1894 novel "Trilby". (She was also cousin to the Llewelyn Davies boys, through her grandfather Gerald. The boys were the inspiration for the boys in J.M. Barrie' Peter Pan (1924) and his Neverland works.) Her husband was also famous: Frederick A. M. Browning, the WWII Commander "Boy" Browning renowned as the "father of the British airborne forces." He helped plan and execute Operation Market Garden, an airborne operation that put Allied troops into Germany and the Netherlands, an ultimately unsuccessful venture chronicled in Cornelius Ryan's A Bridge Too Far (1977). During the Second World War, Boy Browning achieved the rank of Lieutenant General and a knighthood. Browning's quote that Arnheim was a bridge too far later became famous as a book title and ultimately a movie title. Daphne published her first short story in 1928; her first novel, "The Loving Spirit", was published in 1931, and her last, "Rule Britannia", forty-one year later. In between, she achieved her greatest success with the novel Rebecca (1940), which was adapted by Alfred Hitchcock into a classic film that won the Best Picture Oscar for 1940. Another novel, Don't Look Now (1973), adapted by Nicolas Roeg, is also considered a classic film in Britain.
Along with "Rebecca", she had great successes with her novels Jamaica Inn (1939) and Frenchman's Creek (1944), both of which were adapted into movies. The three novels were set in Cornwall, where she lived. In addition to multiple non-fiction books, Daphne Du Maurier also wrote three plays (including an adaptation of "Rebecca").
She died on April 19, 1989, in Par in her beloved Cornwall, five weeks shy of her 82nd birthday. - Writer
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Thea von Harbou was born on 27 December 1888 in Tauperlitz, Döhlau, Bavaria, Germany. She was a writer and director, known for Metropolis (1927), M (1931) and Woman in the Moon (1929). She was married to Fritz Lang and Rudolf Klein-Rogge. She died on 1 July 1954 in Berlin, Germany.- Writer
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Ruth Prawer Jhabvala was born on 7 May 1927 in Cologne, Germany. She was a writer, known for Howards End (1992), A Room with a View (1985) and The Remains of the Day (1993). She was married to Cyrus Jhabvala. She died on 3 April 2013 in Manhattan, New York City, New York, USA.- Agatha was born as "Agatha Mary Clarissa Miller" in 1890 to Frederick Alvah Miller and Clara Boehmer. Agatha was of American and British descent, her father being American and her mother British. Her father was a relatively affluent stockbroker. Agatha received home education from early childhood to when she turned 12-years-old in 1902. Her parents taught her how to read, write, perform arithmetic, and play music. Her father died in 1901. Agatha was sent to a girl's school in Torquay, Devon, where she studied from 1902 to 1905. She continued her education in Paris, France from 1905 to 1910. She then returned to her surviving family in England.
As a young adult, Agatha aspired to be a writer and produced a number of unpublished short stories and novels. She submitted them to various publishers and literary magazines, but they were all rejected. Several of these unpublished works were later revised into more successful ones. While still in this point of her life, Agatha sought advise from professional writer Eden Phillpotts (1862-1960). Meanwhile she was searching for a suitable husband and in 1913 accepted a marriage proposal from military officer and pilot-in-training Archibald "Archie" Christie. They married in late 1914. Her married name became "Agatha Christie" and she used it for most of her literary works, including ones created decades following the end of her first marriage.
During World War I, Archie Christie was send to fight in the war and Agatha joined the Voluntary Aid Detachment, a British voluntary unit providing field nursing services. She performed unpaid work as a volunteer nurse from 1914 to 1916. Then she was promoted to "apothecaries' assistant" (dispenser), a position which earned her a small salary until the end of the war. She ended her service in September, 1918.
Agatha wrote "The Mysterious Affair at Styles", her debut novel ,in 1916, but was unable to find a publisher for it until 1920. The novel introduced her famous character Hercule Poirot and his supporting characters Inspector Japp and Arthur Hastings. The novel is set in World War I and is one of the few of her works which are connected to a specific time period.
Following the end of World War I and their retirement from military life, Agatha and Archie Christie moved to London and settled into civilian life. Their only child Rosalind Margaret Clarissa Christie (1919-2004) was born early in the marriage. Agatha's debut novel was first published in 1920 and turned out to be a hit. It was soon followed by the successful novels "The Secret Adversary" (1922) and "Murder on the Links" (1923) and various short stories. Agatha soon became a celebrated writer.
In 1926, Archie Christie announced to Agatha that he had a mistress and that he wanted a divorce. Agatha took it hard and mysteriously disappeared for a period of 10 days. After an extensive manhunt and much publicity, she was found living under a false name in Yorkshire. She had assumed the last name of Archie's mistress and claimed to have no memory of how she ended up there. The doctors who attended to her determined that she had amnesia. Despite various theories by multiple sources, these 10 days are the most mysterious chapter in Agatha's life.
Agatha and Archie divorced in 1928, though she kept the last name Christie. She gained sole custody of her daughter Rosalind. In 1930, Agatha married her second (and last) husband Max Mallowan, a professional archaeologist. They would remain married until her death in 1976.Christie often used places that she was familiar with as settings for her novels and short stories. Her various travels with Max introduced her to locations of the Middle East, and provided inspiration for a number of novels.
In 1934, Agatha and Max settled in Winterbrook, Oxfordshire, which served as their main residence until their respective deaths. During World War II, she served in the pharmacy at the University College Hospital, where she gained additional training about substances used for poisoning cases. She incorporated such knowledge for realistic details in her stories.
She became a Commander of the Order of the British Empire in 1956 and a Dame Commander of the same order in 1971. Her husband was knighted in 1968. They are among the relatively few couples where both members have been honored for their work. Agatha continued writing until 1974, though her health problems affected her writing style. Her memory was problematic for several years and she had trouble remembering the details of her own work, even while she was writing it. Recent researches on her medical condition suggest that she was suffering from Alzheimer's disease or other dementia. She died of natural causes in early 1976. - Patricia Highsmith was born on 19 January 1921 in Fort Worth, Texas, USA. She was a writer, known for The Talented Mr. Ripley (1999), Strangers on a Train (1951) and The Two Faces of January (2014). She died on 4 February 1995 in Locarno, Switzerland.
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Ms. Duras was born in southern Vietnam and lost her father at age 4. The family savings of 20 years bought the family a small plot in Cambodia, but everything was lost in a single season's flooding. The disaster killed her mother as a result. After high school in Saigon, Ms. Duras left Indochina to study law in Paris. As a young woman, she worked as a secretary in France's Ministry of Colonies from 1935 to 1941, before becoming a writer. She wrote 34 novels from 1943 to 1993, and became an enduring part of Paris's intellectual elite. In addition to her writing, she also directed about 16 films. For the film India Song (1975), she won France's Cinema Academy Grand Prix. She claimed to have rescued French president François Mitterand during World War II, when he was a resistance fighter and remained a friend and unconditional campaigner. Her most noted novel is "L'Amant", the story of a girl, from a poor French family in Indochina, who becomes the mistress of a wealthy Indochinese notable's son.Hiroshima mon Amour L'Amant
Une aussi longue absence- Mario Puzo was born October 15, 1920, in "Hell's Kitchen" on Manhattan's (NY) West Side and, following military service in World War II, attended New York's New School for Social Research and Columbia University. His best-known novel, "The Godfather," was preceded by two critically acclaimed novels, "The Dark Arena" and "The Fortunate Pilgrim." In 1978, he published "Fools Die," followed by "The Sicilian" (1984) and "The Fourth K" (1991). Mario Puzo has also written several screenplays, including Earthquake (1974), Superman (1978), and all three "Godfather" movies, for which he received two Academy Awards. Mario's latest novel, 1996's "The Last Don," was made into a CBS television miniseries in May 1997, starring Danny Aiello, Kirstie Alley and Joe Mantegna. In 1997, Part II was aired. Also in 1997, Mario's "The Fortunate Pilgrim" was re-released by Random House. Mario passed away July 2, 1999, at his home in Bay Shore, Long Island. His last novel, "Omerta," will be published July, 2000. He is survived by his companion of 20 years, Carol Gino, and five children.
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Mel Brooks was born Melvin Kaminsky on June 28, 1926 in Brooklyn, New York. He served in WWII, and afterwards got a job playing the drums at nightclubs in the Catskills. Brooks eventually started a comedy act and also worked in radio and as Master Entertainer at Grossinger's Resort before going to television.
