The Worst Directors that I think are the Worst
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- Producer
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As a youth, he produced a number of short films on Super 8 and video. After short stints as guest auditor at Filmacademy Vienna and Filmhochschule Munich, Boll studied literature and economics in Cologne and Siegen. He graduated from university in 1995 with a doctorate in literature. From 1995-2000, he was a producer and director with Taunus Film-Produktions GmbH. Boll was Chief Executive Officer of Bolu Filmproduction and Distribution GmbH which he founded in 1992. He continued to direct, write and produce feature films until 2016. His main companies are Event Films in Vancouver and Bolu Film in Germany. A longtime resident of Canada, Boll owned the restaurant "Bauhaus" in Vancouver from 2015 to 2020. Returned to Germany and resumed filming in 2020.The New Ed Wood and a big jerk when it comes to critics. Also a big movie company schamer.- Writer
- Director
- Actor
Hacks are nothing new in Hollywood. Since the beginning of the film industry at the turn of the 20th century, thousands of untalented people have come to Los Angeles from all over America and abroad to try to make it big (as writers, producers, directors, actors, talent agents, singers, composers, musicians, artists, etc.) but who end up using, scamming and exploiting other people for money as well as using their creative ability (either self-taught or professional training), leading to the production of dull, bland, mediocre, unimaginative, inferior, trite work in the forlorn hope of attaining commercial success. Had Edward D. Wood, Jr. been born a decade or two earlier, it's easy to imagine him working for some Poverty Row outfit in Gower Gulch, competing with the likes of no-talent and no-taste producers and directors--such as Victor Adamson, Robert J. Horner and Dwain Esper--for the title of all-time hack. He would have fit in nicely working at Weiss Brothers-Artclass Pictures in the early 1930s in directing low budget Western-themed serials, or directing low budget film noir crime drama features at PRC (Producers Releasing Corporation) in the following decade from 1940 to 1946. Ed Wood is the probably the most well known of all the Hollywood hacks because he is imprisoned in his own time, and in the 1950s, Ed Wood simply had no competition. He was ignored throughout his spectacularly unsuccessful film making career and died a penniless alcoholic, only to be "rediscovered" when promoters in the early 1980s tagged him "The Worst Director of All Time" (mostly thanks to the Medveds' hilarious book, "Golden Turkey Awards") and he was given the singular honor of a full-length biopic by Tim Burton (Ed Wood (1994)). This post-mortem celebrity has made him infinitely more famous today than he ever was during his lifetime.
Wood was an exceedingly complex person. He was born on October 10, 1924, in Poughkeepsie, NY, where he lived most of his childhood. He joined the US Marine Corps in 1943 at the height of World War II and was, by all accounts, an exemplary marine, wounded in ferocious combat in the Pacific theater (a transgender, he claimed to have been wearing a bra and panties under his uniform while storming ashore during the bloody beachhead landing at Tarawa in November 1943). He was habitually optimistic, even in the face of the bleak realities that would later consume him. His personality bonded him with a small clique of outcasts who eked out life on the far edges of the Hollywood fringe.
After settling in Los Angeles in the late 1940s, Wood attempted to break into the film industry, initially without success, but in 1952 he landed the chance to direct a film based on the real-life Christine Jorgensen sex-change story, then a hot topic. The result, Glen or Glenda (1953), gave a fascinating insight into Wood's own personality and shed light on his transgender identity (an almost unthinkable subject for an early 1950s mainstream feature). Although devoutly heterosexual, Wood was an enthusiastic cross-dresser, with a particular fondness for angora. On the debit side, though, the film revealed the almost complete lack of talent that would mar all his subsequent films, his tendency to resort to stock footage of lightning during dramatic moments, laughable set design and a near-incomprehensible performance by Bela Lugosi as a mad doctor whose presence is never adequately explained. The film deservedly flopped miserably but Wood, always upbeat, pressed ahead.
Wood's main problem was that he saw himself as a producer-writer-director, when in fact he was spectacularly incompetent in all three capacities. Friends who knew Wood have described him as an eccentric, oddball hack who was far more interested in the work required in cobbling a film project together than in ever learning the craft of film making itself or in any type of realism. In an alternate universe, Wood might have been a competent producer if he had better industry connections and an even remotely competent director. Wood, however, likened himself to his idol, Orson Welles, and became a triple threat: bad producer, poor screenwriter and God-awful director. All of his films exhibit illogical continuity, bizarre narratives and give the distinct impression that a director's job was simply to expose the least amount of film possible due to crushing budget constraints. His magnum opus, Plan 9 from Outer Space (1957), features visible wires connected to pie-pan UFOs, actors knocking over cardboard "headstones", cars changing models and years during chase sequences, scenes exhibiting a disturbing lack of handgun safety and the ingenious use of shower curtains in airplane cockpits that have virtually no equipment are just a few of the trademarks of that Edward D. Wood Jr. production. When criticized for their innumerable flaws, Wood would cheerfully explain his interpretation of the suspension of disbelief. It's not so much that he made movies so badly without regard to realism--the amazing part is that he managed to get them made at all.
