The 70 best actors after the golden age of Hollywood
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The tall, handsome and muscular Scottish actor Sean Connery is best known as the original actor to portray James Bond in the hugely successful movie franchise, starring in seven films between 1962 and 1983. Some believed that such a career-defining role might leave him unable to escape it, but he proved the doubters wrong, becoming one of the most notable film actors of his generation, with a host of great movies to his name. This arguably culminated in his greatest acclaim in 1988, when Connery won the Academy Award for Best Supporting Actor for his role as an Irish cop in The Untouchables (1987), stealing the thunder from the movie's principal star Kevin Costner. Connery was polled as "The Greatest Living Scot" and "Scotland's Greatest Living National Treasure". In 1989, he was proclaimed "Sexiest Man Alive" by People magazine, and in 1999, at age 69, he was proclaimed "Sexiest Man of the Century."
Thomas "Sean" Connery was born on August 25, 1930 in Fountainbridge, Edinburgh. His mother, Euphemia Maclean, was a cleaning lady, and his father, Joseph Connery, was a factory worker and truck driver. He also had a, Neil Connery, a plasterer in Edinburgh, who was eight years younger. Before going into acting, Sean had many different jobs, such as a milkman, lorry driver, a laborer, artist's model for the Edinburgh College of Art, coffin polisher and bodybuilder. He also joined the Royal Navy, but was later discharged because of medical problems. At the age of 23, he had a choice between becoming a professional soccer player or an actor, and even though he showed much promise in the sport, he chose acting and said it was one of his more intelligent decisions.
No Road Back (1957) was Sean's first major movie role, and it was followed by several made-for-TV movies such as Anna Christie (1957), Macbeth (1961) and Anna Karenina (1961) as well as guest appearances on TV series, and also films such as Hell Drivers (1957), Another Time, Another Place (1958), Darby O'Gill and the Little People (1959) and The Frightened City (1961). In 1962 he appeared in The Longest Day (1962) with a host of other stars.
His big breakthrough came in 1962 when he landed the role of secret agent James Bond in Dr. No (1962). He played James Bond in six more films: From Russia with Love (1963), Goldfinger (1964), Thunderball (1965), You Only Live Twice (1967), Diamonds Are Forever (1971) and Never Say Never Again (1983).
After and during the success of the Bond films, he maintained a successful career as an actor and has appeared in films, including Alfred Hitchcock's Marnie (1964), The Hill (1965), Murder on the Orient Express (1974), The Man Who Would Be King (1975), The Wind and the Lion (1975), Time Bandits (1981), Highlander (1986), The Name of the Rose (1986), Indiana Jones and the Last Crusade (1989), The Hunt for Red October (1990), Rising Sun (1993), The Rock (1996), Finding Forrester (2000) and The League of Extraordinary Gentlemen (2003).
Sean married actress Diane Cilento in 1962 and they had Sean's only child, Jason Connery, born on January 11, 1963. The couple announced their separation in February 1971 and filed for divorce 2½ years later. Sean then dated Jill St. John, Lana Wood, Magda Konopka and Carole Mallory. In 1975 he married Micheline Roquebrune and they stayed married, despite Sean's well-documented love affair with Lynsey de Paul in the late '80s. Sean had three stepchildren through his marriage to Micheline, who was one year his senior. He is also a grandfather. His son, Jason and Jason's ex-wife, actress Mia Sara had a son, Dashiell Connery, in 1997.
Sean Connery died at the age of 90 on October 31, 2020, in Nassau, the Bahamas, where he resided for many years.- Actor
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Anthony Hopkins was born on December 31, 1937, in Margam, Wales, to Muriel Anne (Yeats) and Richard Arthur Hopkins, a baker. His parents were both of half Welsh and half English descent. Influenced by Richard Burton, he decided to study at College of Music and Drama and graduated in 1957. In 1965, he moved to London and joined the National Theatre, invited by Laurence Olivier, who could see the talent in Hopkins. In 1967, he made his first film for television, A Flea in Her Ear (1967).
From this moment on, he enjoyed a successful career in cinema and television. In 1968, he worked on The Lion in Winter (1968) with Timothy Dalton. Many successes came later, and Hopkins' remarkable acting style reached the four corners of the world. In 1977, he appeared in two major films: A Bridge Too Far (1977) with James Caan, Gene Hackman, Sean Connery, Michael Caine, Elliott Gould and Laurence Olivier, and Maximilian Schell. In 1980, he worked on The Elephant Man (1980). Two good television literature adaptations followed: Othello (1981) and The Hunchback of Notre Dame (1982). In 1987 he was awarded with the Commander of the order of the British Empire. This year was also important in his cinematic life, with 84 Charing Cross Road (1987), acclaimed by specialists. In 1993, he was knighted.
In the 1990s, Hopkins acted in movies like Desperate Hours (1990) and Howards End (1992), The Remains of the Day (1993) (nominee for the Oscar), Legends of the Fall (1994), Nixon (1995) (nominee for the Oscar), Surviving Picasso (1996), Amistad (1997) (nominee for the Oscar), The Mask of Zorro (1998), Meet Joe Black (1998) and Instinct (1999). His most remarkable film, however, was The Silence of the Lambs (1991), for which he won the Oscar for Best Actor. He also got a B.A.F.T.A. for this role.- Actress
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Dame Judi Dench was born Judith Olivia Dench in York, England, to Eleanora Olive (Jones), who was from Dublin, Ireland, and Reginald Arthur Dench, a doctor from Dorset, England. She attended Mount School in York, and studied at the Central School of Speech and Drama. She has performed with the Royal Shakespeare Company, the National Theatre, and at Old Vic Theatre. She is a ten-time BAFTA winner including Best Actress in a Comedy Series for A Fine Romance (1981) in which she appeared with her husband, Michael Williams, and Best Supporting Actress in A Handful of Dust (1988) and A Room with a View (1985). She received an ACE award for her performance in the television series Mr. and Mrs. Edgehill (1985). She was appointed an Officer of the Order of the British Empire (OBE) in 1970, a Dame Commander of the Order of the British Empire (DBE) in 1988 and a Member of the Order of the Companions of Honour (CH) in 2005.- Actress
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One of the world's most famous and distinguished actresses, Dame Maggie Smith was born Margaret Natalie Smith in Essex. Her Scottish mother, Margaret (Hutton), worked as a secretary, and her English father, Nathaniel Smith, was a teacher at Oxford University. Smith has been married twice: to actor Robert Stephens and to playwright Beverley Cross. Her marriage to Stephens ended in divorce in 1974. She was married to Cross until his death in 1999. She had two sons with Stephens, Chris Larkin and Toby Stephens who are also actors.
Maggie Smith's career began at the Oxford Playhouse in the 1950s. She made her film debut in 1956 as one of the party guests in Child in the House (1956). She has since performed in over sixty films and television series with some of the most prominent actors and actresses in the world. These include: Othello (1965) with Laurence Olivier, The Prime of Miss Jean Brodie (1969), California Suite (1978) with Michael Caine and Jane Fonda, A Room with a View (1985), Richard III (1995) with Ian McKellen and Jim Broadbent, Franco Zeffirelli's Tea with Mussolini (1999) with Judi Dench, Joan Plowright and Cher and Gosford Park (2001) with Kristin Scott Thomas and Clive Owen, directed by Robert Altman. Maggie Smith has also been nominated for an Oscar six times and won twice, for The Prime of Miss Jean Brodie (1969) and California Suite (1978).
Smith later appeared in the very successful 'Harry Potter' franchise as the formidable Professor McGonagall as well as in Julian Fellowes' ITV drama series, Downton Abbey (2010) (2010-2011) as the Dowager Countess of Grantham.- Actor
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Screen legend, superstar, and the man with the most famous blue eyes in movie history, Paul Leonard Newman was born on January 26, 1925, in Cleveland, Ohio, the second son of Arthur Sigmund Newman (died 1950) and Theresa Fetsko (died 1982). His elder brother was Arthur S. Newman Jr., named for their father, a Jewish businessman who owned a successful sporting goods store and was the son of emigrants from Poland and Hungary. Newman's mother (born Terézia Fecková, daughter of Stefan Fecko and Mária Polenak) was a Roman Catholic Slovak from Homonna, Pticie (former Austro-Hungarian Empire), who became a practicing Christian Scientist. She and her brother, Newman's uncle Joe, had an interest in the creative arts, and it rubbed off on him. He acted in grade school and high school plays. The Newmans were well-to-do and Paul Newman grew up in affluent Shaker Heights. Before he became an actor, Newman ran the family sporting goods store in Cleveland, Ohio.
By 1950, the 25-year-old Newman had been kicked out of Ohio University, where he belonged to the Phi Kappa Tau fraternity, for unruly behavior (denting the college president's car with a beer keg), served three years in the United States Navy during World War II as a radio operator, graduated from Ohio's Kenyon College, married his first wife, Jacqueline "Jackie" Witte (born 1929), and had his first child, Scott. That same year, his father died. When he became successful in later years, Newman said if he had any regrets it would be that his father was not around to witness his success. He brought Jackie back to Shaker Heights and he ran his father's store for a short period. Then, knowing that wasn't the career path he wanted to take, he moved Jackie and Scott to New Haven, Connecticut, where he attended Yale University's School of Drama.
While doing a play there, Newman was spotted by two agents, who invited him to come to New York City to pursue a career as a professional actor. After moving to New York, he acted in guest spots for various television series and in 1953 came a big break. He got the part of understudy of the lead role in the successful Broadway play "Picnic". Through this play, he met actress Joanne Woodward (born 1930), who was also an understudy in the play. While they got on very well and there was a strong attraction, Newman was married and his second child, Susan, was born that year. During this time, Newman was accepted into the much admired and popular New York Actors Studio, although he did not actually audition.
In 1954, a film Newman was very reluctant to do was released, The Silver Chalice (1954). He considered his performance in this costume epic to be so bad that he took out a full-page ad in a trade paper apologizing for it to anyone who might have seen it. He had always been embarrassed about the film and reveled in making fun of it. He immediately wanted to return to the stage, and performed in "The Desperate Hours". In 1956, he got the chance to redeem himself in the film world by portraying boxer Rocky Graziano in Somebody Up There Likes Me (1956), and critics praised his performance. In 1957, with a handful of films to his credit, he was cast in The Long, Hot Summer (1958), co-starring Joanne Woodward.
During the shooting of this film, they realized they were meant to be together and by now, so did his then-wife Jackie, who gave Newman a divorce. He and Woodward wed in Las Vegas in January 1958. They went on to have three daughters together and raised them in Westport, Connecticut. In 1959, Newman received his first Academy Award nomination for Best Actor, in Cat on a Hot Tin Roof (1958). The 1960s would bring Newman into superstar status, as he became one of the most popular actors of the decade, and garnered three more Best Actor Oscar nominations, for The Hustler (1961), Hud (1963) and Cool Hand Luke (1967). In 1968, his debut directorial effort Rachel, Rachel (1968) was given good marks, and although the film and Woodward were nominated for Oscars, Newman was not nominated for Best Director. However, he did win a Golden Globe Award for his direction.
1969 brought the popular screen duo of Newman and Robert Redford together for the first time when Butch Cassidy and the Sundance Kid (1969) was released. It was a box office smash. Through the 1970s, Newman had hits and misses from such popular films as The Sting (1973) and The Towering Inferno (1974) to lesser known films as The Life and Times of Judge Roy Bean (1972) to a cult classic Slap Shot (1977). After the death of his only son, Scott, in 1978, Newman's personal life and film choices moved in a different direction. His acting work in the 1980s and on is what is often most praised by critics today. He became more at ease with himself and it was evident in The Verdict (1982) for which he received his sixth Best Actor Oscar nomination and, in 1987, finally received his first Oscar for The Color of Money (1986), almost thirty years after Woodward had won hers. Friend and director of Somebody Up There Likes Me (1956), Robert Wise accepted the award on Newman's behalf as the actor did not attend the ceremony.
Films were not the only thing on his mind during this period. A passionate race car driver since the early 1970s (despite being color-blind), he was co-founder of Newman-Haas racing in 1982, and also founded "Newman's Own", a successful line of food products that has earned in excess of $100 million, every penny of which Newman donated to charity. He also started The Hole in the Wall Gang Camps, an organization for children with serious illness. He was as well known for his philanthropic ways and highly successful business ventures as he was for his legendary actor status.
Newman's marriage to Woodward lasted a half-century. Connecticut was their primary residence after leaving Hollywood and moving East in 1960. Renowned for his sense of humor, in 1998 he quipped that he was a little embarrassed to see his salad dressing grossing more than his movies. During his later years, he still attended races, was much involved in his charitable organizations, and in 2006, he opened a restaurant called Dressing Room, which helps out the Westport Country Playhouse, a place in which Newman took great pride. In 2007, while the public was largely unaware of the serious illness from which he was suffering, Newman made some headlines when he said he was losing his invention and confidence in his acting abilities and that acting was "pretty much a closed book for me". A smoker for many years, Newman died on September 26, 2008, aged 83, from lung cancer.- Producer
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Born on August 18, 1936, in Santa Monica, California, to Charles Robert Redford, an accountant for Standard Oil, and Martha Redford, Charles Robert Redford, Jr. was a scrappy kid who stole hubcaps in high school and lost his college baseball scholarship at the University of Colorado because of drunkenness. However, as a high school student, he had displayed a certain aptitude as a caricaturist and this contributed to his decision to seriously study art. Redford then enjoyed a year-long sojourn travelling around Europe, hitchhiking, living in youth hostels and generally living the painter's life. Eventually, he came to realise that his work was unoriginal and not very good. He therefore returned to New York to pursue studies in theatrical design at the Pratt Institute of Art. He subsequently enrolled in acting classes at the American Academy of Dramatic Arts.
By the end of 1960, he was on Broadway in a series of plays including Barefoot in the Park, which launched him to fame. TV and stage experience coupled with all-American good looks led to movies and a breakthrough role in Butch Cassidy and the Sundance Kid (1969), when the actor was 33. The Way We Were (1973) and The Sting (1973), both in 1973, made Redford No. 1 at the box office for the next three years. Redford used his clout to advance environmental causes and his riches to acquire Utah property, which he transformed into a ranch and the Sundance ski resort. In 1980, he established the Sundance Institute for aspiring filmmakers. Its annual film festival has become one of the world's most influential. Redford's directorial debut, Ordinary People (1980), won him the Academy Award for Best Director in 1981. He waited eight years before getting behind the camera again, this time for the screen version of John Nichols' acclaimed novel of the Southwest, The Milagro Beanfield War (1988). He scored with critics and fans in 1992 with the Brad Pitt film A River Runs Through It (1992), and again, in 1994, with Quiz Show (1994), which earned him yet another Best Director nomination.
Redford married Lola Van Wagenen on August 9, 1958; they divorced in 1985 after having four children, one of which died of sudden infant death syndrome. Daughter Shauna Redford, born November 15, 1960, is a painter who married Eric Schlosser on October 5, 1985, in Provo, Utah; her first child, born in January 1991, made Redford a grandfather. Son James Redford, a screenwriter, was born May 5, 1962. Daughter Amy Redford, an actress, was born October 22, 1970. Redford has a half-brother named William, who worked in medical research.- Actress
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Born in New York City to legendary screen star Henry Fonda and Ontario-born New York socialite Frances Seymour Brokaw, Jane Seymour Fonda was destined early to an uncommon and influential life in the limelight. Although she initially showed little inclination to follow her father's trade, she was prompted by Joshua Logan to appear with her father in the 1954 Omaha Community Theatre production of "The Country Girl". Her interest in acting grew after meeting Lee Strasberg in 1958 and joining the Actors Studio. Her screen debut in Tall Story (1960) (directed by Logan) marked the beginning of a highly successful and respected acting career highlighted by two Academy Awards for her performances in Klute (1971) and Coming Home (1978), and five Oscar nominations for Best Actress in They Shoot Horses, Don't They? (1969), Julia (1977), The China Syndrome (1979), The Morning After (1986) and On Golden Pond (1981), which was the only film she made with her father. Her professional success contrasted with her personal life, which was often laden with scandal and controversy. Her appearance in several risqué movies (including Barbarella (1968)) by then-husband Roger Vadim was followed by what was to become her most debated and controversial period: her espousal of anti-establishment causes and especially her anti-war activities during the Vietnam War. Her political involvement continued with fellow activist and husband Tom Hayden in the late 1970s and early 1980s. In the 1980s she started the aerobic exercise craze with the publication of the "Jane Fonda's Workout Book". She and Hayden divorced, and she married broadcasting mogul Ted Turner in 1991.- Actor
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Powerful and highly respected American actor Jason Nelson Robards, Jr. was born in Chicago, Illinois, to Hope Maxine (Glanville) and stage and film star Jason Robards Sr. He had Swedish, English, Welsh, German, and Irish ancestry. Robards was raised mostly in Los Angeles. A star athlete at Hollywood High School, he served in the U.S. Navy in World War II, where he saw combat as a radioman (though he is not listed in official rolls of Navy Cross winners, despite the claims he and his public relations personnel made. Neither was he at Pearl Harbor during the Dec. 7, 1941 attack, his ship being at sea at the time.) Returning to civilian life, he attended the American Academy of Dramatic Arts and struggled as a small-part actor in local New York theatre, TV and radio before shooting to fame on the New York stage in Eugene O'Neill's "The Iceman Cometh" as Hickey. He followed that with another masterful O'Neill portrayal, as the alcoholic Jamie Tyrone in "Long Day's Journey Into Night" on Broadway. He entered feature films in The Journey (1959) and rose rapidly to even greater fame as a film star. Robards won consecutive Academy Awards for Best Supporting Actor for All the President's Men (1976) and Julia (1977), in each case playing real-life people. He continued to work on the stage, winning continued acclaim in such O'Neill works as "Moon For the Misbegotten" and "Hughie." Robards died of lung cancer in 2000.- Actor
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The towering presence of Canadian actor Donald Sutherland is often noticed, as are his legendary contributions to cinema. He has appeared in almost 200 different shows and films. He is also the father of renowned actor Kiefer Sutherland, among others.
Donald McNichol Sutherland was born in Saint John, New Brunswick, to Dorothy Isobel (McNichol) and Frederick McLea Sutherland, who worked in sales and electricity. He has Scottish, as well as German and English, ancestry. Sutherland worked several different jobs - he was a radio DJ in his youth - and was almost set on becoming an engineer after graduating from the University of Toronto with a degree in engineering. However, he also graduated with a degree in drama, and he chose to abandon becoming an engineer in favour of an actor.
Sutherland's first roles were bit parts and consisted of such films as the horror film Dr. Terror's House of Horrors (1965) which starred Christopher Lee. He was also appearing in episodes of TV shows such as "The Saint" and "Court Martial". Sutherland's break would come soon, though, and it would come in the form of a war film in which he was barely cast.
The reason he was barely cast was because he had been a last-minute replacement for an actor that had dropped out of the film. The role he played was that of the dopey but loyal Vernon Pinkley in the war film The Dirty Dozen (1967). The film also starred Lee Marvin, Charles Bronson, and Telly Savalas. The picture was an instant success as an action/war film, and Sutherland played upon this success by taking another role in a war film: this was, however, a comedy called M*A*S*H (1970) which landed Sutherland the starring role alongside Elliott Gould and Tom Skerritt. This is now considered a classic among film goers, and the 35-year old actor was only getting warmed up.
Sutherland took a number of other roles in between these two films, such as the theatrical adaptation Oedipus the King (1968), the musical Joanna (1968) and the Clint Eastwood-helmed war comedy Kelly's Heroes (1970). It was Kelly's Heroes (1970) that became more well-known, and it reunited Sutherland with Telly Savalas. 1970 and 1971 offered Sutherland a number of other films, the best of them would have to be Klute (1971). The film, which made Jane Fonda a star, is about a prostitute whose friend is mysteriously murdered. Sutherland received no critical acclaim like his co-star Fonda (she won an Oscar) but his career did not fade.
Moving on from Klute (1971), Sutherland landed roles such as the lead in the thriller Lady Ice (1973), and another lead in the western Alien Thunder (1974). These films did not match up to "Klute"'s success, though Sutherland took a supporting role that would become one of his most infamous and most critically acclaimed. He played the role of the murderous fascist leader in the Bernardo Bertolucci Italian epic 1900 (1976). Sutherland also gained another memorable role as a marijuana-smoking university professor in National Lampoon's Animal House (1978) among other work that he did in this time.
Another classic role came in the form of the Robert Redford film, Ordinary People (1980). Sutherland portrays an older father figure who must deal with his children in an emotional drama of a film. It won Best Picture, and while both the supporting stars were nominated for Oscars, Sutherland once again did not receive any Academy Award nomination. He moved on to play a Nazi spy in a film based on Ken Follett's book "Eye of the Needle" and he would star alongside Al Pacino in the commercial and critical disaster that was Revolution (1985). While it drove Al Pacino out of films for four years, Sutherland continued to find work. This work led to the dramatic, well-told story of apartheid A Dry White Season (1989) alongside the legendary actor Marlon Brando.
Sutherland's next big success came in the Oliver Stone film JFK (1991) where Sutherland plays the chilling role of Mister X, an anonymous source who gives crucial information about the politics surrounding President Kennedy. Once again, he was passed over at the Oscars, though Tommy Lee Jones was nominated for his performance as Clay Shaw. Sutherland went on to appear in Buffy the Vampire Slayer (1992), Shadow of the Wolf (1992), and Disclosure (1994).
The new millennium provided an interesting turn in Sutherland's career: reuniting with such former collaborators as Clint Eastwood and Tommy Lee Jones, Sutherland starred in Space Cowboys (2000). He also appeared as the father figure to Nicole Kidman's character in Cold Mountain (2003) and Charlize Theron's character in The Italian Job (2003). He has also made a fascinating, Oscar-worthy performance as the revolutionist Mr. Thorne in Land of the Blind (2006) and also as a judge in Reign Over Me (2007). Recently, he has joined forces with his son Rossif Sutherland and Canadian comic Russell Peters with the new comedy The Con Artist (2010), as well as acting alongside Jamie Bell and Channing Tatum in the sword-and-sandal film The Eagle (2011). Sutherland has also taken a role in the remake of Charles Bronson's film The Mechanic (1972).
Donald Sutherland has made a lasting legacy on Hollywood, whether portraying a chilling and horrifying villain, or playing the older respectable character in his films. A true character actor, Sutherland is one of Canada's most well-known names and will hopefully continue on being so long after his time.- Martin Henry Balsam was born on November 4, 1919 in the Bronx, New York City, to Lillian (Weinstein) and Albert Balsam, a manufacturer of women's sportswear. He was the first-born child. His father was a Russian Jewish immigrant, and his mother was born in New York, to Russian Jewish parents. Martin caught the acting bug in high school where he participated in the drama club. After high school, he continued his interest in acting by attending Manhattan's progressive New School. When World War II broke out, Martin was called to service in his early twenties. After the war, he was lucky to secure a position as an usher at Radio City Music Hall in New York City. By 1947, he was honing his craft at the Actors Studio, run at that time by Elia Kazan and Lee Strasberg. His time at the Actors Studio in New York City allowed him training in the famous Stanislavsky method. Despite his excellent training, he had to prove himself, just like any up and coming young actor. He began on Broadway in the late 1940s. But, it was not until 1951 that he experienced real success. That play was Tennessee Williams' "The Rose Tattoo". After his Broadway success, he had a few minor television roles before his big break arrived when he joined the cast of On the Waterfront (1954). In the 1950s, Martin had many television roles. He had recurring roles on some of the most popular television series of that time, including The United States Steel Hour (1953), The Philco Television Playhouse (1948), Goodyear Playhouse (1951) and Studio One (1948). In 1957, he was able to prove himself on the big-screen once again, with a prominent role in 12 Angry Men (1957), directed by Sidney Lumet and starring Henry Fonda. All of Martin's television work in the 1950s did not go to waste. While starring on an episode of Alfred Hitchcock Presents (1955), Hitchcock was so impressed by his work, that he offered him a key supporting role of Detective Milton Arbogast in Psycho (1960). His work with Hitchcock opened him up to a world of other acting opportunities. Many strong movie roles came his way in the 1960s, including parts in Breakfast at Tiffany's (1961), Cape Fear (1962) and The Carpetbaggers (1964). One of the proudest moments in his life was when he received an Academy Award for Best Supporting Actor for A Thousand Clowns (1965). It was soon after that he began accepting roles in European movies. He soon developed a love for Italy, and lived there most of his remaining years. He acted in over a dozen Italian movies and spent his later life traveling between Hollywood and Europe for his many roles. After a career that spanned more than fifty years, Martin Balsam died of natural causes in his beloved Italy at age 76. He passed away of a stroke at a hotel in Rome called Residenza di Repetta. He was survived by his third wife Irene Miller and three children, Adam, Zoe and Talia.
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Robert Archibald Shaw was born on August 9, 1927, in Westhoughton, Lancashire, England, the eldest son of Doreen Nora (Avery), a nurse, and Thomas Archibald Shaw, a doctor. His paternal grandfather was Scottish, from Argyll. Shaw's mother, who was born in Piggs Peak, Swaziland, met his father while she was a nurse at a hospital in Truro, Cornwall. His father was an alcoholic and a manic depressive; he committed suicide when Robert was only 12. He had three sisters--Elisabeth, Joanna and Wendy--and one brother, Alexander.
As a boy, he attended school in Truro and was quite an athlete, competing in rugby, squash and track events but turned down an offer for a scholarship at 17 to go to London, with further education in Cambridge, as he did not want a career in medicine but, luckily for the rest of us, in acting. He was also inspired by one of the schoolmasters, Cyril Wilkes, who got him to read just about everything, including all of the classics. Wilkes would take three or four of the boys to London to see plays. The first play Robert would ever see was "Hamlet" in 1944 with Sir John Gielgud at the Haymarket. Robert went to the Royal Academy of Dramatic Arts with a £1,000 inheritance from his grandmother. He went on from the Academy, after two years (1946-1948) to Stratford-on-Avon, where he was directed by Gielgud, who said to Shaw, "I do admire you and think you've got a lot of ability, and I'd like to help you, but you make me so nervous." He then went on to make his professional stage debut in 1949 and tour Australia in the same year with the Old Vic.
He had joined the Old Vic at the invitation of Tyrone Guthrie, who had directed him as the Duke of Suffolk in "Henry VIII" at Stratford. He played nothing but lesser Shakespearean roles, Cassio in "Othello" and Lysander in "A Midsummer Night's Dream" and toured Europe and South Africa with the company. Shaw was sold on Shakespeare and thought that it would be his theatrical life at that stage. He was discovered while performing in "Much Ado About Nothing" in 1950 at Stratford by Sir Alec Guinness, who suggested he come to London to do Hamlet with him. He then went on to his first film role, a very small part in the classic The Lavender Hill Mob (1951) with Guinness but a start nonetheless. It was also at this time that he married his first wife, Jennifer Bourne, an actress he had met while working at the Old Vic, and married her in Sallsbury, South Rhodesia, on August 1, 1952. Together they would have four daughters: Deborah, Penny, Rachel and Katherine.
He would also appear briefly in The Dam Busters (1955) and did the London production of "Tiger at the Gates" in June 1955 as Topman. He would also make "Hill in Korea" around that time and then, after taking on several jobs as a struggling actor and to support his growing family, he would be cast as Dan Tempest in The Buccaneers (1956). Shaw did not take his role seriously but made £10,000 for eight months' work. It was around that time that he wrote his first novel, "The Hiding Place." It was a success, selling 12,000 copies in England and about the same in France and in the United States. He also wrote a dramatization of it that was produced on commercial television in England, and Playhouse 90 (1956) aired a different dramatization in America. Around 1959, he became involved with well-known actress Mary Ure, who was married to actor John Osborne at the time. He slipped her his telephone number one night at 3 a.m. while visiting the couple, and she called him the next day. It was around then, in 1960, that Robert Shaw became a reporter for England's Queen magazine and covered the Olympics in Rome. Shaw and Ure acted together in Middleton's The Changeling at the Royal Court Theatre in London in 1961. He was playing the part of an ugly servant in love with the mistress of the house, who persuades him to murder her fiance. Shaw and Ure had a child on August 31 even though they were still married to their other spouses. His wife, Jennifer, and Ure had children of his only weeks apart from each other. Ure divorced Osborne and married Shaw in April 1963. The couple was often quoted by the press as being "very much in love," and they would have four children together: Colin, Elizabeth, Hannah and Ian. That same year, after making the next two films, The Valiant (1962) and The Guest (1963), he made From Russia with Love (1963) and was unforgettable as blond assassin, Donald 'Red' Grant.
He also made Tomorrow at Ten (1963), as well as a TV version of Hamlet as Claudius. He would then film The Luck of Ginger Coffey (1964) with Ure and then star in Battle of the Bulge (1965) as German Panzer commander Hessler. He wrote "The Flag" on the set of the film. He was nominated for his next role, as Henry VIII in A Man for All Seasons (1966), an outstanding, unequal lead performance. He would write his fourth novel "The Man in the Glass Booth," which was later made into a play with Donald Pleasence and later into a film with Maximilian Schell. In 1967, he again starred with his wife in Custer of the West (1967) and went on to The Birthday Party (1969) and Battle of Britain (1969). One of his best performances of this decade was also as Spanish conqueror Pizarro in The Royal Hunt of the Sun (1969). His last published novel, "A Card from Morocco," was also a big success and he went on to make Figures in a Landscape (1970) with Malcolm McDowell as two escaped convicts in a Latin American country. As the father of Churchill in Young Winston (1972), he was once again his brilliant self, stealing the scene from John Mills, Patrick Magee, Anthony Hopkins and Ian Holm. After his portrayal of Lord Randolph Churchill, he made A Reflection of Fear (1972), a horror movie with Ure, Sondra Locke and Sally Kellerman. As chauffeur Steven Ledbetter in The Hireling (1973), he falls in love with Sarah Miles, an aristocratic widow he helps recover from a nervous breakdown. The film took the prestigious Palme d'Or at the Cannes Film Festival and was quite a thought-provoking film.
It was his performances in the following two films--USA-produced The Sting (1973) and The Taking of Pelham One Two Three (1974)--that Shaw became familiar once again to American audiences, but it was his portrayal as a grizzled Irish shark hunter named Quint, in Jaws (1975), that everyone remembers--even to this day. Hard to believe that Shaw wasn't that impressed with the script and even confided to a friend, Hector Elizondo: "They want me to do a movie about this big fish. I don't know if I should do it or not." When Elizondo asked why Shaw had reservations, Shaw said he'd never heard of the director and didn't like the title, "JAWS." It's also incredible that as the biggest box office film at the time, which was the first to gross more than $100 million worldwide and that he had ever been part of, he didn't make a cent from it because of the taxes he had to pay from working in the United States, Canada and Ireland. It was also during that time that he became a depressed recluse following the death of his wife, who had taken an accidental overdose of barbiturates and alcohol. Some have speculated throughout the years that her death was suicidal, but there was no evidence of that, and so it is mere sensationalism. Following Diamonds (1975), he made End of the Game (1975) and then delivered another brilliant performance as the Sheriff of Nottingham in Robin and Marian (1976). During the same year, he also made Swashbuckler (1976) with Geneviève Bujold and James Earl Jones, a very lighthearted pirate adventure.
