best Turkish directors
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Zeki Demirkubuz is a Turkish filmmaker known for his unflinching and uncompromising approach to cinema. His films often delve into the dark recesses of the human psyche, exploring themes of guilt, morality, and the complexities of relationships. Demirkubuz's personal experiences, including a tumultuous youth marked by political activism and imprisonment, have undoubtedly influenced his artistic vision.
After dropping out of high school, Demirkubuz worked in a textile workshop and as a street vendor. Following the 1980 coup d'état in Turkey, he was unjustly imprisoned without trial for three years, enduring torture due to alleged communist activities. Despite this traumatic experience, he persevered, graduating with a degree in Communications Engineering from Istanbul University.
His passion for filmmaking led him to work as an assistant director before founding his own production company, Mavi Film. Demirkubuz's fiercely independent nature is reflected in his work, where he maintains creative control over nearly every aspect of his films. This uncompromising spirit allows him to create a unique cinematic language that often challenges conventional storytelling.
Demirkubuz's filmography is characterized by a bleak realism and a focus on the psychological struggles of his characters. His debut film, "C Blok" (1994), laid the groundwork for his signature style, while "Masumiyet" (1997) and "Üçüncü Sayfa" (1999) garnered international recognition at prestigious film festivals. His "Tales of Darkness" trilogy, consisting of "Yazgi" (2001) and "Itiraf" (2001), Bekleme Odasi (2003) further solidified his reputation as a filmmaker who confronts difficult subjects with unflinching honesty.
His film "Kader" (2006) won the Best Film prize at the Antalya Golden Orange Film Festival, a testament to his ability to create emotionally resonant and thought-provoking works. In more recent years, Demirkubuz continued to explore existential themes in films like "Yeralti" (2012) and "Bulanti" (2015).
Zeki Demirkubuz remains a vital figure in Turkish cinema, a director who fearlessly tackles complex and often disturbing subjects with a distinct artistic vision. His uncompromising approach and willingness to explore the darker aspects of the human condition have earned him both critical acclaim and a dedicated following.- Producer
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Nuri Bilge Ceylan is a Turkish filmmaker whose introspective and visually stunning films have garnered international acclaim. His career trajectory, marked by a shift from engineering to filmmaking, is a testament to his dedication to artistic expression and exploration of the human condition.
Ceylan's early interest in image and visual arts was nurtured during his studies at Bogaziçi University. His involvement in the photography club and exposure to cinema through film classes and screenings at the Film Society ignited his passion for filmmaking. After graduating with a degree in Electrical Engineering and completing his military service, Ceylan chose to pursue his cinematic dreams, studying film at Mimar Sinan University while working as a professional photographer.
Ceylan's first foray into filmmaking was as an actor in a short film directed by his friend Mehmet Eryilmaz. He soon transitioned behind the camera, directing his debut short film, "Koza" (1995), which made history as the first Turkish short film selected for competition at the Cannes Film Festival. This early success set the stage for his "provincial trilogy": "Kasaba" (1997), "Mayis Sikintisi" (1999), and "Uzak" (2002). In these films, Ceylan took on multiple roles, showcasing his meticulous attention to detail and his ability to craft deeply personal and evocative stories. "Uzak" (2002) won the Grand Prix and Best Actor awards at Cannes, catapulting Ceylan to international recognition.
Ceylan's subsequent films continued to explore the complexities of human relationships and the nuances of emotional landscapes. "Iklimler" (2006) won the FIPRESCI Prize at Cannes, while "Uç Maymun" (2008) earned him the Best Director award. His masterpiece "Bir Zamanlar Anadolu'da" (2011) won the Grand Prix at Cannes, solidifying his reputation as a filmmaker of exceptional talent. "Kis Uykusu" (2014), his seventh feature film, garnered the Palme d'Or and the FIPRESCI prize at Cannes, further cementing his position as a leading figure in world cinema.
In recent years, Ceylan has continued to challenge himself with ambitious projects. His 2023 film "Kuru Otlar Ustüne" ("About Dry Grasses") is a visually stunning and emotionally charged drama that explores themes of isolation, disillusionment, and the search for meaning in life. The film was selected to compete for the Palme d'Or at the 2023 Cannes Film Festival, where it won the Best Actress award for Merve Dizdar.