His previous film with Lugosi, Bride of the Monster (1955), was no better (unbelievably, it somehow managed to earn a small profit during its original release, undoubtedly more of a testament to how cheaply it was produced than its value as entertainment), and Wood only shot a few seconds of silent footage of Lugosi (doped and dazed, wandering around the front yard of his house) for "Plan 9" before the actor died in August 1956. What few reviews the film received were brutal. Typically undaunted, Wood soldiered on despite incoherent material and a microscopic budget, peopling it with his regular band of mostly inept actors. Given the level of dialog, budget and Wood's dismal directorial abilities, it's unlikely that better actors would have made much of a difference (lead actor Gregory Walcott made his debut in this film and went on to have a very respectable career as a character actor, but was always embarrassed by his participation in this film)--in fact, it's the film's semi-official status as arguably the Worst Film Ever Made that gives it its substantial cult following. The film, financed by a local Baptist congregation led by Wood's landlord, reaches a plateau of ineptitude that tends to leave viewers open-mouthed, wondering what is it they just saw. "Plan 9" became, whether Wood realized it or not, his singular enduring legacy. Ironically, the rights to the film were retained by the church and it is unlikely that Wood ever received a dime from it; his epic bombed upon release in 1959 and remained largely forgotten for years to come.
After this career "peak," Wood went into, relatively speaking, a decline. Always an "enthusiastic"--for lack of a better word--drinker, his alcohol addiction worsened in the 1960s due to his depression of not achieving the worldwide fame he had always sought. He began to draw away from film directing and focused most of his time on another profession: writing. Beginning in the early 1960s up until his death, Wood wrote at least 80 lurid crime and sex paperback novels in addition to hundreds of short stories and non-fiction pieces for magazines and daily newspapers. Thirty-two stories known to be written by Wood (he sometimes wrote under pseudonyms such as "Ann Gora" and "Dr. T.K. Peters") are collected in 'Blood Splatters Quickly', published by OR Books in 2014. Novels include Black Lace Drag (1963) (reissued in 1965 as Killer in Drag), Orgy of the Dead (1965), Devil Girls (1967), Death of a Transvestite (1967), The Sexecutives (1968), The Photographer (1969), Take It Out in Trade (1970), The Only House in Town (1970), Necromania (1971), The Undergraduate (1972), A Study of Fetishes and Fantasies (1973) and Fugitive Girls (1974).
In 1965, Wood wrote the quasi-memoir 'Hollywood Rat Race', which was eventually published in 1998. In it, Wood advises new writers to "just keep on writing. Even if your story gets worse, you'll get better", and also recounts tales of dubious authenticity, such as how he and Bela Lugosi entered the world of nightclub cabaret.
In the 1970s, Wood directed a number of undistinguished softcore and later hardcore adult porno films under various aliases, one of which is the name "Akdov Telmig" ("vodka gimlet" spelled backwards; it helps to imagine that you're a boozy dyslexic, as Ed Wood was). His final years were spent largely drunk in his apartment and occasionally being rolled stumbling out of a local liquor store. Three days before his death, Wood and his wife Kathy were evicted from their Hollywood apartment due to failure to pay the rent and moved into a friend's apartment shortly before his death on the afternoon of December 10, 1978, at age 54. He had a heart attack and died while drinking in bed.
Due to his recent resurgence in popularity, many of his equally interesting transgender - themed sex novels have been republished. The gravitational pull of Planet Angora remains quite strong.His films are bad but they are good cause of it, but he is still not a great director.- Art Department
- Director
- Writer
Academy Award winner Roger Christian has had an extensive film career. He won an Academy Award for set decoration on director George Lucas's Star Wars: Episode IV - A New Hope (1977), which began a long collaboration between the filmmakers. Christian subsequently worked with Lucas on Star Wars: Episode VI - Return of the Jedi (1983) and was hand-picked by Lucas to direct the second unit on the recent Star Wars: Episode I - The Phantom Menace (1999). It was through Lucas that Christian got his first opportunity to direct a film, the short feature entitled Ángel Negro (2000), which accompanied the UK release of Star Wars: Episode V - The Empire Strikes Back (1980). Christian followed "Black Angel" with another short, The Dollar Bottom (1981), which won the 1981 Academy Award for Best Live Action Short Film. He followed that success with the thriller The Sender (1998), which received much critical acclaim and a nomination for Best Film by the Academy of Science Fiction, Fantasy and Horror Films.