He was a writer for, Your Show of Shows (1950) Caesar's Hour (1954) and wrote the Broadway show Shinbone Alley. He also worked in the creation of The 2000 Year Old Man (1975) and Get Smart (1965) before embarking on a highly successful film career in writing, acting, producing and directing.
Brooks is famous for the spoofs of different film genres that he made such as Blazing Saddles (1974), History of the World: Part I (1981), Silent Movie (1976), Young Frankenstein (1974), Robin Hood: Men in Tights (1993), High Anxiety (1977), Dracula: Dead and Loving It (1995), and Spaceballs (1987).- Writer
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Follett's parents belonged to the Plymouth Brethren, a Protestant sect similar to the Baptists. He was forbidden to watch television, radio or cinema. He showed a strong penchant for literature in his early youth, when he read the works of H.G. at the age of seven. Wells and Ian Flamming discovered for themselves. When he was ten years old, in 1959, his family moved to London, where he finished school. He then studied philosophy at the University of London. This subject was due to his critical curiosity about world religions, in which he hoped to find an explanation that he could understand. Meanwhile, his girlfriend Mary became pregnant, and the couple married at the end of his first semester in 1968.
In 1970 he completed his studies in London with a bachelor's degree (B.A.). He then began his professional life as a reporter and columnist for rock music for the "South Wales Echo"; and his interest in authorship was piqued. At the same time, he completed a three-month journalism course. From 1973 to 1974 he worked as a journalist for the London Evening News. His daughter Marie-Claire was born in the same year. At this time he also began his career as an author with his first short stories and novels. In 1974 he became editor-in-chief and deputy director of the publishing house "Everest Books" in London. At the same time he began to publish his first works, such as "The Big Needle" (1947) and the crime novel "The Modigliani Scandal" (1976). He used pseudonyms such as Simon Myles or Zachary Stone.
In 1978, his spy novel "The Needle" was published, which became a bestseller and brought him international popularity. The book sold around twelve million copies and was awarded the Mystery Writers of America's Edgar Award and made into a film starring Donald Sutherland. The proceeds enabled Follett to work exclusively as a writer from then on. Follett then moved into a villa in the south of France, where his next successful novel, "Triple" (Triple, 1980), was written. In 1983 Follett moved to Surrey with his family. There he stood out as a supporter of the Labor Party. Here he met Barbara Broer, a member of the British House of Commons, whom he married after his divorce in 1985. The couple settled in Hertfordshire and in Chelsea, London.
In addition to writing, he played bass guitar in the band Damn Right I've Got the Blues. There were more thrillers and in the following years Follett also took on social tasks in various clubs and associations. In 1990 his novel "The Pillars of the Earth" was published, which describes the construction of a cathedral in medieval England and which was made into a four-part television series by Sergio Mimica-Gezzan in 2010. Follett had discovered the genre of historical novels. Through intensive research, he tried to write them as historically correct and detailed as possible. This created detailed past worlds that illuminated all facets of an era and thus opened up well-founded historical impressions. The author himself became one of the most widely read writers of our time.
With the epoch-making trilogy of his "Saga of the Century," he underlined his reputation for research and historical observation. The historical novel "Fall of the Titans", published in 2010, marked the beginning of this. It's about the fate of three families in the 20th century. The aim was to capture the world historical whole and to draw a kind of global literature. "Winter of the World" followed in 2012 and the "Saga of the Century" entitled "Children of Freedom" was completed in 2014.- Writer
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Although his name is often linked to that of the "movie brat" generation (Steven Spielberg, Martin Scorsese, Francis Ford Coppola, George Lucas, Brian De Palma, etc.) Paul Schrader's background couldn't have been more different than theirs. His strict Calvinist parents refused to allow him to see a film until he was 18. Although he more than made up for lost time when studying at Calvin College, Columbia University and UCLA's graduate film program, his influences were far removed from those of his contemporaries--Robert Bresson, Yasujirô Ozu and Carl Theodor Dreyer (about whom he wrote a book, "Transcendental Style in Film") rather than Saturday-morning serials. After a period as a film critic (and protégé of Pauline Kael), he began writing screenplays, hitting the jackpot when he and his brother, Leonard Schrader (a Japanese expert), were paid the then-record sum of $325,000, thus establishing his reputation as one of Hollywood's top screenwriters, which was consolidated when Martin Scorsese filmed Schrader's script Taxi Driver (1976), written in the early 1970s during a bout of drinking and depression. The success of the film allowed Schrader to start directing his own films, which have been notable for their willingness to take stylistic and thematic risks while still working squarely within the Hollywood system. The most original of his films (which he and many others regard as his best) was the Japanese co-production Mishima: A Life in Four Chapters (1985).- Writer
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Herman J. Mankiewicz, now known primarily as the man who co-wrote Citizen Kane (1941) with Hollywood's greatest wunderkind, Orson Welles, was one of the highest-paid screenwriters in Hollywood and the head of Paramount's screen-writing department in the late 1920s and early '30s. He reached the pinnacle of his craft soon after arriving in Hollywood, then started to make a quickening descent as alcoholism and cynicism adversely affected his career by the end of that decade. His collaboration with Welles, which brought both men the Academy Award for Best Original Screenplay in 1942, gave his career a boost in the early 1940s, and he garnered another Oscar nod the following year for writing The Pride of the Yankees (1942) about the recently deceased New York Yankees great Lou Gehrig.
Herman was born on November 7, 1897 in New York City, the son of Johanna (Blumenau) and Franz Mankiewicz. His parents were Jewish emigrants from Germany, and after living in Wilkes-Barre, Pennsylvania, the family, along with Herman's kid brother Joe, moved back to the Big Apple in 1913. Mankiewicz took a degree in philosophy at Columbia and became an editor of the "American Jewish Chronicle" before going to fight the Great War with the Marine Corps.
The hard-drinking Mankiewicz, like so many of the screenwriters of the Talkie period, started out as a newspaperman. After World War One was over, he was hired by the Paris-based American Red Cross News Service, eventually moving on to the "Chicago Tribune" where he covered German politics in Berlin. He served as dancer Isadora Duncan's publicist while in Europe.
A married man who ultimately sired three children with his long-suffering wife, the former Sara Aaronson, Mankiewicz returned to the city of his birth to write for the "New York World". He established himself as a prime wit rivaled only by George S. Kaufman, and pieces he wrote appeared in the top magazines of the time, including "Vanity Fair." He eventually worked at the "New York Times" with Kaufman as a drama critic before moving on to the "New Yorker" magazine, where he served in the same capacity. He also tried his hand as a Broadway dramatist. His comedy "The Good Fellow" was a flop in 1926, closing after seven performances, though his next effort, "The Wild Man of Borneo (1941)" that he co-wrote with Marc Connelly, lasted all of 15 performances before closing in 1927.
In the last years of silent pictures, Mankiewicz heeded the admonition of Horace Greeley to "Go West, young man" and moved to Hollywood. He wrote intertitles, most notably for Josef von Sternberg's classic The Last Command (1928). Paramount made him the chief of their scenario department, where he hired talented writers in his own mold, men like Ben Hecht, another hard-drinking, ink-stained wretch from the newspaper industry. "Mank" was a talented wordsmith and he soon became the highest paid writer in Hollywood, as his position was solidified with the advent of sound and the need for real dialogue that could be spoken onscreen by actors, not read by audiences, many of whom moved their lips while following along, eyes agog. The new Talkies demanded fast, crisp dialogue, and Mank was the man to provide it. His biting wit and taste for satire went down well with the audiences for the new Talkies. He eventually brought his kid brother Joseph L. Mankiewicz to Hollywood. (With four Oscars out of 10 nominations, Joe -- a triple threat as writer-director-producer -- eventually surpassed his elder brother, creating some classics of his own such as All About Eve (1950).)
Herman Mankiewicz produced the The Marx Brothers pictures Monkey Business (1931), Horse Feathers (1932) and Duck Soup (1933). His penultimate gig as a producer at Paramount was on W.C. Fields's 1932 Olympics comedy Million Dollar Legs (1932), on which brother Joe worked as a writer. Surprisingly, Herman wold not produce another movie until 1949, but his bad-boy behavior, which included gambling as well as hard partying, apparently was taking its toll. Mankiewicz's career was hampered not just by his alcoholism, but also by his cynicism. He despised Hollywood.