His next film, Black Sunday (1977), with Shaw playing an Israeli counterterrorist agent trying to stop a terrorist organization called Black September, which is plotting an attack at the Super Bowl, was a big success both with critics and at the box office. I wasn't surprised, considering the depth to which he was also involved in writing the script, although he didn't receive billing for it. Shaw was very happy with the success of his acting career but remained a depressed recluse in his personal life until he finished Black Sunday (1977), when he found himself in love with his secretary of 15 years, Virginia Dewitt Jansen (Jay). They were wed on July 29, 1976, in Hamilton, Bermuda. He adopted her son, Charles, and the couple also had one son, Thomas. During his stay in Bermuda, Shaw began work on his next movie, The Deep (1977), which teamed him and writer Peter Benchley once again, which may have been a mistake in that everyone expected another Jaws (1975). At one point, discussing how bad the film was going, Shaw could be quoted as saying to Nick Nolte, "It's a treasure picture Nick; it's a treasure picture." It did well at the box office but not with critics, although they did hail Shaw as the saving grace. He had done it for the money, as he was to do with his next film, for he had decided when Ure died that life was short and he needed to provide for his 10 children.
In 1977, Shaw traveled to Yugoslavia, where he starred in Force 10 from Navarone (1978), a sequel to The Guns of Navarone (1961). He revived the lead role of British MI6 agent Mallory, originally played by Gregory Peck. He was a big box office draw, and some producers were willing to pay top wages for his work, but he felt restricted by the parts he was being offered. "I have it in mind to stop making these big-budget extravaganzas, to change my pattern of life. I wanted to prove, I think, that I could be an international movie star. Now that I've done it, I see the valuelessness of it." In early 1978, Shaw appeared in Avalanche Express (1979) which was to be his last film; in which he played General Marenkov, a senior Russian official who decides to defect to the West and reveals to a CIA agent, played by Lee Marvin, that the Russians are trying to develop biological weapons. An alcoholic most of his life, Shaw died--before the film was completed--of a heart attack at the age of 51 on August 28, 1978. In poor health due to alcoholism during most of the filming, he in fact completed over 90% of his scenes before the death of director Mark Robson two months earlier, in June 1978, brought production to a halt.
While living in Ireland and taking a hiatus from work, Shaw was driving from Castlebar to his home in Tourmakeady, Ireland, with wife, Virginia, and young son, Thomas, after spending the day playing golf with friends on a local course as well as shopping with Virginia in the town. As they approached their cottage, he felt chest pains which he claimed to Virginia had started earlier that day while he was playing golf but whose pains subsided. He pulled the car over a few hundred yards from his cottage and told her he would get out and walk the pains off. After taking four or five steps from the parked car, he collapsed by the side of the road, and his wife ran to the cottage to phone for help. An ambulance arrived 15 minutes later, and Shaw was taken to Mayo General Hospital in Castlebar, where he was pronounced dead on arrival.- Actress
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Shirley MacLaine was born Shirley MacLean Beaty in Richmond, Virginia. Her mother, Kathlyn Corinne (MacLean), was a drama teacher from Nova Scotia, Canada, and her father, Ira Owens Beaty, a professor of psychology and real estate agent, was from Virginia. Her brother, Warren Beatty, was born on March 30, 1937. Her ancestry includes English and Scottish.
Shirley was the tallest in her ballet classes at the Washington School of Ballet. Just after she graduated from Washington-Lee High School, she packed her bags and headed for New York. While auditioning for Richard Rodgers and Oscar Hammerstein II's "Me and Juliet", the producer kept mispronouncing her name. She then changed her name from Shirley MacLean Beaty to Shirley MacLaine. She later had a role in "The Pajama Game", as a member of the chorus and understudy to Carol Haney. A few months into the run, Shirley was going to leave the show for the lead role in "Can-Can" but ended up filling in for Haney, who had broken her ankle and could not perform. She would fill in for Carol, again, three months later, following another injury, the very night that movie producer Hal B. Wallis was in the audience. Wallis signed MacLaine to a five-year contract to Paramount Pictures. Three months later, she was off to shoot The Trouble with Harry (1955). She then took roles in Hot Spell (1958) and Around the World in 80 Days (1956), completed not too long before her daughter, Sachi Parker (born Stephanie), was born. With Shirley's career on track, she played one of her most challenging roles: "Ginny Moorhead" in Some Came Running (1958), for which she received her first Academy Award nomination for Best Actress. She went on to do The Sheepman (1958) and The Matchmaker (1958). In 1960, she got her second Academy Award nomination for The Apartment (1960). Three years later, she received a third nomination for Irma la Douce (1963). In 1969, she brought her friend Bob Fosse from Broadway to direct her in Sweet Charity (1969), from which she got her "signature" song, "If My Friends Could See Me Now". After a five-year hiatus, Shirley made a documentary on China called The Other Half of the Sky: A China Memoir (1975), for which she received an Oscar nomination for best documentary.
In 1977, she got her fourth Best Actress Oscar nomination for The Turning Point (1977). In 1979, she worked with Peter Sellers in Being There (1979), made shortly before his death. After 20 years in the film industry, she finally took home the Best Actress Oscar for Terms of Endearment (1983). After a five-year hiatus, Shirley made Madame Sousatzka (1988), a critical and financial hit that took top prize at the Venice Film Festival. In 1989, she starred with Dolly Parton, Sally Field and Julia Roberts in Steel Magnolias (1989). She received rave reviews playing Meryl Streep's mother in Postcards from the Edge (1990) and for Guarding Tess (1994). In 1996, she reprised her role from "Terms of Endearment" as "Aurora Greenway" in The Evening Star (1996), which didn't repeat its predecessor's success at the box office. In mid-1998, she directed Bruno (2000), which starred Alex D. Linz. In February 2001, Shirley worked with close friends once again in These Old Broads (2001), and co-starred with Julia Stiles in Carolina (2003) and with Kirstie Alley in Salem Witch Trials (2002).
MacLaine as her own website which includes her own radio show and interviews, the Encounter Board, and Independent Expression, a members-only section of the site. In the past few years, Shirley starred in a CBS miniseries based on the life of cosmetics queen Mary Kay Ash--Hell on Heels: The Battle of Mary Kay (2002), and wrote two more books, "The Camino" in 2001, and "Out On A Leash" in 2003. After taking a slight hiatus from motion pictures, Shirley returned with roles in the movies that were small, but wonderfully scene-stealing: Bewitched (2005) with Nicole Kidman and Will Ferrell, In Her Shoes (2005) with Cameron Diaz and Toni Collette, in which Shirley was nominated for a Golden Globe in the best supporting actress category, and Rumor Has It... (2005) with Jennifer Aniston and Kevin Costner. Shirley completed filming of Closing the Ring (2007), directed by Sir Richard Attenborough, in 2007. Her latest book is entitled "Sage-ing While Ag-ing"; Shirley's latest film is Valentine's Day (2010), which debuted in theaters on February 12, 2010.- Actor
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Jack Lemmon was born in Newton, Massachusetts, to Mildred Lankford Noel and John Uhler Lemmon, Jr., the president of a doughnut company. His ancestry included Irish (from his paternal grandmother) and English. Jack attended Ward Elementary near his Newton, MA home. At age 9 he was sent to Rivers Country Day School, then located in nearby Brookline. After RCDS, he went to high school at Phillips Andover Academy. Jack was a member of the Harvard class of 1947, where he was in Navy ROTC and the Dramatic Club. After service as a Navy ensign, he worked in a beer hall (playing piano), on radio, off Broadway, TV and Broadway. His movie debut was with Judy Holliday in It Should Happen to You (1954). He won Best Supporting Actor as Ensign Pulver in Mister Roberts (1955). He received nominations in comedy (Some Like It Hot (1959), The Apartment (1960)) and drama (Days of Wine and Roses (1962), The China Syndrome (1979), Tribute (1980) and Missing (1982)). He won the Best Actor Oscar for Save the Tiger (1973) and the Cannes Best Actor award for "Syndrome" and "Missing". He made his debut as a director with Kotch (1971) and in 1985 on Broadway in "Long Day's Journey into Night". In 1988 he received the Life Achievement Award of the American Film Institute.- Actor
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Tony Curtis was born Bernard Schwartz, the eldest of three children of Helen (Klein) and Emanuel Schwartz, Jewish immigrants from Hungary. Curtis himself admits that while he had almost no formal education, he was a student of the "school of hard knocks" and learned from a young age that the only person who ever had his back was himself, so he learned how to take care of both himself and younger brother, Julius. Curtis grew up in poverty, as his father, Emanuel, who worked as a tailor, had the sole responsibility of providing for his entire family on his meager income. This led to constant bickering between Curtis's parents over money, and Curtis began to go to movies as a way of briefly escaping the constant worries of poverty and other family problems. The financial strain of raising two children on a meager income became so tough that in 1935, Curtis's parents decided that their children would have a better life under the care of the state and briefly had Tony and his brother admitted to an orphanage. During this lonely time, the only companion Curtis had was his brother, Julius, and the two became inseparable as they struggled to get used to this new way of life. Weeks later, Curtis's parents came back to reclaim custody of Tony and his brother, but by then Curtis had learned one of life's toughest lessons: the only person you can count on is yourself.
In 1938, shortly before Tony's Bar Mitzvah, tragedy struck when Tony lost the person most important to him when his brother, Julius, was hit by a truck and killed. After that tragedy, Curtis's parents became convinced that a formal education was the best way Tony could avoid the same never-knowing-where-your-next-meal-is-coming-from life that they had known. However, Tony rejected this because he felt that learning about literary classics and algebra wasn't going to advance him in life as much as some real hands-on life experience would. He was to find that real-life experience a few years later, when he enlisted in the navy in 1942. Tony spent over two years getting that life experience doing everything from working as a crewman on a submarine tender, the USS Proteus (AS-19), to honing his future craft as an actor performing as a sailor in a stage play at the Navy Signalman School in Illinois.
In 1945, Curtis was honorably discharged from the navy, and when he realized that the GI Bill would allow him to go to acting school without paying for it, he now saw that his lifelong pipe dream of being an actor might actually be achievable. Curtis auditioned for the New York Dramatic Workshop, and after being accepted on the strength of his audition piece (a scene from "Dr. Jekyll and Mr. Hyde" in pantomime), Curtis enrolled in early 1947. He then began to pay his dues by appearing in a slew of stage productions, including "Twelfth Night" and "Golden Boy". He then connected with a small theatrical agent named Joyce Selznick, who was the niece of film producer David O. Selznick. After seeing his potential, Selznick arranged an interview for Curtis to see David O. Selznick at Universal Studios, where Curtis was offered a seven-year contract. After changing his name to what he saw as an elegant, mysterious moniker--"Tony Curtis" (named after the novel Anthony Adverse (1936) by Hervey Allen and a cousin of his named Janush Kertiz)--Curtis began making a name for himself by appearing in small, offbeat roles in small-budget productions. His first notable performance was a two-minute role in Criss Cross (1949), with Burt Lancaster, in which he makes Lancaster jealous by dancing with Yvonne De Carlo. This offbeat role resulted in Curtis's being typecast as a heavy for the next few years, such as playing a gang member in City Across the River (1949).
Curtis continued to build up a show reel by accepting any paying job, acting in a number of bit-part roles for the next few years. It wasn't until late 1949 that he finally got the chance to demonstrate his acting flair, when he was cast in an important role in an action western, Sierra (1950). On the strength of his performance in that movie, Curtis was finally cast in a big-budget movie, Winchester '73 (1950). While he appears in that movie only very briefly, it was a chance for him to act alongside a Hollywood legend, James Stewart.
As his career developed, Curtis wanted to act in movies that had social relevance, ones that would challenge audiences, so he began to appear in such movies as Spartacus (1960) and The Defiant Ones (1958). He was advised against appearing as the subordinate sidekick in Spartacus (1960), playing second fiddle to the equally famous Kirk Douglas. However, Curtis saw no problem with this because the two had recently acted together in dual leading roles in The Vikings (1958).- Actor
- Soundtrack
Jack Warden was born John Warden Lebzelter, Jr. on September 18, 1920 in Newark, New Jersey, to Laura M. (Costello) and John Warden Lebzelter. His father was of German and Irish descent, and his mother was of Irish ancestry. Raised in Louisville, Kentucky, at the age of seventeen, young Jack Lebzelter was expelled from Louisville's DuPont Manual High School for repeatedly fighting. Good with his fists, he turned professional, boxing as a welterweight under the name "Johnny Costello", adopting his mother's maiden name. The purses were poor, so he soon left the ring and worked as a bouncer at a night club. He also worked as a lifeguard before signing up with the U.S. Navy in 1938. He served in China with the Yangtze River Patrol for the best part of his three-year hitch before joining the Merchant Marine in 1941.
Though the Merchant Marine paid better than the Navy, Warden was dissatisfied with his life aboard ship on the long convoy runs and quit in 1942 in order to enlist in the U.S. Army. He became a paratrooper with the elite 101st Airborne Division, and missed the June 1944 invasion of Normandy due to a leg badly broken by landing on a fence during a nighttime practice jump shortly before D-Day. Many of his comrades lost their lives during the Normandy invasion, but the future Jack Warden was spared that ordeal. Recuperating from his injuries, he read a play by Clifford Odets given to him by a fellow soldier who was an actor in civilian life. He was so moved by the play, he decided to become an actor after the war. After recovering from his badly shattered leg, Warden saw action at the Battle of the Bulge, Nazi Germany's last major offensive. He was demobilized with the rank of sergeant and decided to pursue an acting career on the G.I. Bill. He moved to New York City to attend acting school, then joined the company of Theatre '47 in Dallas in 1947 as a professional actor, taking his middle name as his surname. This repertory company, run by Margo Jones, became famous in the 1940s and '50s for producing Tennessee Williams's plays. The experience gave him a valuable grounding in both classic and contemporary drama, and he shuttled between Texas and New York for five years as he was in demand as an actor. Warden made his television debut in 1948, though he continued to perform on stage (he appeared in a stage production in Arthur Miller's Death of a Salesman (1966)). After several years in small, local productions, he made both his Broadway debut in the 1952 Broadway revival of Odets' "Golden Boy" and, three years later, originated the role of "Marco" in the original Broadway production of Miller's "A View From the Bridge". On film, he and fellow World War II veteran, Lee Marvin (Marine Corps, South Pacific), made their debut in You're in the Navy Now (1951) (a.k.a. "U.S.S. Teakettle"), uncredited, along with fellow vet Charles Bronson, then billed as "Charles Buchinsky".
With his athletic physique, he was routinely cast in bit parts as soldiers (including the sympathetic barracks-mate of Montgomery Clift and Frank Sinatra in the Oscar-winning From Here to Eternity (1953). He played the coach on TV's Mister Peepers (1952) with Wally Cox.
Aside from From Here to Eternity (1953) (The Best Picture Oscar winner for 1953), other famous roles in the 1950s included Juror #7 (a disinterested salesman who wants a quick conviction to get the trial over with) in 12 Angry Men (1957) - a film that proved to be his career breakthrough - the bigoted foreman in Edge of the City (1957) and one of the submariners commended by Clark Gable and Burt Lancaster in the World War II drama, Run Silent Run Deep (1958). In 1959, Warden capped off the decade with a memorable appearance in The Twilight Zone (1959) episode, The Lonely (1959), in the series premier year of 1959. As "James Corry", Warden created a sensitive portrayal of a convicted felon marooned on an asteroid, sentenced to serve a lifetime sentence, who falls in love with a robot. It was a character quite different from his role as Juror #7.
In the 1960s and early 70s, his most memorable work was on television, playing a detective in The Asphalt Jungle (1961), The Wackiest Ship in the Army (1965) and N.Y.P.D. (1967). He opened up the decade of the 1970s by winning an Emmy Award playing football coach "George Halas" in Brian's Song (1971), the highly-rated and acclaimed TV movie based on Gale Sayers's memoir, "I Am Third". He appeared again as a detective in the TV series, Jigsaw John (1976), in the mid-1970s, The Bad News Bears (1979) and appeared in a pilot for a planned revival of Topper (1937) in 1979.
His collaboration with Warren Beatty in two 1970s films brought him to the summit of his career as he displayed a flair for comedy in both Shampoo (1975) and Heaven Can Wait (1978). As the faintly sinister businessman "Lester" and as the perpetually befuddled football trainer "Max Corkle", Warden received Academy Award nominations as Best Supporting Actor. Other memorable roles in the period were as the metro news editor of the "Washington Post" in All the President's Men (1976), the German doctor in Death on the Nile (1978), the senile, gun-toting judge in And Justice for All (1979), the President of the United States in Being There (1979), the twin car salesmen in Used Cars (1980) and Paul Newman's law partner in The Verdict (1982).
This was the peak of Warden's career, as he entered his early sixties. He single-handedly made Andrew Bergman's So Fine (1981) watchable, but after that film, the quality of his roles declined. He made a third stab at TV, again appearing as a detective in Crazy Like a Fox (1984) in the mid-1980s. He played the shifty convenience store owner "Big Ben" in Problem Child (1990) and its two sequels, a role unworthy of his talent, but he shone again as the Broadway high-roller "Julian Marx" in Woody Allen's Bullets Over Broadway (1994). After appearing in Warren Beatty's Bulworth (1998), Warden's last film was The Replacements (2000) in 2000. He then lived in retirement in New York City with his girlfriend, Marucha Hinds. He was married to French stage actress Wanda Ottoni, best known for her role as the object of Joe Besser's desire in The Three Stooges short, Fifi Blows Her Top (1958). She gave up her career after her marriage. They had one son, Christopher, but had been separated for many years.- Actor
- Producer
William McChord Hurt was born in Washington, D.C., to Claire Isabel (McGill) and Alfred McChord Hurt, who worked at the State Department. He was trained at Tufts University and The Juilliard School and has been nominated for four Academy Awards, including the most recent nomination for his supporting role in David Cronenberg's A History of Violence (2005). Hurt received Best Supporting Actor accolades for the role from the Los Angeles Film Critics circle and the New York Film Critics Circle.
Hurt spent the early years of his career on the stage between drama school, summer stock, regional repertory and off-Broadway, appearing in more than fifty productions including "Henry V", "5th of July", "Hamlet", "Uncle Vanya", "Richard II", "Hurlyburly" (for which he was nominated for a Tony Award), "My Life" (winning an Obie Award for Best Actor), "A Midsummer's Night's Dream" and "Good". For radio, Hurt read Paul Theroux's "The Grand Railway Bazaar", for the BBC Radio Four and "The Shipping News" by Annie Proulx. He has recorded "The Polar Express", "The Boy Who Drew Cats", "The Sun Also Rises" and narrated the documentaries, "Searching for America: The Odyssey of John Dos Passos", "Einstein-How I See the World" and the English narration of Elie Wiesel's "To Speak the Unspeakable", a documentary directed and produced by Pierre Marmiesse. In 1988, Hurt was awarded the first Spencer Tracy Award from UCLA.- Actor
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One of stage, screen and TV's finest transatlantic talents, slight, gravel-voiced, pasty-looking John Vincent Hurt was born on January 22, 1940, in Shirebrook, a coal mining village, in Derbyshire, England. The youngest child of Phyllis (Massey), an engineer and one-time actress, and Reverend Arnould Herbert Hurt, an Anglican clergyman and mathematician, his quiet shyness betrayed an early passion for acting. First enrolled at the Grimsby Art School and St. Martin's School of Art, his focus invariably turned from painting to acting.
Accepted into the Royal Academy of Dramatic Art in 1960, John made his stage debut in "Infanticide in the House of Fred Ginger" followed by "The Dwarfs." Elsewhere, he continued to build upon his 60's theatrical career with theatre roles in "Chips with Everything" at the Vaudeville, the title role in "Hamp" at the Edinburgh Festival, "Inadmissible Evidence" at Wyndham's and "Little Malcolm and His Struggle Against the Eunuchs" at the Garrick. His movie debut occurred that same year with a supporting role in the "angry young man" British drama Young and Willing (1962), followed by small roles in Appuntamento in Riviera (1962), A Man for All Seasons (1966) and The Sailor from Gibraltar (1967).
A somber, freckled, ravaged-looking gent, Hurt found his more compelling early work in offbeat theatrical characterizations with notable roles such as Malcolm in "Macbeth" (1967), Octavius in "Man and Superman" (1969), Peter in "Ride a Cock Horse" (1972), Mike in '"The Caretaker" (1972) and Ben in "The Dumb Waiter" (1973). At the same time he gained more prominence in a spray of film and support roles such as a junior officer in Before Winter Comes (1968), the title highwayman in Sinful Davey (1969), a morose little brother in In Search of Gregory (1969), a dim, murderous truck driver in 10 Rillington Place (1971), a skirt-chasing, penguin-studying biologist in Cry of the Penguins (1971), the unappetizing son of a baron in The Pied Piper (1972) and a repeat of his title stage role as Little Malcolm and His Struggle Against the Eunuchs (1974).
Hurt shot to international stardom, however, on TV where he was allowed to display his true, fearless range. He reaped widespread acclaim for his embodiment of the tormented gay writer and raconteur Quentin Crisp in the landmark television play The Naked Civil Servant (1975), adapted from Crisp's autobiography. Hurt's bold, unabashed approach on the flamboyant and controversial gent who dared to be different was rewarded with the BAFTA (British TV Award). This triumph led to the equally fascinating success as the cruel and crazed Roman emperor Caligula in the epic television masterpiece I, Claudius (1976), followed by another compelling interpretation as murderous student Raskolnikov in Crime and Punishment (1979).
A resurgence occurred on film as a result. Among other unsurpassed portraits on his unique pallet, the chameleon in him displayed a polar side as the gentle, pathetically disfigured title role in The Elephant Man (1980), and as a tortured Turkish prison inmate who befriends Brad Davis in the intense drama Midnight Express (1978) earning Oscar nominations for both. Mainstream box-office films were offered as well as art films. He made the most of his role as a crew member whose body becomes host to an unearthly predator in Alien (1979). With this new rush of fame came a few misguided ventures as well that were generally unworthy of his talent. Such brilliant work as his steeple chase jockey in Champions (1984) or kidnapper in The Hit (1984) was occasionally offset by such drivel as the comedy misfire Partners (1982) with Ryan O'Neal in which Hurt looked enervated and embarrassed. For the most part, the craggy-faced actor continued to draw extraordinary notices. Tops on the list includes his prurient governmental gadfly who triggers the Christine Keeler political sex scandal in the aptly-titled Scandal (1989); the cultivated gay writer aroused and obsessed with struggling "pretty-boy" actor Jason Priestley in Love and Death on Long Island (1997); and the Catholic priest embroiled in the Rwanda atrocities in Shooting Dogs (2005).
Latter parts of memorable interpretations included Dr. Iannis in Captain Corelli's Mandolin (2001), the recurring role of the benign wand-maker Mr. Ollivander in Harry Potter and the Sorcerer's Stone (2001) and Harry Potter and the Deathly Hallows: Part 1 (2010), the tyrannical dictator Adam Sutler in V for Vendetta (2005) and the voice of The Dragon in Merlin (2008). Among Hurt's final film appearances were as a terminally ill screenwriter in That Good Night (2017) and a lesser role in the mystery thriller Damascus Cover (2017). Hurt's voice was also tapped into animated features and documentaries, often serving as narrator. He also returned to the theatre performing in such shows as "The Seagull", "A Month in the Country" (1994), "Afterplay" (2002) and "Krapp's Last Tape", the latter for which he received the Los Angeles Drama Critics Circle Award.
A recovered alcoholic who married four times, Hurt was appointed Commander of the Order of the British Empire (CBE) by the Queen in 2004, and Knight Bachelor of the Order of the British Empire in 2015. That same year (2015) he was diagnosed with pancreatic cancer. In July of 2016, he was forced to bow out of the father role of Billy Rice in a then-upcoming London stage production of "The Entertainer" opposite Kenneth Branagh due to ill health that he described as an "intestinal ailment". Hurt died several months later at his home in Cromer, Norfolk, England on January 15, 2017, three days after his 77th birthday.- Actress
- Producer
- Soundtrack
Sigourney Weaver has created a host of memorable characters, both dramatic and comic, ranging from Ripley in Alien to Dian Fossey in Gorillas in the Mist to Gwen/Tawny in Galaxy Quest and most recently, 14-year-old Kiri in Avatar: The Way of Water. With a career spanning over 50 years, Weaver has captivated audiences and won acclaim as one of the most gifted and versatile actresses on stage and screen.
Born and educated in New York City, Weaver graduated from Stanford University and went on to receive a master's degree from the Yale School of Drama. Her first professional job was in Sir John Gielgud's production of The Constant Wife working with Ingrid Bergman.
After a walk-on in Woody Allen's Annie Hall, Weaver made her motion picture debut in Ridley Scott's 1979 blockbuster Alien. She later reprised the role of Warrant Officer Ripley in James Cameron's 1986 Aliens; her performance earned her Academy Award and Golden Globe nominations for Best Actress. In 1992, she again brought Ripley back to life in David Fincher's Alien 3, which she co-produced, and in 1997 she starred in and co-produced Alien: Resurrection for director Jean-Pierre Jeunet. In 1985, Weaver starred in Ivan Reitman's Ghostbusters alongside Bill Murray and Dan Aykroyd playing Dana Barrett and her possessed counterpart Zuul.
In 1988 Weaver portrayed primatologist Dian Fossey in Gorillas in the Mist and Katharine Parker in the Mike Nichols comedy Working Girl. Both performances earned her Academy Award Nominations, and she was awarded two Golden Globes for Best Actress and Best Supporting Actress in a Motion Picture. Other films include Peter Weir's The Year of Living Dangerously (1983) with Linda Hunt and Mel Gibson, Eyewitness (1981) with William Hurt, Half Moon Street (1986) with Michael Caine, Ridley Scott's 1492: Conquest of Paradise (1992) with Gerard Depardieu, Roman Polanski's gripping film adaptation of Death and the Maiden (1994), the thriller Copycat (1995) and Paul Rudnick's comedy Jeffery (1995). Weaver also starred in Showtime's live-action film Snow White (1997) based on the original Grimm's fairy tale, which earned her an Emmy nomination and a Screen Actors Guild nomination.
In 1997 Weaver joined the ensemble of Ang Lee's critically acclaimed film The Ice Storm alongside Kevin Kline, Joan Allen, Elijah Wood and Christina Ricci. Her performance garnered her a BAFTA Award, a Golden Globe nomination and a Screen Actors Guild nomination for Best Supporting Actress. She later gave a galvanizing performance in A Map of the World (1999), Scott Elliott's powerful drama based on the novel by Jane Hamilton, which earned her universal critical praise and a Golden Globe nomination for best actress. Also in 1999, Weaver appeared in the science fiction comedy Galaxy Quest directed by Dean Parisot alongside Tim Allen and Alan Rickman. She delighted audiences with her flair for comedy, and the film proved to be a hit of the 1999 holiday season. She followed this with the popular comedies Company Man (2000) written and directed by Douglas McGrath and David Mirkin's Heartbreakers (2001) opposite Gene Hackman, Jennifer Love-Hewitt and the late Ray Liotta.
In 2002 Weaver starred in the film version of The Guys, with Anthony LaPaglia, directed by Jim Simpson, and in 2003 she portrayed the cold-blooded, red-headed warden in the hit comedy Holes directed by Andy Davis. The next year, Weaver appeared in M. Night Shyamalan's The Village and received rave reviews for her performance in Imaginery Heroes written and directed by Dan Harris.
In 2006 she appeared in three films - as Babe Paley in Douglas McGrath's Infamous, in Jake Kasdan's The TV Set, and in Snow Cake opposite Alan Rickman. In the following years, Weaver lent her voice to Pixar's 2008 box office smash WALL-E as well as The Tale of Despereaux (2008) with Matthew Broderick, Dustin Hoffman and Emma Watson. She also starred in the Tina Fey/Amy Poehler comedy Baby Mama (2008) and Andy Fickman's comedy You Again (2010) with Jamie Lee Curtis. In December 2009 Weaver starred as Dr. Grace Augustine in Jim Cameron's groundbreaking film Avatar, which went on to be the highest grossing film of all time. The film won a Golden Globe for Best Picture and an Academy Award nomination for Best Picture.
Other credits include Drew Goddard's The Cabin in the Woods (2012), Miguel Arteta's Cedar Rapids (2011), Paul (2011), Amy Heckerling's Vamps (2012), and Neil Blomkamp's Chappie (2015). In December 2016 she starred in Focus Features' A Monster Calls alongside Liam Neeson, Felicity Jones and newcomer, Lewis MacDougall, followed by Lionsgate's The Assignment (2017) with Michelle Rodriguez directed by Walter Hill.
After coming to New York in the fall of 1975, Weaver performed Off-Off Broadway in Christopher Durang's The Nature and Purpose of the Universe (1974), Titanic (1976) and Das Lusitania Songspiel (1980). She and Durang co-wrote Das Lusitania which earned them both Drama Desk nominations. She has appeared in numerous Off-Broadway productions in New York, working with writers such as John Guare, Albert Innaurato, Richard Nelson and Len Jenkin. In regional repertory she has performed works by Pinter, Williams, Feydeau and Shakespeare. Weaver also appeared in the PBS mini-series "The Best of Families" (1977) and John Cheever's The Sorrows of Gin (1979), adapted by Wendy Wasserstein for PBS.
Weaver received a Tony Award nomination for her starring role in Hurlyburly (1984) on Broadway, directed by Mike Nichols. She played Portia in the Classic Stage Company of New York's production of The Merchant of Venice (1986). In 1996 Weaver returned to Broadway in the Lincoln Center production of Sex and Longing, written by Christopher Durang. In the Fall of 2012, she starred in the Lincoln Center production of Christopher Durang's Vanya and Sonia and Masha and Spike which moved to Broadway in 2013. That year Vanya and Sonia and Masha and Spike took home the Tony award for Best Play.
Weaver originated the female lead in Anne Nelson's The Guys (2001) at The Flea where it was commissioned and directed by Jim Simpson. The Guys tells the story of a fire captain played by Bill Murray dealing with the aftermath of 9/11. In 2002 she starred in Neil LaBute's play The Mercy Seat opposite Liev Schreiber - which John Lahr of The New Yorker described as offering "performances of a depth and concentration that haven't been seen in New York for many seasons." Weaver also originated roles in two A.R. Gurney world premieres, Mrs. Farnsworth (2004) at the Flea Theater (New York Times 10 Best Plays for 2004), and Crazy Mary (2007) at Playwrights Horizons.
In television Weaver received Emmy, Screen Actors' Guild and Golden Globe nominations for her role as Mary Griffith in Lifetime's "Prayers for Bobby," which was also Emmy nominated for Outstanding Made for Television Movie. In 2012 she was seen in USA Network's miniseries "Political Animals," for which she received SAG, Golden Globe, and Emmy nominations. Weaver also appeared in the Marvel series "The Defenders," released globally on Netflix in August 2017.
Ms. Weaver was honored to receive the GLAAD Media Award for her work in "Prayers for Bobby" as well as the Trevor Life Award in 2011. She has been the Honorary Chair of the Dian Fossey Gorilla Fund for the last 33 years. She currently serves on the Board of Trustees of the New York Botanical Garden in the Bronx, and she also served on the Board of Human Rights First for 25 years. Weaver was proud to receive the National Audubon Society's Rachel Carson Award in 2009 for her environmental work. She was also a co-founder of the original Flea Theater on White Street which championed young artists and new work.