His directing credits include the 1994 Orion Pictures release _Nostradamus (1994/I)_, starring Julia Ormond and F. Murray Abraham, the HBO premiere movie The Final Cut (1995), Underworld (1996) starring Annabella Sciorra and Masterminds (1997) starring Patrick Stewart. Christian has also directed numerous high profile commercials, including worldwide campaigns for SEGA, Taco Bell, Jeep, Lancia, Fiat and Chrysler/Dodge, among others. Christian's work as an art director and production designer was highly regarded. He was nominated for an Academy Award for his art direction on Ridley Scott's Alien (1979). His other art direction credits include Life of Brian (1979), Ken Russell's Mahler (1974) and Peter Hall's Akenfield (1974). Roger also directed Battlefield Earth (2000), with John Travolta and Forest Whitaker.
Roger Christian recently wrapped production on Bandido (2004), starring Angie Everhart, for Fries Film Group. Written by Carlos Gallardo, who also wrote El Mariachi, Bandidos continues the saga of the stylish Mexican thief who remains nameless. The same character was also portrayed by Antonio Banderas in Desperado (a remake of El Mariachi). In Bandidos, Carlos Gallardo reprises the starring role as the most infamous thief in Mexico.- Cinematographer
- Camera and Electrical Department
- Producer
Jan de Bont was one of 17 children born into a Roman Catholic Dutch family in Eindhoven on 22 October 1943. Credited with being creative and having a good mentality for camera techniques, he became a popular cinematographer. He worked on a huge number of films before finding himself on the production of Speed (1994), his first film as a director. He has resided in Los Angeles since 1968.
The film was a success and took him onto the next set for Twister (1996), which he also directed. But then the total flops started coming his way: firstly, Speed 2: Cruise Control (1997), which he wrote and directed but without the company of Keanu Reeves. He also directed the star-packed The Haunting (1999) but that also failed at the box office. Later, he directed Lara Croft: Tomb Raider - The Cradle of Life (2003). He is still active in cinema.- Actor
- Producer
- Writer
Henry Franklin Winkler was born on October 30, 1945, in Manhattan, New York. His parents, Ilse Anna Maria (Hadra) and Harry Irving Winkler, were German Jewish immigrants who escaped the Holocaust by moving to the US in 1939. His father was the president of an international lumber company while his mother worked alongside his father. Winkler is a cousin of Richard Belzer.
Winkler grew up with "a high level of low self-esteem." Throughout elementary school and high school, he struggled with academics. This was due to what he would later identify as dyslexia. His parents expected him to eventually work with them at the lumber company. However, he had other plans as he saw roles on stage as the key to his happiness. Winkler's acting debut came in the eighth grade when he played the role of Billy Budd in the school play of the same name. Following his graduation from McBurney High School, Winkler was able to incorporate his learning disability and succeed in higher education. He received a Bachelor's degree from Emerson College in 1967 and a Master of Fine Arts degree from the Yale School of Drama in 1970. He later received an honorary PhD in Hebrew Literature in 1978 from Emerson College.
Following college, his top priority was to become an actor. However, if this was unsuccessful, he wanted to become a child psychologist because of his deep interest in working with children. Like many other actors, he began his career by appearing in 30 commercials. His first major film role was in The Lords of Flatbush (1974) in which he played a member of a Brooklyn gang. After that, he was cast on a new ABC series which was set in the 1950s, Happy Days (1974). He was given the role of high school dropout and greaser Arthur "Fonzie" Fonzarelli. The character was seldom seen during the first few episodes as ABC initially feared he would be perceived as a hoodlum. However, the character became extremely popular with viewers, and the show's producers decided to give Fonzie a more prominent role in the series.
Following this, the show's ratings began to soar, and Fonzie became a 1970s icon and the epitome of cool. His motorcycle, leather jacket, thumbs-up gesture, and uttering of the phrase "Aayyyy!" became television trademarks. Unlike many other 1970s stars who rose to fame in a short period of time and developed "big heads", Winkler managed to stay well-grounded and avoided falling into this trap. He was said to be more polite and agreeable even after his popularity soared. He remained on the series until its cancellation in 1984.
