People of Amblin Entertainment
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One of the most influential personalities in the history of cinema, Steven Spielberg is Hollywood's best known director and one of the wealthiest filmmakers in the world. He has an extraordinary number of commercially successful and critically acclaimed credits to his name, either as a director, producer or writer since launching the summer blockbuster with Jaws (1975), and he has done more to define popular film-making since the mid-1970s than anyone else.
Steven Allan Spielberg was born in 1946 in Cincinnati, Ohio, to Leah Frances (Posner), a concert pianist and restaurateur, and Arnold Spielberg, an electrical engineer who worked in computer development. His parents were both born to Russian Jewish immigrant families. Steven spent his younger years in Haddon Township, New Jersey, Phoenix, Arizona, and later Saratoga, California. He went to California State University Long Beach, but dropped out to pursue his entertainment career. Among his early directing efforts were Battle Squad (1961), which combined World War II footage with footage of an airplane on the ground that he makes you believe is moving. He also directed Escape to Nowhere (1961), which featured children as World War Two soldiers, including his sister Anne Spielberg, and The Last Gun (1959), a western. All of these were short films. The next couple of years, Spielberg directed a couple of movies that would portend his future career in movies. In 1964, he directed Firelight (1964), a movie about aliens invading a small town. In 1967, he directed Slipstream (1967), which was unfinished. However, in 1968, he directed Amblin' (1968), which featured the desert prominently, and not the first of his movies in which the desert would feature. Amblin' also became the name of his production company, which turned out such classics as E.T. the Extra-Terrestrial (1982). Spielberg had a unique and classic early directing project, Duel (1971), with Dennis Weaver. In the early 1970s, Spielberg was working on TV, directing among others such series as Rod Serling's Night Gallery (1969), Marcus Welby, M.D. (1969) and Murder by the Book (1971). All of his work in television and short films, as well as his directing projects, were just a hint of the wellspring of talent that would dazzle audiences all over the world.
Spielberg's first major directorial effort was The Sugarland Express (1974), with Goldie Hawn, a film that marked him as a rising star. It was his next effort, however, that made him an international superstar among directors: Jaws (1975). This classic shark attack tale started the tradition of the summer blockbuster or, at least, he was credited with starting the tradition. His next film was the classic Close Encounters of the Third Kind (1977), a unique and original UFO story that remains a classic. In 1978, Spielberg produced his first film, the forgettable I Wanna Hold Your Hand (1978), and followed that effort with Used Cars (1980), a critically acclaimed, but mostly forgotten, Kurt Russell/Jack Warden comedy about devious used-car dealers. Spielberg hit gold yet one more time with Raiders of the Lost Ark (1981), with Harrison Ford taking the part of Indiana Jones. Spielberg produced and directed two films in 1982. The first was Poltergeist (1982), but the highest-grossing movie of all time up to that point was the alien story E.T. the Extra-Terrestrial (1982). Spielberg also helped pioneer the practice of product placement. The concept, while not uncommon, was still relatively low-key when Spielberg raised the practice to almost an art form with his famous (or infamous) placement of Reese's Pieces in "E.T." Spielberg was also one of the pioneers of the big-grossing special-effects movies, like "E.T." and "Close Encounters", where a very strong emphasis on special effects was placed for the first time on such a huge scale. In 1984, Spielberg followed up "Raiders" with Indiana Jones and the Temple of Doom (1984), which was a commercial success but did not receive the critical acclaim of its predecessor. As a producer, Spielberg took on many projects in the 1980s, such as The Goonies (1985), and was the brains behind the little monsters in Gremlins (1984). He also produced the cartoon An American Tail (1986), a quaint little animated classic. His biggest effort as producer in 1985, however, was the blockbuster Back to the Future (1985), which made Michael J. Fox an instant superstar. As director, Spielberg took on the book The Color Purple (1985), with Whoopi Goldberg and Oprah Winfrey, with great success. In the latter half of the 1980s, he also directed Empire of the Sun (1987), a mixed success for the occasionally erratic Spielberg. Success would not escape him for long, though.
The late 1980s found Spielberg's projects at the center of pop-culture yet again. In 1988, he produced the landmark animation/live-action film Who Framed Roger Rabbit (1988). The next year proved to be another big one for Spielberg, as he produced and directed Always (1989) as well as Indiana Jones and the Last Crusade (1989), and Back to the Future Part II (1989). All three of the films were box-office and critical successes. Also, in 1989, he produced the little known comedy-drama Dad (1989), with Jack Lemmon and Ted Danson, which got mostly mixed results. Spielberg has also had an affinity for animation and has been a strong voice in animation in the 1990s. Aside from producing the landmark "Who Framed Roger Rabbit", he produced the animated series Tiny Toon Adventures (1990), Animaniacs (1993), Pinky and the Brain (1995), Freakazoid! (1995), Pinky, Elmyra & the Brain (1998), Family Dog (1993) and Toonsylvania (1998). Spielberg also produced other cartoons such as The Land Before Time (1988), We're Back! A Dinosaur's Story (1993), Casper (1995) (the live action version) as well as the live-action version of The Flintstones (1994), where he was credited as "Steven Spielrock". Spielberg also produced many Roger Rabbit short cartoons, and many Pinky and the Brain, Animaniacs and Tiny Toons specials. Spielberg was very active in the early 1990s, as he directed Hook (1991) and produced such films as the cute fantasy Joe Versus the Volcano (1990) and An American Tail: Fievel Goes West (1991). He also produced the unusual comedy thriller Arachnophobia (1990), Back to the Future Part III (1990) and Gremlins 2: The New Batch (1990). While these movies were big successes in their own right, they did not quite bring in the kind of box office or critical acclaim as previous efforts. In 1993, Spielberg directed Jurassic Park (1993), which for a short time held the record as the highest grossing movie of all time, but did not have the universal appeal of his previous efforts. Big box-office spectacles were not his only concern, though. He produced and directed Schindler's List (1993), a stirring film about the Holocaust. He won best director at the Oscars, and also got Best Picture. In the mid-90s, he helped found the production company DreamWorks, which was responsible for many box-office successes.
As a producer, he was very active in the late 90s, responsible for such films as The Mask of Zorro (1998), Men in Black (1997) and Deep Impact (1998). However, it was on the directing front that Spielberg was in top form. He directed and produced the epic Amistad (1997), a spectacular film that was shorted at the Oscars and in release due to the fact that its release date was moved around so much in late 1997. The next year, however, produced what many believe was one of the best films of his career: Saving Private Ryan (1998), a film about World War Two that is spectacular in almost every respect. It was stiffed at the Oscars, losing best picture to Shakespeare in Love (1998).
Spielberg produced a series of films, including Evolution (2001), The Haunting (1999) and Shrek (2001). he also produced two sequels to Jurassic Park (1993), which were financially but not particularly critical successes. In 2001, he produced a mini-series about World War Two that definitely *was* a financial and critical success: Band of Brothers (2001), a tale of an infantry company from its parachuting into France during the invasion to the Battle of the Bulge. Also in that year, Spielberg was back in the director's chair for A.I. Artificial Intelligence (2001), a movie with a message and a huge budget. It did reasonably at the box office and garnered varied reviews from critics.
Spielberg has been extremely active in films there are many other things he has done as well. He produced the short-lived TV series SeaQuest 2032 (1993), an anthology series entitled Amazing Stories (1985), created the video-game series "Medal of Honor" set during World War Two, and was a starting producer of ER (1994). Spielberg, if you haven't noticed, has a great interest in World War Two. He and Tom Hanks collaborated on Shooting War: World War II Combat Cameramen (2000), a documentary about World War II combat photographers, and he produced a documentary about the Holocaust called Eyes of the Holocaust (2000). With all of this to Spielberg's credit, it's no wonder that he's looked at as one of the greatest ever figures in entertainment.Founder and CEO- Producer
- Additional Crew
- Executive
Eight-time Academy Award®-nominated, Kathleen Kennedy is one of the most successful and respected producers and executives in the film industry today. As President of Lucasfilm, she oversees the company's three divisions: Lucasfilm, Industrial Light & Magic and Skywalker Sound. In 1992, she co-founded the production company The Kennedy/Marshall Company with director/producer Frank Marshall, and in 1982 she co-founded Amblin Entertainment with Marshall and Steven Spielberg. Altogether, Kennedy has further produced or executive produced more than 70 feature films, which have collectively garnered 120 Academy Award nominations and 25 wins.
For much of the past 20 years, Kennedy served as a governor and officer of the Academy of Motion Picture Arts and Sciences and serves on the board of the new Academy Museum of Motion Pictures. She also sits on the boards of numerous educational, arts, and philanthropic organizations.Founder- Producer
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Frank was born in Glendale, California to musician Jack Marshall. He entered the film world when his parents invited him to a birthday party for the daughter of directing legend John Ford in 1966. There, he met Peter Bogdanovich and soon agreed to work on his first film, Targets (1968), later followed by collaborating on The Last Picture Show (1971) and many other films.
Continuing to branch out into the industry, he served as line producer on Martin Scorsese's The Last Waltz (1978) and associate producer on Walter Hill's crime thriller, The Driver (1978). Marshall first worked as executive producer on Hill's cult classic The Warriors (1979). While producing the iconic Raiders of the Lost Ark (1981), he met Steven Spielberg and their future wife Kathleen Kennedy, and Frank himself was hired to join the Amblin Productions company in 1980.
He continued producing memorable films with Spielberg including Poltergeist (1982) and Twilight Zone: The Movie (1983) (while Kennedy separately produced E.T. the Extra-Terrestrial (1982)). He worked as executive producer on Indiana Jones and the Temple of Doom (1984), Gremlins (1984), The Goonies (1985) and the Back to the Future (1985) trilogy.
He married Kathleen Kennedy in 1987, and after producing numerous films, he made his feature directing debut with Arachnophobia (1990). Reacting to the success of his directorial debut, he left Amblin in 1991. In 1992, The Kennedy/Marshall Company was formed, and the next year they released its first film Alive (1993), directed by Marshall. Both Kennedy and Marshall signed deals with Paramount in 1992, at the same time the company was formed. His productivity has only increased since then, as he took over primary duties of the production company since Kennedy was named president of Lucasfilm in 2012.Founder- Director
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Stanley Kubrick was born in Manhattan, New York City, to Sadie Gertrude (Perveler) and Jacob Leonard Kubrick, a physician. His family were Jewish immigrants (from Austria, Romania, and Russia). Stanley was considered intelligent, despite poor grades at school. Hoping that a change of scenery would produce better academic performance, Kubrick's father sent him in 1940 to Pasadena, California, to stay with his uncle, Martin Perveler. Returning to the Bronx in 1941 for his last year of grammar school, there seemed to be little change in his attitude or his results. Hoping to find something to interest his son, Jack introduced Stanley to chess, with the desired result. Kubrick took to the game passionately, and quickly became a skilled player. Chess would become an important device for Kubrick in later years, often as a tool for dealing with recalcitrant actors, but also as an artistic motif in his films.
Jack Kubrick's decision to give his son a camera for his thirteenth birthday would be an even wiser move: Kubrick became an avid photographer, and would often make trips around New York taking photographs which he would develop in a friend's darkroom. After selling an unsolicited photograph to Look Magazine, Kubrick began to associate with their staff photographers, and at the age of seventeen was offered a job as an apprentice photographer.
In the next few years, Kubrick had regular assignments for "Look", and would become a voracious movie-goer. Together with friend Alexander Singer, Kubrick planned a move into film, and in 1950 sank his savings into making the documentary Day of the Fight (1951). This was followed by several short commissioned documentaries (Flying Padre (1951), and (The Seafarers (1953), but by attracting investors and hustling chess games in Central Park, Kubrick was able to make Fear and Desire (1952) in California.
Filming this movie was not a happy experience; Kubrick's marriage to high school sweetheart Toba Metz did not survive the shooting. Despite mixed reviews for the film itself, Kubrick received good notices for his obvious directorial talents. Kubrick's next two films Killer's Kiss (1955) and The Killing (1956) brought him to the attention of Hollywood, and in 1957 he directed Kirk Douglas in Paths of Glory (1957). Douglas later called upon Kubrick to take over the production of Spartacus (1960), by some accounts hoping that Kubrick would be daunted by the scale of the project and would thus be accommodating. This was not the case, however: Kubrick took charge of the project, imposing his ideas and standards on the film. Many crew members were upset by his style: cinematographer Russell Metty complained to producers that Kubrick was taking over his job. Kubrick's response was to tell him to sit there and do nothing. Metty complied, and ironically was awarded the Academy Award for his cinematography.
Kubrick's next project was to direct Marlon Brando in One-Eyed Jacks (1961), but negotiations broke down and Brando himself ended up directing the film himself. Disenchanted with Hollywood and after another failed marriage, Kubrick moved permanently to England, from where he would make all of his subsequent films. Despite having obtained a pilot's license, Kubrick was rumored to be afraid of flying.
Kubrick's first UK film was Lolita (1962), which was carefully constructed and guided so as to not offend the censorship boards which at the time had the power to severely damage the commercial success of a film. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) was a big risk for Kubrick; before this, "nuclear" was not considered a subject for comedy. Originally written as a drama, Kubrick decided that too many of the ideas he had written were just too funny to be taken seriously. The film's critical and commercial success allowed Kubrick the financial and artistic freedom to work on any project he desired. Around this time, Kubrick's focus diversified and he would always have several projects in various stages of development: "Blue Moon" (a story about Hollywood's first pornographic feature film), "Napoleon" (an epic historical biography, abandoned after studio losses on similar projects), "Wartime Lies" (based on the novel by Louis Begley), and "Rhapsody" (a psycho-sexual thriller).
The next film he completed was a collaboration with sci-fi author Arthur C. Clarke. 2001: A Space Odyssey (1968) is hailed by many as the best ever made; an instant cult favorite, it has set the standard and tone for many science fiction films that followed. Kubrick followed this with A Clockwork Orange (1971), which rivaled Lolita (1962) for the controversy it generated - this time not only for its portrayal of sex, but also of violence. Barry Lyndon (1975) would prove a turning point in both his professional and private lives. His unrelenting demands of commitment and perfection of cast and crew had by now become legendary. Actors would be required to perform dozens of takes with no breaks. Filming a story in Ireland involving military, Kubrick received reports that the IRA had declared him a possible target. Production was promptly moved out of the country, and Kubrick's desire for privacy and security resulted in him being considered a recluse ever since.
Having turned down directing a sequel to The Exorcist (1973), Kubrick made his own horror film: The Shining (1980). Again, rumors circulated of demands made upon actors and crew. Stephen King (whose novel the film was based upon) reportedly didn't like Kubrick's adaptation (indeed, he would later write his own screenplay which was filmed as The Shining (1997).)
Kubrick's subsequent work has been well spaced: it was seven years before Full Metal Jacket (1987) was released. By this time, Kubrick was married with children and had extensively remodeled his house. Seen by one critic as the dark side to the humanist story of Platoon (1986), Full Metal Jacket (1987) continued Kubrick's legacy of solid critical acclaim, and profit at the box office.
In the 1990s, Kubrick began an on-again/off-again collaboration with Brian Aldiss on a new science fiction film called "Artificial Intelligence (AI)", but progress was very slow, and was backgrounded until special effects technology was up to the standard the Kubrick wanted.
Kubrick returned to his in-development projects, but encountered a number of problems: "Napoleon" was completely dead, and "Wartime Lies" (now called "The Aryan Papers") was abandoned when Steven Spielberg announced he would direct Schindler's List (1993), which covered much of the same material.
While pre-production work on "AI" crawled along, Kubrick combined "Rhapsody" and "Blue Movie" and officially announced his next project as Eyes Wide Shut (1999), starring the then-married Tom Cruise and Nicole Kidman. After two years of production under unprecedented security and privacy, the film was released to a typically polarized critical and public reception; Kubrick claimed it was his best film to date.