Mankiewicz went back to New York in early 1932 to make his Broadway debut as an actor, playing a waiter, in the play "Blessed Event", which was a modest hit. Eventually, Paramount let him go. By 1934, he was a contact writer at Metro-Goldwyn-Mayer, and by the end of the decade, his reputation was suffering, as he had lost the lofty perch he once occupied.
Orson Welles claimed that he had to assign producer John Houseman to keep Mankiewicz sober during the drafting of the "Citizen Kane" screenplay. After that film gave his career a boost, film critic Pauline Kael wrote that he became even more erratic and unreliable due to his drinking. Mankiewicz apparently found it hard to fit into the increasingly hierarchical structure of the movie industry, which was far removed from the far more relaxed days of the early talkies.
He died in Hollywood, a place he despised, at the age of 55 on March 5, 1953.- Writer
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Author, producer, and composer who earned a Bachelor of Science degree from CCNY, then a Purple Heart during World War II while serving in the US Army. Joining ASCAP in 1955, his chief musical collaborators included George Bassman and Harry Warren. His popular-song compositions include "Marty" and "Middle of the Night".- Writer
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Anthony Shaffer was born on 15 May 1926 in Liverpool, England, UK. He was a writer, known for Sleuth (1972), Frenzy (1972) and The Wicker Man (1973). He was married to Diane Cilento and Carolyn Soley. He died on 6 November 2001 in London, England, UK.- Writer
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Peter Shaffer was born on 15 May 1926 in Liverpool, England, UK. He was a writer, known for Amadeus (1984), Equus (1977) and The Public Eye (1972). He died on 6 June 2016 in County Cork, Ireland.- Writer
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Ennio Flaiano was born on 5 March 1910 in Pescara, Abruzzo, Italy. He was a writer and actor, known for 8½ (1963), La Dolce Vita (1960) and Nights of Cabiria (1957). He was married to Rosetta Rota. He died on 20 November 1972 in Rome, Lazio, Italy.- Writer
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John Hughes was an American film director, film producer, and screenwriter. He was credited for creating some of the most memorable comedy films of the 1980s and the 1990s, when he was at the height of his career. He had a talent for writing coming-of-age stories, and for depicting fairly realistic adolescent characters.
In 1950, Hughes was born in Lansing, Michigan. The city's main employers for much of the 20th century were manufacturing plants for automobiles. Lansing housed the headquarters of companies such as Oldsmobile and the REO Motor Car Company. Hughes' father John Hughes Sr. was a salesman, while Hughes' mother Marion Crawford worked as a volunteer for charity organizations.
Hughes had three sisters and no brothers. His family moved often. For most of his childhood, the Hughes family lived in Grosse Pointe, Michigan, a commuter suburb of Metro Detroit. According to an interview of Hughes, he was the only boy in his neighborhood while growing up. He was surrounded by girls and "old people," and there was no boys around for him to befriend. He spend a lot of time alone, and used his active imagination to keep himself entertained.
In 1963, the Hughes family moved to Northbrook, Illinois, a suburb of Chicago. Hughes attended first the Grove Middle School, and then the Glenbrook North High School. His high school experiences reportedly provided inspiration for his teen-themed films of his career. According to interviews with Hughes' friends, Hughes had a poor relationship with his parents who often criticized him.
As an adolescent, Hughes felt the need to escape his problems. He became an avid film fan, as he found that films satisfied his need for escapism. He was a fan of both the Rat Pack (an informal group of actors and singers), and the music group The Beatles.
After graduating high school, Hughes enrolled in the University of Arizona. He eventually dropped out of the University, and tried to make a living as a comedy writer. He wrote jokes for professional comedians, such as Rodney Dangerfield (1921 - 2004) and Joan Rivers (1933 - 2014).
In 1970, Hughes was hired by the advertising company Needham Harper & Steers (1925-1986). That same year, Hughes married his former high school classmate Nancy Ludwig. Hughes worked in the advertising industry for several years. In 1974, Hughes was hired by the advertising agency Leo Burnett Worldwide. This company's most notable clients included the Pillsbury Company, StarKist, Heinz, Green Giant, and Philip Morris.
As a marketing agent, Hughes was assigned to handle Virginia Slims, a brand of cigarettes produced by Philip Morris. The assignment required him to regularly travel to New York City, where Philip Morris' headquarters were located. Hughes took the opportunity to visit the offices of the popular humor magazine "National Lampoon" (1970-1998) in New York City. He successfully negotiated a new position as a regular contributor to the magazine.
Hughes reportedly impressed the magazine's editors by producing quality work at a fast pace. Among his first short stories was "Vacation '58," based on his recollections of his family's vacations during his childhood. The story was eventually adapted into the road comedy film "National Lampoon's Vacation" (1983).
"National Lampoon" co-produced films written by their staff writers. Hughes provided the script for the black comedy "National Lampoon's Class Reunion" (1982), depicting a serial killer who targets his former classmates. The film was poorly received and under-performed at the box office, but it inspired Hughes to try to make a career as a screenwriter.
Hughes subsequently wrote the scripts for both "National Lampoon's Vacation" (1983) and "Mr. Mom" (1983), comedy films which were box office hits. He then signed a contract for three films with the studio Universal Pictures. He made his directing debut in the coming-of-age comedy film "Sixteen Candles" (1984). The film depicted the misadventures of high school sophomore Samantha "Sam" Baker (played by Molly Ringwald). It performed well at the box office, and was well-received by critics.
Hughes quickly established himself as a leading director of teen films. His films "The Breakfast Club" (1985), "Weird Science" (1985), and "Ferris Bueller's Day Off" (1986) are considered classics of the genre. To cover new ground, he then directed "Planes, Trains and Automobiles" (1987), featuring a duo of adult protagonists. The stars of the film were experienced comic actors Steve Martin and John Candy. The film was a hit. More importantly, Hughes and Candy became close friends. They would often work together in subsequent films.
Hughes' next film as a director was "She's Having a Baby" (1988), about the life of a newlywed couple. The film fared poorly financially and was considered rather "blasé" by critics. Hughes made a comeback with "Uncle Buck" (1989), about a lifelong bachelor who has to take care of his two nieces and a nephew. The film was a box office hit, earning about 80 million dollars at the box office.
Hughes' final film as a director was the comedy-drama "Curly Sue" (1991), about homeless con artist Bill Dancer (played by Jim Belushi) who desperately tries to keep the custody of his surrogate daughter. While moderately successful at the box office at the box office, the film was widely ridiculed for being overly sentimental.
In the 1990s, Hughes found success as a screenwriter, scripting several box office hits. Among his most notable films in this period were "Home Alone" (1990) and "Beethoven" (1992), with both films starting lucrative media franchises. Hughes also wrote the scripts of the sequels "Home Alone 2: Lost in New York" (1992) and "Home Alone 3" (1997). He also scripted a notable comic strip adaptation, "Dennis the Menace" (1993). It was based on the long-running comic strip "Dennis the Menace" (1951-) by Hank Ketcham (1920-2001).
In 1994, Hughes moved to the Chicago metropolitan area. At about that time, he started actively avoiding publicity. He rarely gave any interviews until the end of his life. In 1995, Hughes co-founded the production company Great Oaks Entertainment, which mainly handled co-production of Disney produced films. Hughes handled the scripting of two of the company's films: "101 Dalmatians" (1996) and "Flubber" (1997). Both were remakes of older films.
In 1997, Hughes severed his partnership with Ricardo Mestres. A year later, their final co-production, "Reach the Rock," was released. The film was scripted by Hughes, though it was uncharacteristically dramatic for a Hughes film. The film depicted the conflict between an alienated young man and a police chief.
In the 2000s, Hughes only scripted three more films. The most notable among them the romantic drama "Maid in Manhattan" (2002), a hit for protagonist Jennifer Lopez. It earned about 164 million dollars.
In August 2009, Hughes visited New York City with his wife. He wanted to visit one of his sons who lived there, and to meet his new grandson. On August 6, Hughes suffered a heart attack while walking in Manhattan. He was transported to Roosevelt Hospital, but died shortly after. He was fifty-nine years old.