In the mid-1980s, with his Happy Days (1974) now behind him, Winkler decided to change his focus toward producing and directing. He produced and directed several television shows and movies, most notably MacGyver (1985) and Sabrina the Teenage Witch (1996). In the mid-1990s and early 2000s, he was able to re-establish himself with a younger generation of moviegoers and TV viewers, appearing in the popular films, Scream (1996) and The Waterboy (1998) and on shows such as The Practice (1997) and Arrested Development (2003).
In 2018 after over 45 years in the entertainment industry, he won his first-ever Prime Time Emmy Award: Outstanding Supporting Actor in a Comedy Series for his role on the HBO series Barry (2018). In addition to his movie and film credits, Winkler is a well-accomplished author. Between 2003 and 2007, he co-authored 12 children's novels with Lin Oliver. The series is called "Hank Zipzer, the World's Greatest Underachiever." The books are based on his early struggles with dyslexia, and they sold more than two million books in that time.
Winkler has been married since 1978 to Stacey Winkler (nee Weitzman) with whom he has three children. Together, they are actively involved with various children's charities. In 1990, they co-founded the Children's Action Network (CAN), which provides free immunization to over 200,000 children. Winkler is also involved with the Annual Cerebral Palsy Telethon, the Epilepsy Foundation of America, the annual Toys for Tots campaign, the National Committee for Arts for the Handicapped, and the Special Olympics.
In September 2003, Winkler suffered a personal setback when John Ritter unexpectedly passed away. Winkler was on the set of 8 Simple Rules (2002) that day for a guest appearance and was one of the last people to talk to Ritter.ABANDON SHIP!!- Music Artist
- Actress
- Composer
The remarkable, hyper-ambitious Material Girl who never stops re-inventing herself, Madonna has sold over three hundred million records and CDs to adoring fans worldwide. Her film career, however, is another story. Her performances have consistently drawn scathing or laughable reviews from film critics, and the films have usually had tepid, if any, success at the box office. Born Madonna Louise Ciccone in August 1958 in Bay City, Michigan, she moved to New York in 1978 and studied with renowned choreographer Alvin Ailey, joined up with the Patrick Hernandez Revue, formed a pop/dance band called Breakfast Club and began working with then-boyfriend Stephen Bray on recording several disco-oriented songs. New York producer/D.J. Mark Kamins passed her demo tapes to Sire Records in early 1982 and the rest is history. The 1980s was Madonna's boom decade, and she dominated the music charts with a succession of multimillion-selling albums, and her musical and fashion influence on young women was felt around the globe. Madonna first appeared on screen in two low-budget films marketed to an adolescent audience: A Certain Sacrifice (1979) and Vision Quest (1985). However, she scored a minor cult hit with Desperately Seeking Susan (1985) starring alongside spunky Rosanna Arquette. Madonna's next effort with then husband Sean Penn, Shanghai Surprise (1986), was savaged by critics, although the resilient star managed to somewhat improve her standing with her next two films, the offbeat Who's That Girl (1987) (although she did receive decidedly mixed reviews, they weren't as negative as those of her previous effort) and the quirky Damon Runyon-inspired Bloodhounds of Broadway (1989). The big-budget and star-filled Dick Tracy (1990) had her playing bad girl "Breathless Mahoney" flirting with Warren Beatty, but the epic failed to catch fire at the box office. Taking an earthier role, Madonna was much more entertaining alongside Tom Hanks and Geena Davis in A League of Their Own (1992), a story about female baseball players during W.W.II. However, she again drew the wrath of critics with the sexy whodunit Body of Evidence (1992). Several other minor screen roles followed, then Madonna starred as Eva Perón in Evita (1996), a fairly well received screen adaptation of the hugely successful Broadway musical, for which she received a Golden Globe for Best Actress. The Material Girl stayed away from the movie cameras for several years, returning to co-star in the lukewarm romantic comedy The Next Best Thing (2000), followed by the painful Swept Away (2002). If those films weren't bad enough, she was woefully miscast as a vampish fencing instructor in the James Bond adventure Die Another Day (2002). After finally admitting that her acting days were over, Madonna began a directing career in 2008 with the barely remembered Filth and Wisdom (2008) and a year later she reunited with Madonna: Truth or Dare (1991) director Alek Keshishian to develop a script about the relationship between the Duke of Windsor and the Duchess of Windsor that led to his abdication in 1936: the result, a movie named W.E. (2011), starring James D'Arcy and Andrea Riseborough as the infernal but still royal couple, was released in 2011 to lukewarm critics but it gathered one Oscar nomination for costumes and won the Golden Globe for Best Original Song for "Masterpiece".ABANDON SHIP AGAIN!!- Actor
- Producer
- Director
Matthew Lillard was born in Lansing, Michigan, to Paula and Jeffrey Lillard. He lived with his family in Tustin, California, from first grade to high school graduation. The summer after high school, he was hired as an extra for Ghoulies Go to College (1990). Matthew was the MC of the Nickelodeon program SK8 TV (1990) in 1989. He attended the American Academy of Dramatic Arts in Pasedena, California. Along with a friend, Matthew started the Mean Street Ensemble theater company that functioned until 1991, when Matthew moved to New York to attend the theater school Circle in the Square.
