In Memoriam 2017
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- Klaus Wildbolz was born on 25 August 1937 in Vienna, Austria. He was an actor, known for Unsere Farm in Irland (2007), Tiefe Wasser (1983) and Ringstraßenpalais (1980). He was married to Barbara Matula, Gisela Wildbolz, Christiane Pauli and Nadine von Vöhren. He died on 4 January 2017 in Vienna, Austria.
- Actor
- Additional Crew
- Music Department
Om Puri was an Indian actor who has appeared in both mainstream Indian films and art films. His credits also include appearances in British and American films. He has received an honorary OBE.
Puri was born in Ambala, Haryana. His father worked on the railways and served in the Indian Army. Puri graduated from the Film and Television Institute of India. He is also an alumnus of the 1973 class of National School of Drama where Naseeruddin Shah was a co-student.
Puri had worked in numerous Indian films and in many films produced in the United Kingdom and the United States. He made his film debut in the 1976 film Ghashiram Kotwal, based on a Marathi play of the same name. He has claimed that he was paid "peanuts" for his best work. He had collaborated with Amrish Puri as well as Naseeruddin Shah, Shabana Azmi and Smita Patil in art films such as Bhavni Bhavai (1980), Sadgati (1981), Ardh Satya (1982), Mirch Masala (1986) and Dharavi (1992). He had been active in cinema. He was critically acclaimed for his performances in many unconventional roles such as a victimized tribal in Aakrosh (1980) (a film in which he spoke only during flash-back sequences); Jimmy's manager in Disco Dancer (1982); a police inspector in Ardh Satya (1982), where he revolts against life-long social, cultural and political persecution and for which he got the National Film Award for Best Actor; the leader of a cell of Sikh militants in Maachis (1996); as a tough cop again in the commercial film Gupt in 1997; and as the courageous father of a martyred soldier in Dhoop (2003). In 1999, Puri acted in a Kannada movie A.K. 47 as a strict police officer who tries to keep the city safe from the underworld - it became a huge commercial hit. Puri's acting in the movie is very memorable. He has rendered his own voice for the Kannada dialogues. In the same year, he starred in the successful British comedy film East is East, where he played a first-generation Pakistani immigrant in the north of England, struggling to come to terms with his far more westernized children. Om Puri had a cameo in the highly acclaimed film Gandhi (1982, directed by Richard Attenborough). In the mid-1990s, he diversified to play character roles in mainstream Hindi cinema, where his roles are more tuned to mass audiences than film critics. He became known internationally by starring in many British films such as My Son the Fanatic (1997), East Is East (1999) and The Parole Officer (2001). He appeared in Hollywood films including City of Joy (1992), opposite Patrick Swayze; Wolf (1994) alongside Jack Nicholson; and The Ghost and the Darkness (1996) opposite Val Kilmer. In 2007, he appeared as General Zia-ul-Haq in Charlie Wilson's War, which stars Tom Hanks and Julia Roberts. He has worked in Hindi television serials like Kakkaji Kaheen (1988) (roughly meaning "Uncle says") as a paan-chewing 'Kakkaji', which was a parody on politicians, and Mr. Yogi (1989) as a suave 'Sutradhaar' who enjoys pulling the protagonist's leg. These two serials underlined Om Puri's versatility as a comedian. He received critical acclaim for him performance in Govind Nihalani's television film Tamas (1987) based on a Hindi novel of the same name. He essayed comic roles in Hindi films like Jaane Bhi Do Yaaro which reached a cult status, followed by Chachi 420 (1997), Hera Pheri (2000), Chor Machaye Shor (2002) and Malamaal Weekly (2006). His more recent Hindi film roles include Singh Is Kinng, Mere Baap Pehle Aap and Billu. Puri was seen in the role of Mohammad Ali Kasuri in Road to Sangam (2009). In 2010, he appeared in The Hangman. In 2011 he was in the Indian action movie Don 2. He had also worked in Aahat TV Series in some episodes during second season which was aired between 2004-2005 on Sony channel.- Francine York was born in the small mining town of Aurora, Minnesota to her parents, Frank and Sophie Yerich. When Francine was five, her family (including her younger sister, Deanne) moved to Cleveland, where she began to write short stories and take an interest in acting. At age nine, Francine made her theatrical debut in the Hodge Grammar School production of Cinderella, playing Griselda. Initially quite upset that she did not get the starring role, Francine ended up stealing the show with her performance as the evil stepsister. Right after the show, Francine ran into the audience and told her mother that she wanted to be an actress.
When Francine was age 12, the family moved back to Aurora, where she continued to perform in class plays, as well as writing, producing, directing and starring in a three-act play called "Keen Teens or Campus Quarantine". Francine, displaying an entrepreneurial spirit at a young age, charged five cents admission to the show, and the whole town turned out for the production.
While studying journalism and drama at Aurora High School, Francine worked as the feature editor of the school newspaper, Aurora Borealis, and she won all of the school's declamation contests with her dramatic readings. Additionally, she was the baton-twirling majorette for the school band, and active in the 4-H club, where she won several blue ribbons for cooking in both county and state fairs. This proved to be valuable experience for Francine later on, when she would not only host, but do all of the gourmet cooking for dinner parties for some of Hollywood's biggest names.
At age 17, Francine won the Miss Eveleth contest (Eveleth being a nearby town), and became a runner-up in the Miss Minnesota contest, which was hosted by former Miss America BeBe Shopp. For the talent portion of the Miss Minnesota pageant, Francine, who was not afraid to be less than glamorous during a performance, donned some old clothes, removed her makeup, grayed her hair, and performed a reading of a monologue called "The Day That Was That Day" by Amy Lowell, in which she played a dual role of two elderly Southern women. BeBe Shopp encouraged Francine in her theatrical ambitions, and predicted that she would end up in Hollywood very soon. At this point, however, Hollywood was still a dream for Francine, who wanted desperately to leave Minnesota and make her mark in show business.
Moving to Minneapolis, she got a job modeling sweaters for New York-based Jane Richards Sportswear and began traveling throughout the United States, ending up in San Francisco. After leaving Jane Richards, Francine began a modeling course at the House of Charm agency, which started her off on a very successful modeling career for all of the major department stores, including Macy's. Her modeling work got the attention of the producers of the Miss San Francisco beauty pageant, which she subsequently entered and was voted runner-up, but ended up taking over the title after the winner became too sick to participate. Soon after, Francine got a job as a showgirl at Bimbo's, a well-known San Francisco nightclub, which was highly disapproved of by Francine's modeling agency, but this turned out to be the right choice for Francine when she met Bimbo's headliner, singer Mary Meade French, who brought Francine to Hollywood and, later, got her signed with her first agent.
Arriving in Los Angeles, Francine once again found herself working as a showgirl at Frank Sennes' Moulin Rouge, a popular nightclub on Sunset Boulevard in Hollywood, where she performed in three shows a night, seven nights a week for six months. Tired of sharing a stage with elephants, pigeons and horses, she moved on to pursue her acting career and began study with famed actor/teacher Jeff Corey. While performing in Corey's class, Francine was spotted by a theatrical producer, who cast her in a play called "Whisper in God's Ear" at the Circle Theatre. During this time, the same producer gave Francine her very first movie role, starring in Secret File: Hollywood (1962), a film about the day-to-day operations of a sleazy Hollywood tabloid. The movie premiered in Francine's hometown of Aurora, which gave her the biggest thrill of her life as the whole town, the press, her family, friends, and even the high school band turned out at the airport to greet her with banners proclaiming, "Welcome Home, Francine!"
Francine's first big break came when Jerry Lewis cast her in his film It's Only Money (1962), in which she played a tantalizing sexpot, a role which brought her a tremendous amount of publicity. This led to Lewis hiring her for five more of his films, including The Nutty Professor (1963), The Patsy (1964), The Disorderly Orderly (1964), The Family Jewels (1965) and Cracking Up (1983), in which she played a fifteenth century marquise. Other notable film appearances include Bedtime Story (1964) (with Marlon Brando and David Niven), Tickle Me (1965) (with Elvis Presley), Cannon for Cordoba (1970) (with George Peppard), and science fiction cult films Curse of the Swamp Creature (1968), Mutiny in Outer Space (1965) and Space Probe Taurus (1965). Francine's most popular film was the cult classic The Doll Squad (1973), where she played Sabrina Kincaid, leader of an elite team of gorgeous female assassins who attempt to stop a diabolical madman from destroying the world with a deadly plague virus. Francine also delivered a stunning performance as Marilyn Monroe in an otherwise lackluster film, Marilyn Alive and Behind Bars (1992). (Film critic Tom Weaver has been quoted as saying that Francine's performances often rise above the low-budget films she has been cast in.) More recently, Francine played Nicolas Cage's mother-in-law in The Family Man (2000).
Francine has also had tremendous success in television, with appearances on Route 66 (1960), Hawaiian Eye (1959), 77 Sunset Strip (1958), My Favorite Martian (1963), Burke's Law (1963), Perry Mason (1957), Batman (1966), Gomer Pyle: USMC (1964), Lost in Space (1965), It Takes a Thief (1968), Green Acres (1965), The Wild Wild West (1965), Ironside (1967), I Dream of Jeannie (1965), Love, American Style (1969), Mannix (1967), Bewitched (1964), Adam-12 (1968), Mission: Impossible (1966), Kojak (1973), Columbo (1971), Matlock (1986), The King of Queens (1998) and Las Vegas (2003), among many others. Francine's personal favorites among her television roles include her portrayal of nineteenth century British actress Lily Langtry in the Death Valley Days (1952) episode "Picture of a Lady", and her role as the princess opposite Shirley Temple (one of Francine's childhood idols) in NBC's presentation of Hans Christian Andersen's "The Little Mermaid". One of Francine's other favorite roles was that of high-class prostitute and blackmailer Lorraine Temple on Days of Our Lives (1965).
While Francine was enjoying great success as a film and television actress, she was also making a name for herself as a fitness/nutrition expert and gourmet cook. She made many appearances on television demonstrating her culinary skills, and many of her recipes, as well as her exercise programs, were published in national health magazines. Francine also became known as one of Hollywood's leading hostesses, cooking for such celebrities as Clint Eastwood, Rex Harrison, Vincent Price, Regis Philbin, Jean Stapleton, Neil Sedaka, James Arness, Glenn Ford and Peter Ustinov.
