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- Kathryn is best known for her portrayals of "Karen McCluskey" on Desperate Housewives (2004) on ABC and of "Mrs. Landingham", secretary to the President (Martin Sheen), on the critically-acclaimed NBC drama, The West Wing (1999). She has also recurred on Dharma & Greg (1997), and guest-starred on many hit television series, such as Becker (1998), Arli$$ (1996), Ally McBeal (1997), Providence (1999), Scrubs (2001) and over twenty other prime-time shows. Kathryn will also be seen later this year on ABC's daytime drama, General Hospital (1963). Her credits are impressive for any actor, let alone one that only began the craft at age 42.
Although only put into action well into her middle years, Kathryn's dream began in her twenties, when her mother died of cancer in 1963. While dying in the hospital, her mother shared that her biggest regret was not following her dreams. Kathryn vowed, at that moment, that she would someday pursue her own dream of acting.
At the time, she was entering into a new career as a psychiatric nurse in a medium security wing for disturbed teenagers. Through that job, she met and married a psychiatrist, gave birth to two boys and settled down as a suburban housewife in Lake Forest, Illinois, a well-to-do suburb of Chicago. But Kathryn never forgot her dream of acting, something that she never had time to pursue in-between caring for her children and husband. In 1980, her husband's alcoholism led Kathryn to a divorce and a difficult situation; a single mother with two young sons. Rather than lose hope, she took the opportunity to change her life forever and follow her lost dream.
Kathryn took classes at Steppenwolf Theater in Chicago and performed at community theaters all over Northern Illinois. By day, she supported her family hanging wallpaper and painting the mansions of Lake Forest, working as a sales person for a Welcome Wagon company and using her contacts to book film and print locations in the houses she was painting. By night, Kathryn was improving her skills and moving from community theater to semi-professional theater. Her first break was in 1991. Disney held a cattle call for street performers for Disney World. After standing in line for five hours, Kathryn got the part and moved shop to Orlando, Florida. Though she was living behind an adult arcade in the "tourist unfriendly" part of Buena Vista, Kathryn was finally earning her living through performance and loving it. The part only lasted for a year and, once again, Kathryn was forced to supplement her acting income with other work -- bar-tending and catering during the day, theater at night. Though the acting gig was over, the move to Florida proved one thing to Kathryn...she had the talent to make it as an actor. She did it once and she could do it again. Unfortunately, it took her two and half years to realize it wouldn't happen in central Florida.
In December 1995, Kathryn again packed a truck and drove to Hollywood. Although she didn't have an agent and had no contacts, Kathryn never hesitated following her dream. In only five months, she landed her first part...two lines in Family Matters (1989). In the six years since then, she has appeared in over a dozen plays, six movies, eleven national television commercials, two pilots, ten drama series and over twenty sitcoms. From her many roles, Kathryn is recognized as one of Murphy Brown (1988)'s secretaries, Frasier (1993)'s agent's mother and the bingo buddy to Drew Carey's girlfriend, on The Drew Carey Show (1995). But it is her portrayal of "Mrs. Landingham", the foil, friend and secretary to Martin Sheen's "President Bartlet" on The West Wing (1999) that propelled her into the spotlight she truly deserves. She followed that up with her last huge roll as Karen McCluskey for 8 seasons on ABC's Desperate Housewives (2004), which won her two Emmy awards. Joosten made a guest appearance on CBS daytime soap The Bold and the Beautiful as part of the show's 6000th episode, which featured several other real-life lung cancer survivors discussing their experiences. She was named the national spokesperson for the Lung Cancer Profiles campaign on behalf of Pfizer. Joosten died of lung cancer on the morning of June 2, 2012. Her death happened 20 days after the onscreen death of her character Karen McCluskey on the final episode of Desperate Housewives. The hit show ended its eight-year run on ABC last month with a series finale in which Joosten's character passed away. Her character's battle with brain cancer was a story line in the show.Her ashes were scattered. - Actress
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Actress-comedienne Bea Arthur was born Bernice Frankel on May 13, 1922 in New York City to a Jewish family. She grew up in Maryland, where her parents ran a dress shop. At 12 years old, she was the tallest girl in her school at 5'9".
She earned the title of "Wittiest Girl" in her school, and her dream was to be in show business, but she didn't think her family would support her. She then worked as a laboratory technician, and in the Marine Corps; she drove a truck, and worked as a typist. Her brief first marriage ended in divorce. Afterwards, she told her parents that she wanted to pursue a career in show business, and they supported her decision to join the New York's Dramatic Workshop for the New School for Social Research.
Arthur (her acting name based on a variation of her first husband's surname) played classical and dramatic roles, but it would be years before she found her niche in comedy. Her breakthrough came on stage while appearing in the musical play "The Threepenny Opera," with Lotte Lenya. For one season in the 1950's, she was a regular on Sid Caesar's television show,Caesar's Hour (1954). In 1964, she became truly famous as Yente the Matchmaker, in the original Broadway production of "Fiddler on the Roof". Despite this being a small supporting role, Arthur stole the show night after night.
In 1966, she went to work on a new Broadway musical, "Mame", directed by her second husband, Gene Saks, winning a Tony Award for the featured role of Vera Charles. The show's star, Angela Lansbury, also won a Tony Award, and she and Bea became lifelong friends. In 1971, Arthur appeared on the hit sitcom All in the Family (1971) as Maude Findlay, Edith Bunker's cousin, who was forever driving Archie Bunker crazy with her liberal politics. The guest appearance led to Arthur's own series, Maude (1972). The show was a hit, running for six years, during which many controversial topics of the time, including abortion, were tackled, and Bea won her first Emmy Award. While doing Maude (1972), Arthur repeated the role of Vera Charles in the film version of Mame (1974), again directed by Gene Saks, but it was a dismal flop. She also appeared on The Star Wars Holiday Special (1978). While appearing in Maude (1972), she raised her two sons, whom she had adopted with husband Gene Saks. After the show ended, so did her marriage to Saks. She never remarried. She became a lifelong animal rights' activist.
In 1983, she started working on a new sitcom, Amanda's (1983), patterned after Britain's Fawlty Towers (1975) but it was short-lived. In 1985, The Golden Girls (1985) made its debut. Co-starring Betty White, Rue McClanahan and Estelle Getty, the show was about the lives of three middle-aged women, and one elderly mother, (played by Getty, who was actually younger than White and Arthur), living in Miami. It was an immediate hit, running for seven seasons. All of the cast members, including Arthur, won Emmy Awards during the show's run. She left when she thought each show was at its peak. The producers realized the shows wouldn't be the same without her. In 1992, The Golden Girls (1985) was canceled. Arthur kept a low profile, appearing in only two movies: For Better or Worse (1995) and Enemies of Laughter (2000).
In 1999, Arthur made an appearance at The N.Y. Friars Club Roast of Jerry Stiller (1999). She did a one-woman stage show in 2001, for which she received a Tony Award nomination. In 2003, she reunited with Betty White and Rue McClanahan for The Golden Girls (1985) reunion special on the Lifetime Channel. Noticeably absent was supporting actress Estelle Getty, who was ill. The three lead actresses made appearances together for the rest of the decade to promote DVD releases of The Golden Girls (1985). They appeared together for the last time in 1998, at the TV Land Awards, receiving a standing ovation as they accepted the Pop Culture Award. She attended her induction into the Academy of Television Arts and Sciences Hall of Fame, with Angela Lansbury.
On April 25, 2009, at home with her family, Arthur died of cancer. She was 86. She was survived by her two sons, Matthew and Daniel, and her grandchildren, Kyra and Violet. In her will, she left $300,000 to New York's Ali Forney Center, an organization supporting homeless LGBT youths.Ashes are with family.- Actress
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A New York stage actress in the 1950s, McClanahan was plucked from the stage by Norman Lear for roles on All in the Family (1971) and later Maude (1972). For two years (1982 - 1984), she played "Aunt Fran" on Mama's Family (1983) until her character was killed off and she joined the cast of The Golden Girls (1985), in which she hit her comedic stride as a sharp tongued oversexed Southern belle.Ashes are with family.- Actress
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A brash character actress who specialized in cinema, television, and theater, Hermione Youlanda Ruby Clinton-Baddeley was born on November 13, 1906 in Broseley, Shropshire. She was the youngest of four sisters - including Angela Baddeley, also an actress - and her half-brother, Very Rev William Baddeley, was a Church of England Minister.
Not much is known about Baddeley's early life. She made her stage debut in 1918, and became popular in London stage comedies and revues prior to World War II, known for her dancing talent and natural comic ability. She memorably performed several times with Hermione Gingold. Baddeley made her film debut in 1927, with a role in the extremely obscure silent comedy A Daughter in Revolt (1927), but didn't come to attention until twenty years later, when she portrayed the affable but blowzy Ida in the film noir Brighton Rock (1948).
Known for her memorable character roles, Baddeley dabbled in such movies as Passport to Pimlico (1949), A Christmas Carol (1951), Tom Brown's Schooldays (1951), The Pickwick Papers (1952), The Belles of St. Trinian's (1954), Mary Poppins (1964), and The Unsinkable Molly Brown (1964). She was nominated for the Academy Award for Best Supporting Actress for her acid-tongued performance in Room at the Top (1958). At two minutes and thirty-two seconds, it is the shortest performance to ever be nominated for the award.
Baddeley became a household favorite for her role as irritable cockney housekeeper Mrs. Naugatuck on the '70s comedy series Maude (1972). She landed guest spots on multiple other shows, including but not limited to Hancock's Half Hour (1956), The Patty Duke Show (1963), Bewitched (1964), Night Gallery (1969), The Bionic Woman (1976), The Love Boat (1977), Charlie's Angels (1976), Wonder Woman (1975), Fantasy Island (1977), and Magnum, P.I. (1980).
Baddeley's two marriages failed, and she had a daughter, Pauline Tennant, from her first. She was in a long-term relationship with actor Laurence Harvey until he left her for Margaret Leighton, and died on August 19, 1986 at the age of 79 following a series of strokes.Ashes are interred in England.- Actress
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Tammy Faye Bakker was born on 7 March 1942 in International Falls, Minnesota, USA. She was an actress, known for The Eyes of Tammy Faye (2000), Roseanne (1988) and The Drew Carey Show (1995). She was married to Roe Messner and Jim Bakker. She died on 20 July 2007 in Loch Lloyd, Missouri, USA.Ashes are interred in a niche.- Actress
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Gloria Stuart was born on a dining room table on 4th Street in Santa Monica, California on July 4, 1910. Her early roles as a performing artist were in plays she produced in her home as a young girl. She was the star of her senior class play at Santa Monica High School in 1927. Attending the University of California, at Berkeley, she continued to perform on the stage. Stuart married and move to Carmel, where she performed in a production of "The Seagull" which was transferred to the Pasadena Playhouse in 1932. It was there that talent scouts for both Paramount and Universal saw her. In a famous dispute, the heads of the two studios flipped a coin and Universal won. She played lead roles for director James Whale, including (The Old Dark House (1932), The Invisible Man (1933) and The Kiss Before the Mirror (1933)). The hard work at the studio estranged her from her first husband (Stuart helped create the Screen Actors Guild). She played the leading lady in Roman Scandals (1933), on the set of which she met her husband Arthur Sheekman. She was dissatisfied with the roles in which she was cast at Universal and played roles in films for other studios. Ultimately, a few years after having her daughter Sylvia (named after the role she was playing when she met Sheekman), she left the cinema and sought roles on the stage in New York. In the 1940s, she opened an art furniture shop where she created decoupage lamps, tables and trays, many of which sold to stars like Judy Garland and others. Later, Stuart took up oil painting and was very prolific, showing and selling her work in New York, Los Angeles and elsewhere. Her landscapes of The Watts Towers are on permanent collection at The Los Angeles County Museum. She also took up and mastered the art of bonsai and some of her trees are on permanent collection in the Huntington Library Japanese Garden. When her husband fell ill in the 1970s (he died in 1978), she returned to acting doing a range of television series. In 1982, she returned to the screen appearing in a brief dance scene with Peter O'Toole in My Favorite Year (1982).
About this time a friend, she knew half a century earlier in Carmel, who was a master printer, re-entered her life and from him, Stuart learned the craft of fine printing. She established a printing press in her home studio called Imprenta Glorias. where she created a body of fine artist's books. Her greatest book, "Flight of Butterfly Kites" is in permanent collection at the J. Paul Getty Museum. Gloria Stuart won a Screen Actors Guild Award and an Oscar-nomination for her performance as the Old Rose in Titanic (1997). In July 2010, The Academy of Motion Picture Arts & Sciences honored Gloria Stuart with a Centennial Celebration. She was the first such honoree to be living for a centennial. At 100 years of age, she had completed her greatest artist's book with her great-granddaughter working as her apprentice and also her final appearance on film in her grandson's documentary about her, entitled Secret Life of Old Rose: The Art of Gloria Stuart (2012) when she died at home at the age of 100 on September 26, 2010.She was cremated and her ashes were scattered in the Santa Monica Bay.- Janet Flanner was born on 13 March 1892 in Indianapolis, Indiana, USA. She was a writer, known for Resurrection (1943), Camera Three (1955) and Gertrude Stein: When This You See, Remember Me (1970). She was married to William Lane Rehm. She died on 7 November 1978 in New York City, New York, USA.Natalia Danesi Murray and her ashes were scattered on the beach of Cherry Grove, Fire Island, New York.
- Natalia Murray Danesi is known for Il caso Haller (1933).Janet Flanner and her ashes were scattered on the beach of Cherry Grove, Fire Island, New York.
- Helen Rollason was born on 11 March 1956 in London, England, UK. She was married to John Rollason. She died on 9 August 1999 in Shenfield, Essex, England, UK.She was cremated upon her death.
- Elaine Kaufman was born on 10 February 1929 in Manhattan, New York City, New York, USA. She was an actress, known for Morning Glory (2010), Assaulted Nuts (1984) and Nick & Hillary (1988). She was married to Henry Ball. She died on 3 December 2010 in Manhattan, New York City, New York, USA.She was cremated and ashes were supposed to be scattered on Second Avenue in New York City.
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Whether portraying a glum, withering wallflower, a drab and dowdy housewife, a klutzy maid or a cynical gossip, eccentric character comedienne Alice Ghostley had the ability to draw laughs from the skimpiest of material with a simple fret or whine. Making a name for herself on the Tony-winning Broadway stage, her eternally forlorn looks later evolved as an amusingly familiar plain-Jane presence on TV sitcoms and in an occasional film or two during the 50s, 60s and 70s.
Alice was born in a whistle-stop railroad station in the tiny town of Eve, Missouri, where her father was employed as a telegraph operator. She grew up in various towns in the Midwest (Arkansas, Oklahoma) and began performing from the age of 5 where she was called upon to recite poetry, sing and tap-dance. Spurred on by a high school teacher, she studied drama at the University of Oklahoma but eventually left in order to pursue a career in New York with her sister Gladys.
Teaming together in an act called "The Ghostley Sisters", Alice eventually went solo and developed her own cabaret show as a singer and comedienne. She also toiled as a secretary to a music teacher in exchange for singing lessons, worked as a theater usherette in order to see free stage shows, paid her dues as a waitress, worked once for a detective agency, and even had a stint as a patch tester for a detergent company. No glamourpuss by any stretch of the imagination, she built her reputation as a singing funny lady.
The short-statured, auburn-haired entertainer received her star-making break singing the satirical ditty "The Boston Beguine" in the Broadway stage revue "New Faces of 1952", which also showcased up-and-coming stars Eartha Kitt, Carol Lawrence, Hogan's Heroes co-star Robert Clary and Paul Lynde to whom she would be invariably compared to what with their similarly comic demeanors. The film version of New Faces (1954)_ featured pretty much the same cast. She and "male counterpart" Lynde would appear together in the same films and/or TV shows over the years.
With this momentum started, she continued on Broadway with the short-lived musicals "Sandhog" (1954) featuring Jack Cassidy, "Trouble in Tahiti" (1955), "Shangri-La" (1956), again starring Jack Cassidy, and the legit comedy "Maybe Tuesday" (1958). A reliable sketch artist, she fared much better on stage in the 1960s playing a number of different characterizations in both "A Thurber Carnival" (1960), and opposite Bert Lahr in "The Beauty Part" (1962), for which she received a Tony nomination. She finally nabbed the Tony trophy as "featured actress" for her wonderful work as Mavis in the comedy play "The Sign in Sidney Brustein's Window" (1965).
By this time Alice had established herself on TV. She and good friend Kaye Ballard stole much of the proceedings as the evil stepsisters in the classic Julie Andrews version of Cinderella (1957), and she also recreated her Broadway role in a small screen adaptation of _Shangri-La (1960) (TV)_. Although it was mighty hard to take away her comedy instincts, she did appear in a TV production of "Twelfth Night" as Maria opposite Maurice Evans' Malvolio, and graced such dramatic programs as "Perry Mason" and "Naked City", as well as the film To Kill a Mockingbird (1962). She kept herself in the TV limelight as a frequent panelist on such game shows as "The Hollywood Squares" and "The Match Game".
Enjoying a number of featured roles in such lightweight comedy fare as My Six Loves (1963) with Debbie Reynolds, With Six You Get Eggroll (1968) starring Doris Day, and the Joan Rivers starrer Rabbit Test (1978), she also had a small teacher role in the popular film version of Grease (1978). Alice primarily situated herself, however, on the sitcom circuit and appeared in a number of recurring 'nervous Nellie" roles, topping it off as the painfully shy, dematerializing and accident-prone witch nanny Esmeralda in Bewitched (1964) from 1969-1972 (replacing the late Marion Lorne, who had played bumbling Aunt Clara), and as the batty friend Bernice in Designing Women (1986).
In 1978 Alice replaced Dorothy Loudon as cruel Miss Hannigan in "Annie", her last Broadway stand. Alice would play the mean-spirited scene-stealer on and off for nearly a decade in various parts of the country. Other musicals during this time included "Take Me Along", "Bye, Bye Birdie" (as the overbearing mother), and the raucous revue "Nunsense".
A series of multiple strokes ended her career come the millennium and she passed away of colon cancer on September 21, 2007. Her long-time husband of fifty years, Italian comedic actor Felice Orlandi died in 2003. The couple had no children.She was cremated and ashes are with family.- Writer
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Julia Child was born on 15 August 1912 in Pasadena, California, USA. She was a writer and director, known for The French Chef (1962), Julie & Julia (2009) and We're Back! A Dinosaur's Story (1993). She was married to Paul Child. She died on 13 August 2004 in Montecito, California, USA.She was cremated upon her death.- Charita Bauer was born on 20 December 1922 in Newark, New Jersey, USA. She was an actress, known for Guiding Light (1952), The Aldrich Family (1949) and The Cradle Will Fall (1983). She was married to Robert Stanley Crawford. She died on 28 February 1985 in New York City, New York, USA.She was cremated upon her death.
- Although Lani O'Grady retired from acting in the '80s to become a talent agent like her mother, she had long secured her place in the TV Land pantheon as Mary, the brainiac wannabe doctor in Eight Is Enough (1977)'s expansive Bradford brood. The dramedy, starring Dick Van Patten as a newspaper columnist and superdad, ran on ABC from 1977-1981. In addition to her four-year stint on the show and two late-'80s reunion specials, O'Grady racked up appearances on such other '70s tube staples as The Love Boat (1977), as well as TV movies like The Kid with the Broken Halo (1982), before leaving Hollywood.
She had been dogged by health and pill problems dating back to her Mary Bradford days. In a series of interviews in the 1990s, she admitted to having suffered panic attacks for the previous 20 years. Scores of doctors misdiagnosed her; to cope with the frequent anxiety episodes--sometimes she'd shake so badly she couldn't leave her dressing room to shoot a scene--she was fed a veritable pharmacy: Xanax, Valium and Librium. She became hooked on the pills and, eventually, alcohol, too. She went into rehab at least five times. By the mid-'90s she declared herself clean, thanks to an alternative-medicine regimen, and even went to work for her doctor as a recovery counselor. However, in 1998 she checked herself into the mental health ward of Cedars-Sinai Medical Center in Los Angeles for detox. She had become hooked on a prescription drug called Ativan. While in Cedars she claimed she was sexually battered by a medical technician and sued the hospital. The suit was pending at the time of her death.
O'Grady came from a show-biz family. Her brother, Don Grady, was an original Mouseketeer and member of another notable TV family--he played Robbie on My Three Sons (1960). Her mother, Mary Grady, was an agent who represented several child actors. Born Lanita Rose Agrati on October 2, 1954, she changed her name once she landed her "Eight Is Enough" gig. Her first professional role came at the age of 13, when she made a brief appearance in the TV western The High Chaparral (1967). She died on September 25, 2001, at her home in Valencia, CA, just a week shy of her 47th birthday.She was cremated and her ashes were scattered in Hawaii. - In a career than spanned eight decades, Thora Hird was widely-regarded as one of Britain's finest character actresses. She made over 100 films as well as starring in a host of TV comedies and, as a straight actress, excelled in the works of playwright Alan Bennett. Even in her 90s, she was working almost daily.
Born in Morecambe, Lancashire, the daughter of the manager of the local Royalty Theatre, she was carried on to the stage in a melodrama at the age of eight weeks. When old enough, she joined the Royalty's theatre company, although she kept a day job as a cashier in a grocery store. "I spent 10 years working in that grocery store", she recalled, "and I've played nearly all the customers I used to serve - maids, landladies, cleaners, forthright parents. When I'm acting, I'll do some little thing I've remembered, so simple". At the theatre, she appeared in over 500 plays and, in 1941, the comedian George Formby, on a visit to the theatre, recommended her to Michael Balcon at Ealing Film Studios. Put under contract, she first appeared in Black Sheep of Whitehall (1942) with Will Hay and a string of comedy films and dramas followed. In the same vein as the saucy seaside postcards of her Morecambe birth, Hird was usually cast as the all-seeing boarding house landlady, a gossiping neighbour or a sharp tongued mother-in-law.
In the 1950s, Hird was under contract to the Rank Organisation and was established as a major character actress. She worked with some of Britain's finest directors, including Herbert Wilcox, Lewis Gilbert and John Schlesinger but, by her own account, was not easily awed. "I've appeared in hundreds of films and television things and, in some cases, I literally mean 'appeared' around the door, that was all. Like anybody earning a living, I took most of the work that came along". She gave outstanding performances in Simon and Laura (1955) and The Entertainer (1960), opposite Laurence Olivier, but one of her best- remembered roles was that of the monstrous TV-addicted mother in A Kind of Loving (1962).