Hughes was buried in Lake Forest Cemetery, a rural cemetery located in Lake Forest, Illinois. He was survived by his wife, their two children, and several grandchildren.- Writer
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William (Motter) Inge brought small-town life in the American Midwest to Broadway with four successive dramatic triumphs: "Come Back Little Sheba" (1950), "Picnic" (1953; Pulitzer Prize), "Bus Stop" (1955) and "The Dark at the Top of the Stairs" (1957). With the exception of his Academy Award-winning screenplay for Splendor in the Grass (1961), his later plays and prose never achieved the success of his early work. Convinced he could no longer write, Inge fell into a paralyzing depression, which resulted in his suicide.- Writer
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Henrik Galeen was born on 7 January 1881 in Stryj, Galicia, Austria-Hungary. He was a writer and director, known for Nosferatu (1922), The Golem (1914) and A Daughter of Destiny (1928). He was married to Comptess Ilse von Schenk and Elvira Adler. He died on 30 July 1949 in Randolph, Orange County, Vermont, USA.- Arthur Schnitzler was born on 15 May 1862 in Vienna, Austrian Empire [now Austria]. He was a writer, known for Eyes Wide Shut (1999), Late Fame and The Affairs of Anatol (1921). He was married to Olga Gussmann. He died on 21 October 1931 in Vienna, Austria.
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After completing studies in literature at the University of Vienna, Walter Reisch began his screen career as an extra and title writer in 1918. He eventually made the acquaintance of Stephan Lorant, a refuge from the Horty regime in Hungary, who, within a single year, had made a name for himself in Austrian films as a film maker and cinematographer. Lorant gave Reisch a break by promoting him as his assistant director on Die Narrenkappe der Liebe (1921). Reisch followed Lorant to Berlin -- then the artistic hub of Europe -- to work as his assistant cameraman. He subsequently continued on in the same capacity, working on documentary newsreeels in Switzerland.
In 1925, Reisch returned to Austria to specialise as a scenarist. Before long, his growing reputation led the producer Erich Pommer to sign him to a contract with Germany's leading film company Ufa, where he had the opportunity to work alongside another gifted Viennese writer named Billy Wilder. Much of Reisch's work at this time was adapted from literary classics, but he also used some of his own original stories as material. From 1930, he managed to fulfill his long-standing ambition to write lyrics for operatic films. For the next three years, he contributed to many melodies which became popular across the European continent, featured in films like Zwei Herzen im Dreiviertel-Takt (1930), The Theft of the Mona Lisa (1931) and A Blonde Dream (1932).
With the rise of Nazism, Reisch, like most creative talent of Jewish background, was forced to join the mass exodus from Germany. He had a brief resurgence in Vienna, where he worked under Willi Forst on the comedy Masquerade in Vienna (1934) and the Franz Schubert biopic Unfinished Symphony (1934). Both turned out to be solid international hits. By 1936, the political situation in Austria had made it untenable for Reisch to continue his work. Almost penniless, he moved on to join his previous mentor Alexander Korda (for whom he had worked as assistant in his student days) in London. After writing and directing the comedy Men Are Not Gods (1936), starring Miriam Hopkins, Reisch unexpectedly received an offer from Louis B. Mayer, who was on a tour of European cities scouting for talent. Soon bound for MGM, Reisch crossed the Atlantic aboard the cruise liner Normandie, with ice-skating star Sonja Henie and actors Douglas Fairbanks Jr. and Gertrude Lawrence as fellow passengers.
At MGM (1938-48), his chief contribution was in story construction, solving continuity problems, providing narrative, inventing characters and making relationships between characters plausible and compelling. It remained for other writers, like Charles Brackett or Wilder, to sort out the dialogue. Reisch also had a knack for tailoring scripts to suit a specific star, which he achieved to great effect for Greta Garbo (with Ninotchka (1939)), Clark Gable (with Comrade X (1940)) and Ingrid Bergman (with Gaslight (1944)). Reisch had another crack at directing with Song of Scheherazade (1947). It ended up being made at Universal, because MGM, having an over-abundance of directors under contract, wanted to keep their writers doing what they did best. Though made relatively cheaply, "Song of Scheherazade" turned out to be an ill-advised piece of kitsch, centred around a purely fictitous romance between composer Nikolai Rimsky-Korsakov and a dancer. The film was roundly slammed by critics and Reisch was never again approached to direct another picture.
Despite this setback, he returned to best writing form after joining 20th Century Fox in 1949, though he had to adapt himself to a new working methodology: budgets and schedules were tighter and just about everything had to be run past Darryl F. Zanuck; the studio also tended to lean towards action subjects, rather than musical comedy, romantic melodrama or wry satire, which had hitherto been Reisch's forte. Nonetheless, his lengthy tenure at Fox encompassed two massive back-to-back hits. In collaboration with his former writing partner Charles Brackett, he first worked on location at Niagara Falls, devising the entire original story for Niagara (1953), Brackett handling the dialogue and production. Reisch next worked on Titanic (1953), for which he developed many of the characters by researching contemporary newspaper articles. For this, he was made co-recipient of the Oscar for Best Writing, Story and Screenplay in 1954. His last worthy effort was a powerful, underrated drama based on a sensational 1906 scandal: The Girl in the Red Velvet Swing (1955). Zanuck wanted a star vehicle for his latest acquisition, Joan Collins, and Reisch obliged by selling him on the Thaw-White murder case, with Collins in the role of actress Evelyn Nesbit. He had the script ready within ten weeks, painstakingly researched from the original transcripts, and, as he later proudly claimed, '70 % fact and only 30% fictionalised'!
In 1959, a strike of the Screen Writer's Guild prevented Reisch from working for six months. When he was finally able to return, a regime change at Fox had taken place, and, as part of a general purge, his contract was not renewed.- Writer
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Jean-Claude Carrière was born on 17 September 1931 in Colombières-sur-Orb, Hérault, France. He was a writer and actor, known for The Unbearable Lightness of Being (1988), The Discreet Charm of the Bourgeoisie (1972) and Cyrano de Bergerac (1990). He was married to Nicole Janin and Nahal Tajadod. He died on 8 February 2021 in Paris, France.- Writer
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A former boxer, paratrooper and general all-around angry young man, Rod Serling was one of the radical new voices that made the "Golden Age" of television. Long before The Twilight Zone (1959), he was known for writing such high-quality scripts as "Patterns" and "Requiem for a Heavyweight," both later turned into films (Patterns (1956) and Requiem for a Heavyweight (1962)). The Twilight Zone (1959) featured forays into controversial grounds like racism, Cold War paranoia and the horrors of war. His maverick attitude eventually drove him from regular network television.- "There are no second acts in American lives," wrote F. Scott Fitzgerald, who himself went from being the high priest of the Jazz Age to a down-and-out alcoholic within the space of 20 years, but not before giving the world several literary masterpieces, the most famous of which is "The Great Gatsby" (1924).
He was born in 1896 to a mother who spoiled him shamelessly, leading him to grow up an especially self-possessed young man. While he was obsessed by the image of Princeton University, he flunked out, less interested in Latin and trigonometry than bathtub gin and "bright young things". The brightest was an unconventional young lady from Montgomery, Alabama named Zelda Fitzgerald. Fitzgerald invoked the jealousy of numerous local boys, some of whom had even begun a fraternity in Zelda's honor, by snagging her shortly before the publication of his first novel, "This Side of Paradise". The novel was a huge success, and Fitzgerald suddenly found himself the most highly-paid writer in America.
During the mid-to-late '20s the Fitzgeralds lived in Europe among many American expatriates including Gertrude Stein, Cole Porter, Ernest Hemingway and Thornton Wilder. He wrote what is considered his greatest masterpiece, "The Great Gatsby", while living in Paris. It was at the end of this period (1924-30) that his marriage to the highly strung, demanding and mentally unstable Zelda began to unravel. She was diagnosed with schizophrenia and spent much of the rest of her life in a variety of mental institutions. Fitzgerald turned more and more to alcohol. In 1930 a major crisis came when Zelda had a series of psychotic attacks, beginning a descent into madness and schizophrenia from which she would never recover. Much of Fitzgerald's income would now be dedicated to keeping his wife in mental hospitals. Emotionally and creatively wrung out, he wrote "Tender is The Night" (1934), the story of Dick Diver and his schizophrenic wife Nicole, that shows the pain that he felt himself. In the mid-30s Fitzgerald had a breakdown of his own. He had become a clinical alcoholic, something he would detail in his famous "The Crack-Up" series of essays.
