Best Horror Movie Actors
The actors I would watch in any movie
List activity
490 views
• 0 this weekCreate a new list
List your movie, TV & celebrity picks.
10 people
- Actor
- Producer
- Writer
William Lambert Moseley (born November 11, 1951) is an American film actor and musician who has starred in a number of cult classic horror films, including House of 1000 Corpses (2003), Repo! The Genetic Opera (2008) and The Devil's Rejects (2005). His first big role was in The Texas Chainsaw Massacre 2 (1986) as Chop Top. On the HBO TV series Carnivàle (2003), Moseley had a recurring role as camp cook "Possum". He has released records with guitarist Buckethead in the band Cornbugs, as well as featuring on the guitarist's solo work.- Actress
- Producer
- Writer
Debbie Rochon grew up in British Columbia, Canada. She was a child of the streets and victim of much abuse until she accidentally ended up in a featured extra role in Paramount's Ladies and Gentlemen, the Fabulous Stains (1982)!
The event changed her life, and she saved enough money to move to New York City and study acting. After many years working with numerous theater companies in off-Broadway plays, she started to land small roles in films. Spike Lee's editor Barry Alexander Brown cast her in a featured role in his first directing effort, Lonely in America (1990). Soon the parts grew bigger and bigger and primarily fell in the fear flick genre.
After spending three months as a featured extra on the 1980 filmed Ladies and Gentlemen, the Fabulous Stains (1982) movie set, Debbie was still a fledgling actor but took on the female lead in the Leonard Melfi one act play Ferryboat. It was indeed synchronicity for Debbie to cut her acting teeth on a play about the Staten Island Ferry, by 1984 she moved from her home town of Vancouver, B.C. to New York City. For the rest of the 1980s she spent most of her time studying acting at Michael Chekhov Studios under Ted Pugh, Lee Strasberg Institute under Penelope Allen, NYC's Chicago City Limits under David Regal and H.B. Studios under William Hickey, Carol Rosenfeld and Uta Hagen. Debbie spent all her time working in plays on Theatre Row in NYC, mostly in new works by playwrights and shooting NYU thesis films with burgeoning filmmakers. By 1988 she started to land small roles with grind-house indie filmmakers Roberta Findlay and Chuck Vincent. She made two films with each film maker by 1989, in both cases they would be the last, or close to very last, films both directors would helm before retiring. By the early 1990s, Debbie was working with multiple theatre companies in NYC including The Tribeca Lab where she played multiple characters in Stephen DiLauro play The Secret Warhol Rituals. In 1993 Debbie began her career in radio co-producing and co-hosting Oblique Strategies on the terrestrial channel WBAI. 1994 was the beginning for Debbie to land lead roles in film. Abducted II: The Reunion (1995) would be the first, and in 1995 she co-stared in her first Troma produced film Tromeo and Juliet (1996) co-directed by James Gunn and Lloyd Kaufman. This would also be the year Debbie would be given her first writing column which appeared in The Job Bob Report, published by John Bloom. She would also pen for numerous genre publications including Mad Movies (France), Femme Fatales, SQI and Chiller Theatre. Of the multiple movie roles she would portray by decade's end it would be Hellblock 13 (1999), co-staring Gunnar Hansen, that would begin the wheels turning for a new type of role she would soon be known for. During the 1996-1998-time frame Debbie would co-produce and co-host Illumination Gallery for the internet's first on-line radio station Pseudo Radio. In 2000 director Jon Keeyes cast Debbie in the now cult classic American Nightmare (2002) which garnered much acclaim with legit reviewers and audiences alike. Her role as Jane Toppan would solidify her as a go-to actor for roles of the off-kilter and intense kind. By 2002 Debbie began working for Full Moon Entertainment, starring in four feature films with the company. She continued to write for genre publications and contributed chapters to horror themed books. In 2005 Debbie joined forces with what was then known as Scream TV. The company bought Fangoria magazine and Debbie began producing short documentaries including Fangoria Presents: Slither Behind the Scenes (2006). In 2006 they launched Fangoria Radio for Sirius/XM where she co-produced and co-hosted the show with Twisted Sister front-man Dee Snider until 2010. The following year Debbie was granted her own column in the magazine called Diary of the Deb, the first column written by a woman for the publication, it was nominated for three Rondo Hatton Classic Horror Awards for best column, winning the esteemed statue in 2014. During this decade Debbie also gave critically acclaimed turns in works inspired by some of her favorite classical writers; Tales of Poe (2014) (Edgar Allan Poe), Mark of the Beast (2012) (Rudyard Kipling) and Colour from the Dark (2008) (H.P. Lovecraft).