As her career progressed, she frequently returned to the stage, often in comedies, with comedians such as Arthur Askey and Harry Secombe, and, in 1964, she was memorably team with the comedian Freddie Frinton in the TV series, Meet the Wife (1963). She starred in a succession of hit TV comedies throughout the 70s and 80s but proof of her talent as a straight actress came in 1987, when she starred in Alan Bennett's Talking Heads monologue, A Creamcracker under the Settee for which she won a BAFTA award. She wrote several volumes of autobiography, including "Scene and Hird" and "Not in the Diary" and, in 1995, was the subject of a South Bank Show (ITV) monograph. One of the show's contributors, the actor Alan Bates, said of her, "Thora always had a grasp of her character immediately. She didn't have to work herself into a state to get it right. She is a naturally funny woman whose comedy is on the edge of tragedy. It's instinctive and very understanding of life itself".Her ashes were scattered at their daughter's garden in Chichester, England with her husband. - Actress
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This volatile opera diva was born Sophie Cecilia Kalos in New York City to Greek émigrés on December 2, 1923. Her father set up a pharmacy and changed the family name from Kalogeropoulos to Callas. As a child Maria studied the piano. When her parents separated (she was 14 at the time), her mother returned to Athens with Maria and her sister.
The budding singer was quickly accepted into the National Conservatoire where she was taught singing lessons by Maria Trivella. She performed her first recital within the year and in 1939 won a prize for her stage debut in the Conservatoire's production of "Cavalleria Rusticana." In 1941, the soprano dramatico d'agilita made her professional debut in "Boccaccio" with the Lyric Theatre Company. While there she made a semi-name for herself with performances of "Tosca" and "Fidelio."
Impending war led her back to the United States in 1944 where she reclaimed the name of Maria Callas. She was offered a contract from the Met which she turned down because among the three roles she was offered to sing there was Butterfly and she believed that she was too obese to sing the fragile 14 year-old Butterfly, her friends considered her to be crazy turning down the Met while she was so unknown.
Maria performed elsewhere (Chicago, etc.) before returning to Europe in the post-war years where she met Giovanni Battista Meneghini, a wealthy industrialist and avid opera fan. They married in 1949 and he immediately took control of her career. She reached her zenith at La Scala (1951-1958), also recording during that time. In 1956, she finally made her debut at the Met as "Norma" with performances of "Tosca" and "Lucia" following.
Within a couple of years her temperamental outbursts and excessive demands began to rise full force, resulting in a number of dismissals and walkouts. After meeting Greek shipping magnate Aristotle Onassis through her husband, a torrid affair erupted and her marriage ended. Maria gave up the stage in the early 1960s for the jet-set life with Onassis, but continued with occasional concerts. Despite experiencing vocal problems, she made one unforgettable comeback on stage in 1964-1965 when she toured with her personal favorites ("Norma" in Paris and "Tosca" at the Met). Weak and tired, her final curtain on stage rang down in July of 1965 in Covent Garden.
With her career over, she renounced her American citizenship and expected to marry Onassis. But their relationship was a stormy one and it eventually tapered off with Onassis instead marrying Jacqueline Kennedy in 1968. Maria was completely devastated and those around her say she never recovered. The following year she filmed an unsuccessful production of Medea (1969) and eventually set up master classes at Juilliard. In one last comeback, she attempted a European tour of recitals but her voice completely failed her. Her last public performance was on November 11, 1975.
Riddled by sadness and despair, and by now firmly addicted to sleeping pills, Maria turned reclusive in her last year and died of a heart attack in 1977 at age 53. Despite a career that flourished less than two decades, Callas must be respected as one of the more important and recognizable opera legends. She was certainly one of the most emotive and visually dramatic. What also carries her today is, of course, her grandly turbulent and tragic image -- an Édith Piaf of opera.Her ashes were stolen from the niche at Pere Lachaise Cemetery in Paris, France and were scattered in Greece.- Actress
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Gencer was born in Turkey. Her mother was from Poland and her father from Turkey. She began studying at the Istanbul Conservatory and later she took private lessons in Ankara with the famous Italian soprano Giannina Arangi-Lombardi. She later sang in the chorus of the Turkish State Opera until she made her operatic debut in Ankara in 1950 as Santuzza in Cavalleria Rusticana. Gencer made her Italian debut at the San Carlo in Naples as Santuzza (1953)and in 1962 her debut at Royal Opera House, Covent Garden with Don Carlo. She sung in the USA in 1956 in Francesca da Rimini. In 1985, she retired from the stage, however, she continued to appear in rare concerts until 1992. Recently,she appointed by La Scala to run its school for young artists. She gives master classes, as well.Her ashes were scattered in Turkey.- In 1973, Brett became a popular panelist on the television game show, "The Match Game." The Match Game (in its original version) ran on NBC's daytime lineup from 1962 to 1969. The show returned in 1973 with a significantly changed format on CBS (also in daytime). "The Match Game" became a major success, with an expanded panel, larger cash payouts, and emphasis on humor and innuendo. Brett sat on the top tier next to Charles Nelson Reilly. The repartee between the two was often quite amusing. "The Match Game" ran from 1973 to 1979. Today's audiences enjoy its reruns on Game Show Network.Her ashes were interred at a church garden in Connecticut.
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Legendary stage actress Eva Le Gallienne's life began just as grandly as the daughter of poet Richard Le Gallienne. Sarah Bernhardt was her idol growing up and, at age 18, was brought to New York by her mother. Making her London debut with "Monna Vanna" in 1914, she proved a star in every sense of the word. She appeared on Broadway first in "Liliom" in 1921 and lastly at the Biltmore Theatre in 1981 with "To Grandmother's House We Go," which won her a Tony nomination at age 82. Noted for her extreme boldness and idealism, she became a director and muse for theatre's top playwrights, a foremost translator of Henrik Ibsen, and a founder of the civic repertory movement in America. A respected stage coach, director, producer and manager over her six decades, Ms. Le Gallienne consciously devoted herself to the Art of the Theatre as opposed to the Show Business of Broadway and dedicated herself to upgrading the quality of the stage. She ran the Civic Repertory Theatre Company for 10 years (1926-1936), producing 37 plays during that time. She managed Broadway's 1100-seat Civic Repertory Theatre (more popularly known as The 14th Street Theatre) at 107 14th Street from 1926-32, which was home to her company whose actors included herself, J. Edward Bromberg, Paul Leyssac, Florida Friebus, and Leona Roberts. Her gallery of theatre portrayals would include everything from Peter Pan to Hamlet. Sadly, she almost completely avoided film and TV during her lengthy career. However, toward the end of her life, she did appear in a marvelous 1977 stage version of "The Royal Family" on TV and rendered a quietly touching performance as Ellen Burstyn's grandmother in Resurrection (1980), for which she received an Oscar nomination.Her ashes were scattered at her home in Weston, Connecticut.- Caylee Anthony was born on 9 August 2005 in Orlando, Florida, USA. She died on 16 June 2008 in Orlando, Florida, USA.Ashes are with maternal grandparents, Cindy and George Anthony of Orlando, Florida.
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A beloved, twinkly blue-eyed doyenne of stage and screen, actress Jessica Tandy's career spanned nearly six and a half decades. In that span of time, she enjoyed an amazing film renaissance at age 80, something unheard of in a town that worships youth and nubile beauty. She was born Jessie Alice Tandy in London in 1909, the daughter of Jessie Helen (Horspool), the head of a school for mentally handicapped children, and Harry Tandy, a traveling salesman. Her parents enrolled her as a teenager at the Ben Greet Academy of Acting, where she showed immediate promise. She was 16 when she made her professional bow as Sara Manderson in the play "The Manderson Girls", and was subsequently invited to join the Birmingham Repertory Theatre. Within a couple of years, Jessica was making a number of other debuts as well. Her first West End play was in "The Rumour" at the Court Theatre in 1929, her Gotham bow was in "The Matriarch" at the Longacre Theatre in 1930, and her initial film role was as a maid in The Indiscretions of Eve (1932).
Jessica married British actor Jack Hawkins in 1932 after the couple had met performing in the play "Autumn Crocus" the year before. They had one daughter, Susan, before parting ways after eight years of marriage. An unconventional beauty with slightly stern-eyed and sharp, hawkish features, she was passed over for leading lady roles in films, thereby focusing strongly on a transatlantic stage career throughout the 1930s and 1940s. She grew in stature while enacting a succession of Shakespeare's premiere ladies (Titania, Viola, Ophelia, Cordelia). At the same time, she enjoyed personal successes elsewhere in such plays as "French Without Tears", "Honour Thy Father", "Jupiter Laughs", "Anne of England" and "Portrait of a Madonna". And then she gave life to Blanche DuBois.
When Tennessee Williams' masterpiece "A Streetcar Named Desire" opened on Broadway on December 3, 1947, Jessica's name became forever associated with this entrancing Southern belle character. One of the most complex, beautifully drawn, and still sought-after femme parts of all time, she went on to win the coveted Tony award. Aside from introducing Marlon Brando to the general viewing public, "Streetcar" shot Jessica's marquee value up a thousandfold. But not in films.
While her esteemed co-stars Brando, Kim Hunter and Karl Malden were given the luxury of recreating their roles in Elia Kazan's stark, black-and-white cinematic adaptation of A Streetcar Named Desire (1951), Jessica was devastatingly bypassed. Vivien Leigh, who played the role on stage in London and had already immortalized another coy, manipulative Southern belle on celluloid (Scarlett O'Hara), was a far more marketable film celebrity at the time and was signed on to play the delusional Blanche. To be fair, Leigh was nothing less than astounding in the role and went on to deservedly win the Academy Award (along with Malden and Hunter). Jessica would exact her revenge on Hollywood in later years.
In 1942, she entered into a second marriage, with actor/producer/director Hume Cronyn, a 52-year union that produced two children, Christopher and Tandy, the latter an actor in her own right. The couple not only enjoyed great solo success, they relished performing in each other's company. A few of their resounding theatre triumphs included the "The Fourposter" (1951), "Triple Play" (1959), "Big Fish, Little Fish (1962), "Hamlet" (he played Polonius; she played Gertrude) (1963), "The Three Sisters (1963) and "A Delicate Balance." They supported together in films too, their first being The Seventh Cross (1944). In the film The Green Years (1946), Jessica, who was two years older than Cronyn, actually played his daughter! Throughout the 1950s, they built up a sturdy reputation as "America's First Couple of the Theatre."
In 1963, Jessica made an isolated film appearance in Alfred Hitchcock's classic The Birds (1963). Low on the pecking order at the time (pun intended), Hitchcock gave Jessica a noticeable secondary role, and Jessica made the most of her brittle scenes as the high-strung, overbearing mother of Rod Taylor, who witnesses horror along the California coast. It was not until the 1980s that Jessica (and Hume, to a lesser degree) experienced a mammoth comeback in Hollywood.
Alongside Hume she delighted movie audiences in such enjoyable fare as Honky Tonk Freeway (1981), The World According to Garp (1982), Cocoon (1985) and *batteries not included (1987). In 1989, however, octogenarian Jessica was handed the senior citizen role of a lifetime as the prickly Southern Jewish widow who gradually forms a trusting bond with her black chauffeur in the genteel drama Driving Miss Daisy (1989). Jessica was presented with the Oscar, Golden Globe and British Film Awards, among others, for her exceptional work in the film that also won "Best Picture". Deemed Hollywood royalty now, she was handed the cream of the crop in elderly film parts and went on to win another Oscar nomination for Fried Green Tomatoes (1991) a couple of years later.
Jessica also enjoyed some of her biggest stage hits ("Streetcar" notwithstanding) during her twilight years, earning two more Tony Awards for her exceptional work in "The Gin Game" (1977) and "Foxfire" (1982). Both co-starred her husband, Hume, and both were beautifully transferred by the couple to television. Diagnosed with ovarian cancer in 1990, Jessica bravely continued working with Emmy-winning distinction on television. She died of her illness on September 11, 1994. Her last two films, Nobody's Fool (1994) and Camilla (1994), were released posthumously.She was cremated and her ashes are with family.- Writer
- Actress
Iris Murdoch was born on 15 July 1919 in Dublin, Ireland. She was a writer and actress, known for The Italian Girl, A Severed Head (1971) and Television Theater (1953). She was married to John Bayley. She died on 8 February 1999 in Oxford, Oxfordshire, England, UK.She was cremated at Oxford Crematorium in Oxford, Oxfordshire, England and her ashes were scattered in their Rose Garden.- Diana King was born on 2 August 1918 in Buckinghamshire, England, UK. She was an actress, known for Pride and Prejudice (1967), The Scarf (1959) and Pink Floyd: The Wall (1982). She was married to John Harvey. She died on 31 July 1986 in Nettlebed, Oxfordshire, England, UK.She was cremated at Oxford Crematorium in Oxford, Oxfordshire, England.
- Phyllis Maycock was born in 1923 in Charlton-on-Otmoor, Oxfordshire, England, UK. She died in January 2005 in Charlton-on-Otmoor, Oxfordshire, England, UK.She was cremated at Oxford Crematorium in Oxford, Oxfordshire, England.
- Diana Sinden was born on 18 July 1927 in London, England, UK. She was an actress, known for The Harpist (1999), Two's Company (1975) and The Lost Boys (1978). She was married to Donald Sinden. She died on 15 September 2004 in Ashford, Kent, England, UK.Ashes are under an oak tree at the top of St. Mary the Virgin Churchyard, Chapel Bank, Ebony, Isle of Oxney, Kent, England next to her son, Jeremy Sinden. Both trees have inscribed plaques under them.
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Today Barbara Stanwyck is remembered primarily as the matriarch of the family known as the Barkleys on the TV western The Big Valley (1965), wherein she played Victoria, and from the hit drama The Colbys (1985). But she was known to millions of other fans for her movie career, which spanned the period from 1927 until 1964, after which she appeared on television until 1986. It was a career that lasted for 59 years.
Barbara Stanwyck was born Ruby Catherine Stevens on July 16, 1907, in Brooklyn, New York, to working class parents Catherine Ann (McPhee) and Byron E. Stevens. Her father, from Massachusetts, had English ancestry, and her Canadian mother, from Nova Scotia, was of Scottish and Irish descent. Stanwyck went to work at the local telephone company for fourteen dollars a week, but she had the urge (a dream--that was all it was) somehow to enter show business. When not working, she pounded the pavement in search of dancing jobs. The persistence paid off. Barbara was hired as a chorus girl for the princely sum of $40 a week, much better than the wages she was getting from the phone company. She was seventeen, and was going to make the most of the opportunity that had been given her.
In 1928 Barbara moved to Hollywood, where she was to start one of the most lucrative careers filmdom had ever seen. She was an extremely versatile actress who could adapt to any role. Barbara was equally at home in all genres, from melodramas, such as Forbidden (1932) and Stella Dallas (1937), to thrillers, such as Double Indemnity (1944), one of her best films, also starring Fred MacMurray (as you have never seen him before). She also excelled in comedies such as Remember the Night (1939) and The Lady Eve (1941). Another genre she excelled in was westerns, Union Pacific (1939) being one of her first and TV's The Big Valley (1965) (her most memorable role) being her last. In 1983, she played in the ABC hit mini-series The Thorn Birds (1983), which did much to keep her in the eye of the public. She turned in an outstanding performance as Mary Carson.
Barbara was considered a gem to work with for her serious but easygoing attitude on the set. She worked hard at being an actress, and she never allowed her star quality to go to her head. She was nominated for four Academy Awards, though she never won. She turned in magnificent performances for all the roles she was nominated for, but the "powers that be" always awarded the Oscar to someone else. However, in 1982 she was awarded an honorary Academy Award for "superlative creativity and unique contribution to the art of screen acting." Sadly, Barbara died on January 20, 1990, leaving 93 movies and a host of TV appearances as her legacy to us.Her ashes were scattered in Lone Pine, California.- Actress
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Dana Hill was born Dana Lynne Goetz on May 6, 1964, in a suburb of Los Angeles, to parents Sandy Hill and Ted Goetz, a commercial director. Despite diabetes ending a promising future in athletics when she was just ten years old, Dana gamely threw herself into acting when still in her early teen years, taking her mother's maiden name as her professional acting name. She found success early on with her performances in both Fallen Angel (1981) and Shoot the Moon (1982), winning high praise from critics. For her stage work, Hill won the 1986 Los Angeles Drama Critics Circle Award as Best Featured Actress for her performance in "Picnic." However, complications from her diabetes set in and the consequent decline in her health meant that from the mid-1980s on, Dana increasingly turned to voice-over roles in animated movies and television programs such as Jetsons: The Movie (1990), Goof Troop (1992) and Duckman: Private Dick/Family Man (1994). In early 1996, Dana's health grew increasingly fragile as was evident to her friends and costars. Late that May, she slipped into a diabetic coma. On June 5th she suffered a paralytic stroke and on July 15th she died peacefully in the hospital at the age of 32 years, bringing an untimely end to a career that in less than two decades had spanned the big and small screen, animation and the theatre.Ashes are with family.- Actress
- Editor
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Mary Millar had a very successful stage career in the West End. She began singing arias at the age of fourteen. Her London stage debut was in the 1962 production "Lock Up Your Daughters". She was in the original cast of the Andrew Lloyd Webber musical, "The Phantom of the Opera", and can be heard on the cast recording performing the role of "Madame Giry". Her final performance was in 1996 as Mrs. Potts in the West End production of "Beauty and the Beast".Ashes are with family.- Brynn Hartman was born on 11 April 1958 in Thief River Falls, Minnesota, USA. She was an actress, known for North (1994), 3rd Rock from the Sun (1996) and E! True Hollywood Story (1996). She was married to Phil Hartman and Douglas Iver Torfin. She died on 28 May 1998 in Encino, California, USA.Phil and Brynn's bodies were cremated and spread upon Catalina Island, just off the coast of California, on June 4, 1998. Phil had specifically stated in his will that he wanted the ashes spread on Catalina Island because it was his favorite holiday getaway (he was an avid boater).
- Casting Director
- Actress
- Casting Department
American actress, casting director, teacher, and theatrical director. The daughter of nightclub singer Adelaide Adams and Get Smart (1965) star Don Adams, she was born in Queens, New York, several months after her parents' divorce. Raised in peripatetic fashion by her mother, she survived a particularly Dickensian Catholic boarding school as a toddler, and grew up primarily in Silver Spring, Maryland. The fourth of her mother's four daughters, she had a poor upbringing, despite her father's growing fame and wealth. She was frequently farmed out to friends and extended-family members while her mother embarked on various ventures. She spent a good deal of time in Costa Rica with a family friend, and lived for a year in Italy while her mother attended medical school there. Later, she spent summers with her father and stepmother (dancer Dorothy Bracken) in Beverly Hills and, as a teenager, lived there with her own mother. She attended Beverly Hills High School with the children of such stars as Robert Cummings and Shirley Jones, and with future stars like Nicolas Cage. She studied at the University of California, Irvine, focusing on theatre. Her classmates included future comic star Jon Lovitz and television writer-producer Nancylee Myatt. Following college, she worked as a waitress and as a professional clown while attempting to break into film and television. Encouraged by her aunt Alice Borden and uncle Dick Yarmy, she joined the prestigious Theatre West company in Hollywood and remained there as an actor and director for the rest of her life. Even without the assistance of her father, she managed to break into television in small roles in the 1980s, while appearing in numerous plays. A chance offer of an internship with casting director Reuben Cannon led to a parallel career as a casting assistant and then associate with Cannon, Carol Dudley, Marc Hirschfeld, and Meg Liberman. Branching out on her own, she occasionally partnered with casting directors Robert J. Ulrich and Eric Dawson. She cast a number of feature films and television series. Simultaneously, she maintained her acting career (although refusing to accept offers or auditions for projects she herself was casting). She made notable Los Angeles stage appearances, particularly in Nancylee Myatt's "Two On the Aisle For Murder", Barbara Beery's "Loretta I'm Sorry" and "Pressing Engagements" by actor Jim Beaver, whom she had married in 1989. A starring role in Little Secrets (1991) helped that feature film win a Silver Medal at the Houston Film Festival. Later, she replaced Andrea Martin in what would be her most famous role, that of the acerbic Ferengi feminist "Ishka" (or "Moogie") on the outer space series Star Trek: Deep Space Nine (1993). At the same time, she was active in improvisational comedy programs with The Groundlings and the Acme Comedy Theatre. A brilliantly talented acting coach, she taught extremely popular courses in audition technique. Despite equal brilliance as a lyricist (usually with composer partner David Burke), she preferred to devote her energies to stage and screen performing. In 2001, her only child was born. Barely two years later, Adams, a non-smoker and health-advocate, was diagnosed at age 45 with advanced lung cancer. Hoping to survive to raise her infant daughter, she accepted a variety of experimental and innovative (though painful) treatments, but succumbed to the disease only four months after its discovery. She was cremated and her ashes scattered in Fern Canyon, Prairie Creek Redwoods State Park, California.She was cremated and her ashes scattered in Fern Canyon, Prairie Creek Redwoods State Park, California.- Music Department
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All Hawaii mourned, and more than 10,000 people turned out for a state funeral in honor of Israel Ka'anoi "Brudda Iz" Kamakawiwo'ole. The son of Henry Kalei'aloha Naniwa and Evangeline Leinani Kamakawiwo'ole, Israel was surrounded by music growing up; his uncle was Moe Keale, a very well-known and respected musician, and his parents worked at a Waikiki bar where many of the legends of Hawaiian music performed. Israel started playing music with his older brother Skippy at the age of 11, performing for tourists. One day when Israel was 15, Jerry Koko heard him as he sat playing his ukulele on a picnic table at Makaha Beach. Jerry invited Israel over to his house to play with some friends; there he met Moon Kauakahi and Jerry's brother John. After playing together for a while, the boys decided to form a group, and the Makaha Sons of Ni'ihau was born. The group originally consisted of Israel, Skippy, Moon, Mel Amina (Israel's cousin) and Sam Grey. After playing local events and parties for some time, they were invited to perform on a Jerry Lewis telethon. The Makaha Sons of Ni'ihua met with great success and popularity in Hawaii, recording 10 albums over a period of 15 years. In 1993, Israel decided to leave the group and pursue his own paths. He soared as an solo performer, with his album "N Dis Life" spending 39 weeks on Billboard's World Music chart, rising as high as #8. Israel sang from his heart and soul, and his words and his high, clear voice touched the heart and soul of Hawaii. His heart and spirit were far bigger than his enormous, 700-pound frame, and he grew to be greatly loved. After a beautiful state funeral at the capital building (an honor afforded only two other people in Hawaii's history), Israel's body was cremated, and the ashes scattered at Makua Beach on the Waianae coast where he was raised. He is survived by his wife Marlene Ku'upua Ah Lo Kamakawiwo'ole, and their 14-year old daughter, Ceslianne Wehekealake'alekupuna Ah Lo Kamakawiwo'ole.Israel's body was cremated, and the ashes scattered at Makua Beach on the Waianae coast where he was raised. He is survived by his wife Marlene Ku'upua Ah Lo Kamakawiwo'ole, and their 14-year old daughter, Ceslianne Wehekealake'alekupuna Ah Lo Kamakawiwo'ole.- At age 36, actress Barbara Colby was on the brink of TV-character stardom when the native New Yorker was senselessly shot and killed one evening on the streets of Los Angeles. The tall, toothy, husky-voiced, frizzy-haired actress equipped with a keen, Brooklyn-tough sensibility and dead-on comedy instincts had just started to make a name for herself on the West Coast when tragedy occurred. Hollywood lost a wonderful personality and promising talent that summer evening, someone who was proving to the TV masses that she was a bona fide contender.