Weaver appeared in season 4 of the French television series "Call My Agent!" which was released globally on Netflix in 2021 and won the International Emmy for Comedy Series. Additionally, she starred in Philippe Falardeau's My Salinger Year which opened the 2020 Berlin International Film Festival. In April 2021 Weaver narrated James Cameron's "Secrets of the Whales," which debuted on Disney+ and garnered an Emmy nomination for Outstanding Narrator. The series also won the Emmy for Outstanding Documentary or Nonfiction Series.
Weaver's recent film work includes Phyllis Nagy's drama Call Jane alongside Elizabeth Banks, Maya Forbes and Wallace Wolodarsky's The Goos House alongside Kevin Kline. James Cameron's Avatar: The Way of Water premiered at the end of 2022 with Weaver playing Kiri, Grace Augustine's Na'vi daughter. A2 received "Best Picture" nominations for the Oscars, Golden Globe, and Critics Choice awards and has grossed almost 2.5 billion dollars. Upcoming projects include Amazon Studios' drama series, "The Lost Flowers of Alice Hart," which she also executive produced, and Paul Schrader's Master Gardener, opposite Joel Edgerton, which premiered at the 2022 Venice Film Festival.- Actor
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Harrison Ford was born on July 13, 1942 in Chicago, Illinois, to Dorothy (Nidelman), a radio actress, and Christopher Ford (born John William Ford), an actor turned advertising executive. His father was of Irish and German ancestry, while his maternal grandparents were Jewish emigrants from Minsk, Belarus. Harrison was a lackluster student at Maine Township High School East in Park Ridge Illinois (no athletic star, never above a C average). After dropping out of Ripon College in Wisconsin, where he did some acting and later summer stock, he signed a Hollywood contract with Columbia and later Universal. His roles in movies and television (Ironside (1967), The Virginian (1962)) remained secondary and, discouraged, he turned to a career in professional carpentry. He came back big four years later, however, as Bob Falfa in American Graffiti (1973). Four years after that, he hit colossal with the role of Han Solo in Star Wars: Episode IV - A New Hope (1977). Another four years and Ford was Indiana Jones in Raiders of the Lost Ark (1981).
Four years later and he received Academy Award and Golden Globe nominations for his role as John Book in Witness (1985). All he managed four years after that was his third starring success as Indiana Jones; in fact, many of his earlier successful roles led to sequels as did his more recent portrayal of Jack Ryan in Patriot Games (1992). Another Golden Globe nomination came his way for the part of Dr. Richard Kimble in The Fugitive (1993). He is clearly a well-established Hollywood superstar. He also maintains an 800-acre ranch in Jackson Hole, Wyoming.
Ford is a private pilot of both fixed-wing aircraft and helicopters, and owns an 800-acre (3.2 km2) ranch in Jackson, Wyoming, approximately half of which he has donated as a nature reserve. On several occasions, Ford has personally provided emergency helicopter services at the request of local authorities, in one instance rescuing a hiker overcome by dehydration. Ford began flight training in the 1960s at Wild Rose Idlewild Airport in Wild Rose, Wisconsin, flying in a Piper PA-22 Tri-Pacer, but at $15 an hour, he could not afford to continue the training. In the mid-1990s, he bought a used Gulfstream II and asked one of his pilots, Terry Bender, to give him flying lessons. They started flying a Cessna 182 out of Jackson, Wyoming, later switching to Teterboro, New Jersey, flying a Cessna 206, the aircraft he soloed in. Ford is an honorary board member of the humanitarian aviation organization Wings of Hope.
On March 5, 2015, Ford's plane, believed to be a Ryan PT-22 Recruit, made an emergency landing on the Penmar Golf Course in Venice, California. Ford had radioed in to report that the plane had suffered engine failure. He was taken to Ronald Reagan UCLA Medical Center, where he was reported to be in fair to moderate condition. Ford suffered a broken pelvis and broken ankle during the accident, as well as other injuries.- Actor
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Often credited as the greatest comedian of all time, Peter Sellers was born Richard Henry Sellers to a well-off acting family in 1925 in Southsea, a suburb of Portsmouth. He was the son of Agnes Doreen "Peg" (Marks) and William "Bill" Sellers. His parents worked in an acting company run by his grandmother. His father was Protestant and his mother was Jewish (of both Ashkenazi and Sephardi background). His parents' first child had died at birth, so Sellers was spoiled during his early years. He enlisted in the Royal Air Force and served during World War II. After the war he met Spike Milligan, Harry Secombe and Michael Bentine, who would become his future workmates.
After the war, he set up a review in London, which was a combination of music (he played the drums) and impressions. Then, all of a sudden, he burst into prominence as the voices of numerous favorites on the BBC radio program "The Goon Show" (1951-1960), and then making his debut in films in Penny Points to Paradise (1951) and Down Among the Z Men (1952), before making it big as one of the criminals in The Ladykillers (1955). These small but showy roles continued throughout the 1950s, but he got his first big break playing the dogmatic union man, Fred Kite, in I'm All Right Jack (1959). The film's success led to starring vehicles into the 1960s that showed off his extreme comic ability to its fullest. In 1962, Sellers was cast in the role of Clare Quilty in the Stanley Kubrick version of the film Lolita (1962) in which his performance as a mentally unbalanced TV writer with multiple personalities landed him another part in Kubrick's Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) in which he played three roles which showed off his comic talent in play-acting in three different accents; British, American, and German.
The year 1964 represented a peak in his career with four films in release, all of them well-received by critics and the public alike: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), for which he was Oscar nominated, The Pink Panther (1963), in which he played his signature role of the bumbling French Inspector Jacques Clouseau for the first time, its almost accidental sequel, A Shot in the Dark (1964), and The World of Henry Orient (1964). Sellers was on top of the world, but on the evening of April 5, 1964, he suffered a nearly fatal heart attack after inhaling several amyl nitrites (also called 'poppers'; an aphrodisiac-halogen combination) while engaged in a sexual act with his second wife Britt Ekland. He had been working on Billy Wilder's Kiss Me, Stupid (1964). In a move Wilder later regretted, he replaced Sellers with Ray Walston rather than hold up production. By October 1964, Sellers made a full recovery and was working again.
The mid-1960s were noted for the popularity of all things British, from the Beatles music (who were presented with their Grammy for Best New Artist by Sellers) to the James Bond films, and the world turned to Sellers for comedy. What's New Pussycat (1965) was another big hit, but a combination of his ego and insecurity was making Sellers difficult to work with. When the James Bond spoof Casino Royale (1967) ran over budget and was unable to recoup its costs despite an otherwise healthy box-office take, Sellers received some of the blame. He turned down an offer from United Artists for the title role in Inspector Clouseau (1968), but was angry when the production went ahead with Alan Arkin in his place. His difficult reputation and increasingly erratic behavior, combined with several less successful films, took a toll on his standing. By 1970, he had fallen out of favor. He spent the early years of the new decade appearing in such lackluster B films as Where Does It Hurt? (1972) and turning up more frequently on television as a guest on The Dean Martin Show (1965) and a Glen Campbell TV special.
In 1974, Inspector Clouseau came to Sellers rescue when Sir Lew Grade expressed an interest in a TV series based on the character. Clouseau's creator, writer-director Blake Edwards, whose career had also seen better days, convinced Grade to bankroll a feature film instead, and The Return of the Pink Panther (1975) was a major hit release during the summer of Jaws (1975) and restored both men to prominence. Sellers would play Clouseau in two more successful sequels, The Pink Panther Strikes Again (1976) and Revenge of the Pink Panther (1978), and Sellers would use his newly rediscovered clout to realize his dream of playing Chauncey Gardiner in a film adaptation of Jerzy Kosinski's novel "Being There". Sellers had read the novel in 1972, but it took seven years for the film to reach the screen. Being There (1979) earned Sellers his second Oscar nomination, but he lost to Dustin Hoffman for Kramer vs. Kramer (1979).
Sellers struggled with depression and mental insecurities throughout his life. An enigmatic figure, he often claimed to have no identity outside the roles that he played. His behavior on and off the set and stage became more erratic and compulsive, and he continued to frequently clash with his directors and co-stars, especially in the mid-1970s when his physical and mental health, together with his continuing alcohol and drug problems, were at their worst. He never fully recovered from his 1964 heart attack because he refused to take traditional heart medication and instead consulted with 'psychic healers'. As a result, his heart condition continued to slowly deteriorate over the next 16 years. On March 20, 1977, Sellers barely survived another major heart attack and had a pacemaker surgically implanted to regulate his heartbeat which caused him further mental and physical discomfort. However, he refused to slow down his work schedule or consider heart surgery which might have extended his life by several years.
On July 25, 1980, Sellers was scheduled to have a reunion dinner in London with his Goon Show partners, Spike Milligan and Harry Secombe. However, at around 12 noon on July 22, Sellers collapsed from a massive heart attack in his Dorchester Hotel room and fell into a coma. He died in a London hospital just after midnight on July 24, 1980 at age 54. He was survived by his fourth wife, Lynne Frederick, and three children: Michael, Sarah and Victoria. At the time of his death, he was scheduled to undergo an angiography in Los Angeles on July 30 to see if he was eligible for heart surgery.
His last movie, The Fiendish Plot of Dr. Fu Manchu (1980), completed just a few months before his death, proved to be another box office flop. Director Blake Edwards' attempt at reviving the Pink Panther series after Sellers' death resulted in two panned 1980s comedies, the first of which, Trail of the Pink Panther (1982), deals with Inspector Clouseau's disappearance and was made from material cut from previous Pink Panther films and includes interviews with the original casts playing their original characters.- Actor
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A leading man of prodigious talents, Peter O'Toole was born and raised in Leeds, Yorkshire, England, the son of Constance Jane Eliot (Ferguson), a Scottish nurse, and Patrick Joseph O'Toole, an Irish metal plater, football player and racecourse bookmaker. Upon leaving school, he decided to become a journalist, beginning as a newspaper copy boy. Although he succeeded in becoming a reporter, he discovered the theater and made his stage debut at age 17. He served as a radioman in the Royal Navy for two years, then attended the Royal Academy of Dramatic Arts, where his classmates included Albert Finney, Alan Bates and Richard Harris.
O'Toole spent several years on-stage at the Bristol Old Vic, then made an inconspicuous film debut in the Disney classic Kidnapped (1960). In 1962, he was chosen by David Lean to play T.E. Lawrence in Lean's epic drama Lawrence of Arabia (1962). The role made O'Toole an international superstar and received him his first Academy Award nomination for Best Actor in a Leading Role. In 1963, he played Hamlet under Laurence Olivier's direction in the premiere production of the Royal National Theater. He continued successfully in artistically rich films as well as less artistic but commercially rewarding projects. He received Academy Award nominations (but no Oscar) for seven different films.
However, medical problems (originally thought to have been brought on by his drinking but which turned out to be stomach cancer) threatened to destroy his career and life in the 1970s. He survived by giving up alcohol and, after serious medical treatment, returned to films with triumphant performances in The Stunt Man (1980) and My Favorite Year (1982). His youthful beauty lost to time and drink, O'Toole has found meaningful roles increasingly difficult to come by, though he remained one of the greatest actors of his generation. He had two daughters, Pat and Kate O'Toole, from his marriage to actress Siân Phillips. He also had a son, Lorcan O'Toole, by model Karen Brown.
On December 14, 2013, Peter O'Toole died at age 81 in London, England.- Actor
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Clinton Eastwood Jr. was born May 31, 1930 in San Francisco, to Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margret Ruth Runner), a housewife turned IBM clerk. He grew up in nearby Piedmont. At school Clint took interest in music and mechanics, but was an otherwise bored student; this resulted in being held back a grade. In 1949, the year he is said to have graduated from high school, his parents and younger sister Jeanne moved to Seattle. Clint spent a couple years in the Pacific Northwest himself, operating log broncs in Springfield, Oregon, with summer gigs life-guarding in Renton, Washington. Returning to California in 1951, he did a two-year stint at Fort Ord Military Reservation and later enrolled at L.A. City College, but dropped out to pursue acting.
During the mid-1950s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming. Although only a secondary player the first seven seasons, he was promoted to series star when Fleming departed--both literally and figuratively--in its final year, along the way becoming a recognizable face to television viewers around the country.
Eastwood's big-screen breakthrough came as The Man with No Name in Sergio Leone's trilogy of excellent spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The movies were shown exclusively in Italy during their respective copyright years with Enrico Maria Salerno providing the voice of Eastwood's character, finally getting American distribution in 1967-68. As the last film racked up respectable grosses, Eastwood, 37, rose from a barely registering actor to sought-after commodity in just a matter of months. Again a success was the late-blooming star's first U.S.-made western, Hang 'Em High (1968). He followed that up with the lead role in Coogan's Bluff (1968) (the loose inspiration for the TV series McCloud (1970)), before playing second fiddle to Richard Burton in the World War II epic Where Eagles Dare (1968) and Lee Marvin in the bizarre musical Paint Your Wagon (1969). In Two Mules for Sister Sara (1970) and Kelly's Heroes (1970), Eastwood leaned in an experimental direction by combining tough-guy action with offbeat humor.
1971 proved to be his busiest year in film. He starred as a sleazy Union soldier in The Beguiled (1971) to critical acclaim, and made his directorial debut with the classic erotic thriller Play Misty for Me (1971). His role as the hard edge police inspector in Dirty Harry (1971), meanwhile, boosted him to cultural icon status and helped popularize the loose-cannon cop genre. Eastwood put out a steady stream of entertaining movies thereafter: the westerns Joe Kidd (1972), High Plains Drifter (1973) and The Outlaw Josey Wales (1976) (his first of six onscreen collaborations with then live-in love Sondra Locke), the Dirty Harry sequels Magnum Force (1973) and The Enforcer (1976), the action-packed road adventures Thunderbolt and Lightfoot (1974) and The Gauntlet (1977), and the prison film Escape from Alcatraz (1979). He branched out into the comedy genre in 1978 with Every Which Way But Loose (1978), which became the biggest hit of his career up to that time; taking inflation into account, it still is. In short, The Eiger Sanction (1975) notwithstanding, the 1970s were nonstop success for Eastwood.
Eastwood kicked off the 1980s with Any Which Way You Can (1980), the blockbuster sequel to Every Which Way but Loose. The fourth Dirty Harry film, Sudden Impact (1983), was the highest-grossing film of the franchise and spawned his trademark catchphrase: "Make my day." He also starred in Bronco Billy (1980), Firefox (1982), Tightrope (1984), City Heat (1984), Pale Rider (1985) and Heartbreak Ridge (1986), all of which were solid hits, with Honkytonk Man (1982) being his only commercial failure of the period. In 1988, he did his fifth and final Dirty Harry movie, The Dead Pool (1988). Although it was a success overall, it did not have the box office punch the previous films had. About this time, with outright bombs like Pink Cadillac (1989) and The Rookie (1990), it seemed Eastwood's star was declining as it never had before. He then started taking on low-key projects, directing Bird (1988), a biopic of Charlie Parker that earned him a Golden Globe, and starring in and directing White Hunter Black Heart (1990), an uneven, loose biopic of John Huston (both films had a limited release).
Eastwood bounced back big time with his dark western Unforgiven (1992), which garnered the then 62-year-old his first ever Academy Award nomination (Best Actor), and an Oscar win for Best Director. Churning out a quick follow-up hit, he took on the secret service in In the Line of Fire (1993), then accepted second billing for the first time since 1970 in the interesting but poorly received A Perfect World (1993) with Kevin Costner. Next was a love story, The Bridges of Madison County (1995), where Eastwood surprised audiences with a sensitive performance alongside none other than Meryl Streep. But it soon became apparent he was going backwards after his brief revival. Subsequent films were credible, but nothing really stuck out. Absolute Power (1997) and Space Cowboys (2000) did well enough, while True Crime (1999) and Blood Work (2002) were received badly, as was Midnight in the Garden of Good and Evil (1997), which he directed but didn't appear in.
Eastwood surprised again in the mid-2000s, returning to the top of the A-list with Million Dollar Baby (2004). Also starring Hilary Swank and Morgan Freeman, the hugely successful drama won four Academy Awards, including Best Picture and Best Director for Eastwood. He scored his second Best Actor nomination, too. His next starring vehicle, Gran Torino (2008), earned almost $30 million in its opening weekend and was his highest grosser unadjusted for inflation. 2012 saw him in a rare lighthearted movie, Trouble with the Curve (2012), as well as a reality show, Mrs. Eastwood & Company (2012).
Between acting jobs, he chalked up an impressive list of credits behind the camera. He directed Mystic River (2003) (in which Sean Penn and Tim Robbins gave Oscar-winning performances), Flags of Our Fathers (2006), Letters from Iwo Jima (2006) (nominated for the Best Picture Oscar), Changeling (2008) (a vehicle for Angelina Jolie), Invictus (2009) (again with Freeman), Hereafter (2010), J. Edgar (2011), Jersey Boys (2014), American Sniper (2014) (2014's top box office champ), Sully (2016) (starring Tom Hanks as hero pilot Chesley Sullenberger) and The 15:17 to Paris (2018). Back on screens after a considerable absence, he played an unlikely drug courier in The Mule (2018), which reached the top of the box office with a nine-figure gross, then directed Richard Jewell (2019). At age 91, Eastwood made history as the oldest actor to star above the title in a movie with the release of Cry Macho (2021).
Away from the limelight, Eastwood has led an aberrant existence and is described by biographer Patrick McGilligan as a cunning manipulator of the media. His convoluted slew of partners and children are now somewhat factually acknowledged, but for the first three decades of his celebrity, his personal life was kept top secret, and several of his families were left out of the official narrative. The actor refuses to disclose his exact number of offspring even to this day. He had a longtime relationship with similarly abstruse co-star Locke (who died aged 74 in 2018, though for her entire public life she masqueraded about being younger), and has fathered at least eight children by at least six different women in an unending string of liaisons, many of which overlapped. He has been married only twice, however, with a mere three of his progeny coming from those unions.
His known children are: Laurie Murray (b. 1954), whose mother is unidentified; Kimber Eastwood (b. 1964) with stuntwoman Roxanne Tunis; Kyle Eastwood (b. 1968) and Alison Eastwood (b. 1972) with his first ex-wife, Margaret Neville Johnson; Scott Eastwood (b. 1986) and Kathryn Eastwood (b. 1988) with stewardess Jacelyn Reeves; Francesca Eastwood (b. 1993) with actress Frances Fisher; and Morgan Eastwood (b. 1996) with his second ex-wife, Dina Eastwood. The entire time that he lived with Locke she was legally married to sculptor Gordon Anderson.
Eastwood has real estate holdings in Bel-Air, La Quinta, Carmel-by-the-Sea, Cassel (in remote northern California), Idaho's Sun Valley and Kihei, Hawaii.- Actor
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Richard Dreyfuss is an American leading man, who has played his fair share of irritating pests and brash, ambitious hustlers.
He was born Richard Stephen Dreyfus in Brooklyn, New York, to Geraldine (Robbins), an activist, and Norman Dreyfus, a restaurateur and attorney. His paternal grandparents were Austro-Hungarian Jewish immigrants, and his mother's family was Russian Jewish.
Richard worked his way up through bit parts (The Graduate (1967), for one) and TV before gaining attention with his portrayal of Baby Face Nelson in John Milius' Dillinger (1973). He gained prominence as a college-bound young man in American Graffiti (1973) and as a nervy Jewish kid with high hopes in The Apprenticeship of Duddy Kravitz (1974). By the latter part of the 1970s Dreyfuss was established as a major star, playing leads (and alter-egos) for Steven Spielberg in two of the top-grossing films of the that decade: Jaws (1975) and Close Encounters of the Third Kind (1977). He won a Best Actor Oscar in his first romantic lead as an out-of-work actor in The Goodbye Girl (1977). Dreyfuss also produced and starred in the entertaining private eye movie The Big Fix (1978). After a brief lull in the early 1980s, a well-publicized drug problem and a string of box-office disappointments (The Competition (1980), Whose Life Is It Anyway? (1981), The Buddy System (1984)), a clean and sober Dreyfuss re-established himself in the mid-'80s as one of Hollywood's more engaging leads. He co-starred with Bette Midler and Nick Nolte in Paul Mazursky's popular Down and Out in Beverly Hills (1986). That same year he provided the narration and appeared in the opening and closing "bookends" of Rob Reiner's nostalgic Stand by Me (1986). He quickly followed that with Nuts (1987) opposite Barbra Streisand, Barry Levinson's Tin Men (1987) in a memorable teaming with Danny DeVito, and Stakeout (1987) with Emilio Estevez. Dreyfuss continued working steadily through the end of the 1980s and into the 1990s, most notably in Mazursky's farce Moon Over Parador (1988), Spielberg's Always (1989), Postcards from the Edge (1990) and Rosencrantz & Guildenstern Are Dead (1990). He appeared as a member of an ensemble that included Holly Hunter, Gena Rowlands and Danny Aiello in the romantic comedy Once Around (1991) and as a pop psychiatrist, the author of several successful self-help books, who is driven to the edge by nutcase Bill Murray in the popular comedy What About Bob? (1991). Dreyfuss has also remained active in the theater ("Death and Maiden", 1992) and on TV. In his next project he starred the thriller Silent Fall (1994) with John Lithgow and Linda Hamilton, being the film debut of Liv Tyler, Steven Tyler's daughter (Aerosmith's lead vocals). Just later Dreyfuss made Another Stakeout (1993), sequel of Stakeout (1987) where was team again with Emilio Estevez accompanied of Rosie O'Donnell, the adaptation of Neil Simon's play Lost in Yonkers (1993) and followed with a supporting turn as the querulous political opponent in The American President (1995). Dreyfuss received some of the best notices of his career as a determined, inspiring music teacher coping with a deaf son and the demands of his career in Mr. Holland's Opus (1995). Closing the 20th century he was in Sidney Lumet's Night Falls on Manhattan (1996) with Andy Garcia, the crime comedy Mad Dog Time (1996) as the mob boss Vic, the screwball comedy Krippendorf's Tribe (1998) about an anthropologist who creates a false lost New Guinea tribe for not losing his job in the university, TV movie Lansky (1999) about the infamous mob boss to end, the too TV movie Fail Safe (2000) playing The President, and The Crew (2000), about four older mobsters retired in Miami, partnering with Hollywood legends Burt Reynolds, Dan Hedaya and Seymour Cassel.
His start in the 21st century was with the adaption of Luis Sepúlveda's novel The Old Man Who Read Love Stories (2001), playing an old man to must to hunt a female jaguar turned crazy. It was followed by the supporting apparition in the comedy Who Is Cletis Tout? (2001) and another TV movie about 1981 Ronald Reagan's shooting The Day Reagan Was Shot (2001). After the short-lived TV series The Education of Max Bickford (2001) about a teacher in a women's college where his daughter is student, Dreyfuss returned to cinema in Silver City (2004) and the box-office bomb Poseidon (2006) with Kurt Russell, Emmy Rossum and Josh Lucas. Playing former vice-president Dick Cheney in the Oliver Stone's biopic W. (2008) and Irv, the cunning tourist in Greece turned in assistant of a troubled tour guide in My Life in Ruins (2009), Dreyfuss participated in low-budget productions as Leaves of Grass (2009) and The Lightkeepers (2009), for making a cameo in the wild and crazy Piranha 3D (2010) about prehistoric men-eater piranhas that make a bloodbath in a spring break. Returning to first line playing evil Alexander Dunning in the actioner RED (2010), his further productions included Paranoia (2013) as Liam Hemsworth's father partnering Harrison Ford and Gary Oldman, road movie Cas & Dylan (2013) opposites Tatiana Maslany and the biopic TV mini-series Madoff (2016) about the infamous multi-billion-dollar and hustler Bernie Madoff. Tireless and always implied in new projects, Dreyfuss played George, the funny online date of Candice Bergen in Book Club (2018), the comedy and road movie The Last Laugh (2019) with Chevy Chase, and the set in wilderness thriller Daughter of the Wolf (2019) with Gina Carano and Brendan Fehr. Making his 73rd birthday in 2020, Dreyfuss is an example of talent, diversity and love for his work, touching not only all the genres in cinema but leaving an unforgettable footprint at any of them.- Actor
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Anthony Perkins was born April 4, 1932 in New York City, to Janet Esselstyn (Rane) and Osgood Perkins, an actor of both stage and film. His father died when he was five. Anthony's paternal great-grandfather was engraver Andrew Varick Stout Anthony. Perkins attended the Brooks School, the Browne & Nichols School, Columbia University and Rollins College. He made his screen debut in The Actress (1953), and was nominated for a Best Supporting Actor Oscar Friendly Persuasion (1956). Four years later, he appeared in what would be his most noted role, Norman Bates in Psycho (1960), memorializing him into film history forever.- Actress
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From working for the exacting Alfred Hitchcock to a film written by Edward D. Wood Jr., Tippi Hedren, the Minnesota blonde, has had a distinctive career. She was born Nathalie Kay Hedren in New Ulm, MN, to Dorothea (née Eckhardt) and Bernard Hedren, who ran a general store, and is of Swedish, Norwegian, and German descent. Tippi was working as a New York fashion model when she married her first husband, former actor and later advertising executive Peter Griffith, in 1952 (married until 1961). She gave birth to her only child, future star Melanie Griffith, on August 9, 1957. Alfred Hitchcock discovered Tippi, the pretty cover girl, while viewing a commercial on NBC's Today (1952) show. He put her under personal contract and cast her in The Birds (1963). In a cover article about the movie in Look magazine (Dec. 4, 1962), Hitchcock praised her; he also told the Associated Press: "Tippi Hedren is really remarkable. She's already reaching the lows and highs of terror". Her performance in the film earned her both the Golden Globe award and the Photoplay award as Most Promising Newcomer. Her next film was playing the title role in Hitchcock's Marnie (1964), where she played a challenging and difficult role of a frigid, habitual thief. The film wasn't as big a hit as "The Birds," and it would take years before she won well-deserved admiration for her work. The professional relationship with Hitchcock ended with mutual bitterness and disappointment during the filming of "Marnie." That year, she married her agent, Noel Marshall (married until 1982). Charles Chaplin cast her in a supporting role in his final film A Countess from Hong Kong (1967), which flopped. Thereafter, Tippi and her husband Marshall collected big cats and other wildlife for the film Roar (1981), which they starred in and produced. The film took 11 years and $17 million to make, but it only made $2 million worldwide. Nevertheless, the film was a turning point in her life; she became actively involved in animal rights, as well as a wide variety of humanitarian and environmental causes. She married her third husband, businessman Luis Barrenecha, in 1985 but divorced him seven years later. In 2002, she became engaged to veterinarian Martin Dinnes, but after six years and no wedding, the couple called it quits. Tippi has devoted much time and effort to charitable causes: she is a volunteer International Relief Coordinator for "Food for the Hungry". She has traveled worldwide to set up relief programs following earthquakes, hurricanes, famine and war, and has received numerous awards for her efforts, including the Humanitarian Award presented to her by the Baha'i Faith. As for animal causes, she is founder and president of The Roar Foundation. Onscreen, she continues to work frequently in films, theater and TV. She appeared in I Woke Up Early the Day I Died (1998), finally bringing to the big screen the last screenplay written by the late Edward D. Wood Jr. in 1974 (and featuring Wood regulars Maila Nurmi and Conrad Brooks, just about the only surviving members of Wood's stock company). She also enjoyed playing comedic roles, such as an abortion rights activist in Alexander Payne's satire Citizen Ruth (1996) and slapping Jude Law in I Heart Huckabees (2004). Tippi's contributions to world cinema have been honored with Life Achievement awards in France at The Beauvais Film Festival Cinemalia 1994; in Spain, by The Fundacion Municipal De Cine in 1995; and at the Riverside International Film Festival in 2007. In 1999, Tippi was honored as "Woman of Vision" by Women in Film and Video in Washington, D.C., and received the Presidential Medal for her work in film from Hofstra University. She enjoys spending time with her daughter and grandchildren: Alexander Bauer, Dakota Johnson and Stella Banderas.- Actor
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Alec Guinness was an English actor. He is known for his six collaborations with David Lean: Herbert Pocket in Great Expectations (1946), Fagin in Oliver Twist (1948), Col. Nicholson in The Bridge on the River Kwai (1957), for which he won the Academy Award for Best Actor), Prince Faisal in Lawrence of Arabia (1962), General Yevgraf Zhivago in Doctor Zhivago (1965), and Professor Godbole in A Passage to India (1984).
Guinness is really most remembered for his portrayal of Obi-Wan Kenobi in George Lucas' original Star Wars trilogy for which he receive a nomination for an Academy Award for Best Supporting Actor.
In 1959, he was knighted by Queen Elizabeth II for services to the arts. In the 1970s, Guinness made regular television appearances in Britain, including the role of George Smiley in the serialisations of two novels by John le Carré: Tinker Tailor Soldier Spy (1979) and Smiley's People (1982). In 1980 he received the Academy Honorary Award for lifetime achievement.
Guinness was also one of three British actors, along with Laurence Olivier and John Gielgud, who made the transition from Shakespearean theatre in England to Hollywood blockbusters immediately after the Second World War.
Guinness died on 5 August 2000, from liver cancer, at Midhurst in West Sussex.- Actress
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Julia Elizabeth Wells was born on October 1, 1935, in England. Her mother, Barbara Ward (Morris), and stepfather, both vaudeville performers, discovered her freakish but undeniably lovely four-octave singing voice and immediately got her a singing career. She performed in music halls throughout her childhood and teens, and at age 20, she launched her stage career in a London Palladium production of "Cinderella".
Andrews came to Broadway in 1954 with "The Boy Friend", and became a bona fide star two years later in 1956, in the role of Eliza Doolittle in the unprecedented hit "My Fair Lady". Her star status continued in 1957, when she starred in the TV-production of Cinderella (1957) and through 1960, when she played "Guenevere" in "Camelot".
In 1963, Walt Disney asked Andrews if she would like to star in his upcoming production, a lavish musical fantasy that combined live-action and animation. She agreed on the condition if she didn't get the role of Doolittle in the pending film production of My Fair Lady (1964). After Audrey Hepburn was cast in My Fair Lady, Andrews made an auspicious film debut in Walt Disney's Mary Poppins (1964), which earned her an Academy Award for Best Actress.
Andrews continued to work on Broadway, until the release of The Sound of Music (1965), the highest-grossing movie of its day and one of the highest-grossing of all time. She soon found that audiences identified her only with singing, sugary-sweet nannies and governesses, and were reluctant to accept her in dramatic roles in The Americanization of Emily (1964) and Alfred Hitchcock's thriller Torn Curtain (1966). In addition, the box-office showings of the musicals Julie subsequently made increasingly reflected the negative effects of the musical-film boom that she helped to create. Thoroughly Modern Millie (1967) was for a time the most successful film Universal had released, but it still couldn't compete with Mary Poppins or The Sound of Music for worldwide acclaim and recognition. Star! (1968) and Darling Lili (1970) also bombed at the box office.
Fortunately, Andrews did not let this keep her down. She worked in nightclubs and hosted a TV variety series in the 1970s. In 1979, Andrews returned to the big screen, appearing in films directed by her husband Blake Edwards, with roles that were entirely different from anything she had been seen in before. Andrews starred in 10 (1979), S.O.B. (1981) and Victor/Victoria (1982), which earned her an Oscar nomination for Best Actress in a Leading Role.