Francine continued to act in films and on television. Two recent television appearances include Hot in Cleveland (2010) (as British matriarch Lady Natalie), and Bucket and Skinner's Epic Adventures (2011) (as Aunt Bitsy). She was also quite busy working on her autobiography, something her fans are looking forward to with great interest. In 1996, she met director Vincent Sherman (Mr. Skeffington, The Adventures of Don Juan, The Young Philadelphians), and was his companion until his death in 2006. Francine never married - she once said, "Like Cinderella, I always wanted to marry the handsome prince...but they don't make glass slippers in size ten!" On January 6, 2017, Francine York died of cancer at age 80 in Van Nuys, California. - Writer
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William Peter Blatty was born on 7 January 1928 in New York City, New York, USA. He was a writer and actor, known for The Exorcist (1973), The Exorcist III (1990) and The Ninth Configuration (1980). He was married to Julie Alicia Witbrodt, Linda Blatty, Elizabeth Gilman and Mary Margaret Rigard. He died on 12 January 2017 in Bethesda, Maryland, USA.- Actor
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Dick Gautier was born on 30 October 1931 in Culver City, California, USA. He was an actor and writer, known for The Transformers (1984), G.I. Joe (1985) and Get Smart (1965). He was married to Tess Hightower, Barbara Stuart and Beverly J. Gerber. He died on 13 January 2017 in Arcadia, California, USA.- Jimmy Snuka is a classic example of the World Wrestling Entertainment (WWE) (formerly known as World Wrestling Federation (WWF)) bad guy who became a baby-face (a good guy) without trying. Originally a "heel", he came into the WWE under the guidance of heel manager Capt. Lou Albano. After receiving many title shots at the WWE Championship, which he never won, the final match between he and then-WWE Champion Bob Backlund was in Madison Square Garden in the famous "Steel Cage Match", in which Snuka did his trademark "Superfly Splash" off the top of the steel cage.
Snuka attracted many fans with his acrobatic wrestling style. Soon he broke away from Albano and became a face. However, this wouldn't be the last time Snuka would see Albano, who brought in Snuka's former Mid-Atlantic tag team partner Ray Stevens to feud with him. With Albano in Stevens' corner, Snuka brought in former WWE Champion and WWE competitor "Nature Boy" Buddy Rogers as his manager.
At the top of his game after a year in the WWE, Snuka would face a personal crisis that haunted him for the next few years. In 1983, after he finished his last match, his girlfriend Nancy Argentino was found semi-conscious next to a sleeping Snuka. Argentino died at the nearby hospital. In court it was ruled that the death was accidental.
After recovering from his girlfriend's death, Snuka's real shot at fame was when he feuded with Don Muraco, a former WWE Champion. In another famous "Steel Cage Match", Snuka faced Muraco but lost. However, he had gotten the last laugh by dragging Muraco back inside the cage, and that's when Superfly's proudest moment came. He climbed up to the top of the 20-foot steel cage and executed his "Superfly Splash". This became one of the most memorable moments in WWE history. Both wrestling veterans Mick Foley and Tommy Dreamer were there when it happened. Both also shot to fame in Extreme Championship Wrestling (ECW), which Superfly first started and he later became the first ECW Champ (during that time it was formerly known as Eastern Championship Wrestling).
Another fan favorite highlight came along when Snuka started feuding with "Rowdy" Roddy Piper, which Piper called Snuka a "big shot" and a "monkey". After Snuka came out confronting Piper, Piper smashed Superfly's head with an actual coconut. The story line went through the first WrestleMania when Snuka was managing Hulk Hogan and TV veteran Mr. T in the main even against Piper and Paul Orndorff. With Snuka in Hogan and Mr. T's corner, Piper and Orndoff had Bob Orton.
After a stint of alcohol/drugs rehab, Snuka went back into wrestling, but this time, in the American Wrestling Association (AWA) where he became a tag team partner with another wrestling veteran, Verne Gagne.
After AWA, he went back into the WWE in 1989, to help younger wrestlers who would also become legends such as "Mr. Perfect" 'Curt Cunning' and "Ravishing" Rick Rude. Then 1991, he started to feud with a much younger Mark Calaway (aka "The Undertaker) and lost to 'Taker at Wrestlemania VII, marking Snuka the first victim of Undertaker's 14-0 winning streak. After leaving WWE the same year, Snuka started touring with smaller wrestling promotions and also began working again with ECW, alongside Don Muraco and wrestling legend, Terry Funk.
Then in 1996, Snuka's biggest moment of his life came. He became part of the class of 1996 to be inducted into the WWE Hall of Fame. He also was inducted with legends such as his former manager, Lou Albano, 'Killer Kowaski', and 'Pat Patterson'. He was inducted by former rival, Don Muraco.
Recently, Superfly showed up at the WWE Homecoming, and was chosen by the fans that he would team up with newcomer Eugene (Nick Dinsmore), on Taboo Tuesday in a non-title tag team match against Rob Conway and Chris Master. Both Superfly and Eugene won by pin-fall when Snuka did his signature "Superfly Splash".
When he was inducted in the WWE Hall of Fame back in 1996, Snuka said that even though he was inducted into the Hall of Fame, it doesn't mean he will retire from wrestling. Today, even though in his 60s, Snuka still wrestles in the independent circuit and appears on WWE, occasionally. - Franz Jarnach was born on 14 October 1943 in Bad Godesberg [now Bonn], Germany. He was an actor, known for Dittsche - Das wirklich wahre Leben (2004), Dora Heldt (2009) and Großstadtrevier (1986). He died on 16 January 2017 in Hamburg, Germany.
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Loalwa Braz was born on 3 June 1953 in Rio de Janeiro, Rio de Janeiro, Brazil. She was an actress, known for The Incredible Hulk (2008), Rizoto (2000) and Kaoma: Lambada (1989). She died on 19 January 2017 in Saquarema, Rio de Janeiro, Brazil.- Rex King was born on 8 September 1961 in Geneva, New York, USA. He was an actor, known for WWE Raw (1993), WWF Action Zone (1994) and WWF Superstars (1986). He was married to Terri Pomo. He died on 9 January 2017 in Greenup, Kentucky, USA.
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Gorden Kaye was born on 7 April 1941 in Huddersfield, Yorkshire, England, UK. He was an actor, known for 'Allo 'Allo! (1982), Brazil (1985) and Born and Bred (1978). He died on 23 January 2017 in Knaresborough, Yorkshire, England, UK.- Actor
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Søren Elung Jensen was born on 7 July 1928 in Odense, Denmark. He was an actor and director, known for The Kingdom (1994), King Lear (1970) and Støv på hjernen (1961). He was married to Jonna Hjerl and Rita Angela. He died on 22 January 2017 in Hellerup, Denmark.- Philip Bond was born on 1 November 1934 in Burton-on-Trent, Staffordshire, England, UK. He was an actor, known for An Englishman's Castle (1978), The Herries Chronicle (1960) and Ann Veronica (1964). He was married to Pat Sandys. He died on 17 January 2017 in Funchal, Madeira, Portugal.
- Art Department
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- Actor
John Watkiss was born on 28 July 1961 in Stoke-on-Trent, Staffordshire, England, UK. He was an actor, known for Atlantis: The Lost Empire (2001), Treasure Planet (2002) and Tarzan (1999). He died on 20 January 2017 in Brighton, Sussex, England, UK.- Composer
- Actor
- Soundtrack
Jaki Liebezeit was born on 26 May 1938 in Dresden, Saxony, Germany. He was a composer and actor, known for Broken Embraces (2009), Inherent Vice (2014) and The Gentlemen (2019). He died on 22 January 2017 in Cologne, North Rhine-Westphalia, Germany.- Joy Coghill was born on 13 May 1926 in Findlater, Saskatchewan, Canada. She was an actress, known for Double Jeopardy (1999), Stargate SG-1 (1997) and The Beachcombers (1972). She was married to John Thorne. She died on 20 January 2017 in Vancouver, British Columbia, Canada.
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Miguel Ferrer was an American actor known for playing Morton from RoboCop, Shan Yu from Mulan, Martian Manhunter from Justice League: The New Frontier, Slade Wilson from Teen Titans: The Judas Contract, Death from Adventure Time, Sesa Refumee from Halo 2 and Vice President Rodriguez from Iron Man 3. He passed away in January 2017 due to throat cancer. He is survived by his wife and three children.- Actress
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Mary Tyler Moore was born in Flatbush, Brooklyn, on December 29, 1936. Moore's family relocated to California when she was eight. Her childhood was troubled, due in part to her mother's alcoholism. The eldest of three siblings, she attended a Catholic high school and married upon her graduation, in 1955. Her only child, Richard Meeker Jr., was born soon after.
A dancer at first, Moore's first break in show business was in 1955, as a dancing kitchen appliance - Happy Hotpoint, the Hotpoint Appliance elf, in commercials generally broadcast during the popular sitcom The Adventures of Ozzie and Harriet (1952). She then shifted from dancing to acting and work soon came, at first a number of guest roles on television series, but eventually a recurring role as Sam, Richard Diamond's sultry answering service girl, on Richard Diamond, Private Detective (1956), her performance being particularly notorious because her legs (usually dangling a pump on her toe) were shown instead of her face.
Although these early roles often took advantage of her willowy charms (in particular, her famously-beautiful dancer's legs), Moore's career soon took a more substantive turn as she was cast in two of the most highly regarded comedies in television history, which would air first-run for most of the '60s and '70s. In the first of these, The Dick Van Dyke Show (1961), Moore played Laura Petrie, the charmingly loopy wife of star Dick Van Dyke. The show became famous for its very clever writing and terrific comic ensemble - Moore and her fellow performers received multiple Emmy Awards for their work. Meanwhile, she had divorced her first husband, and married advertising man (and, later, network executive) Grant Tinker.
After the end of The Dick Van Dyke Show (1961), Moore focused on movie-making, co-starring in five between the end of the sitcom and the start of The Mary Tyler Moore Show (1970), including Thoroughly Modern Millie (1967), in which she plays a ditsy aspiring actress, and an inane Elvis Presley vehicle, Change of Habit (1969), in which she plays a nun-to-be and love interest for Presley. Also included in this mixed bag of films was a first-rate television movie, Run a Crooked Mile (1969), which was an early showcase for Moore's considerable talent at dramatic acting.
After trying her hand at movies for a few years, Moore decided, rather reluctantly, to return to television, but on her terms. The result was The Mary Tyler Moore Show (1970), which was produced by MTM Enterprises, a company she had formed with Tinker, and which later went on to produce scores of other television series. Moore starred as Mary Richards, who moves to Minneapolis on the heels of a failed relationship. Mary finds work at the newsroom of WJM-TV, whose news program is the lowest-rated in the city, and establishes fast friendships with her colleagues and her neighbors. The sitcom was a commercial and critical success and for years was a fixture of CBS television's unbeatable Saturday night line-up. Moore and Tinker were determined from the start to make the sitcom a cut above the average, and it certainly was - instead of going for a barrage of gags, the humor took longer to develop and arose out of the interaction between the characters in more realistic situations. This was also one of the earliest television portrayals of a woman who was happy and successful on her own rather than simply being a man's wife. The Mary Tyler Moore Show (1970) is generally included amongst the finest television series ever produced in America.