Though born in New York City in 1939, Barbara was raised predominantly in New Orleans where her interest in acting grew while attending high school. After her graduation in 1957, she received a scholarship to Bard College on the Hudson back in New York, followed by a single semester at the Paris Sorbonne University in France.
While she tried to make a go of it professionally on the New York stage, her spiritual world also began to open and develop. In contrast to her tough, streetwise exterior, the gentle, deep-feeling lady avidly pursued a metaphysical way of life. She didn't touch alcohol, was a strict vegetarian, and meditated regularly as a devoted follower of the Indian Hindu guru Swami Muktananda. She also was a firm believer in reincarnation.
Following a solid stage performance in "Six Characters in Search of an Author" in 1964, Barbara took to the Broadway lights with a debut in "The Devils" the following year. Throughout the rest of the decade, she impressed in such plays as "Under Milk Wood", "Murder in the Cathedral" and "Dear Liar", and also garnered fine notices for her Portia in "Julius Caesar" in 1966 at the American Shakespeare Theatre Festival in Stratford, Connecticut.
Marking her first prime TV role on a Columbo (1971) episode in 1971, Barbara began a bi-coastal career and played a host of support/guest roles on such established shows as The Odd Couple (1968), McMillan & Wife (1971), The F.B.I. (1965), Medical Center (1969), Kung Fu (1972) and Gunsmoke (1955). But it was MTM Productions that took strongly to Barbara after she made a hilarious appearance as worldly prostitute Sherry opposite an impossibly naive Mary Tyler Moore in a now-classic 1974 jail-cell episode of the Moore comedy series. Producers were so impressed by Barbara's dead-pan comic timing and appealingly sharp, cynical edge that they brought her character back in a subsequent episode.
Never giving up her love for the stage, Barbara continued to gain in strength in such quirky '70s plays as "Aubrey Beardsley the Neophyte", "House of Blue Leaves", "Afternoon Tea" and "The Hot L. Baltimore". She also returned to the classics with an off-Broadway role as Elizabeth in "Richard III," and was back on Broadway with the plays "Murderous Angels" in 1971 and a revival of "A Doll's House" starring Liv Ullmann in the early part of 1975. Following the close of the latter show, Barbara returned to Los Angeles with a career-making offer. MTM had just cast her as a regular player on a spin-off from The Mary Tyler Moore Show (1970). The new sitcom, Phyllis (1975), starred actress Cloris Leachman who had played one of Mary's self-absorbed, scatterbrained friends to Emmy-winning effect. Barbara, who appeared earlier with Leachman in the TV-movie A Brand New Life (1973), was now in "second banana" position playing Cloris' boss, Julie Erskine, the owner of a commercial photography studio. The actress had officially paid her dues and broken into the top sitcom ranks. With two films also in the can, California Split (1974) and The Memory of Us (1974), Barbara seemed poised for bigger things.
On July 24, 1975, just weeks after her 36th birthday and only three episodes into the TV series, Barbara and her acting colleague/boyfriend, James Kiernan, were walking to their car following the teaching of an acting class in Venice, California, when they were deliberately shot by two gang members inside a parking garage area. Barbara, who was estranged at the time from Robert Levitt Jr., the son of legendary entertainer Ethel Merman, died instantly from her single gunshot wound; Mr. Kiernan, who had recently appeared in an episode of MTM's "Rhoda," was able to describe the shooting to police before he succumbed but could not recognize the two men who shot them, noting that the shooting had occurred without warning, reason or provocation. Police noted that there was no attempt to rob the pair and appeared to be a random act of violence. The killers were never caught and the homicide remains a "cold case". Barbara was later cremated and a memorial service held at Will Geer's Theatricum Botanicum in Topanga Canyon. She was survived by her mother and younger sister Renee.
Following the tragedy, comedienne Liz Torres came on board to replace Barbara in the Julie Erskine part. The role itself lasted for only one season before they changed the sitcom's setting in order to try and improve the lackluster ratings. It didn't help. Despite a Golden Globe win for Leachman, the show was canceled after only one more season. In retrospect, one can't tell whether Barbara might have made a difference in the sitcom's ratings or outcome, but the fact remains that a single inexplicably brutal and senseless act snuffed out the life of a star comedienne in the making.arbara was later cremated and a memorial service held at Will Geer's Theatricum Botanicum in Topanga Canyon. She was survived by her mother and younger sister Renee. - Actress
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Born in interwar Prague as Miroslava Stanclová, her father died and she was adopted by a Jewish doctor, the psychoanalyst Dr. Oskar Leo Stern (1900-1972) who married her mother, Miroslava (née Becka; 1898-1945). Dr. and Mrs. Stern had a son, Ivo (1931-2011), the actress's half-brother. The family was, at one point, interned in a concentration camp after they fled their native Czechoslovakia in 1939. They sought refuge in various Scandinavian countries before emigrating to Mexico in 1941.
After winning a beauty contest in Mexico City, young Miroslava spent some time in Los Angeles studying acting. Due to her European features and accent, she rarely found roles other than mysterious women or foreign beauties. She was eventually offered a role in what would become her last and most remembered film: Luis Buñuel's The Criminal Life of Archibaldo de la Cruz (1955).
Soon after the film wrapped, she committed suicide reportedly because the man she loved married another woman. In a macabre coincidence, the premiere of The Criminal Life of Archibaldo de la Cruz (1955), in which a mannequin in her likeness is incinerated, was released during her own cremation in a Mexican graveyard. Her short, tragic life inspired a short story in 1990, and a film, Miroslava (1993).a wax statue of her is incineraded, coincided with her own cremation in a Mexican graveyard. Her tragic life inspired a short story in 1990, and a film, Miroslava (1993).- Writer
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Isadora Duncan was an American dancer and innovative educator known for interdisciplinary and cross-cultural projects, and a hectic marriage to the famous Russian poet Sergei Esenin.
She was born Isador 'Dora' Angela Duncan on May 26, 1877, in San Francisco, California. Her father, Joseph Duncan, was a cultured man, a poet and an art connoisseur, who worked for the Bank of California. Her mother, an amateur pianist, after divorcing her father, lived a high-principled Victorian lady's life with four children an very little money. Young Isadora was raised in Oakland, California. She was obsessed with dancing from an early age. Although she was not exposed to rigorous classical ballet practice, she achieved recognition in San-Francisco. There, she started teaching a dance class for children when she was just 14 years old.
She began her professional career in Chicago in 1896, under producer and playwright Augustin Daly. He cast Duncan as Titania in 'A Midsummer Night's Dream', and she traveled with his company to Europe. Back in the USA, Duncan performed solo dances at the homes of wealthy patrons. She called her program The Dance and Philosophy and performed it to the waltzes of Johann Strauss. In 1899, she left America with her mother and siblings to settle in London. There she met Mrs. Patrick Campbell, the idol of the London stage, who introduced Duncan to London society.
From 1899-1907, Duncan lived in London, Paris and Berlin. She began using the music of Frédéric Chopin and Ludwig van Beethoven for her dance. In 1903 she moved to Berlin. There Duncan was introduced to the philosophy of Friedrich Nietzsche. She formulated her own philosophy of The Dance of the Future modeled after the ancient Greeks: natural and free. Duncan called for abolition of ballet. She accused ballet of "deforming the beautiful woman's body" and depriving it of human naturalness. "The Dance of the Future will have to become again a high religious art as it was with the Greeks. For art which is not religious is not art, it is mere merchandise" - stated Duncan. Her school of dance in a suburb of Berlin was the start of her famous dance group, later known as the Isadorables.
Duncan made several tours of Russia and met with directors Konstantin Stanislavski and Vladimir Nemirovich-Danchenko at the Moscow Art Theatre. In St. Petersburg, she also attracted the attention of Anna Pavlova and Tamara Karsavina among other leading ballerinas of the Mariinsky Ballet. Having established good connections with Russian intellectuals, she Returning to the US, her performances were poorly received by critics, who bashed Duncan for her "physical interpretation" of music on stage. She left America in 1909, after less than a year, and never lived there again, returning only for tours.
From 1909 to 1913, Duncan lived in Palais Biron in Paris, where her neighbors were artist Henri Matisse, writer Jean Cocteau, and sculptor Auguste Rodin. Eventually she established three schools in France, Germany, and Russia, and gained tremendous popularity across Europe. Her personal life was marked with as much freedom as was her dancing. Duncan had a child by designer Gordon Craig, and another child by Paris Singer, the heir to the sewing machine fortune. Her both children drowned in an accident on the Seine River in 1913. By that time, she was an acclaimed performer in Europe. She danced to the Ninth Symphony by Ludwig van Beethoven. Her face was carved in the bas-relief by sculptor Antoine Bourdelle in the Theatre des Champs-Elysees, and was painted in the murals by artist Maurice Denis.
After the Russian Revolution of 1917, Duncan moved to Moscow. There she married the popular poet Sergei Esenin who was 17 years her younger. This was her one and only official marriage. She took Esenin on tour to the US in 1922-1923. At that time her appearances were marked by baring her breasts on stage and shouting, "This is red! So am I!" The following year, Esenin left Duncan and returned to Moscow, where he suffered a mental breakdown and sought psychiatric help. Meanwhile, her apprentice, Irma Duncan, remained in the Soviet Union and ran the Duncan Dancing School there. At that time, Duncan evolved as a follower of Friedrich Nietzsche and remained anti-religious for the rest of her life.
Duncan's ex-husband Esenin was found dead in a hotel in St. Petersburg, on December 28, 1925. His mysterious death was never completely explained. Isadora Duncan died on September 14, 1927, in Nice, France. She was killed by her long neck scarf caught in the wheel of an open automobile in which she was a passenger. She was pulled from the car and dragged before the driver could stop. Duncan was cremated and her ashes were laid in the Père Lachaise Cemetery in Paris, France.
Her highly popular Russian school was closed in 1939, under the dictatorship of Joseph Stalin, and many of her Russian partners were repressed and exiled.
Isadora Duncan was portrayed by Vanessa Redgrave in the 1968 film Isadora (1968).Duncan was cremated and her ashes were laid in the Père Lachaise Cemetery in Paris, France.- Actress
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Lena Calhoun Horne was born June 30, 1917, in Brooklyn, New York. In her biography she stated that, on the day she was born, her father was in the midst of a card game trying to get money to pay the hospital costs. Her parents divorced while she was still a toddler. Her mother left later in order to find work as an actress and Lena was left in the care of her grandparents. When she was seven, her mother returned and the two traveled around the state which meant that Lena was enrolled in numerous schools. For a time she also attended schools in Florida, Georgia and Ohio. Later she returned to Brooklyn.
Lena quit school when she was 14 and got her first stage job at 16 dancing and later singing at the famed Cotton Club in Harlem, a renowned theater in which black performers played before white audiences immortalized in The Cotton Club (1984)). She was in good hands at the club, especially when people such as Cab Calloway and Duke Ellington took her under their wings and helped her over the rough spots. Before long, her talent resulted in her playing before packed houses.
If Lena had never made a movie, her music career would have been enough to have ensured her legendary status in the entertainment industry, but films were icing on the cake. After she made an appearance on Broadway, Hollywood came calling. At 21 years of age, Lena made her first film, The Duke Is Tops (1938). It would be four more years before she appeared in another, Panama Hattie (1942), playing a singer in a nightclub. By now Lena had signed with MGM but, unfortunately for her, the pictures were shot so that her scenes could be cut out when they were shown in the South since most theaters in the South refused to show films that portrayed blacks in anything other than subservient roles to whites. Most movie studios did not want to take a chance on losing that particular source of revenue. Lena did not want to appear in those kinds of stereotyped roles and who could blame her?
In 1943, MGM loaned Lena to 20th Century-Fox to play the role of Selina Rogers in the all-black musical Stormy Weather (1943), which did extremely well at the box office. Her rendition of the title song became a major hit on the musical charts. In 1943, she appeared in Cabin in the Sky (1943), regarded by many as one of the finest performances of her career. She played Georgia Brown opposite Ethel Waters and Eddie 'Rochester' Anderson in the all black production. Rumors were rampant that she and Waters just did not get along well, although there was never any mention of the source of the alleged friction. However, that was not the only feud on that picture. Other cast members sniped at one another and it was a wonder the film was made at all. Regardless of the hostilities, the movie was released to very good reviews from the ever tough critics. It went a long way in showing the depth of the talent that existed among black performers in Hollywood, especially Lena.
Lena's musical career flourished, but her movie career stagnated. Minor roles in films such as Boogie-Woogie Dream (1944), Words and Music (1948) and Mantan Messes Up (1946) did little to advance her film career, due mainly to the ingrained racist attitudes of the time. Even at the height of Lena's musical career, she was often denied rooms at the very hotels in which she performed because they would not let blacks stay there. After Meet Me in Las Vegas (1956), Lena left films to concentrate on music and the stage. She returned in 1969 as Claire Quintana in Death of a Gunfighter (1969). Nine years later, she returned to the screen again in the all black musical The Wiz (1978) where she played Glinda the Good Witch. Although that was her last big-screen appearance, she stayed busy in television appearing in A Century of Women (1994) and That's Entertainment! III (1994).
Had it not been for the prevailing racial attitudes during the time when Lena was just starting her career, it's fair to say that it would have been much bigger and come much sooner. Even taking those factors into account, Lena Horne is still one of the most respected, talented and beautiful performers of all time.Ashes with family.- Actress
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Rita K. Oehmen was born on June 24, 1917 in Chicago, Illinois. From the time she was young, she was paired with her brother Edward to do a Vaudville show billed as the Oehmen twins. This lasted until about the age of 20, when she branched out on her own doing a stand-up act while going to college. At this time, she was discovered and went to RKO because it had the same initials that she did. She made several movies, but she never became famous. At one time, she was slated to replace Ginger Rogers as Fred Astaire's dance partner, but ironically the way that she looked younger than she was, was used against her because she looked more like Fred's granddaughter than a dance partner.
In the early 1940s, she met Brian Farnon and married him, eventually having three children Shannon Farnon, Charmian Carr, and Darleen Carr. In the 1950s, the family moved from Chicago to California and shortly afterward Brian asked Rita if he could move his girlfriend into the house. Rita understandably did not like this and they divorced very bitterly. In 1964, one of her friends happened to ask her if her daughters could audition for a movie that they were producing. Her 21 year old daughter Charmian became Liesel in The Sound of Music (1965).
In the mid 1990s, her three daughters contronted her about her drinking saying that she could drink, but they would not sit there and watch her kill herself anymore. In 1995, she finally succumbed to her drinking. Her funeral was attended by many people, some wondering what her life could have been if she had not been an alcoholic. Nicholas Hammond, her daughter's screen brother, happened to be in California at the time and having known her for 30 years made a very eloquent speech that it did not matter that she drank, she made a lasting contribution through her three daughters. She was then cremated and her ashes spread out into the Pacific Ocean.She was then cremated and her ashes spread out into the Pacific Ocean.- Actress
Donna Mae Roberts was born in Los Angeles, the daughter of Walter Roberts and Cora H. Myers. She went to the University in California, where she majored in psychology and belonged to two honorary scholastic fraternities. She left her classes at the end at the end of her junior year to join the chorus. Roberts started as a "Goldwyn girl" in movies and was a chorus girl in a couple of Busby Berkeley movies. She also played small parts in Warner Bros. movies of the 1930s.
Donna Mae Roberts had the highest intelligence quotient of 54 chorus girls given a bona fide test by Prof. Neil Warren of the university of Southern California. Her IQ rating was 132, which falls in the "near Genius" class. Since the test, Donna Mae Roberts was acclaimed: "The smartest chorus girl in Hollywood".
Her career started to decline in the late 1930s; during that period she did some work as an extra and then retired from the screen.
Her first husband was Paul Spark, who died in 1943. Her second husband was Robert Roderick, with whom she had a son.
Roberts died at the Cottonwood Care Center in Gardnerville in 1996. Her body was cremated at Fitzhenry's Crematory.Donna Mae Roberts died at the Cottonwood Care Center in Gardnerville in 1996. Her body was cremated at Fitzhenry's Crematory.- Famous American poet and author. She wrote numerous poems starting when she was 7 years old. She would go on to write poems such as The Price He Paid, Inherited Passions, The Beautiful Lie and The Belle of the Season amoung other. In her later years she went to the battle fields in France during World War 1 to lecture to the soldiers, and assist with the Red Cross. While in France Ella became ill and was taken back to the United States where she died of Cancer at her Short Beach estate. She was cremated and sealed in a vault with her husbands ashes on the property.she died of Cancer at her Short Beach estate. She was cremated and sealed in a vault with her husbands ashes on the property.
- Helen Shipman was born in Pennsylvania, USA in 1899 (the exact month and day is in question). Her obituary in 1984 (which was written by her husband, Edward J. Pawley) stated that she was 85, which would have made her birth in the year 1899. Other newspaper articles also reveal that she was born in 1899. Helen was the daughter of William H. and Annie L. (Mitchell) Shipman. Her mother, Annie, was a stage actress of some note. By the age of 12, Helen was recognized as one of the foremost child impersonators (of various stars) of the early 1900s. Her first professional job was as "Baby Phyllis" appearing at the Duquesne theater in Pittsburg, Pennsylvania. She later (1908) toured on the B. F. Keith show circuit in a play titled "Little Nemo." She was one of the "Melvin Stoltz Little Players in Kiddyland." After the tour with "Little Nemo" was over, Helen and her mother and older sister moved to New York City in order to further Helen's career. In between tours on the B.F. Keith circuit, she worked in small shows which included various types of acts at the Palace Theatre in NYC. She sang songs composed for her by the well-known lyricist, Neville Fleeson. In 1915, Helen was invited by Flo Ziegfeld to co-star in his new "Midnight Frolic" production which opened at the Rooftop Theatre of the New Amsterdam Hotel in NYC. Helen was a childhood friend of George and Ira Gershwin and, later, Rudy Valee. Both George Gershwin and Rudy Valee became enamored with Helen at different times in her career. The first known Broadway show in which Helen performed was "Robinson Crusoe, Jr." which debuted in 1916 when she was only 17. It was a musical extravaganza which featured Al Jolson and Kitty Doner and opened at the "Little Theatre" (now the "Helen Hayes Theatre"). Most of Helen's stage roles were in musicals and musical comedies. Her vocal range was mezzo-soprano. She is known to have sung/acted/danced in at least 16 Broadway shows. One of those 16 Broadway shows, titled "Oh Boy!", was the longest-running play at the Princess Theatre in NYC. Helen is probably best known for her starring role in the Broadway production titled "Irene." She toured with this play to cities across the country. Helen Shipman also appeared in at least 13 movies; such as, "Naughty Marietta", "Christopher Bean", "The Great Power", and "Wife vs. Secretary." Helen effectively retired after her marriage to the Broadway/movie/radio actor, Edward J. Pawley in 1937. She is sometimes erroneously noted as the second wife of the actor/writer Robert Keith and mother of his son, Brian Keith (the actor). This information is incorrect. Brian Keith's mother was Helena Shipman of Aberdeen, Washington. She was a stage actress of some note, but never achieved the stardom of Helen Shipman. The similarity of names has, evidently, led to this confusion. Helen (Shipman) Pawley died April 13, 1984 while a resident of Rock Mills, Rappahannock County, Virginia. She died after being operated on for a twisted bowel. She also had a rather weak heart. Helen and her husband did not have any children together. Her husband, Edward Pawley, had one child... a son by his first marriage to stage actress Martina May Martin. The son's name is Martin Herbert Pawley. Edward Pawley was a leading man on Broadway in the 1920s & early 1930s. He appeared in over 50 movies from the early 1930s to the early 1940s. He then gravitated to radio where he played "Steve Wilson" on the very popular radio drama show, "Big Town" from 1943 to 1951. He replaced Edward G. Robinson in that role. Both Edward and Helen (Shipman) Pawley were cremated and their ashes were scattered near their home in Rock Mills, Rappahannock County, Virginia.Both Edward and Helen (Shipman) Pawley were cremated and their ashes were buried near their home in Rock Mills, Rappahannock County, Virginia.
- Lily Bouwmeester was the daughter of violinist Ludovicus Adolphus Bouwmeester and pianist Julie Marie Arpeau. She was a member of the famous Bouwmeester family, mostly consisting of actors. She wished to become a dancer, but her father insisted that she train as a violinist like him and that she journey with him on his tours through Europe.
It soon became clear traveling all day wasn't good for her health. Bouwmeester moved in with her aunt Theo Mann-Bouwmeester, an actress. Theo put the little Lily on stage in several theater productions. Because of her small posture and short hair, Bouwmeester played both boys and girls. She loathed it, as she still desired to become a dancer.
Bouwmeester changed her mind about acting when she met actor Eduard Verkade. He gave her much advice, and inspired her to make a real career out of acting. She entered the film industry in 1916, playing a younger version of the character of actress Annie Bos in Majoor Frans (1916).
Bouwmeester played supporting roles in several silent films, but was more ambitious with theater. In 1917, she enlisted a very prestigious theater and performed at the Stadsschouwburg in Amsterdam. She remained working there till 1920, and was praised by critics.
While working on stage, Bouwmeester met actor Theo Frenkel Jr., whom she married on March 31, 1921. They acted together in several theater productions, and for a short period produced their own child-oriented plays as well. In 1923 they moved to the Hague in order to to work in theater in the nearby city of Rotterdam. There she usually played comedic roles, and established them as her specialty. The critics praised her acting skills.
In 1927, after her husband signed a contract to appear in a touring opera, she left the theater to follow him. In 1930, she returned to acting in theater in Amsterdam, but left it after two seasons to play comedic roles again in other stage productions.
The marriage of Frenkel and Bouwmeester failed to succeed. They divorced in 1933. Bouwmeester soon remarried, to Cor van der Lugt Melsert Jr., and they moved to Rotterdam. Van der Lugt wanted her to be a housewife. Bouwmeester, wishing to have some time off, didn't object; however, she did auditions for several films, including De Kribbebijter (1935).