Nuri Bilge Ceylan's films are characterized by their slow pace, meticulous attention to detail, and exploration of complex emotional states. His visual style, often inspired by his background in photography, creates a sense of atmosphere and mood that draws viewers into the world of his characters. Ceylan's unflinching portrayal of human relationships, combined with his poetic visual language, have earned him a dedicated following and a place among the most respected filmmakers of our time.- Director
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Born in 1964 in Famagusta, North Cyprus, Dervish Zaim graduated from Warwick University. He took a course in independent film production, organized in London by the Hollywood Film Institute. In 1995 his first novel won the prestigious "Yunus Nadi" literary prize in Turkey. Tabutta Rövasata (Somersault in a Coffin) is his debut as director and screenwriter.- Writer
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Yavuz Turgul was born in Istanbul, 1946. He worked as journalist for many years. In 1976 he started to write scripts with the support of Ertem Egilmez. His first directing experience came with the movie Fahriye Abla, in 1984. He worked with famous Turkish actor Sener Sen in so many movies. Turgul is one of the best directors in Turkey and he is still working on new movie projects.- Director
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Serdar Akar was born in 1964 in Ankara, Turkey. He is a director and writer, known for On Board (1998), Dar Alanda Kisa Paslasmalar (2000) and At the Bar (2007).- Director
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Born in Istanbul, Reha Erdem began his studies in History at Bogazici University in Istanbul. He graduated from Cinema Department of Paris 8 University. He obtained his M.A. in Plastic Arts at the same university. He shot his first feature-length film Oh Moon in 1989 as a French-Turkish co-production. He shot Run for Money in 1999, Mommy, I'm Scared in 2004, Times and Winds in 2006, My Only Sunshine, Turkish-Greek-Bulgarian co-production, in 2008 and Kosmos in 2009. His latest two films are Jîn (2012) and Singing Women (2013), Turkish-French-German co-production. He wrote all of his films except for Mommy I'm scared, for which he was one of the co-writers. He also has short films and directed a theater play, Maids (Les Bonnes) by Jean Genet. He is now working on two new projects.- Director
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Ömer Kavur was born on 18 June 1944 in Ankara, Turkey. He was a director and producer, known for Akrebin Yolculugu (1997), Karsilasma (2003) and Motherland Hotel (1987). He was married to Hümeyra. He died on 12 May 2005 in Istanbul, Turkey.- Director
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Atif Yilmaz Batibeki was a renowned Turkish film director, screenwriter, and film producer. After finishing high school in Mersin, he attended the Law School of Istanbul University. Because of his interest in arts, he dropped out of Law School and entered the Painting Department of the Academy of Fine Arts in Istanbul. After graduating from the Academy, he did some painting works in workshops. His education in painting helped him when he was directing his movies, as he once remarked. In the beginning, he worked as a film critic, made paintings and wrote film scripts to earn a living. After co-directing two movies as an assistant director to Semih Evin in 1950, his directing career began with the film Kanli Feryat (The Bloody Cry). In 1960, he established his film company "Yerli Film" with the actor Orhan Günsiray.
The most important movies in his filmography were: Hickirik (The Sob), Alageyik (The Fallow Deer), Suclu (The Guilty One), Seni Kaybedersem (If I Lose You), Yaban Gülü (The Wild Rose), Kesanli Ali Destani (Kesanli Ali's Epic), Tacsiz Kral (The Crownless King), Topragin Kani (Blood of the Earth), Olum Tarlasi (Death Field), Utanc (The Shame), Zavallilar (The Poor People), Selvi Boylum, Al Yazmalim (My Girl with the Red Scarf), Baskin (The Raid), Adak (The Sacrifice), Bir Yudum Sevgi (A Sip of Love), Adi Vasfiye (Her Name is Vasfiye), Berdel, Düs Gezginleri (Walking After Midnight), Eylül Firtinasi (After the Fall) and Mine.
He made movies that were both fluent and had mainly social messages. Most of the themes of his movies were taboo when they were produced. Particularly "Mine" and "Her Name is Vasfiye" were both revolutionary at the time of their release with themes regarding sexuality and the reaction of society.