Special effects technology had matured rapidly in the meantime, and Kubrick immediately began active work on A.I. Artificial Intelligence (2001), but tragically suffered a fatal heart attack in his sleep on March 7th, 1999.
After Kubrick's death, Spielberg revealed that the two of them were friends that frequently communicated discreetly about the art of filmmaking; both had a large degree of mutual respect for each other's work. "AI" was frequently discussed; Kubrick even suggested that Spielberg should direct it as it was more his type of project. Based on this relationship, Spielberg took over as the film's director and completed the last Kubrick project.
How much of Kubrick's vision remains in the finished project -- and what he would think of the film as eventually released -- will be the final great unanswerable mysteries in the life of this talented and private filmmaker.Mentor of Steven Spielberg and the studio's influence.- Director
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Joe Dante is a graduate of the Philadelphia College of Art. After a stint as a film reviewer, he began his filmmaking apprenticeship in 1974 as trailer editor for Roger Corman's New World Pictures. He made his directorial debut in 1976 with Hollywood Boulevard (1976) (co-directed with Allan Arkush), a thinly disguised spoof of New World exploitation pictures, shot in ten days for $60,000.
In 1977 Dante made his solo debut as a film director with Piranha (1978), which went on to become one of the company's biggest hits and was distributed throughout the rest of the world by United Artists. During his tenure at New World, Dante edited Ron Howard's directorial debut Grand Theft Auto (1977) and co-wrote the original story for Rock 'n' Roll High School (1979).
For Avco-Embassy Dante next directed the highly praised werewolf thriller The Howling (1981), followed by the It's a Good Life segment of the episodic Twilight Zone: The Movie (1983).
Having worked with Steven Spielberg on Twilight Zone, Dante was chosen to helm one of the first Amblin Productions for Warner Bros. Gremlins (1984) became a runaway hit and grossed more than $200 million worldwide.
Dante followed up with Explorers (1985) for Paramount, a sci-fi fantasy about three kids who build their own spaceship, and then Innerspace (1987) for Guber/Peters, Amblin and Warner Bros., an action comedy in which miniaturized test pilot Dennis Quaid is injected into the body of supermarket clerk Martin Short.
Tom Hanks starred in Dante's next film for Imagine/Universal, The 'Burbs (1989), which was followed by Gremlins 2: The New Batch (1990) for Warner Bros. in 1990. Matinee (1993) featuring John Goodman as a huckster showman premiering his new horror film during the Cuban Missile Crisis, was a production of Dante and partner Michael Finnell's Renfield Productions for Universal in 1993.
Dreamworks/Universal's Small Soldiers was released in 1998, followed in 2003 by Warner Bros. Looney Tunes: Back in Action (2003) featuring one of Dante's favorite actors, Bugs Bunny.
Dante's Homecoming (2005), debuted in December 2005 to rave reviews from critics and audiences alike and was named to numerous "Top 10" critics lists. The Sitges and Brussels International Film Festivals both honored Homecoming with Special Jury Recognition Awards, and the New Yorker called it the best political film of 2005. More recent work includes The Screwfly Solution (2006), and Boo (2007). His new 3D thriller, The Hole (2009), for Bold Films recently premiered at the Venice Film Festival where it garnered the first-ever award for Best 3D Feature.
Dante also produces the critically-acclaimed webisode/mobile phone series, Trailers from Hell.
Along the way Dante contributed several comedy segments to the multi-part Amazon Women on the Moon (1987) spoof produced by John Landis, and directed various episodes of the tv series Amazing Stories (1985), The Twilight Zone (1985), Police Squad! (1982), Night Visions (2001) and Picture Windows (1994). He also directed the network pilots for The Osiris Chronicles (1998) and the NBC series Eerie, Indiana (1991), on which he was creative consultant throughout its run.
Dante received Cable Ace nominations for his direction of Showtime's Runaway Daughters (1994) and HBO's The Second Civil War (1997).- Animation Department
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Canadian-born cartoon cartoonist Kricfalusi began his career by working on low end Saturday morning cartoons like The Jetsons (1962) revival and Fat Albert and the Cosby Kids (1972). In 1987, Kricfalusi's mentor, Ralph Bakshi, saved him by hiring him as supervising director on his show Mighty Mouse: The New Adventures (1987). The show was canceled after a scene where Mighty Mouse sniffed a flower to get superpowers and some people thought he was using cocaine. Soon afterwards, Nickelodeon bought his twisted brainchild The Ren & Stimpy Show (1991). But after continuous battles over script content and control, he was fired from his own show in 1992. After he was fired, he furthered his fight for creative freedom by founding a website where he sold dolls of his other characters. He then hired some of his old Ren and Stimpy co-workers and produced the first 'made for the web' cartoon series The Goddamn George Liquor Program (1997). He also created and produced "Weekend Pussy Hunt" another 'made for the web' series. Other work includes directing a Yogi Bear short for Cartoon Network, directing a music video for Björk. And in 2001 he returned to TV with the Saturday morning cartoon for Fox Kids called The Ripping Friends (2001), which he created and produced. By 2019, he released the cartoon by Kickstarter Cans Without Labels (2019).- Animation Department
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Bruce Timm is an American animator, writer, voice actor and director. He is known for creating Batman: The Animated Series, Superman: The Animated Series, Justice League and various installments of the DC Animated Universe. He co-created several DC characters including Harley Quinn and Livewire. He also worked on various DC animated films including Batman and Harley Quinn and Batman: Gotham by Gaslight.- Producer
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A whiz-kid with special effects, Robert is from the Spielberg camp of film-making (Steven Spielberg produced many of his films). Usually working with writing partner Bob Gale, Robert's earlier films show he has a talent for zany comedy (Romancing the Stone (1984), 1941 (1979)) and special effect vehicles (Who Framed Roger Rabbit (1988) and Back to the Future (1985)). His later films have become more serious, with the hugely successful Tom Hanks vehicle Forrest Gump (1994) and the Jodie Foster film Contact (1997), both critically acclaimed movies. Again, these films incorporate stunning effects. Robert has proved he can work a serious story around great effects.- Producer
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Sir Peter Jackson made history with The Lord of the Rings trilogy, becoming the first person to direct three major feature films simultaneously. The Fellowship of the Ring, The Two Towers and The Return of the King were nominated for and collected a slew of awards from around the globe, with The Return of the King receiving his most impressive collection of awards. This included three Academy Awards® (Best Adapted Screenplay, Best Director and Best Picture), two Golden Globes (Best Director and Best Motion Picture-Drama), three BAFTAs (Best Adapted Screenplay, Best Film and Viewers' Choice), a Directors Guild Award, a Producers Guild Award and a New York Film Critics Circle Award.
As a follow up to The Lord of the Rings trilogy, in 2005, Jackson directed, wrote, and produced King Kong, for Universal Pictures. The film grossed over $500 million and won three Oscars®.
Jackson previously received widespread acclaim for his 1994 feature Heavenly Creatures, which received an Academy Award® nomination for Best Screenplay. Other film credits include The Frighteners, starring Michael J. Fox; the adult puppet feature Meet the Feebles; and Braindead, which won 16 international science fiction awards, including the Saturn. Jackson also co-directed the television documentary Forgotten Silver, which also hit the film festival circuit.
Jackson directed the Academy Award®-nominated The Lovely Bones, an adaptation of the acclaimed best-selling novel by Alice Sebold and produced the worldwide sci-fi hit District 9. He was a producer on Steven Spielberg's The Adventures of Tintin: The Secret of the Unicorn in 2011, with two more films set to come out in the future.
His most recent films include producer of 2018's action film Mortal Engines, based on a post-apocalyptic world where cities ride on wheels and consume each other to survive. Following Mortal Engines, he produced They Shall Not Grow Old, a documentary on World War I with never-before-seen footage. BAFTA nominated the film for Best Documentary, and it won the award for Outstanding Achievement in Sound Editing from the Motion Picture Sound Editors.
Jackson's next project is the music documentary The Beatles: Get Back, which he directed and produced, due to be released August, 2021.
Jackson works closely with partner Dame Fran Walsh, with whom he shares his writing and producing credits, as well as a family. Jackson has a special interest in WWI memorabilia and is the proud owner of several aircraft from that era.- Producer
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Brian Michael Levant is an American filmmaker and producer known for directing many films such as The Flintstones, Jingle All the Way, Snow Dogs, Scooby-Doo: The Mystery Begins, The Flintstones: Viva Rock Vegas, Scooby-Doo: Curse of the Lake Monster, Are We There Yet?, The Spy Next Door and Max 2: White House Hero.- Writer
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Matthew Robbins was born in New York City and went to the Johns Hopkins University, where he received a BA degree in Romance Languages. Shortly after getting his MFA at the USC School of Cinema, he began writing screenplays with partner Hal Barwood. Together, in a period of three years, they wrote and sold six scripts.
The Sugarland Express was Steven Spielberg's first feature film and starred Goldie Hawn. He t won Best Screenplay at the Cannes Film Festival.
He t was followed by two more features for Universal Studios: MacArthur, starring Gregory Peck, and The Bingo Long Traveling All-Stars and Motor Kings, starring James Earl Jones, Richard Pryor and Billy Dee Williams.
For MGM, he co-wrote and directed, Corvette Summer starring Mark Hamill and Annie Potts. At Paramount, with Hal Barwood, he co-wrote and directed Dragonslayer, starring Sir Ralph Richardson and Peter MacNicol. The film received two Academy Award nominations.
At TriStar, he directed The Legend of Billie Jean and, with Hal Barwood, wrote the screenplay for Twentieth Century Fox's Warning Sign.
For Steven Spielberg's Amblin Productions, he co-wrote and directed Batteries Not He ncluded, starring Hume Cronyn and Jessica Tandy. He also directed the comedy Bingo, for Tri-Star.
Collaborating with writer/director Guillermo del Toro, he wrote Mimic, starring Mira Sorvino and Jeremy Northam. They also wrote Don't Be Afraid of the Dark, starring Katie Holmes and Guy Pearce.
Other screenplays written with Guillermo del Toro include The Count of Montecristo for American Zoetrope, The Coffin for Lightstorm Entertainment/20th Century-Fox and Wind in the Willows for Sony. He wrote the screenplay for Pinocchio based on his collaboration of the story with Mr. Del Toro, their stop-motion puppet interpretation of the Collodi classic for the Henson Company. They co-wrote H.P. Lovecraft fantasy classic, At the Mountains of Madness that was purchased by Universal Studios.
Del Toro/Robbins spec screenplay Crimson Peak, starring Mia Wasikowska, Tom Hiddleston, Jessica Chastain, Charlie Hunnam and Directed by Mr. Del Toro was released in October 2015 by Universal Studios.
The French comedy The Concert, co-written with director Radu Mihaileanu, was nominated for Best Original Screenplay by l'Academie des arts et techniques du cinéma. The film starred Melanie Laurent, Aleksei Guskov and Miou-Miou.
Working with Bollywood director Vishal Bhardwaj, he has co-written Ek Thi Daayan, starring Emraan Hashmi, Konkona Sen Sharma and Kalki Koechlin. They also collaborated on 7 Khoon Maaf, starring Priyanka Chopra and He rrfan Khan. Their most recent film, Dedh He shqiya, stars Naseeruddin Shah and Madhuri Dixit. Rangoon.
Mr. Robbins collaborated with director Joann Sfar on The Shot, an English-language thriller for Pathé.
He n affiliation with George Lucas' company He ndustrial Light and Magic, Mr. Robbins has directed TV commercials for Coca-Cola, Chrysler, British Petroleum, Eveready, Kentucky Fried Chicken, Primestar, Eukanuba, Friday's, Crystal Light among many others.- Director
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Spheeris is often referred to as a 'rock 'n roll anthropologist'.
In 1974 she formed the first Los Angeles music video production company, ROCK 'N REEL. She concluded her music video work with the Grammy-nominated, "Bohemian Rhapsody" video for "Wayne's World". Spheeris' feature film debut was the 1979 documentary on the Los Angeles punk scene, "The Decline of Western Civilization" which was received with stunning and unanimous critical praise. In 1983 she wrote and directed "Suburbia", produced by Roger Corman. It is a disturbing and prophetic story of rebellious, homeless kids squatting in abandoned houses, trying to make new families, and protecting one another. "Suburbia" won first place at the Chicago Film Festival. Almost 25 years later her documentary, "The Decline of Western Civilization, Part III" would eerily mirror the events she scripted in "Suburbia". In the mid-80s she directed "The Boys Next Door", starring Charlie Sheen and Maxwell Caulfield, then "Dudes" starring John Cryer, Flea, and Daniel Roebuck. Both films have attained cult classic status. "The Decline of Western Civilization, Part II: The Metal Years" was released in 1988, again to spectacular critical acclaim. Commentaries from Ozzy Osbourne, Steven Tyler and Joe Perry, Alice Cooper, Lemmy of Motorhead, Poison, etc. make it one of the most memorable pieces of rock film history.
In 1992, Spheeris directed her seventh feature, and first studio film, "Wayne's World" at Paramount Pictures. Subsequently she directed and produced "The Beverly Hillbillies" (Fox), wrote and directed "The Little Rascals" (Universal), then directed "Black Sheep" (Paramount), etc. In 1999, Spheeris documented The Ozzfest, America's most successful summer concert tour, and the reunion performances of the original Black Sabbath. Both as director and one of the cinematographers, Spheeris achieved a remarkable and historic film which offers the audience a unique view of life on the road: "We Sold Our Souls For Rock 'N Roll".
(2016) She is currently touring with her Producer/daughter Anna Fox, screening "The Decline" trilogy in support of the Shout Factory DVD release.- Additional Crew
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Phillip Bradley "Brad" Bird is an American director, screenwriter, animator, producer and occasional voice actor, known for both animated and live-action films. Bird was born in Kalispell, Montana, the youngest of four children of Marjorie A. (née Cross) and Philip Cullen Bird. His father worked in the propane business, and his grandfather, Francis Wesley "Frank" Bird, who was born in County Sligo, Ireland, was a president and chief executive of the Montana Power Company. On a tour of the Walt Disney Studios at age 11, he announced that someday he would become part of its animation team, and soon afterward began work on his own 15-minute animated short. Within two years, Bird had completed his animation, which impressed the cartoon company. By age 14, barely in high school, Bird was mentored by the animator Milt Kahl, one of Disney's legendary Nine Old Men. Bird recalls Kahl's criticisms as ideal: Kahl would point out shortcomings by gently delivering thoughts on where Bird could improve. After graduating from Corvallis High School in Corvallis, Oregon in 1975, Bird took a three-year break. He was then awarded a scholarship by Disney to attend California Institute of the Arts, where he met and befriended another future animator, Pixar co-founder and director John Lasseter.- Producer
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Timothy Walter Burton was born in Burbank, California, to Jean Rae (Erickson), who owned a cat-themed gift shop, and William Reed Burton, who worked for the Burbank Park and Recreation Department. He spent most of his childhood as a recluse, drawing cartoons, and watching old movies (he was especially fond of films with Vincent Price). When he was in the ninth grade, his artistic talent was recognized by a local garbage company, when he won a prize for an anti-litter poster he designed. The company placed this poster on all of their garbage trucks for a year. After graduating from high school, he attended California Institute of the Arts. Like so many others who graduated from that school, Burton's first job was as an animator for Disney.