With Zelda institutionalized on the East Coast, it was Hollywood that proved to be Fitzgerald's salvation. Although he had little success in writing for films, which he had attempted several times previously, he was paid well and gained a new professional standing. His experiences there inspired "The Last Tycoon", his last--and unfinished--novel which some believe might have been his greatest of all. Fitzgerald died at the home of his mistress, writer Sheilah Graham, of a heart attack in 1940, believing himself to be a failed and broken man. He never knew that he would one day be considered one of the finest writers of the 20th century. - Theodore Dreiser was one of the great American writers, and a transitional figure between Victorian America and the "modern" age that was inaugurated after the cessation of hostilities after WWI and the publication of Sinclair Lewis' "Main Street" in 1920. A naturalist with a committed social conscience (Dreiser was a socialist in a time when socialists were an established third party and had many mayoral posts and seats in state legislatures before the post-WWI "Red Scare" wiped out socialism in the U.S.), Theodore Dreiser is a seminal figure in the evolution of American letters to a more mature literature.
Born on August 27, 1871 in Terre Haute, Indiana, he was the twelfth of thirteen children Born to John Paul & Sarah Dreiser, ten of whom survived infancy. Theordore's Dreiser's father, John, was a German immigrant and a strict Baptist. His mother Sarah came from a Mennonite community who later converted to Roman Catholicism. His older brother Paul Dresser became a famous songwriter.
Theodore Dreiser attended Indiana University from 1889 to 1890, but flunked out and became a journalist in Chicago and St. Louis. He married the former Sara White in 1898, but the marriage failed and they separated in 1909. Dreiser never divorced his wife.
His first novel "Sister Carrie" was published in 1900. It is considered a classic and a seminal piece of American literature. The publisher did not promote the novel, likely due to its controversial subject matter (adultery, extramarital sex), and the book sold poorly. He did not score a best-seller for a quarter-of-century, until "An American Tragedy" in 1925. (The novel was made into George Stevens 1951 masterpiece A Place in the Sun (1951).
Theodore Dreiser died on December 28, 1945, not long after he had joined the Communist Party, a move that Ernest Hemingway said was that of an old man trying to save his soul. - Writer
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Popular British novelist, playwright, short-story writer and the highest-paid author in the world in the 1930s, Somerset Maugham graduated in 1897 from St. Thomas' Medical School and qualified as a doctor, but abandoned medicine after the success of his first novels and plays. During World War I he worked as a secret agent and in 1928 settled in Cap Ferrat in France, from where he made journeys all over the world. Maugham's spy novel "Ashenden; or The British Agent" (1928) is partly based on his own experiences in the secret service. In making the transition from secret agent to writer, Maugham carried on in the tradition of such classic writers as Christopher Marlowe, Ben Johnson and Daniel Defoe to such contemporary writers as Graham Greene, John le Carré, John Dickson Carr, Alec Waugh and Ted Allbeury. Maugham's skill in handling plot is compared by critics to that of Guy de Maupassant. In many of Maugham's novels the surroundings are international and the stories are told in a clear, economical style with a cynical or resigned undertone. Although Maugham was successful as an author he was never knighted and his relationship with Gerald Haxton, his secretary, has been subject to speculation.- Ernest Hemingway was an American writer who won the Pulitzer Prize (1953) and the Nobel Prize in Literature (1954) for his novel The Old Man and the Sea, which was made into a 1958 film The Old Man and the Sea (1958).
He was born into the hands of his physician father. He was the second of six children of Dr. Clarence Hemingway and Grace Hemingway (the daughter of English immigrants). His father's interests in history and literature, as well as his outdoorsy hobbies (fishing and hunting), became a lifestyle for Ernest. His mother was a domineering type who wanted a daughter, not a son, and dressed Ernest as a girl and called him Ernestine. She also had a habit of abusing his quiet father, who suffered from diabetes, and Dr. Hemingway eventually committed suicide. Ernest later described the community in his hometown as one having "wide lawns and narrow minds".
In 1916 Hemingway graduated from high school and began his writing career as a reporter for The Kansas City Star. There he adopted his minimalist style by following the Star's style guide: "Use short sentences. Use short first paragraphs. Use vigorous English. Be positive, not negative." Six months later he joined the Ambulance Corps in WWI and worked as an ambulance driver on the Italian front, picking up human remains. In July 1918 he was seriously wounded by a mortar shell, which left shrapnel in both of his legs causing him much pain and requiring several surgeries. He was awarded the Silver Medal. Back in America, he continued his writing career working for Toronto Star . At that time he met Hadley Richardson and the two married in 1921.
In 1921, he became a Toronto Star reporter in Paris. There he published his first books, called "Three Stories and Ten Poems" (1923), and "In Our Time" (1924). In Paris he met Gertrude Stein, who introduced him to the circle that she called the "Lost Generation". F. Scott Fitzgerald, Thornton Wilder, Sherwood Anderson and Ezra Pound were stimulating Hemingway's talent. At that time he wrote "The Sun Also Rises" (1926), "A Farewell to Arms" (1929), and a dazzling collection of Forty-Nine stories. Hemingway also regarded the Russian writers Lev Tolstoy, Fyodor Dostoevsky, Ivan Turgenev and Anton Chekhov as important influences, and met Pablo Picasso and other artists through Gertrude Stein. "A Moveable Feast" (1964) is his classic memoir of Paris after WWI.
Hemingway participated in the Spanish Civil War and took part in the D-Day landings during the invasion of France during World War II, in which he not only reported the action but took part in it. In one instance he threw three hand grenades into a bunker, killing several SS officers. He was decorated with the Bronze Star for his action. His military experiences were emulated in "For Whom the Bell Tolls" (1940) and in several other stories. He settled near Havana, Cuba, where he wrote his best known work, "The Old Man and the Sea" (1953), for which he won a Pulitzer Prize and the Nobel Prize in Literature. This was adapted as the film The Old Man and the Sea (1958), for which Spencer Tracy was nominated for an Academy Award as Best Actor, and Dimitri Tiomkin received an Oscar for Best Musical Score.
War wounds, two plane crashes, four marriages and several affairs took their toll on Hemingway's hereditary predispositions and contributed to his declining health. He was diagnosed with bipolar disorder and insomnia in his later years. His mental condition was exacerbated by chronic alcoholism, diabetes and liver failure. After an unsuccessful treatment with electro-convulsive therapy, he suffered severe amnesia and his physical condition worsened. The memory loss obstructed his writing and everyday life. He committed suicide in 1961. Posthumous publications revealed a considerable body of his hidden writings, that was edited by his fourth wife, Mary, and also by his son Patrick Hemingway. - Writer
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Sinclair Lewis, the first American to win the Nobel Prize for Literature, was a colossus of American letters in the first half of the last century. Arguably, he is the first major "modern" writer of the 20th century, as there is American literature before "Main Street" (1920) and after that seminal novel, which revolutionized writing in the US. His eminence as a great American writer was eclipsed by Ernest Hemingway, who although more influenced by Sherwood Anderson and Gertrude Stein, owes a debt to Lewis, as do most realists in 20th-century American letters.- Writer
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Vladimir Vladimirovich Nabokov was born on April 22, 1899, the eldest of five children in a wealthy aristocratic family in St. Petersburg, Russia. His grandfather was a Justice Minister to the Czar Alexander II. His father, named Vladimir Dmitrievich Nabokov, was a liberal political leader, the editor of a liberal newspaper, and was a friend of Sergei Diaghilev. His mother, named Elena Ivanovna (née Rukavishnikov), was the daughter of the wealthiest Russian goldmine owner.
Nabokov's family was trilingual. As a child he was already reading foreign writers Edgar Allan Poe, Gustave Flaubert, and the Russians Lev Tolstoy, Nikolay Gogol, and Anton Chekhov. He excelled in languages and literature, as well, as in soccer, tennis and chess. He was inspired by his father's studies in lepidoptery from the age of 7, and spent summers collecting butterflies in the family estate of Vyra, near St. Petersburg. He graduated from the most advanced and prestigious Tenishev School in St. Petersburg, Russia.