Manager Bill Treusch got Matthew auditions for Serial Mom (1994). Matthew was cast as Chip and began another theater company called the Summoners.DOUBLE ABANDON SHIP!!!- Director
- Actor
- Producer
Frank Coraci is an American film Director, Writer and Actor best know for his work with Adam Sandler.
Coraci was born in Shirley, New York on Long Island. Coraci graduated from New York University's Tisch School of the Arts in 1988 with a bachelor's degree in Film. He has directed a number of Sandler's most revered and biggest box office hits (The Wedding Singer, The Waterboy and Click).
Coraci's films have been met with both commercial and critical success. Here Comes the Boom won Movie Guides 2012's Best Family Film. Click won the 2007 People's Choice Award For "Favorite Movie Comedy." Click also was nominated for an Academy Award® For Best Achievement In Makeup. The Waterboy holds the title of the Number-One Grossing Sports Comedy Of All Time. The Wedding Singer has been included on many "Best Of" romantic comedy lists, including Moviefone's All-Time Top 25 Romantic Comedies. Coraci's awards also include Platinum Albums for both The Wedding Singer soundtracks, as well as an Emmy Nomination and a Platinum Album for the comedy CD "Adam Sandler, What the Hell Happened to Me?" for which he was also a performer and co-writer. His first independent feature, Murdered Innocence, won Best Feature Film and Best Directorial Debut at the 11th Annual Long Island Film Festival and showcased at the 18th Annual Sao Paolo Film Festival.
His acting career has him making cameos in The Waterboy as Roberto Boucher, and a Blue Haired Nurse in Click. He also plays the title character in Sandler's video for "The Lonesome Kicker"
Coraci also was the host of the food show, Chowmasters, for the Travel Channel with his childhood best friend, Chef and Restaurateur, Sam DeMarco (AKA: Chef Sammy D).
One of Coraci's first jobs out of NYU was directing travel documentaries for Globus World Tours. He traveled and photographed over 40 countries and filmed such landmarks as The Great Wall of China, The Great Barrier Reef and the Galapagos Islands.
His most recent film, The Ridiculous 6, is the first film that was financed by Netflix for an exclusive release via Netflix. It is the most watched movie or TV series in the history of Netflix.
A lover of Electronic music, Coraci DJ's by the name Spanknyce.- Writer
- Actor
- Director
Tommy Wiseau is an American actor, director, screenwriter & producer. He trained to be an actor at: American Conservatory Theater, Vince Chase Workshop, Jean Shelton Acting Lab, Laney College and Stella Adler Academy of Acting.
In 2001 he wrote, produced, directed and starred in The Room (2003), a feature film that received the 2003 Audience Award at the New York International Film Festival. In 2004, he produced the documentary Homeless in America (2004), which received the 2004 Social Award.
He is now working on several more projects.- Producer
- Actor
- Writer
Brian Robbins is President of Kids & Family Entertainment for ViacomCBS Domestic Media Networks, with oversight of all strategy, creative and business operations for the company's kids and young-adult focused brands including Nickelodeon, Nick at Nite, Nick Jr., TeenNick, Nicktoons, Nickelodeon Studios and Awesomeness. He also has purview over The Nick Experience, Nickelodeon's experiential division which includes live shows, as well as Nick's domestic consumer products business.
Robbins most recently served as President of Nickelodeon, responsible for evolving the global brand leader in kids and family entertainment for a new generation of young audiences by enhancing its robust content offerings and expanding its cultural footprint on next-generation platforms and in film.
Prior to that, Robbins was President of Paramount Players, a production division of Paramount Pictures that develops, produces and markets feature films from original source material and in collaboration with Viacom flagship brands Nickelodeon, MTV, Comedy Central and BET.
Projects led by Robbins under the Paramount Players division include: Nobody's Fool, directed by Tyler Perry and starring Tiffany Haddish; What Men Want directed by Adam Shankman and starring Taraji P. Henson; the adaptation of Trevor Noah's autobiography Born a Crime; and film versions of classic Nickelodeon shows Rugrats and Dora the Explorer, among others.