She continued acting throughout the 1980s and 1990s in movies and TV, hosting several specials and starring in a short-lived sitcom. In 2001, she starred in The Princess Diaries (2001), alongside then-newcomer Anne Hathaway. The family film was one of the most successful G-Rated films of that year, and Andrews reprised her role as Queen Clarisse Renaldi in The Princess Diaries 2: Royal Engagement (2004). In recent years, Andrews appeared in Tooth Fairy (2010), as well as a number of voice roles in Shrek 2 (2004), Shrek the Third (2007), Enchanted (2007), Shrek Forever After (2010), and Despicable Me (2010).- Actress
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Mary Tyler Moore was born in Flatbush, Brooklyn, on December 29, 1936. Moore's family relocated to California when she was eight. Her childhood was troubled, due in part to her mother's alcoholism. The eldest of three siblings, she attended a Catholic high school and married upon her graduation, in 1955. Her only child, Richard Meeker Jr., was born soon after.
A dancer at first, Moore's first break in show business was in 1955, as a dancing kitchen appliance - Happy Hotpoint, the Hotpoint Appliance elf, in commercials generally broadcast during the popular sitcom The Adventures of Ozzie and Harriet (1952). She then shifted from dancing to acting and work soon came, at first a number of guest roles on television series, but eventually a recurring role as Sam, Richard Diamond's sultry answering service girl, on Richard Diamond, Private Detective (1956), her performance being particularly notorious because her legs (usually dangling a pump on her toe) were shown instead of her face.
Although these early roles often took advantage of her willowy charms (in particular, her famously-beautiful dancer's legs), Moore's career soon took a more substantive turn as she was cast in two of the most highly regarded comedies in television history, which would air first-run for most of the '60s and '70s. In the first of these, The Dick Van Dyke Show (1961), Moore played Laura Petrie, the charmingly loopy wife of star Dick Van Dyke. The show became famous for its very clever writing and terrific comic ensemble - Moore and her fellow performers received multiple Emmy Awards for their work. Meanwhile, she had divorced her first husband, and married advertising man (and, later, network executive) Grant Tinker.
After the end of The Dick Van Dyke Show (1961), Moore focused on movie-making, co-starring in five between the end of the sitcom and the start of The Mary Tyler Moore Show (1970), including Thoroughly Modern Millie (1967), in which she plays a ditsy aspiring actress, and an inane Elvis Presley vehicle, Change of Habit (1969), in which she plays a nun-to-be and love interest for Presley. Also included in this mixed bag of films was a first-rate television movie, Run a Crooked Mile (1969), which was an early showcase for Moore's considerable talent at dramatic acting.
After trying her hand at movies for a few years, Moore decided, rather reluctantly, to return to television, but on her terms. The result was The Mary Tyler Moore Show (1970), which was produced by MTM Enterprises, a company she had formed with Tinker, and which later went on to produce scores of other television series. Moore starred as Mary Richards, who moves to Minneapolis on the heels of a failed relationship. Mary finds work at the newsroom of WJM-TV, whose news program is the lowest-rated in the city, and establishes fast friendships with her colleagues and her neighbors. The sitcom was a commercial and critical success and for years was a fixture of CBS television's unbeatable Saturday night line-up. Moore and Tinker were determined from the start to make the sitcom a cut above the average, and it certainly was - instead of going for a barrage of gags, the humor took longer to develop and arose out of the interaction between the characters in more realistic situations. This was also one of the earliest television portrayals of a woman who was happy and successful on her own rather than simply being a man's wife. The Mary Tyler Moore Show (1970) is generally included amongst the finest television series ever produced in America.
Moore ended the sitcom in 1977, while it was still on a high point, but found it difficult to flee the beloved Mary Richards persona - her subsequent attempts at television series, variety programs, and specials (such as the mortifying disco-era Mary's Incredible Dream (1976)) usually failed, but even her dramatic work, which is generally excellent, fell under the shadow of Mary Richards. With time, however, her body of dramatic acting came to be recognized on its own, with such memorable work as in Ordinary People (1980), as an aloof WASP mother who not-so-secretly resents her younger son's survival; in Finnegan Begin Again (1985), as a middle-aged widow who finds love with a man whose wife is slowly slipping away, in Lincoln (1988), as the troubled Mary Todd Lincoln, and in Stolen Babies (1993), as an infamous baby smuggler (for which she won her sixth Emmy Award). She also inspired a new appreciation for her famed comic talents in Flirting with Disaster (1996), in which she is hilarious as the resentful adoptive mother of a son who is seeking his birth parents. Moore also acted on Broadway, and she won a Tony Award for her performance in "Whose Life Is It Anyway?"
Widely acknowledged as being much tougher and more high-strung than her iconic image would suggest, Moore had a life with more than the normal share of ups and downs. Both of her siblings predeceased her, her sister Elizabeth of a drug overdose in 1978 and her brother John of cancer in 1991 after a failed attempt at assisted suicide, Moore having been the assistant. Moore's troubled son Richie shot and killed himself in what was officially ruled an accident in 1980. Moore was diagnosed an insulin-dependent diabetic in 1969, and had a bout with alcoholism in the early 1980s. Divorced from Tinker in 1981 after repeated separations and reconciliations, she married physician Robert Levine in 1983. The union with Levine proved to be Moore's longest run in matrimony and her only marriage not to end in divorce. Despite the opening credits of The Mary Tyler Moore Show (1970), in which she throws a package of meat into her shopping cart, Moore was a vegetarian and a proponent of animal rights. She was an active spokesperson for both diabetes issues and animal rights.
On January 25, 2017, Mary Tyler Moore died at age 80 at Greenwich Hospital in Greenwich, Connecticut, from cardiopulmonary arrest complicated by pneumonia after having been placed on a respirator the previous week. She was laid to rest during a private ceremony at Oak Lawn Cemetery in Fairfield, Connecticut.- Actor
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James Fox is the second of three sons, born to the theatrical agent Robin Fox and his actress wife Angela Worthington - aka Angela Fox. His brothers are the actor Edward Fox and the producer Robert Fox. He started acting as a child actor and used his real name, until he reached his early 20s. He trained at the Central School of Speech and Drama. He left for nine years from 1970 to 1979 to pursue Christian vocational work. His niece is the actress Emilia Fox and he has a half-brother to the actor Daniel Chatto. From his marriage to Mary Piper, he has four sons: Thomas Fox, born 1975; Robin Fox, born 1976; the actors Laurence Fox, born 1978; Jack Fox, born 1985, and one daughter, Lydia Fox, born 1979. He published a book, "Comeback: An Actor's Direction", in 1983.- Actor
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The son of a Lancashire bookmaker, Albert Finney came to motion pictures via the theatre. In 1956, he won a scholarship to RADA where his fellow alumni included Peter O'Toole and Alan Bates. He joined the Birmingham Repertory where he excelled in plays by William Shakespeare. A member of the Royal Shakespeare Company, Finney understudied Laurence Olivier at Stratford-upon-Avon, eventually acquiring a reputation as 'the new Olivier'. He first came to critical attention by creating the title role in Keith Waterhouse's "Billy Liar" on the London stage. His film debut soon followed with The Entertainer (1960) by Tony Richardson with whom had earlier worked in the theatre. With the changing emphasis in 60s British cinema towards gritty realism and working-class milieus, Finney's typical screen personae became good-looking, often brooding proletarian types and rebellious anti-heroes as personified by his Arthur Seaton in Karel Reisz's Saturday Night and Sunday Morning (1960). His exuberant defining role, however, was in the bawdy period romp Tom Jones (1963) in which Finney revealed a substantial talent for comedy. In the same vein, he scored another hit opposite Audrey Hepburn in the charming marital comedy Two for the Road (1967).
By 1965, Finney had branched out into production, setting up Memorial Enterprises in conjunction with Michael Medwin. In 1968, he directed himself in Charlie Bubbles (1968) and three years later produced the Chandleresque homage Gumshoe (1971), in which he also starred as Eddie Ginley, a bingo-caller with delusions of becoming a private eye. From 1972 to 1975, Finney served as artistic director of the Royal Court Theatre. His intermittent forays to the screen confirmed him as a versatile international actor of note, though not what one might describe as a mainstream star. His roles have ranged from Ebenezer Scrooge in the musical version of Scrooge (1970) to Daddy Warbucks in Annie (1982) and (in flamboyant over-the-top make-up) Hercule Poirot in Murder on the Orient Express (1974). He appeared as Minister of Police Joseph Fouché in Ridley Scott's superb period drama The Duellists (1977) and as a grandiloquent Shakespearean actor in The Dresser (1983) for which he received an Oscar nomination. For the small screen Finney essayed Pope John Paul II (1984) and was a totally believable Winston Churchill in the acclaimed The Gathering Storm (2002). His final movie credit was in the James Bond thriller Skyfall (2012).
Finney was five-times nominated for Academy Awards in 1964, 1975, 1984, 1985 and 2001. He won two BAFTA Awards in 1961 and 2004. True to his working-class roots, he spurned a CBE in 1980 and a knighthood in 2000, later explaining his decision by stating that the 'Sir thing' "slightly perpetuates one of our diseases in England, which is snobbery". Albert Finney was diagnosed with kidney cancer in 2011. He died on February 7 2019 at a London hospital from a chest infection at the age of 82. Upon his death, John Cleese described him as "the best" and "our greatest actor".- Actor
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Sir Michael Gambon was born in Cabra, Dublin, Ireland, to Mary (Hoare), a seamstress, and Edward Gambon, an engineer. After joining the National Theatre, under the Artistic Directorship of Sir Laurence Olivier, Gambon went on to appear in a number of leading roles in plays written by Alan Ayckbourn. His career was catapulted in 1980 when he took the lead role in John Dexter's production of "Galileo". Since then, Gambon has regularly appeared at the Royal National Theatre and the RSC. Roles include, King Lear, Othello, Mark Anthony and Volpone. He was described by the late Sir Ralph Richardson as being "The Great Gambon" and he is now considered to be one of the British theatre's leading lights. He was made a CBE in 1992.- Actress
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Imelda Staunton is an English actress and singer from Archway, London. Her ancestry is primarily Irish. She has worked extensively in theater, and has won 4 Laurence Olivier Awards; 3 for leading roles and one for a supporting role. Her best known role in films has been the recurring villain Dolores Umbridge in the fantasy films "Harry Potter and the Order of the Phoenix" (2007) and "Harry Potter and the Deathly Hallows - Part 1" (2010). Her character was depicted as an authoritarian bureaucrat from the Ministry of Magic who was appointed as the new professor of "Defence Against the Dark Arts". The character was driven by both her political agendas and her own prejudice. In television, Staunton's best-known role was portraying Queen Elizabeth II in the 5th season of the historical drama series "The Crown" (2016-). The season fictionalized the events of Elizabeth's reign from 1991 to 1997.
In 1956, Staunton was born in Archway, an area in the London Borough of Islington. Archway has had a large Irish community since the 1830s, when Irish workers from this area were employed in the construction of railways and roads. Staunton's parents were the laborer Joseph Staunton and his wife, the hairdresser and musician Bridie McNicholas. Both parents were first-generation immigrants from County Mayo, Ireland. Bridie played both the accordion and the fiddle in Irish show-bands.
Staunton received her secondary education at the La Sainte Union Catholic School, a girls' school operated by the Holy Union Sisters. She was trained in drama and elocution, and practiced her new skills by starring in school plays. Encouraged by one of her teachers, Staunton applied to several drama schools. In 1974, Staunton was accepted into the Royal Academy of Dramatic Art (RADA). She was reportedly rejected by both the "Central School of Speech and Drama" and the "Guildhall School of Music and Drama", so her options were rather limited.
Staunton graduated from RADA in 1976. For the next 6 years, Staunton primarily acted in English repertory theater. She portrayed the French military leader Joan of Arc (c. 1412-1431) in a 1979 revival of the play "Saint Joan" (1923) by George Bernard Shaw. In 1982, she started acting for the Royal National Theatre in London. In her first year there, Staunton was nominated for both the "Laurence Olivier Award for Best Actress in a Musical" and the "Laurence Olivier Award for Best Newcomer in a Play". Staunton lost the Best Actress Award to Julia McKenzie, and the Newcomer Award to Kenneth Branagh.
Staunton made her film debut in the historical drama "Comrades" (1986). The film dramatized the lives of the Tolpuddle Martyrs, a group of British labor activists who were convicted in 1834 under an obscure act and sentenced to penal transportation to Australia. The group members were pardoned in 1836 after mass protests in their favor, and they became heroes for the early union and workers' rights movements.
Among Staunton's most notable theatrical roles in the 1980s was portraying Dorothy Gale in a British version of the musical "The Wizard of Oz" (1987) by John Kane. It was a theatrical adaptation of the novel "The Wonderful Wizard of Oz" (1900) by L. Frank Baum. The theatrical production was by the Royal Shakespeare Company. Staunton was nominated for the 1988 "Laurence Olivier Award for Best Actress in a Musical" for this role, but lost to Patricia Routledge.
Staunton had a co-staring role in the comedy film "Peter's Friends" (1992), her first film role since 1986. In the film, Peter (played by Stephen Fry) is the new owner of his family's country house, and invites the former members of his student comedy troupe to a reunion there. Each of the members has had a dysfunctional life, but Peter eventually informs them that he has a worse fate than his friends. He reveals that he is HIV-positive, and that the real reasons for the reunion were the fears for his mortality. The film was nominated for the 1993 "Goya Award for Best European Film", but lost to "Three Colors: Blue".
Staunton portrayed the waiting gentlewoman Margaret in thee romantic comedy "Much Ado About Nothing" (1993), a film adaptation of William Shakespeare's play of the same name. In the film, Margaret is mistaken for her charge, Hero (played by Kate Beckinsale). Staunton had her first notable animated roles in the fantasy film "The Snow Queen" (1995), an adaptation of the 1844 fairy tale Hans Christian Andersen. She portrayed both the sentient bird Ivy and Angorra, the self-centered daughter of the Robber King.
Staunton portrayed the witty servant Maria in the romantic comedy "Twelfth Night" (1996), an adaptation of William Shakespeare's play. Maria was one of several characters who humiliated the pompous steward Malvolio (played by Nigel Hawthorne), and orchestrated his downfall. Staunton had two new roles in the sequel animated film "The Snow Queen's Revenge" (1996). She voiced both the optimistic servant Elsbeth and the ambitious bounty hunter Rowena.
Staunton voiced the group cynic Bunty in the stop-motion animated comedy film "Chicken Run" (2000). It was the first feature-length film by the animation studio Aardman Animations, and grossed about 224.8 million dollars at the worldwide box office. The film broke a record as the highest-grossing stop-motion film in film history. It has retained this record into the 2020s. This was one of Staunton's most commercially successful films.
Staunton portrayed the malevolent wife Conchita Flynn in the comedy film "Rat" (2000), loosely based on the novella "The Metamorphosis" (1915) by Franz Kafka. In the film, a normal working-class man inexplicably shape-shifts into a rat. His family both turns against him, and tries to profit from his condition. Staunton portrayed the supporting character of police superintendent Janine in the romantic comedy film "Crush" (2001). In the film, middle-aged schoolmistress Kate Scales (played by Andie MacDowell) starts dating a man in his twenties, who was once her student. Janine and another of Kate's friends try to figure out whether the man genuinely loves Kate, or is simply manipulating her. When the man is killed in a traffic accident, the two friends try to help a pregnant Kate with some serious life decisions.
Staunton portrayed the main character Vera Drake in the period drama "Vera Drake" (2004). In the film, Vera is a middle-aged house cleaner who provides illegal abortions for young women during the early 1950s. She provides her services free of charge, and is unaware that her partner is getting payments for arranging meetings with Vera. When Vera is arrested following the near-death of one of her patients, people who previously depended on her kindness are left distraught. Staunton won the "BAFTA Award for Best Actress in a Leading Role" for this role, and was nominated for the "Golden Globe Award for Best Actress in a Motion Picture - Drama". The film was met with general critical praise, despite some criticism for its inaccurate portrayal of real-life abortion methods.
Staunton portrayed Ambassador Cochran in the thriller film "Shadow Man" (2006), one of the few genuine allies of the protagonist Jack Foster (played by Steven Seagal). In the film, Jack is a retired CIA agent. Following the disappearance and suspected death of his father-in-law, Jack is mistakenly thought to have the formula for a biological weapon which his father-in-law had stolen. Jack finds himself targeted by multiple intelligent agents and organizations, including several of his former friends and allies. The film was set entirely in Bucharest, Romania, though it was based on a script intended for a period film about post-World War II Japan.
Staunton next portrayed Dolores Umbridge in "Harry Potter and the Order of the Phoenix" (2007). Staunton's performance was praised by critics, and she was nominated in the "British Actress in a Supporting Role" category at the London Film Critics Circle Awards. Dolores as a character has been praised as one of the better villains from the "Harry Potter" series, because her brand of "authoritarian evil" was reportedly more relatable than Lord Voldemort and his abstract plans. Staunton herself claimed that her performance as Dolores was inspired primarily by her views on the behavior of the controversial Prime Minister Margaret Thatcher (1925-2013, term 1979-1990).
Staunton portrayed motel owner Sonia Teichberg in the comedy-drama film "Taking Woodstock" (2009). In the film, the motel of the Teichberg family is about to be foreclosed by their bank, and their young son is desperate to raise enough money to save the family business. Following a series of the son's money-making schemes, he learns that Sonia had hid nearly 100,000 dollars in her closet and could single-handedly save the motel if she was willing to spend it. Motivating him to strike out on his own. The film was an adaptation of the memoir "Taking Woodstock: A True Story of a Riot, a Concert, and a Life" (2007) by Elliot Tiber, one of the people involved in organizing the Woodstock music festival (1969).
Staunton portrayed the housekeeper Maud Hill in the supernatural drama "The Awakening". In the film, a skeptic writer investigates ghost sightings at a boarding school in Cumbria during the early 1920s. She realized belatedly that the boarding house's building used to be her family's residence during her childhood, that the ghost in question was her murdered half-brother, and that Maud used to be her father's mistress. Maud had invited her there in order to kill her and to turn her into the building's newest ghost. The film was praised by critics as an atmospheric, ghost story, though its resolution was thought to be predictable.
Staunton voiced Margaret Claus in the Christmas animated film "Arthur Christmas" (2011). In the film, a family has used the hereditary title of "Santa Claus" for many generations, and the current Santa (Malcolm) is the 20th one. When a child's present is accidentally lost, Malcolm is indifferent to the situation, and Steven (his cynical eldest son and business-manager) considers this to be an acceptable error. But his idealistic younger son Arthur sets out to personally deliver the present, using an outdated wooden sleigh that had been out of use for nearly a century. As the inexperienced gift-bringer tries to complete his mission, Malcolm tries to hide the situation from his wife Margaret while starting to realize that he was never suited for a leadership position. The film earned 147,4 million at the worldwide box office. It was nominated for an Annie Award for the Best Animated Feature.
Staunton voiced Queen Victoria in the animated swashbuckler film "The Pirates! In an Adventure with Scientists!" (2012). In the film, the new queen regnant is in conflict with a group of unorthodox pirates, while trying to secure ownership of the last-living dodo bird. Assisting Victoria in her efforts is the young scientist Charles Darwin (voiced by David Tennant). The film earned about 123,1 million dollars at the worldwide box office. It was nominated for an "Academy Award for Best Animated Feature", but lost to the fantasy film "Brave".
Staunton portrayed the Welsh activist Hefina Headon (1930-2013) in the period film "Pride" (2014). The film dramatized the UK miners' strike (1984-1985) and the formation of the activist organization "Lesbians and Gays Support the Miners". The activists organized fund-raising efforts to help the impoverished miners and their families. Staunton was nominated for the "BAFTA Award for Best Actress in a Supporting Role" for this role, but lost to Patricia Arquette.
Staunton portrayed the protective pixie Knotgrass in the fantasy film "Maleficent" (2014). Her character was based on the fairy Flora from the animated film "Sleeping Beauty" (1959), but Knotgrass was intentionally depicted as an inept counterpart to the original character. Knotgrass is one of the legal guardians of the human girl Aurora (played by Elle Fanning), but turns out to be a neglectful parent figure. The film grossed over 758 million dollars at the worldwide box-office, becoming the fourth-highest-grossing film of 2014. It was also one of the highest-grossing film's in Staunton's career.
Staunton voiced Aunt Lucy in the comedy film "Paddington" (2014). Her character was portrayed as the aunt and surrogate mother of Paddington Bear. After being widowed in an earthquake, Lucy encourages Paddington to migrate to London, where her only human friend once lived. The film earned 282.8 million dollars at the worldwide box office, and was nominated for a "Saturn Award for Best Fantasy Film".
Staunton portrayed the leading role of the aristocrat Sandra Abbott, Lady Abbott in the romantic comedy film "Finding Your Feet" (2017). In the film, Sandra finds out that her husband is cheating on her, and then decides to move in with her estranged, free-spirited older sister Bif (played by Celia Imrie). They bond for a while, just before Bif dies from lung cancer. When Sandra's husband tries to reconcile with her, Sandra is no longer interested in leading a conventional life by his side. The film won the won the "Audience Award for Best Film" at the Palm Springs International Film Festival.
Staunton portrayed the aristocrat Lady Maud Bagshaw in the historical drama "Downton Abbey" (2019). Her character was depicted as a lady-in-waiting to Mary of Teck, Queen consort of the United Kingdom (1867-1953, term 1910-1936). Maud was portrayed as an estranged cousin to Robert Crawley, 7th Earl of Grantham (played by Hugh Bonneville). Maud schemed to allow her property to be inherited by her own illegitimate daughter, rather than by her cousin and his heirs. The Crawley family starts scheming an advantageous marriage of their widowed son-in-law Tom Branson to Maud's heiress. The film was a continuation of the historical drama series "Downton Abbey" (2010-2015), which followed the lives of an aristocratic family of Yorkshire and their efforts to maintain or to increase their wealth. The film earned 194.7 million at the worldwide box office.
Staunton returned to the role of Lady Maud Bagshaw in the sequel film "Downton Abbey: A New Era" (2022). The film opens with Maud marrying her illegitimate daughter Lucy Smith to Tom Branson. The film subsequently deals with the last days in the life of Violet Crawley, Dowager Countess of Grantham (played by Maggie Smith), and with her son's increasing doubts about his own paternity. The film earned 92.3 million dollars at the worldwide box office. The film was nominated for the "Golden Rooster Award for Best Foreign Language Film" in China.
By 2022, Staunton was 66-years-old. She is no longer the up-and-coming stage star of the 1980s. She is considered a respected veteran of the theater and the film industry. She maintains a cult following among fans of fantasy films, animated films, and period films set primarily in the 19th century or the 20th century. She has had an ever-increasing number of well-received roles in films of these types, and she seems likely to continue her film career.- Actor
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Kenneth Charles Branagh was born on December 10, 1960, in Belfast, Northern Ireland, to parents William Branagh, a plumber and carpenter, and Frances (Harper), both born in 1930. He has two siblings, William Branagh, Jr. (born 1955) and Joyce Branagh (born 1970). When he was nine, his family escaped The Troubles by moving to Reading, Berkshire, England. At 23, Branagh joined the Royal Shakespeare Company, where he took on starring roles in "Henry V" and "Romeo and Juliet". He soon found the RSC too large and impersonal and formed his own, the Renaissance Theatre Company, which now counts Prince Charles as one of its royal patrons. At 29, he directed Henry V (1989), where he also co-starred with his then-wife, Emma Thompson. The film brought him Best Actor and Best Director Oscar nominations. In 1993, he brought Shakespeare to mainstream audiences again with his hit adaptation of Much Ado About Nothing (1993), which featured an all-star cast that included, among others, Denzel Washington, Michael Keaton and Keanu Reeves. At 30, he published his autobiography and, at 34, he directed and starred as "Victor Frankenstein" in the big-budget adaptation of Mary Shelley's novel, Frankenstein (1994), with Robert De Niro as the monster himself. In 1996, Branagh wrote, directed and starred in a lavish adaptation of Hamlet (1996). His superb film acting work also includes a wide range of roles such as in Celebrity (1998), Wild Wild West (1999), The Road to El Dorado (2000), Valkyrie (2008) and his stunning portrayal of Laurence Olivier in My Week with Marilyn (2011), where once again he offered a great performance that was also nominated for an Academy Award.- Actress
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Emma Thompson was born on April 15, 1959 in Paddington, London, into a family of actors - father Eric Thompson and mother Phyllida Law, who has co-starred with Thompson in several films. Her sister, Sophie Thompson, is an actor as well. Her father was English-born and her mother is Scottish-born. Thompson's wit was cultivated by a cheerful, clever, creative family atmosphere, and she was a popular and successful student. She attended Cambridge University, studying English Literature, and was part of the university's Footlights Group, the famous group where, previously, many of the Monty Python members had first met.
Thompson graduated in 1980 and embarked on her career in entertainment, beginning with stints on BBC radio and touring with comedy shows. She soon got her first major break in television, on the comedy skit program Alfresco (1983), writing and performing along with her fellow Footlights Group alums Stephen Fry and Hugh Laurie. She also worked on other TV comedy review programs in the mid-1980s, occasionally with some of her fellow Footlights alums, and often with actor Robbie Coltrane.
Thompson found herself collaborating again with Fry in 1985, this time in his stage adaptation of the play "Me and My Girl" in London's West End, in which she had a leading role, playing Sally Smith. The show was a success and she received favorable reviews, and the strength of her performance led to her casting as the lead in the BBC television miniseries Fortunes of War (1987), in which Thompson and her co-star, Kenneth Branagh, play an English ex-patriate couple living in Eastern Europe as the Second World War erupts. Thompson won a BAFTA Award for her work on the program. She married Branagh in 1989, continued to work with him professionally, and formed a production company with him. In the late 80s and early 90s, she starred in a string of well-received and successful television and film productions, most notably her lead role in the Merchant-Ivory production of Howards End (1992), which confirmed her ability to carry a movie on both sides of the Atlantic and appropriately showered her with trans-Atlantic honors - both an Oscar and a BAFTA award.
Since then, Thompson has continued to move effortlessly between the art film world and mainstream Hollywood, though even her Hollywood roles tend to be in more up-market productions. She continues to work on television as well, but is generally very selective about which roles she takes. She writes for the screen as well, such as the screenplay for Ang Lee's Sense and Sensibility (1995), in which she also starred as Elinor Dashwood, and the teleplay adaptation of Margaret Edson's acclaimed play Wit (2001), in which she also starred.
Thompson is known for her sophisticated, skillful, though her critics say somewhat mannered, performances, and of course for her arch wit, which she is unafraid to point at herself - she is a fearless self-satirist. Thompson and Branagh divorced in 1994, and Thompson is now married to fellow actor Greg Wise, who had played Willoughby in Ang Lee's Sense and Sensibility (1995). Thompson and Wise have one child, Gaia, born in 1999. She was appointed Dame Commander of the Order of the British Empire at the 2018 Queen's Birthday Honours for her services to drama.- Actor
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Amiable and handsome James Garner had obtained success in both films and television, often playing variations of the charming anti-hero/con-man persona he first developed in Maverick, the offbeat western TV series that shot him to stardom in the late 1950s.
James Garner was born James Scott Bumgarner in Norman, Oklahoma, to Mildred Scott (Meek) and Weldon Warren Bumgarner, a carpet layer. He dropped out of high school at 16 to join the Merchant Marines. He worked in a variety of jobs and received 2 Purple Hearts when he was wounded twice during the Korean War. He had his first chance to act when a friend got him a non-speaking role in the Broadway stage play "The Caine Mutiny Court Martial (1954)". Part of his work was to read lines to the lead actors and he began to learn the craft of acting. This play led to small television roles, television commercials and eventually a contract with Warner Brothers. Director David Butler saw something in Garner and gave him all the attention he needed when he appeared in The Girl He Left Behind (1956). After co-starring in a handful of films during 1956-57, Warner Brothers gave Garner a co-starring role in the the western series Maverick (1957). Originally planned to alternate between Bart Maverick (Jack Kelly) and Bret Maverick (Garner), the show quickly turned into the Bret Maverick Show. As Maverick, Garner was cool, good-natured, likable and always ready to use his wits to get him in or out of trouble. The series was highly successful, and Garner continued in it into 1960 when he left the series in a dispute over money.
In the early 1960s Garner returned to films, often playing the same type of character he had played on "Maverick". His successful films included The Thrill of It All (1963), Move Over, Darling (1963), The Great Escape (1963) and The Americanization of Emily (1964). After that, his career wandered and when he appeared in the automobile racing movie Grand Prix (1966), he got the bug to race professionally. Soon, this ambition turned to supporting a racing team, not unlike what Paul Newman would do in later years.
Garner found great success in the western comedy Support Your Local Sheriff! (1969). He tried to repeat his success with a sequel, Support Your Local Gunfighter (1971), but it wasn't up to the standards of the first one. After 11 years off the small screen, Garner returned to television in a role not unlike that in Support Your Local Sheriff! (1969). The show was Nichols (1971) and he played the sheriff who would try to solve all problems with his wits and without gun play. When the show was canceled, Garner took the news by having Nichols shot dead, never to return in a sequel. In 1974 he got the role for which he will probably be best remembered, as wry private eye Jim Rockford in the classic The Rockford Files (1974). This became his second major television hit, with Noah Beery Jr. and Stuart Margolin, and in 1977 he won an Emmy for his portrayal. However, a combination of injuries and the discovery that Universal Pictures' "creative bookkeeping" would not give him any of the huge profits the show generated soon soured him and the show ended in 1980. In the 1980s Garner appeared in few movies, but the ones he did make were darker than the likable Garner of old. These included Tank (1984) and Murphy's Romance (1985). For the latter, he was nominated for both the Academy Award and a Golden Globe. Returning to the western mode, he co-starred with the young Bruce Willis in Sunset (1988), a mythical story of Wyatt Earp, Tom Mix and 1920s Hollywood.
In the 1990s Garner received rave reviews for his role in the acclaimed television movie about corporate greed, Barbarians at the Gate (1993). After that he appeared in the theatrical remake of his old television series, Maverick (1994), opposite Mel Gibson. Most of his appearances after that were in numerous TV movies based upon The Rockford Files (1974). His most recent films were My Fellow Americans (1996) and Space Cowboys (2000) .- Actor
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Kevin Michael Costner was born on January 18, 1955 in Lynwood, California, the third child of Bill Costner, a ditch digger and ultimately an electric line servicer for Southern California Edison, and Sharon Costner (née Tedrick), a welfare worker. His older brother, Dan, was born in 1950. A middle brother died at birth in 1953. His father's job required him to move regularly, which caused Kevin to feel like an Army kid, always the new kid at school, which led to him being a daydreamer. As a teen, he sang in the Baptist church choir, wrote poetry, and took writing classes. At 18, he built his own canoe and paddled his way down the rivers that Lewis & Clark followed to the Pacific. Despite his present height, he was only 5'2" when he graduated high school. Nonetheless, he still managed to be a basketball, football and baseball star. In 1973, he enrolled at California State University at Fullerton, where he majored in business. During that period, Kevin decided to take acting lessons five nights a week. He graduated with a business degree in 1978 and married his college sweetheart, Cindy Costner. He initially took a marketing job in Orange County. Everything changed when he accidentally met Richard Burton on a flight from Mexico. Burton advised him to go completely after acting if that is what he wanted. He quit his job and moved to Hollywood soon after. He drove a truck, worked on a deep sea fishing boat, and gave bus tours to stars' homes before finally making his own way into the films. After making one soft core sex film, he vowed to not work again if that was the only work he could do. He didn't work for nearly six years, while he waited for a proper break. That break came with The Big Chill (1983), even though his scenes ended up on the cutting room floor -- he was remembered by director Lawrence Kasdan when he decided to make Silverado (1985). Costner's career took off after that.- Actor
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One of the greatest actors of all time, Robert De Niro was born on August 17, 1943 in Manhattan, New York City, to artists Virginia (Admiral) and Robert De Niro Sr. His paternal grandfather was of Italian descent, and his other ancestry is Irish, English, Dutch, German, and French. He was trained at the Stella Adler Conservatory and the American Workshop. De Niro first gained fame for his role in Bang the Drum Slowly (1973), but he gained his reputation as a volatile actor in Mean Streets (1973), which was his first film with director Martin Scorsese. He received an Academy Award for Best Supporting Actor for his role in The Godfather Part II (1974) and received Academy Award nominations for best actor in Taxi Driver (1976), The Deer Hunter (1978) and Cape Fear (1991). He received the Academy Award for Best Actor for his role as Jake LaMotta in Raging Bull (1980).