Nabokov's father was the Secretary of the Russian Provisional Government, when he was arrested during the Russian revolution of October, 1917, and the family estate was confiscated by the communists. The Nabokov family emigrated to London and then to Berlin. There Nabokov's father was murdered at a political meeting while shielding his opponent from assassins. The painful memory of his father's violent death would echo in many of Nabokov's writings. In 1923 Nabokov graduated with honors from Trinity College, Cambridge, where he studied zoology and literature. He worked as a translator and tutor in Europe for 18 years. In 1925 he married Vera Evseevna Slonim, from a Russian-Jewish family, and their son Dimitri was born in 1934.
Traumatized by the death of his father and the loss of his home country, Nabokov expressed himself in writing. His novel 'The Luzhin Defence' (1930) is alluding to his own story of emigration and the sense of loss. In 1937 his father's killer was released by Adolf Hitler, and Nabokov had to move to Paris. Three years later he fled from the advancing German Armies to the United States, with his wife and son. In 1940 he crossed the Atlantic Ocean on the Champlain, where he had a first class cabin, paid with the money from the composer Sergei Rachmaninoff. In 1945 Nabokov became a naturalized citizen of the United States. He taught literature at Cornell University and worked as entomologist at Harvard University, becoming a distinguished lepidopterist.
He published short stories in the Atlantic and the New Yorker magazines in English, while still writing his memoirs in Russian, and agonizing to switch from Russian to English. It took him 6 years to complete "Lolita" (1955), a controversial story of a pedophile's desire for a 12-year-old girl, who reminds him of the little girl he loved as a boy. The novel was banned in America and the UK until 1958. He later wrote a screenplay for the film Lolita (1962), directed by Stanley Kubrick. Lolita and "Pale Fire" (1962) are his best known novels. In 1964 Nabokov published his four-volume translation of 'Eugene Onegin' by Alexander Pushkin, on which he worked for 10 years. He later made English translations of poems by Mikhail Lermontov and Fyodor Tyutchev. His own later works: the artfully constructed 'Ada' (1969), 'Transparent Things' (1972), and the autobiographic 'Look at the Harlequins' (1975), were translated into Russian by his son Dimitri. Nabokov also published scholarly works on Nikolay Gogol, James Joyce and Franz Kafka.
In 1960 Nabokov moved to Switzerland and made his home at the Montreux Palace Hotel. From there he frequently traveled to Milan, Italy, where his son Dimitri Nabokov was an opera singer at the La Scala. Nabokov's main hobby was his immense collection of rare butterflies which grew to a museum-quality with his many entomological expeditions. He never learned to drive a car, and he depended on his wife Vera to drive him around. Nabokov's individualism manifested in his ironic rejection of any mass-psychology, especially Marxism, Freudism, etc. He never used telephones, thus preventing any outside influence over his way of life. He had a rare gift of synaesthesia, cognate with that of composer Alexander Scriabin and artist Wassily Kandinsky. Nabokov also made his name in chess by composing chess problems.
Vladimir Nabokov died on July 2, 1977, in Montreux Palace Hotel, and was laid to rest in the Clarens Cemetery, Montreux, Switzerland. His wife and muse, Vera Slonim, died in 1993, and was laid to rest with Nabokov. The family mansion of Nabokov's in St. Petersburg, Russia is now a Nabokov's Museum. His first collection of butterflies is now part of the Museum of Comparative Zoology at Harvard University. His last and most valuable butterfly collection was bequeathed to the Zoology Museum in Lausanne, Switzerland.- Writer
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Maurice Druon was born on 23 April 1918 in Paris, France. He was a writer and actor, known for Vertigine d'amore (1949), A Matter of Time (1976) and The Possessors (1958). He was married to Madeleine Merignac. He died on 14 April 2009 in Paris, France.- Writer
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Christopher Hampton was born on 26 January 1946 in Faial, Açores, Portugal. He is a writer and producer, known for The Father (2020), Atonement (2007) and Dangerous Liaisons (1988). He has been married to Laura de Holesch since 1971. They have two children.- Writer
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Born Pearl Zane Gray on January 31, 1872, in Zanesville, Ohio--a town founded by his mother's family--famed western novelist Zane Grey was an athlete and outdoorsman from an early age, with his main interests being fishing and baseball. He attended the University of Pennsylvania on a baseball scholarship, graduating with a degree in dentistry in 1896. He played minor-league baseball for a short period for a team in West Virginia. He started a dentistry practice in New York city, where he met the woman who would become his wife, Lina Roth, who got him to focus more on his writing. He would, however, periodically take fishing trips to the upper Delaware River in Lackawaxen in Pike County, Pennsylvania. In 1902 he became a published author by selling a story about fishing. Three years later he and Lisa married and moved to a farm in Lackawaxen
Grey began to take an interest in the West after accompanying a friend to Arizona on a trapping expedition to capture mountain lions. He published his first western novel, "Spirit of the Border", in 1906, and it quickly became a best-seller. In 1912 he published what is probably his best-known western novel, "Riders of the Purple Sage", which was also a big seller. Aiming to get his books made into films, he formed his own motion-picture production company, which he later sold to Paramount Pictures executive Jesse Lasky. Paramount would produce a large number of westerns based on Grey's novels.
Unlike many successful authors, Grey didn't content himself with simply churning out more novels. He traveled all over the world and involved himself in a variety of endeavors, from working a mining claim on Oregon's Rogue River to fishing for sharks in New Zealand, and writing books--both fiction and non-fiction--about his adventures. He had a special affinity for New Zealand and wrote many best-selling books about his fishing experiences there, which helped to make the country a mecca for deep-sea sport fishermen. Grey himself held many world records for catching big-game fish.
He died in 1939 and is buried at the Union Cemetery in Lackawaxen, Pennsylvania. The city is also the location of the Zane Grey Museum, which is administered by the National Park Service.- Writer
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Carl Foreman was born on 23 July 1914 in Chicago, Illinois, USA. He was a writer and producer, known for The Guns of Navarone (1961), High Noon (1952) and The Bridge on the River Kwai (1957). He was married to Estelle Barr and Evelyn Smith. He died on 26 June 1984 in Beverly Hills, Los Angeles, California, USA.- Robert Anderson was born on 28 April 1917 in Manhattan, New York City, New York, USA. He was a writer, known for I Never Sang for My Father (1970), The Sand Pebbles (1966) and The Nun's Story (1959). He was married to Teresa Wright and Phyllis Stohl. He died on 9 February 2009 in Manhattan, New York City, New York, USA.
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The most famous Soviet film-maker since Sergei Eisenstein, Andrei Tarkovsky (the son of noted poet Arseniy Tarkovsky) studied music and Arabic in Moscow before enrolling in the Soviet film school VGIK. He shot to international attention with his first feature, Ivan's Childhood (1962), which won the top prize at the Venice Film Festival. This resulted in high expectations for his second feature Andrei Rublev (1966), which was banned by the Soviet authorities for two years. It was shown at the 1969 Cannes Film Festival at four o'clock in the morning on the last day, in order to prevent it from winning a prize - but it won one nonetheless, and was eventually distributed abroad partly to enable the authorities to save face. Solaris (1972), had an easier ride, being acclaimed by many in Europe and North America as the Soviet answer to Kubrick's '2001' (though Tarkovsky himself was never too fond of his own film nor Kubrick's), but he ran into official trouble again with Mirror (1975), a dense, personal web of autobiographical memories with a radically innovative plot structure. Stalker (1979) had to be completely reshot on a dramatically reduced budget after an accident in the laboratory destroyed the first version, and after Nostalghia (1983), shot in Italy (with official approval), Tarkovsky defected to Europe. His last film, The Sacrifice (1986) was shot in Sweden with many of Ingmar Bergman's regular collaborators, and won an almost unprecedented four prizes at the Cannes Film Festival. He died of lung cancer at the end of the year. Two years later link=Sergei Parajanov dedicated his film Ashik Kerib to Tarkovsky.- Henry Bataille was born on 4 April 1872 in Nimes, France. He was a writer, known for The Private Life of Don Juan (1934), The Foolish Virgin (1938) and Druga mlodosc (1938). He died on 2 March 1922 in Rueil-Malmaison, Hauts-de-Seine, Île-de-France, France.