Moore ended the sitcom in 1977, while it was still on a high point, but found it difficult to flee the beloved Mary Richards persona - her subsequent attempts at television series, variety programs, and specials (such as the mortifying disco-era Mary's Incredible Dream (1976)) usually failed, but even her dramatic work, which is generally excellent, fell under the shadow of Mary Richards. With time, however, her body of dramatic acting came to be recognized on its own, with such memorable work as in Ordinary People (1980), as an aloof WASP mother who not-so-secretly resents her younger son's survival; in Finnegan Begin Again (1985), as a middle-aged widow who finds love with a man whose wife is slowly slipping away, in Lincoln (1988), as the troubled Mary Todd Lincoln, and in Stolen Babies (1993), as an infamous baby smuggler (for which she won her sixth Emmy Award). She also inspired a new appreciation for her famed comic talents in Flirting with Disaster (1996), in which she is hilarious as the resentful adoptive mother of a son who is seeking his birth parents. Moore also acted on Broadway, and she won a Tony Award for her performance in "Whose Life Is It Anyway?"
Widely acknowledged as being much tougher and more high-strung than her iconic image would suggest, Moore had a life with more than the normal share of ups and downs. Both of her siblings predeceased her, her sister Elizabeth of a drug overdose in 1978 and her brother John of cancer in 1991 after a failed attempt at assisted suicide, Moore having been the assistant. Moore's troubled son Richie shot and killed himself in what was officially ruled an accident in 1980. Moore was diagnosed an insulin-dependent diabetic in 1969, and had a bout with alcoholism in the early 1980s. Divorced from Tinker in 1981 after repeated separations and reconciliations, she married physician Robert Levine in 1983. The union with Levine proved to be Moore's longest run in matrimony and her only marriage not to end in divorce. Despite the opening credits of The Mary Tyler Moore Show (1970), in which she throws a package of meat into her shopping cart, Moore was a vegetarian and a proponent of animal rights. She was an active spokesperson for both diabetes issues and animal rights.
On January 25, 2017, Mary Tyler Moore died at age 80 at Greenwich Hospital in Greenwich, Connecticut, from cardiopulmonary arrest complicated by pneumonia after having been placed on a respirator the previous week. She was laid to rest during a private ceremony at Oak Lawn Cemetery in Fairfield, Connecticut.- Actor
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He once jokingly described himself as 'a frustrated song-and-dance man' who wound up typecast as a TV crime fighter. Tall, handsome Armenian-American Mike Connors had a minor career in the movies before becoming a star on the small screen as the impeccably dressed macho sleuth Joe Mannix. Towards the end of the series, his earnings per episode averaged a respectable $40,000. He was four times nominated for an Emmy Award and won a Golden Globe in 1969. Mannix (1967) was highly innovative in its day: among its winning combination were an upbeat jazzy score (composed by Lalo Schifrin), teasers, fast cuts from scene to scene, a car replete with a computer transmitting and receiving fingerprints and an African-American co-star (the charming Gail Fisher, who played Joe's secretary Peggy Fair). Many notable names guested in the show, some at very beginning of their careers (Diane Keaton and Martin Sheen, among others). 'Mannix' ran for eight seasons (1967-1975), a testament to its enduring popularity.
Connors was born Krekor Ohanian in Fresno, California. His mother wanted him to become an attorney. After wartime service in the Army Air Force he enrolled at UCLA on the G. I. Bill of Rights, began in law school but eventually took up theatre studies as his major. The nickname "Touch', Mike acquired on the basketball court where he first came to the attention of the director William A. Wellman who considered his features 'expressive'. He was first signed by Goldwyn studios on a 90-day contract. However, Goldwyn never took up the option and Mike never appeared in any of his films (it turned out that his signing had been no more than leverage to bring Farley Granger back in line who was causing Goldwyn some trouble). Through a talent agent, Mike got an interview at Republic to do a film with Joan Crawford called Sudden Fear (1952). That same guy also decided that his original surname Ohanian sounded too much like O'Hanlon -- George O'Hanlon was already a well-established film actor and writer -- and consequently changed his name to 'Connors'. Until 1957, Mike appeared in mainly low budget movies and TV anthologies, billed as 'Touch Connors' (an appellation he thoroughly disliked). He did several films for Roger Corman for $400 a pop. Arguably, the one highlight of his film career -- several years later -- could be said to be his role as one of a pair of American bomber crew (the other being Robert Redford) held captive in a cellar by a lonely German drug store clerk who chooses to withhold from them the trivial matter of Germany's surrender to the Allies (played with whimsical aplomb by the brilliant Alec Guinness) in the underrated and very funny black comedy Situation Hopeless -- But Not Serious (1965).
After many years as a struggling actor, Mike's first TV hit was Tightrope (1959) for CBS in which he starred as an undercover cop infiltrating an organized crime syndicate. Though the story lines became increasingly repetitive through its 37 episodes, the role pretty much defined his subsequent tough-guy image. During the original pilot for 'Mannix', which initially had Joe Mannix as the top investigator for the computerized Intertect detective agency under boss Joseph Campanella, Mike performed many of the stunts himself, in the process breaking a wrist and dislocating a shoulder. In an effort to make his character 'more real' than the traditional cynical Bogart-style gumshoe, he played Mannix as being more 'humane', often becoming emotionally involved in his cases and -- just as often -- ending up on the wrong end of a knuckle sandwich (in the course of the 194 episodes, poor old Joe was knocked unconscious on fifty-five occasions and shot seventeen times), or watching his beautiful client walk off with another man.
Another subsequent starring role as a modern-day G-Man in the short-lived Today's F.B.I. (1981) did not come close to rekindling his earlier success. Most of Mike's later appearances were as guest stars, notably a return as Joe Mannix in an episode of Diagnosis Murder (1993). Later interviews revealed him to have been acutely aware of the transitory nature of TV stardom and exceedingly grateful for his one opportunity to shine. Mike Connors was happily married to Mary Lou Willey for 67 years.- Actor
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One of stage, screen and TV's finest transatlantic talents, slight, gravel-voiced, pasty-looking John Vincent Hurt was born on January 22, 1940, in Shirebrook, a coal mining village, in Derbyshire, England. The youngest child of Phyllis (Massey), an engineer and one-time actress, and Reverend Arnould Herbert Hurt, an Anglican clergyman and mathematician, his quiet shyness betrayed an early passion for acting. First enrolled at the Grimsby Art School and St. Martin's School of Art, his focus invariably turned from painting to acting.
Accepted into the Royal Academy of Dramatic Art in 1960, John made his stage debut in "Infanticide in the House of Fred Ginger" followed by "The Dwarfs." Elsewhere, he continued to build upon his 60's theatrical career with theatre roles in "Chips with Everything" at the Vaudeville, the title role in "Hamp" at the Edinburgh Festival, "Inadmissible Evidence" at Wyndham's and "Little Malcolm and His Struggle Against the Eunuchs" at the Garrick. His movie debut occurred that same year with a supporting role in the "angry young man" British drama Young and Willing (1962), followed by small roles in Appuntamento in Riviera (1962), A Man for All Seasons (1966) and The Sailor from Gibraltar (1967).
A somber, freckled, ravaged-looking gent, Hurt found his more compelling early work in offbeat theatrical characterizations with notable roles such as Malcolm in "Macbeth" (1967), Octavius in "Man and Superman" (1969), Peter in "Ride a Cock Horse" (1972), Mike in '"The Caretaker" (1972) and Ben in "The Dumb Waiter" (1973). At the same time he gained more prominence in a spray of film and support roles such as a junior officer in Before Winter Comes (1968), the title highwayman in Sinful Davey (1969), a morose little brother in In Search of Gregory (1969), a dim, murderous truck driver in 10 Rillington Place (1971), a skirt-chasing, penguin-studying biologist in Cry of the Penguins (1971), the unappetizing son of a baron in The Pied Piper (1972) and a repeat of his title stage role as Little Malcolm and His Struggle Against the Eunuchs (1974).
Hurt shot to international stardom, however, on TV where he was allowed to display his true, fearless range. He reaped widespread acclaim for his embodiment of the tormented gay writer and raconteur Quentin Crisp in the landmark television play The Naked Civil Servant (1975), adapted from Crisp's autobiography. Hurt's bold, unabashed approach on the flamboyant and controversial gent who dared to be different was rewarded with the BAFTA (British TV Award). This triumph led to the equally fascinating success as the cruel and crazed Roman emperor Caligula in the epic television masterpiece I, Claudius (1976), followed by another compelling interpretation as murderous student Raskolnikov in Crime and Punishment (1979).
A resurgence occurred on film as a result. Among other unsurpassed portraits on his unique pallet, the chameleon in him displayed a polar side as the gentle, pathetically disfigured title role in The Elephant Man (1980), and as a tortured Turkish prison inmate who befriends Brad Davis in the intense drama Midnight Express (1978) earning Oscar nominations for both. Mainstream box-office films were offered as well as art films. He made the most of his role as a crew member whose body becomes host to an unearthly predator in Alien (1979). With this new rush of fame came a few misguided ventures as well that were generally unworthy of his talent. Such brilliant work as his steeple chase jockey in Champions (1984) or kidnapper in The Hit (1984) was occasionally offset by such drivel as the comedy misfire Partners (1982) with Ryan O'Neal in which Hurt looked enervated and embarrassed. For the most part, the craggy-faced actor continued to draw extraordinary notices. Tops on the list includes his prurient governmental gadfly who triggers the Christine Keeler political sex scandal in the aptly-titled Scandal (1989); the cultivated gay writer aroused and obsessed with struggling "pretty-boy" actor Jason Priestley in Love and Death on Long Island (1997); and the Catholic priest embroiled in the Rwanda atrocities in Shooting Dogs (2005).
Latter parts of memorable interpretations included Dr. Iannis in Captain Corelli's Mandolin (2001), the recurring role of the benign wand-maker Mr. Ollivander in Harry Potter and the Sorcerer's Stone (2001) and Harry Potter and the Deathly Hallows: Part 1 (2010), the tyrannical dictator Adam Sutler in V for Vendetta (2005) and the voice of The Dragon in Merlin (2008). Among Hurt's final film appearances were as a terminally ill screenwriter in That Good Night (2017) and a lesser role in the mystery thriller Damascus Cover (2017). Hurt's voice was also tapped into animated features and documentaries, often serving as narrator. He also returned to the theatre performing in such shows as "The Seagull", "A Month in the Country" (1994), "Afterplay" (2002) and "Krapp's Last Tape", the latter for which he received the Los Angeles Drama Critics Circle Award.