De Niro has earned four Golden Globe Award nominations for Best Actor - Motion Picture Musical or Comedy, for his work in New York, New York (1977), opposite Liza Minnelli, Midnight Run (1988), Analyze This (1999) and Meet the Parents (2000). Other notable performances include Brazil (1985), The Untouchables (1987), Backdraft (1991), Frankenstein (1994), Heat (1995), Casino (1995) and Jackie Brown (1997). At the same time, he also directed and starred in such films as A Bronx Tale (1993) and The Good Shepherd (2006). De Niro has also received the AFI Lifetime Achievement Award in 2003 and the Golden Globe Cecil B. DeMille Award in 2010.
As of 2022, De Niro is 79-years-old. He has never retired from acting, and continues to work regularly in mostly film.- Actor
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One of Hollywood's most private and guarded leading men, Andy Garcia has created iconic characters while at the same time staying true to his acting roots and personal projects.
Garcia was born Andrés Arturo García Menéndez on April 12, 1956, in Havana, Cuba, to Amelie Menéndez, a teacher of English, and René García Núñez, an attorney and avocado farmer. Garcia's family was relatively affluent. However, when he was two years old, Fidel Castro came to power, and the family fled to Miami Beach. Forced to work menial jobs for a while, the family started a fragrance company that was eventually worth more than a million dollars. He attended Natilus Junior High School and later at Miami Beach Senior High School. Andy was a popular student in school, a good basketball player and good-looking. He dreamed of playing professional baseball. In his senior year, though, he contracted mononucleosis and hepatitis, and unable to play sports, he turned his attention to acting.
He studied acting with Jay W. Jensen. Jensen was a South Florida legend, counting among his numerous students, Brett Ratner, Roy Firestone, Mickey Rourke, and Luther Campbell. Following his positive high school experiences in acting, he continued his drama studies at Florida International University.
Soon, he was headed out to Hollywood. His first break came as a gang member on the very first episode of the popular TV series Hill Street Blues (1981). His role as a cocaine kingpin in 8 Million Ways to Die (1986) put him on the radar of Brian De Palma, who was casting for his gangster classic The Untouchables (1987). At first, he envisioned Garcia as Al Capone's sadistic henchman Frank Nitti, but fearing typecasting as a gangster, Garcia campaigned for the role of "George Stone", the Italian cop who gets accepted into Eliot Ness' famous band of lawmen. Garcia's next notable role came in Black Rain (1989) by acclaimed director Ridley Scott, as the partner of police detective Michael Douglas. He then co-starred with Richard Gere in Internal Affairs (1990), directed by Mike Figgis. In 1989, Francis Ford Coppola was casting for the highly anticipated third installment of his "Godfather" films. The Godfather Part III (1990) included one of the most sought-after roles in decades, the hot-headed son of "Sonny Corleone" and mob protégé of "Michael Corloene", "Vincent Mancini". A plum role for any young rising star, the role was campaigned for by a host of actors. Val Kilmer, Alec Baldwin, Vincent Spano, Charlie Sheen, and even Robert De Niro (who wanted the role changed to accommodate his age) were all beaten out by the up-and-coming Garcia. His performance was Oscar-nominated as Best Supporting Actor, and secured him international stardom and a place in cinematic history. Now a leading man, he starred in such films as Jennifer 8 (1992) and Hero (1992). He won raves for his role as the husband of Meg Ryan in When a Man Loves a Woman (1994) and gave another charismatic gangster turn in Things to Do in Denver When You're Dead (1995). He then returned in Night Falls on Manhattan (1996), directed by Sidney Lumet, as well as portraying legendary mobster Lucky Luciano in Hoodlum (1997). In perhaps his most mainstream role, he portrayed a cop in the action film Desperate Measures (1998). Garcia then starred in a few lower-profile projects that didn't do much for his career, but things turned around in 2001, with the first of many projects being his role as a cold casino owner in Ocean's Eleven (2001), directed by Steven Soderbergh. Seeing his removal from Cuba as involuntary, Garcia is proud of his heritage which influences his life and work. One such case is his portrayal of renowned Cuban trumpet player Arturo Sandoval in For Love or Country: The Arturo Sandoval Story (2000). He is an extremely private man, and strong believer in old-fashioned chivalry. Married to his wife, Maria Victoria, since 1982, the couple has three daughters. One of the most talented leading men around, Garcia has had a unique career of staying true to his own ideals and thoughts on acting. While some would have used some of the momentum he has acquired at different points in his career to get rich off lightweight projects, Garcia has stayed true to stories and films that aspire to something more. But with a presence and style that never seem old, a respect from directors and film buffs, alike, Andy Garcia will be remembered for a long time in film history.- Actor
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Richard St John Harris was born on October 1, 1930 in Limerick, Ireland, to a farming family, one of nine children born to Mildred (Harty) and Ivan Harris. He attended Crescent College, a Jesuit school, and was an excellent rugby player, with a strong passion for literature. Unfortunately, a bout of tuberculosis as a teenager ended his aspirations to a rugby career, but he became fascinated with the theater and skipped a local dance one night to attend a performance of "Henry IV". He was hooked and went on to learn his craft at the London Academy of Music and Dramatic Art (LAMDA), then spent several years in stage productions. He debuted on screen in Shake Hands with the Devil (1959) and quickly scored regular work in films, including The Wreck of the Mary Deare (1959), The Night Fighters (1960) and a good role as a frustrated Australian bomber pilot in The Guns of Navarone (1961).
However, his breakthrough performance was as the quintessential "angry young man" in the sensational drama This Sporting Life (1963), which scored him an Oscar nomination. He then appeared in the WW II commando tale The Heroes of Telemark (1965) and in the Sam Peckinpah-directed western Major Dundee (1965). He next showed up in Hawaii (1966) and played King Arthur in Camelot (1967), a lackluster adaptation of the famous Broadway play. Better performances followed, among them a role as a reluctant police informer in The Molly Maguires (1970) alongside Sir Sean Connery. Harris took the lead role in the violent western A Man Called Horse (1970), which became something of a cult film and spawned two sequels. As the 1970s progressed, Harris continued to appear regularly on screen; however, the quality of the scripts varied from above average to woeful.
His credits during this period included directing himself as an aging soccer player in The Hero (1970); the western The Deadly Trackers (1973); the big-budget "disaster" film Juggernaut (1974); the strangely-titled crime film 99 and 44/100% Dead! (1974); with Connery again in Robin and Marian (1976); Gulliver's Travels (1977); a part in the Jaws (1975); Orca (1977) and a nice turn as an ill-fated mercenary with Richard Burton and Roger Moore in the popular action film The Wild Geese (1978).
The 1980s kicked off with Harris appearing in the silly Bo Derek vanity production Tarzan the Ape Man (1981) and the remainder of the decade had him appearing in some very forgettable productions. However, the luck of the Irish was once again to shine on Harris's career and he scored rave reviews (and another Oscar nomination) for The Field (1990). He then locked horns with Harrison Ford as an IRA sympathizer in Patriot Games (1992) and got one of his best roles as gunfighter English Bob in the Clint Eastwood western Unforgiven (1992). Harris was firmly back in vogue and rewarded his fans with more wonderful performances in Wrestling Ernest Hemingway (1993); Cry, the Beloved Country (1995); The Great Kandinsky (1995) and This Is the Sea (1997). Further fortune came his way with a strong performance in the blockbuster Gladiator (2000) and he became known to an entirely new generation of film fans as Albus Dumbledore in the mega-successful Harry Potter and the Sorcerer's Stone (2001) and Harry Potter and the Chamber of Secrets (2002). His final screen role was as "Lucius Sulla" in Caesar (2002).
Harris died of Hodgkin's disease, also known as Hodgkin's lymphoma, in London on October 25, 2002, aged 72.- Actress
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For decades, British actress and comedienne Dame Julie Walters has served as a sturdy representation of the working class with her passionate, earthy portrayals on England's stage, screen and television. A bona fide talent, her infectious spirit and self-deprecating sense of humor eventually captured the hearts of international audiences. The small and slender actress with the prominent cheekbones has yet to give an uninteresting performance.
She was born Julia Mary Walters on February 22, 1950 in Edgbaston, England, the youngest of three children and only daughter of Mary Bridget (O'Brien), an Irish-born postal clerk from County Mayo, and Thomas Walters, an English-born builder, from Birmingham. Convent schooled in Birmingham, she expressed an early desire to act. However, her iron-willed mother had other ideas and geared her towards a nursing career. Dutifully applying at Queen Elizabeth Hospital in Birmingham, Julie eventually gave up nursing when the pull to be an actress proved too strong.
Studying English and Drama at Manchester Polytechnic, she subsequently joined a theatre company in Liverpool and apprenticed as a stand-up comic. A one-time company member of the Vanload improv troupe, she made her London stage debut in the aptly-titled comedy "Funny Peculiar" in 1975, and went on to develop a successfully bawdy act on the cabaret circuit. While at Manchester, Julie befriended aspiring writer/comedienne Victoria Wood and the twosome appeared together in sketch comedy. A couple of their works, "Talent" and "Nearly a Happy Ending", transferred to television and were accompanied by rave reviews. Eventually, they were handed their own television series, Wood and Walters (1981).
In 1980, Julie scored a huge solo success under the theatre lights when she made her London debut in Willy Russell's "Educating Rita". For her superlative performance, she won both the Variety Critic's and London Critic's Circle Awards as the young hairdresser who vows to up her station in life by enrolling in a university. She conquered film as well when Educating Rita (1983) transferred to the big screen opposite Michael Caine as her Henry Higgins-like college professor, collecting a Golden Globe Award and Oscar nomination. Reuniting with Victoria Wood in 1984, the pair continue to appear together frequently on television, most recently with the award-winning series dinnerladies (1998). On stage, Julie has impressed in a variety of roles ranging from the contemporary ("Fool for Love", "Frankie and Johnny at the Clair de Lune") to the classics ("Macbeth", "The Rose Tattoo" and "All My Sons"), winning the Laurence Olivier Award for the last-mentioned play.
Following her success as Rita, she immediately rolled out a sterling succession of film femmes including her seedy waitress-turned successful brothel-owner in Personal Services (1987); the unsophisticated, small-town wife of Phil Collins in Buster (1988); a boozy, man-chasing mum in Killing Dad or How to Love Your Mother (1989); and Liza Minnelli's abrasive tap student in Stepping Out (1991). Playing a wide variety of ages, she also mustered up a very convincing role as the mother of Joe Orton in the critically-acclaimed Prick Up Your Ears (1987).
Julie capped her career in films as the abrasively stern but encouraging dance teacher in Billy Elliot (2000) which earned her a second Oscar nomination and a healthy helping of quirky character roles, including her charming, charity-driven widow who poses à la natural in Calendar Girls (2003), and the maternal witch-wife Molly Weasley in the J.K. Rowling "Harry Potter" series beginning with Harry Potter and the Sorcerer's Stone (2001) and ending with Harry Potter and the Deathly Hallows: Part 2 (2011). For her work on film and television, the British Academy of Film and Television Arts has honored Julie five times, including four awards in a row (2001-2004).
Married to Grant Roffey since 1997 after a 12-year relationship, the couple tend to a 70-acre organic farm they bought in Sussex. They have one daughter, Maisie Mae Roffey (born 1988). In 1999, Julie was appointed Officer of the Order of the British Empire (OBE) at the Queen's Birthday Honours for her services to drama, and in 2008, was made Commander of the Order of the British Empire (CBE). In 2017, she was appointed Dame Commander of the Order of the British Empire.
Other more recent millennium films for Dame Julie include Wah-Wah (2005), Becoming Jane (2007) (as Jane Austen's mother), Mamma Mia! (2008), Paddington (2014), Brooklyn (2015), Paddington 2 (2017), Mamma Mia! Here We Go Again (2018), Mary Poppins Returns (2018) and The Secret Garden (2020) as Mrs. Medlock.- Actress
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Helen Hunt began studying acting at the age of eight with her father, respected director and acting coach Gordon Hunt. A year later she made her professional debut and afterwards worked steadily in films, theatre and television.- Actor
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Jack Nicholson, an American actor, producer, director and screenwriter, is a three-time Academy Award winner and twelve-time nominee. Nicholson is also notable for being one of two actors - the other being Michael Caine - who have received an Oscar nomination in every decade from the '60s through the '00s.
Nicholson was born on April 22, 1937, in Neptune, New Jersey. He was raised believing that his grandmother was his mother, and that his mother, June Frances Nicholson, a showgirl, was his older sister. He discovered the truth in 1975 from a Time magazine journalist who was researching a profile on him. His real father is believed to have been either Donald Furcillo, an Italian American showman, or Eddie King (Edgar Kirschfeld), born in Latvia and also in show business. Jack's mother's ancestry was Irish, and smaller amounts of English, German, Scottish, and Welsh.
Nicholson made his film debut in a B-movie titled The Cry Baby Killer (1958). His rise in Hollywood was far from meteoric, and for years, he sustained his career with guest spots in television series and a number of Roger Corman films, including The Little Shop of Horrors (1960).
Nicholson's first turn in the director's chair was for Drive, He Said (1971). Before that, he wrote the screenplay for The Trip (1967), and co-wrote Head (1968), a vehicle for The Monkees. His big break came with Easy Rider (1969) and his portrayal of liquor-soaked attorney George Hanson, which earned Nicholson his first Oscar nomination. Nicholson's film career took off in the 1970s with a definitive performance in Five Easy Pieces (1970). Nicholson's other notable work during this period includes leading roles in Roman Polanski's noir masterpiece Chinatown (1974) and One Flew Over the Cuckoo's Nest (1975), for which he won his first Best Actor Oscar.
The 1980s kicked off with another career-defining role for Nicholson as Jack Torrance in Stanley Kubrick's adaptation of Stephen King's novel The Shining (1980). A string of well-received films followed, including Terms of Endearment (1983), which earned Nicholson his second Oscar; Prizzi's Honor (1985), and The Witches of Eastwick (1987). He portrayed another renowned villain, The Joker, in Tim Burton's Batman (1989). In the 1990s, he starred in such varied films as A Few Good Men (1992), for which he received another Oscar nomination, and a dual role in Mars Attacks! (1996).
Although a glimpse at the darker side of Nicholson's acting range reappeared in The Departed (2006), the actor's most recent roles highlight the physical and emotional complications one faces late in life. The most notable of these is the unapologetically misanthropic Melvin Udall in As Good as It Gets (1997), for which he won his third Oscar. Shades of this persona are apparent in About Schmidt (2002), Something's Gotta Give (2003), and The Bucket List (2007). In addition to his Academy Awards and Oscar nominations, Nicholson has seven Golden Globe Awards, and received a Kennedy Center Honor in 2001. He also became one of the youngest actors to receive the American Film Institute's Life Achievement award in 1994.
Nicholson has six children by five different women: Jennifer Nicholson (b. 1963) from his only marriage to Sandra Knight, which ended in 1966; Caleb Goddard (b. 1970) with Five Easy Pieces (1970) co-star Susan Anspach, who was automatically adopted by Anspach's then-husband Mark Goddard; Honey Hollman (b. 1982) with Danish supermodel Winnie Hollman; Lorraine Nicholson (b. 1990) and Ray Nicholson (b. 1992) with minor actress Rebecca Broussard; and Tessa Gourin (b. 1994) with real estate agent Jennine Marie Gourin. Nicholson's longest relationship was the 17 nonmonogamous years he spent with Anjelica Huston; this ended when Broussard announced she was pregnant with his child.- Actor
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Lee J. Cobb, one of the premier character actors in American film for three decades in the post-World War II period, was born Leo Jacoby in New York City's Lower East Side on December 8, 1911. The son of a Jewish newspaper editor, young Leo was a child prodigy in music, mastering the violin and the harmonica. Any hopes of a career as a violin virtuoso were dashed when he broke his wrist, but his talent on the harmonica may have brought him his first professional success. At the age of 16 or 17 he ran away from home to Hollywood to try to break into motion pictures as an actor. He reportedly made his film debut as a member of Borrah Minevitch and His Harmonica Rascals (their first known movie appearance was in the 1929 two-reeler Boyhood Days), but that cannot be substantiated. However, it's known that after Leo was unable to find work he returned to New York City, where he attended New York University at night to study accounting while acting in radio dramas during the day.
An older Cobb tried his luck in California once more, making his debut as a professional stage actor at the Pasadena Playhouse in 1931. After again returning to his native New York, he made his Broadway debut as a saloonkeeper in a dramatization of Fyodor Dostoevsky's Crime and Punishment, but it closed after 15 performances (later in his career, Dostoevsky would prove more of a charm, with Cobb's role as Father Karamazov in The Brothers Karamazov (1958) garnering him his second Oscar nomination),
Cobb joined the politically progressive Group Theater in 1935 and made a name for himself in Clifford Odets' politically liberal dramas Waiting for Lefty and Til the Day I Die, appearing in both plays that year in casts that included Elia Kazan, who later became famous as a film director. Cobb also appeared in the 1937 Group Theater production of Odets' Golden Boy, playing the role of Mr. Carp, in a cast that also included Kazan, Julius Garfinkle (later better known under his stage name of John Garfield), and Martin Ritt, all of whom later came under the scrutiny of the House Un-American Activities Committee during the heyday of the McCarthy Red Scare hysteria more than a decade later. Cobb took over the role of Mr. Bonaparte, the protagonist's father, in the 1939 film version of the play, despite the fact that he was not yet 30 years old. The role of a patriarch suited him, and he'd play many more in his film career.
It was as a different kind of patriarch that he scored his greatest success. Cobb achieved immortality by giving life to the character of Willy Loman in the original 1949 Broadway production of Arthur Miller's Death of a Salesman. His performance was a towering achievement that ranks with such performances as Edwin Booth as Richard III and John Barrymore as Hamlet in the annals of the American theater. Cobb later won an Emmy nomination as Willy when he played the role in a made-for-TV movie of the play (Death of a Salesman (1966)). Miller said that he wrote the role with Cobb in mind.
Before triumphing as Miller's Salesman, Cobb had appeared on Broadway only a handful of times in the 1940s, including in Ernest Hemingway's The Fifth Column (1940), Odets' "Clash by Night" (1942) and the US Army Air Force's Winged Victory (1943-44). Later he reprised the role of Joe Bonaparte's father in the 1952 revival of Golden Boy opposite Garfield as his son, and appeared the following year in The Emperor's Clothes. His final Broadway appearance was as King Lear in the Repertory Theatre of Lincoln Center's 1968 production of Shakespeare's play.
Aside from his possible late 1920s movie debut and his 1934 appearance in the western The Vanishing Shadow (1934), Cobb's film career proper began in 1937 with the westerns North of the Rio Grande (1937) (in which he was billed as Lee Colt) and Rustlers' Valley (1937) and spanned nearly 40 years until his death. After a hiatus while serving in the Army Air Force during World War II, Cobb's movie career resumed in 1946. He continued to play major supporting roles in prestigious A-list pictures. His movie career reached its artistic peak in the 1950s, when he was twice nominated for Best Supporting Actor Academy Awards, for his role as Johnny Friendly in On the Waterfront (1954) and as the father in The Brothers Karamazov (1958). Other memorable supporting roles in the 1950s included the sagacious Judge Bernstein in The Man in the Gray Flannel Suit (1956), as the probing psychiatrist Dr. Luther in The Three Faces of Eve (1957) and as the volatile Juror #3 in 12 Angry Men (1957).
It was in the 1950s that Cobb achieved the sort of fame that most artists dreaded: he was called before the House Un-American Activities Committee on charges that he was or had been a Communist. The charges were rooted in Cobb's membership in the Group Theater in the 1930s. Other Group Theater members already investigated by HUAC included Clifford Odets and Elia Kazan, both of whom provided friendly testimony before the committee, and John Garfield, who did not.
Cobb's own persecution by HUAC had already caused a nervous breakdown in his wife, and he decided to appear as a friendly witness in order to preserve her sanity and his career, by bringing the inquisition to a halt. Appearing before the committee in 1953, he named names and thus saved his career. Ironically, he would win his first Oscar nomination in On the Waterfront (1954) directed and written by fellow HUAC informers Kazan and Budd Schulberg. The film can be seen as a stalwart defense of informing, as epitomized by the character Terry Malloy's testimony before a Congressional committee investigating racketeering on the waterfront.
Major films in which Cobb appeared after reaching his career plateau include Otto Preminger's adaptation of Leon Uris' ode to the birth of Israel, Exodus (1960); the Cinerama spectacle How the West Was Won (1962); the James Coburn spy spoofs, Our Man Flint (1966) and In Like Flint (1967); Clint Eastwood's first detective film, Coogan's Bluff (1968); and legendary director William Wyler's last film, The Liberation of L.B. Jones (1970).
In addition to his frequent supporting roles in film, Cobb often appeared on television. He played Judge Henry Garth on The Virginian (1962) from 1962-66 and also had a regular role as the attorney David Barrett on The Young Lawyers (1969) from 1970-71. Cobb also appeared in made-for-TV movies and made frequent guest appearances on other TV shows. His last major Hollywood movie role was that of police detective Lt. Kinderman in The Exorcist (1973).
Lee J. Cobb died of a heart attack in Woodland Hills, California, on February 11, 1976, at the age of 64. He is buried in Mount Sinai Memorial Park Cemetery in Los Angeles, California. Though he will long be remembered for many of his successful supporting performances in the movies, it is as the stage's first Willy Loman in which he achieved immortality as an actor. Bearing in mind that the role was written for him, it is through Willy that he will continue to have an influence on American drama far into the future, for as long as Death of a Salesman is revived.- Actor
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Charismatic character star Edward James Begley was born in Hartford, Connecticut of Irish parents and educated at St.Patrick's school. His interest in acting first surfaced at the age of nine, when he performed amateur theatricals at the Hartford Globe Theatre. Determined to make his own way, he left home aged eleven and drifted from job to job, had a four-year stint in the U.S. Navy, then worked in a bowling alley replacing pins, joined carnivals and circuses. In 1931, he appeared in vaudeville and was also hired as a radio announcer, his voice broadcast to nationwide audiences. It took him several years to establish himself on the legitimate stage, but in 1943, he had a role in the short-running play 'Land of Fame'.
His first success was the 1947 Arthur Miller play 'All My Sons' and this was followed by the 1925 Scopes Trial fictionalization 'Inherit the Wind' (1955-57), which ran for 806 performances at the National Theatre. Ed, co-starring with Paul Muni, played the part of Matthew Harrison Brady (played in the 1960 motion picture by Fredric March) and won the 1956 Tony Award for Best Featured Actor in a Play. Upon Paul Muni's departure from the cast, Ed used the opportunity to play the part of Henry Drummond (Spencer Tracy's role in the film) with equal vigor. In 1960, he starred as Senator Orrin Knox in the political drama 'Advise and Consent'. Ed's movie career began with Boomerang! (1947), a murder mystery set in his native Connecticut, directed by Elia Kazan. Heavy-set with bushy eyebrows, the archetypal image of Ed Begley on screen is as a gruff, blustery, often heavily sweating (and sometimes corrupt) politician or industrialist. He proved his mettle in a number of classic films, including Sorry, Wrong Number (1948) and On Dangerous Ground (1951). Whether as the sympathetic executive in Patterns (1956), a bigoted ex-cop turned bank robber in Odds Against Tomorrow (1959), or the crazed billionaire bent on world domination of Billion Dollar Brain (1967), he tackled every part that came his way with conviction. The culmination of his work was a Best Supporting Actor Academy Award for his role of Boss Finley in Tennessee Williams's Sweet Bird of Youth (1962).
In addition to countless radio broadcasts, Ed was also busy in television in the 1950s and '60s. Among frequent guest-starring appearances, his dynamic characterizations in two episodes of The Invaders (1967) ('The Betrayed' and 'Labyrinth') in particular stand out. Ed Begley died of a heart attack in April 1970 in Hollywood at the age of 69.- Actor
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American actor Lee Marvin was born Lamont Waltman Marvin Jr. in New York City. After leaving school aged 18, Marvin enlisted in the United States Marine Corps Reserve in August 1942. He served with the 4th Marine Division in the Pacific Theater during World War II and after being wounded in action and spending a year being treated in naval hospitals, he received a medical discharge. Marvin's military decorations include the Purple Heart Medal, the Presidential Unit Citation, the American Campaign Medal, the Asiatic-Pacific Campaign Medal, the World War II Victory Medal and the Combat Action Ribbon. Returning to the United States it was while working as a plumbers apprentice, repairing a toilet at a local community theater, that he was asked to stand in for an actor who had fallen ill during rehearsals. He immediately caught the acting bug, moving to Greenwich Village to study at the American Theater Wing and began making appearances in stage productions and TV shows. His film debut came in 'You're in the Navy Now' (1951) but it was his portrayal of villains in 'The Big Heat' (1953) and 'The Wild One' (1953) that brought him to the attention of the public and critical acclaim. Now firmly established as a screen bad guy, he began shifting towards leading man roles and landed the lead role in the popular TV series 'M Squad' (1957-1960). Returning to feature films, Marvin had prominent roles in 'The Comancheros' (1961), 'The Man Who Shot Liberty Valance' (1962), 'Donovan's Reef' (1963) and 'The Killers' (1964) but it was his dual comic role in the offbeat western 'Cat Ballou' (1965) that made him a star and won him the Academy Award for Best Actor. He was now a much sought-after actor and starred in a number of movies as a new kind of leading man including 'The Professionals' (1966), 'The Dirty Dozen' (1967), 'Point Blank' (1967), 'Hell in the Pacific' (1968), 'Monte Walsh' (1970), 'Prime Cut' (1972), 'Emperor of the North' (1973) and 'The Spikes Gang' (1974).Later film credits include 'Shout at the Devil' (1976), 'Avalanche Express' (1979), 'The Big Red One' (1980), 'Death Hunt' (1981) and 'Gorky Park' (1983). His final film role was alongside Chuck Norris in 'The Delta Force' (1986). Lee Marvin died of a heart attack in August 1987. He was buried with full military honors at Arlington National Cemetery. Marvin paved the way for leading men that didn't fit the traditional mould. An iconic American tough guy and one of the 20th Century's greatest Hollywood stars.- Actor
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George Harris Kennedy, Jr. was born on February 18, 1925 in New York City, to Helen (Kieselbach), a ballet dancer, and George Harris Kennedy, an orchestra leader and musician. Following high school graduation, Kennedy enlisted in the United States Army in 1943 with the hope to become a fighter pilot in the Army Air Corps. Instead, he wound up in the infantry, served under General George S. Patton and distinguished himself with valor. He won two Bronze Stars and four rows of combat and service ribbons.
A World War II veteran, Kennedy at one stage in his career cornered the market at playing tough, no-nonsense characters who were either quite crooked or possessed hearts of gold. Kennedy notched up an impressive 200+ appearances in both television and films, and was well respected within the Hollywood community. He started out on television Westerns in the late 1950s and early 1960s (Have Gun - Will Travel (1957), Rawhide (1959), Maverick (1957), Colt .45 (1957), among others) before scoring minor roles in films including Lonely Are the Brave (1962), The Sons of Katie Elder (1965) and The Flight of the Phoenix (1965).
The late 1960s was a very busy period for Kennedy, and he was strongly in favor with casting agents, appearing in Hurry Sundown (1967), The Dirty Dozen (1967) and scoring an Oscar win as Best Supporting Actor for his performance in Cool Hand Luke (1967). The disaster film boom of the 1970s was also kind to Kennedy and his talents were in demand for Airport (1970) and the three subsequent sequels, as a grizzled police officer in Earthquake (1974), plus the buddy/road film Thunderbolt and Lightfoot (1974) as vicious bank robber Red Leary.
The 1980s saw Kennedy appear in a mishmash of roles, playing various characters; however, Kennedy and Leslie Nielsen surprised everyone with their comedic talents in the hugely successful The Naked Gun: From the Files of Police Squad! (1988), and the two screen veterans exaggerate themselves again, in The Naked Gun 2½: The Smell of Fear (1991) and Naked Gun 33 1/3: The Final Insult (1994). From 1988-1991, he also played Ewing family nemesis Carter McKay on the CBS prime-time soap opera Dallas (1978).
Kennedy also played President Warren G. Harding in the miniseries Backstairs at the White House (1979) and had a long standing role on the CBS daytime soap opera The Young and the Restless (1973). He remained busy in Hollywood and lent his distinctive voice to the animated Cats Don't Dance (1997) and the children's action film Small Soldiers (1998). A Hollywood stalwart for nearly 50 years, he is one of the most enjoyable actors to watch on screen. His last role was in the film The Gambler (2014), as Mark Wahlberg's character's grandfather.
George Kennedy died of natural causes in Middleton, Idaho on February 28, 2016, only ten days after his 91st birthday.- Actor
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Alfredo James "Al" 'Pacino established himself as a film actor during one of cinema's most vibrant decades, the 1970s, and has become an enduring and iconic figure in the world of American movies.
He was born April 25, 1940 in Manhattan, New York City, to Italian-American parents, Rose (nee Gerardi) and Sal Pacino. They divorced when he was young. His mother moved them into his grandparents' home in the South Bronx. Pacino found himself often repeating the plots and voices of characters he had seen in the movies. Bored and unmotivated in school, he found a haven in school plays, and his interest soon blossomed into a full-time career. Starting onstage, he went through a period of depression and poverty, sometimes having to borrow bus fare to succeed to auditions. He made it into the prestigious Actors Studio in 1966, studying under Lee Strasberg, creator of the Method Approach that would become the trademark of many 1970s-era actors.
After appearing in a string of plays in supporting roles, Pacino finally attained success off-Broadway with Israel Horovitz's "The Indian Wants the Bronx", winning an Obie Award for the 1966-67 season. That was followed by a Tony Award for "Does the Tiger Wear a Necktie?" His first feature films made little departure from the gritty realistic stage performances that earned him respect: he played a drug addict in The Panic in Needle Park (1971) after his film debut in Me, Natalie (1969). The role of Michael Corleone in The Godfather (1972) was one of the most sought-after of the time: Robert Redford, Warren Beatty, Jack Nicholson, Ryan O'Neal, Robert De Niro and a host of other actors either wanted it or were mentioned, but director Francis Ford Coppola wanted Pacino for the role.
Coppola was successful but Pacino was reportedly in constant fear of being fired during the very difficult shoot. The film was a monster hit that earned Pacino his first Academy Award nomination for Best Supporting Actor. However, instead of taking on easier projects for the big money he could now command, Pacino threw his support behind what he considered tough but important films, such as the true-life crime drama Serpico (1973) and the tragic real-life bank robbery film Dog Day Afternoon (1975). He was nominated three consecutive years for the "Best Actor" Academy Award. He faltered slightly with Bobby Deerfield (1977), but regained his stride with And Justice for All (1979), for which he received another Academy Award nomination for Best Actor. Unfortunately, this would signal the beginning of a decline in his career, which produced flops like Cruising (1980) and Author! Author! (1982).