He never gave up making movies throughout his life and even in the time when the industry stopped filmmaking due to economic reasons.
Atif Yilmaz played an important role in the professional career of notable Turkish film directors like Halit Refig, Yilmaz Güney, Serif Gören, Zeki Ökten and Ali Özgentürk.
During the Antalya Film Festival in September 2005, he was admitted to hospital with gastro-intestinal complaints. He died on 5 May 2006 in Istanbul.- Director
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Zeki Ökten was born on 4 August 1941 in Istanbul, Turkey. He was a director and assistant director, known for The Herd (1978), Faize Hücum (1982) and Düsman (1980). He was married to Güler Ökten. He died on 19 December 2009 in Istanbul, Turkey.- Director
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Ertem Egilmez was born on 18 February 1929 in Trabzon, Turkey. He was a director and producer, known for My Dear Brother (1973), Kalbimin Efendisi (1970) and Bir Millet Uyaniyor (1966). He died on 21 September 1989 in Istanbul, Turkey.- Second Unit Director or Assistant Director
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Ömer Vargi was born in 1953 in Istanbul, Turkey. He is an assistant director and producer, known for Her Sey Çok Güzel Olacak (1998), Insaat (2003) and The Bandit (1996).- Director
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Born in 1929, Metin Erksan is one of the first Turkish filmmakers who saw cinema as an art form apart from a mass entertaining medium. Having studied art history in Istanbul University and being the brother of a little known director named Cetin Karamanbey, Erksan found himself at a very early age in a favourable position to combine film practice with aesthetic concerns. He worked as his elder brother's assistant for a short while and made his first debut with the script of "Binnaz" (1950) shot for Atlas Film Production Company. As many other filmmakers of the era who took the seventh art seriously, Erksan worked as a columnist in papers and film periodicals before engaging in active filmmaking. Metin Erksan's first film as a director that also heralded the unique and controversial place he would later occupy in the history of Turkish cinema was 'Asik Veysel' in "Hayati" (1952). Telling the dramatic life of the famous blind poet and song writer Asik Veysel, the film was later prohibited by the censure committe for showing the Turkish land as "infertile". With the advent of the social realist movement following the 1960 Coup d'Etat in Turkey, Erksan established himself as the "enfant prodige" of the post 60 era. Among the best films made during this period (including the Golden Bear Awarded Susuz Yaz (Dry Summer)) Erksan's work occupy a central place. His films are the fruits of an eclectic mixture of modernist themes (i.e. individual loneliness), metaphysics (the fight of good vs evil), and notions of Marxism. As other "engagé" directors of the era who did not only saw them as artists but also as "social engineers", Erksan played a major role in the foundation of the Union of Turkish Film Workers and the Association of Turkish Filmmakers. He was also Turkish Labour Party's candidate of Istanbul in the General Elections of 1965. But it is important to stress that Erksan's films are primarily praised for their aesthetic maturity which coexisted (until 1965) with a firm social commitment. Like other filmmakers who had to work within the narrow confines of the Turkish film industry, Erksan also shot commercial films to survive within the liberal minded Pine Tree (Yesilcam) system. After 1965, he gradually abandoned his social outlook and made either market oriented popular films or violent personal phantasies focusing on themes of loneliness and obsessive love. After shooting short films and serials for the Turkish Radio and Television (TRT) in the 70s, Erksan completely gave up filmmaking after 1983. He started to teach at Istanbul Mimar Sinan University and is still working there, mostly isolated from the current discussions on modern Turkish cinema.- Producer