A recovered alcoholic who married four times, Hurt was appointed Commander of the Order of the British Empire (CBE) by the Queen in 2004, and Knight Bachelor of the Order of the British Empire in 2015. That same year (2015) he was diagnosed with pancreatic cancer. In July of 2016, he was forced to bow out of the father role of Billy Rice in a then-upcoming London stage production of "The Entertainer" opposite Kenneth Branagh due to ill health that he described as an "intestinal ailment". Hurt died several months later at his home in Cromer, Norfolk, England on January 15, 2017, three days after his 77th birthday.- Actress
- Soundtrack
Barbara Hale was born on April 18, 1922 in DeKalb, Illinois, to Wilma (née Colvin) and Luther Ezra Hale, a landscape gardener. She had one sister, Juanita. As a young girl, she intended to major in art and drawing but to work her way through The Chicago Academy of Fine Arts, she began her professional career as a model for a comic strip called "Ramblin' Bill."
Hale is best remembered as Della Street, long-time secretary to attorney Perry Mason on the TV series Perry Mason (1957) from 1957 to 1966 and again in over 25 Perry Mason TV movies from 1985 to 1995. She married actor Bill Williams in 1946. He was best remembered for his portrayal of Kit Carson in The Adventures of Kit Carson (1951) from 1951 to 1955. The couple had three children - two daughters: Jody (born in 1947), Juanita (born in 1953), and, in 1951, a son, William Katt (the spitting image of his father), and actor in his own right, probably best known as the titular character's ill-fated prom date in the film Carrie (1976) and, later, as Ralph Hinkley, the klutzy superhero on the quirky 1980s adventure series The Greatest American Hero (1981) (from 1981 to 1986).- An only child, Emmanuelle was born Paulette Germaine Riva in Cheniménil, but eventually grew up in Remiremont. Her mother, Jeanne Fernande Nourdin, was a seamstress. Her father, René Alfred "Alfredo" Riva, was a sign writer. Her paternal grandfather was Italian. She dreamed of becoming an actress since she was six, so that the entire world would take notice of her. This ambition was, however, to be met with firm opposition from her own family. Emmanuelle's father, a strict disciplinarian to whom the word "actress" was basically a synonym for "prostitute", disapproved of her way of thinking, since it clashed with the simple values he wished to pass on to her. Emmanuelle felt great affection towards her parents, but, at the same time, was under the impression that they couldn't really understand what she wanted. A bit of a tomboy and a rebel in her schooldays, she showed little interest in studying, but always directed her passion towards acting, appearing in every year-end play. In her early 20's, Emmanuelle was to find out the true meaning of nervous depression. Having completed the seamstress apprenticeship she had started at age 15, she eventually resigned herself to take up this profession, also discouraged by the thought that, in a city like Remiremont, the only possible alternative was to become a hairdresser. The sense of boredom that was weighing her down actually got so devouring that sewing sort of became the only form of escape from the horror of her everyday reality. But luckily, things were soon to change for the better. The day Emmanuelle discovered the announcement of a contest at the Dramatic Arts Centre of Rue Blanche was the day she found the courage to stand up to her parents and state that she would have traveled to Paris to become an actress. Having finally understood the depth of her sadness, her family couldn't oppose her wishes any longer, so, on the 13th May of 1953, she arrived in Paris.
At the Rue Blanche contest, Emmanuelle auditioned in front of one of the leading actors and directors of the Comédie-Française, the great Jean Meyer. She acted one scene from "On ne badine pas avec l'Amour" by Alfred de Musset. Meyer and the other acting teachers in the jury were just mesmerized by her performance and immediately realized that they had found the next big thing. It goes without saying that Emmanuelle was awarded a scholarship and Meyer himself decided to take her as his own pupil. At 26, Riva was too old to enter the French National Academy of Dramatic Arts, but she soon got her big break anyway, since French stage pillar René Dupuy cast her in a production of George Bernard Shaw's "Arms and the Man". Her next theatrical credits were "Mrs.Warren's Profession" (Shaw), "L'espoir" (Henri Bernstein), "Le dialogue des Carmélites" (Georges Bernanos), Britannicus (Jean Racine), "Il seduttore" (Diego Fabbri). Emmanuelle's small screen debut was in a 1957 episode of the history program Énigmes de l'histoire (1956), "Le Chevalier d'Éon". In the program, she played the Queen of England opposite Marcelle Ranson-Hervé as the cross-dressing knight in the service of the French crown. 1958, on the other hand, was the year that saw her first film appearance, an uncredited role in the Jean Gabin movie The Possessors (1958). The following year would, however, mark a turning point in her career. Emmanuelle was starring in the Dominique Rolin play "L'Epouvantail" at the "théatre de L'Oeuvre" in Paris when one night she found a visitor in her dressing room. His name was Alain Resnais and he was a young director responsible for a few shorts and documentaries (including the Holocaust-themed masterpiece Night and Fog (1956)). He was apparently looking for the female lead of his first feature film, Hiroshima Mon Amour (1959), based on a script by the great author, Marguerite Duras. Having seen a picture of Riva in a playbill of the production she was starring in, Resnais had immediately urged to see her. Without promising her anything, the director just asked Emmanuelle if he could take a few photos of her, so that he would have later shown them to Duras for a response. In addition to this, he also invited her at his place where he filmed her reciting some lines from "Arms and the Man". When he brought Duras the material, the author set her eyes on Emmanuelle's melancholic, enigmatic expression and immediately realized that they had found the one they were looking for. "Hiroshima Mon Amour" turned out to be one of the most acclaimed and representative movies of the French New Wave and launched both Resnais and Riva's careers in full orbit. Being somehow familiar with a sense of captivity, Emmanuelle gave an incredibly personal and involving performance as the unnamed heroine of the movie, and it was one that came straight from her heart. Playing an actress from Nevers who develops a love affection towards a Japanese architect (Eiji Okada) while filming an anti-war movie in Hiroshima, Emmanuelle helped modernizing acting and female figures in film through an intimate, almost minimalistic woman portrayal that was quite unlike anything else that had been seen on the silver screen to that moment. Speaking her character's thoughts through a great deal of voice-over that could give the viewer constant access to her mind (making for an unusual amount of psychological introspection) , she was able to masterfully translate every last one of these feelings to subtle facial expressions whose richness and eloquence made her face the mirror of the compex soul she was baring before the camera. Combining this heartfelt approach with a refined diction that could perfectly deliver Duras' deep, existentialist lines of dialogue, she gave the world a new type of heroine who, while set apart by a distinctive intellectual charm, remained very humanly relatable. This ground-breaking acting was greatly praised by the critics of the time who were most open to innovation, including some that later became masters of revolutionary cinema themselves. Jean-Luc Godard stated: "Let's take the character played by Emmanuelle Riva. If you ran into her on the street, or saw her every day, I think she would only be of interest to a very limited number of people. But in the film she interests everyone. For me, she's the kind of girl who works at the "Editions du Seuil" or for "L'Express", a kind of 1959 George Sand. A priori, she doesn't interest me, because I prefer the kind of girl you see in [Renato] Castellani's film. This said, Resnais has directed Emmanuelle Riva in such a prodigious way that now I want to read books from "Le Seuil" or "L'Express"." This was Éric Rohmer's take on Riva's 'Elle': " She isn't a classical heroine, at least not one that a certain classical cinema has habituated us to see, from David Griffith to 'Nicholas Ray'." Jacques Doniol-Valcroze summed her up this way: "She is unique. It's the first time that we've seen on the screen an adult woman with an interiority and a capacity for reasoning pushed to such a degree. Emmanuelle Riva is a modern adult woman because she is not an adult woman. She is, on the contrary, very childlike, guided by her impulses alone and not by her ideas." And Jean Domarchi commented that "In a sense, Hiroshima is a documentary on Emmanuelle Riva." The phenomenal intelligence and dramatic intensity of Emmanuelle's performance made "Elle" one of the most indelible characters in film history: however, while Duras' screenplay received an Oscar nomination, her star-making turn was sadly overlooked by the Academy. At least she won the "Étoile de Cristal" (the top film award in France between 1955 and 1975, given by the "Académie française" and later replaced by the César) for Best Actress for her work in the movie.
One year later, Emmanuelle was known as a major talent and, consequently, plenty of directors from different nationalities were knocking at her door. She followed her Hiroshima success with two acclaimed turns in Le huitième jour (1960) and Recours en grâce (1960). In addition to playing these leading roles for French cinema, a scene-stealing Riva was also seen as Simone Signoret's feisty friend in Antonio Pietrangeli's excellent Adua e le compagne (1960) and gave the standout performance in Gillo Pontecorvo's superb Kapo (1960) as a Jewish prisoner in a concentration camp. Enter 1961: another year, another career highlight. Emmanuelle was cast opposite Jean-Paul Belmondo in Jean-Pierre Melville's ground-breaking (and shocking for its time) Léon Morin, Priest (1961). In the movie, Riva's Barny, an atheist widow, and Belmondo's Morin, a young and seductive priest, develop a deep, theological relationship with strong sexual implications. Melville cast Emmanuelle thinking that she possessed the kind of intellectual eroticism the character needed and decided to demean her appearance as much as possible by having her dressed in the plainest clothes, so that Barny's major appeal would have been the cultural vivacity shining through her beautiful facial features. Riva and Belmondo's performances turned out to be outstanding and the film, against all odds, ended up being a big success. Riva next appeared in Climats (1962), the first (and only) feature film of TV writer and director Stellio Lorenzi, the man behind celebrated history programs such as La caméra explore le temps (1957) and its immediate predecessor, "Énigmes de L'Histoire", where Emmanuelle had done her screen debut. Adapting André Maurois' novel, Lorenzi hired Emmanuelle seeing her great interpretative sensitivity as being close to the nature of the character she would have played in the movie, also starring Jean-Pierre Marielle and Marina Vlady. In the story, Marielle is torn between sacred and profane love, leaving Vlady's vain and frivolous Odile for Riva's kind and good-hearted Isabelle. The same year, Emmanuelle scored another huge personal triumph as the title heroine of Georges Franju's Therese (1962). Her performance as François Mauriac's ill-fated 20th century Emma Bovary was a true masterpiece of psychological introspection: she perfectly captured all the key traits of the character at once, making her vulnerability coexist with her spirit of rebellion and her desire for freedom go along with a strong sense of self-destruction. Emmanuelle's work in the movie won her enormous raves and a sacred, unanimous Volpi Cup at Venice Film Festival. For the rest of the 60's (her golden period), Emmanuelle kept playing leading roles in French and Italian movies alike and also kept expanding her work to the TV medium. She found excellent, showcasing roles both in Thomas the Impostor (1965) (where she was directed by Franju for the second and last time) and in the lovely comedy The Hours of Love (1963) where she enjoyed a very unusual kind of wedding to Ugo Tognazzi. The third segment of Io uccido, tu uccidi (1965) paired her for the first time with Jean-Louis Trintignant. In this story of "Amour Fou", Riva plays a woman willing to make the ultimate sacrifice to save Trintignant's character, a man undeserving of her affection. Some TV work the actress did in this decade deserves to be noted as well. She reprised the role of Thérèse Desqueyroux in La fin de la nuit (1966), a dark and crepuscular adaptation of the Mauriac novel of the same name. This sequel follows Thérèse as she relocates to Paris where she has nothing to do but waiting for death to come. The TV play La forêt noire (1968), a fictionalized retelling of the relationship between Brahms and the Schumanns, featured another remarkable Riva performance, and so did Caterina (1963), which saw her taking on the role of Caterina Cornaro.