His early film career was fueled by almost unbelievable good luck, but it's his talent and originality that have kept him at the top of the Hollywood tree. He worked on such films as The Fox and the Hound (1981) and The Black Cauldron (1985), but had some creative differences with his colleagues. Nevertheless, Disney recognized his talent, and gave him the green light to make Vincent (1982), an animated short about a boy who wanted to be just like Vincent Price. Narrated by Price himself, the short was a critical success and won several awards. Burton made a few other short films, including his first live-action film, Frankenweenie (1984). A half-hour long twist on the tale of Frankenstein, it was deemed inappropriate for children and wasn't released. But actor Paul Reubens (aka Pee-Wee Herman) saw Frankenweenie (1984), and believed that Burton would be the right man to direct him in his first full-length feature film, Pee-wee's Big Adventure (1985). The film was a surprise success, and Burton instantly became popular. However, many of the scripts that were offered to him after this were essentially just spin-offs of the film, and Burton wanted to do something new.
For three years, he made no more films, until he was presented with the script for Beetlejuice (1988). The script was wild and wasn't really about anything, but was filled with such artistic and quirky opportunities, Burton couldn't say no. Beetlejuice (1988) was another big hit, and Burton's name in Hollywood was solidified. It was also his first film with actor Michael Keaton. Warner Bros. then entrusted him with Batman (1989), a film based on the immensely popular comic book series of the same name. Starring Michael Keaton and Jack Nicholson, the film was the most financially successful film of the year and Burton's biggest box-office hit to date. Due to the fantastic success of his first three films, he was given the green light to make his next film, any kind of film he wanted. That film was Edward Scissorhands (1990), one of his most emotional, esteemed and artistic films to date. Edward Scissorhands (1990) was also Burton's first film with actor Johnny Depp. Burton's next film was Batman Returns (1992), and was darker and quirkier than the first one, and, while by no means a financial flop, many people felt somewhat disappointed by it. While working on Batman Returns (1992), he also produced the popular The Nightmare Before Christmas (1993), directed by former fellow Disney Animator Henry Selick. Burton reunited with Johnny Depp on the film Ed Wood (1994), a film showered with critical acclaim, Martin Landau won an academy award for his performance in it, and it is very popular now, but flopped during its initial release. Burton's subsequent film, Mars Attacks! (1996), had much more vibrant colors than his other films. Despite being directed by Burton and featuring all-star actors including Jack Nicholson, Glenn Close, Pierce Brosnan and Michael J. Fox, it received mediocre reviews and wasn't immensely popular at the box office, either.
Burton returned to his darker and more artistic form with the film Sleepy Hollow (1999), starring Johnny Depp, Christina Ricci and Casper Van Dien. The film was praised for its art direction and was financially successful, redeeming Burton of the disappointment many had felt by Mars Attacks! (1996). His next film was Planet of the Apes (2001), a remake of the classic of the same name. The film was panned by many critics but was still financially successful. While on the set of Planet of the Apes (2001), Burton met Helena Bonham Carter, with whom he has two children. Burton directed the film Big Fish (2003) - a much more conventional film than most of his others, it received a good deal of critical praise, although it disappointed some of his long-time fans who preferred the quirkiness of his other, earlier films. Despite the fluctuations in his career, Burton proved himself to be one of the most popular directors of the late 20th century. He directed Johnny Depp once again in Charlie and the Chocolate Factory (2005), a film as quirky anything he's ever done.- Producer
- Director
- Writer
Brad Silberling was born on 8 September 1963 in Washington, District of Columbia, USA. He is a producer and director, known for City of Angels (1998), A Series of Unfortunate Events (2004) and Moonlight Mile (2002). He has been married to Amy Brenneman since 30 September 1995. They have two children.- Animation Department
- Director
- Producer
Don Bluth was one of the chief animators at Disney to come to the mantle after the great one's death. He eventually became the animation director for such films as The Rescuers (1977) and Pete's Dragon (1977). Unfortunately, the quality of animation that Disney was producing at this point was not up to par with the great works of Disney, and there was rumor that the production unit at Disney might be shut down indefinitely. In retaliation, Bluth and several other animators led a walkout, and went off to form their own independent animation firm. Bluth's first animated feature may still be his best. The Secret of NIMH (1982) was an animated film based on the children's book "Mrs. Frisbee and the Rats of Nimh". The film dealt with a widowed field mouse named Mrs. Brisbee and her plight to move her house before the farmer plants his field. The rats of Nimh, an organization of super intelligent rats, band together to help her. "The Secret of NIMH" was a visually ravishing film that hearkened back to the glory days of Disney. While animation buffs raved, the film did little business at the box office. (The growing number of VCR's in America would help the film reach a cult status on home video). Undaunted, Bluth persevered. He created the video games Dragon's Lair (1983) and Space Ace (1983), both of which allowed the player to control an actual cartoon. He later teamed up with Steven Spielberg for the films An American Tail (1986) and The Land Before Time (1988). While Bluth's ambition to restore animation to its previous glory was being realized, the Disney studio, whose recent films had failed to match Bluth's at the box office, was finally ready to return to true quality. With the release of The Little Mermaid (1989) and Beauty and the Beast (1991), Bluth had to compete with a Goliath. After his next film, All Dogs Go to Heaven (1989), received mixed opinions and failed to be more than a minor box office success, Bluth fell into a failing streak of films that were comparatively mediocre when placed alongside his previous work, including Rock-A-Doodle (1991), and Thumbelina (1994). Bluth later joined forces with 20th Century Fox where he made his first commercial hit in some time, Anastasia (1997). He followed up with the ambitious but hollow science fiction fantasy Titan A.E. (2000). While Bluth has yet to reach the glory of his earlier work, he nonetheless deserves credit as a champion of animation, and for surviving as an independent film maker.- Actor
- Producer
- Director
Clinton Eastwood Jr. was born May 31, 1930 in San Francisco, to Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margret Ruth Runner), a housewife turned IBM clerk. He grew up in nearby Piedmont. At school Clint took interest in music and mechanics, but was an otherwise bored student; this resulted in being held back a grade. In 1949, the year he is said to have graduated from high school, his parents and younger sister Jeanne moved to Seattle. Clint spent a couple years in the Pacific Northwest himself, operating log broncs in Springfield, Oregon, with summer gigs life-guarding in Renton, Washington. Returning to California in 1951, he did a two-year stint at Fort Ord Military Reservation and later enrolled at L.A. City College, but dropped out to pursue acting.
During the mid-1950s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming. Although only a secondary player the first seven seasons, he was promoted to series star when Fleming departed--both literally and figuratively--in its final year, along the way becoming a recognizable face to television viewers around the country.
Eastwood's big-screen breakthrough came as The Man with No Name in Sergio Leone's trilogy of excellent spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The movies were shown exclusively in Italy during their respective copyright years with Enrico Maria Salerno providing the voice of Eastwood's character, finally getting American distribution in 1967-68. As the last film racked up respectable grosses, Eastwood, 37, rose from a barely registering actor to sought-after commodity in just a matter of months. Again a success was the late-blooming star's first U.S.-made western, Hang 'Em High (1968). He followed that up with the lead role in Coogan's Bluff (1968) (the loose inspiration for the TV series McCloud (1970)), before playing second fiddle to Richard Burton in the World War II epic Where Eagles Dare (1968) and Lee Marvin in the bizarre musical Paint Your Wagon (1969). In Two Mules for Sister Sara (1970) and Kelly's Heroes (1970), Eastwood leaned in an experimental direction by combining tough-guy action with offbeat humor.
1971 proved to be his busiest year in film. He starred as a sleazy Union soldier in The Beguiled (1971) to critical acclaim, and made his directorial debut with the classic erotic thriller Play Misty for Me (1971). His role as the hard edge police inspector in Dirty Harry (1971), meanwhile, boosted him to cultural icon status and helped popularize the loose-cannon cop genre. Eastwood put out a steady stream of entertaining movies thereafter: the westerns Joe Kidd (1972), High Plains Drifter (1973) and The Outlaw Josey Wales (1976) (his first of six onscreen collaborations with then live-in love Sondra Locke), the Dirty Harry sequels Magnum Force (1973) and The Enforcer (1976), the action-packed road adventures Thunderbolt and Lightfoot (1974) and The Gauntlet (1977), and the prison film Escape from Alcatraz (1979). He branched out into the comedy genre in 1978 with Every Which Way But Loose (1978), which became the biggest hit of his career up to that time; taking inflation into account, it still is. In short, The Eiger Sanction (1975) notwithstanding, the 1970s were nonstop success for Eastwood.
Eastwood kicked off the 1980s with Any Which Way You Can (1980), the blockbuster sequel to Every Which Way but Loose. The fourth Dirty Harry film, Sudden Impact (1983), was the highest-grossing film of the franchise and spawned his trademark catchphrase: "Make my day." He also starred in Bronco Billy (1980), Firefox (1982), Tightrope (1984), City Heat (1984), Pale Rider (1985) and Heartbreak Ridge (1986), all of which were solid hits, with Honkytonk Man (1982) being his only commercial failure of the period. In 1988, he did his fifth and final Dirty Harry movie, The Dead Pool (1988). Although it was a success overall, it did not have the box office punch the previous films had. About this time, with outright bombs like Pink Cadillac (1989) and The Rookie (1990), it seemed Eastwood's star was declining as it never had before. He then started taking on low-key projects, directing Bird (1988), a biopic of Charlie Parker that earned him a Golden Globe, and starring in and directing White Hunter Black Heart (1990), an uneven, loose biopic of John Huston (both films had a limited release).
Eastwood bounced back big time with his dark western Unforgiven (1992), which garnered the then 62-year-old his first ever Academy Award nomination (Best Actor), and an Oscar win for Best Director. Churning out a quick follow-up hit, he took on the secret service in In the Line of Fire (1993), then accepted second billing for the first time since 1970 in the interesting but poorly received A Perfect World (1993) with Kevin Costner. Next was a love story, The Bridges of Madison County (1995), where Eastwood surprised audiences with a sensitive performance alongside none other than Meryl Streep. But it soon became apparent he was going backwards after his brief revival. Subsequent films were credible, but nothing really stuck out. Absolute Power (1997) and Space Cowboys (2000) did well enough, while True Crime (1999) and Blood Work (2002) were received badly, as was Midnight in the Garden of Good and Evil (1997), which he directed but didn't appear in.
Eastwood surprised again in the mid-2000s, returning to the top of the A-list with Million Dollar Baby (2004). Also starring Hilary Swank and Morgan Freeman, the hugely successful drama won four Academy Awards, including Best Picture and Best Director for Eastwood. He scored his second Best Actor nomination, too. His next starring vehicle, Gran Torino (2008), earned almost $30 million in its opening weekend and was his highest grosser unadjusted for inflation. 2012 saw him in a rare lighthearted movie, Trouble with the Curve (2012), as well as a reality show, Mrs. Eastwood & Company (2012).
Between acting jobs, he chalked up an impressive list of credits behind the camera. He directed Mystic River (2003) (in which Sean Penn and Tim Robbins gave Oscar-winning performances), Flags of Our Fathers (2006), Letters from Iwo Jima (2006) (nominated for the Best Picture Oscar), Changeling (2008) (a vehicle for Angelina Jolie), Invictus (2009) (again with Freeman), Hereafter (2010), J. Edgar (2011), Jersey Boys (2014), American Sniper (2014) (2014's top box office champ), Sully (2016) (starring Tom Hanks as hero pilot Chesley Sullenberger) and The 15:17 to Paris (2018). Back on screens after a considerable absence, he played an unlikely drug courier in The Mule (2018), which reached the top of the box office with a nine-figure gross, then directed Richard Jewell (2019). At age 91, Eastwood made history as the oldest actor to star above the title in a movie with the release of Cry Macho (2021).
Away from the limelight, Eastwood has led an aberrant existence and is described by biographer Patrick McGilligan as a cunning manipulator of the media. His convoluted slew of partners and children are now somewhat factually acknowledged, but for the first three decades of his celebrity, his personal life was kept top secret, and several of his families were left out of the official narrative. The actor refuses to disclose his exact number of offspring even to this day. He had a longtime relationship with similarly abstruse co-star Locke (who died aged 74 in 2018, though for her entire public life she masqueraded about being younger), and has fathered at least eight children by at least six different women in an unending string of liaisons, many of which overlapped. He has been married only twice, however, with a mere three of his progeny coming from those unions.
His known children are: Laurie Murray (b. 1954), whose mother is unidentified; Kimber Eastwood (b. 1964) with stuntwoman Roxanne Tunis; Kyle Eastwood (b. 1968) and Alison Eastwood (b. 1972) with his first ex-wife, Margaret Neville Johnson; Scott Eastwood (b. 1986) and Kathryn Eastwood (b. 1988) with stewardess Jacelyn Reeves; Francesca Eastwood (b. 1993) with actress Frances Fisher; and Morgan Eastwood (b. 1996) with his second ex-wife, Dina Eastwood. The entire time that he lived with Locke she was legally married to sculptor Gordon Anderson.
Eastwood has real estate holdings in Bel-Air, La Quinta, Carmel-by-the-Sea, Cassel (in remote northern California), Idaho's Sun Valley and Kihei, Hawaii.- Director
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- Producer
Gil Kenan was born on 16 October 1976 in London, England, UK. He is a director and writer, known for Ghostbusters: Frozen Empire (2024), Monster House (2006) and Ghostbusters: Afterlife (2021). He has been married to Eliza Chaikin since 2005.- Director
- Producer
- Actor
Martin Campbell knows how to entertain an audience when he steps behind the camera. When he directed The Mask of Zorro (1998), the movie earned Academy Award and Golden Globe nominations and launched the international careers of Antonio Banderas and Catherine Zeta-Jones. Next, when he helmed Vertical Limit (2000), the film was well received by the critics and earned over $200 million in worldwide box-office sales. In addition, Campbell is credited with rejuvenating the James Bond franchise when he directed GoldenEye (1995), Pierce Brosnan's first outing as the famed British spy, which went on to gross more than $350 million. He also directed Daniel Craig's debut Bond feature as well, Casino Royale (2006).
Born in New Zealand, Campbell moved to London where he began his career as a cameraman. He went on to produce the controversial British feature Scum (1979), as well as Black Joy (1977), which was selected for competition at the Cannes Film Festival. Campbell made his directorial debut on the British police action series The Professionals (1977) and continued with the popular BBC series Shoestring (1979) and Thames TV's Minder (1979)
Considered one of the U.K.'s top directors by the mid-'80s, he directed the highly praised British telefilm, Reilly: Ace of Spies (1983). For his work on Edge of Darkness (1985), a five-hour BBC miniseries about nuclear contamination in England that depicted murder and high-ranking corruption, he won six BAFTA awards.