In 1937, she was offered the lead in Pygmalion (1937). It became her first talkie and first movie in 16 years. The film became a huge success and Bouwmeester became an instant star. She even had to hire a secretary to handle her fan mail. American producers saw potential in her, and Paramount Pictures offered her a five-year contract. Her husband refused to move with her to Hollywood, so she declined.
Bouwmeester went on acting in Dutch movie productions, which all became the biggest box office hits of the 1930s, including Vadertje Langbeen (1938), Morgen gaat 't beter (1939) and Ergens in Nederland (1940). She usually played teenage girls or students, despite the fact she was approaching the age of 40.
When WWII broke out, Bouwmeester retired. Remarkably, a German movie studio offered her a contract, but she declined and never made another movie again. She was separated from her husband during WWII and took in Jewish boys. In 1945, she returned to acting on stage in Rotterdam. She played in the stage version of Pygmalion and eventually played the role over 800 times.
In 1952, Bouwmeester announced she was going to leave the theater in Rotterdam. Jan de Hartog created a spectacular play to mark her end and produced Het Hemelbed. It was a great success, being performed over 500 times. However, in 1955 she took a break from acting again to take some rest.
In 1960 she returned to theater, performing on stage in Arnhem. Meanwhile, she appeared on several television shows. In 1969, she retired from acting forever. She never acted again, but did stay on to be a public figure for several decades. After the death of her husband in 1990, she moved to Sliedrecht.
Although she was awarded a Golden Calf - being named the "Best Actress of Pre-War Movies" - in 1991, she was very lonely in her final years. She died in 1993 at the local hospital, aged 92. She was cremated in the Hague.She died in 1993 at the local hospital, aged 92. She was cremated in the Hague. - Writer
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Hungarian journalist who became a war correspondent for American newspapers before turning to Hollywood, where he worked for several film studios as a writer and story supervisor. Following service in the First World War as a correspondent for the New York Sun, he signed with M-G-M as a writer. Later he was employed by Universal Pictures and, at the time of his death following a brief illness, was story supervisor for First National Pictures. His cremated remains were returned to Hungary.His cremated remains were returned to Hungary.- Actress
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A bizarre, gloriously one-of-a-kind Hollywood gypsy and self-affirmed outcast, San Francisco-born actress Susan Tyrrell (born Susan Jillian Creamer) was a teenager when she made her stage debut in "Time Out for Ginger" in 1962. A product of the entertainment industry, her father was a top agent at one time with the William Morris firm. She built up her resumé in summer stock and regional plays usually cast in standard ingénue roles. Her nascent career took an abrupt shift in direction, however, when, as a member of New York's Lincoln Repertory Company, she was cast in an array of seamy, salty-tongued, highly dysfunctional character parts. After striking performances on and off Broadway in such fare as "The Rimers of Eldritch" (1967), "A Cry of Players" (1968), "The Time of Your Life" (1969) and "Camino Real" (1970) Hollywood took keen notice of this special talent and, in the early 1970s, began to cast her in their more offbeat projects.
In only her fourth film, Susan earned an Academy Award nomination for her powerhouse portrayal of a cynical, low-life boozer girlfriend opposite Stacy Keach's has-been boxer in John Huston's potent but highly depressing Fat City (1972). Pulling out all the stops after this, she continued to show her fearless attraction toward the dark side throughout the late 1970s with flashy roles in lesser quality material such as The Killer Inside Me (1976), Andy Warhol's Bad (1977), Islands in the Stream (1977), I Never Promised You a Rose Garden (1977), and September 30, 1955 (1977) as various harridans and grotesques. The 1980s proved no different with manic behavior on full display in Tales of Ordinary Madness (1981), Forbidden Zone (1980), Liar's Moon (1981), Fast-Walking (1982), Butcher, Baker, Nightmare Maker (1981), Big Top Pee-wee (1988) and underground director John Waters' more mainstream film Cry-Baby (1990), many of which have now achieved cult status.
Toned down a bit for TV, she nevertheless demonstrated in both the one-season series Open All Night (1981) and on MacGruder and Loud (1985) that she wasn't about to change. When her TV and movie career started to simmer down, the Los Angeles-based actress opted for the avant-garde stage with such productions as "Why Hannah's Skirt Won't Stay Down" (1986), "Landscape of the Body" (1987), "The Geography of Luck" (1989) and her trenchant one-woman piece "My Rotten Life: A Bitter Operetta" (1989), which she performed over a long period of time.
Real-life tragedy struck in late April of 2000 when Susan contracted a near-fatal illness. Both of her legs had to be amputated below the knee as a result of multiple blood clots due to a rare blood disease -- thrombocythemia. Never say die, she valiantly tried to maintain a positive outlook, and continued to perform on occasion while going through rehabilitation. She also spent time writing and painting before passing away on June 16, 2012. A wild, boisterous trooper, she was the definitive underground raconteur for those who desired the more sordid side of Hollywood.Her ashes were scattered.- Actress
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Mai Zetterling was born in Sweden in 1925, and lived briefly in Australia while still a child. She's known as a director and actor and trained on the Stockholm repertory stage, she began appearing in war-era films starting in her teens. Following her debut in Lasse Maja (1941), she made quite an impact in the terminally dark Ingmar Bergman-written film Torment (1944) [known as Torment in the US and Frenzy in the UK], who went on to direct her in his Music in Darkness (1948) [Music in Darkness].
The international attention she received from her Bergman association led her to England where she debuted in the title role of Frieda (1947), a war drama co-starring David Farrar, Glynis Johns and Flora Robson. Developing modest sex symbol success, she went on to co-star opposite a number of handsome leading men throughout the post-war years in primarily dramatic works, including Dennis Price in The Bad Lord Byron (1949), Dirk Bogarde in Blackmailed (1951), Herbert Lom in The Ringer (1952), Richard Widmark in A Prize of Gold (1955), Tyrone Power in Seven Days from Now (1957) (which was a variation on Hitchcock's Lifeboat (1944)), John Gregson in Faces in the Dark (1960), William Sylvester in The Devil Inside (1961), and Stanley Baker in The Man Who Finally Died (1963). Along the way she proved just as adaptable and sexy in smart comedy when she came between husband and wife Peter Sellers and Virginia Maskell in Only Two Can Play (1962).
Mai abandoned acting in the mid-1960s and courted some controversy when she successfully began sitting in the director's chair. Divorced from Norwegian actor Tutte Lemkow in the early 1950s, she later wed writer David Hughes in 1958, who collaborated with her on a number of her directing ventures, which seemed ahead of their time. Obviously influenced by Bergman, the dark, sexy drama Loving Couples (1964) [Loving Couples] dealt with homosexual themes and featured nudity; Night Games (1966) [Night Games] revolved around sexual decadency and repression; and The Girls (1968) [The Girls], which had an all-star Swedish cast including Bibi Andersson and Harriet Andersson, expounded on women's liberation. She divorced her second husband in 1979. She had two children, Louis and Etienne, from her first marriage.
Toward the end of her life, Mai made a return to film acting and is best remembered at this late stage for her nurturing and resilient grandmother in the film The Witches (1990) wherein she is forced to tangle with a particularly virulent ringleader Anjelica Huston to save her grandson from her coven of hags. Mai died of cancer in 1994.Her ashes were scattered over her home in Mont Blanc, France.- Writer
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Nora Ephron was educated at Wellesley College, Massachusetts. She was an acclaimed essayist (Crazy Salad 1975), novelist (Heartburn 1983), and had written screenplays for several popular films, all featuring strong female characters, such as anti-nuclear activist Karen Silkwood (Silkwood (1983), co-written with Alice Arlen) and a mobster's feisty independent daughter Cookie Voltecki (Cookie (1989), also co-written with Arlen). Ephron's hard-headed sensibilities helped make Rob Reiner's When Harry Met Sally... (1989) a clear-eyed view of modern romance, and she earned an Oscar nomination for her original screenplay.
Ephron made her directorial debut with the comedy This Is My Life (1992), co-scripted by her sister Delia Ephron, which starred Julie Kavner as a single mother who struggles to establish herself as a stand-up comedienne. Ephron followed up by helming and co-writing Sleepless in Seattle (1993), a romantic comedy in which lovers Tom Hanks and Meg Ryan are separated for most of the film. Less about love than about love in the movies, the film drew inspiration from the beloved shipboard romance An Affair to Remember (1957), starring Cary Grant and Deborah Kerr.
Ephron was born in New York City, the daughter of stage and screen writing team Henry Ephron and Phoebe Ephron, who used her infancy as the subject of their play "Three's a Family" and based their comedy Take Her, She's Mine (1963) on letters their daughter wrote them from college. Their screenplays include There's No Business Like Show Business (1954), Carousel (1956) and Desk Set (1957). Formerly married to novelist Dan Greenburg and investigative journalist Carl Bernstein, Ephron was wed to crime journalist and screenwriter Nicholas Pileggi, at the time of her passing, who wrote such films as Goodfellas (1990). She was of Russian Jewish descent.Cremated, ashes scattered.- Evelyn Lear was born on 8 January 1926 in Brooklyn, New York City, New York, USA. She was an actress, known for Great Performances (1971), Die Hochzeit des Figaro (1963) and Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976). She was married to Thomas Stewart and Walter Lear. She died on 1 July 2012 in Sandy Spring, Maryland, USA.Cremated. ashes with family.
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Born in the Astoria section of Queens, New York City, Ethel Merman surely is the pre-eminent star of 'Broadway' musical comedy. Though untrained in singing, she could belt out a song like quite no one else, and was sought after by major songwriters such as Irving Berlin and Cole Porter. Having debuted in 1930 in "Girl Crazy, " she is yet remembered for her marvelous starring appearances in so many great musicals that were later adapted to the silver screen. Among the film versions, Merman herself starred in Anything Goes (1936) and Call Me Madam (1953). That wonderfully boisterous blonde, Betty Hutton, had the Merman lead in both Red, Hot and Blue (1949) and Annie Get Your Gun (1950). Besides Betty Hutton, other Merman screen stand-in roles include Lucille Ball, (in Du Barry Was a Lady (1943)), Ann Sothern, (in Panama Hattie (1942)), Vivian Blaine (in Something for the Boys (1944)) and Rosalind Russell (in Gypsy (1962)). (Russell could never render Stephen Sondheim and Jule Styne's "Everything's Coming Up Roses" the way the immortal Merman did, over and over again.) Ethel Merman's lifetime facts: her dare of birth, was on Thursday, January 16th, 1908 & her life expired on Wednesday, February 15th, 1984. Thursday, January 16th, 1908 & Wednesday, February 15th, 1984, differ 27,789 days, equaling 3,969 weeks & 6 days.Ashes were scattered on Broadway in New York City.- Actress
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It came as no surprise to film aficionados when, in 1999, Entertainment Weekly named Jill Clayburgh on its list of Hollywood's 25 Greatest Actresses. For decades, she delivered stellar performances in a wide variety of roles.
Jill Clayburgh was born in 1944 in New York City, into a wealthy family, the daughter of Julia Louise (Dorr), an actress and secretary, and Albert Henry Clayburgh, a manufacturing executive. Her father was from a Jewish family that has lived in the United States since the 1700s, and her mother had English ancestry, also with deep American roots. Jill was educated at the finest schools, including the Brearley School and Sarah Lawrence College. It was while at Sarah Lawrence that she decided on a career in acting, and joined the famous Charles Street Repetory Theater in Boston. She moved to New York in the late 1960s and had featured roles in a number of Broadway productions, including "The Rothschilds" and "Pippin". She began her career in films in 1970 and got her first major role in Portnoy's Complaint (1972) in 1972. In 1978, she rose to screen prominence with her performance in An Unmarried Woman (1978), for which she received an Oscar nomination. She was again nominated for the Academy Award in 1979 for her role in Starting Over (1979). But after giving a riveting portrayal as a Valium addict in I'm Dancing as Fast as I Can (1982), her career went into a rapid decline, mainly because of her poor choices of scripts. She seemed destined for a comeback after appearing in Where Are the Children? (1985), with multi-talented child actress Elisabeth Harnois, but her excellent performance was largely ignored by critics, who opted to give the credit for the thriller's success to the performance of the precocious, six year old Harnois.
After the late 1980s, Jill worked mainly in television and low-budget films, and also had a leading role in the drama Never Again (2001), with Jeffrey Tambor.
Jill was married to playwright David Rabe, with whom she had two children, including actress Lily Rabe.
Jill Clayburgh died of chronic lymphocytic leukemia on November 5, 2010, in Salisbury, Connecticut.She has no grave, upon her death she was cremated and her ashes are in the possession of family.- Actress
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Elizabeth Montgomery was born into show business. Her parents were screen actor Robert Montgomery and Broadway actress Elizabeth Allen. Elizabeth graduated from the Spence School in New York City and attended the Academy of Dramatic Arts in New York. After three years' intensive training, she made her TV debut in her father's 1950s playhouse series Robert Montgomery Presents (1950) and appeared in more than 200 live programs over the next decade. She once remarked, "I guess you could say I'm a TV baby." Notable early film roles included The Court-Martial of Billy Mitchell (1955) and Johnny Cool (1963). However, she is best remembered for her leading role as the witch Samantha in the top-rated ABC sitcom Bewitched (1964). Her family - mother Endora (Agnes Moorehead), look-alike cousin Serena (Montgomery, wearing a dark wig) and advertising executive husband Darrin (first Dick York then Dick Sargent) - tried to suppress her supernatural skills but often turned to her tricks to solve problems. The signal of impending witchcraft was a twitch of Samantha's nose. After her first and only TV series ended she turned to made-for-TV movies, many of which won critical praise: A Case of Rape (1974), The Legend of Lizzie Borden (1975), Black Widow Murders: The Blanche Taylor Moore Story (1993). She narrated the movie The Panama Deception (1992) which won an Academy Award in 1993. Reference works showed her as 62 when she died though the family said she was 57. The family did not disclose the type of cancer which caused her death.She died 8 weeks after being diagnosed with colon cancer and was cremated.- Actress
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Arguably best remembered for her role as Miss Ellie, the Ewing family matriarch on the long-running TV series Dallas (1978), Barbara Bel Geddes had earlier scored success on stage and screen long before gaining more lasting fame on television. She was born in New York City on Halloween Day 1922, the daughter of noted theatrical and industrial designer Norman Bel Geddes, who staged more than 200 plays. After growing up amidst the theatre, Bel Geddes began acting on stage at age 18 and soon moved on to Broadway. The silver screen also beckoned; she made her film debut in The Long Night (1947). She was quickly labeled a star, gracing the cover of Life magazine on April 12, 1948. Her third motion picture, I Remember Mama (1948), garnered Bel Geddes an Academy Award nomination for best supporting actress. Other notable films include Panic in the Streets (1950) directed by Elia Kazan; Alfred Hitchcock's classic mystery-thriller Vertigo (1958) with James Stewart and Kim Novak; and The Five Pennies (1959) opposite Danny Kaye. Though she achieved immediate success in films, Bel Geddes also continued to tread the boards on Broadway, since theatre was her first love. In 1952, she received the prestigious Woman of the Year Award from Hasty Pudding Theatricals USA, America's oldest theater company. She was nominated for Tony Awards as best dramatic actress for Cat on a Hot Tin Roof in 1956 and for the lead in Mary, Mary in 1961. Bel Geddes made several TV appearances on Alfred Hitchcock Presents (1955) and other programs in the mid 1950s, but her greatest television role came as Miss Ellie Ewing Farlow on Dallas (1978), which enjoyed a run of 13 years (1978-1991). She won the Emmy Award for best actress in 1980 and was nominated in the same category in 1979 and 1981. Bel Geddes left the show for health reasons during the 1984-85 season, with Donna Reed taking over the role of Miss Ellie. Bel Geddes returned for the 1985-86 season and continued on Dallas (1978) until 1990, when she effectively retired from acting. She did not appear in either of the two Dallas TV reunion movies. On August 8, 2005, she died following a long illness.Upon her death, her ashes were cremated and were scattered at her upstate New York farm.- Actress
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Anne Francis got into show business quite early in life. She was born on September 16, 1930 in Ossining, New York (which is near Sing Sing prison), the only child of Phillip Ward Francis, a businessman/salesman, and the former Edith Albertson. A natural little beauty, she became a John Robert Powers model at age 6(!) and swiftly moved into radio soap work and television in New York. By age 11, she was making her stage debut on Broadway playing the child version of Gertrude Lawrence in the star's 1941 hit vehicle "Lady in the Dark". During this productive time, she attended New York's Professional Children's School.
Metro-Goldwyn-Mayer put the lovely, blue-eyed, wavy-blonde hopeful under contract during the post-war World War II years. While Anne appeared in a couple of obscure bobbysoxer bits, nothing much came of it. Frustrated at the standard cheesecake treatment she was receiving in Hollywood, the serious-minded actress trekked back to New York where she appeared to good notice on television's "Golden Age" drama and found some summer stock work on the sly ("My Sister Eileen").
Discovered and signed by 20th Century-Fox's Darryl F. Zanuck after playing a seductive, child-bearing juvenile delinquent in the low budget film So Young, So Bad (1950), Anne soon starred in a number of promising ingénue roles, including Elopement (1951), Lydia Bailey (1952), and Dreamboat (1952) but she still could not seem to rise above the starlet typecast. At MGM, she found promising leading lady work in a few noteworthy 1950s classics: Bad Day at Black Rock (1955); Blackboard Jungle (1955); and the science fiction cult classic Forbidden Planet (1956). While co-starring with Hollywood's hunkiest best, including Paul Newman, Dale Robertson, Glenn Ford and Cornel Wilde, her roles still emphasized more her glam appeal than her acting capabilities. In the 1960s, Anne began refocusing strongly on the smaller screen, finding a comfortable niche on television series. She found a most appreciative audience in two classic The Twilight Zone (1959) episodes and then as a self-sufficient, Emma Peel-like detective in Aaron Spelling's short-lived cult series Honey West (1965), where she combined glamour and a sexy veneer with judo throws, karate chops and trendy fashions. The role earned her a Golden Globe Award and Emmy Award nomination.
The actress returned to films only on occasion, the most controversial being Funny Girl (1968), in which her co-starring role as Barbra Streisand's pal was heartlessly reduced to a glorified cameo. Her gratuitous co-star parts opposite some of filmdom's top comics' in their lesser vehicles -- Jerry Lewis' Hook, Line and Sinker (1969) and Don Knotts' The Love God? (1969) -- did little to show off her talents or upgrade her career. For the next couple of decades, Anne remained a welcome and steadfast presence in a slew of television movies (The Intruders (1970), Haunts of the Very Rich (1972), Little Mo (1978), A Masterpiece of Murder (1986)), usually providing colorful, wisecracking support. She billed herself as Anne Lloyd Francis on occasion in later years.
For such a promising start and with such amazing stamina and longevity, the girl with the sexy beauty mark probably deserved better. Yet in reflection, her output, especially in her character years, has been strong and varied, and her realistic take on the whole Hollywood industry quite balanced. Twice divorced with one daughter from her second marriage, Anne adopted (as a single mother) a girl back in 1970 in California. She has long been involved with a metaphysical-based church, channeling her own thoughts and feelings into the inspirational 1982 book "Voices from Home: An Inner Journey". Later, she has spent more time off-camera and involved in such charitable programs as "Direct Relief", "Angel View" and the "Desert AIDS Project", among others. Her health declined sharply in the final years. Diagnosed with lung cancer in 2007, the actress died on January 2, 2011, from complications of pancreatic cancer in a Santa Barbara (California) retirement home.She has no grave, she was cremated and her ashes are in the possession of family.- Actress
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Margaret Hamilton was born December 9, 1902 in Cleveland, Ohio, to Jennie (Adams) and Walter Hamilton. She later attended Hathaway Brown School in Shaker Heights, Ohio, and practiced acting doing children's theater while a Junior League of Cleveland member. Margaret had already built her resume with several performances in film before she came to her most memorable and astronomically successful role, Almira Gulch / The Wicked Witch of the West in The Wizard of Oz (1939). The character is considered to be one of the screen's greatest and most memorable villains of all time.She was cremated and her ashes spread on her Dutchess County, New York estate.- After attending San Jose State University in California, she began her entertainment career as a stand up comic, touring the comedy club circuit. One of her first on-screen appearances was as a recurring member of the cast of the short lived sitcom Thea. Yvette went on to land more on screen roles including Def Comedy Jam, the films House Party 3 and Poetic Justice among many others. Her most noted role was that of Andell Wilkerson on the UPN sitcom Moesha and its spin-off The Parkers. In recent years she managed a record label Fat Daddy Records and worked in real estate. Yvette died at the age of 48, after battling cervical cancer and kidney failure.She was cremated and her ashes scattered.
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Delightful child/juvenile actress Virginia Anna Adelaide Weidler (her friends called her "Ginny") had that knowing gleam in her eye that usually spelled trouble in one form or another for anyone nearby. She was born in Eagle Rock, California, in 1927, one of six children. Her mother was former Wagnerian opera singer Margarete Radon (born Margarete Therese Louisa Meyer), and her father was architect Alfred Weidler.
Virginia nearly made her acting debut at age 3 in John Barrymore's Moby Dick (1930) but was summarily replaced. A year later, she scored her first small movie bit in Warner Baxter's Surrender (1931) and was on her way. One of her brothers, child actor and musician George Weidler, was Doris Day's first husband (from 1946 to 1949).
RKO picked up young Virginia after learning that she could speak a bit of French. The average-looking youngster was ably cast as rural tomboy types in Laddie (1935) and Freckles (1935), the latter film allowing her to do a dead-on parody of Shirley Temple. She earned her first lead in Girl of the Ozarks (1936) and showed she could easily hold her own. After an unimpressive stint with Paramount, who tried to groom her as a rival to Fox's bratty Jane Withers, she was finally picked up by MGM and her film career blossomed. Co-starring with Mickey Rooney in Love Is a Headache (1938), she proved a natural young comedienne and precocious scene-stealer in such films as Out West with the Hardys (1938) (again with Rooney) and Too Hot to Handle (1938).
Little Virginia could also shine in dramatic outings, as she did with The Lone Wolf Spy Hunt (1939) and Bad Little Angel (1939), but she was never a good choice for sappy roles, as demonstrated when she played Norma Shearer's whiny imp of a daughter in The Women (1939). Virginia's forte was providing comedy relief, and she reached her young peak with two classic MGM films: Young Tom Edison (1940), as Rooney's creative sister, and The Philadelphia Story (1940), as Katharine Hepburn's smart-alecky younger sister. Her tongue-in-cheek rendition of "Lydia the Tattooed Lady" at the piano was just one of many memorable highlights from this vintage classic.