Going into the 70's and 80's, it wasn't easy for Emmanuelle to keep replicating the impact of her early performances and, while she always played leading roles in her native France, the majority of her movies didn't have a great international resonance. Misguided productions like Fernando Arrabal's I Will Walk Like a Crazy Horse (1973) proved totally unworthy of her talent. Like her contemporaries Delphine Seyrig, Bernadette Lafont, Bulle Ogier and Edith Scob, she liked to pick alternative, anti-mainstream projects, stating that she had no interest in doing things that had already been done before. In this period, she declined countless roles because she found them too traditional and, as a direct consequence of this, most directors stopped making her any more offers. Between 1982 and 1983 she was served with another couple of meaty parts to sink her teeth into. The first was in Marco Bellocchio's The Eyes, the Mouth (1982) (an underrated sequel of sorts to Fists in the Pocket (1965)) as the mother of Lou Castel, here taking on the role of Giovanni, the actor who had supposedly played Alessandro in the classic movie. The second was in Philippe Garrel's poignant Liberté, la nuit (1984) where she was paired with the director's father, the glorious actor, Maurice Garrel. In the subsequent years, Emmanuelle always found work in respectable productions, with the great director occasionally calling her for a project of superior quality (like Krzysztof Kieslowski's Three Colors: Blue (1993)) but the great roles seemed to be way behind her by now. In 2008, she had a nice cameo in A Man and His Dog (2008), a French remake of Umberto D. (1952) which reunited her with her "Léon Morin, prêtre" co-star, Jean-Paul Belmondo. Riva briefly appears in the movie as a gentle lady who meets Belmondo's character -not coincidentally- in a church. She was soon to enjoy, however, an incredible and unforeseen career renaissance.
In 2010, Emmanuelle was cast in Michael Haneke's latest movie, Amour (2012). The script managed as well to get Jean-Louis Trintignant out of retirement and frequent Haneke collaborator Isabelle Huppert also got on board for the ride. Haneke had written the script with precisely Trintignant in mind, but hadn't already thought of a specific actress to play the leading female role. The director had greatly admired Emmanuelle's performance in "Hiroshima Mon Amour", but wasn't much familiar with her subsequent work. Still, a recent photo of hers lead him to think that she would have been believable as Trintignant's wife and decided to audition her along with a few other actresses her age. It soon became obvious that she was the best choice in the world. The Austrian director's most recent masterpiece follows Georges (Trintignant) and Anne (Riva), a long time married couple whose life changes drastically when she suffers a stroke. An incredibly deep reflection about the two most important components of life, love and death, Haneke's heartbreaking movie took Cannes film festival by storm, making obvious from the day it was screened that no other film had the slightest possibility to win the Golden Palm. A fundamental part of "Amour"'s success were of course the immense central performances of its two leads. Jury president Nanni Moretti would have liked to give "Amour" the main festival prize along with top acting honors for its two veteran stars, but unfortunately a festival rule forbids to give any other major award to the Golden Palm winner. Moretti was displeased by this, but he still managed to find a way to recognize Trintignant and Riva's work. Although the Best Actor Award went to Mads Mikkelsen for The Hunt (2012) and the Best Actress Award was given to Cosmina Stratan and Cristina Flutur for Beyond the Hills (2012), the Golden Palm which the director was awarded was given alongside a special mention to the film's leads for their indispensable work. All three were invited on the stage to make an acceptance speech: it was one of the highest honors a thespian could ever dream of. Although Haneke remains the only official recipient of the Palm, Riva and Trintignant were, in spirit, the big acting winners of the 65th edition of the prestigious film festival. But the love for "Amour" wasn't to end here. After it amazed the audience at Toronto film festival, it became clear that the film would have done this over and over while getting screened all around the globe. Further accolades for the movie came at the end of November, when it scored an impressive four wins at the European Film Awards (Picture, Director, Actor and Actress). In the following weeks, Emmanuelle also racked up a good share of critic awards in America, including wins from major groups such as the National Society of Film Critics. On Oscar nominations day, Emmanuelle's performance was recognized along with the movie, its director and its screenplay. Having traveled to New York to attend the 2013 National Board of Review awards (where Amour had been named "Best Foreign Language Film"), Emmanuelle was still there when, bright and early, her room neighbors' jubilation cheers told her that she had been nominated. In great humbleness, she stated that she didn't expect it because 'there's plenty of talented people everywhere'. Shortly after, she also added a BAFTA to her mantle. After her triumph, Culture and communication Minister Aurélie Filippetti complimented Emmanuelle on her charisma and on the quality of her performance and stated that she would have defended France's colors at the upcoming Oscars. Emmanuelle's next appointment was with an overdue first César. After receiving a well-deserved standing ovation, she made a very beautiful and moving speech, quoting Von Kleist and paying homage to Maurice Garrel. A couple of days later she attended the Oscars and eventually failed to win the award, but this couldn't change the fact that she had made history already. Having always been in possession of one of cinema's most expressive faces, being equally effective with her physical language and having displayed unsurpassable courage and honesty in portraying the deterioration of Anne's body and soul, Emmanuelle gave a performance that went beyond every linguistic barrier and strongly touched and affected everyone who saw it. Her stunning work is for the ages.
Having hit such a high note near the end of her film career, it seems only natural that Emmanuelle did the same thing on the Parisian stage shortly after, scoring a new triumph in Didier Bezace's production of Marguerite Duras' play "Savannah Bay", which marked her theatrical return after a 13 years absence. Acting a text of the celebrated author who had penned the movie which had simultaneously given her immediate fame and screen immortality was the most inspired way to bring her exceptional career to full circle. Duras had written the part (originally performed by Madeleine Renaud) on the condition that only an actress no longer in the spring of youth would have played it: disregarding this wish would have been a mistake, but it must be added that no other actress in the same age range and associated with the author could have been an equally perfect choice. Wearing that slightly absent look loaded with a mixture of vulnerability and melancholy that only she can do so effectively, the actress reached- for the few, privileged ones who witnessed this new achievement- some basically unmatchable levels of heartbreak, repeating several times the words 'mon amour' to such an involving and powerful effect no one else could have produced. The actress stated that she would have probably refused to ever return to the stage hadn't she been offered this part. And her choice was, once again, a winning one. Emmanuelle kept working regularly for the next two years-- shooting films and doing poetry recitals all around Europe-- until she died on the 27 January 2017 after a secret battle with cancer. As profoundly devastating as the news of this artistic and human loss were, the world had to salute with utmost admiration a woman who, true to her formidable spirit, always lived a life that was determined by the choices she wanted.
Now, considering that she won her first audience by acting one scene from "On ne badine pas avec l'Amour" in front of her future mentor, got her international consecration by playing the leading role in "Hiroshima Mon Amour" and rose from her ashes with her superlative work in "Amour", one can conclude that the word Amour is most definitely a good luck charm to Emmanuelle Riva. - Actress
- Additional Crew
Gisella Sofio was born on 19 February 1931 in Milan, Lombardy, Italy. She was an actress, known for La cura del gorilla (2006), Biblioteca di Studio Uno (1964) and Il microfono è vostro (1951). She died on 27 January 2017 in Rome, Italy.- Actor
- Producer
Frank Pellegrino was born on 19 May 1944 in East Harlem, New York City, New York, USA. He was an actor and producer, known for Goodfellas (1990), Mickey Blue Eyes (1999) and Manhattan Murder Mystery (1993). He was married to Josephine Nicita. He died on 31 January 2017 in Manhattan, New York City, New York, USA.- Desmond Carrington was born on 23 May 1926 in Bromley, Kent, England, UK. He was an actor, known for Billy Bunter of Greyfriars School (1952), Softly Softly (1966) and Emergency-Ward 10 (1957). He died on 1 February 2017 in Perth, Scotland, UK.
- Kerstin Gähte was born on 22 September 1958 in Düsseldorf, North Rhine-Westphalia, West Germany. She was an actress, known for Storm of Love (2005), Tatort (1970) and Bianca - Wege zum Glück (2004). She was married to Lutz Reichert. She died on 1 February 2017 in Düsseldorf, North Rhine-Westphalia, Germany.
- Actress
- Editorial Department
Inge Keller was born on 15 December 1923 in Berlin, Germany. She was an actress, known for Lola and Billy the Kid (1999), Woman Doctors (1984) and 3 (2010). She was married to Karl-Eduard von Schnitzler. She died on 6 February 2017 in Berlin, Germany.- Director
- Writer
- Actor
Robert Ellis Miller was born on 18 July 1927 in New York City, New York, USA. He was a director and writer, known for The Buttercup Chain (1970), Alcoa Premiere (1961) and Breaking Point (1963). He was married to Pola Miller. He died on 27 January 2017 in Woodland Hills, California, USA.- Actor
- Producer
- Director
Born in Santa Monica, California, USA, Richard Hatch was studying classical piano at the age of eight, and knew he wanted to carve out a career as a performer before he reached his teens. After attending Harbor College in San Pedro, he joined a Los Angeles repertory company with which he traveled to New York City in 1967. He performed in the plays "Song of Walt Whitman", "Young Rebels" and a production called "Exercise", which Richard directed. Richard was cast as the original "Philip Brent" in the soap All My Children (1970) in 1970. He later played "Inspector Dan Robbins" on the television series The Streets of San Francisco (1972). Richard Hatch is best remembered for his portrayal of "Apollo" on the series, Battlestar Galactica (1978).- Music Department
- Actor
- Composer
Al Jarreau was born on 12 March 1940 in Milwaukee, Wisconsin, USA. He was an actor and composer, known for Moonlighting (1985), Dick Tracy (1990) and Out of Africa (1985). He was married to Susan Player and Phyllis Hall. He died on 12 February 2017 in Los Angeles, California, USA.- Producer
- Additional Crew
- Writer
Bruce Lansbury was best known as the producer of cult science fiction TV shows of the 1960s and 1970s. He made his science fiction mark in the 1960s with The Wild Wild West (1965). In 1971, he produced the highly regarded Assault on the Wayne (1971), which, while not science fiction related, captured the imagination of science fiction fans as Star Trek (1966)'s Leonard Nimoy played a troubled sub captain with just a hint of Mr Spock in his performance.