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Mario Monicelli was born on 16 May 1915 in Rome, Lazio, Italy. He was a writer and director, known for The Organizer (1963), Speriamo che sia femmina (1986) and Big Deal on Madonna Street (1958). He was married to Chiara Rapaccini and Antonella Salerni. He died on 29 November 2010 in Rome, Lazio, Italy.- Writer
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Noel Coward virtually invented the concept of Englishness for the 20th century. An astounding polymath - dramatist, actor, writer, composer, lyricist, painter, and wit -- he was defined by his Englishness as much as he defined it. He was indeed the first Brit pop star, the first ambassador of "cool Britannia." Even before his 1924 drugs-and-sex scandal of The Vortex, his fans were hanging out of their scarves over the theater balcony, imitating their idol's dress and repeating each "Noelism" with glee. Born in suburban Teddington on 16 December 1899, Coward was on stage by the age of six, and writing his first drama ten years later. A visit to New York in 1921 infused him with the pace of Broadway shows, and he injected its speed into staid British drama and music to create a high-octane rush for the jazz-mad, dance-crazy 1920s. Coward's style was imitated everywhere, as otherwise quite normal Englishmen donned dressing gowns, stuck cigarettes in long holders and called each other "dahling"; his revues propagated the message, with songs sentimental ("A Room With A View," "I'll See You Again") and satirical ("Mad Dogs and Englishmen," "Don't Put Your Daughter On the Stage, Mrs. Worthington"). His between-the-wars celebrity reached a peak in 1930 with "Private Lives," by which time he had become the highest earning author in the western world. With the onset of World War II he redefined the spirit of the country in films such as This Happy Breed (1944), In Which We Serve (1942), Blithe Spirit (1945) and, perhaps most memorably, Brief Encounter (1945). In the postwar period, Coward, the aging Bright Young Thing, seemed outmoded by the Angry Young Men, but, like any modern pop star, he reinvented himself, this time as a hip cabaret singer: "Las Vegas, Flipping, Shouts "More!" as Noel Coward Wows 'Em in Cafe Turn" enthused Variety. By the 1960s, his reappraisal was complete -- "Dad's Renaissance", called it -- and his "Hay Fever" was the first work by a living author to be produced at the National Theatre. He was knighted -- at last -- in 1970, and died in his beloved Jamaica on 26 March 1973. Since his death, his reputation has grown. There is never a point at which his plays are not being performed, or his songs being sung. A playwright, director, actor, songwriter, filmmaker, novelist, wit . . . was there nothing this man couldn't do? Born into a musical family he was soon treading the boards in various music hall shows where he met a young girl called Gertrude Lawrence, a friendship and working partnership that lasted until her death. His early writings were mainly short songs and sketches for the revue shows popular in the 1920s, but even his early works often contained touches of the genius to come ("Parisian Pierrot" 1923). He went on to write and star (with Gertie) in his own revues, but the whiff of scandal was never far away, such as that from the drug addict portrayed in "The Vortex." Despite his obvious homosexual lifestyle he was taken to the hearts of the people and soon grew into one of the most popular writer/performers of his time.- Writer
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While in junior high school, he became interested in science fiction, and years later while reading a copy of 'Astounding Stories' when he was working as an airline pilot, he decided to give it up and become a writer. He moved West and joined the Los Angeles police force to gain experience that would help him toward a writing career in Hollywood. He began selling scripts for television shows such as 'Dragnet' and 'Naked City'. He was head writer on 'Have Gun Will Travel' for two years, winning the 'Writer's Guild Award' for 'Best Script'. He created and produced 'The Lieutenant' followed by 3 years of the 'Star Trek' television series and produced the films 'Pretty Maids All in a Row', the first 'Star Trek' film and was executive consultant on the following two.- Writer
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Gore Vidal was born Eugene Louis Vidal in 1925 in West Point, New York, to Nina (Gore) and West Point aeronautics instructor and aviation pioneer Eugene Luther Vidal. The Vidals endured a rocky marriage divorcing ten years after Gore's birth. Young Gore spent much of his childhood with his blind grandfather, Senator T.P. Gore of Oklahoma. Vidal would later become the confidant of Jacqueline Kennedy when Jackie's mother married his former stepfather, Hugh D. Auchincloss. After graduating from Phillips Exeter Academy in 1943, Gore joined the US Army Reserves. Some of his Army experiences inspired his first novel, Williwaw, which was published when he was just 19. He dedicated the novel to J.T., a deceased prep-school friend. Subsequent novels would prominently feature gay male characters, and Gore found soon found his books had staying power on bestseller lists. In 1960, he unsuccessfully ran for Congress, backed by celebrity supporters like Paul Newman & Vidal's ex-fiancé Joanne Woodward. Another unsuccessful foray into politics would occur in 1982 when he ran for governor of California. In addition to being an accomplished writer, he is also a novice actor. His biggest roles to date have been in Gattaca (1997), Bob Roberts (1992), and With Honors (1994).- Writer
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The father of cinematic Surrealism and one of the most original directors in the history of the film medium, Luis Buñuel was given a strict Jesuit education (which sowed the seeds of his obsession with both religion and subversive behavior), and subsequently moved to Madrid to study at the university there, where his close friends included Salvador Dalí and Federico García Lorca.
After moving to Paris, Buñuel did a variety of film-related odd jobs in Paris, including working as an assistant to director Jean Epstein. With financial assistance from his mother and creative assistance from Dalí, he made his first film, the 17-minute Un chien andalou (1929), in 1929, and immediately catapulted himself into film history thanks to its shocking imagery (much of which - like the sliced eyeball at the beginning - still packs a punch even today). It made a deep impression on the Surrealist Group, who welcomed Buñuel into their ranks.
The following year, sponsored by wealthy art patrons, he made his first feature, the scabrous witty and violent L'Age d'Or (1930), which mercilessly attacked the church and the middle classes, themes that would preoccupy Buñuel for the rest of his career. That career, though, seemed almost over by the mid-1930s, as he found work increasingly hard to come by and after the Spanish Civil War he emigrated to the US where he worked for the Museum of Modern Art and as a film dubber for Warner Bros.
Moving to Mexico in the late 1940s, he teamed up with producer Óscar Dancigers and after a couple of unmemorable efforts shot back to international attention with the lacerating study of Mexican street urchins in The Young and the Damned (1950), winning him the Best Director award at the Cannes Film Festival.
But despite this new-found acclaim, Buñuel spent much of the next decade working on a variety of ultra-low-budget films, few of which made much impact outside Spanish-speaking countries (though many of them are well worth seeking out). But in 1961, General Franco, anxious to be seen to be supporting Spanish culture invited Buñuel back to his native country - and Bunuel promptly bit the hand that fed him by making Viridiana (1961), which was banned in Spain on the grounds of blasphemy, though it won the Palme d'Or at the Cannes Film Festival.
This inaugurated Buñuel's last great period when, in collaboration with producer Serge Silberman and writer Jean-Claude Carrière he made seven extraordinary late masterpieces, starting with Diary of a Chambermaid (1964). Although far glossier and more expensive, and often featuring major stars such as Jeanne Moreau and Catherine Deneuve, the films showed that even in old age Buñuel had lost none of his youthful vigour.
After saying that every one of his films from Belle de Jour (1967) onwards would be his last, he finally kept his promise with That Obscure Object of Desire (1977), after which he wrote a memorable (if factually dubious) autobiography, in which he said he'd be happy to burn all the prints of all his films- a classic Surrealist gesture if ever there was one.
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Suso Cecchi D'Amico was born on 21 July 1914 in Rome, Lazio, Italy. She was a writer and actress, known for Bicycle Thieves (1948), The Leopard (1963) and Rocco and His Brothers (1960). She was married to Fidele d'Amico. She died on 31 July 2010 in Rome, Lazio, Italy.- Producer
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Terrence Malick was born in Ottawa, Illinois. His family subsequently lived in Oklahoma and he went to school in Austin, Texas. He did his undergraduate work at Harvard, graduating summa cum laude with a degree in philosophy in 1965.
A member of the Phi Beta Kappa honor society, he attended Magdalen College, Oxford on a Rhodes scholarship, but did not finish his thesis on Martin Heidegger, allegedly because of a disagreement with his advisor. Returning to the States, he taught philosophy at M.I.T. and published a translation of Heidegger's "Vom Wesen des Grundes" as "The Essence of Reasons". Malick did not get his PhD in philosophy: Instead, he attended the American Film Institute Conservatory in its inaugural year (1969), taking a Masters of Fine Arts degree in film-making. His masters thesis was the seventeen-minute comedy short Lanton Mills (1969), which starred Warren Oates and Harry Dean Stanton. Malick himself acted in the short.