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Semih Kaplanoglu is one of the most acclaimed writer-director-producers of contemporary filmmaking. Born and raised in Izmir, Turkey, he received BS in Cinema-Television from the Faculty of Fine Arts, Dokuz Eylul University, in 1984. Kaplanoglu made his debut feature in 2001 'Away From Home', and he was awarded Best Director in Singapore IFF. He then set up his own production company Kaplan Film and started writing and directing as an independent producer, making worldwide acclaimed international co-productions. In 2005, his second feature 'Angel's Fall' had World Premiere in Berlinale Forum and received Best Film Awards in Nantes, Kerala and Barcelona Alternativa FF. His third feature 'Egg', which premiered in 2007 at Cannes FF Quinzaine des Réalisateurs, brought Best Director awards in Fajr IFF, Valdivia IFF and Bangkok World FF. The film received around 30 awards including important national awards such as the Golden Orange (Antalya IFF) and the Golden Tulip award (Istanbul IFF). This film was the first part of the 'Yusuf Trilogy' which made Semih Kaplanoglu worldwide known as a director. In 2008 'Milk' which took part in L'Atelier of the Cinéfondation in 2008, premiered at Venice IFF Official Competition, screened at festivals around the world, earning him international awards, including Fipresci prize at the Istanbul IFF. 'Honey' the third part of the 'Yusuf Trilogy', winner of Golden Bear award in 60th Berlinale IFF, traces the origins of a soul. In 2013 Kaplanoglu was invited to Cannes FF as a member of Cinéfondation & Short Film Jury member. Semih Kaplanoglu's 2017 dated film 'Grain', received Best Film Award in 30th Tokyo Film Festival. This 35 mm Black&White shot film is a co-production of Turkey, Germany, France, Sweden and Qatar, with Jean-Marc Barr, Ermin Bravo, Grigory Dobrygin and Cristina Flutur as cast and English as original language. It took 5 years to complete the film. In 2018, he started working on 'Commitment Trilogy'. 2019 dated 'Commitment Asli' was the Academy Award Nominee of Turkey is the first digital film from the director. In 2020, 'Commitment Hasan' was finished just before the pandemic hit the world causing lock-down. Kaplanoglu is now working on the last part of the trilogy 'Commitment Fikret' which is an adaptation of well known Turkish author Ahmet Hamdi Tanpinar's novel 'A Mind At Peace'. As a producer, he contributed his fellow director Aida Begic's 'Djeca' which earned a special mention in 2012 Cannes Un Certain Regard. The film is a Bosnian, German, French and Turkish co-production supported by Sarajevo Cinematograhy Fund, Eurimages, MDM, ZDF /ARTE, TRT, Fonds Sud Cinema and Torino Film Lab. Semih Kaplanoglu, born in 1963, has also written many articles based on plastic arts and cinema which have been translated into foreign languages and published in many magazines and journals between 1987 and 2003.- Director
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After making several award - winning shorts in Turkey, Yesim Ustaoglu made her feature film debut with 1994's 'The Trace' (Iz). The film was presented at numerous international festivals, including Moscow and Gotenburg and won the Best Film Award at Istanbul Film Festival. Yesim Ustaoglu received international recognition for her 1999 film, 'Journey To The Sun' (Günese Yolculuk) which competed in Berlinale and received the Blue Angel Award (Best European Film) and the Peace Prize before sweeping the Istanbul Film Festival by winning Best Film, Best Director, the FIPRESCI Prize and the Audience Award. Launching her own production company Ustaoglu Film in 2003, her third film, 'Waiting for the Clouds' (Bulutlari Beklerken) premiered in 2014 Berlinale Panorama and was awarded NHK Sundance - International Film-maker's Award. Ustaoglu's fourth feature, 'Pandora's Box' (Pandora'nin Kutusu) premiered in Toronto (TIFF) and won Golden Shell for the Best Film and Silver Shell for the Best Actress Award in San Sebastian FF. Her fifth feature 'Somewhere in Between' (Araf, 2012) premiered in Orrizonti section in 69th Venice FF, won Best Film Award in Abu Dhabi FF and Split Mediterranean FF, as well as Best Performance in Moscow, Tokyo and Pune Film Festivals. Her latest film 'Clair Obscur' (Tereddut).- Director
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Serif Gören was born on 14 October 1944 in Ksanthi, Greece. He is a director and editor, known for The Road (1982), Endise (1974) and Derman (1983).- Director
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E. Kutlug Ataman is a Turkish filmmaker and contemporary artist. He lives in Istanbul and London. Ataman's works primarily document the lives of marginalized individuals, examining the ways in which people create and rewrite their identities through self-expression, blurring the line between reality and fiction. His films have been described as combining documentary-style filmmaking with the intimacy of the home-movie genre. Biography Kutlug Ataman studied film at the University of California, Los Angeles, USA, graduating with an MFA in 1988. His films and artworks have been exhibited extensively worldwide. Films Ataman's first feature, Serpent's Tale (Karanlik Sular) (1994) is a drama set against the beauty of a decaying Istanbul. Scripted