Lansbury also produced the short lived lost-island science fiction series, The Fantastic Journey (1977), which may have only lasted ten episodes but holds an iconic status for some people even today. Lansbury worked on the third season of Wonder Woman (1975) and gave the series a much needed burst of sci-fi storylines which greatly improved the series as a whole. He also worked on the first and best season of Buck Rogers in the 25th Century (1979).- George 'The Animal' Steele ( his professional wrestling name) was born in Detroit, Michigan, USA as William James Myers. He was a wrestling superstar in the WWF. He had a public image of a wild type of creature that chewed on the turn buckles and sported a green tongue. In the 1990s he became an actor, known for Blowfish (1997) and Used Cars (1997). George was perhaps best known for playing the monstrous Tor Johnson in Ed Wood (1994). He was married to Patricia Randolph. He died on February 16, 2017 in Florida.
- Born and raised in upstate Vermont, Warren Frost left home at age 17 to enlist in the United States Navy during World War II, serving aboard the destroyer escort USS Borum (DE-790) in Europe during the Normandy landings. After his service, he worked mainly in theater. He had a doctorate in theater arts from the University of Minnesota and was a published playwright with four plays to his credit and also wrote a novel.
- Nicole Bass was born on 10 August 1964 in Middle Village, Queens, New York City, New York, USA. She was an actress, known for Private Parts (1997), WWE Smackdown! (1999) and WWE Raw (1993). She was married to Robert Fuchs. She died on 17 February 2017 in the USA.
- Jay was born in Connecticut and raised in Connecticut and New York City to parents Michael and Frances Bontatibus. He is the 3rd child of 4, with 2 brothers and a sister.
Trained as a stage actor in NYC, he got his breakthrough role playing "Tony Viscardi" on the CBS soap, The Young and the Restless (1973). Jay went on to play "Detective Andy Capelli" on the ABC soap, General Hospital (1963), and numerous TV episodes and films. - Actor
- Stunts
Chavo Guerrero Sr. was born on 7 January 1949 in El Paso, Texas, USA. He was an actor, known for Streets of Rage (1993), The One and Only (1978) and Alligator II: The Mutation (1991). He was married to Nancy Vasquez. He died on 11 February 2017 in El Paso, Texas, USA.- Writer
- Director
- Editor
Pasquale Squitieri was born on 27 November 1938 in Naples, Campania, Italy. He was a writer and director, known for Gli invisibili (1988), The Gun (1978) and Razza selvaggia (1980). He was married to Ottavia Fusco and Silvana Filotico. He died on 18 February 2017 in Rome, Lazio, Italy.- Ivan Koloff was one of the most fearsome wrestlers of the 1970s and 1980s. Despite being billed as being from Russia, Ivan was actually born and raised near Montreal Canada. He began wrestling in the mid 1960's under the name Red McNulty. After a few years, he took the name of "The Russian Bear" Ivan Koloff.
He got his first big break in the WWWF(which is now known as WWE), which was owned by Vince McMahon Sr at the time. He wrestled there from 1969 until 1971, when on January 18th, he did the impossible when he beat the legendary Bruno Sammartino after his record near-8 year reign as champion. From accounts of people who were at Madison Square Garden that evening, you could have heard a pin drop as fans were in a state of utter disbelief. He would hold the title for a little over three weeks, however, as he was defeated on February 8th 1971 by Pedro Morales. His championship rein made him a superstar around the world. He left the WWWF soon after that loss, but would return to the Federation many times over the course of the next 12 years, main eventing Madison Square Garden against Bruno again in 1975 in the very first steel cage match ever held in the building. He would also go on to feud with WWF Champion Bob Backlund in the late 70s and early 80s. He was actually scheduled to win the WWF Championship a second time in december 1983, but a knee injury put him out of action. The Iron Sheik ended up winning the belt, instead, and the rest is history.
Koloff became a fixture in the Mid-Atlantic region in the mid to late 80's after he recovered from his knee injury. He won the NWA Tag Team Titles several times with partners Don Kernodle, Ray Stevens, Krusher Khruschev, and his "nephew" Nikita Koloff. His tag team with Nikita was one of the most dominant of the mid 80s. They had a very memorable feud with the legendary Road Warriors. After Nikita and Ivan parted ways, Ivan wrestled in singles competition against the likes of Dusty Rhodes, Sting, Lex Luger, Ric Flair, and Magnum TA in between his Tag Team Title defenses. Ivan left the NWA, which had become WCW, in early 1989. He retired from full-time competition in 1994 at the ripe age of 52.
Ivan Koloff was one of wrestlings true greats for the 20 years he was on top. He won titles and wrestled in rings all around the world. His dethroning of Bruno Sammartino is one of the most memorable events in wrestling history. He main evented Madison Square Garden on nearly two dozen occasions between 1969 and 1983. He wrestled with and against some of the all-time greats the sport of wrestling has ever seen. He is definitely a future WWE Hall of Famer. - Eléonore Hirt was born on 19 December 1919 in Basel, Switzerland. She was an actress, known for A Witch's Way of Love (1997), Comédie (1966) and Le journal (1979). She was married to Michel Piccoli and André Rouyer. She died on 27 January 2017 in Longjumeau, Essonne, France.
- Actor
- Writer
- Soundtrack
Tony Rosato was born on 26 December 1954 in Naples, Campania, Italy. He was an actor and writer, known for Night Heat (1985), SCTV (1976) and Seeds of Doubt (1998). He was married to Leah Murray. He died on 10 January 2017 in Toronto, Ontario, Canada.- Actor
- Soundtrack
Martin Lüttge was born on 7 July 1943 in Hamburg, Germany. He was an actor, known for Der Lord von Barmbeck (1974), Der Tod läuft hinterher (1967) and Tatort (1970). He was married to Marlen Breitinger and Gila von Weitershausen. He died on 22 February 2017 in Plön, Schleswig-Holstein, Germany.- Writer
- Additional Crew
- Actor
John Gay was born on 1 April 1924 in Whittier, California, USA. He was a writer and actor, known for Separate Tables (1958), Lux Video Theatre (1950) and Run Silent Run Deep (1958). He was married to Barbara (Bobbie) Elizabeth Meyer. He died on 4 February 2017 in Santa Monica, California, USA.- Actor
- Producer
- Writer
Bill Paxton was born on May 17, 1955 in Fort Worth, Texas. He was the son of Mary Lou (Gray) and John Lane Paxton, a businessman and actor (as John Paxton). Bill moved to Los Angeles, California at age eighteen, where he found work in the film industry as a set dresser for Roger Corman's New World Pictures. He made his film debut in the Corman film Crazy Mama (1975), directed by Jonathan Demme. Moving to New York, Paxton studied acting under Stella Adler at New York University. After landing a small role in Stripes (1981), he found steady work in low-budget films and television. He also directed, wrote and produced award-winning short films including Barnes & Barnes: Fish Heads (1980), which aired on Saturday Night Live (1975). His first appearance in a James Cameron film was a small role in The Terminator (1984), followed by his very memorable performance as Private Hudson in Aliens (1986) and as the nomadic vampire Severen in Kathryn Bigelow's Near Dark (1987). Bill also appeared in John Hughes' Weird Science (1985), as Wyatt Donnelly's sadistic older brother Chet. Although he continued to work steadily in film and television, his big break did not come until his lead role in the critically acclaimed film-noir One False Move (1991). This quickly led to strong supporting roles as Wyatt Earp's naive younger brother Morgan in Tombstone (1993) and as Fred Haise, one of the three astronauts, in Apollo 13 (1995), as well as in James Cameron's offering True Lies (1994).
Bill died on February 25, 2017, in Los Angeles, from complications following heart surgery. He was 61.- Actress
- Additional Crew
Miriam Colon was born on 20 August 1936 in Ponce, Puerto Rico. She was an actress, known for Scarface (1983), Sabrina (1995) and Goal! The Dream Begins (2005). She was married to Fred Valle, George Paul Edgar and ???. She died on 3 March 2017 in New York City, New York, USA.- Producer
- Writer
- Additional Crew
Fred Weintraub was born on 27 April 1928 in Bronx, New York City, New York, USA. He was a producer and writer, known for Enter the Dragon (1973), A Dirty Knight's Work (1976) and Hot Potato (1976). He was married to Jackie Weintraub. He died on 5 March 2017 in Pacific Palisades, California, USA.- Actor
- Soundtrack
Instantly recognisable, often bearded Liverpudlian character actor who regularly featured on stage and screen in period productions, police dramas, sitcoms and soaps during a career that spanned five decades. Extremely prolific and versatile, he took on just about any type of role, merrily alternating between bellicose, shifty, dependable, bucolic, curmudgeonly or avuncular types. His most prominent headliners included PC Wilmot in the Yorkshire-based sitcom Rosie (1977) and the titular character of the sci-fi comedy Kinvig (1981) penned by Nigel Kneale. Occasional scene-stealing turns in support included the deliriously mad Milo Renfield in Dracula (1979). Among innumerable other worthy supporting roles a list of standouts might include Gridley, the ruined chancery appellant in Bleak House (2005) ; Vic Snow in Where the Heart Is (1997) ; nouveau-riche timber merchant Melbury in The Woodlanders (1997) and the slightly seedy consular chauffeur Fidel Sanchez in Farrington of the F.O. (1986). He also voiced the slow-witted, mercilessly hen-pecked antagonist Mr. Tweedy in Aardman's animated feature Chicken Run (2000).