The young actress's career started to slip away from her when the teenage Shirley Temple signed with MGM, abruptly bumping "Plain-Jane" Virginia back to secondary status. After rather disappointing receptions to Born to Sing (1942), The Youngest Profession (1943), and Best Foot Forward (1943), the awkward teen left films and turned to vaudeville as a song-and-dance comedy performer, utilizing her full-scale talents as a mimic. She made her legitimate stage debut in "The Rich Full Life" at the John Golden Theatre in 1945, but the show closed within a month.
Soon after, Virginia retired from show business, married, and had two children. She passed away from a heart ailment at 41. After her death it was learned that she had suffered from rheumatic fever as a child.Her mother died shortly after she did in 1968. She was cremated and her ashes put out to sea.- Born Margaret Morlan, for three decades she was featured in films and television under the name Margaret Field and was the mother of two-time Oscar winner actress Sally Field. During World War II, she moved to Pasadena, California, was discovered by a talent scout, took a screen test and was signed to a contract by Paramount Pictures. She soon started appearing in such films as The Big Clock (1948), Samson and Delilah (1949), the cult classic The Man from Planet X (1951), So This Is Love (1953), Inside Detroit (1956) and many others. For television, she racked up more than 70 credits, appearing in shows including The Lone Ranger (1949), Perry Mason (1957), The Twilight Zone (1959), Wagon Train (1957) and The Virginian (1962), before retiring from acting to focus on her family. She died of cancer at age 89, on her daughter Sally's 65th birthday.Upon her death she was cremated and her ashes are in the possession of her daughter, Sally Field.
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Debralee Scott was born in 1953 in Elizabeth, New Jersey, as the youngest of four daughters born to William Henry Scott, Jr. (March 1, 1914, Scranton, Pennsylvania - September 17, 1993, Scranton, Pennsylvania) and Marion Jones (February 11, 1916, Scranton, Pennsylvania - October 1993, Pittston, Pennsylvania); Debralee's older sisters were producer Carol Ann Scott (later known as Scott Bushnell) and Beverly Hills talent manager Jerilyn Scott, and Ardith Lynn Scott, who had died in infancy. When Scott's sisters were young adults, they relocated from Elizabeth, New Jersey, to San Francisco, California.
Scott was raised in Elizabeth, New Jersey, and Stroudsburg, Pennsylvania, where she was a high school cheerleader. In Elizabeth, she worked at a movie theater while she attended a Greek-Latin course at Stroudsburg High School. In 1969, the 16-year-old Scott joined her older sisters in San Francisco; she graduated from Galileo Academy of Science and Technology in 1971 and started acting at the American Conservatory Theater.
Scott's very first acting job was in 1971 as an uncredited extra in "Dirty Harry (1971)"; she played the nude corpse of Ann Mary Deacon, a 14-year-old girl who was kidnapped, raped, and buried alive by the Scorpio Killer. Following this, Scott played the girlfriend of Harrison Ford in "American Graffiti (1973)" ("Ain't he neat?" her character says).
In the mid 1970s, Scott relocated to Los Angeles, California, and got an agent. Scott played semi-recurring character Rosalie 'Hotsy' Totsy on Welcome Back, Kotter (1975). At the age of 22, Scott starred in Mary Hartman, Mary Hartman (1976) as the titular character's younger sister Cathy and reprised the role for the show's sequel Forever Fernwood (1977). After "Forever Fernwood" ended, Scott became a host for celebrity quiz game shows, including The $10,000 Pyramid (1973), Super Password (1984), and Match Game (1973). Scott also acted in Pandemonium (1982) and Police Academy (1984). She was in relationships with Desi Arnaz Jr., Micky Dolenz, Richard Dreyfuss, Jonathan Frakes, Peter P. Lucia Jr., Neal Schon, and Ringo Starr.
In the mid 1990s, Scott became a talent manager for the agency Empowered Artists. On December 15, 1995, she went to the Greenwich Village bar Hogs & Heifers and met her future fiancé, John Dennis Levi, an NYPD officer working for the Port Authority of New York and New Jersey. Over time, Scott lived at Levi's house in Brooklyn, New York, with his mother Joanne Priavity. In 2001, while on a cross-country trip, Levi proposed to Scott at a hotel in Winslow, Arizona, and she accepted. They planned to get married in March 2002, but Levi was killed in the South Tower of the World Trade Center during the September 11 attacks. Heartbroken, Scott became an alcoholic and developed cirrhosis of the liver.
In March 2005, Scott relocated from Brooklyn to Fernandina Beach, Florida, to care for her eldest sister, Carol Ann, who was suffering from emphysema and heart problems. One day, she collapsed and fell into a coma for several days. It was not known what caused the coma. On March 31, 2005, Scott woke up in the hospital, underwent eye surgery, and was released two days later on her birthday, appearing to be fine. Three days later, on April 5, 2005, Scott lay down to take a nap and died in her sleep at the age of 52. An autopsy was performed, but no specific cause of death was listed, and Scott was cremated.ronically, she died in Florida shortly after moving there from New York City to help an ailing sister. One day she collapsed and was in a coma for several days but awoke in the hospital and seemed to be fine for a spell. She was released two days later on her birthday. No explanation was given for the coma, but she seemed fine and in good spirits. Three days later she went to take a nap and never woke up. Cause of death uncertain despite an autopsy. She was cremated- Actor
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Jean-Alexis Moncorgé started his career with 15 years at the theatre and debuted at the "Moulin Rouge" in Paris in 1929. Despite of his rude aspect he knew to be the gentleman of the French cinema in the time between the two World Wars. One of his most popular personalities was inspector Maigret. But he was also able to play all other kind of people: aristocrats, farmers, thieves and managers. He never stopped working and when death surprised him in 1976 he was still an institution for the French audience.After his death the body was cremated and ashes were thrown overboard from the military ship "Détroyat".- Actress
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Musical theater devotees will undoubtedly know that the song "Let Me Entertain You" was from the classic musical "Gypsy", the born-in-a-trunk story of resilient kid troopers Gypsy Rose Lee and June Havoc who were mercilessly pushed into vaudeville careers by an unbearably headstrong mother. While the lesser-talented Gypsy, of course, became the legendary ecdysiast who turned stripping into an art form, sister June survived her "Baby June" vaudeville child days of old and the tougher road of Depression-era dance marathons to become a reputable actress of stage, screen and TV, among other things. While June may have immortalized in "Gypsy," based on her older sister's memoirs, it was a bittersweet notoriety as she felt it was a very unjust, hurtful and highly inaccurate portrait of her. It also caused a deep rift between the sisters that lasted for well over a decade.
The Canadian-born actress (she was born in Vancouver, not Seattle) entered the world in 1912 (some sources insist 1913 or 1916, but Havoc confirmed her true birth date in 2006), the younger daughter of audacious "stage mother" Rose Thompson Hovick and her husband, John Olaf Hovick, a cub reporter for a Seattle newspaper. Baby June was primed for stardom by Rose by age 2 and was soon dancing with the great ballerina Anna Pavlova and appearing in Hal Roach film shorts (1918-1924) with Harold Lloyd. A flexible, high-kicking vaudeville sensation at 5, she was featured front-and-center in an act completely built around her ("Dainty June and Her Newsboys"). Earning around $1,500 a week at her peak, the delightful child star had audiences eating out of the palm of her little hand while sharing the stage with the likes of "Red-Hot Mama" Sophie Tucker and "Baby Snooks" Fanny Brice. The unrelenting pressures and suffocating dominance of her mother, however, led to a capricious elopement at age 13 with a young boy from the act (Bobby Reed, who inspired the dancing character of Tulsa in "Gypsy"). They married in North Platte, Nebraska with each lying about their age. By the time the Depression hit, however, vaudeville, the nation's economy and her marriage had all collapsed.
Now a mother of a young daughter, April (born out of wedlock in 1930, April Kent acted briefly in the 1950s and died of a heart attack in 1998), June made ends meet by modeling, posing and toiling in dance marathons. The blonde, blue-eyed stunner also found work in stock musicals and on the Borscht Belt circuit. She made her Broadway debut in the musical "Forbidden Melody in 1936". Years passed before she earned her big break as Gladys in Rodgers and Hart's classic musical "Pal Joey" opposite Van Johnson and Gene Kelly in 1940. As a result of their scene-stealing work, the trio earned movie contracts - the two men heading off to the MGM studio and June to RKO.
Unlike her male counterparts, June found herself inextricably caught up in "B" level material. Her film debut in the war-era Four Jacks and a Jill (1942) was followed by the equally ho-hum Powder Town (1942) and Sing Your Worries Away (1942), neither requiring much in the line of acting. Her personality was big for the screen due to her broad vaudeville background, but she nevertheless could show some true grit and talent on occasion, particularly with her support role in My Sister Eileen (1942).
For the next few years she experienced both highs and lows. Her Broadway shows were either hits, such as the musical "Mexican Hayride" (1944) (for which she won the Donaldson Award), and the dramatic "The Ryan Girl" (1945), or complete misses, which included a musical version of the Sadie Thompson saga Rain. June's film acting continued to be a stumbling block, scoring best when asked to play brassy, cynical dames. While she fared well as the femme fatale in Intrigue (1947), the racist secretary in Gentleman's Agreement (1947), and the gun moll The Story of Molly X (1949), more often than not, she was handed second-rate fodder to flounder in such as The Iron Curtain (1948), Once a Thief (1950) and Follow the Sun (1951). She appeared on TV in the early 50s, and she received her own short-lived vehicles as a lawyer in Willy (1954) and as host of her own show The June Havoc Show (1964).
After completing her last film Three for Jamie Dawn (1956), June refocused on stage and TV - particularly the former. She earned some of her best reviews both here and abroad in later years: Titania in "A Midsummer Night's Dream," Mistress Sullen in "The Beaux' Stratagem," Sabina in "The Skin of Our Teeth," Millicent in "Dinner at Eight," Jenny in "The Threepenny Opera," Mrs. Swabb in "Habeas Corpus," and Mrs. Lovett in "Sweeney Todd". In 1982 she pulled out all the stops on Broadway and gave a real Rose's Turn as a Miss Hannigan replacement in "Annie".
June expanded her talents to include both playwriting and directing. In addition to "I Said the Fly," she wrote "Marathon '33" (based on her Depression-era struggles) and received a 1964 Tony nomination for directing the play. June became the artistic director of the New Orleans Repertory Theatre in 1970, and later went on tour with her own one-woman show "An Evening with June Havoc". On stage and broaching age 80, the never-say-die actress appeared in a production of "Love Letters" and "An Old Lady's Guide to Survival".
June's mid-career biography "Early Havoc" was published in 1959. Married three times (her last husband, producer/director/writer William Spier died in 1973), June was long estranged from her sister, none too happy with Gypsy's portrayal of her in the best-selling memoir, "Gypsy" and equally dismayed of her Baby June character in the smash musical hit. The girls, noted for their trademark elongated faces and shapely gams, were estranged as children as well, but eventually patched things up for a time as adults. The sisters didn't truly grow close until Gypsy told June that she was dying of lung cancer in 1970. June elaborated more about her relationship with her sister in her second autobiography, "More Havoc" in 1980.
Ms. Havoc died peacefully on March 28, 2010, at her home in Stamford, Connecticut of natural causes. She was 97 years young.he has no grave, upon her death she was cremated and by request her ashes were scattered in the garden of her beloved Connecticut home.- Dorothy Green was born on 12 January 1920 in Los Angeles, California, USA. She was an actress, known for The Big Heat (1953), Bob Hope Presents the Chrysler Theatre (1963) and Tammy (1965). She was married to Dr. Arthur Leo Heller, Sidney Miller, Dr. Sidney Green and William Wade Woodson. She died on 8 May 2008 in Los Angeles, California, USA.She was cremated and her ashes were given to her family.
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Janis Lyn Joplin was born at St. Mary's Hospital in the oil-refining town of Port Arthur, Texas, near the border with Louisiana. Her father was a cannery worker and her mother was a registrar for a business college. As an overweight teenager, she was a folk-music devotee (especially Odetta, Leadbelly and Bessie Smith). After graduating from Thomas Jefferson High School, she attended Lamar State College and the University of Texas, where she played auto-harp in Austin bars.She was nominated for the Ugliest Man on Campus in 1963, and she spent two years traveling, performing and becoming drug-addicted. Back home in 1966, her friend Chet Helms suggested she become lead singer for Big Brother and the Holding Company, an established Haight-Ashbury band consisting of guitarists James Gurley and Sam Andrew, bassist Peter Albin and drummer Dave Getz). She got wide recognition through the Monterey Pop Festival in 1967, highlights of which were released in Monterey Pop (1968), and with the band's landmark second album, "Cheap Thrills". She formed her "Kosmic Blues Band" the following year and achieved still further recognition as a solo performer at Woodstock in 1969, highlights released in Woodstock (1970). In the spring of 1970, she sang with the "Full Tilt Boogie Band" and, on October 4 of that year, she was found dead in Hollywood's Landmark Motor Hotel (now known as Highland Gardens Hotel) from a heroin-alcohol overdose the previous day. Her ashes were scattered off the coast of California. Her biggest selling album was the posthumously released "Pearl", which contained her quintessential song: "Me & Bobby McGee".She was cremated and her ashes were scattered on the Pacific Ocean.- Born in Birmingham, England, Hazel Court carried on a love affair with the world of movies and make-believe that made her a leading student at her hometown's School of Drama and later helped her land a contract with the J. Arthur Rank Organisation. Graduating from bits to supporting roles to leads, Court worked in English films from the mid-'40s until the early 1960s, when she relocated to Hollywood. The flame-haired Court was married to Irish actor Dermot Walsh before she married American actor-director Don Taylor.Upon her death she was cremated and her ashes scattered at sea.
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Known as "The Big Mouth" and considered the female equivalent to Bob Hope, Martha Raye was an American icon in her own right.
She was born Margy Reed in Butte, Montana, to Maybelle Hazel (Hooper) and Peter Reed, Jr., vaudeville performers. She had Irish, German, and English ancestry. Raye made her acting debut before the age of 10 as she toured the nation with her parents variety show "Reed and Hopper". In her late teens she was hired by band-leader Paul Ash as his lead vocalist and was spotted by a Hollywood talent scout during a New York City concert in 1934. She soon relocated to Hollywood were she began making a name for herself appearing in a string of successful screwball comedies alongside the likes of Bing Crosby, Jimmy Durante, W.C. Fields, and Joe E. Brown.
With the outbreak of World War II she took a break from film making to focus on entertaining servicemen and women traveling with the USO on many tour stops. She soon became even more famous for her dedication to America, its values, and its soldiers which helped earn her the beloved nickname "Colonel Maggie".
She continued acting into the late 1980s dividing her time between movies, TV guest spots, and occasional stage appearances. She passed away on October 19, 1994 after a long battle from pneumonia and was buried with full military honors at the Fort Bragg Main Post Cemetery, Fort Bragg, North Carolina. Martha "Colonel Maggie" Raye was 78 years old.Had a temporary falling out with daughter Melodye when Melodye had her father cremated against Martha's wishes.- Carolyn Bessette-Kennedy was born on 7 January 1966 in White Plains, New York, USA. She was married to John Kennedy Jr.. She died on 16 July 1999 in Atlantic Ocean, off the coast of Martha's Vineyard.John, his wife Carolyn Bessette-Kennedy, and her sister Lauren Bessette were all cremated and their ashes scattered off the coast of Martha's Vineyard from the USS John F. Kennedy Naval ship, where the ship was on training duty.
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Mabel King is best-known for the role of Mama on the 1970's sitcom What's Happening!, but she also appeared in the films The Jerk with Steve Martin and The Wiz with Michael Jackson. Before What's Happening!, she portrayed the Wicked Witch of the West in the Broadway version of The Wiz.n 1986, she lost a toe to diabetes. In 1989, she had a stroke, leaving her left side paralyzed and virtually speechless for over a year. She also lost both her legs. In the 1990s, she almost died in surgery during a hip replacement. She was once dropped by an ambulance crew and another time fell out of her wheelchair and fell face first to the floor. She lost some of her top teeth. She died on November 9, 1999, at 3:55 AM EST at the Kaiser Foundation Hospital. She was cremated.- Aileen Wuornos was born on 29 February 1956 in Rochester, Michigan, USA. She was married to Lewis Gratz Fell. She died on 9 October 2002 in Raiford, Florida, USA.After her execution she was cremated, her ashes taken to her native Michigan and spread around a tree.
- Renée Jeanne or Maria Falconetti, born in Pantin (not in Sermano, Corsica, as many film dictionaries wrongly attest) on July 21, 1892 and died in Buenos Aires on December 12, 1946, is a French actress of theater and cinema. Joining the troupe of the Odeon theater in 1916, she made her debut in "l'Arlésienne", and played the heroines of Saint-Georges de Bouhélier "The Life of a Woman", 1919. She made a short passage at the Comédie Française (1924-1925), where she plays Rosine among others in "La Dame aux camélias" and "Lorenzaccio". His last role before a long stay in South America will be that of Andromache in "The Trojan War will not happen", Jean Giraudoux. She remains world famous for having embodied in the cinema the main role of "The Passion of Joan of Arc" by Carl Theodor Dreyer.She was known historically for her one and only film role in The Passion of Joan of Arc. When she died in 1946 she was, coincidentally, cremated.
- Peg Entwistle was born on February 5, 1908 in Port Talbot, Wales at the home of her maternal grandparents, John and Caroline Stevenson because Caroline was to act as midwife. Peg's mother was Emily Stevenson Entwistle and her father was actor/ stage manager Robert Symes Entwistle (1872-1922). They married on November 3, 1904. When mother and child were able to travel, the family returned to their modest home in the London neighborhood of West Kensington where Peg spent the first few years of her life.
Both Robert and his brother Charles Harold Entwistle were actors. This no doubt influenced Peg Entwistle's acting aspirations from a very early age. So much of Robert and Peg's history is tied to Charles because it was Charles who was their lifeline, the one who saved the day, time after time. By 1908 when Peg was born, both brothers were working steadily as actors. Charles Entwistle not only had more experience, he had better contacts. His New York employer was famous stage producer Charles Frohman who, with his two brothers Daniel and Gustave Frohman, owned or had access to over 800 theaters in Europe and the United States. Charles Entwistle trained as an actor in Paris and Heidelberg, but it was his great organizational skills that showed he was best suited to working as a manager and business agent in England. He was accustomed to dealing with actor contracts, touring arrangements, and temperamental theater owners. In 1906, producer Charles Frohman paid Charles Entwistle's way to America and introduced him to the Broadway stage. It was around this time that Frohman gave him the job of managing the great Shakespearean actor Walter Hampden. They became fast friends which lasted until Charles Entwistle's death in 1944. At least once a year, Charles Frohman sailed from New York to Europe, to check on his theaters and to shop for new plays. As a valued employee, Charles Entwistle often accompanied him and was trusted to manage Frohman's affairs in his absence.
Peg's father Robert evidently got enough work as an actor to comfortably take care of his family because while their home was not lavish, it was in a London neighborhood where the homes were slightly upscale. No doubt it probably came as quite a surprise to their family, friends and neighbors when Robert Entwistle decided to divorce his wife Emily in 1910. After a bitter custody dispute, Robert was granted full custody of his two year old daughter. However he lied when he told Peg that her mother had died. Peg believed it, because she never saw her mother again. But, she wasn't dead.
Years later when Robert Entwistle died in 1922, Peg was 14 years old. There was a mysterious statement in Robert Entwistle's Last Will and Testament dated December 15, 1922 in which Robert Entwistle stated: " Millicent Lilian Entwistle is the daughter of my first wife whom I divorced and the custody of my said daughter was awarded to me. I do not desire said daughter to be at any time in the custody or control of her said mother."
If Emily Stevenson were dead, such a statement would not have been necessary at all. Her Uncle Charles verified that her mother did not die in 1910 as she was told, that her parents had divorced in 1910 because Emily Stevenson had been having an affair with an actor named Julius Shaw who later died in 1918 during WWI. This explanation, in part, explains Robert's mysterious statement.
The date of the letter and Will are suspicious because they were dated December 15, 1922, almost 12 years after her mother supposedly died. The date is also suspect because Robert Entwistle was hit by the limo on the evening of November 2, 1922, and was in a coma until he died on December 19, 1922. He was likely heavily medicated due to his injuries which according to the interview Charles Entwistle gave to the New York Times, his ribs and his spine were lodged in his brain. Robert Entwistle could not have been of sound mind to authorize the Will or the letter.
The year 1910 was momentous for King Edward VII too. When he died, everything stopped for about a year. For the coronation of his successor, King George V, celebrations were planned on a grand scale. Charles Entwistle's employer, producer Charles Frohman was chosen for the planning committee to choose and schedule the festivities at His Majesty's Theater in London. To perform Shakespeare's Julius Caesar, the committee chose Robert and Charles Entwistle. Peg, at not quite three years old, had a ringside seat to watch her father and uncle perform for King Edward V and Queen Mary.
When the festivities were over, Charles Entwistle went back to work in New York and Robert stayed in England to raise Peg with help from his family. In 1911, Charles Entwistle, age 45, met successful stage actress Jane Ross, age 26. Their courtship consisted of commuting back and forth between stage work in New York and relaxing at her ranch in Santa Monica, California. They married on June 5, 1912 at her family's home in Ohio. When they returned from their honeymoon, they were hired by the Shubert brothers to tour the United States with one play after another with short and long engagements. In April 1913, Charles and his bride sailed back to England on the SS Olympic so Jane could meet Robert, Peg and the rest of the Entwistle family. His employer, Charles Frohman also happened to be traveling on the SS Olympic. After dinner, Charles Entwistle inquired if Frohman had an open position for his brother Robert. Charles Frohman promised to hire him initially as a stage manager and to bring Robert and his daughter to New York.
Charles Frohman interviewed Robert Entwistle in England and hired him as stage manager in Frohman's New York theaters. Charles, Jane, Robert and Peg sailed from England on the SS Chicago and arrived in New York on July 29, 1913, marking Peg's official move to the US. Various accounts give the year 1916 as the year Robert and Peg 'first' sailed from England to New York on the SS Philadelphia. They did sail on the SS Philadelphia in 1916, but that was not Robert's or Peg's first trip. The reason their names were on the ship's 1916 manifest was because Robert, Peg, new wife Lauretta, Charles and Jane were sailing home to England from New York to attend a family reunion. Further proof was that Robert had been working on plays in the United States several times since 1912 with Charles Frohman's touring companies. It is Jane's diary that documents everyone's movements from 1911 onward when she first met Charles Entwistle, proving that Robert Entwistle and his daughter had sailed to the United States long before the 1916 date.
When Charles Entwistle introduced his new wife to his brother, Robert was bowled over and not so jokingly inquired if she had any sisters. She did.