Prior to establishing Paramount Players, Robbins founded multi-platform media company Awesomeness, which Viacom purchased in July 2018. As Founder & CEO, he drove all Awesomeness creative, producing hit web series and films Expelled, Guidance, Foursome, t@gged, and Freakish, as well as theatrical release Before I Fall.
A prolific producer of television, film and digital media, Robbins is best known for executive producing numerous popular and critical television hits aimed at teens and young audiences, including the long-running CW series Smallville and One Tree Hill; Nickelodeon's All That and Kenan and Kel; Disney Channel's Sonny With a Chance and So Random; and Spike TV's Blue Mountain State. He also produced the popular WB series What I Like About You and HBO's Arli$$.
In feature film, his director and producer credits include Paramount Pictures' Coach Carter, Hardball, Varsity Blues and Good Burger; Disney's Wild Hogs and Shaggy Dog; DreamWorks' A Thousand Words; and Sony's Radio, along with many other works.
Robbins is the recipient of a Directors Guild Award, a Peabody Award, and the Pioneer Prize by the International Academy of Television Arts and Sciences. He is based in Los Angeles, CA.- Producer
- Director
- Writer
Starting out as a radio writer, Rodney Amateau began his career as a dialogue coach and filmed screen tests for Fox Studios while working as a stunt dbl before directing 2nd Unit's, where he began his film career. He soon turned to directing TV series, which he did for many years before returning to film directing in the 1970s.- Animation Department
- Director
- Writer
Frederik Du Chau was born on 15 May 1965 in Belgium. He is a director and writer, known for Racing Stripes (2005), Underdog (2007) and Hong Kong Phooey.- Writer
- Additional Crew
- Director
Kirk was born in New York City and and raised in Wyckoff, New Jersey. He attended the University of Southern California where he graduated in 1991 with a degree in economics and political science. He then spent three years in Italy as a journalist for an Italian film-business magazine before moving back to the United States to work for the William Morris Agency in New York City and Los Angeles. He sold his first spec script called "Day in November" to Arnold Kopelson in 1995. Since then, Kirk has been fortunate enough to adapt the work of many of his writing heroes such as: Roald Dahl, Jack Kirby and Elmore Leonard, and had the great opportunity to co-write two scripts with comedy legend John Cleese. He wrote and co-directed DreamWorks Animation's "The Croods," which was nominated for the 2013 Academy Award for Best Animated Feature.- Director
- Producer
- Writer
Walt Becker was born on 16 September 1968 in Hollywood, California, USA. He is a director and producer, known for Old Dogs (2009), Wild Hogs (2007) and National Lampoon's Van Wilder (2002). He has been married to Lindsay Becker since 2005. They have two children.- Producer
- Director
- Additional Crew
Stephen Hopkins is a producer and director, known for Lost in Space (1998), A Nightmare on Elm Street: The Dream Child (1989) and Predator 2 (1990).- Producer
- Writer
- Director
Brian Michael Levant is an American filmmaker and producer known for directing many films such as The Flintstones, Jingle All the Way, Snow Dogs, Scooby-Doo: The Mystery Begins, The Flintstones: Viva Rock Vegas, Scooby-Doo: Curse of the Lake Monster, Are We There Yet?, The Spy Next Door and Max 2: White House Hero.- Director
- Producer
- Writer
David Kellogg was born in 1952. He is a director and producer, known for Inspector Gadget (1999), Cool as Ice (1991) and Playboy: Farmer's Daughters (1986). He is married to Denise Kellogg. They have three children.- Writer
- Director
- Producer
Jason Friedberg was born on 16 January 1970 in Newark, New Jersey, USA. He is a writer and director, known for Disaster Movie (2008), Epic Movie (2007) and Meet the Spartans (2008).- Writer
- Director
- Producer
Aaron Seltzer was born on 12 January 1974 in Mississauga, Ontario, Canada. He is a writer and director, known for Disaster Movie (2008), Date Movie (2006) and Epic Movie (2007).- Editor
- Director
- Editorial Department
Raja Gosnell started his film career as an assistant editor in the late 1970s. His first credit as a film's main editor was the romantic comedy "The Lonely Guy" (1984), for director Arthur Hiller. During the 1980s, Gosnell served as editor in films directed by Tom Laughlin, David Worth, Bob Dahlin, Bert Convy, Christopher Leitch, Annabel Jankel, Rocky Morton, Phillip Schuman, and Chris Columbus.