Pacino took on another vicious gangster role and cemented his legendary status in the ultra-violent cult film Scarface (1983), but a monumental mistake was about to follow. Revolution (1985) endured an endless and seemingly cursed shoot in which equipment was destroyed, weather was terrible, and Pacino fell ill with pneumonia. Constant changes in the script further derailed the project. The Revolutionary War-themed film, considered among the worst films ever made, resulted in awful reviews and kept him off the screen for the next four years. Returning to the stage, Pacino did much to give back and contribute to the theatre, which he considers his first love. He directed a film, The Local Stigmatic (1990), but it remains unreleased. He lifted his self-imposed exile with the striking Sea of Love (1989) as a hard-drinking policeman. This marked the second phase of Pacino's career, being the first to feature his now famous dark, owl eyes and hoarse, gravelly voice.
Returning to the Corleones, Pacino made The Godfather Part III (1990) and earned raves for his first comedic role in the colorful adaptation Dick Tracy (1990). This earned him another Academy Award nomination for Best Supporting Actor, and two years later he was nominated for Glengarry Glen Ross (1992). He went into romantic mode for Frankie and Johnny (1991). In 1992, he finally won the Academy Award for Best Actor for his amazing performance in Scent of a Woman (1992). A mixture of technical perfection (he plays a blind man) and charisma, the role was tailor-made for him, and remains a classic.
The next few years would see Pacino becoming more comfortable with acting and movies as a business, turning out great roles in great films with more frequency and less of the demanding personal involvement of his wilder days. Carlito's Way (1993) proved another gangster classic, as did the epic crime drama Heat (1995) directed by Michael Mann and co-starring Robert De Niro. He directed the film adaptation of Shakespeare's Looking for Richard (1996). During this period, City Hall (1996), Donnie Brasco (1997) and The Devil's Advocate (1997) all came out. Reteaming with Mann and then Oliver Stone, he gave commanding performances in The Insider (1999) and Any Given Sunday (1999).
In the 2000s, Pacino starred in a number of theatrical blockbusters, including Ocean's Thirteen (2007), but his choice in television roles (the vicious, closeted Roy Cohn in the HBO miniseries Angels in America (2003) and his sensitive portrayal of Jack Kevorkian, in the television movie You Don't Know Jack (2010)) are reminiscent of the bolder choices of his early career. Each television project garnered him an Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie.
Never wed, Pacino has a daughter, Julie Marie, with acting teacher Jan Tarrant, and a set of twins with former longtime girlfriend Beverly D'Angelo. His romantic history includes Jill Clayburgh, Veruschka von Lehndorff, Carole Mallory, Debra Winger, Tuesday Weld, Marthe Keller, Carmen Cervera, Kathleen Quinlan, Lyndall Hobbs, Penelope Ann Miller, and a two-decade intermittent relationship with "Godfather" co-star Diane Keaton. He currently lives with Argentinian actress Lucila Solá, who is 36 years his junior.
As of 2022, Pacino is 82-years-old. He has never retired from acting, and continues to appear regularly in film.- Actress
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Jodie Foster started her career at the age of two. For four years she made commercials and finally gave her debut as an actress in the TV series Mayberry R.F.D. (1968). In 1975 Jodie was offered the role of prostitute Iris Steensma in the movie Taxi Driver (1976). This role, for which she received an Academy Award nomination in the "Best Supporting Actress" category, marked a breakthrough in her career. In 1980 she graduated as the best of her class from the College Lycée Français and began to study English Literature at Yale University, from where she graduated magna cum laude in 1985. One tragic moment in her life was March 30th, 1981 when John Warnock Hinkley Jr. attempted to assassinate the President of the United States, Ronald Reagan. Hinkley was obsessed with Jodie and the movie Taxi Driver (1976), in which Travis Bickle, played by Robert De Niro, tried to shoot presidential candidate Palantine. Despite the fact that Jodie never took acting lessons, she received two Oscars before she was thirty years of age. She received her first award for her part as Sarah Tobias in The Accused (1988) and the second one for her performance as Clarice Starling in The Silence of the Lambs (1991).- Actress
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French ballet dancer Leslie Caron was discovered by the legendary MGM star Gene Kelly during his search for a co-star in one of the finest musicals ever filmed, the Oscar-winning An American in Paris (1951), which was inspired by and based on the music of George Gershwin. Leslie's gamine looks and pixie-like appeal would be ideal for Cinderella-type rags-to-riches stories, and Hollywood made fine use of it. Combined with her fluid dancing skills, she became one of the top foreign musical artists of the 1950s, while her triple-threat talents as a singer, dancer and actress sustained her long after musical film's "Golden Age" had passed.
Leslie Claire Margaret Caron was born in France on July 1, 1931. Her father, Claude Caron, was a French chemist, and her American-born mother, Margaret Petit, had been a ballet dancer back in the States during the 1920s. Leslie herself began taking dance lessons at age 11. She was on holidays at her grandparents' estate near Grasse when the Allies landed on the 15th of August 1944. After the German rendition, she and her family went to Paris to live. There she attended the Convent of the Assumption and started ballet training. While studying at the National Conservatory of Dance, she appeared at age 14 in "The Pearl Diver," a show for children where she danced and played a little boy. At age 16, she was hired by the renowned Roland Petit to join the Ballet des Champs-Elysees, where she was immediately given solo parts.
Leslie's talent and reputation as a dancer had already been recognized when on opening night of Petit's 1948 ballet "La Rencontre," which was based on the theme of Orpheus and featured the widely-acclaimed dancer 'Jean Babilee', she was seen by then-married Hollywood couple Gene Kelly and Betsy Blair. Leslie did not meet the famed pair at the end of the show that night as the 17-year-old went home dutifully right after her performance, but one year later Kelly remembered Leslie's performance when he returned to Paris in search for a partner for his upcoming movie musical An American in Paris (1951). The rest is history.
Kelly and newcomer Caron's touching performances and elegant and exuberant footwork (especially in the "Our Love Is Here to Stay" and "Embraceable You" numbers, as well as the dazzling 17-minute ballet to the title song) had critics and audiences simply enthralled. The film, directed by Vincente Minnelli, won a total of six Oscar awards, including "Best Picture," plus a Golden Globe for "Best Picture in a Musical or Comedy". Leslie was put under a seven-year MGM contract where her luminous skills would also be featured in non-musical showcases.
While Leslie's dramatic mettle was tested as a New Orleans nightclub entertainer opposite Ralph Meeker's boxer in Glory Alley (1952) and as a French governess in The Story of Three Loves (1953), it was as the child-like urchin who falls for a cruel carnival puppeteer (Mel Ferrer) in Lili (1953) that finally lifted Leslie to Academy Award attention. The film, which went on to inspire the Tony-winning Broadway musical "Carnival," earned Leslie not only an Oscar nomination, but the British Film Award for "Best Actress" as well. At her waif-like best once again in the musical Daddy Long Legs (1955), Leslie was paired this time with the "other" MGM male dancing legend Fred Astaire. The story, which unfolded in an appealing Henry Higgins/Eliza Dolittle style, was partly choreographed by Roland Petit, who founded the Ballet des Champs-Elysees, Leslie's former dance company.
While the actress gave poignant life to the ugly-duckling-turned-swan tale, The Glass Slipper (1955), choreographed by Petit and co-starring Britisher Michael Wilding as Prince Charming, Leslie also played a ballerina in love with WWII soldier John Kerr in Gaby (1956), a lukewarm remake of the superior Waterloo Bridge (1940). It took another plush musical classic, Gigi (1958), to remind audiences once again of Leslie's unique, international appeal. Audrey Hepburn, who had played the title part on Broadway, was keen on doing the film, but producer Arthur Freed wrote the part expressly for Leslie. It was also Freed who called up Fred Astaire to suggest her as his leading lady in Gigi (1958). Leslie tried the role out on the London stage prior to doing the film version. The musical wound up receiving nine Academy Awards, including "Best Picture," and Leslie herself was nominated for a Golden Globe as "Best Musical/Comedy Actress".
A few more forgettable film roles came and went until she returned triumphantly in a non-musical adaptation of a highly successful 1954 Broadway musical. The film version of Fanny (1961) was more adult in nature for Leslie and was blessed with gorgeous cinematography, a touching script and the continental flavor of veterans, Maurice Chevalier, Charles Boyer, and Horst Buchholz. At the movie's centerpiece is a child-like Leslie (at age 30!) who is mesmerizing as a young girl with child who is deserted by her sailor/boyfriend. Even more adult in scope was the shattering British drama The L-Shaped Room (1962) wherein the actress plays a pregnant French refugee who is abandoned yet again. She earned her a second British Academy Award and a second Oscar nomination for this superb performance.
On stage in London with the Royal Shakespeare Company, Leslie earned applause in another Audrey Hepburn Broadway vehicle, "Ondine," in 1961. While the mid-1960s and 1970s saw her film career take a Hollywood detour into breezy comedy with a number of lightweight fare opposite the likes of Rock Hudson, Cary Grant and Warren Beatty, she managed to shine with a complex working class mother role in the remarkable Italian film Il padre di famiglia (1967) starring Nino Manfredi and Ugo Tognazzi, and was spotted in the popular crossover film Valentino (1977) starring iconic Russian ballet star Rudolf Nureyev.
In the 1980s, Leslie appeared in stage productions of "Can-Can", "On Your Toes" and "One for the Tango". She also was invited and accepted to appear on American TV. At the age of 75, the actress won her first Emmy Award with her very moving portrayal of an elderly woman and closeted rape victim in a 2006 episode of Law & Order: Special Victims Unit (1999). More recent filming have included Damage (1992) by Louis Malle, Chocolat (2000) by Lasse Hallström, and the Merchant Ivory romantic comedy/drama The Divorce (2003).
Leslie's private life has been more turbulent than expected. She is divorced from the late meat packing heir and musician Geordie Hormel; from avant-garde Royal Shakespeare director Peter Hall, by whom she has two children, Christopher and Jennifer (both of whom have careers in the entertainment field); and from her Chandler (1971) movie producer Michael Laughlin.
One of the few MGM post-musical stars to enjoy a long, lasting and formidable dramatic career, Leslie Caron is still continuing today though on a much more limited basis. In 2008, the actress published her memoirs, "Thank Heaven," later translated to French as "Une Francaise à Hollywood". In 2010, she triumphed on the Chatelet Theater stage in Paris with her portrayal of Madame Armfeldt in Stephen Sondheim's "A Little Night Music. More recently the still mesmerizing octogenarian had a recurring role as a countess in the British TV series The Durrells (2016). Over the years, she has received a number of "Life Achievement" awards for her contributions to both film and dance.- Actress
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Natalie Wood was an American actress of Russian and Ukrainian descent. She started her career as a child actress and eventually transitioned into teenage roles, young adult roles, and middle-aged roles. She drowned off Catalina Island on November 29, 1981 at age 43.
Wood was born July 20, 1938 in San Francisco to Russian immigrant parents: housewife Maria Gurdin (née Zoodiloff), known by multiple aliases including Mary, Marie and Musia, and second husband Nick Gurdin (née Zacharenko), a janitor and prop builder. Nicholas was born in Primorsky Krai, son of a chocolate-factory worker. Maria was born in Barnaul, southern Siberia to a wealthy industrialist. Natalie's maternal grandfather owned soap and candle factories.
Wood's parents had to migrate due to the Russian Civil War. Her paternal grandfather joined the anti-Bolshevik civilian forces early in the war and was killed in a street fight between Red and White Russian soldiers. This convinced the Zacharenkos to migrate to Shanghai, China, where they had relatives. Wood's paternal grandmother remarried in 1927 and moved the family to Vancouver, British Columbia. In 1933 they resettled along the U.S. West Coast. Nicholas met Wood's mother, four years his senior, while she was still married to Alexander Tatuloff, an Armenian mechanic she divorced in 1936.
Mary Tatuloff, Wood's mother, had unfulfilled ambitions of becoming a ballet dancer. She grew up in the Chinese city of Harbin and had married Alexander there in 1925. The Tatuloffs had one daughter, Ovsanna, before coming to America in 1930. After marrying Nicholas Zacharenko in 1938, five months before Wood's birth, Mary (now calling herself Marie) transferred her dream of stardom onto her second child. Marie frequently took a young Wood with her to the cinema, where she could study the films of Hollywood child stars.
Wood's parents changed the family name to Gurdin upon obtaining U.S. citizenship, and her pseudonymous mother finally settled on a permanent first name: Maria. In 1942 they bought a house in Santa Rosa, where young Natalie was noticed by members of a crew during a film shoot. She got to audition for roles as an actress, and the family moved to Los Angeles to help seek out roles for her. RKO Radio Pictures' executives William Goetz and David Lewis chose the stage name Wood for her, in reference to director Sam Wood. Natalie's younger sister Svetlana Gurdin would eventually follow an acting career as well, under the stage name Lana Wood.
Wood made her film debut in Happy Land (1943). She was only five years old, and her scene as the "Little Girl Who Drops Ice Cream Cone" lasted 15 seconds. Wood somehow attracted the interest of film director Irving Pichel who remained in contact with her family. She had few job offers over the following two years, but Pichel helped her get a screen test for a more substantial role in the romance film Tomorrow Is Forever (1946). Wood passed through an audition and won the role of Margaret Ludwig, a post-World War II German orphan. At the time, Wood was unable to "cry on cue" for a key scene, so her mother tore a butterfly to pieces in front of her, giving her a reason to cry for the scene.
Wood started appearing regularly in films following this role and soon received a contract with 20th Century Fox. Her first major role was that of Susan Walker in the Christmas film Miracle on 34th Street (1947), which was a commercial and critical hit. Wood got her first taste of fame, and afterwards Macy's invited her to appear in the store's annual Thanksgiving Day parade. Following her early success, Wood receive many more film offers. She typically appeared in family films, cast as the daughter of such stars as Fred MacMurray, Margaret Sullivan, James Stewart, Joan Blondell, and Bette Davis. Wood found herself in high demand and appeared in over twenty films as a child actress.
The California laws of the era required that until reaching adulthood, child actors had to spend at least three hours per day in the classroom. Wood received her primary education on the studio lots, receiving three hours of school lessons whenever she was working on a film. She was reportedly a "straight A student." Director Joseph L. Mankiewicz was quite impressed by Wood's intellect. After school hours ended, Wood would hurry to the set to film her scenes.
While Wood acquired the services of agents, her early career was micromanaged by her mother. An older Wood gained her first major television role in the short-lived sitcom The Pride of the Family (1953). At the age of 16, she found more success with the role of Judy in Rebel Without a Cause (1955). She played the role of a teenage girl who wears makeup and dresses up in racy clothes to attract the attention of a father who typically ignores her. The film's success helped Wood make the transition from child actress to an ingenue. She was nominated for an Academy Award for Best Supporting Actress.
Her next significant film was The Searchers (1956), a western in which she played the role of abduction victim Debbie Edwards, niece of John Wayne's character. The film was a commercial and critical hit, and has since become regarded as a masterpiece. Also in 1956, Wood graduated from Van Nuys High School. She signed a contract with Warner Brothers, where she was kept busy with several new films. To her disappointment, she was typically cast as the girlfriend of the protagonist and received roles of little depth. For a while, WB had her paired with teen heartthrob Tab Hunter. The studio was hoping that the pairing would serve as a box-office draw, but this did not work out. One of Wood's only serious roles from this period was the title character in Marjorie Morningstar (1958), as a young Jewish girl whose efforts to create her own identity and career path clash with the expectations of her family. The film was a critical success, and fit well with other films exploring the restlessness of youth in the '50s.
Wood's first major box office flop was the biographical film All the Fine Young Cannibals (1960), examining the rags to riches story of jazz musician Chet Baker without actually using his name. The film's box office earnings barely covered the production costs, and MGM recorded a loss of $1,108,000. For the first time. Wood's appeal to the audience was in doubt. With her career in decline following this failure, Wood was seen as "washed up" by many in the film community. But director Elia Kazan gave her the chance to audition for the role of the sexually-repressed Wilma Dean Loomis in his upcoming film Splendor in the Grass (1961). Kazan cast Wood as the female lead, because he found in her (in his words): a "true-blue quality with a wanton side that is held down by social pressure." Kazan is credited for producing Wood's most powerful moment as an actress. The film was a critical success, with Wood nominated for an Academy Award for Best Actress.
Wood's next important film was West Side Story (1961), where she played Maria, a restless Puerto Rican girl. Wood was once again called to represent the restlessness of youth, this time in a story involving youth gangs and juvenile delinquents. The film was a great commercial success with about $44 million gross, the highest-grossing film of 1961. It was also critically acclaimed, and is still regarded as one of the best films of Wood's career. Her next film was Gypsy (1962), playing the role of burlesque entertainer and stripper Gypsy Rose Lee. Film historians credit the film as an even better role for Wood than that of Maria, with witty dialogue, a greater emotional range, and complex characterization. The film was the eighth highest-grossing release of 1962, and was well-received critically.
Wood's next significant role was that of Macy's salesclerk Angie Rossini in Love with the Proper Stranger (1963). In the film, Angie has a one-night-stand with musician Rocky Papasano, played by Steve McQueen, finds herself pregnant and desperately seeks an abortion. The film under-performed at the box office but was critically well-received. Wood received her third (and last) nomination for an Academy Award. At age 25, Wood was tied with Teresa Wright as the youngest person to score three Oscar nominations. Wood held that designation until 2013, when Jennifer Lawrence achieved her third nomination at age 23.
Wood continued her successful film career until 1966, but her health status was not as successful. She was suffering emotionally and had sought professional therapy. She paid Warner Bros. $175,000 to cancel her contract and was able to retire for a while. She also fired her entire support team: agents, managers, publicist, accountant, and attorneys. She took a three-year hiatus from acting.
Wood made her comeback in the comedy Bob & Carol & Ted & Alice (1969) with the themes of sexual liberation and wife swapping. It was a box office hit. Wood decided to gamble her $750,000 fee on a percentage of the gross, earning a million dollars in profits. She chose not to capitalize on the film's success, however, and did not take another acting job for five years.
In 1970, Wood was married to the screenwriter Richard Gregson and was expecting her first child, Natasha Gregson Wagner. She went into semi-retirement to be a stay-at-home mom, appearing in only four more theatrical films before her death. These films were the mystery comedy Peeper (1975), the science fiction film Meteor (1979), the comedy The Last Married Couple in America (1980), and the posthumously-released science fiction film Brainstorm (1983).
In the late '70s, Wood found success in television roles, appearing in several made-for-TV movies and the mini-series From Here to Eternity (1979). Her project received high ratings, and she had plans to make her theatrical debut in a 1982 production of Anastasia.
On November 28, 1981, Wood joined her last husband Robert Wagner, their married friend Christopher Walken, and captain Dennis Davern on a weekend boat trip to Catalina Island. Conspicuously absent from the group was Christopher's wife, casting director Georgianne Walken. The four of them were on board the Wagners' yacht "Splendour." Earwitness Marilyn Wayne heard cries for help around 11:05 P.M. and a "man's voice slurred, and in aggravated tone, say something to the effect of, 'Oh, hold on, we're coming to get you,' and not long after, the cries for help subsided." On the morning of November 29, Wood's corpse was recovered 1 mile (1.6 kilometers) away from the boat, near small Valiant-brand inflatable dinghy beached nearby. The toxicology report revealed her blood alcohol level was at .14, over the legal limit of .10. Wood was buried on December 2 at Westwood Village Memorial Park Cemetery in Los Angeles. Nine days later, the LACSD officially closed the case.- Actor
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R.J. Wagner was born 1930 in Detroit, the son of a steel executive. His family moved to L.A. when he was six. Always wanting to be an actor, he held a variety of jobs (including one as a golf caddy for Clark Gable) while pursuing his goal, but it was while dining with his parents at a Beverly Hills restaurant that he was discovered by a talent scout. After making his uncredited screen debut in The Happy Years (1950), Wagner was signed by 20th Century Fox, which carefully built him up toward stardom. He played romantic leads with ease, but it was not until he essayed the two-scene role of a shell-shocked war veteran in With a Song in My Heart (1952) that studio executives recognized his potential as a dramatic actor. He went on to play the title roles in Prince Valiant (1954) and The True Story of Jesse James (1957), and portrayed a cold-blooded murderer in A Kiss Before Dying (1956). In the mid-'60s, however, his film career skidded to a stop after The Pink Panther (1963). Several years of unemployment followed before Wagner made a respectable transition to television as star of the lighthearted espionage series It Takes a Thief (1968). He also starred on the police series Switch (1975), but Wagner's greatest success was opposite Stefanie Powers on the internationally popular Hart to Hart (1979), which ran from 1979 through 1984 and has since been sporadically revived in TV-movie form (another series, Lime Street (1985), was quickly canceled due to the tragic death of Wagner's young co-star, Samantha Smith). Considered one of Hollywood's nicest citizens, Robert Wagner has continued to successfully pursue a leading man career; he has also launched a latter-day stage career, touring with Stefanie Powers in the readers' theater presentation "Love Letters". He found success playing Number Two, a henchman to Dr. Evil in Austin Powers: International Man of Mystery (1997) and its sequels, and in 2007, he began playing Teddy Leopold, a recurring role on the CBS sitcom Two and a Half Men (2003). Wagner is married to Jill St. John and lives in Aspen.- Actor
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George C. Scott was an immensely talented actor, a star of the big screen, stage and television. He was born on October 18, 1927 in Wise, Virginia, to Helena Agnes (Slemp) and George Dewey Scott. At the age of eight, his mother died, and his father, an executive at Buick, raised him. In 1945, he joined the United States Marines and spent four years with them, no doubt an inspiration for portraying General George S. Patton years later. When Scott left the Marines, he enrolled in journalism classes at the University of Missouri, but it was while performing in a play there that the acting bug bit him. He has said it "clicked, just like tumblers in a safe."
It was in 1957 that he landed a role in "Richard III" in New York City. The play was a success and brought the young actor to the attention of critics. He soon began to get work on television, mostly in live broadcasts of plays, and he landed the role of the crafty prosecutor in Anatomy of a Murder (1959). It was this role that got him his first Oscar nomination, for Best Supporting Actor.
However, George and Oscar wouldn't actually become the best of friends. In fact, he felt the whole process forced actors to become stars and that the ceremony was little more than a "meat market." In 1962, he was nominated again for Best Supporting Actor, this time opposite Paul Newman in The Hustler (1961), but sent a message saying "No, thanks" and refused the nomination.
However, whether he was being temperamental or simply stubborn in his opinion of awards, it did not seem to stop him from being nominated in the future. "Anatomy" and "The Hustler" were followed by the clever mystery The List of Adrian Messenger (1963), in which he starred alongside Kirk Douglas, Robert Mitchum and cameos by major stars of the time, including Burt Lancaster and Frank Sinatra. It's a must-see, directed by John Huston with tongue deeply in cheek.
The following year, Scott starred as General "Buck" Turgidson in Stanley Kubrick's comical anti-war film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964). This became one of his favorites and he often said that he felt guilty getting paid for it, as he had so much fun making it. Another comedy followed, The Flim-Flam Man (1967), with Scott playing a smooth-talking con artist who takes on an apprentice whom he soon discovers has too many morals.
Three years followed, with some smaller television movies, before he got the role for which he will always be identified: the aforementioned General Patton in Patton (1970). This was a war movie that came at the end of a decade where anti-war protests had rocked a nation and become a symbol of youth dissatisfied with what was expected of them. Still, the actor's portrayal of this aggressive military icon actually drew sympathy for the controversial hero. He won the Oscar this time, but stayed at home watching hockey instead.
A pair of films that he made in the early 1980s were outstanding. The first of these was The Changeling (1980), a film often packaged as a horror movie but one that's really more of a supernatural thriller. He plays John Russell, a composer and music professor who loses his wife and daughter in a tragic accident. Seeking solace, he moves into an archaic mansion that had been unoccupied for 12 years. However, a child-like presence seems to be sharing the house with him and trying to share its secrets with him. From learning of the house's past, he discovers its horrific secret of long ago, a secret that the presence will no longer allow to be kept.
Then he starred -- along with a young cast of then largely unknowns, including Timothy Hutton, Sean Penn and Tom Cruise -- in the intense drama Taps (1981). He played the head of a military academy that's suddenly slated for destruction when the property is sold to local developers who plan to build condos. The students take over the academy when they feel that the regular channels are closed to them.
Scott kept up in films, television and on stage in the later years of his life (Broadway dimmed its lights for one minute on the night of his death). Among his projects were playing Ebenezer Scrooge in a worthy television update of A Christmas Carol (1984), an acclaimed performance on Broadway of "Death of a Salesman", the voice of McLeach in Disney's The Rescuers Down Under (1990) and co-starring roles in television remakes of two classic films, 12 Angry Men (1997) and Inherit the Wind (1999), to name just a few. After his death the accolades poured in, with Jack Lemmon saying, "George was truly one of the greatest and most generous actors I have ever known," while Tony Randall called him "the greatest actor in American history".- Actor
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Veteran actor and director Robert Selden Duvall was born on January 5, 1931, in San Diego, CA, to Mildred Virginia (Hart), an amateur actress, and William Howard Duvall, a career military officer who later became an admiral. Duvall majored in drama at Principia College (Elsah, IL), then served a two-year hitch in the army after graduating in 1953. He began attending The Neighborhood Playhouse School of the Theatre In New York City on the G.I. Bill in 1955, studying under Sanford Meisner along with Dustin Hoffman, with whom Duvall shared an apartment. Both were close to another struggling young actor named Gene Hackman. Meisner cast Duvall in the play "The Midnight Caller" by Horton Foote, a link that would prove critical to his career, as it was Foote who recommended Duvall to play the mentally disabled "Boo Radley" in To Kill a Mockingbird (1962). This was his first "major" role since his 1956 motion picture debut as an MP in Somebody Up There Likes Me (1956), starring Paul Newman.
Duvall began making a name for himself as a stage actor in New York, winning an Obie Award in 1965 playing incest-minded longshoreman "Eddie Carbone" in the off-Broadway revival of Arthur Miller's "A View from the Bridge", a production for which his old roommate Hoffman was assistant director. He found steady work in episodic TV and appeared as a modestly billed character actor in films, such as Arthur Penn's The Chase (1966) with Marlon Brando and in Robert Altman's Countdown (1967) and Francis Ford Coppola's The Rain People (1969), in both of which he co-starred with James Caan.
He was also memorable as the heavy who is shot by John Wayne at the climax of True Grit (1969) and was the first "Maj. Frank Burns", creating the character in Altman's Korean War comedy M*A*S*H (1970). He also appeared as the eponymous lead in George Lucas' directorial debut, THX 1138 (1971). It was Francis Ford Coppola, casting The Godfather (1972), who reunited Duvall with Brando and Caan and provided him with his career breakthrough as mob lawyer "Tom Hagen". He received the first of his six Academy Award nominations for the role.
Thereafter, Duvall had steady work in featured roles in such films as The Godfather Part II (1974), The Killer Elite (1975), Network (1976), The Seven-Per-Cent Solution (1976) and The Eagle Has Landed (1976). Occasionally this actor's actor got the chance to assay a lead role, most notably in Tomorrow (1972), in which he was brilliant as William Faulkner's inarticulate backwoods farmer. He was less impressive as the lead in Badge 373 (1973), in which he played a character based on real-life NYPD detective Eddie Egan, the same man his old friend Gene Hackman had won an Oscar for playing, in fictionalized form as "Popeye Doyle" in The French Connection (1971).
It was his appearance as "Lt. Col. Kilgore" in another Coppola picture, Apocalypse Now (1979), that solidified Duvall's reputation as a great actor. He got his second Academy Award nomination for the role, and was named by the Guinness Book of World Records as the most versatile actor in the world. Duvall created one of the most memorable characters ever assayed on film, and gave the world the memorable phrase, "I love the smell of napalm in the morning!"
Subsequently, Duvall proved one of the few established character actors to move from supporting to leading roles, with his Oscar-nominated turns in The Great Santini (1979) and Tender Mercies (1983), the latter of which won him the Academy Award for Best Actor. Now at the summit of his career, Duvall seemed to be afflicted with the fabled "Oscar curse" that had overwhelmed the careers of fellow Academy Award winners Luise Rainer, Rod Steiger and Cliff Robertson. He could not find work equal to his talents, either due to his post-Oscar salary demands or a lack of perception in the industry that he truly was leading man material. He did not appear in The Godfather Part III (1990), as the studio would not give in to his demands for a salary commensurate with that of Al Pacino, who was receiving $5 million to reprise Michael Corleone.
His greatest achievement in his immediate post-Oscar period was his triumphant characterization of grizzled Texas Ranger Gus McCrae in the TV mini-series Lonesome Dove (1989), for which he received an Emmy nomination. He received a second Emmy nomination and a Golden Globe for his portrayal of Soviet dictator Joseph Stalin in Stalin (1992), and a third Emmy nomination playing Nazi war criminal Adolf Eichmann in The Man Who Captured Eichmann (1996).
The shakeout of his career doldrums was that Duvall eventually settled back into his status as one of the premier character actors in the industry, rivaled only by his old friend Gene Hackman. Duvall, unlike Hackman, also has directed pictures, including the documentary We're Not the Jet Set (1974), Angelo My Love (1983) and Assassination Tango (2002). As a writer-director, Duvall gave himself one of his most memorable roles, that of the preacher on the run from the law in The Apostle (1997), a brilliant performance for which he received his third Best Actor nomination and fifth Oscar nomination overall. The film brought Duvall back to the front ranks of great actors, and was followed by a Best Supporting Actor Oscar nod for A Civil Action (1998).
Robert Duvall will long be remembered as one of the great naturalistic American screen actors in the mode of Spencer Tracy and his frequent co-star Marlon Brando. His performances as "Boo Radley" in To Kill a Mockingbird (1962), "Jackson Fentry" in Tomorrow (1972), "Tom Hagen" in the first two "Godfather" movies, "Frank Hackett" in Network (1976), "Lt. Col. Kilgore" in Apocalypse Now (1979), "Bull Meechum" in The Great Santini (1979), "Mac Sledge" in Tender Mercies (1983), "Gus McCrae" in Lonesome Dove (1989) and "Sonny Dewey" in The Apostle (1997) rank as some of the finest acting ever put on film. It's a body of work that few actors can equal, let alone surpass.- Actor
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A legendary actor with 50 celebrated years of film, television and producing experience, Michael Douglas is known for his era-defining roles and enduring cultural impact.
In addition to his career accomplishments, Douglas has remained a steadfast public servant, activist and philanthropist dedicated to peace and human welfare, democracy, gun control advocacy, support of the arts and support of nuclear disarmament. In 1998, former United Nations Secretary-General Kofi Annan appointed Douglas as a Messenger of Peace for his commitment on disarmament issues, including nuclear non-proliferation and halting the illicit trade in small arms and light weapons.