Debbie appeared on the VH1 reality TV show Episode #2.4 (2010) as a guest judge in 2010. In 2012 she served, with Mira Sorvino, Gabrielle Miller, Tamar Simon Hoffs and Lana Morgan, as part of the first all-female jury at the Oldenburg International Film Festival in Germany. The same year Debbie had her directorial debut with the extreme body-horror film Model Hunger (2016). ETonline.com hailed Debbie as one of the "40 Top Scream Queens of the Past 40 Years" in 2018. Debbie's last writing column, Debbie Rochon's Bloody Underground, appeared in the Italian published magazine Asylum. Debbie continues to act in feature films, is writing her book and prepares for her sophomore directing project. She has also began recording a new podcast called Obscurities. She was awarded, as the first female recipient, the Countess Dracula (formerly Count Dracula) award by the Dracula Film Festival 2020 which takes place in Romania.- Actor
- Producer
- Additional Crew
Brian O'Halloran was born on 20 December 1969 in New York City, New York, USA. He is an actor and producer, known for Clerks (1994), Mallrats (1995) and Clerks II (2006).- Actress
- Producer
- Additional Crew
Sheri Moon Zombie was born Sheri Lyn Skurkis. She is the daughter of Carol A. and William B. Skurkis, and has Lithuanian and Polish ancestry. She was raised in Torrington, Connecticut, from a young age. In her late teens, Sheri moved to California, but continued to spend a great deal of time in the New England state, due to education and work commitments. Throughout her twenties, Sheri was a model and a dancer, appearing in many music videos. These were mostly for her then-musician boyfriend, Rob Zombie, whom she later married in 2002 on Halloween. Sheri didn't start acting until 2002, when she landed the role of "Baby" in the horror, House of 1000 Corpses (2003), which was directed by her now-husband, Rob Zombie. This was her first role in a number of commercially successful horror flicks that he directed, including The Devil's Rejects (2005), Halloween (2007) and Halloween II (2009), as well as a brief film segment for Grindhouse (2007) called "Werewolf Women of the SS". She also had an additional role in Tobe Hooper's Toolbox Murders (2004). Her next film role is The Lords of Salem (2012), which is to be directed by Rob Zombie. Further to her movie roles, she has starred in one episode, each, of Californication (2007) and CSI: Miami (2002), the latter being directed by her husband. She has also lent her voice to a character in the animated film, The Haunted World of El Superbeasto (2009), again directed by her husband. Her early roles led to USA Today describing her, in 2007, as one of the modern era's "Scream Queens", with this colourful image still persisting in 2011. Unlike many "Scream Queens", Sheri has acquired a large male fanbase, due to certain roles allowing her to exhibit her natural beauty and shapely figure. Finally, in addition to her acting success, she has ventured into the world of clothing design, with her obvious talent finally bursting through. The range is known as "Total Skull" and includes a variety of short sleeve and long sleeve T-shirts for both men and women, as well as hats, hoodies, masks, bandanas and scarfs.- Actor
- Producer
- Writer
Michael Madsen is an enigmatic force in the entertainment industry, widely regarded as one of the most intense and compelling actors of our time. With an electrifying presence both on and off the screen, Madsen has captivated audiences worldwide with his mesmerizing performances, making an indelible mark on the realm of cinema. Known for his rugged charm and brooding charisma, Madsen has perfected the art of bringing complex characters to life, seamlessly transitioning between nuanced vulnerability and unbridled intensity. Michael Madsen continues to command attention and leave an indelible impact on the industry.