From July 1913 on, life got busy and stayed busy. Rehearsals began for Robert's Broadway debut in The Younger Generation at Charles Frohman's Lyceum Theater which was scheduled for September 1913. That same month, Robert Entwistle was introduced to Jane's sister Lauretta Ross who would become his second wife. While Robert enjoyed acting and being a stage manager, more than anything he wanted to own his own business and raise a family. He opened a specialty shop on Madison Avenue where he made elaborate gift boxes for wealthy clients.
On July 29, 1914, Robert and Lauretta were married in Clarklake, Michigan. Peg was six years old and stayed with her new Ross relatives while her father and her new mother went on their honeymoon to Niagara Falls. In September 1914, the New York Times reviewed the Broadway production of The Beautiful Adventure with Robert Entwistle's name simply as a mention on the cast list. Meanwhile, Charles and Jane began the transition from stage plays in New York to making motion pictures in California. Charles already made his directorial debut and he felt that films were the next step. Peg spent a lot of time at both her father's home and her uncle's two homes. She was introduced to Jane's Santa Monica ranch, and enjoyed spending time in the stables.
On May 7, 1915, the RMS Lusitania was torpedoed by a German U-boat and over 1198 people were killed. Among the passengers who were killed was Charles Frohman, the Entwistle's New York employer. His body (#24) was recovered the next day. There were several memorial tributes held in the US and in England. Robert, Lauretta and Peg Entwistle attended his funeral with Charles Entwistle's friend Walter Hampden and his wife Mabel Moore. Charles and Jane attended one of the memorials held in California.
Robert and Lauretta had two sons: Milton Ross Entwistle was born in 1917. He died in 2018 at the age of 100. Robert Bleaks Entwistle was born in 1919. He died in 2004 at age 85. Tragedy struck this family again and again: On April 2, 1921, Lauretta died suddenly from meningitis leaving Robert with 14 year old Peg, 4 year old Milton and 2 year old Robert. Charles and Jane came to the rescue to help out as did the Ross family in Ohio and Michigan. Then, a little over a year later, at 10:30pm on November 2, 1922 (Election Day), Peg's father, Robert was struck by a limousine driver on Park Avenue at 72nd Street after leaving his Madison Avenue specialty shop. The limo driver was observed looking at the injured man lying on the ground, then he ran back to the limo and quickly drove away. A man and woman at the scene transported Robert Entwistle to the Accident Ward at Presbyterian Hospital where it was determined that he was in a coma due to his injuries. When he was stabilized, Robert Entwistle was moved to Bellevue Hospital and then moved one last time to Prospect Heights Hospital, a private hospital in Brooklyn. None of the pedestrian observers wrote down the correct license number of the limo. Robert Entwistle lay in coma for 47 days and died on December 18th, 1922 at Prospect Heights Hospital. His brother Charles Harold Entwistle said, when he was interviewed by the New York Times at his Hotel Flanders suite, that Robert's spine was broken in two places and had penetrated the brain which was the actual cause of death. The newspaper reported that Robert was about 50 years old, and left three children: Millicent, age 15, Milton, age 5, and Robert, age 4. His body was taken to Cincinnati and buried next to his second wife Lauretta Ross Entwistle in Oak Hill Cemetery in Glendale, Ohio.
Charles and Jane Entwistle adopted Peg, Milton and Robert. In 1924, they enrolled Peg in Henry Jewett's Repertory School in Boston to study acting. She was one of the Henry Jewett Players and studied with famed director & actress, Blanche Yurka. In 1925, Charles Entwistle's friend and employer, actor Walter Hampden, gave Peg her first Broadway role in his production of Hamlet, starring Ethel Barrymore. It was an uncredited walk-on part where she carried the King's train and brought in the poison cup, but it was enough for Peg to attract the attention of scouts from the prestigious New York Theatre Guild. She was the youngest actress ever to be recruited. At age 17, Peg played the role of Hedvig in the 1925 production of Henrik Ibsen's "The Wild Duck." It was after seeing this play that Bette Davis said to her mother that she wanted to be exactly like Peg Entwistle. She claimed Peg was her inspiration to study acting.
Peg went on to play good supporting roles with Dorothy Gish, Laurette Taylor, Henry Travers, William Gillette, Robert Cummings, Romney Brent, and other famous directors, producers, actors and actresses. George M. Cohan personally directed her in one of his original Broadway comedies. Peg traveled around the country as a representative of the Guild during a special tour celebrating the Theatre Guild's ten-year birthday. The tour was orchestrated by the great Bernard Shaw. Peg received rave reviews in each play, including plays the critics did not like. Her longest running play was the 1927 hit play Tommy starring Sidney Toler. It ran for 232 performances and is the play for which Peg is most remembered.
On April 18, 1927, Peg married actor Robert Keith in the chapel of the New York City Clerk's office. Keith, who was also a writer, notably "The Tightwad," wasn't exactly truthful with her. Nearly a year after they married, Peg learned that Robert had been married twice before and had a son by his second wife that he was now expected to take care of while his mother, stage actress Helen Shipman, toured with plays. In 1928, feeling there was no other choice, Peg became the stepmother of Robert's son, a child actor named Brian, who grew up to become Brian Keith, star of the 1960's TV series Family Affair (aired 1966-1971). Peg divorced Robert Keith in May of 1929 on the grounds of infidelity, cruelty and concealing that he had a child. Robert Keith married again in 1930 to Dorothy Tierney and remained married till he died in 1966 at age 68. His son Brian Keith committed suicide (by gunshot) at age 75 on June 24, 1997. He left a suicide note saying he was in despair about his health problems (lung cancer) and depressed because he missed his daughter Daisy Keith Sampson, an actress who starred with Brian Keith on Heartland, who had committed suicide two months prior on April 16, 1997.
In 1932, after the popular James Barrie revival of "Alice Sit-By-The-Fire" was pulled because of problems with the star actress, Laurette Taylor, Peg Entwistle was brought out to Los Angeles by producers Edward DeBlasio and Homer Curran especially to co-star opposite Billie Burke and Humphrey Bogart in a tryout production of Romney Brent's "The Mad Hopes." The show was a huge smash and Peg was again given accolades. Three days after the production had ended, Peg was in her room at her uncle and aunt's California house at 2428 Beachwood Drive, packing to go back to New York, when RKO Pictures called. They asked if she would come in to do a screen test. She did and was soon signed to a small role in David O. Selznick's Thirteen Women (1932), with Irene Dunne and Myrna Loy. The film was a flop despite the talents of movie stars like Irene Dunne and Myrna Loy. Peg's contract was not renewed.
It was the worst year of The Great Depression. Money was tight for everyone. Peg was broke and had no way to get back to New York. There were no stage roles to be had in Los Angeles. In her mind, with no prospects, everything seemed hopeless. On Friday evening, September 16th, 1932, Peg left a note for her Uncle Charles and Aunt Jane Entwistle saying that she was going to visit friends and to buy some books. On Sunday, September 18th, 1932, a hiker found Peg's coat, one of her shoes and her purse containing her suicide note. The hiker saw her body lying about one hundred feet below the 50-foot tall letter "H" of the Hollywoodland sign. She gathered up Peg's things, went to the Los Angeles Police Department's Hollywood Station and left them on their step. Then the hiker called Central Station to report where she left the items and to give them the location of the body.
When police found her body, they believed that Peg had climbed up a workman's ladder that had been leaning up against the back of the letter "H" and she jumped head-first to her death. The note found in Peg's purse read: "I am afraid, I am a coward. I am sorry for everything. If I had done this a long time ago, it would have saved a lot of pain. P.E." (the initials of her name). An autopsy was performed showing the cause of death was internal bleeding caused by "multiple fractures of the pelvis." No alcohol was present. Because of no identification found in her purse, it took two days for her uncle to recognize the details from a newspaper report and to come forward to identify her body.
Peg's only film credit was Thirteen Women (1932) starring Myrna Loy and Irene Dunne. It was produced by David O Selznick and was released about one month after her death on October 14, 1932.
The nickname, "The Hollywoodland Sign Girl" was given by an editor at the now defunct Los Angeles Herald Examiner newspaper.
Peg is buried in the family plot with her father and her stepmother Lauretta in Oak Hill Cemetery in Glendale, Ohio. (not to be confused with Forest Lawn Cemetery in Glendale, CA).
Charles Harold Entwistle (b. September 5, 1866 - d. April 1, 1944) died at the age of 77. Jane Ross Entwistle (b. December 22, 1885 - d. January 14, 1957) died at the age of 71. Both are buried at Forest Lawn Cemetery in Glendale, CA.
Milton Ross Entwistle was cremated when he died at age 100 on February 1, 2018.
Robert Bleaks Entwistle died on October 31, 2004 at age 85 and is buried in Valhalla Memorial Park in North Hollywood, CA
What a talented family, some of whom met with their own tragic ends. Although she only made one film, it is Peg's stage accomplishments for which she should be most remembered. But unfortunately, she will always be remembered as the only person to ever jump to her death from the Hollywoodland sign.Peg was cremated and her ashes interred in her father's grave. Oak Hill Cemetery, Glendale, Ohio - Section 12, Lot 27, Grave 10. - Actress
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Helen Twelvetrees was born Helen Marie Jurgens in Brooklyn, New York on December 25, 1908. Her interest in the theatricals was apparent at an early age. After graduating from high school. Helen embarked on a stage career. She participated in a number of plays in New York City, but gravitated toward film when she headed to the West Coast in late 1928. In 1929, Helen appeared in her first motion picture called THE GHOST TALKS. That was quickly followed by WORDS AND MUSIC and BLUE SKIES that same year. Through the early thirties, Helen appeared in a number of movies. Audiences appreciated the pixish, little blonde and the roles she played. Perhaps one of her finest roles was a June Perry in STATE'S ATTORNEY (1932) opposite John Barrymore. Helen's character was romantically involved with the district attorney and plays the part with absolute conviction. Helen continued a hectic filming pace until 1936. She filmed five movies in 1935, but played in only THOROUGHBRED in '36. In 1938, Helen went through a drought and made her last film the following year in UNMARRIED. Helen's film career had ended. Through the balance of her life there seemed to be a void. On February 13, 1958, died after she took an overdose of sedatives. She was 49.Her cremated remains are buried in an unmarked grave in the Middletown Cemetery near Harrisburg, Pennsylvania, where she died. Her husband, Conrad Payne was stationed at the former Olmsted AFB at the time of her death. The plot on which she is buried is titled in his name and is located in section "D" of the "new" section of the cemetery.- Writer
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Anaïs Nin was born February 21, 1903 in Neuilly-sur-Seine, a suburb of Paris, France. She moved to the United States in 1914 with her mother, singer Rosa Culmell and two brothers, Thorvald and Joaquin. Her father was Joaquin Nin, a Spanish pianist and composer, who abandoned the family after leaving his family at various intervals in his career to tour Europe and Cuba, when Nin was eleven. Shortly afterward, on the boat Monserrat, Nin began her childhood diary, "Linotte", written as an extended letter to her papa.
Anaïs wanted to be an artist from the very moment she could speak. She loved books, stories, artists, musicians, fine music, good food, and grew accustomed to being surrounded by the sounds of late night bohemian laughter from her parents dinner parties heard from the downstairs parlor before the two were separated. Anaïs was a model for her father's early photographs at this time and used to steal into his study when he was away and read all his books voraciously. She was seriously ill as a child and nearly died twice from various internal organ afflictions. If not for a kind Belgian couple and the care of three Belgian nurses, Anaïs Nin might never have made the impact on literature and the feminist movement that she did later on in life, from her work spanning her Diaries written in the the tumultuous 30's to her eventual critical success in the socially aware 60s and 70s.
In New York, Anaïs loved writing in her diary, dreaming, philosophizing, and recording her thoughts and reflections as she grew into a beautiful young woman with grand dreams and a host of insecurities. She had an active imagination and preferred rainy days of reading curled up with a wonderful book or her diary at the little windowsill seat - and she loved to dance and had a connection to nature heavily influenced by poets like Byron, Blake and the New England Transcendentalists. Her Catholic faith wavered in and out due to philosophical doubts about the meaning of life and suffering, caused by her anguish over her beloved war torn France and the deep rift felt inside her since being uprooted.
After living in New York for nine years, at twenty Anaïs married Hugh Guiler (later known as engravist and filmmaker of "Bells of Atlantis" and "Jazz of lights" Ian Hugo), a banker in the twenties and thirties, and moved back to Paris with him. Nin began writing short stories (later published as Waste of Timelessness) with publication in mind, but felt torn between her duties as a conservative banker's wife and her desire for artistic expression. Nevertheless, it was around this time that Nin published her first work, D. H. Lawrence: An Unprofessional Study (1932), which was well-received.
Then she met self proclaimed gangster-poet 'Henry Miller'(I), a struggling Brooklyn writer in Paris, through her lawyer. Miller and especially his wife, the mythic June Mansfield Miller, enchanted Anaïs by their 'hard' bohemian living and their associations with the crème de la crème of Paris' underbelly (including actor and creator of theatre de cruelte, Antonin Artaud).
She became deeply influenced by writers like Lawrence, Proust, and in particular Djuna Barnes' novel Nightwood. Nin channeled her evolving psycho-sexual impressions of the vicious circle/love triangle between her, Henry and June into the surrealistic prose-poem House of Incest and in her Diaries. She also worked along her compatriots on a dollar a page erotica, later the poetic, emotive bestselling Delta of Venus and Little Birds.
In the mid-to-late 1930s, Nin, Miller, Lawrence Durell and other writers in the Villa Seurat circle who experienced difficulty finding publishers founded Siana Editions (Anais spelled backwards!) to publish their own works. Nin in particular could find no one to publish House of Incest (1936) or Winter of Artifice. In 1939 these books were well-received in Europe. However, when Anaïs eventually moved back to New York City in 1939 with her husband, she found American publishers and the average reading public closed off to her work. Miller achieved critical and commercial success decades before Nin, despite her initial efforts to edit, support and publish him along with her own work. After several years of trying to place her works with American publishers, Nin bought a second-hand printing press with a loan from Bookseller and founder of New York's famed Gotham Book Mart and with the help of Anaïs' latest paramour, Peruvian political activist Gonzalo More, she began to typeset and print her own books. Nin's work eventually caught the attention of critic Edmund Wilson, who praised her writing and helped her on the road to obtaining an American publisher.
It was Nin's Diary, however, that brought her the greatest success and critical acceptance that she was to receive. Nin never intended the two hundred manuscript volumes for publication, and many, including Miller, Rank, Alfred Perles, Durrel and Allendy, tried to convince Anaïs that her obsessive diary writing was destroying her chance at writing the great American novel. However Nin decided she had to "go her own way, the woman's way" and continue her lifelong odyssey of self exploration and reflection through the Diaries. To reconcile fiction and fact Nin eventually began rewriting diary entries into her fiction and vice versa, protecting those who wanted to maintain their privacy (usually lovers) while still writing in her preferred medium.
Nin was involved in the some of the most interesting literary and artistic movements of the 20th century including the outskirts of Paris' 1920's Lost Generation, the psychoanalytic and surrealist movements of the 30s and 40s, the Beat movement of the 50s in Greenwich Village, the avant garde crowd in 60s California and the women's movement of the 70's. She maintained relationships (and kept two bi-coastal "husbands" in the later part of her life) with many vital artists and writers over her lifespan and was in great demand as a lecturer at universities across the United States until she died of cancer in 1977.Was cremated; her ashes were scattered over Santa Monica Bay, California.- Actress
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Born in Philadelphia to a Jewish family, she landed her one and only film role in the 1962 thriller What Ever Happened to Baby Jane? (1962) after winning a contest. After appearing as the young Jane Hudson she never returned to the screen or any other form of acting thereafter due to the religious beliefs of her family. She spent the remainder of her life living in her birthplace of Pennsylvania married to a dentist and later raised a family.Upon her death she was cremated. Her ashes are maintained by the immediate family.- Actress
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Molly Weir was born on 17 March 1910 in Glasgow, Scotland, UK. She was an actress and writer, known for Family Affair (1954), Suspense (1962) and The Lyons Abroad (1955). She was married to Sandy Hamilton. She died on 28 November 2004 in Pinner, Middlesex, England, UK.Cremated, and ashes buried at Loch Lomond, her favourite vacation spot- Actress
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When Ruth Gordon convinced her father, a sea captain, to let her pursue acting she came to New York and studied at the American Academy of Dramatic Arts. She acted in a few silents made at Fort Lee, New Jersey, in 1915. She made her Broadway debut in "Peter Pan" as Nibs the same year. The next 20 years she spent on stage, even appearing at the Old Vic in London in the successful run of "The Country Wife" in 1936. Nearly 25 years after her film debut, she returned to movies briefly. Her most memorable role during this period in the early 1940s was as Mary Todd in Abe Lincoln in Illinois (1940).
She left Hollywood to return to theater. Back in New York, she married Garson Kanin in 1942 (her first husband Gregory Kelly, a stage actor, died in 1927). She began writing plays, and, later, her husband and she collaborated on screenplays for Katharine Hepburn and Spencer Tracy, whose screen relationship was modeled on their own marriage. She returned to film acting during the 1960s. It is during this last period of her career that she became a movie star, with memorable roles in Rosemary's Baby (1968) and Harold and Maude (1971). She wrote several books during the mid-1970s and appeared on TV. She won an Emmy for her role on Taxi (1978) in 1979.- Actress
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Though she is little remembered today, silent screen star Carmel Myers had a high-flying career in her heyday and was ranked among the screen's most glamorous and enticing vamps. She was born at the turn of the century in San Francisco, the daughter of immigrant parents. Her father, a rabbi, emigrated from Australia and her mother from Austria. Her older brother, Zion Myers, would grow up to become a successful writer and director in Hollywood. The family moved to Los Angeles when she was in her early teens and her father, an acquaintance of director D.W. Griffith, advised Griffith on the biblical scenes for his movie Intolerance (1916), for which Carmel received a bit role as a dancer.
Signed by Universal, Carmel rose quickly up the ranks appearing with Rudolph Valentino in A Society Sensation (1918) and All Night (1918). She later branched out and worked for other studios. She appeared in her most prestigious film over at MGM. In the epic extravaganza Ben-Hur: A Tale of the Christ (1925), she portrayed Iras, the evil Egyptian seductress out to snare both Ramon Navarro and Francis X. Bushman. Outrageously adorned, she was a tremendous hit and MGM signed her up for their pictures The Devil's Circus (1926) and Tell It to the Marines (1926), with each showcase striving to outdo the costumes she wore for "Ben-Hur."
Carmel managed the transition into talkies but, due to her age, started appearing more and more in support roles until she was left with nothing but bits. In the 1950s she tried television and made her debut in July 1951 with an interview show called, fittingly, The Carmel Myers Show (1951), in which she bantered with such show biz elite as Richard Rodgers and Sigmund Romberg, but the show lasted only one season. Married three times, she turned to real estate and also founded Carmel Myers, Inc. in which she distributed French fragrances. She died on November 9, 1980.After she was cremated, her ashes were strewn in the Rose Garden at Pickfair.- Valda, the sensitive girl with the lovely smile. In the late 1950s, Valda was doing a play called "Accidentally Yours," when Ed Wood came backstage, and he considered her an ingenue. Ed originally wanted to cast Valda for the short film "The Night the Banshee Cried" (1957), but wound up casting her in her first movie Night of the Ghouls (1959); Valda said during filming that she was "sweet 16 and innocent" (so according to that, she would have been born in 1943). Ed had been impressed with the hand gestures of Bela Lugosi, and had Valda do a scene where she eerily moved her hands with her long, silver fingernails, and it was a quite striking effect. Valda also caught the attention of another famous actor-- Ed had written a zany script "Operation Salami" and Joe E. Brown, who had just finished filming "Some Like It Hot" (1959) wanted Valda for his leading lady (nothing ever came of Ed's proposed movie, and eventually Joe died in 1973). Valda would go on to appear in other movies such as "The Great Northfield Minnesota Raid" and Slaughter's Big Rip-Off (1973), "Bikini Bandits"; "Outer Space"; "Norma"; "Outlaw Riders" and others. Valda retired from acting in the late 1970s, and died in Hollywood in 1993. Valda is still fondly remembered by fans as one of the nicest, sweetest members of Ed Wood's circle of actors.She was cremated
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Phoebe Snow was born on 17 July 1950 in New York City, New York, USA. She was an actress, known for Running with Scissors (2006), Kicking and Screaming (1995) and Noah's Arc: Jumping the Broom (2008). She was married to Philip Kearns. She died on 26 April 2011 in Edison, New Jersey, USA.She was cremated upon her death and her ashes were scattered.- Additional Crew
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Mal Evans was born on 27 May 1935 in England, UK. He was an actor, known for Little Malcolm and His Struggle Against the Eunuchs (1974), Born to Boogie (1972) and The Beatles: Strawberry Fields Forever (1967). He was married to Lily Evans. He died on 4 January 1976 in Los Angeles, California, USA.He was cremated after his death, and his ashes shipped back to England... becoming lost in the mail enroute. John Lennon's wry comment when he heard the news was that Mal likely "wound up in the Dead Letter Department." His ashes were eventually located, and given to his family.- Actress
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Character actress Shirley Booth could play everything in all facets of show business, whether it was Miss Duffy the Tavern Owner's Man Crazy Daughter on "Duffy's Tavern", the sassy maid on TV's Hazel (1961) or the pathetic woman in Come Back, Little Sheba (1952). For those who only know her through her sitcom, it might be hard to believe she was a seasoned theatrical veteran, having appeared on Broadway from 1925-70. She was highly regarded as a stage actress and ranks as one of the premier talents of the 20th-century theatre.Ashes interred with sister.- Debbie Tay was born in 1967. She was an actress, known for Squirt TV (1994) and New Year's Rotten Eve (1994). She died in April 1995.Was cremated after her death. Her friend, Chaunce Hayden brought her cremated remains onto Howard Stern's radio show and Howard rattled her bones and played with her ashes over the air. Debbie's family later sued Stern for the stunt. Stern settled out of court for an undisclosed amount.