At A.F.I., Malick made a lasting association with Jack Fisk, who would establish himself as an Oscar-nominated art director and production designer and serve as art director on all of Malick's films. He also picked up Mike Medavoy as an agent, who got Malick work doctoring scripts and marketed his original ones. He wrote the screenplay for the 1972 Alan Arkin trucker movie Deadhead Miles (1972), which was many miles from Harvard let along Oxford, and for the 1972 Paul Newman-Lee Marvin contemporary oater Pocket Money (1972), another departure from fields of academia. "Deadhead Miles" was dumped by Paramount as unreleasable and "Pocket Money", despite being headlined by two Top Ten Box Office stars, flopped. It was an inauspicious start to a legendary career, but it influenced Malick to begin directing his own scripts.
His first two films were the now critically acclaimed Badlands (1973) and Days of Heaven (1978). He then took a self-imposed retirement of nearly two decades from film-making before lensing his 1998 adaptation of James Jones's The Thin Red Line (1998), which was nominated for 7 Academy Awards, including nods for Malick for directing and adapted screenplay.
Adopting a Kubrickian pace of movie-making, he directed The New World (2005) and the autobiographical The Tree of Life (2011) with gaps of only seven and six years, respectively, between release. However, he reportedly was working on ideas for "The Tree of Life" since the late 70s, including exposing footage that found its way into his finished film.
In an unprecedented burst of productivity, he shot his next four films, To the Wonder (2012), Knight of Cups (2015), an as-yet unnamed drama and the cosmic documentary Voyage of Time: Life's Journey (2016) back-to-back during and immediately after completing the long editing process of "Tree of Life". Like Stanley Kubrick, Malick usually takes well over a year to edit his films. All three are highly anticipated by cineastes the world over.- Writer
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Director and screenwriter Philip Kaufman was born in Chicago, Illinois. He attended the University of Chicago and later Harvard Law School. He won the Prix de la Nouvelle Critique at Cannes in 1965 for his film Goldstein (1964). He was the screenwriter for The Outlaw Josey Wales (1976) and was to direct it but was replaced as director by Clint Eastwood, owing to their love triangle with the late Sondra Locke. Kaufman's first hit as director was Invasion of the Body Snatchers (1978), a remake of Don Siegel's 1956 sci-fi classic (in fact, Siegel has a cameo in it as a cab driver), and later, Kaufman was nominated for an Oscar for Best Screenplay on Material from Another Medium in 1988 for The Unbearable Lightness of Being (1988). Kaufman's steamy Henry & June (1990) was the first film released by a major studio to be rated NC-17, which created much controversy.- Writer
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Jules Furthman was a magazine and newspaper writer when he began writing for films in 1915. When the U.S. entered WWI Furthman used the name "Stephen Fox" for his screenplays because he thought his name sounded too German, but he reverted to his real name after the war. Furthman became one of the most prolific, and well-known, screenwriters of his time, and was responsible for the screenplays of some of Hollywood's most highly regarded films, such as Mutiny on the Bounty (1935), To Have and Have Not (1944) and Nightmare Alley (1947).- Writer
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Ferenc Molnár was born on 12 January 1878 in Budapest, Austria-Hungary [now Hungary]. He was a writer and actor, known for Carousel, Tales of Manhattan (1942) and I'll Be Yours (1947). He was married to Lili Darvas, Sári Fedák and Margit Vészi. He died on 1 April 1952 in New York City, New York, USA.- Writer
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Pasquale Festa Campanile was born on 28 July 1927 in Melfi, Basilicata, Italy. He was a writer and director, known for The Leopard (1963), Rocco and His Brothers (1960) and The Four Days of Naples (1962). He was married to Anna Salvatore. He died on 25 February 1986 in Rome, Lazio, Italy.- Writer
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Neil Simon was born on 4 July 1927 in The Bronx, New York City, New York, USA. He was a writer and producer, known for The Odd Couple (1968), Murder by Death (1976) and The Goodbye Girl (1977). He was married to Elaine Joyce, Diane Lander, Marsha Mason and Joan Baim. He died on 26 August 2018 in New York City, New York, USA.- James Poe was born on 4 October 1921 in Dobbs Ferry, New York, USA. He was a writer, known for Around the World in 80 Days (1956), Cat on a Hot Tin Roof (1958) and Lilies of the Field (1963). He was married to Barbara Steele. He died on 24 January 1980 in Los Angeles County, California, USA.
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Claude Sautet was born on 23 February 1924 in Montrouge, Seine [now Hauts-de-Seine], France. He was a writer and director, known for A Heart in Winter (1992), Nelly & Monsieur Arnaud (1995) and The Things of Life (1970). He was married to Graziella Sautet. He died on 22 July 2000 in Paris, France.- Writer
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Marcel Pagnol was born on 28 February 1895 in Aubagne, Bouches-du-Rhône, France. He was a writer and producer, known for The Well-Digger's Daughter (1940), Jean de Florette (1986) and Le schpountz (1938). He was married to Jacqueline Pagnol and Simone Collin. He died on 18 April 1974 in Paris, France.- Writer
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Kaneto Shindô was born on 22 April 1912 in Hiroshima, Japan. He was a writer and director, known for Postcard (2010), The Naked Island (1960) and A Last Note (1995). He was married to Nobuko Otowa and Miyo Shindo. He died on 29 May 2012 in Hiroshima, Japan.- Writer
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Gerhart Hauptmann was born on 15 November 1862 in Obersalzbrunn, Lower Silesia, Germany [now Szczawno-Zdrój, Dolnoslaskie, Poland]. He was a writer and actor, known for Faust (1926), Rose Bernd (1919) and Die Weber (1927). He was married to Margarete Marschalk and Marie Thienemann. He died on 6 June 1946 in Jagniatków, Jelenia Góra, Dolnoslaskie, Poland.- Writer
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Friedrich Dürrenmatt was born on 5 January 1921 in Konolfingen, Switzerland. He was a writer and director, known for The Pledge (2001), It Happened in Broad Daylight (1958) and Suspicion (1957). He was married to Charlotte Kerr and Lotti Geißler. He died on 14 December 1990 in Neuchâtel, Switzerland.- Director
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Ken Russell tried several professions before choosing to become a film director; he was a still photographer and a dancer and he even served in the Army, but film was his destiny. He began by making several short films which paved the way for his brilliant television films of the 1960s that are acclaimed for his attention to detail and opulent visuals. His third feature film Women in Love (1969) was a triumph that made him known internationally. In the 1970s, his talent truly blossomed. Over the next two decades he would direct a succession of remarkable films, most containing the trademark flamboyance that critics generally dismiss but many find engrossing. He will forever be remembered as a controversial, visionary artist with something of a third eye for oddball dramas with captivating images and themes.- Writer
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Originally planning to become a lawyer, Billy Wilder abandoned that career in favor of working as a reporter for a Viennese newspaper, using this experience to move to Berlin, where he worked for the city's largest tabloid. He broke into films as a screenwriter in 1929 and wrote scripts for many German films until Adolf Hitler came to power in 1933. Wilder immediately realized his Jewish ancestry would cause problems, so he emigrated to Paris, then the US. Although he spoke no English when he arrived in Hollywood, Wilder was a fast learner and thanks to contacts such as Peter Lorre (with whom he shared an apartment), he was able to break into American films. His partnership with Charles Brackett started in 1938 and the team was responsible for writing some of Hollywood's classic comedies, including Ninotchka (1939) and Ball of Fire (1941). The partnership expanded into a producer-director one in 1942, with Brackett producing and the two turned out such classics as Five Graves to Cairo (1943), The Lost Weekend (1945) (Oscars for Best Picture, Director and Screenplay) and Sunset Blvd. (1950) (Oscars for Best Screenplay), after which the partnership dissolved. (Wilder had already made one film, Double Indemnity (1944) without Brackett, as the latter had refused to work on a film he felt dealt with such disreputable characters.) Wilder's subsequent self-produced films would become more caustic and cynical, notably Ace in the Hole (1951), though he also produced such sublime comedies as Some Like It Hot (1959) and The Apartment (1960) (which won him Best Picture and Director Oscars). He retired in 1981.Ace in The Hole