and directed by Ataman, this dark murder story grips its audience, taking us into a world where old and new confront. Critics praised the way in which Ataman successfully encapsulates the crisis of contemporary Turkish culture through this skilfully crafted and visually rich film. Serpent's Tale brought Ataman rapid acclaim and was invited to numerous festivals, from Montreal to Shanghai. Its many awards include Best Film, Director and Screenplay from the Turkish Film Critics Association at the Istanbul International Film Festival, plus the Jury Prize at the Ankara International Festival. Ataman's second feature Lola+Bilidikid (1998) was selected to open the Panorama section of the 49th International Berlin Film Festival. This fast moving story is set in Berlin, with main characters from the city's Turkish community. Ataman's film is strong mixture of humor and violence, tackling a society's racial and sexual identity prejudices head on. As well as its successful commercial release in Germany, Turkey, the US and in other territories, the film was a major hit at festivals. It won awards in Turin, Oslo, and Istanbul and was given the Best Film prize at New York's The New Festival, and the Jury Special Prize at the Berlin Festival. His third feature 2 Girls (Iki Genc Kiz) (2005) is an adaptation of Perihan Magden's novel Iki Genc Kiz; with screenplay and direction by Ataman. The two teenage girl protagonists, with their contrasting characteristics and social backgrounds, form close bonds, with strong sexual undertones. Istanbul is again the backdrop for the film - a more stark, contemporary urban landscape than in Serpent's Tale. Ataman directs a well- paced and entertaining look at the fragility of the relationship of the teenagers, and of their dreams and hopes. The film was a commercial and critical success and confirmed Ataman's position in the top rank of the leading Turkish filmmakers. He was awarded Best Director and Best Film prizes for 2 Girls at both the Ankara and Antalya Film Festivals, and Best Film at the Asian Film Festival in India. His more recent film, Journey to the Moon (Aya Seyahat) (2009), was shown in the Official Selection at the 2009 International Istanbul Film Festival. It forms part of the Mesopotamian Dramaturgies series of visual works, first exhibited in Linz, Austria in early 2009. The film is set in a remote village in Erzincan province, Eastern Turkey. The quest of four villagers to travel to the moon is documented with the use of found black-and-white photos and the aid of a local narrator. A wide range of established Turkish intellectuals offer their views of the events that took place in 1957. The resulting film curiously becomes an in-depth study of contemporary Turkish culture, rather than an historical documentary. The film was selected to the "Perspectives" Section at the 31st Moscow International Film Festival, 19 - 28 June 2009. Kutlug Ataman was Chair of the Jury at the Istanbul International Film Festival in April 2009.- Director
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Halit Refig, Turkish filmmaker, film critic and theoretician and an intellectual was born in Izmir, Turkey in 1934 to an industrial family. He attended Sisli Terakki High School and briefly attended Robert College Engineering Dept. During his military service he started making documentaries in Japan, Korea and Sri Lanka with a Super 8 camera. In 1957 he started the Turkish Film Review (Sinema Dergisi) with fellow film critic Nijat Ozon. Later he assisted director Atif Yilmaz in two films. In 1961 he directed his first feature, Yasak ask (1961). His approach to filmmaking was influenced by his friendship with the famous Turkish novelist Kemal Tahir. This collaboration gave fruit to Four Women in the Harem, which Refig scripted and later production of Yorgun Savasci (1979) in 1979, the most controversial film ever made in Turkish film history. Refig defended it and published a theory of national cinema, which he named Ulusal Sinema (national cinema). Later he revised his theory and called his work ATUT (Asiatic Mode of Production) cinema or Halk Sinemasi (Cinema of the People). Refig collected his articles on national cinema in a volume; Ulusal Sinema Kavgasi (Fight for a national Cinema). Refig and his fellow filmmakers like Metin Erksan and Lütfi Ö. Akad made nationalist films until late 1960s. In 1974, the newly established Turkish Radio and Television Corporation (TRT) commissioned Refig to make a literary adaptation of a Turkish novel of his choice. The result was _Ask-i memnu (1974) (TV)_ (Forbidden Love) which was hailed as the first Turkish TV mini series. In 1975 Refig joined fellow filmmakers to establish the