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Teguh Karya was born on 22 September 1937 in Pandeglang, Bantam, Dutch East Indies [now Pandeglang, Banten, Indonesia]. He was a director and writer, known for Di Balik Kelambu (1983), Secangkir Kopi Pahit (1985) and Doea Tanda Mata (1985). He died on 11 December 2001 in Jakarta, Indonesia.Cremated and buried in his own yard.- Actress
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Dorothy Earle was born on 4 September 1892 in New Jersey, USA. She was an actress and writer, known for Pioneers of the West (1927), Out All Night (1927) and Slow Dynamite (1925). She was married to Harry Burton Comber de Mattos and Marcel Perez. She died on 5 July 1958 in Los Angeles, California, USA.After her death her remains were cremated and scattered at sea off the California coast. She was married to actor/director Marcel Perez. On April 10, 1920 their son Marcel (Marty) Perez was born. Her husband died sometime between 1929 and early 30s. Dorothy remarried in 1936 to Harry Burton Comber de Mattos. Harry Roy Comber was born to the couple on July 20, 1939. Her credits also include the two-reel comedy series "Tweedle Dee and Tweedle Dum" in which she performed alongside her husband Marcel.- Actress
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Nancy Wake was born in New Zealand but her family moved to Australia when she was 2. She spent her childhood in Sydney and after her studies she traveled to Europe where she worked as a journalist. In 1939 Nancy married French industrialist Henri Fiocca who was killed during the War. Nancy Wake joined the French Resistance with the nickname of "The White Mouse". After having been arrested, she was released but left France for Spain, then England. There, she became a British special agent. On 29th April 1944, Nancy was parachuted into Auvergne (region of France) with the task of helping the resistance to prepare for the armed uprising that was due to coincide with the D-Day landings. She received several medals after the war and worked for the Intelligence Department at the British Air Ministry before coming back to Australia in the 60s after she married John Forward. An English TV movie is based on her story: Nancy Wake (1987).She is expected to be cremated and her ashes spread in Montlucon in central France, the scene of much of her heroism.
Upon her death, she was cremated and her ashes were scattered over Montlucon, France.- The progressive proletarian writer, singer and actress Margarete Steffin was born into a working class family on March 21, 1908 in Rummelsburg, Pomerania in Imperial Germany. Rummelsburg, a part of the Berlin metropolitan area, was the home of the chemical and photographic film maker Agfa AG. (The Versailles Treaty ending World War One officially established the border of Germany with the newly created Poland 15 kilometers to the east of Rummelsbug.) Margarete Emilie Charlotte Steffin's father was a construction worker and her mother took in sewing to produce income. Her parents had two more children, her sister Herta Frieda, who was born in 1909, and a boy, born Hermann Wilhelm Albert born, who died shortly after birth in 1913. Her father was among the first round of draftees conscripted into the German Imperial Army in August 1914.
The young Margarete was a gifted student. When she was 13, an hour-long play in verse she wrote for Christmas was produced by three schools. However, her father did not want her to go on to university (and likely lose contact with her social class), so she got a job with the telephone company Deutschen Telefonwerken after graduating. Politically conscious since a young age, Grete as she was called initially was attracted to the Social-Democratic faction on Germany's left, a humane socialism; later, she drifted further to the left and became a communist and supporter of Joseph Stalin, who had an iron grip on the German Communist Party from the 1930s onward. Stalin would not allow the German Communist Party to form a Popular Front with the more liberal Social-Democrats to resist Adolf Hitler and his Nazi Party, as Stalin believed Hitler would bring on the conditions that would trigger a revolution that would swept the Commnuists to power. It was a fateful miscalculation for tens of millions of Germans, Russians, and countless others.
Steffin's involvement in progressive politics enabled her to join left-wing arts organizations who were at the vanguard of creating art challenging the bourgeois status quo. Art was intricately intertwined with politics in this era. It was there she could indulge her passion for singing and acting. She also worked on putting out a guerrilla newspaper and took Russian language lessons. For the rest of her life, she would be a gifted translator, adept at many tongues.
In the fall of 1927, the 19-year-old Steffin began an ultimately unfulfilling long-term relationship with a young man Herbert Dymkethat led to her first pregnancy and abortion the following year. Fired from the phone company for being a left-winger, she got employment as a bookkeeper at a print shop; on Sundays, she performed solo-recitations. By the time she was the secretary of the Social-Democratic Lehreverband in 1930, she had become pregnant again, which was terminated via abortion.
While working for the "Red Revue" ("Rote Revue") in 1931, she took a speech technique course taught by Helene Weigel, Brecht's common-law wife, at Masch, near Hannover, Germany. Introduced into the Brecht circle at this time, she broke up with Dymke that spring and soon became the lover and then mistress of Brecht after appearing in the role of the maid in a production Brecht's "Mother", under the tolerant eye of Weigel, who was the star of the play.
It is generally known now, though still contested and denied by believers in the solitary nature of genius, that Steffin played the central role in Ruth Berlau Brecht's "work shop" of collaborators between his first major collaborator, Elisabeth Hauptmann (who translated John Gay's 18th century masterpiece The Beggar's Opera (1953) that serves as the basis of The Threepenny Opera (1931) ("The Threepenny Opera", Brecht's most popular work) for Brecht and may have, in fact, written as much as three-quarters of the book without getting proper credit or remuneration, and Ruth Berlau, who took over the role after Steffin's death in 1941. Liek a great 17th century painter, such as Rembrandt, Brecht used a circle of collaborators (students and assistance in Rembrandt's case) to produce the works that he presented to the world under his own name. For while the collaborators did research, translation and drafting of texts, it was Brecht, with his poetic genius, who provided the final strokes or brushwork to create a final draft (as well as provided any songs or poetry on his own, though the great poet was not above purloining other's lyrics and presenting them as his own; Hauptmann most surely wrote the lyrics of the famous "Alabama Song" as Brecht did not speak English at the time, the language the song is written in).
For more than 10 years, Steffin served Brecht and his family, including his wife Wiegel, as secretary (the role usually ascribed to her by Brecht's acolytes), factotum, political sounding-board, mistress, and translator, often to the detriment of her own health. Steffin suffered from tuberculosis, and she often traveled and lived in countries such as Denmark with insalubrious climates to remain at Brecht's side, as the leftist author had to flee Nazi Germany in the mid-1930s. She also maintained relationships with other great thinkers and leftists, such as Walter Benjamin.
Grete Steffin died of tuberculosis in a sanitarium in Moscow in June 6 1941, in the last days of the German-Soviet Non-Aggression Pact (Operation Barbarossa, the Nazi invasion of the Soviet Union, was launched on June 22). Steffin had already raised the money (mostly through her own translations of other writers' works) and made the arrangements by which the Brecht family was able to cross the USSR and go into exile in the United States. Alas, she was never able to join them, and Brecht's productivity -- that is, the quality of the output of his workshop -- declined.
She is now regularly credited as a co-author of Brecht's great classics Mutter Courage und ihre Kinder (1955), Galileo (1974), and Caucasian Chalk Circle (1973), having provided a great deal of preliminary text for Brecht, who polished the final output and presented it as a solo work of his own genius. Steffin collaborated out of love and out of fealty to the collective principle. However, as John Fuegi -- the founder of the International Brecht Society -- pointed out in his iconoclastic 1994 biography "Brecht and Company: Sex, Politics, and the Making of the Modern Drama ", for the great poet, it was a one-way street. No only did he not share credit, he didn't share royalties, which could have made a major difference to Steffin's impoverished family, who lived in poverty in the Democratic Republic of Germany (East Germany) after the war.She died of tuberculosis in a private room at High Hills, the best sanitarium in Moscow, at five minutes to nine in the morning, June 4, 1941. She had received a telegram from her collaborator and erstwhile lover Bertolt Brecht that day, as he and his family made their way across the USSR to seek asylum in the U.S. (The Soviet Union was invaded by its ally, Nazi Germany, in less than three weeks.) Her last words were "Doctor, doctor, doctor." Her friend Maria Osten, who checked in on her each day, arrived two minutes too late to say goodbye to her friend. According to Osten's correspondence with Brecht, an autopsy the following day revealed that her lungs were almost completely eroded by the disease. A plaster cast of her face and hands were made for Brecht, and she was cremated on June 6th. Osten and her child "disappeared" into the Gulag within weeks, and she was shot as a spy on August 8, 1942, according to the NKVD. - Anne Haney held prominent roles acting on stage, on the screen, and on TV. All these achievements came in her mid-40s, after she had raised a daughter and buried a husband. It wasn't until after she had packed her daughter off to college and "the maid quit", as she said, that she decided to try her hand at acting. She was born in Memphis, Tennessee and studied drama, radio and TV at the University of North Carolina, where she met her husband, John Haney. She did apply her schooling briefly at a Memphis television station, but soon settled down with her husband and devoted herself to family life. "I was a lovely faculty wife. We made ambrosia salad. We did good works. We played a lot of bridge", she said of those times. By the 1970s, however, Haney began seeking work in local theatre productions and television commercials. Soon, she was traveling with a touring company performing as the maid in Noël Coward's "Fallen Angels". She toured for two years. Eventually, she joined the Screen Actors Guild and the American Federation of T.V. and Radio Artists. She and her husband had, in fact, planned to move to Southern California after his retirement. She was eager to experience and, she hoped, benefit from the variety and prestige available only in Hollywood. Those plans changed when Mr. Haney died of kidney disease in 1980; Anne Haney made the trek to California, alone. Not long after arriving, she had an agent and a part in the Walter Matthau vehicle Hopscotch (1980). As her career took off, she also secured roles on stage, notably the role of Margaret Fielding in the Theatre West production of "Verdigris". When asked whether she ever dwelled on the prospect that had she begun her career too late, she replied that "this is gravy to me. It's a wonderful way to spend the last third of my life".Cremated. Ashes with family/friend.
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Imogene Coca is best remembered for playing opposite Sid Caesar in the live 90-minute Your Show of Shows (1950), which ran every Saturday night in regular season on NBC from February 1950 to June 1954. Their repertoire of comedy acts included the very memorable, hilarious, timeless and irreconcilable married couple Charlie and Doris Hickenlooper. Coca, however, did not begin her career in comedy. Her father, who was the conductor at a small Philadelphia opera house, and her mother, who performed in vaudeville, certainly instilled in her a desire to perform, but nurtured that desire with piano lessons, vocal training and dance. "I began as one of those horrible little children who sing with no voice," Coca said of her early training. By the time she was 13, she found herself tap dancing, somersaulting (along with various other acrobatics), dancing ballet and otherwise committed full-time as a serious vaudeville trouper. She left Philadelphia at 15 for New York, where she plied her trade as a dancer. She debuted in the chorus of "When You Smile." For the next 30 years music and dance were her staple. She could be found in the troupes of musical revues and doing her own acts in Manhattan clubs, such as the Rainbow Room, the Silver Slipper and Cafe Society Uptown. Her first husband, Robert Burton (who died in 1955), arranged music for many of her performances. Comedy and pantomime filtered into her routines quite by accident. In the production of "New Faces of 1934" Leonard Sillman, the choreographer for the show, loaned her his coat to keep her warm in what was a very cold theater. To augment what warmth she was getting from the oversized coat, Coca, along with three male dancers in the chorus began jumping up and down and improvising dance steps. Stillman noticed them and immediately recognized the comedic affect. He encouraged them to repeat the routine in the show, coat and all, which they did. Although coolly received by the audience at first, eventually the bit had the audience in stitches. Even the critics laughed, crediting Coca with great comedic talent. To hone her skills in what would become her forte in show business, Coca did the next four summers in the Poconos working with Danny Kaye, Carol Channing and the like.
It wasn't until near the end of WWII that she found much work in her new field and it wasn't until January 1949 that she was paired with Caesar in NBC's The Admiral Broadway Revue (1949), a show that aired only until that summer. In the fall of 1950 "Your Show of Shows" was launched on NBC. Coca won an Emmy the following year for her contributions to the program. She and Ceasar left the show in 1954 to pursue individual routes. They did not, however, match the success they enjoyed in "Your Show of Shows." Coca attempted a solo with The Imogene Coca Show (1954), but it lasted only one season. In 1958 Caesar and she paired again on Sid Caesar Invites You (1958); still, it was not the same. Only in 1967 did some of that same magic again occur when the original cast from "Your Show of Shows" reunited on CBS in _The Sid Caesar, Imogene Coca, Carl Reiner, Howard Morris Special (1967) (TV)_; it won an Emmy for outstanding variety special.
Coca starred in two single-season sitcoms in the 1960s: NBC's 1963-64 Grindl (1963) and CBS' 1966-67 It's About Time (1966). In the 1970s she could be found visiting on Dick Cavett's talk show and making guest appearances on The Carol Burnett Show (1967). Thereafter, she appeared only sporadically on TV and in the movies--her most notable appearance was as Aunt Edna in Vacation (1983) with Chevy Chase. Coca and Caesar re-visited some of their old sketches and put together the 1991 show "Together Again", which they toured throughout the country on stage. In her later years Coca and her second husband, actor King Donovan (who died in 1987), lived in Connecticut and Manhattan, staying close to her roots in vaudeville, theatre and "Your Show of Shows."- Actress
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Yvonne De Carlo was born Margaret Yvonne Middleton on September 1, 1922 in Vancouver, British Columbia, Canada. She was three when her father abandoned the family. Her mother turned to waitressing in a restaurant to make ends meet--a rough beginning for an actress who would, one day, be one of Hollywood's elite. Yvonne's mother wanted her to be in the entertainment field and enrolled her in a local dance school and also saw that she studied dramatics. Yvonne was not shy in the least. She was somewhat akin to Colleen Moore who, like herself, entertained the neighborhood with impromptu productions. In 1937, when Yvonne was 15, her mother took her to Hollywood to try for fame and fortune, but nothing came of it and they returned to Canada. They came back to Hollywood in 1940, where Yvonne would dance in chorus lines at night while she checked in at the studios by day in search of film work. After appearing in unbilled parts in three short films, she finally got a part in a feature.
Although the film Harvard, Here I Come! (1941) was quite lame, Yvonne glowed in her brief appearance as a bathing beauty. The rest of 1942 and 1943 saw her in more uncredited roles in films that did not quite set Hollywood on fire. In The Deerslayer (1943), she played Wah-Tah. The role did not amount to much, but it was much better than the ones she had been handed previously. The next year was about the same as the previous two years. She played small parts as either secretaries, someone's girlfriend, native girls or office clerks. Most aspiring young actresses would have given up and gone home in defeat, but not Yvonne. She trudged on. The next year, started out the same, with mostly bit parts, but later that year, she landed the title role in Salome, Where She Danced (1945) for Universal Pictures. While critics were less than thrilled with the film, it was at long last her big break, and the film was a success for Universal. Now she was rolling.
Her next film was the western comedy Frontier Gal (1945) as Lorena Dumont. After a year off the screen in 1946, she returned in 1947 as Cara de Talavera in Song of Scheherazade (1947), and many agreed that the only thing worth watching in the film was Yvonne. Her next film was the highly regarded Burt Lancaster prison film Brute Force (1947). Time after time, Yvonne continued to pick up leading roles, in such pictures as Slave Girl (1947), Black Bart (1948), Casbah (1948) and River Lady (1948). She had a meaty role in Criss Cross (1949), a gangster movie, as the ex-wife of a hoodlum. At the start of the 1950s, Yvonne enjoyed continued success in lead roles. Her talents were again showcased in movies such as The Desert Hawk (1950), Silver City (1951) and Scarlet Angel (1952). Her last film in 1952 was Hurricane Smith (1952), a picture most fans and critics agree is best forgotten.
In 1956, she appeared in the film that would immortalize her best, The Ten Commandments (1956). She played Sephora, the wife of Moses (Charlton Heston). The film was, unquestionably, a super smash, and is still shown on television today. Her performance served as a springboard to another fine role, this time as Amantha Starr in Band of Angels (1957). In the late 1950s and early 1960s, Yvonne appeared on such television series as Bonanza (1959) and The Virginian (1962). With film roles drying up, she took the role of Lily Munster in the smash series The Munsters (1964). However, she still was not completely through with the big screen. Appearances in such films as McLintock! (1963), The Power (1968), The Seven Minutes (1971) and La casa de las sombras (1976) kept her before the eyes of the movie-going public. Yvonne De Carlo died at age 84 of natural causes on January 8, 2007 in Woodland Hills, California.Cremated. Ashes with family.- Actress
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Ginny Tyler was born on 8 August 1925 in Berkeley, California, USA. She was an actress, known for The Sword in the Stone (1963), Doctor Dolittle (1967) and Space Ghost (1966). She was married to Albert Jacobson and Lowell Fenton. She died on 13 July 2012 in Issaquah, Washington, USA.- Actress
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Isuzu Yamada was born on 5 February 1917 in Osaka, Japan. She was an actress, known for Throne of Blood (1957), Yojimbo (1961) and A Cat and Two Women (1956). She was married to Tsutomu Shimomoto, Yoshi Katô, Kazuo Takimura, Ichirô Tsukida and Teinosuke Kinugasa. She died on 9 July 2012 in Inagi, Tokyo, Japan.- Actress
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Ruifang Zhang was born on 15 June 1918 in Baoding, Hebei, China. She was an actress, known for Li Shuangshuang (1962), Feng Huang Zhi Ge (1957) and Along the Sungari River (1947). She died on 28 June 2012 in Shanghai, China.- Actress
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Nan Merriman was born on 28 April 1920 in Pittsburgh, Pennsylvania, USA. She was an actress, known for Closer (2004), Family Theatre (1949) and The Mouth Agape (1974). She died on 22 July 2012 in Los Angeles, California, USA.- Actress
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Keiko Tsushima was born on 7 February 1926 in Nagasaki, Japan. She was an actress, known for Seven Samurai (1954), Shiosai (1975) and Kyatsu o nigasuna (1956). She died on 1 August 2012 in Tokyo, Japan.- Actress
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Elsa Sullivan Lanchester was born into an unconventional a family at the turn of the 20th century. Her parents, James "Shamus" Sullivan and Edith "Biddy" Lanchester, were socialists - very active members of the Social Democratic Federation (SDF) in a rather broad sense - and did not believe in the institution of marriage and being tied to any conventions of legality, for that matter. Her mother had actually been committed to an asylum in 1895 by her father and older brothers because of her unmarried state with James. The incident received worldwide press as the "Lanchester Kidnapping Case."
Elsa had a great desire to become a classical dancer and to that end at age 10 her mother enrolled her at the famed Isadora Duncan's Bellevue School in Paris in 1912. But the uncertainties of WW1 brought her home after only two years. At age 12, she was sent to a co-educational boarding school in Kings Langley, Hertfordshire, England, to teach dance classes in exchange for her education and board. In 1918, she was hired as a dance teacher at Margaret Morris's school on the Isle of Wight.
Next to dance, she loved the music halls of the period, so in 1920 she debuted in a music hall act as an Egyptian dancer. About the same time she founded the Children's Theater in Soho, London and taught there for several years. She made her stage debut in 1922 in the West End play "Thirty Minutes in a Street." In 1924 she and her partner, Harold Scott, opened a London nightclub called the Cave of Harmony. They performed one-act plays by Pirandello and Chekhov and sang cabaret songs. She would later collect and record these and many others. The spot was frequented by literati like Aldous Huxley, H.G. Wells and also James Whale, working in London theater and soon to be directing on Broadway and Hollywood's most famous horror films. Lanchester kept busy including, on her own admission, posing nude for artists. During a 1926 comic performance in the Midnight Follies at London's Metropole, a member of the British Royal family walked out as she sang, "Please Sell No More Drink to My Father." She closed her nightclub in 1928 as her film career began in earnest.
Perhaps not beautiful in the more conventional sense, Lanchester was certainly pretty as a young woman with a turned-up nose that gave her a pert, impish expression, all the more striking with her large, expressive dark eyes and full lips. She had a lithe figure that she carried with the assuredness of her dancing background. Her voice was bright and distinctive, and had a delightful rush and trill that had an almost Scottish burr quality. What clicked on stage would do the same in the movies.
Her first film appearance was actually in an amateur movie by friend and author Evelyn Waugh called The Scarlet Woman: An Ecclesiastical Melodrama (1925). Her formal film debut was in the British movie One of the Best (1927). She continued stage work and became associated in 1927 with a rather self-possessed but keenly dedicated actor, Charles Laughton. He appeared with her in three of four films Lanchester did in 1928. (Three of these were written for her by H.G. Wells). They did a few plays as well and wed in 1929. According to Lanchester, after two years, she discovered Laughton was homosexual but they remained married until his death in 1962. Lanchester declared in a 1958 interview that she kept to a separate career path from her husband. They appeared together on occasion, moving through 1931 with several smart play-like films including Potiphar's Wife (1931) with Laurence Olivier. She had done the play "Payment Deferred" in London in 1930 and followed it to Broadway in 1931.
MGM offered her a contract in 1932. In 1933 Alexander Korda was casting his The Private Life of Henry VIII (1933) and decided that Laughton was the perfect choice - and his wife would be just as perfect as one of Henry's six wives. Her versatility pointed to a part with some comedic elements and fitting more into a caricature. She looked most like Hans Holbein's famous portrait of Anne of Cleves (Henry's fourth wife who was actually somewhat more homely than the painter depicted). In costume Lanchester was charming if not striking. Her interpretation of Anne was a perfect integration with herself, and her scene with Laughton informally playing cards on the marriage bed and deciding on annulment is a high point of the movie.
Of course, it would be hard to mention her film career of the 1930s without mentioning the one role that would forever dog her, Bride of Frankenstein (1935). Having come to Hollywood with Laughton in 1932 (but not permanently until 1939), Lanchester did only a few films up to 1935 and was disappointed enough with Hollywood's reception to return to London for a respite. She was quickly called back by an old friend from London, stage and film associate James Whale, now the noted director of Frankenstein (1931) and The Invisible Man (1933). He wanted her for two parts in Bride: author Mary Shelley and the bride. A central joke of the movie build-up was the tag lines: "WHO will be The Bride of Frankenstein? WHO will dare?"
Indeed, it was no honeymoon for her. For some ten days, Lanchester was wrapped in yards of bandage and covered in heavy makeup. The stand-on-end hairdo was accomplished by combing it over a wire mesh cage. Lanchester was in real agony with her eyes kept taped wide open for long takes - and it showed in her looks of horror. Her monster's screaming and hissing sounds (based on the sounds of Regents Park swans in London) were taped and then run backward to spook-up the effect. She was delightfully melodramatic and picturesque as Wollstonecraft, and her bride would become iconic. Many have considered Bride of Frankenstein (1935) the best of the golden age horror movies.
Lanchester stood out in her next movie with Laughton the next year, Korda's dark Rembrandt (1936), but she only did a few more films for the remainder of the decade. Through the 1940s she was doubly busy - a couple of films per year while regenerating her beloved musical revue sketches. She performed for 10 years at the Turnabout Theater in Hollywood, using old London music hall/cabaret songs and others written for her. Later she would have to split her time further doing a similar act at a supper club called The Bar of Music. By the later 1940s she had become rather matronly, and the roles would settle appropriately. But she always lent her sparkle, as with her charming maid Matilda in The Bishop's Wife (1947). She would be nominated for best supporting actress in Come to the Stable (1949).
She entered the 1950s busy with road touring of her nightclub act with pianist J. Raymond Henderson (who went by "Ray" and who is sometimes confused with popular songwriter Ray Henderson). There was a series of tours to complement Laughton's famous reading tours, called Elsa Lanchester's Private Music Hall which ended in 1952; Elsa Lanchester--Herself which ended in 1961; and once more in 1964 at the Ivar Theater. She was equally busy with a stock of film roles and a large share of TV playhouse theater. She made ten movies with Laughton, the last of which, Witness for the Prosecution (1957) garnered her second supporting actress nomination. But her dizzy Aunt Queenie Holroyd of Bell Book and Candle (1958) is a fond remembrance of that time.