Born with an innate talent for acting, Madsen's journey in the entertainment industry has been nothing short of extraordinary. His powerful performances have earned him critical acclaim and a dedicated fan base, cementing his status as a true Hollywood icon. Madsen's distinctive ability to effortlessly portray characters with a captivating blend of sensitivity and grit has led to collaborations with renowned directors and fellow actors, garnering him numerous accolades and nominations. His unparalleled versatility has allowed him to effortlessly navigate between genres, delivering unforgettable performances in films such as "Kill Bill: Vol. 1," "Thelma & Louise," and "Donnie Brasco," among others.
Beyond his remarkable acting career, Michael Madsen's multifaceted talents extend to other creative endeavors. An accomplished poet, he has published several volumes of poetry, revealing a profound depth and introspection that mirrors the complexity of his on-screen persona. With an unparalleled body of work and an undying passion for his craft, Michael Madsen remains an indomitable force, continuously pushing the boundaries of cinematic storytelling and leaving an indelible mark on the entertainment landscape.- Actress
- Producer
The most beautiful star of the greatest horror masterpiece of Italian film, Black Sunday (1960): Barbara Steele was born on December 29, 1937 in Birkenhead, Cheshire, England. Barbara is loved by her fans for her talent, intelligence, and a dark mysterious beauty that is unique; her face epitomizes either sweet innocence, or malign evil (she is wonderful to watch either way). At first, Barbara studied to become a painter. In 1957, she joined an acting repertory company. Her feature acting debut was in the British comedy Bachelor of Hearts (1958). At age 21, this strikingly lovely lady, with the hauntingly beautiful face, large eyes, sensuous lips and long dark hair got her breakout role by starring in Black Sunday (1960), the quintessential Italian film about witchcraft (it was the directorial debut for cinematographer Mario Bava; with his background, it was exquisitely photographed and atmospheric).
We got to see Barbara, but did not hear her; her voice was dubbed by another actress for international audiences. After its American success, AIP brought Barbara to America, to star in Roger Corman's The Pit and the Pendulum (1961); (though the film was shot entirely in English, again Barbara's own voice was not used). By now, Barbara was typecast by American audiences as a horror star. In 1962, she answered an open-casting call and won a role in Federico Fellini's 8½ (1963); she only had a small role, but it was memorable. Reportedly, Fellini wanted to use her more in the film, but she was contracted to leave Rome to start work on her next horror movie, The Horrible Dr. Hichcock (1962). Being a slow and meticulous director, Fellini's 8½ (1963) was not released until 1963. (Later, when Barbara was cast in lesser roles in lesser movies, she would tell the directors: "I've worked with some of the best directors in the world. I've worked with Fellini!")
More horror movies followed, such as The Ghost (1963), Castle of Blood (1964), An Angel for Satan (1966) and others; this success lead to her being typecast in the horror genre, where she more often than not appeared in Italian movies with a dubbed voice. The nadir was appearing in The Crimson Cult (1968), which was mainly eye candy, with scantily-clad women in a cult. Unfortunately, Barbara got sick of being typecast in horror movies. One of the screen's greatest horror stars, she said in an interview: "I never want to climb out of another freakin' coffin again!" This was sad news for her legion of horror fans; it was also a false-step for Barbara as far as a career move. Back in America, she met screenwriter James Poe; they got married, and remained together for many years.