Campbell's first Hollywood movie was Criminal Law (1998) and he went on to direct Defenseless (1991) and No Escape (1994). Some of his American credits include directing HBO's Cast a Deadly Spell (1991) and two episodes of NBC's Homicide: Life on the Street (1993), among others. He also directed the epic romance Beyond Borders (2003) starring Angelina Jolie and Clive Owen.- Director
- Producer
- Actor
Richard Donner was born on 24 April 1930 in The Bronx, New York City, New York, USA. He was a director and producer, known for Superman (1978), Ladyhawke (1985) and Superman II: The Richard Donner Cut (1980). He was married to Lauren Shuler Donner. He died on 5 July 2021 in Los Angeles, California, USA.- Producer
- Writer
- Director
Born in Pennsylvania and raised in Ohio, Chris Columbus was first inspired to make movies after seeing "The Godfather" at age 15. After enrolling at NYU film school, he sold his first screenplay (never produced) while a sophomore there. After graduation Columbus tried to sell his fourth script, "Gremlins", with no success, until Steven Spielberg optioned it; Columbus moved to Los Angeles for a year during rewrites on the project in Spielberg's bungalow at Universal. After writing two more scripts for Spielberg, "The Goonies" and "Young Sherlock Holmes", Columbus' own directing career was launched a few years later with "Adventures in Babysitting". He is best known to audiences as the director of the runaway hit "Home Alone", written and produced by John Hughes its sequel "Home Alone 2", and most recently "Mrs. Doubtfire".- Producer
- Director
- Cinematographer
Barry Sonnenfeld was born and raised in New York City. He graduated from New York University Film School in 1978. He started work as director of photography on the Oscar-nominated In Our Water (1982). Then Joel Coen and Ethan Coen hired him for Blood Simple (1984). This film began his collaboration with the Coen Bros., who used him for their next two pictures, Raising Arizona (1987) and Miller's Crossing (1990). He also worked with Danny DeVito on his Throw Momma from the Train (1987) and Rob Reiner on When Harry Met Sally... (1989) and Misery (1990). Sonnenfeld got his first work as a director from Orion Pictures on The Addams Family (1991), a box-office success released in November 1991 followed by its sequel, Addams Family Values (1993). He received critical acclaim for his fourth directorial effort, Get Shorty (1995). Produced by Jersey Films and based on a novel by Elmore Leonard, the film won a Golden Globe for best male performance. In 1996 Steven Spielberg asked him to direct Men in Black (1997). Starring Tommy Lee Jones and Will Smith, the movie was a critical and financial smash. Producer Jon Peters then asked Sonnenfeld to direct Wild Wild West (1999), an adaptation of an old TV series. He also directed the comedy Big Trouble (2002), after which he made his most successful film sequel, Men in Black II (2002).- Cinematographer
- Camera and Electrical Department
- Producer
Jan de Bont was one of 17 children born into a Roman Catholic Dutch family in Eindhoven on 22 October 1943. Credited with being creative and having a good mentality for camera techniques, he became a popular cinematographer. He worked on a huge number of films before finding himself on the production of Speed (1994), his first film as a director. He has resided in Los Angeles since 1968.
The film was a success and took him onto the next set for Twister (1996), which he also directed. But then the total flops started coming his way: firstly, Speed 2: Cruise Control (1997), which he wrote and directed but without the company of Keanu Reeves. He also directed the star-packed The Haunting (1999) but that also failed at the box office. Later, he directed Lara Croft: Tomb Raider - The Cradle of Life (2003). He is still active in cinema.- Producer
- Director
- Actor
Martin Charles Scorsese was born on November 17, 1942 in Queens, New York City, to Catherine Scorsese (née Cappa) and Charles Scorsese, who both worked in Manhattan's garment district, and whose families both came from Palermo, Sicily. He was raised in the neighborhood of Little Italy, which later provided the inspiration for several of his films. Scorsese earned a B.S. degree in film communications in 1964, followed by an M.A. in the same field in 1966 at New York University's School of Film. During this time, he made numerous prize-winning short films including The Big Shave (1967), and directed his first feature film, Who's That Knocking at My Door (1967).
He served as assistant director and an editor of the documentary Woodstock (1970) and won critical and popular acclaim for Mean Streets (1973), which first paired him with actor and frequent collaborator Robert De Niro. In 1976, Scorsese's Taxi Driver (1976), also starring De Niro, was awarded the Palme d'Or at the Cannes Film Festival, and he followed that film with New York, New York (1977) and The Last Waltz (1978). Scorsese directed De Niro to an Oscar-winning performance as boxer Jake LaMotta in Raging Bull (1980), which received eight Academy Award nominations, including Best Picture and Best Director, and is hailed as one of the masterpieces of modern cinema. Scorsese went on to direct The Color of Money (1986), The Last Temptation of Christ (1988), Goodfellas (1990), Cape Fear (1991), The Age of Innocence (1993), Casino (1995) and Kundun (1997), among other films. Commissioned by the British Film Institute to celebrate the 100th anniversary of the birth of cinema, Scorsese completed the four-hour documentary, A Personal Journey with Martin Scorsese Through American Movies (1995), co-directed by Michael Henry Wilson.
His long-cherished project, Gangs of New York (2002), earned numerous critical honors, including a Golden Globe Award for Best Director; the Howard Hughes biopic The Aviator (2004) won five Academy Awards, in addition to the Golden Globe and BAFTA awards for Best Picture. Scorsese won his first Academy Award for Best Director for The Departed (2006), which was also honored with the Director's Guild of America, Golden Globe, New York Film Critics, National Board of Review and Critic's Choice awards for Best Director, in addition to four Academy Awards, including Best Picture. Scorsese's documentary of the Rolling Stones in concert, Shine a Light (2008), followed, with the successful thriller Shutter Island (2010) two years later. Scorsese received his seventh Academy Award nomination for Best Director, as well as a Golden Globe Award, for Hugo (2011), which went on to win five Academy Awards.
Scorsese also serves as executive producer on the HBO series Boardwalk Empire (2010) for which he directed the pilot episode. Scorsese's additional awards and honors include the Golden Lion from the Venice Film Festival (1995), the AFI Life Achievement Award (1997), the Honoree at the Film Society of Lincoln Center's 25th Gala Tribute (1998), the DGA Lifetime Achievement Award (2003), The Kennedy Center Honors (2007) and the HFPA Cecil B. DeMille Award (2010). Scorsese and actor Leonardo DiCaprio have worked together on five separate occasions: Gangs of New York (2002), The Aviator (2004), The Departed (2006), Shutter Island (2010) and The Wolf of Wall Street (2013).- Director
- Visual Effects
- Producer
Joseph Eggleston Johnston II is an American film director from Texas who is known for directing the cult classic film The Rocketeer, Jumanji, Honey, I Shrunk the Kids, The Wolfman, October Sky, The Pagemaster, Jurassic Park III and Captain America: The First Avenger. He was an art director for Raiders of the Lost Ark and the Star Wars original trilogy.- Producer
- Writer
- Music Department
Jeffrey Jacob Abrams was born in New York City and raised in Los Angeles, the son of TV producer parents. At 15, he wrote the music for Don Dohler's Nightbeast (1982). In his senior year of college, he and Jill Mazursky teamed up to write a feature film, which became Taking Care of Business (1990). He went on to write and produce Regarding Henry (1991) and Forever Young (1992). He also co-wrote Gone Fishin' (1997) with Mazursky. Along with other Sarah Lawrence alumni, he experimented with computer animation and was contracted to develop pre-production animation for Shrek (2001).
Abrams worked on the screenplay for Armageddon (1998) and co-created (as well as composing the opening theme of) Felicity (1998), which ran for four seasons. He founded the production company Bad Robot in 2001 with Bryan Burk. He created and executive-produced Alias (2001) and Lost (2004), composing the theme music for both, and co-writing episodes of "Lost". He also co-wrote and produced thriller Joy Ride (2001). He made his feature directing debut with Mission: Impossible III (2006), reinvigorating the series. He produced the hit mystery film Cloverfield (2008) and co-created Fringe (2008).
He directed the Star Trek (2009) reboot, proving successful with fans and newcomers to the franchise. He next directed Super 8 (2011), co-produced by Steven Spielberg and produced Mission: Impossible - Ghost Protocol (2011). He returned to direct the follow-up to his reboot, Star Trek Into Darkness (2013). Disney and Lucasfilm announced J.J. as their choice for director of the first episode in the new 'Star Wars' trilogy, Star Wars: Episode VII - The Force Awakens (2015). He initially resisted, as he didn't want to travel away from his family to London, but Kathleen Kennedy convinced him that his voice would be the best to reinvigorate this franchise, as he had done with two others before. He also produced Mission: Impossible - Rogue Nation (2015) and Star Trek Beyond (2016), and executive-produced Star Wars: Episode VIII - The Last Jedi (2017). When it was announced that Colin Trevorrow would no longer direct Star Wars: Episode IX - The Rise of Skywalker (2019), it was announced that J.J. would return to complete the trilogy he started.- Producer
- Writer
- Director
The younger brother of Joel, Ethan Coen is an Academy Award and Golden Globe winning writer, producer and director coming from small independent films to big profile Hollywood films. He was born on September 21, 1957 in Minneapolis, Minnesota. In some films of the brothers- Ethan & Joel wrote, Joel directed and Ethan produced - with both editing under the name of Roderick Jaynes; but in 2004 they started to share the three main duties plus editing. Each film bring its own quality, creativity, art and with one project more daring the other.
His film debut was in 1984 dark humored thriller Blood Simple (1984) starring Frances McDormand (Joel's wife) and M. Emmet Walsh in a deep story revolving a couple of romantic lovers followed by an insisting private eye. The film received critical acclaim, some award nominations to Ethan (best writing at the Film Independent Spirit Awards) and became a cult following over the years. Their second work was the comedy Raising Arizona (1987) starring Nicolas Cage and Holly Hunter as a unusual couple trying to create their family by kidnapping babies from a rich family.
Miller's Crossing (1990) was the third film of the brothers, a mob drama with heavy influences from several criminal dramas and with a stellar cast that included Gabriel Byrne, Marcia Gay Harden, Albert Finney, Steve Buscemi, John Turturro and Jon Polito (the latter three would become regular actors in the Coen's films).
Their views on the Hollywood era of the 1930's was the central theme is the great Barton Fink (1991), created from a writers block both brothers suffered during the making of their previous film. John Turturro stars as a writer who suffers from a breakdown when he's commissioned to a big budget Hollywood project. The film was a breakthrough for the Coens marking their first win at the Cannes Film Festival (Joel got the Palme d'Or) and the first time a film of their received Oscar nominations. The underrated comedy The Hudsucker Proxy (1994) was what followed; but no one could predict their next big and boldest move that would definitely put Ethan and Joel on the spotlight once and for all.
The comedy of errors Fargo (1996) was a huge critical and commercial success. With its crazed story of a man who hires two loonies to kidnap his own wife and a pregnant policewoman tracking the leads to the crime, Ethan and Joel came at their greatest moment that couldn't be missed. The film received several awards during award season and the Coen's got their first Oscar in the Best Original Screenplay category. What came next was the underrated yet hilariously good The Big Lebowski (1998) starring Jeff Bridges, John Goodman, John Turturro and Steve Buscemi. Those masterpieces made their career in the late 1990's cementing the duo as one of the greatest writers and directors of their generation, if not, from all time.
The Odyssey retold for the 1930's in O Brother, Where Art Thou? (2000); the intelligent noir The Man Who Wasn't There (2001); the comedy Intolerable Cruelty (2003) and a remake The Ladykillers (2004) marked their way into the early 2000's. Certaintly of period of minor hits and some downer moments.
The big return was with the highly acclaimed No Country for Old Men (2007), where the brothers swooped at the Oscars with three wins: Best Picture, Screenplay and Writing, an adaptation from the Cormac McCarthy's novel.
A Serious Man (2009), Burn After Reading (2008), True Grit (2010), Inside Llewyn Davis (2013), Hail, Caesar! (2016) and The Ballad of Buster Scruggs (2018) were the subsequent films, all well received by audiences or got awards recognition, mostly nominations.
A shift from tone and career move was writing with other writers and for another directors: for Angelina Jolie's Unbroken (2014), for Spielberg in Bridge of Spies (2015) and George Clooney in Suburbicon (2017).
As for personal life, Ethan has been married to Tricia Cooke since 1990. Tricia works as an assistant editor in several of the Coen brothers films.- Producer
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- Director
Joel Daniel Coen is an American filmmaker who regularly collaborates with his younger brother Ethan. They made Raising Arizona, Barton Fink, Fargo, The Big Lebowski, True Grit, O Brother Where Art Thou?, Burn After Reading, A Serious Man, Inside Llewyn Davis, Hail Caesar and other projects. Joel married actress Frances McDormand in 1984 and had an adopted son.- Art Department
- Animation Department
- Director
Simon Wells was born on 19 October 1961 in Cambridge, Cambridgeshire, England, UK. He is a director, known for The Time Machine (2002), The Prince of Egypt (1998) and Flushed Away (2006). He has been married to Wendy Wells since June 1988. They have two children.- Director
- Producer
- Additional Crew
Michael Apted was born on 10 February 1941 in Aylesbury, Buckinghamshire, England, UK. He was a director and producer, known for Amazing Grace (2006), Gorillas in the Mist (1988) and Rome (2005). He was married to Paige Simpson, Dana Stevens and Jo Apted. He died on 7 January 2021 in Los Angeles, California, USA.- Director
- Writer
- Second Unit Director or Assistant Director
Raised as an Air Force brat, Kevin Reynolds' love for cinema inspired him to forsake his law school degree and move to Los Angeles to enroll in the University of Southern California's legendary film school. Reynolds' graduate thesis film "Proof" became the basis for "Fandango" starring Kevin Costner and was produced by Steve Spielberg's Amblin Entertainment as one of its first productions. During his time at USC, Reynolds also wrote the Cold War cult hit "Red Dawn," which John Milius directed.
Reynolds also directed "The Beast," "Robin Hood: Prince of Thieves," "Rapa Nui," "Waterworld," "The Count of Monte Cristo," "Tristan + Isolde," and "One Eight Seven," as well as the "You Gotta Believe Me" episode of Spielberg's anthology television series, "Amazing Stories."
Most recently, Reynolds directed 'Hatfields & McCoys' for History Channel and Sony Pictures Television.- Producer
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Barry Lee Levinson was born in Baltimore, Maryland, to Violet (Krichinsky) and Irvin Levinson, who worked in furniture and appliance. He is of Russian Jewish descent. Levinson graduated from high school in 1960, attended college at American University in Washington, DC. He did well, but decided he wanted to go to Los Angeles. In LA, Levinson worked for the Oxford Company, studying acting, improvisation, and production; worked in comedy clubs, where he learned how to write; and began dating Valerie Curtin. In 1967, won a job writing for a local TV comedy show. He eventually performed his material on the show, winning a local Emmy. In the 70s, Levinson wrote for The Carol Burnett Show (1967) -- and won two Emmys in three years. Mel Brooks hired him for Silent Movie (1976), then, High Anxiety (1977). Levinson and Curtin married in 1975. They co-wrote: _...And Justice for All (1979)_, and other scripts. While Curtin performed in San Francisco, he wrote Diner (1982). MGM bought it and, with a budget of under $5 million, Levinson directed. Curtin and Levinson divorced in 1982. Levinson met Dianna Rhodes while he was filming Diner (1982). She lived in Baltimore, with her two children Patrick and Michelle Levinson. Levinson and Rhodes later married and had two more children, Sam Levinson and Jack Levinson. Proving himself as a director with The Natural (1984), he tackled his most ambitious project to that time in Rain Man (1988). Levinson went on to place his stamp on films like Good Morning, Vietnam (1987), and Bugsy (1991). After his many successes, Toys (1992) did poorly. Levinson had a hit with Disclosure (1994) in 1994, the same year the Levinsons moved to Marin County in Northern California to get away from the Hollywood scene.- Actor
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Although his actress wife Paula Prentiss became a star by the early 1960s, it took Richard Benjamin almost fifteen years to establish his screen persona, but the wait was rewarding. After extensive work in theatre as actor and director, and his participation in the cult TV series He & She (1967), in which he co-starred with Prentiss, he won the starring role in the screen adaptation of Philip Roth's best-seller, Goodbye, Columbus (1969). That was followed by roles in Diary of a Mad Housewife (1970), The Marriage of a Young Stockbroker (1971) and another Roth adaptation, Portnoy's Complaint (1972), that turned him into a prominent "archetype of East Coast Jewish intellectual agony", as critic Jonathan Romney defines him. But his forte was comedy and he won a Golden Globe when he repeated his stage role in the film version of Neil Simon's The Sunshine Boys (1975). Although he still performs, Benjamin turned to direction since the 80s with the highly acclaimed comedy My Favorite Year (1982).- Director
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William Dear was born on 30 November 1944 in Toronto, Ontario, Canada. He is a director and writer, known for Harry and the Hendersons (1987), The Rocketeer (1991) and Timerider: The Adventure of Lyle Swann (1982).- Writer
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Gary David Goldberg was born in Brooklyn, New York on June 25, 1944. After a prolonged and checkered collegiate career, which began at Brandeis University in 1962 and ended at San Diego State University in 1975 (with many other schools in between), he moved to Hollywood to try to make it as a writer.