Since his earliest acting work on Hail, Hero! (1969) and The Streets of San Francisco (1972) Douglas has played some of the most memorable and enigmatic American anti-heroes of the last half century. He is most known for his iconic screen roles, like his Academy Award-winning turn as Gordon Gekko Wall Street (1987) as well as the critically and commercially acclaimed films Fatal Attraction (1987), The American President (1995), Basic Instinct (1992), Traffic (2000) and Romancing the Stone (1984). He is also a prolific producer with credits on politically relevant and socially influential motion pictures like One Flew Over the Cuckoo's Nest (1975), The China Syndrome (1979), Traffic (2000) the television series: The Kominsky Method (2018) and an upcoming limited series where Douglas portrays Benjamin Franklin (2024) during his nine years in France lobbying for French aid for the American Revolution.
With a passion for complex protagonists and darkly humorous undercurrents, Douglas has received numerous accolades for his work, including two Academy Awards, five Golden Globe Awards, a Primetime Emmy Award, AFI Life Achievement Award, two French César Awards for Career Achievement and, most recently, the Palme d'or d'honneur for lifetime achievement at the 76th Annual Festival de Cannes as well as the Satyajit Ray Lifetime Achievement Award for Excellence in Cinema at the Goa Film Festival in India.
Michael Douglas was born in New Brunswick, New Jersey, to actors Diana Douglas (Diana Love Dill) and Kirk Douglas (born Issur Danielovitch). His paternal grandparents were Belarusian Jewish immigrants, while his mother was born in Bermuda, the daughter of a local Attorney General, Lieutenant Colonel Thomas Melville Dill; Diana's family had long been established in both Bermuda and the United States. Douglas's parents divorced when he was six, and he went to live with his mother and her new husband. Only seeing Kirk on holidays, Michael attended Eaglebrook School in Deerfield, Massachusetts, where he was about a year younger than all of his classmates.
Douglas attended the elite preparatory Choate School and spent his summers with his father on movie sets. Although accepted at Yale, Douglas attended the University of California, Santa Barbara. Deciding he wanted to be an actor in his teenage years, Michael often asked his father about getting a "foot in the door" Kirk was strongly opposed to Michael pursuing an acting career, saying that it was an industry with many downs and few ups, and that he wanted all four of his sons to stay out of it. Michael, however, was persistent, and made his film debut in his father's film Cast a Giant Shadow (1966).
After receiving his B.A. degree in 1968, Douglas moved to New York City to continue his dramatic training, studying at the American Place Theatre with Wynn Handman, and at the Neighborhood Playhouse, where he appeared in workshop productions of Pirandello's Six Characters in Search of an Author (1976) and Thornton Wilder's Happy Journey (1963). A few months after he arrived in New York, Douglas got his first big break, when he was cast in the pivotal role of the free-spirited scientist who compromises his liberal views to accept a lucrative job with a high-tech chemical corporation in the CBS Playhouse production of Ellen M. Violett's drama, The Experiment, which was televised nationwide on February 25, 1969.
Douglas' convincing portrayal won him the leading role in the adaptation of John Weston's controversial novel, Hail, Hero! (1969), which was the initial project of CBS's newly organized theatrical film production company, Cinema Center Films. Douglas starred as a well-meaning, almost saintly young pacifist determined not only to justify his beliefs to his conservative parents but also to test them under fire in the jungles of Indochina. His second feature, Adam at Six A.M. (1970) concerned a young man's search for his roots. Douglas next appeared in the film version of Ron Cowen's play Summertree (1971), produced by 'Kirk Douglas'' Bryna Company, and then Napoleon and Samantha (1972), a sentimental children's melodrama from the Walt Disney studio.
In between film assignments, he worked in summer stock and off-Broadway productions, among them "City Scenes," Frank Gagliano's surrealistic vignettes of contemporary life in New York, John Patrick Shanley's short-lived romance "Love is a Time of Day" and George Tabori's "Pinkville," in which he played a young innocent brutalized by his military training. He also appeared in the made-for-television thriller, "When Michael Calls," broadcast by ABC-TV on February 5, 1972 and in episodes of the popular series "Medical Center" and "The F.B.I."
Impressed by Douglas' performance in a segment of The F.B.I. (1965), producer 'Quinn Martin' signed the actor for the part of Karl Malden's sidekick in the police series "The Streets of San Francisco", which premiered in September 1972 and became one of ABC's highest-rated prime-time programs in the mid-1970s. Douglas earned three successive Emmy Award nominations for his performance and he directed two episodes of the series.
During the annual breaks in the shooting schedule for The Streets of San Francisco (1972), Douglas devoted most of his time to his film production company, Big Stick Productions, Ltd., which produced several short subjects in the early 1970s. Long interested in producing a film version of Ken Kesey's grimly humorous novel One Flew Over the Cuckoo's Nest (1975), Douglas purchased the movie rights from his father and began looking for financial backing. After a number of major motion picture studios turned him down, Douglas formed a partnership with Saul Zaentz, a record industry executive, and the two set about recruiting the cast and crew. Douglas still had a year to go on his contract for "The Streets of San Francisco," but the producers agreed to write his character out of the story so that he could concentrate on filming "Cuckoo's Nest."
A critical and commercial success, One Flew Over the Cuckoo's Nest (1975) won five Academy Awards, including Best Picture, Best Director, Best Screenplay, Best Actor and Best Actress, and went on to gross more than $180 million at the box office. Douglas suddenly found himself in demand as an independent producer. One of the many scripts submitted to him for consideration was Mike Gray's chilling account of the attempted cover-up of an accident at a nuclear power plant. Attracted by the combination of social relevance and suspense, Douglas immediately bought the property. Deemed not commercial by most investors, Douglas teamed up with Jane Fonda and her own motion picture production company, IPC Films.
A Michael Douglas-IPC Films co-production, The China Syndrome (1979) starred Jack Lemmon, Jane Fonda, and Michael Douglas and received Academy Award nominations for Lemmon and Fonda, as well as for Best Screenplay. The National Board of Review named the film one of the best films of the year.
Despite his success as a producer, Douglas resumed his acting career in the late 1970s, starring in Michael Crichton's medical thriller Coma (1978) with Genevieve Bujold, Claudia Weill's feminist comedy It's My Turn (1980) starring Jill Clayburgh, and Peter Hyams' gripping tale of modern-day vigilante justice, "The Star Chamber" (1983). Douglas also starred in Running (1979), as a compulsive quitter who sacrifices everything to take one last shot at the Olympics, and as Zach the dictatorial director/choreographer in Richard Attenborough's screen version of the Broadway's longest running musical A Chorus Line (1985).
Douglas' career as an actor/producer came together again in 1984 with the release of the tongue-in-cheek romantic fantasy "Romancing the Stone." Douglas had begun developing the project several years earlier, and with Kathleen Turner as Joan Wilder, the dowdy writer of gothic romances, Danny DeVito as the feisty comic foil Ralphie and Douglas as Jack Colton, the reluctant soldier of fortune. "Romancing the Stone" was a resounding hit and grossed more than $100 million at the box office. Douglas was named Producer of the Year in 1984 by the National Association of Theater Owners. Douglas, Turner and DeVito teamed up in 1985 for the successful sequel The Jewel of the Nile (1985).
It took Douglas nearly two years to convince Columbia Pictures executives to approve the production of Starman (1984), an unlikely tale of romance between an extraterrestrial, played by Jeff Bridges, and a young widow, played by Karen Allen. Starman (1984) was the sleeper hit of the 1984 Christmas season and earned an Oscar nomination for Best Actor for Jeff Bridges. In 1986 Douglas created a television series based on the film for ABC which starred Robert Hays.
After a lengthy break from acting, Douglas returned to the screen in 1987 appearing in two of the year's biggest hits. He starred opposite Glenn Close in the phenomenally successful psychological thriller, "Fatal Attraction," which was followed by his performance as ruthless corporate raider Gordon Gekko in Oliver Stone's Wall Street (1987), earning him the Academy Award for Best Actor.
Douglas next starred in Ridley Scott's thriller Black Rain (1989) and then teamed up again with Kathleen Turner and Danny DeVito in the black comedy The War of the Roses (1989).
In 1988, Douglas formed Stonebridge Entertainment, Inc., which produced Flatliners (1990), directed by Joel Schumacher and starred Kiefer Sutherland, Julia Roberts, Kevin Bacon and William Baldwin and Radio Flyer (1992) starring Lorraine Bracco and directed by Richard Donner. Douglas followed with David Seltzer's adaptation of Susan Isaacs' best-selling novel, "Shining Through," opposite Melanie Griffith. In 1992 he starred with Sharon Stone in the erotic thriller from Paul Verhoeven Basic Instinct (1992), one of the year's top grossing films.
Douglas gave one of his most powerful performances opposite Robert Duvall in Joel Schumacher's controversial drama Falling Down (1993). That year he also produced the hit comedy "Made in America" starring Whoopi Goldberg, Ted Danson and Will Smith. In 1994-95 he starred with Demi Moore in Barry Levinson's "Disclosure," based on the best seller by Michael Crichton. In 1995, Douglas portrayed the title role in Rob Reiner's romantic comedy The American President (1995) opposite Annette Bening, and in 1997, starred in The Game (1997) directed by David Fincher and co-starring Sean Penn.
Douglas formed Douglas/Reuther Productions with partner Steven Reuther in May 1994. The company, under the banner of Constellation Films, produced The Ghost and the Darkness (1996), starring Douglas and Val Kilmer, and John Grisham's The Rainmaker (1997), based on John Grisham's best selling novel, directed by Francis Ford Coppola and starring Matt Damon,Claire Danes, Danny DeVito, Jon Voight, Mickey Rourke, Mary Kay Place, Virginia Madsen, Andrew Shue, Teresa Wright, Johnny Whitworth and Randy Travis.
Michael Douglas and Steve Reuther also produced John Woo's action thriller Face/Off (1997) starring John Travolta and Nicolas Cage, which proved to be one of '97's major hits.
In 1998, Michael Douglas starred with Gwyneth Paltrow and Viggo Mortensen in the mystery thriller A Perfect Murder (1998), and formed a new production company, Furthur Films. 2000 was a milestone year for Douglas. "Wonder Boys" opened in February 2000 to much critical acclaim. Directed by Curtis Hanson and co-starring Tobey Maguire, Frances McDormand, Robert Downey Jr. and Katie Holmes, Douglas starred in the film as troubled college professor Grady Tripp. Michael was nominated for a Golden Globe and a BAFTA Film Award for his performance.
"Traffic" was released by USA Films on December 22, 2000 in New York and Los Angeles and went nationwide in January 2001. Douglas played the role of Robert Wakefield, a newly appointed drug czar confronted by the drug war both at home and abroad. Directed by Steven Soderbergh and co-starring Don Cheadle, Benicio del Toro, Amy Irving, Dennis Quaid and Catherine Zeta-Jones, "Traffic" was named Best Picture by New York Film Critics, won Best Ensemble Cast at the SAG Awards, won four Academy Awards (Best Screenplay, Best Editing, Best Director, and Best Supporting Actor for Benicio del Toro) and has been recognized on more than 175 top ten lists.
In 2001, Douglas produced and played a small role in USA Films' outrageous comedy "One Night at McCool's" starring Liv Tyler, Matt Dillon, John Goodman and Paul Reiser and directed by Harald Zwart. "McCool's" was the first film by Douglas' company Furthur Films. Also in 2001, Douglas starred in "Don't Say A Word" for 20th Century Fox. The psychological thriller, directed by Gary Fleder, also starred Sean Bean, Famke Janseen and Brittany Murphy.
In 2002, Douglas appeared in a guest role on the hit NBC comedy "Will & Grace," and received an Emmy Nomination for his performance.
Douglas starred in two films in 2003. MGM/BVI released the family drama "It Runs in the Family," which Douglas produced and starred with his father Kirk Douglas, his mother Diana Douglas his son Cameron Douglas, Rory Culkin and Bernadette Peters. He also starred in the Warner Bros. comedy "The-In Laws," with Albert Brooks, Candice Bergen and Ryan Reynolds.
In 2004, Douglas, along with his father Kirk, filmed the intimate HBO documentary "A Father, A Son... Once Upon a Time in Hollywood". Directed by award-winning filmmaker Lee Grant, the documentary examines the professional and personal lives of both men, and the impacts they each made on the motion picture industry.
In 2005, Douglas produced and starred in "The Sentinel", which was released by 20th Century Fox in April 2006. Based on the Gerald Petievich novel and directed by Clark Johnson, "The Sentinel" is a political thriller set in the intriguing world of the Secret Service. Douglas stars with Keifer Sutherland, Eva Longoria and Kim Bassinger. Douglas then filmed "You, Me & Dupree," starring with Owen Wilson, Kate Hudson and Matt Dillon. The comedy, directed by Anthony and Joe Russo, was released by Universal Pictures during the summer of 2006. In 2007 Douglas made "King of California," co-starring Evan Rachel Wood and is written and directed by Michael Cahill, and produced by Alexander Payne and Michael London.
Michael had two films released in early 2009, "Beyond A Reasonable Doubt" directed by Peter Hyams and "Ghosts of Girlfriends Past" starring Matthew McConaughey and Jennifer Garner and directed by Mark Waters. He followed with the drama "Solitary Man" directed by Brian Koppelman and David Levien, co-starring Susan Sarandon, Danny DeVito, Mary Louise-Parker, and Jenna Fischer, produced by Paul Schiff and Steven Soderbergh. In 2010, Douglas reprised his Oscar-winning role as Gordon Gekko in "Wall Street 2: Money Never Sleeps," earning a Golden Globe for his performance. Again directed by Oliver Stone, he co-starred with Shia Labeouf, Cary Mulligan, Josh Brolin, Frank Langella and Susan Sarandon.
In 2011, Douglas had a cameo role in Steven Soderbergh's action thriller "Haywire."
"Behind the Candelabra," based on the life of '70's/80's musical icon Liberace and his partner Scott Thorson, directed by Steven Soderbergh and costarring Matt Damon, premiered on HBO in May 2013. Douglas won an Emmy, Golden Globe and SAG Award for Best Actor in a television movie or mini series for his performance as the famed entertainer. He followed with the buddy comedy "Last Vegas," directed by John Turtletaub co-starring Robert DeNiro, Morgan Freeman and Kevin Kline and the romantic comedy "And So It Goes," co-starring Diane Keaton directed by Rob Reiner.
Douglas recently starred in and produced the thriller "Beyond The Reach," directed by Jean-Baptiste Leonetti and costarring Jeremy Irvine. He and portrayed Dr. Hank Pym in Marvel's Ant-Man and the Wasp (2018) and Ant-Man and the Wasp: Quantumania (2023) opposite Paul Rudd. The franchise was his first venture into the realm of comic book action adventure.
In 2017, he starred in the spy thriller "Unlocked" starring with Noomi Rapace, Orlando Bloom, John Malkovich and directed by Michael Apted.
In 1998 Douglas was made a United Nations Messenger of Peace by Kofi Annan. His main concentrations are nuclear non-proliferation and the control of small arms. He is on the Board of Ploughshares Foundation and The Nuclear Threat Initiative.
Michael Douglas was recipient of the 2009 AFI Lifetime Achievement as well as the Producers Guild Award that year. In Spring '10 he received the New York Film Society's Charlie Chaplin Award.
Douglas has hosted 11 years of "Michael Douglas and Friends" Celebrity Golf Event which has raised over $6 million for the Motion Picture and Television Fund. Douglas is very passionate about the organization, and each year he asks his fellow actors and to come out and show that "we are an industry that takes care of own".
Douglas is married to Catherine Zeta-Jones. The couple has one son, Dylan, and one daughter, Carys. Douglas also has one son, Cameron, from a previous marriage.- Actor
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Michael Caine was born as Maurice Joseph Micklewhite in London, to Ellen (née Burchell), a cook, and Maurice Micklewhite Sr., a fish-market porter. He had a younger brother, Stanley Caine, and an older maternal half-brother named David Burchell. He left school at age 15 and took a series of working-class jobs before joining the British army and serving in Korea during the Korean War, where he saw combat. Upon his return to England, he gravitated toward the theater and got a job as an assistant stage manager. He adopted the name of Caine on the advice of his agent, taking it from a marquee that advertised The Caine Mutiny (1954). In the years that followed, he worked in more than 100 television dramas, with repertory companies throughout England and eventually in the stage hit "The Long and the Short and the Tall".
Zulu (1964), the epic retelling of a historic 19th-century battle in South Africa between British soldiers and Zulu warriors, brought Caine to international attention. Instead of being typecast as a low-ranking Cockney soldier, he played a snobbish, aristocratic officer. Although "Zulu" was a major success, it was the role of Harry Palmer in The Ipcress File (1965) and the title role in Alfie (1966) that made Caine a star of the first magnitude. He epitomized the new breed of actor in mid-1960s England, the working-class bloke with glasses and a down-home accent. However, after initially starring in some excellent films, particularly in the 1960s, including Gambit (1966), Funeral in Berlin (1966), Play Dirty (1969), Battle of Britain (1969), Too Late the Hero (1970), The Last Valley (1971) and especially Get Carter (1971), he seemed to take on roles in below-average films, simply for the money he could by then command.
However, there were some gems amongst the dross. He gave a magnificent performance opposite Sean Connery in The Man Who Would Be King (1975) and turned in a solid one as a German colonel in The Eagle Has Landed (1976). Educating Rita (1983), Blame It on Rio (1984) and Hannah and Her Sisters (1986) (for which he won his first Oscar) were highlights of the 1980s, while more recently Little Voice (1998), The Cider House Rules (1999) (his second Oscar) and Last Orders (2001) have been widely acclaimed. Caine played Nigel Powers in the parody sequel Austin Powers in Goldmember (2002), and Alfred Pennyworth in Christopher Nolan's Dark Knight trilogy. He appeared in several other of Nolan's films including The Prestige (2006), Inception (2010) and Interstellar (2014). He also appeared as a supporting character in Alfonso Cuarón's Children of Men (2006) and Pixar's sequel Cars 2 (2011).
As of 2015, films in which Caine has starred have grossed over $7.4 billion worldwide. He is ranked the ninth highest grossing box office star. Caine is one of several actors nominated for an Academy Award for acting every decade from five consecutive decades (the other being Laurence Olivier and Meryl Streep). He was appointed Commander of the Order of the British Empire in the 1992 Birthday Honours, and was knighted by Queen Elizabeth II in the 2000 Birthday Honours in recognition for his contributions to the cinema.
Caine has been married twice. First to actress Patricia Haines from 1954 to 1958. They had a daughter, Dominique, in 1957. A bachelor for some dozen-plus years after the divorce, he was romantically linked to Edina Ronay (for three years), Nancy Sinatra, Natalie Wood, Candice Bergen, Bianca Jagger, Françoise Pascal and Jill St. John. In 1971 he met his second wife, fashion model Shakira Caine (née Baksh), and they married in 1973, six months before their daughter Natasha was born. The couple has three grandchildren, and in 2023, they celebrated their 50th wedding anniversary.- Actor
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Eugene Allen Hackman was born in San Bernardino, California, the son of Ann Lydia Elizabeth (Gray) and Eugene Ezra Hackman, who operated a newspaper printing press. He is of Pennsylvania Dutch (German), English, and Scottish ancestry, partly by way of Canada, where his mother was born. After several moves, his family settled in Danville, Illinois. Gene grew up in a broken home, which he left at the age of sixteen for a hitch with the US Marines.
Moving to New York after being discharged, he worked in a number of menial jobs before studying journalism and television production on the G.I. Bill at the University of Illinois. Hackman would be over 30 years old when he finally decided to take his chance at acting by enrolling at the Pasadena Playhouse. Legend says that Hackman and friend Dustin Hoffman were voted "least likely to succeed."
Hackman next moved back to New York, where he worked in summer stock and off-Broadway. In 1964 he was cast as the young suitor in the Broadway play "Any Wednesday." This role would lead to him being cast in the small role of Norman in Lilith (1964), starring Warren Beatty. When Beatty was casting for Bonnie and Clyde (1967), he cast Hackman as Buck Barrow, Clyde Barrow's brother. That role earned Hackman a nomination for the Academy Award for Best Supporting Actor, an award for which he would again be nominated in I Never Sang for My Father (1970). In 1972 he won the Oscar for his role as Detective Jimmy "Popeye" Doyle in The French Connection (1971). At 40 years old Hackman was a Hollywood star whose work would rise to new heights with Night Moves (1975) and Bite the Bullet (1975), or fall to new depths with The Poseidon Adventure (1972) and Eureka (1983). Hackman is a versatile actor who can play comedy (the blind man in Young Frankenstein (1974)) or villainy (the evil Lex Luthor in Superman (1978)). He is the doctor who puts his work above people in Extreme Measures (1996) and the captain on the edge of nuclear destruction in Crimson Tide (1995). After initially turning down the role of Little Bill Daggett in Clint Eastwood's Unforgiven (1992), Hackman finally accepted it, as its different slant on the western interested him. For his performance he won the Oscar and Golden Globe and decided that he wasn't tired of westerns after all. He has since appeared in Geronimo: An American Legend (1993), Wyatt Earp (1994), and The Quick and the Dead (1995).- Actor
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With an authoritative voice and calm demeanor, this ever popular American actor has grown into one of the most respected figures in modern US cinema. Morgan was born on June 1, 1937 in Memphis, Tennessee, to Mayme Edna (Revere), a teacher, and Morgan Porterfield Freeman, a barber. The young Freeman attended Los Angeles City College before serving several years in the US Air Force as a mechanic between 1955 and 1959. His first dramatic arts exposure was on the stage including appearing in an all-African American production of the exuberant musical Hello, Dolly!.
Throughout the 1970s, he continued his work on stage, winning Drama Desk and Clarence Derwent Awards and receiving a Tony Award nomination for his performance in The Mighty Gents in 1978. In 1980, he won two Obie Awards, for his portrayal of Shakespearean anti-hero Coriolanus at the New York Shakespeare Festival and for his work in Mother Courage and Her Children. Freeman won another Obie in 1984 for his performance as The Messenger in the acclaimed Brooklyn Academy of Music production of Lee Breuer's The Gospel at Colonus and, in 1985, won the Drama-Logue Award for the same role. In 1987, Freeman created the role of Hoke Coleburn in Alfred Uhry's Pulitzer Prize-winning play Driving Miss Daisy, which brought him his fourth Obie Award. In 1990, Freeman starred as Petruchio in the New York Shakespeare Festival's The Taming of the Shrew, opposite Tracey Ullman. Returning to the Broadway stage in 2008, Freeman starred with Frances McDormand and Peter Gallagher in Clifford Odets' drama The Country Girl, directed by Mike Nichols.
Freeman first appeared on TV screens as several characters including "Easy Reader", "Mel Mounds" and "Count Dracula" on the Children's Television Workshop (now Sesame Workshop) show The Electric Company (1971). He then moved into feature film with another children's adventure, Who Says I Can't Ride a Rainbow! (1971). Next, there was a small role in the thriller Blade (1973); then he played Casca in Julius Caesar (1979) and the title role in Coriolanus (1979). Regular work was coming in for the talented Freeman and he appeared in the prison dramas Attica (1980) and Brubaker (1980), Eyewitness (1981), and portrayed the final 24 hours of slain Malcolm X in Death of a Prophet (1981). For most of the 1980s, Freeman continued to contribute decent enough performances in films that fluctuated in their quality. However, he really stood out, scoring an Oscar nomination as a merciless hoodlum in Street Smart (1987) and, then, he dazzled audiences and pulled a second Oscar nomination in the film version of Driving Miss Daisy (1989) opposite Jessica Tandy. The same year, Freeman teamed up with youthful Matthew Broderick and fiery Denzel Washington in the epic Civil War drama Glory (1989) about freed slaves being recruited to form the first all-African American fighting brigade.
His star continued to rise, and the 1990s kicked off strongly with roles in The Bonfire of the Vanities (1990), Robin Hood: Prince of Thieves (1991), and The Power of One (1992). Freeman's next role was as gunman Ned Logan, wooed out of retirement by friend William Munny to avenge several prostitutes in the wild west town of Big Whiskey in Clint Eastwood's de-mythologized western Unforgiven (1992). The film was a sh and scored an acting Oscar for Gene Hackman, a directing Oscar for Eastwood, and the Oscar for best picture. In 1993, Freeman made his directorial debut on Bopha! (1993) and soon after formed his production company, Revelations Entertainment.
More strong scripts came in, and Freeman was back behind bars depicting a knowledgeable inmate (and obtaining his third Oscar nomination), befriending falsely accused banker Tim Robbins in The Shawshank Redemption (1994). He was then back out hunting a religious serial killer in Se7en (1995), starred alongside Keanu Reeves in Chain Reaction (1996), and was pursuing another serial murderer in Kiss the Girls (1997).
Further praise followed for his role in the slave tale of Amistad (1997), he was a worried US President facing Armageddon from above in Deep Impact (1998), appeared in Neil LaBute's black comedy Nurse Betty (2000), and reprised his role as Alex Cross in Along Came a Spider (2001). Now highly popular, he was much in demand with cinema audiences, and he co-starred in the terrorist drama The Sum of All Fears (2002), was a military officer in the Stephen King-inspired Dreamcatcher (2003), gave divine guidance as God to Jim Carrey in Bruce Almighty (2003), and played a minor role in the comedy The Big Bounce (2004).
2005 was a huge year for Freeman. First, he he teamed up with good friend Clint Eastwood to appear in the drama, Million Dollar Baby (2004). Freeman's on-screen performance is simply world-class as ex-prize fighter Eddie "Scrap Iron" Dupris, who works in a run-down boxing gym alongside grizzled trainer Frankie Dunn, as the two work together to hone the skills of never-say-die female boxer Hilary Swank. Freeman received his fourth Oscar nomination and, finally, impressed the Academy's judges enough to win the Best Supporting Actor Oscar for his performance. He also narrated Steven Spielberg's War of the Worlds (2005) and appeared in Batman Begins (2005) as Lucius Fox, a valuable ally of Christian Bale's Bruce Wayne/Batman for director Christopher Nolan. Freeman would reprise his role in the two sequels of the record-breaking, genre-redefining trilogy.
Roles in tentpoles and indies followed; highlights include his role as a crime boss in Lucky Number Slevin (2006), a second go-round as God in Evan Almighty (2007) with Steve Carell taking over for Jim Carrey, and a supporting role in Ben Affleck's directorial debut, Gone Baby Gone (2007). He co-starred with Jack Nicholson in the breakout hit The Bucket List (2007) in 2007, and followed that up with another box-office success, Wanted (2008), then segued into the second Batman film, The Dark Knight (2008).
In 2009, he reunited with Eastwood to star in the director's true-life drama Invictus (2009), on which Freeman also served as an executive producer. For his portrayal of Nelson Mandela in the film, Freeman garnered Oscar, Golden Globe and Critics' Choice Award nominations, and won the National Board of Review Award for Best Actor.
Recently, Freeman appeared in RED (2010), a surprise box-office hit; he narrated the Conan the Barbarian (2011) remake, starred in Rob Reiner's The Magic of Belle Isle (2012); and capped the Batman trilogy with The Dark Knight Rises (2012). Freeman has several films upcoming, including the thriller Now You See Me (2013), under the direction of Louis Leterrier, and the science fiction actioner Oblivion (2013), in which he stars with Tom Cruise.- Actor
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By transforming into his characters and pulling the audience in, Ed Harris has earned a reputation as one of the most talented actors of our time.
Ed Harris was born in Tenafly, New Jersey, to Margaret (Sholl), a travel agent, and Robert Lee Harris, a bookstore worker who also sang professionally. Both of his parents were originally from Oklahoma. Harris grew up as the middle child. After graduating high school, he attended New York's Columbia University, where he played football. After viewing local theater productions, Harris took a sudden interest in acting. He left Columbia, headed to Oklahoma, where his parents were living, and enrolled in the University of Oklahoma's theater department. After graduation, he moved to Los Angeles to find work. He started acting in theater and television guest spots. Harris landed his first leading role in a film in cult-favorite George A. Romero's Knightriders (1981). Two years later, he got his first taste of critical acclaim, playing astronaut John Glenn in The Right Stuff (1983). Also that year, he made his New York stage debut in Sam Shepard's "Fool for Love", a performance that earned him an Obie for Outstanding Actor. Harris' career gathered momentum after that. In 2000, he made his debut as a director in the Oscar-winning film Pollock (2000).- Actor
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Sean Penn is a powerhouse film performer capable of intensely moving work, who has gone from strength to strength during a colourful film career, and who has drawn much media attention for his stormy private life and political viewpoints.
Sean Justin Penn was born in Los Angeles, California, the second son of actress Eileen Ryan (née Annucci) and director, actor, and writer Leo Penn. His brother was actor Chris Penn. His father was from a Lithuanian Jewish/Russian Jewish family, and his mother is of half Italian and half Irish descent.
Penn first appeared in roles as strong-headed or unruly youths such as the military cadet defending his academy against closure in Taps (1981), then as fast-talking surfer stoner Jeff Spicoli in Fast Times at Ridgemont High (1982).
Fans and critics were enthused about his obvious talent and he next contributed a stellar performance alongside Timothy Hutton in the Cold War spy thriller The Falcon and the Snowman (1985), followed by a teaming with icy Christopher Walken in the chilling At Close Range (1986). The youthful Sean then paired up with his then wife, pop diva Madonna in the woeful, and painful, Shanghai Surprise (1986), which was savaged by the critics, but Sean bounced back with a great job as a hot-headed young cop in Colors (1988), gave another searing performance as a US soldier in Vietnam committing atrocities in Casualties of War (1989) and appeared alongside Robert De Niro in the uneven comedy We're No Angels (1989). However, the 1990s was the decade in which Sean really got noticed by critics as a mature, versatile and accomplished actor, with a string of dynamic performances in first-class films.
Almost unrecognisable with frizzy hair and thin rimmed glasses, Penn was simply brilliant as corrupt lawyer David Kleinfeld in the Brian De Palma gangster movie Carlito's Way (1993) and he was still in trouble with authority as a Death Row inmate pleading with a caring nun to save his life in Dead Man Walking (1995), for which he received his first Oscar nomination. Sean then played the brother of wealthy Michael Douglas, involving him in a mind-snapping scheme in The Game (1997) and also landed the lead role of Sgt. Eddie Walsh in the star-studded anti-war film The Thin Red Line (1998), before finishing the 1990s playing an offbeat jazz musician (and scoring another Oscar nomination) in Sweet and Lowdown (1999).
The gifted and versatile Sean had also moved into directing, with the quirky but interesting The Indian Runner (1991), about two brothers with vastly opposing views on life, and in 1995 he directed Jack Nicholson in The Crossing Guard (1995). Both films received overall positive reviews from critics. Moving into the new century, Sean remained busy in front of the cameras with even more outstanding work: a mentally disabled father fighting for custody of his seven-year-old daughter (and receiving a third Oscar nomination) for I Am Sam (2001); an anguished father seeking revenge for his daughter's murder in the gut-wrenching Clint Eastwood-directed Mystic River (2003) (for which he won the Oscar as Best Actor); a mortally ill college professor in 21 Grams (2003) and a possessed businessman in The Assassination of Richard Nixon (2004).
Certainly Sean Penn is one of Hollywood's most controversial, progressive and gifted actors.- Actor
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Walter Matthau was best known for starring in many films which included Charade (1963), The Odd Couple (1968), Grumpy Old Men (1993), and Dennis the Menace (1993). He often worked with Jack Lemmon and the two were Hollywood's craziest stars.
He was born Walter Jake Matthow in New York City, New York on October 1, 1920. His mother was an immigrant from Lithuania and his father was a Russian Jewish peddler and electrician from Kiev, Ukraine. As a young boy, Matthau attended a Jewish non-profit sleep-away camp. He also attended Surprise Lake Camp. His high school was Seward Park High School.