Before claimed by the stage, Haygarth briefly tried his luck at other fields of employment, including a period as a lifeguard in Torquay and a psychiatric nurse at Sefton Hospital in Liverpool. Having found his chosen vocation in repertory theatre he went from there to more distinguished roles with the Royal Shakespeare Company, the Old Vic and the National Theatre. He won the Clarence Derwent Award in 1996 for his part in the play "Simpatico" and in 2003 appeared with Zoë Wanamaker in "His Girl Friday" and alongside Kenneth Branagh in "Edmond". Starting in 2007, he appeared as Alfred Doolittle in Peter Hall's production of "Pygmalion", a performance described by the reviewer of The Daily Telegraph as "delightfully funny" and "scene-stealing". Haygarth was an author writng plays and a book of poetry entitled "God wore Clogs". In 2014, he was diagnosed with Alzheimer's disease and vascular dementia which sadly claimed his life three years later at the age of 72.- Actor
- Additional Crew
- Soundtrack
John Forgeham was born on 14 May 1941 in Kidderminster, Worcestershire, England, UK. He was an actor, known for Mean Machine (2001), The Italian Job (1969) and Kiss of the Dragon (2001). He was married to Arlene Garciano, Fiesta Mei Ling and Georgina Hale. He died on 10 March 2017 in Worthing, West Sussex, England, UK.- Producer
- Additional Crew
- Actor
A native of Philadelphia, Pennsylvania, Jack H. Harris first entered show business by way of vaudeville, singing and dancing with Cliff Edwards' (aka "Ukeleke Ike") Kiddie Revue at age six. Working his way up from an early job as a theater usher, Harris went into publicity and learned distribution, eventually opening his own offices. Dissatisfied with the minor black-and-white films foisted upon him, he quickly developed an itch to produce his own pictures. Linking up with the moviemaking ministers of Pennsylvania's Valley Forge Film Studios, Harris collaborated on The Blob (1958), a film that eventually grossed more than a hundred times its $240,000 cost. In the decades since, Harris has followed up on this early success with 4D Man (1959), Dinosaurus! (1960), Eyes of Laura Mars (1978) and a "Blob" sequel (Beware! The Blob (1972)) and a remake (The Blob (1988)).- "Every actor should have a Great Escape", wrote actor Lawrence Montaigne in his autobiography, "A Vulcan Odyssey". He was referring to The Great Escape (1963), in which he played a small role, as a Canadian prisoner (Haynes) who gets killed at the end of the film. Nonetheless, this was his self-declared favorite and career defining part. For most of us, Montaigne will be regarded as one of the most prolific science fiction actors of the era. We remember him as the robotic Mr. Glee in two seminal episodes of Batman (1966) versus "The Joker"; as Yellow Elk, a native American who finds himself in the base of The Time Tunnel (1966); as a Thrush agent on The Man from U.N.C.L.E. (1964), who manages to infiltrate U.N.C.L.E. headquarters; as a sinister alien assassin in The Invaders (1967); and on Star Trek (1966) as Spock's Vulcan "pon farr" rival, Stonn, and also as Decius, the first Romulan ever glimpsed on two episodes of the same series.
A native New Yorker raised in Italy, Montaigne began his career in summer stock at the Belgrade Playhouse in Maine. He was multilingual, had trained as a classical dancer and first came to California as a member of the Hollywood Bowl Ballet Company. His introduction to the screen came both via dancing and stunt work in swashbucklers, the latter aided by his being an accomplished fencer. After his military service in the Marine Corps, he completed his training at the Dramatic Workshop in New York. His role in The Great Escape (1963) opened the doors to regular engagements in television in such series as Perry Mason (1957), The Fugitive (1963), The Rogues (1964), Hogan's Heroes (1965), and, of course, Star Trek (1966). He retired in the late 1980s. Based in Las Vegas, he continued to be much involved in the convention scene and while working as a translator of medical texts.
Montaigne wrote a screenplay for Disney in 1978 and subsequently penned two novels: "The Guardian List" and "The Barrel of Death". He held a Masters Degree from North Texas State University where he lectured on film. Montaigne died on St. Patrick's Day 2017 in Henderson, Nevada, aged 86. - Music Artist
- Composer
- Music Department
Charles Edward Anderson Berry was an American singer, songwriter and guitarist who pioneered rock and roll. Nicknamed the "Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as "Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and "Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.- Director
- Camera and Electrical Department
- Writer
Robert Day worked his way up from clapper boy to camera operator to full-fledged lensman in his native England before giving directing a shot in the mid-1950s. His first film as director, the black-comic The Green Man (1956) for the writer-producer team of 'Frank Launder and Sidney Gilliat, garnered fine reviews and a classic notoriety; using this as a starting point, Day went on to become one of the industry's busiest directors. He relocated to Hollywood in the 1960s and began directing scads of TV episodes and made-for-TV movies on this side of the Atlantic. He occasionally turns up in bits in his own productions, including The Haunted Strangler (1958), Two Way Stretch (1960), the mini-series Peter and Paul (1981), etc.- Writer
- Actor
- Additional Crew
Born in Stamford, Lincolnshire, England, UK as Norman Colin Dexter, he was an English writer, best known for the Inspector Morse series of novels. His parents were Alfred and Dorothy Dexter, his father run a small taxi company. He had a brother, John, and a sister, Avril. He attended St. John's Infants School, Bluecoat Junior School, and then - gaining a scholarship - Stamford School. After graduation, Dexter served in the Royal Corps of Signals as his national service. He then studied Classics at Christ's College, Cambridge, which he graduated in 1953, followed by receiving a master's degree in 1958. He worked a teacher in various schools from 1954 to 1966, when an onset of deafness forced him to change jobs. He then worked as a senior assistant secretary at the University of Oxford Delegacy of Local Examinations until his retirement in 1988. In 1972 Dexter published his first mystery fiction book, entitled Last Bus to Woodstock. The book introduced the character of inspector Morse, who appeared in further 12 novels written by Dexter. In 1987 the first episode of a screen adaptation of the novels, Inspector Morse (1987), was aired. The show run for 7 seasons followed by 5 special episodes, the last one of which aired in 2000. It was followed by a spin-off entitled Inspector Lewis (2006) and a prequel entitled Endeavour (2012). Dexter was involved in the making of all these shows and had small cameos in most episodes. His writings received a number of awards from the Crime Writers' Association and in 2000 he was appointed an Officer of the Order of the British Empire (OBE) for services to literature. He was married to Dorothy Cooper from 1956 until his death; they had daughter, Sally, and a son, Jeremy. Dexter died on 21 March 2017 in Oxford, Oxfordshire, England, UK.- Producer
- Writer
- Actor
Chuck Barris was born on 3 June 1929 in Philadelphia, Pennsylvania, USA. He was a producer and writer, known for The Gong Show Movie (1980), Confessions of a Dangerous Mind (2002) and X-Men: First Class (2011). He was married to Mary Clagett Kane, Robin Altman and Lynne Frances Levy. He died on 21 March 2017 in Palisades, New York, USA.- Actor
- Writer
- Music Department
Tomas Milian, an American actor born in Cuba; was trained at the Actors Studio. He appeared in a few plays on Broadway, as well as in a show by Jean Cocteau in Spoleto. Mauro Bolognini noticed him and that was the starting point of a rich cinematographic career in Italy, where he played in all manner of genres. He interpreted a mad psychopath in The Ugly Ones (1966) (aka "Bounty Killer"), a role he would then improve and diversify into an impressive gallery of neurotic and sadistic killers, first in "spaghetti westerns" (many directed by Sergio Corbucci), and then in violent action and police thrillers (many directed by Umberto Lenzi). His films gradually evolved into action comedies, as he played the recurrent characters of thief "Er Monnezza" and cop Nico Giraldi (the latter being originally based on the lead character in Serpico (1973)), two typically Roman characters who enjoyed great popularity in the '70s and '80s.- Actress
- Soundtrack
Lola Jean Albright was born on July 20, 1924 in Akron, Ohio, the daughter of John Paul Albright and Marion Harvey, both of whom were gospel singers. She worked as a model before moving to Hollywood in the mid-1940s, studied piano for 20 years and worked as a receptionist at radio station WAKR in Akron. Considered one of the most stylish, sultriest and beautiful actresses in Hollywood, with one of the throatiest, smokiest and most distinctive voices in the business, she starred with Kirk Douglas in the film noir Champion (1949). From 1958 to 1961, she played sultry nightclub singer Edie Hart on the popular television series Peter Gunn (1958).
She also made guest appearances on the television series Gunsmoke (1955), Bonanza (1959), Alfred Hitchcock Presents (1955), The Beverly Hillbillies (1962) and The Man from U.N.C.L.E. (1964). She played Constance McKenzie on the night-time soap opera Peyton Place (1964) after Dorothy Malone became sick and could no longer play the role. She received critical acclaim for her performances in A Cold Wind in August (1961), Joy House (1964) and How I Spent My Summer Vacation (1967). Retired from acting, Lola Albright died at age 92 on March 23, 2017 in Toluca Lake, California.- Director
- Writer
- Second Unit Director or Assistant Director
Giorgio Capitani was born on 29 December 1927 in Paris, Île-de-France, France. He was a director and writer, known for Il maresciallo Rocca (1996), Mussolini's Daughter (2005) and Il piccolo vetraio (1955). He died on 25 March 2017 in Viterbo, Lazio, Italy.- Writer
- Actress
- Additional Crew
Jean Rouverol was born on 8 July 1916 in St. Louis, Missouri, USA. She was a writer and actress, known for It's a Gift (1934), Bar 20 Rides Again (1935) and Guiding Light (1952). She was married to Hugo Butler. She died on 24 March 2017 in Wingdale, New York, USA.- Music Department
- Composer
- Additional Crew
Alessandro Alessandroni was born in Rome. He came to fame for playing the guitar and "the whistle" theme on Sergio Leone's A Fistful of Dollars (1964) on music composed by Ennio Morricone. Alessandroni started playing at age 11. When still a teenager, he formed a band playing in several venues in Italy and he was already fond of guitar, piano, sax, flute and other instruments. After graduating from the Conservatory in Rome, he was discovered by Nino Rota who wanted him in his orchestra. Already known within Cinecittà for his whistling ability, he was called by Morricone to work on "A Fistfull of Dollars". Their collaboration continued on For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966) and _Once Upon a Time in the West (1968)_. Always in 1968, Alessandroni was called by composer Piero Umiliani to perform on _Sweden: Heaven and Hell (1968)_. For the movie, Alessandroni, together with his wife Giulia, provided the vocals for the song "Mah Nà Mah Nà" that became instantly both a hit and a catchphrase and it has since been often used in several sketches worldwide like in The Red Skelton Hour (1951), Sesame Street (1969), The Muppet Show (1976), The Benny Hill Show (1969).- Actress
- Soundtrack
Born in Austria to a French mother and a German father, young Christine Kaufmann conquered the hearts of post-war German movie audiences in movies like Der schweigende Engel (1954), Ein Herz schlägt für Erika (1956) and, most famously, Rosen-Resli (1954). Discovered at the tender age of six, Christine was soon the breadwinner for her family. This quickly changed when puberty destroyed her blooming career as "the sweet innocent child" in West Germany. Her ambitious mother, by now Christine's manager, relocated to Rome with her. In Italy, her Lolita-like qualities were appreciated and used in movies like The Last Days of Pompeii (1959) in which, at age 13, she played the love-interest of "Mr. Universe" Steve Reeves (then 32). Due to her hard work as a child (between 1952 and 1959 she starred in 18 films!), she was never able to attend school; yet, by the age of 14, young Christine was fluent in German, French, Italian, Spanish and English.