James Poe wrote an excellent role for Barbara in They Shoot Horses, Don't They? (1969). The role ended up going to Susannah York, and Barbara wouldn't act in movies again for five years. Barbara returned to movies in Caged Heat (1974); she was miscast: a few years before, Barbara would have been one of the beautiful inmates, not the wheelchair-bound warden, but her performance won positive reviews. In 1977, she appeared in a film by Roger Corman, based on the true story of a mentally ill woman, I Never Promised You a Rose Garden (1977). Unfortunately, her scenes wound up on the cutting room floor. Barbara appeared in Pretty Baby (1978), but she was in the background the whole time, and her talents were mostly wasted. Barbara would appear in two more unmemorable movies. She and James Poe got divorced in 1978, he died two years later.
Barbara appeared in the independent film The Silent Scream (1979). Maybe because her ex-husband was now dead, or because her acting career was going nowhere, Barbara retired from acting for a decade. However, she had a great deal of success as a producer. She was an associate producer for the miniseries The Winds of War (1983), and produced War and Remembrance (1988), for which she got an Emmy Award. Her horror fans were delighted when Barbara showed up again, this time on television in Dark Shadows (1991), a revival of the beloved 1960s supernatural soap opera. And she has developed a relative fondness along with a sense of ironic humor about her horror queen status, which was evident in her appearance in Clive Barker's documentary A-Z of Horror (1997).- Actor
- Producer
- Writer
Michael Carmen Pitt (born April 10, 1981) is an American actor, model and musician. A casting agent, whom Pitt mistook as a police officer attempting to arrest him, noticed him and recommended him for a guest role on the television series Dawson's Creek (1998) (he played Henry Parker in 15 episodes between 1999 and 2000).
Rising through the ranks of indie cinema, Michael starred in dramas like Hedwig and the Angry Inch (2001), The Dreamers (2003), and Last Days (2005), along with roles in the thrillers Murder by Numbers (2002) and Funny Games (2007). Moving back to television, he played Jimmy Darmody on Boardwalk Empire (2010) and Mason Verger in Hannibal (2013). In 2017, he appears opposite Scarlett Johansson in the science fiction action adaptation Ghost in the Shell (2017).- Actress
- Writer
- Composer
Karen entered Northwestern University at 18 and left two years later. She studied under Lee Strasberg in New York and worked in a number of off-Broadway roles. She made a critically acclaimed debut on Broadway in 1965 in "The Playroom". Her first big film role was in You're a Big Boy Now (1966), directed by Francis Ford Coppola. Shortly after wards, she appeared as Marcia in the TV series The Second Hundred Years (1967).
The film that made her a star was Easy Rider (1969), where she worked with Dennis Hopper, Peter Fonda, and a supporting actor named Jack Nicholson. She appeared with Nicholson again the next year when they starred in Five Easy Pieces (1970), which garnered an Academy Award nomination and a Golden Globe for Karen. Her roles mainly consisted of waitresses, hookers and women on the edge. Some of her later films were disappointments at the box office, but she did receive another Golden Globe for The Great Gatsby (1974). One role for which she is well remembered is that of the jewel thief in Alfred Hitchcock's last film, Family Plot (1976). Another is as the woman terrorized in her apartment by a murderous Zuni doll come to life in the well received TV movie Trilogy of Terror (1975). After a number of forgettable movies, she again won rave reviews for her role in Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982). Since then, her film career has been busy, but the quality of the films has been uneven.- Actor
- Producer
- Director
Often mistaken for an American because of his skill at imitating accents, actor Tim Roth was born Timothy Simon Roth on May 14, 1961 in Lambeth, London, England. His mother, Ann, was a teacher and landscape painter. His father, Ernie, was a journalist who had changed the family name from "Smith" to "Roth"; Ernie was born in Brooklyn, New York, to an immigrant family of Irish ancestry.
Tim grew up in Dulwich, a middle-class area in the south of London. He demonstrated his talent for picking up accents at an early age when he attended school in Brixton, where he faced persecution from classmates for his comfortable background and quickly perfected a cockney accent to blend in. He attended Camberwell Art College and studied sculpture before he dropped out and pursued acting.