For Columbus he edited the comedy film "Heartbreak Hotel" (1988), which features a 1970s teenager kidnapping singer Elvis Presley, to bring home as a gift for his mother. During the 1990s, Gosnell would serve as editor in several more film by Columbus.
The 1990s started with Gosnell working as editor in two high-profile projects: "Pretty Woman" (1990) by Garry Marshall, and "Home Alone" (1990) by Chris Columbus. Both turned out to be among the major hits of the year 1990. He then worked in the Columbus' films "Only the Lonely" (1991), "Home Alone 2: Lost in New York" (1992), "Mrs. Doubtfire" (1993), and "Nine Months" (1995). Gosnell had few other editing credits during the 1990s and retired as an editor in 1995.
Gosnell resurfaced as a film director in his own right, hired to direct "Home Alone 3" (1997). The film was intended to continue the "Home Alone" franchise with a new set of characters and no connection to the events of the previous films. The film was a minor box office hit, and the series next continued with a television film. Gosnell was not asked to direct further "Home Alone" films.
His next directorial credit was the romantic comedy film "Never Been Kissed" (1999). The premise of the film is that a 25-year-old female newspaper editor poses as high school student to get a story. She ends up revisiting traumas from her teenage years and finding new love interests. The film was another minor box office hit.
Gosnell's next film was the action comedy "Big Momma's House" (2000). The premise is that a young, male FBI agent impersonates the elderly grandmother of a suspect, in order to investigate a case. The film was an unexpected box office hit (earning about 174 million at the worldwide box office), and received two sequels of its own. Gosnell had nothing to do with the sequels, but the film cemented his reputation as a commercially successful director.
Gosnell was next hired to direct "Scooby-Doo" (2002), an adventure comedy-film, combining live action with computer animation. The film earned about 275 million at the worldwide box office, and became one of the most commercially successful films released in 2002. It was the biggest hit yet in Gosnell's career.
Gosnell was next assigned to direct the sequel film "Scooby-Doo 2: Monsters Unleashed" (2004), which also combined live action with computer animation. The film performed decently at the box office, but failed to match the commercial success of the original. Gosnell was not asked to direct further "Scooby-Doo films", and no further live-action "Scooby-Doo" productions were released for several years.
Gosnell's next film was the family comedy "Yours, Mine & Ours" (2005). The premise was the difficulties faced by a newlywed couple, whose children from previous relationships stand opposed to their marriage. The film stood out for an unusually large cast of child actors, as the premise was that the couple has 18 kids from previous relationships. Its box office performance was unremarkable.
Gosnell returned with a relatively low-budget film. the comedy "Beverly Hills Chihuahua" (2008). The premise of the film is that the pet dog of a wealthy American heiress is dog-napped and ends up wandering in Mexico. The film features live-action dogs with voice actors providing their dialogue. The film was an unexpected box office hit, and received two sequels. Gosnell was not involved with the sequels.
Gosnell's next film was more high-profile: the comic book adaptation "The Smurfs" (2011), combining live-action with animation. The premise was that a small group of Smurfs and their opponents were accidentally transported to modern day New York City, resulting in a culture clash. The film earned about 564 million dollars at the worldwide box office, the greatest hit yet in Gosnell's career.
Gosnell was next assigned to direct the sequel "The Smurfs 2" (2013). which has the Smurfs be confronted by the Naughties, evil counterparts of them created by magic. While the film earned about 347 million dollars at the worldwide box office, it failed to match the success of the original and performed bellow expectations at most markets. The live-action Smurf films were discontinued and Gosnell was left with no ongoing projects for a while.
Gosnell is supposed to make a comeback in 2018 with new comedy films. Most of his films as a director have been comedy films and he is strongly associated with the genre.- Director
- Writer
- Actor
Mike Mitchell was born in Oklahoma City to parents, Robert Mitchell, and Julia Baker. He graduated from Putnam City North High School, having been deeply involved with their arts programs. He then left behind his hometown and moved to Los Angeles to attend the California Institute of the Arts. During his time in college, animators were in high demand. This led him into television, working for distinguished filmmakers such as Tim Burton and Spike Jonze.- Writer
- Producer
- Director
Kenneth Johnson was born on 26 October 1942 in Pine Bluff, Arkansas, USA. He is a writer and producer, known for The Curse of Dracula (1979), The Bionic Woman (1976) and Stop Susan Williams (1979). He has been married to Susan Lee Appling since 19 June 1977. They have one child. He was previously married to Bonnie Hollaway.- Actor
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- Director
Paul Michael Glaser (born Paul Manfred Glaser March 25, 1943) is an American actor and director best known for his role as Detective Dave Starsky on the 1970s television series, Starsky & Hutch. In between his work writing and directing, Glaser also played Captain Jack Steeper on the NBC series Third Watch from 2004 to 2005, appeared as Al in several episodes of Ray Donovan in the 2010s, and had his first U.S. exhibition of his artwork in 2018.- Producer
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Courtney Solomon is an accomplished writer, director, producer and entrepreneur who is responsible for the creation of several franchises and has been involved with the production, marketing and distribution of over 80 films creating a significant film library.