In 1976 he landed his first "real" job at MTM as a writer for "The Bob Newhart Show." Remaining at MTM, he moved over to become story editor and then producer of "The Tony Randall Show," and then in 1978, producer of "Lou Grant." In 1980 he created and executive produced "The Last Resort," also for MTM.
In 1981, Goldberg left MTM to form his own company, UBU Productions. Under this banner, he created nine television series, including the enormously successful "Family Ties," which ran on NBC 1982-1989, and the critically acclaimed "Brooklyn Bridge" which aired on CBS 1991-1993. In association with DreamWorks, UBU produced "Spin City" which ran for six seasons on ABC.
Goldberg has been the recipient of numerous honors during his career, including an Emmy Award and a Golden Globe as co-producer of "Lou Grant" and an Emmy Award as writer of the "Family Ties" episode "'A,' My Name is Alex"; five additional Emmy nominations for "Lou Grant" and "Family Ties"; a Peabody for "Lou Grant"; two Writers Guild Awards, one for an episode of "M*A*S*H*" and another for the "'A,' My Name is Alex" episode of "Family Ties"; five Writers Guild nominations for episodes of "Lou Grant," "Making the Grade," and "Family Ties"; five Humanitas Awards for "Lou Grant," and "Family Ties," as well as five additional Humanitas nominations, the Producers Guild Award as Producer of the Year in 1991 and the Valentine Davies Award from the Writers Guild in 1998 for his contributions to the entertainment industry and the community-at-large. In 2002 he won the Award of Excellence at Banff's World Television Festival. And, in 2003 he was honored with the Outstanding Television Writer Award at the Austin Film Festival. Goldberg is a member of the Broadcasting Magazine Hall of Fame.
During its run, "Brooklyn Bridge" received several honors -- a Golden Globe Award for Best Comedy Series, one Humanitas Prize and an additional Humanitas nomination for enriching television; a Christopher Award, two Viewers for Quality Television awards for Best Comedy, and eight Emmy nominations.
In 1989, Goldberg made his feature film debut when he produced and directed Universal Pictures' Dad (1989), starring Jack Lemmon. He also wrote the screenplay, which was adapted from the novel of the same name by William Wharton. His second feature film, Bye Bye Love (2008), starred Paul Reiser, Matthew Modine, and Randy Quaid, as three divorced fathers on a weekend, all with custody of their children.
In August of 2005 Warner Bros. released Must Love Dogs (2005) starring Diane Lane and John Cusack which Goldberg wrote and directed, adapting the Claire Cook novel of the same name.
Gary Goldberg is married to Diana Meehan. They have two children, Shana and Cailin.- Writer
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John Patrick Shanley was born on 3 October 1950 in The Bronx, New York City, New York, USA. He is a writer and director, known for Moonstruck (1987), Doubt (2008) and Congo (1995).- Director
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His documentaries helped spur a rebirth of non-fiction film in the 80s & garnered wide critical success. But until 2003's "The Fog of War," Morris was shunned by the Academy Awards.
Morris' first two films won much acclaim (Gates of Heaven (1978) and Vernon, Florida (1981)). In the second movie, Morris intended to explore "Nub City," the town known for residents trading limbs for insurance settlements, but death threats (and some other equally fascinating locals) morphed Morris' focus into profiling other citizens instead.
After his first two films, Morris found financing for new projects scarce, so he turned to a unusual source of income - working as a New York private detective. Finally, after 6 years, he moved into feature-length, (and more serious projects) with The Thin Blue Line (1988).
Errol Morris cites his detective experience as providing new skills for his investigative filmmaking, most notably in "The Thin Blue Line", which resulted in a wrongfully convicted man being freed from a lifetime sentence in Texas after serving 13 years for a policeman's murder. Morris persuaded the real murderer to help free the innocent man. The real killer was subsequently executed for a unrelated murder.
Morris uses techniques not traditionally seen in documentaries, to make his films more dramatic and diverse, such as the Thin Blue Line's incredibly eerie Philip Glass score, and the haunting reenactments of the policeman's murder. Thin Blue Line's multiple points of view have drawn favorable comparisons to Kurosawa's ground-breaking cinema classic, Rashomon (1950). His own striking, innovative film style is very influential. Like Alfred Hitchcock, Morris knows how to create careful doses of emotional reality, which can have much more impact on a viewer than a literal reality can be on film.
Technical problems forced Morris to insert his voice as an interviewer for the first time, at the end of The Thin Blue Line, and he's experimented with using himself in his documentaries since. Morris incorporated his reaction to his parents' recent deaths in Fast, Cheap & Out of Control (1997).
Morris feels his interviewing of subjects, has been greatly enhanced in his later work, by devising the Interrotron (terror and interview). It's two cameras, one on Morris and one on the interviewee. Each sees the other's images staring directly into the lens, to give the audience the appearance the subject is talking directly to them.
While his work explores a wide range of subjects, Morris has stated his films break down into "Completely Whacked Out" and "Politically Concerned." Many focus on people with strong, unusual obsessions. His cable documentary series First Person, was especially effective presenting with great sympathy, power and humor, compelling individuals such as Temple Grandin, an animal scientist who has autism. Grandin designs animal slaughterhouses to be humane.
Fred Leuchter, the subject of Morris' film, Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr. (1999) was slated to be one of the people profiled in Morris' "Fast, Cheap & Out of Control", but Morris decided putting Leuchter in the same film would overpower the other portraits. Leuchter'd been dubbed "The Florence Nightingale of Death Row" for his career of making prisoner execution methods more humane, was invited by a Holocaust denier who was on trial, to examine the site of the Auschwitz death camp. Way out of his league, Leuchter's faulty, amateurish research led him to claim that Auschwitz could not have been used for executions. "Accidental Nazi" was considered as a title for the film. Morris prefers characters who are puzzling.
The film brought Morris (who's Jewish) much criticism and attention. One of Morris' recurring themes is the powerful contrasts between how his subjects view themselves, and how audiences view them. The witty Morris revels in his own off kilter humor, iconoclasm, and extreme skepticism when he's being interviewed.
Morris had problems when he ventured into directing a Hollywood fiction film as did his contemporaries Michael Moore, Joe Berlinger, and Bruce Sinofsky. The Dark Wind (1991) was held up by the studio for 2 years, then released on video. It was an adaptation of a Tony Hillerman mystery novel, executive produced by Robert Redford. Morris has continued entirely with non-fiction, though many of his subjects are much stranger than fiction anyway.
He has taken on difficult subjects, such as A Brief History of Time (1991), about the paraplegic physicist Stephen Hawking, illustrating Hawking's revolutionary theories, and comparing the paralyzed scientist's own rich interior world periled by ALS, with the complex, dying universe Hawking limns.
Morris' film The Fog of War (2003), examines the architect of the U.S. war in Vietnam, former Secretary of Defense Robert McNamara. Morris' academic training in philosophy and history shows in his documentaries' vast depth. While getting a history degree at University of Wisconsin, Morris explored doing a film on notorious local murderer Ed Gein (Gein was the basis for Psycho (1960)). Morris also studied at Princeton and University of California - Berkeley.
Morris' directing career started while he programmed shows at the California's Pacific Film Archive. A newspaper headline spurred his first film "Gates of Heaven," revealing with bizarre developments in 2 widely contrasting pet cemeteries. The uncut film confounded editors, such as Academy Award nominee David Webb Peoples (Unforgiven (1992)). German film director Werner Herzog bet Morris that the film would never get made. At Berkeley, Herzog settled the bet on stage in an incredible display, as documented by director Les Blank (whose son 'Harrod Blank'_ is also an acclaimed documentary filmmaker) in Werner Herzog Eats His Shoe.
Morris, who received a MacArthur Foundation genius grant, says none of his films have made him money, so he directs commercials, and won an Emmy in 2001. A series of campaign ads he did for John Kerry was little shown. Morris' much-criticized approach was to Interrotron actual Republicans and conservatives who had switched to support Kerry, versus George W. Bush. Morris has an occasional feature in the New York Times ruminating on the power and meaning of photos.
Opening April 2008 is his new feature, Standard Operating Procedure (2008), which explores abuse in the Abu Ghraib prison in Iraq. The film is accompanied by a book of on-set photos of Morris' productions.- Stephen William Hawking was born on 8 January 1942 on Oxford, Oxfordshire, England. He was an English theoretical physicist, cosmologist, author and Director of Research at the Centre for Theoretical Cosmology within the University of Cambridge.
His scientific works include a collaboration with Roger Penrose on gravitational singularity theorems in the framework of general relativity and the theoretical prediction that black holes emit radiation, often called Hawking radiation. Hawking was the first to set out a theory of cosmology explained by a union of the general theory of relativity and quantum mechanics. He was a vigorous supporter of the many-worlds interpretation of quantum mechanics.
Hawking was an Honorary Fellow of the Royal Society of Arts (FRSA), a lifetime member of the Pontifical Academy of Sciences, and a recipient of the Presidential Medal of Freedom, the highest civilian award in the United States. In 2002, Hawking was ranked number 25 in the BBC's poll of the 100 Greatest Britons. He was the Lucasian Professor of Mathematics at the University of Cambridge between 1979 and 2009 and achieved commercial success with works of popular science in which he discusses his own theories and cosmology in general; his book "A Brief History of Time" appeared on the British Sunday Times best-seller list for a record-breaking 237 weeks.
At the release party for the home video version of A Brief History of Time (1991), Leonard Nimoy, who had played Spock on Star Trek (1966), learned that Hawking was interested in appearing on the series. Nimoy made the necessary contact, and Hawking played a holographic simulation of himself in an episode of Star Trek: The Next Generation (1987) in 1993. The same year, his synthesizer voice was recorded for the song "Keep Talking" by the rock band Pink Floyd, and in 1999 for an appearance on The Simpsons (1989). Hawking also guest-starred on Futurama (1999) and The Big Bang Theory (2007).
Hawking allowed the use of his copyrighted voice in the biographical drama The Theory of Everything (2014), in which he was portrayed by Eddie Redmayne in an Academy Award-winning role. Hawking died at age 76 in his home in Cambridge, Cambridgeshire, England, early in the morning of 14 March 2018. - Actor
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Peter Bogdanovich was conceived in Europe but born in Kingston, New York. He is the son of immigrants fleeing the Nazis, Herma (Robinson) and Borislav Bogdanovich, a painter and pianist. His father was a Serbian Orthodox Christian, and his mother was from a wealthy Austrian Jewish family. Peter originally was an actor in the 1950s, studying his craft with legendary acting teacher Stella Adler and appearing on television and in summer stock. In the early 1960s he achieved notoriety for programming movies at the Museum of Modern Art in New York City. An obsessive cinema-goer, sometimes seeing up to 400 movies a year in his youth, Bogdanovich prominently showcased the work of American directors such as John Ford, about whom he subsequently wrote a book based on the notes he had produced for the MOMA retrospective of the director, and the then-underappreciated Howard Hawks. Bogdanovich also brought attention to such forgotten pioneers of American cinema as Allan Dwan.
Bogdanovich was influenced by the French critics of the 1950s who wrote for Cahiers du Cinema, especially critic-turned-director François Truffaut. Before becoming a director himself, he built his reputation as a film writer with articles in Esquire Magazine. In 1968, following the example of Cahiers du Cinema critics Truffaut, Jean-Luc Godard, Claude Chabrol and Éric Rohmer who had created the Nouvelle Vague ("New Wave") by making their own films, Bogdanovich became a director. Working for low-budget schlock-meister Roger Corman, Bogdanovich directed the critically praised Targets (1968) and the not-so-critically praised Voyage to the Planet of Prehistoric Women (1968), a film best forgotten.
Turning back to journalism, Bogdanovich struck up a lifelong friendship with the legendary Orson Welles while interviewing him on the set of Mike Nichols' film adaptation of Catch-22 (1970) from the novel by Joseph Heller. Subsequently, Bogdanovich has played a major role in elucidating Welles and his career with his writings on the great actor-director, most notably his book "This is Orson Welles" (1992). He has steadily produced invaluable books about the cinema, especially "Who the Devil Made It: Conversations with Legendary Film Directors," an indispensable tome that establishes Bogdanovich, along with Kevin Brownlow, as one of the premier English-language chroniclers of cinema.
The 32-year-old Bogdanovich was hailed by a critics as a Wellesian wunderkind when his most famous film, The Last Picture Show (1971) was released. The film received eight Academy Award nominations, including Bogdanovich as Best Director, and won two of them, for Cloris Leachman and "John Ford Stock Company" veteran Ben Johnson in the supporting acting categories. Bogdanovich, who had cast 19-year-old model Cybill Shepherd in a major role in the film, fell in love with the young beauty, an affair that eventually led to his divorce from the film's set designer Polly Platt, his longtime artistic collaborator and the mother of his two children.
Bogdanovich followed up The Last Picture Show (1971) with a major hit, What's Up, Doc? (1972), a screwball comedy heavily indebted to Hawks' Bringing Up Baby (1938) and His Girl Friday (1940), starring Barbra Streisand and 'Ryan O'Neal'. Despite his reliance on homage to bygone cinema, Bogdanovich had solidified his status as one of a new breed of A-list directors that included Academy Award winners Francis Ford Coppola and William Friedkin, with whom he formed The Directors Company. The Directors Company was a generous production deal with Paramount Pictures that essentially gave the directors carte blanche if they kept within strict budget limitations. It was through this entity that Bogdanovich's next big hit, the critically praised Paper Moon (1973), was produced.
Paper Moon (1973), a Depression-era comedy starring Ryan O'Neal that won his ten-year-old daughter Tatum O'Neal an Oscar as Best Supporting Actress, proved to be the highwater mark of Bogdanovich's career. Forced to share the profits with his fellow directors, Bogdanovich became dissatisfied with the arrangement. The Directors Company subsequently produced only two more films, Francis Ford Coppola's critically acclaimed The Conversation (1974) which was nominated for an Academy Award for Best Picture of 1974 and garnered Coppola an Oscar nod for Best Director, and Bogdanovich's Daisy Miller (1974), a film that had a quite different critical reception.
An adaptation of the Henry James novella, Daisy Miller (1974) spelled the beginning of the end of Bogdanovich's career as a popular, critically acclaimed director. The film, which starred Bogdanovich's lover Cybill Shepherd as the title character, was savaged by critics and was a flop at the box office. Bogdanovich's follow-up, At Long Last Love (1975), a filming of the Cole Porter musical starring Cybill Shepherd, was derided by some critics as one of the worst films ever made, noted as such in Harry Medved and Michael Medved's book "The Golden Turkey Awards: Nominees and Winners, the Worst Achievements in Hollywood History" (1980). The film also was a box office bomb despite featuring Burt Reynolds, a hotly burning star who would achieve super-nova status at the end of the 1970s.
Bogdanovich insisted on filming the musical numbers for At Long Last Love (1975) live, a process not used since the early days of the talkies, when sound engineer Douglas Shearer developed lip-synching at Metro-Goldwyn-Mayer. The decision was widely ridiculed, as none of the leading actors were known for their singing abilities (Bogdanovich himself had produced a critically panned album of Cybill Shepherd singing Cole Porter songs in 1974). The public perception of Bogdanovich became that of an arrogant director hamstrung by his own hubris.