With the two decades from the 1960s to early 1980s, Lanchester was a fixture on episodic TV and an institution in Disney and G-rated fare - perhaps a bit ironic for the unconventional Lanchester. She wrote two autobiographies: "Charles Laughton and I" (1938) and "Elsa Lanchester: Herself" (1983), both recalling her nearly 100 roles before the camera. Lanchester remained humorously reflective in regard to her film career, describing it as "...large parts in lousy pictures and small parts in big pictures." It was the mix of silly, bawdy, and outrageous in her revues that was her great joy: "I was content because I was fully aware that I did not like straight acting but preferred performing direct to an audience. You might call what I do vaudeville. Making a joke, especially impromptu, and getting a big laugh is just plain heaven."Cremated: Her ashes were scattered at sea.- Actress
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Jill Ireland was a British-American actress best known for her appearance as "Leila Kalomi," the only woman Mr. Spock ever loved (in the Star Trek (1966) episode, This Side of Paradise (1967)) and for her many supporting roles in the movies of Charles Bronson. She is also known for her battle with breast cancer, having written two books on her fight with the disease and serving as a spokesperson for the American Cancer Society.
Jill Dorothy Ireland was born in London on April 24, 1936, to wine merchant Jack Ireland and his wife Dorothy, who were fated to outlive their daughter. Young Jill started her entertainment career at age 16 as a dancer, and made her screen debut in 1955, in Michael Powell's Oh... Rosalinda!! (1955). On May 11, 1957, she married actor David McCallum, whom she met on the set of the Stanley Baker action picture Hell Drivers (1957). In the mid-'60s, they moved to the United States so McCallum could star as agent "Ilya Kuryakin" in the TV series The Man from U.N.C.L.E. (1964). She got steady work on American television and would co-star with her husband in five episode of the series in 1964, 1965 and 1967.
Ireland separated from McCallum, with whom she had two biological sons and one adopted son, in June 1965. He filed for divorce in August 1966, and it was finalized in February 1967. On October 5, 1968, she married Charles Bronson, who was 15 years her senior and still several years away from coming into his own as a leading man. They had first met when McCallum introduced them on the set of The Great Escape (1963). With Bronson, she had two children, a daughter born to the couple in 1971, and an adopted daughter. They first co-starred together in the 1970 French movie Rider on the Rain (1970), which made Bronson a major star in Europe (she had first played an uncredited bit part in his movie London Affair (1970), released that same year). They starred in 13 more pictures over the next 17 years, a period during which Bronson and Ireland rivaled Clint Eastwood and Sondra Locke as the most prolific screen couple. During her marriage to Bronson, Ireland appeared in only one TV episode, one TV movie and one theatrical picture that didn't star her husband.
She was diagnosed with cancer in her right breast in 1984 and underwent a mastectomy. She wrote about her battle and became an advocate for the American Cancer Society, which led to the organization giving her its Courage Award. Ireland was presented with the award by President Ronald Reagan. Tragically, she lost her battle with the disease after it metastasized and died at her home in Malibu, California, on May 18, 1990, aged only 54. She was survived by her husband, children, stepchildren, parents, brother, and extended family.Cremated. Ashes with family.- Actress
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This warm and winning, very non-theatrical brunette was born Phyllis St. Felix Thaxter in Portland, Maine, on November 20, 1919. The daughter of Maine Supreme Court Justice Sidney Thaxter, her acting talent came from her mother's side, who was a one-time Shakespearean actress. Phyllis was educated for a time at St. Genevieve School in Montreal and back at Portland's Deering High School.
She apprenticed in summer stock and had joined the Montreal Reperatory Theatre company by the time she made her Broadway debut at age 17 in "What a Life!" in 1939, the "Henry Aldrich" play. She went on to play a maid and to understudy the leading ingénue in "There Shall Be No Night" (1940), which starred America's premiere theatrical couple, Alfred Lunt and Lynn Fontanne, then understudied Dorothy McGuire in the hit dramatic play, "Claudia", later that year. She eventually played the title role both on Broadway and on the road, but lost out on the film role to McGuire.
Hollywood films reached her sights a few years later with the MGM war film, Thirty Seconds Over Tokyo (1944), proving quite convincing as Van Johnson's noble wife. Similar to Margaret Sullavan, June Allyson, Dorothy McGuire and Teresa Wright, Phyllis was depended on as a stabilizing factor in melodramas and war pictures, often the dewy-eyed, altruistic wife, girlfriend or daughter waiting on the home-front.
Other important films included the girl with a split personality in Bewitched (1945), and as a angst-ridden, teary-eyed bride-to-be in Week-End at the Waldorf (1945). She was dutifully wholesome as the daughter who reunites Spencer Tracy and Katharine Hepburn in the movie The Sea of Grass (1947) and evoked tears, yet again, as little Margaret O'Brien's mother in Tenth Avenue Angel (1948). So natural and non-glamorous was she that she tended to blend into the woodwork while the flashier actresses often stole the thunder and the notices.
Audiences did not always fully appreciate Phyllis's understated work. She finished out her MGM contract with Act of Violence (1948), ever-faithful to even the bad guy, this time psychotic gangster Robert Ryan. Phyllis moved to Warner Brothers in the 1950s and played more of the same. The ever-patient wife to a slew of top actors including shady boat skipper John Garfield in The Breaking Point (1950), an alcoholic Gig Young in Come Fill the Cup (1951) and law-abiding Gary Cooper in Springfield Rifle (1952), her nascent career at Warners was suddenly curtailed by illness.
While visiting her family in Portland, she contracted a form of infantile paralysis. Fortunately, she recovered quickly but the ailment triggered the termination of her contract. Film roles were few and far between after this. Still displaying her built-in compassion and concern, her best-known part came with the touching but relatively minor role of farm wife "Martha Kent" in the highly popular Superman (1978) film series with the late Christopher Reeve as her adopted superhero son and Glenn Ford as her husband. She was also a steady guest star on TV with numerous dramatic appearances including The Twilight Zone (1959), The F.B.I. (1965), Cannon (1971), Medical Center (1969), Barnaby Jones (1973) and several TV movies.
Married for nearly two decades to James T. Aubrey (1918-1994), who became president of CBS-TV before taking over MGM, they had three children--including Schuyler, who would become the actress Skye Aubrey. Following the couple's divorce in 1962, Phyllis married Gilbert Lea, who owned Tower Publishing Company in Portland. They eventually retired to Cumberland, Maine, where she involved herself in civic/community activities and dedicated herself to hospital volunteer work.
Phyllis died in Florida on August 14, 2012, at age 92.Cremated, ashes scattered at sea.- Florence Kopleff was born in 1924 in New York City, New York, USA. She died on 24 July 2012 in Atlanta, Georgia, USA.
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Diller put out an autobiography in 2005 in her late 80s, and entitled it "Like a Lampshade in a Whorehouse", which pretty much says it all when recalling the misfit life and career of the fabulous, one-of-a-kind Phyllis Diller. It may inspire all those bored, discouraged and/or directionless housewives out there to know that the one-time 37-year-old chief bottle washer and diaper disposer of five started out writing comedy routines for her fellow female laundry mates as a sort of reprieve from what she considered her everyday household doldrums. Little did she know she would wind up an entertainment legend who would share the biggest comedy stages with the likes of Bob Hope, George Burns and Jack Benny.
They said it couldn't be done back then (to be a successful lady comic, that is) but the doyenne of female stand-up did just that -- opened the doors for other odd-duck funny girls who dared to intrude on what was considered a man's profession. Initially, the comedienne whipped up an alter-ego that could have only been created with the aid of hallucinogens. Boldly facing the world as a scrawny, witchy-faced, flyaway haired, outlandishly costumed, cigarette-holding, magpie-cackling version of "Auntie Mame", Diller made a virtue out of her weird looks and cashed in on her wifely horror tales and her own idiosyncratic tendencies. Her solid fan base has been thriving now for over five decades.
She was born Phyllis Ada Driver on July 17, 1917 in Lima, Ohio to Perry Marcus and Frances Ada (Romshe) Driver. A student at Lima's Central High School, she went on to study for three years at the Sherwood Music Conservatory in Chicago, before transferring to Bluffton (Ohio) College where she served as the editor of the school's more humorous newspaper articles. She was a serious student of the piano but was never completely confident enough in her performance level to try and act on it as a possible career.
She wed Sherwood Anderson Diller at age 22 in November 1939 and had six children (one of whom died in infancy). On the sly, she was an advertising copywriter. During World War II, the family moved to Michigan where her husband had found work at the Willow Run Bomber Plant. A natural laugh-getter, she began writing household-related one-liners and the feedback from the fellow wives greatly encouraged her. When the family moved to California for job-related reasons, Diller became a secretary at a San Francisco television station. By this time, she had built up the courage to put together a nightclub act.
The local television hosts at the station (Willard Anderson and Don Sherwood) thought her act was hilarious and invited her on their show in 1955. Not long after, at age 38, Diller made her debut at San Francisco's Purple Onion nightclub. What was to be a two-week engagement was stretched out to more than a year and a half. The widespread publicity she received took her straight to the television talk and variety circuits where she was soon trading banter with Jack Paar, Jack Benny and Red Skelton, among others, on their popular television series. She was a contestant on Groucho Marx's popular quiz show You Bet Your Life (1950).
Throughout the 1960s, audiences embraced her bold and brazen quirkiness. Diller formed a tight and lasting relationship with Bob Hope, appearing in scores of his television specials and co-starring in three of his broad 1960s comedy films (Boy, Did I Get a Wrong Number! (1966), Eight on the Lam (1967) and The Private Navy of Sgt. O'Farrell (1968). Diller joined Hope in Vietnam in 1966 with his USO troupe.
Her celebrity eventually took its toll on her marriage. She separated from and eventually divorced Sherwood in 1965, who had, by this time, become a favorite topic and target of her act in the form of husband "Fang". That same year, she married singer, film actor and television host Warde Donovan who appeared with her in the slapstick movie Did You Hear the One About the Traveling Saleslady? (1968). They divorced in 1975.
By this time, Diller was everywhere on the small screen. A special guest on hordes of television series and comedy specials and, especially on such riotfests as Laugh-In (1977) and the Dean Martin celebrity series of roasts, she became a celebrity on the game show circuit as well, milking laughs on such established shows as The Hollywood Squares (Daytime) (1965) and The Gong Show (1976). She published best-selling comedy records to her credit and humorous anecdotes to pitch that made it to the bookstore shelves, such as "Phyllis Diller Tells All About Fang". However, stand-up remained her first love.
Her forays on television in her own series were, regretfully, unsuccessful. Her first television series, The Phyllis Diller Show (1966), had her pretty much pulling out all the stops as a wacky widow invariably scheming to keep up a wealthy front despite being heavily in debt. She had the reliably droll Reginald Gardiner and cranky Charles Lane as foils and even Gypsy Rose Lee, but to little avail. Revamped as "The Phyllis Diller Show", several of comedy's best second bananas (John Astin, Paul Lynde, Richard Deacon, Billy De Wolfe, Marty Ingels) were added to the mix, but the show was canceled after a single season. A second try with The Beautiful Phyllis Diller Show (1968), a comedy/variety show that had the zany star backed by none other than Rip Taylor and Norm Crosby, lasted only three months.
Seldom did she manage or receive offers to take her funny face off long enough to appear for dramatic effect. Somewhat more straightforward roles came later on episodes of Boston Legal (2004) and 7th Heaven (1996). Back in 1961, interestingly enough, she made both her stage and film debuts in the dramas of William Inge. Her theatrical debut came with a production of "The Dark at the Top of the Stairs" and she appeared first on film in the highly dramatic Splendor in the Grass (1961), lightening things up a bit with a cameo appearance as larger-than-life nightclub hostess Texas Guinan. Diller later impressed with her harridan role in the film The Adding Machine (1969) opposite Milo O'Shea.
Diller enjoyed a three-month run on Broadway in "Hello, Dolly!", co-starring Richard Deacon and appeared in other shows and musicals over time: "Wonderful Town" (she met her second husband Warde Donovan in this production), "Happy Birthday", "Everybody Loves Opal" and "Nunsense". In 1993, Diller was inducted into the St. Louis Walk of Fame. Her cackling vocals have enhanced animated features, too, what with Mad Monster Party? (1967) and A Bug's Life (1998). It took a heart attack in 1999 to finally slow down the comedienne and she eventually announced her retirement in 2002.
Aside from the baby who died in infancy, Diller was also predeceased by her eldest son, Peter (who died of cancer in 1998) and her daughter, Stephanie Diller (who died of a stroke in 2002). Her surviving children are Sally Diller, Suzanne Sue Diller and Perry Diller. As late as January 2007, she made an appearance on The Tonight Show with Jay Leno (1992). She was set to return on her 90th birthday in July but a back injury forced her to cancel. She died at age 95 of heart failure on August 20, 2012 in her home in Brentwood, California.Cremated: Ashes with family. According to the tabloids, her ashes are to be scattered in the Pacific Ocean privately. In 1996, her boyfriend lawyer Robert Hastings who was described as the love of her life died after a 10 year relationship. He was cremated and his ashes were also scattered in the Pacific Ocean.- Actress
Anita Linda was born Alice Buenaflor Lake in Pasay City, Manila, Philippines. Her parents were James Lake, an American mining engineer, and Gorgonia Buenaflor of Iloilo. She attended Polo Elementary School and graduated from Good Shepherd Convent High School. She married actor Fred Cortes, with whom she had a son, actor Fred Cortes Jr..
Before WWII, a teenaged Alice, while watching a stage show at the Avenue Theater starring Leopoldo Salcedo and Lopito, was called backstage by director Lamberto V. Avellana and asked if she wanted to become an actress. There must have been something in her that the renowned director saw as she sat watching the show. She demurred that, being Visayan, she couldn't speak Tagalog. The director, nevertheless, told her to report for rehearsals for the next show. When she failed to appear he had her fetched. This is how she became an actress.Cremated: Ashes with family/friend.- Actress
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Rosita Serrano (birth name Maria Martha Esther Aldunate Del Campo) was a Chilean singer and actress, who had large success in Germany in the 1930s and 1940s. Because of her bell-bright voice she received the surname "Chilean nightingale". She was the daughter of the diplomat Héctor Aldunate and the opera singer Sofia del Campo, with whom she moved during the 1930s to Europe, at first to Portugal and France, and then, since 1936, to Berlin. She started to sing in the Winter Garden and in the Metropol theatre, and charmed the audience with Chilean popular songs. The German composer Peter Kreuder discovered her and she obtained a contract with Telefunken. From now on she sang particularly in German language and songs like "Roter Mohn", "Schön die Musik", "Küß mich, bitte, bitte, küß mich", "Und die Musik spielt dazu", "Der Onkel Jonathan", and "Der kleine Liebesvogel" became successful hits. Starting from 1938 she also got roles in movies such as Bel Ami (1939), The Stars Shine (1938), The Wise Mother in Law (1939) and Herzensfreud - Herzensleid (1940). Besides, she performed on tour with two of the then most successful dance orchestras - Kurt Hohenberger's and Teddy Stauffer's . One of her best-known hits is the classic 'La Paloma', included in 'Wolfgang Petersens' ' Das Boot (1981) and Bille August's The House of the Spirits (1993)'s soundtracks. In 1943 her career had an arrest: while she was on tour in Sweden, she was charged with espionage in Germany, because she had supported Jewish refugees with the incomes from a charity meeting. She didn't return to Germany to avoid the arrest, and her songs and movies remained on the black list of the Nazi regime until the end of the war. From Sweden she returned to Chile, then she tried to start a career in the USA, but she met hostility since she also had German songs in her repertoire. In 1951 returned to Germany, but had only moderate success. She participated in the German motion picture films Dark Eyes (1951) and Saison in Salzburg (1952), and later she had only few appearances in German maintenance transmissions. A comeback attempt in 1957 on tour with Kurt Hohenberger didn't have a great success. She died in 1997, in extreme poverty, in Chile, where she had spent the last years of her life.Cremated: Ashes scattered.- Actress
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Resembling Hedy Lamarr with her brunet sultry looks, beautiful second-string actress Patricia Dane possessed a rough and rowdy exterior, which worked much better for her in front of the camera than off of it. Born Thelma Patricia Ann Pippen in Jacksonville, Florida, her father died shortly after her birth and the infant was placed in the care, for a time, of her grandparents. When her mother remarried a man named Byrnes, young Thelma went back to live with her and was raised with the new name of Thelma Byrnes.
Following graduation from Andrew Jackson High School in Jacksonville, Patricia entered the University of Alabama. She moved to New York in 1938 with the intentions of being a fashion designer, but her dark-eyed beauty instead led her to instant money with modeling jobs. This opened a few doors and she quickly got caught up in the New York whirlwind "high life," becoming known around town as a feisty party girl.
Cast in her first role as a well-endowed Ziegfeld Girl in MGM's splashy, musical aptly named Ziegfeld Girl (1941), the studio immediately signed her up. She made minor impressions in Life Begins for Andy Hardy (1941) and as gangster Robert Taylor's girl in Johnny Eager (1941), which led to co-star billing in the "B" films Grand Central Murder (1942), as a volatile, cold-hearted actress who meets a nasty end, _Northwest Rangers (1942) and _Manhattan Melodrama (1942)_.
Patricia was squired about town with a number of eligible bachelors but on April 8, 1943 she became Mrs. Tommy Dorsey. Following a role in the Red Skelton vehicle I Dood It (1943), she left films per the renowned bandleader's insistence. The marriage was stormy to say the least, with some grand knockout fights that made headlines as both were pretty wild tipplers (she would often refer themselves as "The New Battling Bogarts"). This marriage had little chance for survival and on August 26, 1947 it was finished. She never remarried.
Patricia could now return to films and did so with the minor entries Joe Palooka in Fighting Mad (1948) and Are You with It? (1948). Nothing came of it. She made more unattractive news in 1949 when she and MGM actor Robert Walker were arrested for driving erratically, public drunkenness and resisting arrest. After this, all she could find were unbilled parts in Road to Bali (1952) and A Life of Her Own (1950).
Moving to Blountsown, Florida, Patricia's life quieted down considerably becoming, of all things, a librarian in town. She died completely out of the limelight of lung cancer on June 5, 1995.Cremated, Ashes scattered, at Jacksonville Beach, Florida.- Actress
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Dame Judith Anderson was born Frances Margaret Anderson on February 10, 1897 in Adelaide, South Australia. She began her acting career in Australia before moving to New York in 1918. There she established herself as one of the greatest theatrical actresses and was a major star on Broadway throughout the 1930s, 1940s and 1950s. Her notable stage works included the role of Lady Macbeth, which she played first in the 1920s, and gave an Emmy Award-winning television performance in Macbeth (1960). Anderson's long association with Euripides' "Medea" began with her acclaimed Tony Award-winning 1948 stage performance in the title role. She appeared in the television version of Medea (1983) in the supporting character of the Nurse.
Anderson made her Hollywood film debut under director Rowland Brown in a supporting role in Blood Money (1933). Her striking, not conventionally attractive features were complemented with her powerful presence, mastery of timing and an effortless style. Anderson made a film career as a supporting character actress in several significant films including Alfred Hitchcock's Rebecca (1940), for which she was Oscar nominated for Best Supporting Actress. She worked with director Otto Preminger in Laura (1944), then with René Clair in And Then There Were None (1945). Her remarkable performance in a supporting role in Cat on a Hot Tin Roof (1958) fit in a stellar acting ensemble under director Richard Brooks.
Anderson was awarded Dame Commander of the Order of the British Empire in the 1960 Queen's New Year's Honours List for her services to the performing arts. Living in Santa Barbara in her later years, she also had a successful stint on the soap opera Santa Barbara (1984) and was nominated for a Daytime Emmy Award in 1984. In the same year, at age 87, she appeared in Star Trek III: The Search for Spock (1984) as the High Priestess, and was nominated for a Saturn Award for that role. She was awarded Companion of the Order of Australia in the 1991 Queen's Birthday Honours List for her services to the performing arts. Anderson died at age 94 of pneumonia on January 3, 1992 in Santa Barbara, California.Cremated, Ashes with family or friend.- Additional Crew
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It has been rightly suggested that Dame Ninette de Valois is one of the most important women of the century. It was due to her drive and ambition that the modern English ballet was created. In that respect she changed history single handed. Born in Ireland, young Ninette (her stage name was her mother's suggestion) came to England aged 7 to study dance.
At that time (1905) the only ballet seen in England was touring Russian or French companies. Inspired by a perfromance of the Ballets Russes under Diaghilev, she joined them in 1923. By the mid 1920's she was convinced that Britain needed and should be capable of producing it's own National Ballet and she set about working towards it with a single minded determination.
By 1926 she opened her first school in London, called the Academy of Choreographic Arts. By the early 1930s she had, with the help of Lillian Bayliss, the director of The Old Vic that the theater needed it's own ballet company and school. With help from Lillian Bayliss, Madame (as she was known by her pupils), bought the old Sadler's Wells Theatre and opened her new Ballet School there.
As well as starting the new theatre and ballet school she also found time to choreograph such works as The Rake's Pregress (based on the Hogarth prints) for the new company. She soon attracted quite a few talented people around her including the young Frederick Ashton.
By 1934 the new theatre and ballet school were in full operation and they produced full length ballets such as Giselle and Copellia (featuring Alicia Markova). That year a young dancer may have been found in the ranks by the name of Margot Fonteyn. de Valois had realised from the beginning that the only way to make a truly British Ballet was to have a complete system in place from school to stage.
She had developed what came to be known as the English Ballet style of narrative, lyrical ballet and this was taught in the school. She was also still an innovative choreograph such innovative works as Checkmate (1937). During the years of the second world war they toured extensively and became a major morale booster.
For all her work Ninette was created a Dame of the Order of the British Empire in 1951. In 1955 she started a new ballet school in White Lodge, Richmond Park, Surrey. Away from the busy metropolis the Royal Ballet (as they had become) had a perfect home here. Although retired since 1963, Dame Ninette is still a powerful force in the world of ballet.Cremated, Ashes scattered.- Writer
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Miep Gies was born on 15 February 1909 in Vienna, Austria. She was a writer, known for Anne Frank: The Whole Story (2001), The Attic: The Hiding of Anne Frank (1988) and Anne Frank Remembered (1995). She was married to Jan Gies. She died on 11 January 2010 in Abbekerk, Noord-Holland, Netherlands.Cremated, Ashes with family or friend.