The blonde actor's first big break was the British TV movie Made in Britain (1982). Roth made a huge splash in that film as a young skinhead named Trevor. He next worked with director Mike Leigh on Meantime (1983), which he has counted among his favorite projects. He debuted on the big screen when he filled in for Joe Strummer in the Stephen Frears neo-noir The Hit (1984). Roth gained more attention for his turn as Vincent Van Gogh in Vincent & Theo (1990) and his work opposite Gary Oldman in Rosencrantz & Guildenstern Are Dead (1990).
He moved to Los Angeles in search of work and caught the eye of young director Quentin Tarantino. Tarantino had envisioned Roth as a possible Mr. Blonde or Mr. Pink in his heist flick Reservoir Dogs (1992), but Roth campaigned for the role of Mr. Orange instead, and ultimately won the part. It proved to be a huge breakthrough for Roth, as audiences found it difficult to forget his performance as a member of a group of jewelry store robbers who is slowly bleeding to death. Tarantino cast Roth again in the landmark film Pulp Fiction (1994). Roth and actress Amanda Plummer played a pair of robbers who hold up a restaurant. 1995 saw the third of Roth's collaborations with Tarantino, a surprisingly slapstick performance in the anthology film Four Rooms (1995). That same year Roth picked up an Academy Award nomination for his campy turn as a villain in the period piece Rob Roy (1995).
Continuing to take on disparate roles, Roth did his own singing (with an American accent to boot) in the lightweight Woody Allen musical Everyone Says I Love You (1996). He starred opposite Tupac Shakur in Shakur's last film, the twisted comedy Gridlock'd (1997). The pair received positive critical notices for their comic chemistry. Standing in contrast to the criminals and baddies that crowd his CV, Roth's work as the innocent, seafaring pianist in the Giuseppe Tornatore film The Legend of 1900 (1998) became something of a fan favorite. Grittier fare followed when Roth made his directorial debut with The War Zone (1999), a frank, critically acclaimed drama about a family torn apart by incest. He made his next high-profile appearance as an actor as General Thade, an evil simian in the Tim Burton remake of Planet of the Apes (2001). Roth was, of course, all but unrecognizable in his primate make-up.
Roth has continued to enjoy a mix of art house and mainstream work, including everything from the lead role in Francis Ford Coppola's esoteric Youth Without Youth (2007) to becoming "The Abomination" in the special effects-heavy blockbuster The Incredible Hulk (2008). Roth took his first major American television role when he signed on to the Fox-TV series Lie to Me (2009)- Actress
- Producer
- Soundtrack
Jessica Lange was born in 1949, in Cloquet, Minnesota, USA, where her father worked as a traveling salesman. She obtained a scholarship to study art at the University of Minnesota, but instead went to Paris to study drama. She moved to New York, working as a model, until producer Dino De Laurentiis cast her as the female lead in King Kong (1976). The film attracted much unfavorable comment and, as a result, Lange was off the screen for three years. She was given a small but showy part in Bob Fosse's All That Jazz (1979), before giving a memorable performance in Bob Rafelson's The Postman Always Rings Twice (1981), as an adulterous waitress. The following year, she won rave reviews for her exceptional portrayal of actress Frances Farmer in Frances (1982) and a Best Supporting Actress Academy Award for her work in Sydney Pollack's Tootsie (1982) (as a beautiful soap-opera actress). She was also outstanding as country singer Patsy Cline in Karel Reisz's Sweet Dreams (1985) and as a lawyer who defends her father and discovers his past in Music Box (1989). Other important films include Martin Scorsese's Cape Fear (1991) (as a frightened housewife) and Tony Richardson's Blue Sky (1994), for which she won a Best Actress Academy Award as the mentally unbalanced wife of a military officer. She made her Broadway debut in 1992, playing "Blanche" in Tennessee Williams "A Streetcar Named Desire".