Trying to recapture the lightning in the bottle that was his early success, Bogdanovich once again turned to the past, his own and that of cinema, with Nickelodeon (1976). The film, a comedy recounting the earliest days of the motion picture industry, reunited Ryan O'Neal and 'Tatum O'Neal' from his last hit, Paper Moon (1973) with Burt Reynolds. Counseled not to use the unpopular (with both audiences and critics) Cybill Shepherd in the film, Bogdanovich instead used newcomer Jane Hitchcock as the film's ingénue. Unfortunately, the magic of Paper Moon (1973) was not be repeated and the film died at the box office. Jane Hitchcock, Bogdanovich's discovery, would make only one more film before calling it quits.
After a three-year hiatus, Bogdanovich returned with the critically and financially underwhelming Saint Jack (1979) for Hugh Hefner's Playboy Productions Inc. Bogdanovich's long affair with Cybill Shepherd had ended in 1978, but the production deal making Hugh Hefner the film's producer was part of the settlement of a lawsuit Shepherd had filed against Hefner for publishing nude photos of her pirated from a print of The Last Picture Show (1971) in Playboy Magazine. Bogdanovich then launched the film that would be his career Waterloo, They All Laughed (1981), a low-budget ensemble comedy starring Audrey Hepburn and the 1980 Playboy Playmate of the Year, Dorothy Stratten. During the filming of the picture, Bogdanovich fell in love with Stratten, who was married to an emotionally unstable hustler, Paul Snider, who relied on her financially. Stratten moved in with Bogdanovich, and when she told Snider she was leaving him, he shot and killed her, then committed suicide.
They All Laughed (1981) could not attract a distributor due to the negative publicity surrounding the Stratten murder, despite it being one of the few films made by the legendary Audrey Hepburn after her provisional retirement in 1967 (the film would prove to be Hepburn's last starring role in a theatrically released motion picture). The heartbroken Bogdanovich bought the rights to the negative so that it would be seen by the public, but the film had a limited release, garnered weak reviews and cost Bogdanovich millions of dollars, driving the emotionally devastated director into bankruptcy.
Bogdanovich turned back to his first avocation, writing, to pen a memoir of his dead love, "The Killing of the Unicorn: Dorothy Stratten (1960-1980)" that was published in 1984. The book was a riposte to Teresa Carpenter's "Death of a Playmate" article written for The Village Voice that had won the 1981 Pulitzer Prize. Carpenter had lambasted Bogdanovich and Hugh Hefner, claiming that Stratten was as much a victim of them as she was of Paul Snider. The article served as the basis of Bob Fosse's film Star 80 (1983), in which Bogdanovich was portrayed as the fictional director "Aram Nicholas".
Bogdanovich's career as a noted director was over, and though he achieved modest success with Mask (1985), his sequel to his greatest success The Last Picture Show (1971), Texasville (1990), was a critical and box office disappointment. He directed two more theatrical films in 1992 and 1993, but their failure kept him off the big screen until 2001's The Cat's Meow (2001). Returning once again to a reworking of the past, this time the alleged murder of director Thomas H. Ince by Welles' bete noir William Randolph Hearst, The Cat's Meow (2001) was a modest critical success but a flop at the box office. In addition to helming some television movies, Bogdanovich has returned to acting, with a recurring guest role on the cable television series The Sopranos (1999) as Dr. Jennifer Melfi's analyst.
Bogdanovich's personal reputation suffered from gossip about his 13-year marriage to Dorothy Stratten's 19-year-old-kid sister Louise Stratten, who was 29 years his junior. Some gossip held that Bogdanovich's behavior was akin to that of the James Stewart character in Alfred Hitchcock's necrophiliac masterpiece Vertigo (1958), with the director trying to remold Stratten into the image of her late sister. The marriage ended in divorce in 2001.
Now in his early eighties, Bogdanovich has arguably imitated his hero Orson Welles, but in an unintended fashion, as filmmaker who never regained the acclaim bestowed on their first major success. However, unlike the widely acclaimed master Welles, the orbit of Bogdanovich's reputation has never recovered from the apogee it reached briefly in the early 1970s.
There has been speculation that Peter Bogdanovich's ruin as a director was guaranteed when he ditched his wife and artistic collaborator Polly Platt for Cybill Shepherd. Platt had worked with Bogdanovich on all his early successes, and some critics believe that the controlling artistic consciousness on The Last Picture Show (1971) was Platt's. Parting company with Platt after Paper Moon (1973), Bogdanovich promptly slipped from the heights of a wunderkind to a has-been pursuing epic folly, as evidenced by Daisy Miller (1974) and At Long Last Love (1975).
In 1998 the National Film Preservation Board of the Library of Congress named The Last Picture Show (1971) to the National Film Registry, an honor awarded only to the most culturally significant films.- Director
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Mikael Salomon was born and grew up in Denmark. He is originally and primarily a cinematographer. The first feature film he shot was Fantasterne (1967) by Kirsten Stenbæk. After almost two decades as one of his country's finest in the field and only a few foreign productions, he then moved his life and his career to Hollywood. His work included smaller movies, but was led by Cameron's The Abyss (1989) and Spielberg's Always (1989), and Ron Howard's Far and Away (1992). In the mid-90s Mikael Salomon made another drastic career move: He exchanged his cinematographer career with that of the director's. He has stated, "I just thought it was time to try something new". He directed Reese Witherspoon in the adventure A Far Off Place (1993), Morgan Freeman and Christian Slater in the action thriller Hard Rain (1998), and different television work, especially the ever-important pilots. Steven Spielberg gave Salomon a qualitatively stronger project than the bulk of his direction work with two episodes of 2001's Band of Brothers (2001). Salomon has stated his intention of working on less of the tv-series and pilots that force him to compromise his visions, in favor of more qualitative features and mini-series, such as _Salem's Lot (2004) (TV)_.- Director
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Stephen Gyllenhaal was born on 4 October 1949 in Cleveland, Ohio, USA. He is a director and producer, known for CBS Afternoon Playhouse (1978), A Dangerous Woman (1993) and Living with the Dead (2002).- Editor
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Duwayne Dunham was born on 17 November 1952 in Los Angeles County, California, USA. He is an editor and director, known for Twin Peaks (1990), Star Wars: Episode V - The Empire Strikes Back (1980) and Star Wars: Episode VI - Return of the Jedi (1983). He has been married to Janet Louise Young since 3 September 1983. They have two children.- Director
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She came to prominence with the much lauded adaptation of Jeanette Winterson's autobiographical novel 'Oranges Are Not the Only Fruit'. Since then she's directed feature films, television dramas and documentaries. In 2008, she founded the charity called Filmclub with Lindsay Mackie. It has since grown to be one of the largest and most influential after-school clubs in the UK, attracting over 150,000 children and young people each week.
Filmclub screens 100 years of film from all over the world to its members. Inspirational, entertaining and with positive outcomes on literacy, social behaviour and cultural awareness, Filmclub members have the opportunity to review, discuss and meet professional film-makers.
In 2006, she was asked to build a web-site for the Guardian newspaper to celebrate the 25th anniversary of the Greenham camp.- Director
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Jocelyn Moorhouse was born on 4 September 1960 in Melbourne, Victoria, Australia. She is a director and writer, known for The Dressmaker (2015), Proof (1991) and Muriel's Wedding (1994). She is married to P.J. Hogan.- Writer
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David Koepp is an American film director and screenwriter. He is known for writing Jurassic Park directed by Steven Spielberg, The Lost World: Jurassic Park, Mission: Impossible, Indiana Jones and the Kingdom of the Crystal Skull, Spider-Man directed by Sam Raimi and Panic Room directed by David Fincher. He also directed You Should Have Left starring Kevin Bacon and Amanda Seyfried.- Writer
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Neil Jordan was born on 25 February 1950 in Sligo, Ireland. He is a writer and producer, known for The Crying Game (1992), Greta (2018) and Breakfast on Pluto (2005). He has been married to Brenda Rawn since 30 June 2004. They have two children. He was previously married to Vivienne Shields.- Director
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Rob Marshall was born on 17 October 1960 in Madison, Wisconsin, USA. He is a director and producer, known for Mary Poppins Returns (2018), Chicago (2002) and Into the Woods (2014).- Animation Department
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The son of commercial artists, Richard Williams studied at the Ontario College of Art and first worked in animation for Disney Studios in Burbank. His tenure there had a strong influence on his later work but proved somewhat stifling to his own creative flair. In 1955, aged 22, Williams moved to England and joined fellow Canadian George Dunning's company T.V. Cartoons Ltd., working primarily on television commercials. At the same time, Williams created his first animated short feature, The Little Island (1958), which won him the 1959 BAFTA Award for Best Animated Film. Though a critical success it received a mixed response at the box office. Consequently, his next venture was aimed at the mainstream market. Love Me, Love Me, Love Me (1962) turned out to be a commercial success and generated enough revenue for Williams to set up his own animation studio. In addition to producing commercials, Williams went on to create memorable title sequences for motion pictures, including What's New Pussycat (1965), The Liquidator (1965), The Spy with a Cold Nose (1966), The Return of the Pink Panther (1975) and The Pink Panther Strikes Again (1976). He also produced several animated features, notably A Christmas Carol (1971) and The Thief and the Cobbler (1993). The latter project underwent numerous rewrites and re-edits and took 31 years to complete. In 1995, it was eventually released by Miramax in the U.S. as Arabian Knight.
Possibly the high point of his career was as animation director on Who Framed Roger Rabbit (1988), for which Williams won two Academy Awards: one for Best Visual Effects and the other for animation direction and (CGI) creation of cartoon characters. An occasional voice-over actor, he also provided the voice for the Tex Avery character Droopy Dog. In 2001, Williams published a text book, entitled The Animator's Survival Kit: A Manual of Methods, Principles, and Formulas for Classical, Computer, Games, Stop Motion, and Internet Animators.- Producer
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Brett Ratner is one of Hollywood's most successful filmmakers. His diverse films resonate with audiences worldwide and, as director, his films have grossed over $2 billion at the global box office. Brett began his career directing music videos before making his feature directorial debut at 26 years old with the action comedy hit Money Talks. He followed with the blockbuster Rush Hour and its successful sequels. Brett also directed The Family Man, Red Dragon, After the Sunset, X-Men: The Last Stand, Tower Heist and Hercules.
Ratner has also enjoyed critical acclaim and box office success as a producer. He has served as an executive producer on the Golden Globe and Oscar winning The Revenant, starring Leonardo DiCaprio and Black Mass, starring Johnny Depp; and as a producer on Truth, starring Robert Redford and Cate Blanchett; I Saw the Light, starring Tom Hiddleston and Elizabeth Olsen; and the upcoming film Rules Don't Apply, written, directed and produced by Warren Beatty. His other produced films include the smash hit comedy Horrible Bosses and its sequel, and the re-imagined Snow White tale Mirror Mirror.
His additional producing credits include the documentaries Author: The JT LeRoy Story, Catfish, the Emmy-nominated Woody Allen - A Documentary, Helmut by June, I Knew It Was You: Rediscovering John Cazale, Chuck Norris vs. Communism, the 5-time Emmy nominated and Peabody Award winning Night Will Fall, Bright Lights and National Geographic's upcoming Untitled Leonardo DiCaprio Environmental Documentary, directed, produced by and starring Leonardo DiCaprio. He also executive produced and directed the Golden Globe-nominated FOX series Prison Break, and executive produced the television series Rush Hour, based on his hit films.
Brett, along with his business partner James Packer, formed RatPac Entertainment, a film finance production and media company, in 2013. RatPac has a first-look deal with Warner Bros. and joined with Dune Capital to co-finance over 75 films including Gravity, The Lego Movie, American Sniper, and Batman v Superman: Dawn of Justice. RatPac Entertainment also co-financed The Revenant and Birdman with New Regency. Internationally, Warner Bros. and RatPac have formed a joint venture content fund with China's Shanghai Media Group to finance local Chinese content. In partnership with New Regency, RatPac also finances the development and production of Brad Pitt's Plan B Entertainment.
Since inception, RatPac Entertainment has co-financed 52 theatrically released motion pictures exceeding $9.3 billion in worldwide box office receipts. RatPac's co-financed films have been nominated for 51 Academy Awards, 20 Golden Globes and 39 BAFTAs and have won 21 Academy Awards, 7 Golden Globes and 17 BAFTAs.
Brett is a Board of Trustees member of the Simon Wiesenthal Center and Museum of Tolerance. He sits on the boards of Chrysalis, Best Buddies and Do Something, while serving on the Dean's Council of the NYU Tisch School of the Arts and on the Board of Directors at Tel Aviv University's School of Film and Television. In 2017, he will receive a coveted star on the Hollywood Walk of Fame.Upcoming Movie: The 39 Case- Director
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Lasse Hallström inherited his enthusiasm for film from his father, who was an amateur filmmaker. In high school he made his first short film, which was released on Swedish television. Hallström then began working as a director, cameraman and editor for Swedish television. He also made music videos and worked with the cult band "ABBA", for whom he directed the 1977 film "ABBA: The Movie". He moved from television to film and directed Swedish productions such as "A Lover And His Lass" (1974), "Der Gockel" and "Happy We". By the mid-1980s he had long since established himself in his homeland and made his international breakthrough as an author and director in 1985 with "My Life as a Dog" (1985). In his warm-hearted film, Hallström tells the story of a twelve-year-old boy in the 1950s. Audiences and critics worldwide were thrilled and Hallström received Oscar nominations for Best Director and Best Screenplay.
The members of the "New York Film Critics Circle" named the production "Best Foreign Film." Hallström then brought the successful Astrid Lindgren stories "We Children from Bullerbü" (1986) and "News from Us Children from Bullerbü" (1986) to the screen. In 1991 he worked with Holly Hunter and Richard Dreyfuss on his first American film, "A Charming Disgust." This was followed in 1993 by the hit film "Gilbert Grape - Somewhere in Iowa", for which Hallström was director and producer. The film starred Johnny Depp, Juliette Lewis and the young Leonardo DiCaprio, who received an Oscar nomination for Best Supporting Actor for his role as a disabled boy. Hallström himself was nominated for an Oscar for Best Director for Gilbert Grape: Somewhere in Iowa. In 1994 he married the actress Lena Olin; together they became parents of two children.
After the failure of "The Power of Love" (1995) with Julia Roberts, Lasse Hallström returned to his strengths and delivered the drama "God's Work and the Devil's Contribution" in 1999. The critics were once again full of praise and Hallström was pleased to receive another Oscar nomination. The subtle comedy "Chocolat" (2000) with Juliette Binoche, Judy Dench and Johnny Depp was his next work, which was nominated for five "Oscars" in 2001. In 2002, Hallström's tragicomedy "Ship Reports" was released in German cinemas. With "An Untamed Life" from 2005, he brought a drama to cinemas that not only shined with its plot, but also with excellent actors such as Robert Redford, Morgan Freeman and Jennifer Lopez. Hallström settled privately in the USA and Sweden. In 2018 he directed the American fantasy film "The Nutcracker and the Four Realms".Upcoming Movie: The Danish Girl- Producer
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Rob Minkoff was born on 11 August 1962 in Palo Alto, California, USA. He is a producer and director, known for The Lion King (1994), Stuart Little 2 (2002) and The Forbidden Kingdom (2008). He has been married to Crystal Kung Minkoff since 29 September 2007. They have two children.- Director
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Barry Cook was born and raised in Nashville, TN, USA. He began making films at the age of ten on the family super 8 camera. He won two prizes in the local PBS-sponsored Young Filmakers Festival with "The Vampire" and "Dr. Jekyll and Mr. Hyde" at the age of twelve. During summers, he and his brother would work at Opryland USA, drawing caricatures of the guests. At the age of eighteen, Barry moved to California to pursue his career in motion pictures. He studied at Columbia College, where he spent time helping colleagues with their student films. He served as an intern at Hanna Barbera. He joined Disney in 1981 to work on "Tron". He has worked as an animator on many Disney films, including "Oliver & Company" and "Captain EO". He has worked at Disney for seventeen years, and "Mulan" was his directing debut. He currently lives in Florida with his wife and four children.- Producer
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Tom Ruegger is the fourteen-time Emmy-winning producer and creative force behind many of the most popular and successful animated television series of all time, including Tiny Toon Adventures (1990), Animaniacs (1993) and Pinky and the Brain (1995) to name only a few.