During World War II, Matthau served in the U.S. Army Air Forces with the Eighth Air Force in Britain as a Consolidated B-24 Liberator radioman-gunner, in the same 453rd Bombardment Group as James Stewart. He was based at RAF Old Buckenham, Norfolk during this time. He reached the rank of staff sergeant and became interested in acting.
Matthau appeared in the pilot of Mister Peepers (1952) alongside Wally Cox. He later appeared in the Elia Kazan classic, A Face in the Crowd (1957), opposite Patricia Neal and Andy Griffith, and then appeared in Lonely Are the Brave (1962), with Kirk Douglas, a film Douglas has often described as his personal favorite. Matthau then appeared in Charade (1963) with Audrey Hepburn and Cary Grant. In 1968, Matthau made his big screen appearance as Oscar Madison in The Odd Couple (1968) alongside Jack Lemmon. The two were also in the sequel (The Odd Couple II (1998)) as well as Grumpy Old Men (1993) and Grumpier Old Men (1995). Matthau was in Dennis the Menace (1993), alongside Mason Gamble. On July 1, 2000, Matthau died of a heart attack in Los Angeles, California. He was 79 years old.- Actor
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He was the ultra-cool male film star of the 1960s, and rose from a troubled youth spent in reform schools to being the world's most popular actor. Over 40 years after his untimely death from mesothelioma in 1980, Steve McQueen is still considered hip and cool, and he endures as an icon of popular culture.
McQueen was born in Beech Grove, Indiana, to mother Julian (Crawford) and father William Terence McQueen, a stunt pilot. His first lead role was in the low-budget sci-fi film The Blob (1958), quickly followed by roles in The St. Louis Bank Robbery (1959) and Never So Few (1959). The young McQueen appeared as Vin, alongside Yul Brynner, in the star-laden The Magnificent Seven (1960) and effectively hijacked the lead from the bigger star by ensuring he was nearly always doing something in every shot he and Brynner were in together, such as adjusting his hat or gun belt. He next scored with audiences with two interesting performances, first in the World War II drama Hell Is for Heroes (1962) and then in The War Lover (1962). Riding a wave of popularity, McQueen delivered another crowd pleaser as Hilts, the Cooler King, in the knockout World War II P.O.W. film The Great Escape (1963), featuring his famous leap over the barbed wire on a motorcycle while being pursued by Nazi troops (in fact, however, the stunt was actually performed by his good friend, stunt rider Bud Ekins).
McQueen next appeared in several films of mixed quality, including Soldier in the Rain (1963); Love with the Proper Stranger (1963) and Baby the Rain Must Fall (1965). However, they failed to really grab audience attention, but his role as Eric Stoner in The Cincinnati Kid (1965), alongside screen legend Edward G. Robinson and Karl Malden, had movie fans filling theaters again to see the ice-cool McQueen they loved. He was back in another Western, Nevada Smith (1966), again with Malden, and then he gave what many consider to be his finest dramatic performance as loner US Navy sailor Jake Holman in the superb The Sand Pebbles (1966). McQueen was genuine hot property and next appeared with Faye Dunaway in the provocative crime drama The Thomas Crown Affair (1968), next in what many consider his signature role, that of a maverick, taciturn detective in the mega-hit Bullitt (1968), renowned for its famous chase sequence through San Francisco between McQueen's Ford Mustang GT and the killer's black Dodge Charger.
Interestingly, McQueen's next role was a total departure from the action genre, as he played Southerner Boon Hogganbeck in the family-oriented The Reivers (1969), based on the popular William Faulkner novel. Not surprisingly, the film didn't go over particularly well with audiences, even though it was an entertaining and well made production, and McQueen showed an interesting comedic side of his acting talents. He returned to more familiar territory, with the race film Le Mans (1971), a rather self-indulgent exercise, and its slow plot line contributed to its rather poor performance in theaters. It was not until many years later that it became something of a cult film, primarily because of the footage of Porsche 917s roaring around race tracks in France. McQueen then teamed up with maverick Hollywood director Sam Peckinpah to star in the modern Western Junior Bonner (1972), about a family of rodeo riders, and again with Peckinpah as bank robber Doc McCoy in the violent The Getaway (1972). Both did good business at the box office. McQueen's next role was a refreshing surprise and Papillon (1973), based on the Henri Charrière novel of the same name, was well received by fans and critics alike. He played a convict on a French penal colony in South America who persists in trying to escape from his captors and feels their wrath when his attempts fail.
The 1970s is a decade remembered for a slew of "disaster" movies and McQueen starred in arguably the biggest of the time, The Towering Inferno (1974). He shared equal top billing with Paul Newman and an impressive line-up of co-stars including Fred Astaire, Robert Vaughn and Faye Dunaway. McQueen does not appear until roughly halfway into the film as San Francisco fire chief Mike O'Halloran, battling to extinguish an inferno in a 138-story skyscraper. The film was a monster hit and set the benchmark for other disaster movies that followed. However, it was McQueen's last film role for several years. After a four-year hiatus he surprised fans, and was almost unrecognizable under long hair and a beard, as a rabble-rousing early environmentalist in An Enemy of the People (1978), based on the Henrik Ibsen play.
McQueen's last two film performances were in the unusual Western Tom Horn (1980), then he portrayed real-life bounty hunter Ralph "Papa' Thorson (Ralph Thorson) in The Hunter (1980). In 1978, McQueen developed a persistent cough that would not go away. He quit smoking cigarettes and underwent antibiotic treatments without improvement. Shortness of breath grew more pronounced and on December 22, 1979, after he completed work on 'The Hunter', a biopsy revealed pleural mesothelioma, a rare lung cancer associated with asbestos exposure for which there is no known cure. The asbestos was thought to have been in the protective suits worn in his race car driving days, but in fact the auto racing suits McQueen wore were made of Nomex, a DuPont fire-resistant aramid fiber that contains no asbestos. McQueen later gave a medical interview in which he believed that asbestos used in movie sound stage insulation and race-drivers' protective suits and helmets could have been involved, but he thought it more likely that his illness was a direct result of massive exposure while removing asbestos lagging from pipes aboard a troop ship while in the US Marines.
By February 1980, there was evidence of widespread metastasis. While he tried to keep the condition a secret, the National Enquirer disclosed that he had "terminal cancer" on March 11, 1980. In July, McQueen traveled to Rosarito Beach, Mexico for an unconventional treatment after American doctors told him they could do nothing to prolong his life. Controversy arose over McQueen's Mexican trip, because McQueen sought a non-traditional cancer treatment called the Gerson Therapy that used coffee enemas, frequent washing with shampoos, daily injections of fluid containing live cells from cows and sheep, massage and laetrile, a supposedly "natural" anti-cancer drug available in Mexico, but not approved by the US Food and Drug Administration. McQueen paid for these unconventional medical treatments by himself in cash payments which was said to have cost an upwards of $40,000 per month during his three-month stay in Mexico. McQueen was treated by William Donald Kelley, whose only medical license had been (until revoked in 1976) for orthodontics.
McQueen returned to the United States in early October 1980. Despite metastasis of the cancer through McQueen's body, Kelley publicly announced that McQueen would be completely cured and return to normal life. McQueen's condition soon worsened and "huge" tumors developed in his abdomen. In late October, McQueen flew to Ciudad Juarez, Chihuahua, Mexico to have an abdominal tumor on his liver (weighing around five pounds) removed, despite warnings from his American doctors that the tumor was inoperable and his heart could not withstand the surgery. McQueen checked into a Juarez clinic under the alias "Sam Shepard" where the local Mexican doctors and staff at the small, low-income clinic were unaware of his actual identity.
Steve McQueen passed away on November 7, 1980, at age 50 after the cancer surgery which was said to be successful. He was cremated and his ashes were scattered at sea. He married three times and had a lifelong love of motor racing, once remarking, "Racing is life. Anything before or after is just waiting.".- Actor
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Lanky, charismatic and versatile actor with an amazing grin that put everyone at ease, James Coburn studied acting at UCLA, and then moved to New York to study under noted acting coach Stella Adler. After being noticed in several stage productions, Coburn appeared in a handful of minor westerns before being cast as the knife-throwing, quick-shooting Britt in the John Sturges mega-hit The Magnificent Seven (1960). Sturges remembered Coburn's talents when he cast his next major film project, The Great Escape (1963), where Coburn played the Australian POW Sedgwick. Regular work now came thick and fast for Coburn, including appearing in Major Dundee (1965), the first of several films he appeared in directed by Hollywood enfant terrible Sam Peckinpah.
Coburn was then cast, and gave an especially fine performance as Lt. Commander Paul Cummings in Arthur Hiller's The Americanization of Emily, where he demonstrated a flair for writer Paddy Chayefsky's subtle, ironic comedy that would define his performances for the rest of his career.
The next two years were a key period for Coburn, with his performances in the wonderful 007 spy spoof Our Man Flint (1966) and the eerie Dead Heat on a Merry-Go-Round (1966). Coburn followed up in 1967 with a Flint sequel, In Like Flint (1967), and the much underrated political satire The President's Analyst (1967). The remainder of the 1960s was rather uneventful for Coburn. However, he became associated with martial arts legend Bruce Lee and the two trained together, traveled extensively and even visited India scouting locations for a proposed film project, but Lee's untimely death (Coburn, along with Steve McQueen, was a pallbearer at Lee's funeral) put an end to that.
The 1970s saw Coburn appearing again in several strong roles, starting off in Peckinpah's Pat Garrett & Billy the Kid (1973), alongside Charles Bronson in the Depression-era Hard Times (1975) and as a disenchanted German soldier on the Russian front in Peckinpah's superb Cross of Iron (1977). Towards the end of the decade, however, Coburn was diagnosed with rheumatoid arthritis, which severely hampered his health and work output for many years. After conventional treatments failed, Coburn turned to a holistic therapist, and through a restructured diet program, made a definite improvement. By the 1990s he was once again appearing regularly in both film and TV productions.
No one was probably more surprised than Coburn himself when he was both nominated for, and then won, the Best Supporting Actor Award in 1997 for playing Nick Nolte's abusive and alcoholic father in Affliction (1997). At 70 years of age, Coburn's career received another shot in the arm, and he appeared in another 14 films, including Snow Dogs (2002) and The Man from Elysian Fields (2001), before his death from a heart attack in November of 2002. Coburn's passions in life included martial arts, card-playing and enjoying Cuban cigars (which may have contributed to his fatal heart attack).- Actor
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Robert Francis Vaughn was born on November 22, 1932 at Charity Hospital in New York City, the son of show business parents, Marcella Frances (Gaudel) and Gerald Walter Vaughn. His father was a radio actor and his mother starred on stage. Robert came to the public's attention first with his Oscar-nominated role, in The Young Philadelphians (1959). The next year, he was one of the seven in the western classic The Magnificent Seven (1960). Despite being in such popular films, he generally found work on television. He appeared over 200 times in guest roles in the late 1950s to early 1960s. It was in 1963 that he received his first major role in The Lieutenant (1963). Robert took the role with the intention of making the transition from being a guest-star actor to being a co-star on television. It was due to his work in this series that producer Norman Felton offered him the role of Napoleon Solo in The Man from U.N.C.L.E. (1964).
Four extremely successful years (1964-68) followed as the series became one of the most popular television series of the 1960s. It made Vaughn an international television star, but he wanted to embark on a career in film, and did so soon after the series ended in 1968 by co-starring in Bullitt (1968) with Steve McQueen. Now working in film full-time, he starred in The Bridge at Remagen (1969) and The Mind of Mr. Soames (1970), before making a change by going back to television, this time in England. He took a lead role in the series The Protectors (1972) and stayed in England for the first half of the 1970s. He returned to the United States in the mid-1970s and embarked on a very successful run of television miniseries roles that resulted in his receiving an Emmy Award in 1978 for Washington: Behind Closed Doors (1977) and a nomination the following year for Backstairs at the White House (1979).
The 1970s proved a important time in Robert's life, as in 1974, he married actress Linda Staab, and completed his thesis on Hollywood blacklisting during the McCarthy "Red Scare" era, published in 1972 as "Only Victims: A Study of Show Business Blacklisting". During the 1980s, he mixed television with film. Roles in such films as S.O.B. (1981), Superman III (1983), The Delta Force (1986) and Black Moon Rising (1986) were highlights. In television, he appeared in many successful series, most notably in The A-Team (1983) and Emerald Point N.A.S. (1983).
He continued with a diverse range of projects, appearing on stage on numerous occasions. The 1990s saw the same variety of roles. Made-for-TV movies were a popular choice for him, as well as such series as As the World Turns (1956), The Nanny (1993) and Law & Order (1990). He had a role in the 1998 series remake of the classic film in which he appeared, The Magnificent Seven (1998). He also appeared in major features such as Joe's Apartment (1996) and BASEketball (1998), and in smaller roles in subsequent years.
Robert died of acute leukemia on November 11, 2016 in Ridgefield, Connecticut. His last acting credit, Gold Star (2017), was released the year of his death.- Producer
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Thomas Jeffrey Hanks was born in Concord, California, to Janet Marylyn (Frager), a hospital worker, and Amos Mefford Hanks, an itinerant cook. His mother's family, originally surnamed "Fraga", was entirely Portuguese, while his father was of mostly English ancestry. Tom grew up in what he has called a "fractured" family. He moved around a great deal after his parents' divorce, living with a succession of step-families. No problems, no alcoholism - just a confused childhood. He has no acting experience in college and credits the fact that he could not get cast in a college play with actually starting his career. He went downtown, and auditioned for a community theater play, was invited by the director of that play to go to Cleveland, and there his acting career started.
Ron Howard was working on Splash (1983), a fantasy-comedy about a mermaid who falls in love with a business executive. Howard considered Hanks for the role of the main character's wisecracking brother, which eventually went to John Candy. Instead, Hanks landed the lead role and the film went on to become a surprise box office success, grossing more than $69 million. After several flops and a moderate success with the comedy Dragnet (1987), Hanks' stature in the film industry rose. The broad success with the fantasy-comedy Big (1988) established him as a major Hollywood talent, both as a box office draw and within the film industry as an actor. For his performance in the film, Hanks earned his first Academy Award nomination as Best Actor.
Hanks climbed back to the top again with his portrayal of a washed-up baseball legend turned manager in A League of Their Own (1992). Hanks has stated that his acting in earlier roles was not great, but that he subsequently improved. In an interview with Vanity Fair, Hanks noted his "modern era of movie making ... because enough self-discovery has gone on ... My work has become less pretentiously fake and over the top". This "modern era" began for Hanks, first with Sleepless in Seattle (1993) and then with Philadelphia (1993). The former was a blockbuster success about a widower who finds true love over the radio airwaves. Richard Schickel of Time magazine called his performance "charming", and most critics agreed that Hanks' portrayal ensured him a place among the premier romantic-comedy stars of his generation.
In Philadelphia, he played a gay lawyer with AIDS who sues his firm for discrimination. Hanks lost 35 pounds and thinned his hair in order to appear sickly for the role. In a review for People, Leah Rozen stated, "Above all, credit for Philadelphia's success belongs to Hanks, who makes sure that he plays a character, not a saint. He is flat-out terrific, giving a deeply felt, carefully nuanced performance that deserves an Oscar." Hanks won the 1993 Academy Award for Best Actor for his role in Philadelphia. During his acceptance speech, he revealed that his high school drama teacher Rawley Farnsworth and former classmate John Gilkerson, two people with whom he was close, were gay.
Hanks followed Philadelphia with the blockbuster Forrest Gump (1994) which grossed a worldwide total of over $600 million at the box office. Hanks remarked: "When I read the script for Gump, I saw it as one of those kind of grand, hopeful movies that the audience can go to and feel ... some hope for their lot and their position in life ... I got that from the movies a hundred million times when I was a kid. I still do." Hanks won his second Best Actor Academy Award for his role in Forrest Gump, becoming only the second actor to have accomplished the feat of winning consecutive Best Actor Oscars.
Hanks' next role - astronaut and commander Jim Lovell, in the docudrama Apollo 13 (1995) - reunited him with Ron Howard. Critics generally applauded the film and the performances of the entire cast, which included actors Kevin Bacon, Bill Paxton, Gary Sinise, Ed Harris, and Kathleen Quinlan. The movie also earned nine Academy Award nominations, winning two. Later that year, Hanks starred in Disney/Pixar's computer-animated film Toy Story (1995), as the voice of Sheriff Woody. A year later, he made his directing debut with the musical comedy That Thing You Do! (1996) about the rise and fall of a 1960s pop group, also playing the role of a music producer.
As of 2022, Hanks is 66-years-old. He has never retired from acting, and has remained active in the film industry for more than four decades.- Actor
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Lead and supporting actor of the American stage and films, with sandy colored hair, and pale complexion. He won an Oscar as Best Supporting Actor for his performance in The Deer Hunter (1978), and has been seen in mostly character roles, often portraying psychologically unstable individuals, though that generalization would not do justice to Walken's depth and breadth of performances.
Walken was born in Astoria, Queens, New York. His mother, Rosalie (Russell), was a Scottish emigrant, from Glasgow. His father, Paul Wälken, was a German emigrant, from Horst, who ran Walken's bakery. Christopher learned his stage craft, including dancing, at Hofstra University & ANTA, and picked up a Theatre World award for his performance in the revival of the Tennessee Williams play "The Rose Tattoo". Walken then first broke through into cinema in 1969 appearing in Me and My Brother (1968), before appearing alongside Sean Connery in the sleeper heist movie The Anderson Tapes (1971). His eclectic work really came to the attention of critics in 1977 with his intense portrayal of Diane Keaton suicidal younger brother in Annie Hall (1977), and then he scooped the Best Supporting Actor Academy Award in 1977 for his role as Nick in the electrifying The Deer Hunter (1978). Walken was lured back by The Deer Hunter (1978) director Michael Cimino for a role in the financially disastrous western Heaven's Gate (1980), before moving onto surprise audiences with his wonderful dance skills in Pennies from Heaven (1981), taking the lead as a school teacher with telepathic abilities in the Stephen King inspired The Dead Zone (1983) and then as billionaire industrialist Max Zorin trying to blow up Silicon Valley in the 007 adventure A View to a Kill (1985). Looking at many of Walken's other captivating screen roles, it is easy to see the diversity of his range and even his droll comedic talents with humorous appearances in Biloxi Blues (1988), Wayne's World 2 (1993), Joe Dirt (2001), Mousehunt (1997) and America's Sweethearts (2001). Most recently, he continued to surprise audiences again with his work as a heart broken and apologetic father to Leonardo DiCaprio in Catch Me If You Can (2002).- Producer
- Actor
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Few actors in the world have had a career quite as diverse as Leonardo DiCaprio's. DiCaprio has gone from relatively humble beginnings, as a supporting cast member of the sitcom Growing Pains (1985) and low budget horror movies, such as Critters 3 (1991), to a major teenage heartthrob in the 1990s, as the hunky lead actor in movies such as Romeo + Juliet (1996) and Titanic (1997), to then become a leading man in Hollywood blockbusters, made by internationally renowned directors such as Martin Scorsese and Christopher Nolan.
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, the only child of Irmelin DiCaprio (née Indenbirken) and former comic book artist George DiCaprio. His father is of Italian and German descent, and his mother, who is German-born, is of German, Ukrainian and Russian ancestry. His middle name, "Wilhelm", was his maternal grandfather's first name. Leonardo's father had achieved minor status as an artist and distributor of cult comic book titles, and was even depicted in several issues of American Splendor, the cult semi-autobiographical comic book series by the late 'Harvey Pekar', a friend of George's. Leonardo's performance skills became obvious to his parents early on, and after signing him up with a talent agent who wanted Leonardo to perform under the stage name "Lenny Williams", DiCaprio began appearing on a number of television commercials and educational programs.
DiCaprio began attracting the attention of producers, who cast him in small roles in a number of television series, such as Roseanne (1988) and The New Lassie (1989), but it wasn't until 1991 that DiCaprio made his film debut in Critters 3 (1991), a low-budget horror movie. While Critters 3 (1991) did little to help showcase DiCaprio's acting abilities, it did help him develop his show-reel, and attract the attention of the people behind the hit sitcom Growing Pains (1985), in which Leonardo was cast in the "Cousin Oliver" role of a young homeless boy who moves in with the Seavers. While DiCaprio's stint on Growing Pains (1985) was very short, as the sitcom was axed the year after he joined, it helped bring DiCaprio into the public's attention and, after the sitcom ended, DiCaprio began auditioning for roles in which he would get the chance to prove his acting chops.
Leonardo took up a diverse range of roles in the early 1990s, including a mentally challenged youth in What's Eating Gilbert Grape (1993), a young gunslinger in The Quick and the Dead (1995) and a drug addict in one of his most challenging roles to date, Jim Carroll in The Basketball Diaries (1995), a role which the late River Phoenix originally expressed interest in. While these diverse roles helped establish Leonardo's reputation as an actor, it wasn't until his role as Romeo Montague in Baz Luhrmann's Romeo + Juliet (1996) that Leonardo became a household name, a true movie star. The following year, DiCaprio starred in another movie about doomed lovers, Titanic (1997), which went on to beat all box office records held before then, as, at the time, Titanic (1997) became the highest grossing movie of all time, and cemented DiCaprio's reputation as a teen heartthrob. Following his work on Titanic (1997), DiCaprio kept a low profile for a number of years, with roles in The Man in the Iron Mask (1998) and the low-budget The Beach (2000) being some of his few notable roles during this period.
In 2002, he burst back into screens throughout the world with leading roles in Catch Me If You Can (2002) and Gangs of New York (2002), his first of many collaborations with director Martin Scorsese. With a current salary of $20 million a movie, DiCaprio is now one of the biggest movie stars in the world. However, he has not limited his professional career to just acting in movies, as DiCaprio is a committed environmentalist, who is actively involved in many environmental causes, and his commitment to this issue led to his involvement in The 11th Hour, a documentary movie about the state of the natural environment. As someone who has gone from small roles in television commercials to one of the most respected actors in the world, DiCaprio has had one of the most diverse careers in cinema. DiCaprio continued to defy conventions about the types of roles he would accept, and with his career now seeing him leading all-star casts in action thrillers such as The Departed (2006), Shutter Island (2010) and Christopher Nolan's Inception (2010), DiCaprio continues to wow audiences by refusing to conform to any cliché about actors.
In 2012, he played a mustache twirling villain in Django Unchained (2012), and then tragic literary character Jay Gatsby in The Great Gatsby (2013) and Jordan Belfort in The Wolf of Wall Street (2013).
DiCaprio is passionate about environmental and humanitarian causes, having donated $1,000,000 to earthquake relief efforts in 2010, the same year he contributed $1,000,000 to the Wildlife Conservation Society.- Actor
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- Director
Paul Giamatti is an American actor who has worked steadily and prominently for over thirty years, and is best known for leading roles in the films American Splendor (2003), Sideways (2004), and Barney's Version (2010) (for which he won a Golden Globe), and supporting roles in the films Cinderella Man (2005), The Illusionist (2006), and San Andreas (2015).
Paul Edward Valentine Giamatti was born June 6, 1967 in New Haven, Connecticut, and is the youngest of three children. His mother, the former Toni Marilyn Smith, was an actress before marrying. His father, Bart Giamatti (Angelo Bartlett Giamatti), was a professor of Renaissance Literature at Yale University, and went on to become the university's youngest president (in 1986, Bart was appointed president of baseball's National League. He became Commissioner of Baseball on April 1, 1989 and served for five months until his untimely death on September 1, 1989. He was commissioner at the time Pete Rose was banned from the game). Paul's father also wrote six books. Paul's older brother, Marcus Giamatti, is also an actor. His sister, Elena, designs jewelry. His ancestry is Italian (from his paternal grandfather), German, English, Dutch, Scottish, and Irish.
Paul graduated from Choate Rosemary Hall prep school, majored in English at Yale, and obtained his Master's Degree in Fine Arts, with his major in drama from the Yale University School of Drama. His acting roots are in theatre, from his college days at Yale, to regional productions (Seattle, San Diego and Williamstown, Massachusetts), to Broadway.- Actor
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Jeffrey Lynn Goldblum was born October 22, 1952 in Pittsburgh, Pennsylvania, one of four children of Shirley (Temeles), a radio broadcaster who also ran an appliances firm, and Harold L. Goldblum, a doctor. His father was of Russian Jewish descent and his mother was of Austrian Jewish ancestry.
Goldblum began his career on the New York stage after moving to the city at age seventeen. Possessing his own unique style of delivery, Goldblum made an impression on moviegoers with little more than a single line in Woody Allen's Annie Hall (1977), when he fretted about having forgotten his mantra. Goldblum went on to appear in the remake Invasion of the Body Snatchers (1978) and co-starred with Ben Vereen in the detective series Tenspeed and Brown Shoe (1980) before a high-profile turn in the classic ensemble film The Big Chill (1983).
The quirky actor turned up in the suitably quirky film The Adventures of Buckaroo Banzai Across the 8th Dimension (1984), which became a 1980s cult classic, starred in the modern-day film noir Into the Night (1985), then went on to a breakthrough role in the David Cronenberg remake The Fly (1986), which also featured actress Geena Davis, Goldblum's wife from 1987-1990 and co-star in two additional films: Transylvania 6-5000 (1985) and Julien Temple's Earth Girls Are Easy (1988).
Goldblum was the rather unlikely star of some of the biggest blockbusters of the 1990s: Steven Spielberg's dinosaur adventure Jurassic Park (1993) and its sequel The Lost World: Jurassic Park (1997), as well as the alien invasion film Independence Day (1996). These films saw Goldblum playing the type of intellectual characters he has become associated with. More recently, roles have included critically acclaimed turns in Igby Goes Down (2002) and Wes Anderson's The Life Aquatic with Steve Zissou (2004). In 2009, he returned to television to star in his second crime series Law & Order: Criminal Intent (2001).- Actor
- Producer
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Liam Neeson was born on June 7, 1952 in Ballymena, Northern Ireland, to Katherine (Brown), a cook, and Bernard Neeson, a school caretaker. He was raised in a Catholic household. During his early years, Liam worked as a forklift operator for Guinness, a truck driver, an assistant architect and an amateur boxer. He had originally sought a career as a teacher by attending St. Mary's Teaching College, Newcastle. However, in 1976, Neeson joined the Belfast Lyric Players' Theater and made his professional acting debut in the play "The Risen People". After two years, Neeson moved to Dublin's Abbey Theater where he performed the classics. It was here that he was spotted by director John Boorman and was cast in the film Excalibur (1981) as Sir Gawain, his first high-profile film role.
Through the 1980s Neeson appeared in a handful of films and British TV series - including The Bounty (1984), A Woman of Substance (1984), The Mission (1986), and Duet for One (1986) - but it was not until he moved to Hollywood to pursue larger roles that he began to get noticed. His turn as a mute homeless man in Suspect (1987) garnered good reviews, as did supporting roles in The Good Mother (1988) and High Spirits (1988) - though he also starred in the best-to-be-forgotten Satisfaction (1988), which also featured a then-unknown Julia Roberts - but leading man status eluded him until the cult favorite Darkman (1990), directed by Sam Raimi. From there, Neeson starred in Under Suspicion (1991) and Ethan Frome (1992), was hailed for his performance in Woody Allen's Husbands and Wives (1992), and ultimately was picked by Steven Spielberg to play Oskar Schindler in Schindler's List (1993). The starring role in the Oscar-winning Holocaust film brought Neeson Academy Award, BAFTA and Golden Globe nominations for Best Actor.
Also in 1993, he made his Broadway debut with a Tony-nominated performance in "Anna Christie", in which he co-starred with his future wife Natasha Richardson. The next year, the two also starred opposite Jodie Foster in the movie Nell (1994), and were married in July of that year. Leading roles as the 18th century Scottish Highlander Rob Roy (1995) and the Irish revolutionary leader Michael Collins (1996) followed, and soon Neeson was solidified as one of Hollywood's top leading men. He starred in the highly-anticipated Star Wars: Episode I - The Phantom Menace (1999) as Qui-Gon Jinn, received a Golden Globe nomination for Kinsey (2004), played the mysterious Ducard in Christopher Nolan's Batman Begins (2005), and provided the voice for Aslan in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).
Neeson found a second surprise career as an action leading man with the release of Taken (2008) in early 2009, an unexpected box office hit about a retired CIA agent attempting to rescue his daughter from being sold into prostitution. However, less than two months after the release of the film, tragedy struck when his wife Natasha Richardson suffered a fatal head injury while skiing and passed away days afterward. Neeson returned to high-profile roles in 2010 with two back-to-back big-budget films, Clash of the Titans (2010) and The A-Team (2010), and returned to the action genre with Unknown (2011), The Grey (2011), Battleship (2012) and Taken 2 (2012), as well as the sequel Wrath of the Titans (2012).
Neeson was awarded Officer of the Order of the British Empire in the 1999 Queen's New Year's Honours List for his services to drama. He has two sons from his marriage to Richardson: Micheal Richard Antonio Neeson (born June 22, 1995) and Daniel Jack Neeson (born August 27, 1996).- Actor
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Alan Rickman was born on a council estate in Acton, West London, to Margaret Doreen Rose (Bartlett), of English and Welsh descent, and Bernard Rickman, of Irish descent, who worked at a factory. Alan Rickman had an older brother (David), a younger brother (Michael), and a younger sister (Sheila). When Alan was 8 years old, his father died. He attended Latymer Upper School on a scholarship. He studied Graphic Design at Chelsea College of Art and Design, where he met Rima Horton, who would later become his longtime partner.
After three years at Chelsea College, Rickman did graduate studies at the Royal College of Art. He opened a successful graphic design business, Graphiti, with friends and managed it for several years before his love of theatre led him to seek an audition with the Royal Academy of Dramatic Art (RADA). At the relatively late age of 26, Rickman received a scholarship to RADA, which started a professional acting career that has lasted nearly 40 years, a career which has spanned stage, screen and television, and overlapped into directing, as well. In 1987, he first came to the attention of American audiences as the Vicomte de Valmont in "Les Liaisons Dangereuses" on Broadway (he was nominated for a Tony Award for his performance in the role). Denied the role in the film version of the show, Rickman instead made his first film appearance opposite Bruce Willis in Die Hard (1988) as the villainous Hans Gruber. His take on the urbane villain set the standard for screen villains for decades to come.
Although often cited as being a master of playing villains, Rickman actually played a wide variety of characters, such as the romantic cello-playing ghost Jamie in Anthony Minghella's Truly Madly Deeply (1990) and the noble Colonel Brandon of Sense and Sensibility (1995). He treated audiences to his comedic abilities in such films as Dogma (1999), Galaxy Quest (1999) and The Hitchhiker's Guide to the Galaxy (2005), and roles like Dr. Alfred Blalock in Something the Lord Made (2004), and as Alex Hughes in Snow Cake (2006), showcased his ability to play ordinary men in extraordinary situations. Rickman even conquered the daunting task of singing a role in a Stephen Sondheim musical as he took on the role of Judge Turpin in the movie adaptation of Sweeney Todd: The Demon Barber of Fleet Street (2007). In 2001, Rickman introduced himself to a whole new, younger generation of fans by taking on the role of Severus Snape in the film versions of J.K. Rowling's Harry Potter and the Sorcerer's Stone (2001). He continued to play the role through the eighth and last movie Harry Potter and the Deathly Hallows: Part 2 (2011).
Alan Rickman died of pancreatic cancer on 14 January 2016. He was 69 years old.