Turkish Cinema and TV Institute. In 1977 he was invited to teach at University of Wisconsin where he made a Victorian period drama, Intercessors. In 1979 he was invited once again by the TRT to make Yorgun Savasci (Tired Warrior) Kemal Tahir's controversial novel. Described as the ultimate national cinema piece, the production and later on burning of the negatives by the military government in 1982 of Tired Warrior. The film was later aired in 1992 from a restored 1 inch tape. After this Refig made popular films for Turker Inanoglu. This gave Refig the opportunity to realize his smaller and more personal projects like Hanim (Madame). After nearly a decade Refig made Köpekler Adasi (1997) (Island of Dogs). The film received mixed reviews. As a filmmaker he made over 50 popular and personal films in Turkish film industry since 1961. As a film critic and theoretician he produced a significant body of film criticism and literally created a theory of national cinema, one that predates the theories of third cinema initiated in Latin American and African countries. Finally, as an intellectual he practiced what he preached. Refig focused on national and cultural identity in the young Turkish Republic, critiquing the westernization and nationalist ideologies in Turkey and favoring the traditional values and the Ottoman past. Refig deconstructed the Republican Kemalist ideology and the position of the Kemalist intellectual in Turkish society, discussed east-west and rural-urban tension in a rapidly changing social environment and the position of women in defining the new Turkish national identity. His work is also influenced by the psychoanalytical work of Freud and Jung's idea of collective consciousness. Refig likes applying a dialectical intellectual montage and German expressionist framing. Since 1975 Refig has taught at the Cinema and TV Institute of Mimar Sinan University, Istanbul, Turkey.- Actor
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Bay Okan was born on 18 August 1942 in Istanbul, Turkey. He is an actor and director, known for The Yellow Mercedes (1992), The Bus (1975) and Umut Üzümleri (2013).- Writer
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Born in 1958. His childhood house overlooked a projection room, owned by the Board of Censors, where the members of the board were cutting the films. As the cutter threw away film pieces out of the window, Altioklar and his friends were eagerly waiting for them outside the window of the projection room. That was his first meeting with the art of light and images. In 1977, he started his medical education in Faculty of Medicine of Hacettepe University and became a qualified specialist of Physical Therapy and Rehabilitation in 1991. Mustafa Altioklar began his film career by shooting short films in 1989. After shooting five short films one after another in three years and winning many awards consecutively, he began shooting his feature films. By winning the award of "The Best New Coming Director" with his first feature film, Balcony, at Ankara Film Festival in 1992, Altioklar drew the attention of Turkish film industry to his work. With his second feature film, Istanbul Under My Wings (1995), he also brought an unexpected vivacity to the Turkish Cinema whose film production had decreased dramatically and whose number of viewers had neared to nothing during the past 20 years. After this contribution, which is now called the rebirth of Turkish Cinema's reconciliation with its audience; Altioklar carried on his road and proved the permanence of his success by shooting Kolera Street (1997). Altioklar's usage of locations as actors in his films has become a characteristic of his work. This trade mark became especially distinctive in his fourth feature The Elevator (1999), and his fifth, The Bathroom (2005). While his direction of an ensemble cast and parallel fiction was recognized as astonishing in He is in the Army now (2002), his last film Shattered Soul (2005) has taken its well-earned place in Turkish Cinema History as being the first psychological thriller ever, and was awarded with a "Bronze Gryphone" at 2006 in International St. Petersburg Film Festival. Altioklar has written all the scripts of his short and feature films.- Director
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Çagan Irmak is a Turkish film and television writer and director, who has managed to attract a large audience in Turkey and is best known for the TV series Çemberimde Gül Oya (2004-2005) and Asmali Konak (2002-2004), and for the hit films Alone (2008) and My Father and My Son (2005), for which he received Turkish Cinema Writers Association Awards for Best Film, Best Screenplay and Best Director.