Over the last decade, Mr. Ruegger served as the executive producer and chief creative executive at Warner Bros. Animation. In 2002, he started his own company, Tom Ruegger Productions, and under its banner, Tom has been involved in the development, writing and production of multiple televisions series and feature films, both animated and live action. These new works include Animalia (2007) for PorchLight and PBS, as well as a new animated series for Disney.
Mr. Ruegger began his career as an animator at Hanna-Barbera Productions, under the mentor-ship of his childhood heroes, William Hanna and Joseph Barbera. Tom's early animation efforts appeared in such familiar cartoon series as "Scooby Doo", "The New Flintstones," "Casper" and "Godzilla'. Tom honed his writing skills at Filmation Studios under the guidance of Arthur H. Nadel and Lou Scheimer, on such series as Blackstar (1981) and Tarzan, Lord of the Jungle (1976)," then returned to Hanna-Barbera to serve as a story editor and producer for a variety of shows, including Pound Puppies (1985) and Scooby-Doo and Scrappy-Doo (1979). In 1988, Tom created and produced a new Scooby franchise, A Pup Named Scooby-Doo (1988)," which was the first Scooby Doo series to be nominated for an Emmy Award.
Tom joined Warner Bros. Animation in 1989 to head up production of Tiny Toon Adventures (1990). Thus began a decade-long creative collaboration between Mr. Spielberg and Mr. Ruegger that spanned five enormously successful series resulting in ratings success, a worldwide fan base, and over 30 Emmy Awards victories in numerous categories.
With the success of Tiny Toon Adventures (1990)," Warner Bros. Animation began its second "Golden Age," and Mr. Ruegger became chief creative executive of the company. Along with Jean MacCurdy, Tom executive-produced the studio's next major productions: Taz-Mania (1991) and Batman: The Animated Series (1992), a cartoon-noir take on the dark knight that premiered to rave reviews and strong numbers.
At the same time, Mr. Ruegger continued his collaboration with Mr. Spielberg by creating a cast of breakout characters and a new franchise entitled Animaniacs (1993). This "hellzapoppin'" cartoon show, starring zany siblings Yakko, Wakko and Dot Warner, premiered on "Fox Kids," and it became the comedy template for the animation industry for a number of years - every studio wanted its own Animaniacs (1993). The series went on to win multiple Emmys as well as the prestigious George Foster Peabody Award for Outstanding Achievement in Animation Programming. As the creator of Animaniacs (1993), Mr. Ruegger was the show's senior producer, and served as a story editor, writer and lyricist on the series.
Mr. Ruegger has gone on to create and produce a number of other acclaimed series as well. These include:
Pinky and the Brain (1995) This animated series stars two lab mice, one a dim bulb, the other a megalomaniac bent on global domination. Tom created this odd duo during the development of Animaniacs (1993), and the two mice proved so popular that they were spun off into their own prime time series on the WB. Tom served as the senior producer of this award-winning series, as well as a writer, story editor and lyricist.
Freakazoid! (1995)This animated series follows the adventures of teenage nerd Dexter Douglas, who is swept into cyberspace and transformed into the world's wildest superhero, Freakazoid. Tom co-created this Emmy-winning series for Steven Spielberg, and served as executive producer, story editor and lyricist.
Histeria! (1998) This cartoon comedy follows an eccentric cast, including Father Time, Big Fat Baby, Loud Kiddington and Charity Bazaar, as they travel through time and interact with key historic figures along the way. Tom created, wrote, and executive-produced the series.
Road Rovers (1996) Tom created this animated adventure comedy starring a team of superhero canines.
Animaniacs: Wakko's Wish (1999) Tom co-wrote, produced and directed this animated feature film featuring the "Animaniacs" cast.
"Batman: Mask of the Phantasm (1993)" Tom executive-produced this feature film.
Tom grew up in Metuchen, New Jersey, and attended Metuchen High School, where he served as Student Council President, co-captain of his school's football and track teams, and editorial cartoonist for the high school newspaper. Tom attended Dartmouth College in Hanover, New Hampshire, and graduated cum laude with a bachelor's degree in English. At Dartmouth, Tom served as the director of the Dartmouth Film Society, the nation's first and oldest college film society.
In his junior year at Dartmouth, Tom received a grant from the Arthur and Lillie Mayer Foundation to create an animated film. This 10-minute film, "The Premiere of Platypus Duck," was the beginning of Tom's steps toward a film career and, especially, a greater understanding of animation. Before graduation, Tom received the Marcus Heiman Award, Dartmouth College's highest honor for creative achievement.
Currently, Tom serves on the board of directors for the Hopkins Center and Hood Museum, which are the film/theater/arts centers at Dartmouth College. Tom is a member of the Writers Guild and the Screen Cartoonist Guild. He lives in Calabasas, California, with his three sons, Nathan, Luke and Cody.
In 2003 and 2004, Tom co-wrote the pilot and served as a script editor of the Emmy Award-winning animated series Tutenstein (2003) for Porchlight Pictures.
In 2005, Tom began work as producer and story editor of a new CGI animated series entitled Animalia (2007) for PorchLight Entertainment and Burberry Production. The series is scheduled for a fall 2007 premiere on the BBC, PBS and Australia-10.
Tom, along with partners Nicholas Hollander and Mark Seidenberg, is currently developing a new animated series for the Walt Disney Company.- Art Department
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Liz Holzman was born on 9 February 1953 in San Francisco, California, USA. She was a producer, known for Pinky and the Brain (1995), Animaniacs (1993) and The Zeta Project (2001). She died on 11 August 2014 in Portland, Oregon, USA.- Writer
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Paul Dini is an American animator and writer known for his contributions to DC Comics, including Batman: The Animated Series, Gotham Girls and fan favorite character Harley Quinn. He also worked on Batman: Arkham Asylum and it's sequel Batman: Arkham City as well as a 2003 animated pilot based on Zatanna starring Tara Strong. He is seen as the curator of the DC Animated Universe alongside Bruce Timm.- Writer
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Bob Gale is an Oscar-nominated screenwriter-producer-director, best known as co-creator, co-writer and co-producer of Back to the Future (1985) and its sequels. Gale was born and raised in St. Louis, Missouri, and graduated Phi Beta Kappa with a B.A. in Cinema from the University of Southern California in 1973. He has written over 30 screenplays; his other film credits include 1941 (1979), I Wanna Hold Your Hand (1978), Used Cars (1980), Trespass (1992) and Interstate 60 (2002), the latter which he directed. In addition to writing movies and occasionally television, Gale has written comic books including Spider-Man, Batman and the IDW Back to the Future title, thus proving to his father that he did not waste hours and hours reading comics in his youth. He has also served as an expert witness in over 25 plagiarism cases, even though this has occasionally required him to wear a suit and tie (oh, the horror!). When he's not in production, writing, shooting off his mouth or wasting time on the internet, he actually does take out the trash even when his wife doesn't ask. Well, sometimes he does...- Animation Department
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Skip Jones is known for The Secret of NIMH (1982), The Brave Little Toaster (1987) and An American Tail (1986).- Writer
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Began his art career in High School when he drew a headless spaceman outside his ship and then spat read paint where the head should have been, causing the illusion of an explosion, and named it "Gesundheit". Went on to draw "filler" cartoons for his local newspaper, and got his editor's front lawn vandalized when he drew a cartoon called "Honky Trek", a ripoff of the then-new Star Trek: The Motion Picture. After the strip ran, crazed Trek fans hanged a dummy from the editor's elm tree in his front lawn with the cartoon stuck in its chest with an arrow. In the early 80's he began drawing "Bloom County", a political satire, for college newspapers. The racy cartoons, often focusing on swinging lawyer Steve Dallas and an unnamed elderly woman, gained a cult following and soon became syndicated. The strip became the subject of a nation wide cult following and sparked a mass marketing campaign. Nation wide recognition came to Breathed in the mid 80s with his creation of Opus, an insecure penguin who reflected the political conscience of America. Opus became a pop culture icon of the 80's with dolls, cartoons, action figures, telephones, and books all dedicated to him. Breathed furthered his fame with his subsequent creation of Bill the Cat, a Garfield ripoff, who was the exact opposite of Opus in that he represented the scum of Americ a- Bill was a drug addicted, alcohol chugging, chain smoking rocker who had been in and out of detox. The combination of Opus and Bill was a hit success, and saved Breathed from the near demise of his strip. With the end of the 80's came the end of Bloom County, which in turn gave billionaire Donald Trump the opportunity to lash out at Breathed for his political views. Breathed retaliated by having his comic strip characters - who were treated as real people who worked in a comic strip - all get fired by Trump, who had a freak accident and had his brain put in Bill's head. This series that ended the strip proved to be the beginning, as fans wrote in saying that the final strips were the best yet. Breathed created "Outland", where Opus, Bill, and several other characters resurfaced in a utopia like world. Outland had a successful four year run but suffered criticism for its parody of the OJ Simpson trial, so in 1995 Breathed ended Outland, its final strip mirroring that of Bloom County. He then started "Opus", a new comic strip featuring Opus, Bill and other characters.- Writer
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Michael Crichton was born in Chicago, Illinois, but grew up in Roslyn, New York. His father was a journalist and encouraged him to write and to type. Michael gave up studying English at Harvard University, having become disillusioned with the teaching standards--the final straw came when he submitted an essay by George Orwell that was given a "B-." After giving up English and spending a year in Europe, Michael returned to Boston, Massachusetts, and attended Havard Medical School to train as a doctor. Several times, he was persuaded not to quit the course but did so after qualifying in 1969.
During his medical-student days, he wrote novels secretly mainly under the pseudonym of John Lange in reference to his almost 6ft 9 height. (Lange in German means long) One novel, "A Case of Need," written under the pseudonym Jeffery Hudson, (Sir Jeffrey Hudson was a famous 17th century dwarf) contained references to people at Harvard Medical School, but he couldn't hide his identity when the novel won an award that had to be collected in person. After giving up medicine, Michael moved to Hollywood, California, in the early 1970s and began directing movies based on his books, his first big break being Westworld (1973).- Writer
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Kelly is primarily a writer for film and television but started her career in musical theater with the UK version of "Debbie Does Dallas, the Musical".
She is a co-artistic director of "The Bad Dog Theater Company"; founded in 2010 alongside the actor Tom Hardy and fellow writer Brett C. Leonard.
She lives in London.- Producer
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Craig Silverstein is known for Pantheon (2022), The Invisible Man (2000) and TURN: Washington's Spies (2014).- Director
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Honored with many awards for his films and achievement in the horror genre, Tobe Hooper is truly one of the Masters of Horror (2005).
Tobe Hooper was born in Austin, Texas, to Lois Belle (Crosby) and Norman William Ray Hooper, who owned a theater in San Angelo. He spent the 1960s as a college professor and documentary cameraman. In 1974, he organized a small cast that was made up of college teachers and students, and then he and Kim Henkel made The Texas Chain Saw Massacre (1974), featuring the maniacal chainsaw-wielder Leatherface (Gunnar Hansen). This film changed the horror film industry and became an instant classic, remaining on many lists of top horror films of all time. Hooper based it upon the real-life killings of Ed Gein, a cannibalistic killer responsible for the grisly murders of several people in 1950s Wisconsin. Rex Reed said, "It's the scariest film I have ever seen." Leonard Maltin wrote, "While not nearly as gory as its title suggests, 'Massacre' is a genuinely terrifying film made even more unsettling by its twisted but undeniably hilarious black comedy." It is in the Permanent Collection of the Museum of Modern Art, and was officially selected at the Cannes Film Festival of 1975 for Directors Fortnight.
Hooper's success with "Chainsaw" landed him in Hollywood. Hooper rejoined the cast of "Texas" and with Kim Henkle again for Eaten Alive (1976), a gory horror film with Mel Ferrer, Carolyn Jones, William Finley, and Marilyn Burns (who played the lead in "Chainsaw"). The film centered around a caretaker of a motel who feeds his guests to his pet alligator. Also in the film was Robert Englund, whom Hooper helped advance his career and worked with him again in the future. "Eaten Alive" also won many awards at Horror Film Festivals, receiving the first Saturn Award. Also in the film, making his debut, was Robert Englund.
Hooper was assigned to the Film Ventures International production of The Dark (1979), a science-fiction thriller. After only three day, he was fired from the film and replaced with John 'Bud' Cardos. Instead, Hooper had greater success with Stephen King's 1979 mini series Salem's Lot (1979). In 1981, Hooper directed the teen slasher film The Funhouse (1981) for Universal Pictures. Despite its success, "The Funhouse" was a minor disappointment. In 1982, Hooper found greater success when Steven Spielberg hired him to direct his production, haunted house shocker Poltergeist (1982), for MGM. It quickly became a top-ranking major motion picture, but Hooper's reputation was waylaid by uncorroborated and spurious rumors spread throughout the film's press coverage that Spielberg had largely directed the film.
"Poltergeist" was perhaps a greater success than "Texas Chainsaw Massacre," but it was three years until Hooper found work again. He signed a three-year contract with Menahem Golan and Yoram Globus's Cannon Group, and directed more films, including Lifeforce (1985), with Patrick Stewart for TriStar; the minor remake Invaders from Mars (1986); and the disappointing sequel The Texas Chainsaw Massacre 2 (1986), with Dennis Hopper. During the mid-1980s, Hooper also directed several television projects, including episodes of Amazing Stories (1985), The Equalizer (1985), Freddy's Nightmares (1988) and Tales from the Crypt (1989) with Whoopi Goldberg.
In the 1990s, Hooper continued working in both film and television: I'm Dangerous Tonight (1990), Nowhere Man (1995), Dark Skies (1996), Perversions of Science (1997) with Jamie Kennedy and Jason Lee, The Apartment Complex (1999) with Amanda Plummer for Showtime, Night Terrors (1993) and The Mangler (1995) for New Line, the latter two with Robert Englund. In the new century Hooper's career grew stronger, with Night Visions (2001), Shadow Realm (2002) and the pilot episode for Steven Spielberg's award-winning miniseries Taken (2002).
In 2003, Hooper co-produced the successful remake of The Texas Chainsaw Massacre (2003) for New Line. His final three films as director were Toolbox Murders (2004), with Angela Bettis, released through Lions Gate; Mortuary (2005), a zombie film with Dan Byrd; and evil genie tale Djinn (2013).
Tobe Hooper died on August 26, 2017, in Sherman Oaks, Los Angeles.
Leatherface (2017), technically the eighth film in Hooper's Chainsaw franchise, was slated for release just weeks after his death.- Actor
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Tom Holland is an American director and screenwriter of horror and thriller films. His early writing projects include Class of 1984 (1982) and the Robert Bloch- inspired Psycho II (1983), the latter starring Anthony Perkins as the menacing psychopath, Norman Bates.
Tom gained more notoriety, however, as a director. His directorial debut was the popular 1980s Vampire film, Fright Night (1985) which, at the time, was said to have been responsible for redefining the sub-genre, influencing later films like The Lost Boys (1987) and Near Dark (1987). The film was a box office hit and garnered three Saturn Awards and one Dario Argento Award.