Solomon grew up in Toronto, Canada where he spent much of his childhood on film sets where is mother worked in various film crew capacities. At the age of 19, Solomon formed Sweetpea Entertainment, the first of what would become many production companies, to fulfill his vision to acquire the rights and bring the world famous "DUNGEONS & DRAGONS" property to the big screen. At the age of 26, Dungeons and Dragons became his first producing and directing project and went on to gross over $75M globally. Two other D&D films were made in cooperation with Silver Pictures, and in 2023 "DUNGEONS & DRAGONS: HONOR AMONG THIVES" which banked $208M Worldwide at the box office for Paramount Pictures, starring Chris Pine, Michelle Rodriguez & Regé-Jean Page.
Thereafter, Solomon formed After Dark Films a label to produce horror, thriller and action titles. He launched After Dark with "AN AMERICAN HAUNTING" starring Donald Sutherland and Sissy Spacek based on the well-known Bell Witch legend. He wrote, produced, and directed the film. Solomon became one of the first producers to raise funds to market and distribute the film theatrically wide in the US. Personally handling the entire release campaign with no prior experience, Haunting was released on over 1750 screens and opened #2 in US staying in the top ten films for six weeks. The success of An American Haunting resulted in a long term distribution and co-production arrangement with Lionsgate Films.
Another of Solomon's creations, "8 FILMS TO DIE FOR" a one weekend only Rocky Horror Like Horror film festival which played 8 Films in hundreds of theaters nationwide over one weekend. 8 Films encouraged horror fans to dress as their favorite horror characters and "make a weekend of it" while they took over theaters across the country. 8 Films To Die For became an annual event for six years. Using the same format, Solomon also created a spin-off series of five action films ("ActionFest") in co-operation with Warner Bros. Today, After Dark's film library includes over 80 films.
In 2014, Solomon partnered with Mark Canton one of Hollywood's most prolific studio heads (Sony) and Producers (300) on a slate of Dramatic Feature films which included the critically acclaimed "CAKE" starring Jennifer Aniston who was nominated for best actress by SAG, BFCA and the Golden Globes for her performance. Other films in the slate included "MR.CHURCH" starring Eddie Murphy, "THE COMEDIAN" Starring Robert DeNiro and Leslie Mann, "THE YELLOW BIRDS" starring Tye Sheridan, Alden Ehrenreich, Jack Huston, Jennifer Aniston and Toni Collette and "BURN YOUR MAPS" which won multiple film festivals and stars Vera Farmiga and Jacob Trembley.
In 2018, Solomon acquired the rights and produced the first film based on the world wide phenomenon and bestselling novel series "AFTER" . The film was released in April 2019 and became an international hit opening #1 in 22 countries grossing $80M Worldwide at theaters. The sequel, "AFTER WE COLLIDED", will be released in 2020.
In 2018, Solomon acquired the rights to the world famous underground comic universe of the "Fabulous Furry Freak Brothers". Created by Gilbert Shelton in 1968 and distributed through underground presses because of the racy nature of the comics, the Freak Brothers and their unnamed Cat became the hilarious and witty voice for Cannabis around the world. The series "THE FREAK BROTHERS" debuted in 2020. Through the series, Solomon is making his first foray into the amazing world of Adult Animation with a super talented team of seasoned writers and actors to bring the Freaks to life.
Solomon recently wrapped production on the cult classic remake of "THE STRANGERS," a trilogy of movies with Lionsgate directed by Renny Harlin starring Madelaine Petsch, Froy Gutierrez & Gabriel Basso.
Simultaneously he wrapped production as well on Millenium's "RED SONJA" based on the world famous character and comic book; directed by MJ Bassett starring Matilda Lutz.
He is also in post on "ARTHUR THE KING", based on Mikael Lindnord's book, starring Mark Wahlberg, Nathalie Emmanuel, and Simu Liu.- Writer
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Willard Huyck was born on 8 September 1945 in Los Angeles, California, USA. He is a writer and director, known for Howard the Duck (1986), American Graffiti (1973) and Indiana Jones and the Temple of Doom (1984). He was previously married to Gloria Katz.