For his next project, Child's Play (1988), Tom again cast Chris Sarandon. The film was a Number One box-office hit in America and a worldwide success, despite controversy over its thematic content. It, like Fright Night (1985) has since gathered a cult following amongst horror fans. Tom then went onto direct two films based upon adaptations of Stephen King's novels: The Langoliers (1995) and Thinner (1996). He also took a cameo role in the Stephen King miniseries The Stand (1994).
Tom's other projects have included _The Incredible Hulk_ episode 'Another Path', Steven Spielberg's Amazing Stories (1985), three episodes of Tales from the Crypt (1989), and the prestigious Masters of Horror (2005) anthology. He starred in A Walk in the Spring Rain (1970) with Ingrid Bergman.
In 2009 Tom took a starring role in Hatchet II (2010) alongside Kane Hodder and Tony Todd.- Actor
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Danny DeVito has amassed a formidable and versatile body of work as an actor, producer and director that spans the stage, television and film.
Daniel Michael DeVito Jr. was born on November 17, 1944, in Neptune, New Jersey, to Italian-American parents. His mother, Julia (Moccello), was a homemaker. His father, Daniel, Sr., was a small business owner whose ventures included a dry cleaning shop, a dairy outlet, a diner, and a pool hall.
While growing up in Asbury Park, his parents sent him to private schools. He attended Our Lady of Mount Carmel grammar school and Oratory Prep School. Following graduation in 1962, he took a job as a cosmetician at his sister's beauty salon. A year later, he enrolled at New York's American Academy of Dramatic Arts so he could learn more about cosmetology. While at the academy, he fell in love with acting and decided to further pursue an acting career. During this time, he met another aspiring actor Michael Douglas at the National Playwrights Conference in Waterford, Connecticut. The two would later go on to collaborate on numerous projects. Soon after he also met an actress named Rhea Perlman. The two fell in love and moved in together. They were married in 1982 and had three children together.
In 1968, Danny landed his first part in a movie when he appeared as a thug in the obscure Dreams of Glass (1970). Despite this minor triumph, Danny became discouraged with the film industry and decided to focus on stage productions. He made his Off-Broadway debut in 1969 in "The Man With the Flower in His Mouth." He followed this up with stage roles in "The Shrinking Bride," and "Lady Liberty." In 1975, he was approached by director Milos Forman and Michael Douglas about appearing in the film version of One Flew Over the Cuckoo's Nest (1975), which would star Jack Nicholson in the leading role. With box office success almost guaranteed and a chance for national exposure, Danny agreed to the role. The movie became a huge hit, both critically and financially, and still ranks today as one the greatest movies of all time. Unfortunately, the movie did very little to help Danny's career. In the years following, he was relegated to small movie roles and guest appearances on television shows. His big break came in 1978 when he auditioned for a role on an ABC sitcom pilot called Taxi (1978), which centered around taxi cab drivers at a New York City garage. Danny auditioned for the role of dispatcher Louie DePalma. At the audition, the producers told Danny that he needed to show more attitude in order to get the part. He then slammed down the script and yelled, "Who wrote this sh**?" The producers, realizing he was perfect for the part, brought him on board. The show was a huge success, running from 1978 to 1983.
Louie DePalma, played flawlessly by Danny, became one of the most memorable (and reviled) characters in television history. While he was universally hated by TV viewers, he was well-praised by critics, winning an Emmy award and being nominated three other times. Throughout the 1980s and 1990s, Danny maintained his status as a great character actor with memorable roles in movies like Romancing the Stone (1984), Ruthless People (1986), Throw Momma from the Train (1987) and Twins (1988). He also had a great deal of success behind the camera, directing movies like The War of the Roses (1989) and Hoffa (1992). In 1992, Danny was introduced to a new generation of moviegoers when he was given the role of The Penguin/Oswald Cobblepot in Tim Burton's highly successful Batman Returns (1992). This earned him a nomination for Best Villain at the MTV Movie Awards. That same year, along with his wife Rhea Perlman, Danny co-founded Jersey Films, which has produced many popular films and TV shows, including Pulp Fiction (1994), Get Shorty (1995), Man on the Moon (1999) and Erin Brockovich (2000). DeVito has many directing credits to his name as well, including Throw Momma from the Train (1987), The War of the Roses (1989), Hoffa (1992), Death to Smoochy (2002) and the upcoming St. Sebastian.
In 2006, he returned to series television in the FX comedy series It's Always Sunny in Philadelphia (2005). With a prominent role in a hit series, Devito's comic talents were now on display for a new generation of television viewers. In 2012, he provided the title voice role in Dr. Seuss' The Lorax (2012).
These days, he continues to work with many of today's top talents as an actor, director and producer.- Actor
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Enduring, strong-featured, and genial star of US cinema, Burt Reynolds started off in T.V. westerns in the 1960s and then carved his name into 1970s/1980s popular culture, as a sex symbol (posing nearly naked for "Cosmopolitan" magazine), and on-screen as both a rugged action figure and then as a wisecracking, Southern type of "good ol' boy."
Burton Leon Reynolds was born in Lansing, Michigan. He was the son of Harriette Fernette "Fern" (Miller) and Burton Milo Reynolds, who was in the army. After World War II, his family moved to Riviera Beach, Florida, where his father was chief of police, and where Burt excelled as an athlete and played with Florida State University. He became an All Star Southern Conference halfback (and was earmarked by the Baltimore Colts) before a knee injury and a car accident ended his football career. Midway through college he dropped out and headed to New York with aspirations of becoming an actor. There he worked in restaurants and clubs while pulling the odd TV spot or theatre role.
He was spotted in a New York City production of "Mister Roberts," signed to a TV contract, and eventually had recurring roles in such shows as Gunsmoke (1955), Riverboat (1959) and his own series, Hawk (1966).
Reynolds continued to appear in undemanding western roles, often playing a character of half Native American descent, in films such as Navajo Joe (1966), 100 Rifles (1969) and Sam Whiskey (1969). However, it was his tough-guy performance as macho Lewis Medlock in the John Boorman backwoods nightmare Deliverance (1972) that really stamped him as a bona-fide star. Reynolds' popularity continued to soar with his appearance as a no-nonsense private investigator in Shamus (1973) and in the Woody Allen comedy Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972). Building further on his image as a Southern boy who outsmarts the local lawmen, Reynolds packed fans into theaters to see him in White Lightning (1973), The Longest Yard (1974), W.W. and the Dixie Dancekings (1975) and Gator (1976).
At this time, ex-stuntman and longtime Reynolds buddy Hal Needham came to him with a "road film" script. It turned out to be the incredibly popular Smokey and the Bandit (1977) with Sally Field and Jerry Reed, which took in over $100 million at the box office. That film's success was followed by Smokey and the Bandit II (1980) and Smokey and the Bandit Part 3 (1983). Reynolds also appeared alongside Kris Kristofferson in the hit football film Semi-Tough (1977), with friend Dom DeLuise in the black comedy The End (1978) (which Reynolds directed), in the stunt-laden buddy film Hooper (1978) and then in the self-indulgent, star-packed road race flick The Cannonball Run (1981).
The early 1980s started off well with a strong performance in the violent police film Sharky's Machine (1981), which he also directed, and he starred with Dolly Parton in The Best Little Whorehouse in Texas (1982) and with fellow macho superstar Clint Eastwood in the coolly received City Heat (1984). However, other projects such as Stroker Ace (1983), Stick (1985) and Paternity (1981) failed to catch fire with fans and Reynolds quickly found himself falling out of popularity with movie audiences. In the late 1980s he appeared in only a handful of films, mostly below average, before television came to the rescue and he shone again in two very popular TV shows, B.L. Stryker (1989) and Evening Shade (1990), for which he won an Emmy. In 1988, Burt and his then-wife, actress Loni Anderson, had a son, Quinton A. Reynolds (aka Quinton Anderson Reynolds), whom they adopted.
He was back on screen, but still the roles weren't grabbing the public's attention, until his terrific performance as a drunken politician in the otherwise woeful Striptease (1996) and then another tremendous showing as a charming, porn director in Boogie Nights (1997), which scored him a Best Supporting Actor nomination. Like the phoenix from the ashes, Reynolds resurrected his popularity and, in the process, gathered a new generation of young fans, many of whom had been unfamiliar with his 1970s film roles. He then put in entertaining work in Pups (1999), Mystery, Alaska (1999), Driven (2001) and Time of the Wolf (2002). Definitely one of Hollywood's most resilient stars, Reynolds continually surprised all with his ability to weather both personal and career hurdles and his almost 60 years in front of the cameras were testament to his staying ability, his acting talent and his appeal to film audiences.
Burt Reynolds died of cardiac arrest on September 6, 2018, in Jupiter, Florida, U.S. He was eighty two.- Writer
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Rockne S. O'Bannon was born in Los Angeles, California, USA. He is a writer and producer, known for Farscape (1999), Alien Nation and Evil (2019).- Producer
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Michael Duggan began his career working in production for Steven Bochco on Hill Street Blues (1981). He began writing on the TV show St. Elsewhere (1982) and continued his career writing and producing at Universal for Michael Mann on Miami Vice (1984) and Law & Order (1990). Duggan has also executive produced Crime & Punishment (1993). He created and executive produced Earth 2 (1994)for Steven Spielberg, and _"C-16: FBI" on ABC(1997)_, before he wrote and executive produced for the third season of Millennium (1996) with Chris Carter, and Secret Agent Man with Barry Sonnenfeld.- Producer
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Mark Levin is known for The Adam Project (2022), Big Mouth (2017) and Journey to the Center of the Earth (2008). He is married to Jennifer Flackett. They have two children.- Writer
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Billy Ray is known for Captain Phillips (2013), The Hunger Games (2012) and Shattered Glass (2003). He is married to Stacy Sherman. They have two children.- Writer
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Judy Blume was born on 12 February 1938 in Elizabeth, New Jersey, USA. She is a writer and actress, known for Are You There God? It's Me, Margaret. (2023), Forever and Tiger Eyes (2012). She has been married to George Cooper since 6 June 1987. She was previously married to Thomas A. Kitchens and John Morton Blume.- Writer
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Sherri Stoner was born on 16 July 1959 in Santa Monica, California, USA. She is a writer and producer, known for Animaniacs (1993), Tiny Toon Adventures (1990) and Casper (1995).- Writer
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Deanna Oliver was born on 27 September 1952 in Spokane, Washington, USA. She is a writer and actress, known for The Brave Little Toaster (1987), Animaniacs (1993) and Casper (1995).- Producer
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David Kirschner Productions maintains an eclectic slate of projects, focusing primarily on family and genre films. Currently in production is the film adaptation of the Hugo and Nebula Award-winning short story, Martian Child, written by sci-fi luminary, David Gerrold (Star Trek's "The Troubles with Tribbles"). John Cusack (High Fidelity, Identity) stars in the film, which will be directed by Menno Meyjes, writer/director of 2004's acclaimed Max for Lions Gate, and Oscar-nominated screenwriter of The Color Purple, as well as the Denzel Washington-starrer, The Siege. The comedy-drama follows the neurotic travails of a science-fiction writer (Cusack) who adopts a boy claiming to be a Martian. Seth Bass & Jon Tolins (Broadway's "Twilight of the Golds") wrote the script.
Later this summer, Kirschner and producing partner, Corey Sienega, will team up with Mike Medavoy to produce the biography of famed children's author and illustrator Beatrix Potter (The Tale Peter Rabbit). Starring Oscar-winner Renee Zelwegger (Bridget Jones, Chicago), the magical romantic-drama was written by Tony Award-winner Richard Maltby (Miss Saigon, Ain't Misbehavin') and will be directed by Chris Noonan (Babe).
Last year Kirschner produced Seed Of Chucky, the fifth installment of the successful horror-franchise, which opened in theaters in November. Additionally, Kirschner served as Executive Producer on last summer's 5-hour scifi-thriller miniseries, 5 Days Til Midnight. Starring Oscar-winner Timothy Hutton (Ordinary People, Falcon And The Snowman), this television event aired June 7-10 on the Sci-Fi Channel.
In Fall 2003, New Line released the successful family film, Secondhand Lions, into theaters. The film stars Oscar winners Michael Caine and Robert Duvall, and Oscar nominee, Haley Joel Osment, and was written and directed by Tim McCanlies (Iron Giant). The film is now in development as a Broadway musical. The upcoming Martian Child is Kirschner's second production with New Line.
In 2002, Kirschner produced Lions Gate's critically acclaimed thriller Frailty. Directed by Bill Paxton, who also starred alongside Matthew McConaughey, the film was lauded by the National Board of Review that year for Excellence in Filmmaking.
A native of suburban Los Angeles, Kirschner began his career as an illustrator for Jim Henson's Muppet and Sesame Street characters. At 23, he wrote and illustrated a series of children's books entitled Rose Petal Place. This property spawned a total of 16 books, two television specials and over 1100 different products.
In 1986, Kirschner created and executive produced with Steven Spielberg the smash hit An American Tail, which became one of the most successful animated films in history. This film was followed by the sequel AN American Tail 2: Fievel Goes West, a Saturday morning animated series, and direct-to-video features American Tails 3, 4, and 5. Kirschner's second feature film was the horror hit Child's Play, whose leading character, "Chucky", an animatronic doll which Kirschner created, became a cult star and spawned a second successful franchise with Child's Play II, child's play III, and the 1998 box-office winner, Bride Of Chucky, starring Jennifer Tilly. Seed Of Chucky, the hit horror comedy and fifth installment in the popular Child's Play franchise, opened in theaters in November.
Kirschner's next production, Disney's hit comedy-thriller, Hocus Pocus, was based on his short story and starred Bette Midler, Sarah Jessica Parker, and Kathy Najimy.
Kirschner also created and produced the NBC's Emmy-nominated The Dreamer Of Oz. Starring John Ritter, the television event was based on the life of The Wonderful Wizard Of Oz creator L. Frank Baum. Kirschner also produced the Emmy Award-winning The Halloween Tree, written and narrated by Ray Bradbury. Kirschner later served as Executive Producer of Gene Roddenberry's Earth: Final Conflict. A two-time Emmy nominee over its five-year run, Earth recently sold into 2nd run syndication and now can be seen on the Sci-Fi Channel.
On the theatrical side, Kirschner executive produced the box-office smash The Flintstones, again in partnership with Spielberg. He then co-wrote and produced the Twentieth Century Fox/Turner live-action and animated fantasy The Pagemaster. This film was based upon the book co-written by Kirschner which was named the American Library Association's "Children's Book of the Year."
Kirschner also produced the critically acclaimed animated feature Cats Don't Dance, released by Warner Brothers in the spring of 1997. Cats won both the Golden Crown at Annecy and the prestigious Annie Award (the American Animation Awards) for Best Feature, beating out Disney's Hercules and Warner Brothers' Space Jam. In Summer 2000, Twentieth Century Fox released Titan A.E., a space adventure loosely based on the Robert Louis Stevenson classic, Treasure Island.
Currently in production at Universal is an animated adaptation of the classic Curious George books, for which Kirschner is teamed up with producers Ron Howard and Brian Grazer. Will Ferrell is starring.- Art Department
- Writer
- Animation Department
Will Finn was born on 1 November 1958 in New York City, New York, USA. He is a writer, known for Home on the Range (2004), The Hunchback of Notre Dame (1996) and The Secret of NIMH (1982).- Animation Department
- Visual Effects
- Director
David Marshall is known for Rick and Morty (2013), Tiny Toon Adventures (1990) and Animaniacs (1993).- Animation Department
- Art Department
- Director
Phil Robinson was born on 13 November 1950 in West Glamorgan, Wales, UK. He was a director, known for Hubert's Brain (2001), Casper (1995) and The Twisted Tales of Felix the Cat (1995). He was married to Jennifer Robinson. He died on 28 January 2015.