In 1959, Christine headed to London to audition for the role of Karen in Exodus (1960). Director Otto Preminger chose Jill Haworth over Kaufmann but was still so impressed with her that he recommended her for a substantial part in Gottfried Reinhardt's courtroom drama Town Without Pity (1961). The movie, which starred Kirk Douglas, E.G. Marshall and Robert Blake, became an international success and earned Kaufmann a Golden Globe as Most Promising Newcomer. After a string of rather forgettable movies in West Germany, France, and Italy, she flew to Argentina to co-star alongside Yul Brynner and Tony Curtis in Taras Bulba (1962). Curtis, who was already 36, fell immediately for the 16-year-old German starlet, left his wife Janet Leigh and his two daughters and started to live with Christine in both Europe and in Los Angeles. (In the US, they had to keep their relationship on the DL because Christine was still underage and therefore jail bait.) Shortly after her 18th birthday, Curtis and Kaufmann got married in Las Vegas. Kirk Douglas was their best man. One of Curtis' demands was that she would retire from acting after the wedding, and Christine gladly acquiesced to his request; actually she had been dreaming of retiring since her success with Rosen-Resli (1954) which had ended her once-peaceful childhood abruptly. She later claimed that she'd never really been interested in becoming an actress in the first place and was more or less forced into it by her parents: "I was an obedient girl and wanted to make my mother happy, so I simply did what I was being told. Unfortunately, once you are famous, there's no way back, and since I didn't have a formal school education, I could not fulfill my dream of studying archaeology and art history."
Her last movie, a droll comedy titled Wild and Wonderful (1964), was released in June 1964 to mixed reviews. In July, she gave birth to her first daughter, Alexandra Curtis. Christine was 19. Two years later, a second daughter, Allegra Curtis, arrived. Her husband, who already had two daughters with his first wife, had wanted a son and was unable to hide his disappointment. By late 1966, Tony Curtis was pretty much spending his time with other women, while Christine, living the life of a 40-year-old Hollywood matron at the age of 20, was slowly growing up. In 1968, she left Curtis and filed for divorce in Mexico, because she didn't want any of his money. She took her daughters and moved back to Europe.
By the early 1970s, Christine worked steadily in theatre, on TV and occasionally in movies: "I worked with discipline, but without any interest." Art house directors like Werner Schroeter, Percy Adlon, and Rainer Werner Fassbinder cast her in sometimes interesting, but mostly forgettable movies. In 1971, she did another American movie (filmed in Madrid), the tepid, too-artsy-for-its-own-good Murders in the Rue Morgue (1971) with Jason Robards and Herbert Lom, and in 1987 she was offered a wonderfully written part in Bagdad Cafe (1987) with Marianne Sägebrecht, CCH Pounder and Jack Palance which became one of the most enchantingly beautiful movies of the decade. But Christine's real passion belonged to the theatre where she acted under maverick directors like Peter Zadek and Michael Bogdanov.
She made a lasting impression on German television with her hilariously witty portrayal of Olga Behrens in Monaco Franze - Der ewige Stenz (1983), written by Patrick Süskind.
In the 1990s, now approaching 50, Christine took up writing, publishing several books on beauty, health, and fame, including three autobiographies. She also became a business woman with her own line of cosmetics which made her a fairly wealthy woman. Generous as she was, she financed (with the help of ex-stepdaughter Jamie Lee Curtis) her grandchildren's education.
After Curtis, Christine Kaufmann re-married three times, all marriages ending in divorce. She lived all over the world, including five years in Morocco. In March 2017, shortly after her 72nd birthday, Christine died of leukemia (like her mother) in Munich. She wanted to be buried next to her mother and grandmother in Vernon, just outside Paris, a wish that was granted by her older brother and her daughters.- Actor
- Writer
- Director
His career began with a bit part at Skansenteatern in Hjalmar Bergman's play 'Markurells i Wadköping' in 1955. The following year he debuted in the movie Swing it, fröken (1956) playing against Alice Babs. He got speech lessons from actress Sif Ruud and worked behind the camera in his father's and Ingmar Bergman's movies. He applied for acting studies at the Royal Dramatic Theatre but failed, but went on to act at Stockholms Stadsteater instead. He also met his first wife, Fatima Ekman whom he married in secret. During the 1960s and 1970s he made a lot of work together with 'Hasseåtage', Hans Alfredson and Tage Danielsson as well as many plays for Sveriges Television. For TV he created the chaplinesque figure 'Papphammar'. During the 1980s his fame grew even bigger with the successes in the movies about 'Jönssonligan', starting with Beware of the Jonsson Gang! (1981). He has also shown his talent both in dramas and criminal fiction, such as the movies about criminal inspector Martin Beck, for example in _Polis polis potatismos (1993)_.- Renate Schroeter was born on 27 September 1939 in Berlin, Germany. She was an actress, known for The Lacemaker (1977), Die Kleinbürger (1969) and Haus Herzenstod (1964). She died on 3 April 2017 in Freiburg im Breisgau, Baden-Württemberg, Germany.
- Actor
- Writer
- Soundtrack
Donald Jay Rickles was born May 8, 1926 in New York. Following the Golden Era of Hollywood, he remained active until early 2017. He got his start in night clubs, toiling for over 20 years, until 1958, when he made his film debut in Run Silent Run Deep (1958). The movie was a big hit. Afterward, Rickles continued acting, starring in films like X: The Man with the X-Ray Eyes (1963), Bikini Beach (1964), Enter Laughing (1967), and Kelly's Heroes (1970). In 1973, Don became a regular on Dean Martin's Celebrity Roasts.
From 1973-84, he appeared frequently on Dean's show, paying tribute to some of his friends, like Bob Hope, Frank Sinatra, Lucille Ball, and was even the roast master on the roast for Dean Martin himself. In 1976, he had his own TV series CPO Sharkey (1976), which enjoyed a two year run. After 1984, he slowed down, appearing in a few minor film roles. In 1995, he made a comeback, appearing with Tom Hanks and Tim Allen in Toy Story (1995) in the role of the grouchy Mr. Potato Head. In 1999, he returned as Mr. Potato Head in Toy Story 2 (1999). He died on April 6, 2017, in Los Angeles, California, aged 90. He is interred at Mount Sinai Memorial Park in Los Angeles, California, in the Courts of Tanach.- Actor
- Additional Crew
A familiar patrician-looking face both here and abroad, blue-eyed, fair-haired classical stage and TV actor Tim Pigott-Smith, the son of a journalist, was born on in Rugby, Warwickshire, on May 13, 1946. The Britisher attended King Edward VI School in Stratford-upon-Avon, graduated from Bristol University in 1967, and then receiving his acting training at the Bristol Old Vic Theatre School. In later years, he would return to Bristol University as a lecturer.
Tim made his professional debut in 1969 with the Bristol Old Vic under the stage name of "Tim Smith" and was predominantly a stage player in both regional and repertory companies. He focused quite strongly on Shakespeare and Greek plays and went on to play Balthazar in "Much Ado About Nothing" for the Prospect touring company as well as Posthumus in a 1974 production of "Cymbeline" for the Royal Shakespeare Company. He made his Broadway debut that same year in "Sherlock Holmes" as Dr. Watson opposite John Wood. Over the years, he would act alongside most of England's grande dame royalty including Judi Dench, Helen Mirren, Geraldine James, Margaret Tyzack, Peggy Ashcroft, Maggie Smith and Penelope Wilton.
A charming, distinguished presence on stage, Tim was invited by an ailing Anthony Quayle to take over the running of the Compass theatre company founded by him in 1984 and served as its artistic director from 1989-1992. A theatre director as well ("Hamlet," and "A Royal Hunt of the Sun"), he would take several Shakespearean classics later to BBC-TV. He, in fact, started his small screen career in secondary Shakespeare roles as Laertes in Hamlet (1970) opposite Ian McKellen in the title role and Proculeius in Antony and Cleopatra (1974) starring Richard Johnson and Janet Suzman. He transitioned into more prominent BBC roles with his Angelo in Measure for Measure (1979) and Hotspur in Henry IV Part I (1979).
Aside from Tim's theatre work, quality TV remained an extremely successful venue for decades with impressive performances in such prestigious min-series as North & South (1975), The Glittering Prizes (1976), The Lost Boys (1978), Danger UXB (1979), Winston Churchill: The Wilderness Years (1981), Fame Is the Spur (1982), I Remember Nelson (1982), The Jewel in the Crown (1984) (BAFTA-TV as sadistic villain Ronald Merrick) and The Challenge (1986). He enjoyed recurring roles on the TV series Doctor Who (1963), Hannah (1980) and regular roles in the short-lived comedy Struggle (1983), the drama The Chief (1990) and with The Vice (1999). His mellifluous voice was also popular on many BBC radio productions, in audio books, as well as serving as a narrator on such documentary series as Crimes That Shook the World (2006) and Doomsday: World War I (2013)
Film work began in the 1970's but remained far and few and less distinguished with his minor participation in Aces High (1976), Joseph Andrews (1977), Sweet William (1980), Clash of the Titans (1981), Richard's Things (1980), Victory (1981) and The Remains of the Day (1993). He did enjoy a prime role in the nuclear drama A State of Emergency (1985) starring opposite Martin Sheen and Peter Firth.
Pigott-Smith remained a strong, vibrant present on the stage throughout his career. In later years, he played in such contemporary plays as "Benefactors" (1984), "Coming in to Land" (1987) opposite Ms. Smith and "Amadeus" as composer Salieri. He also portrayed Leontes in "The Winter's Tale" (1988) and scored critical acclaim in the 1999 version of "The Iceman Cometh" (both London and Broadway) and with Ms. Mirren in an over four-hour production of "Mourning Becomes Electra." Into the millennium, he was seen in "Julius Caesar" (as Cassius, 2001), "A Christmas Carol" (as Scrooge, 2002), "Women Beware Women" (2006), "Enron" (2009), "Educating Rita" (2010), "A Delicate Balance" (2011), "King Lear" (title role, 2011), "The Tempest" (as Prospero, 2012), the Chorus in "Henry V" in 2013, and earned both Olivier and Tony nominations here and abroad for his powerful portrayal of King Charles III (2015). Tim became an RSC Associate Artist in 2012, and served on both the RSC board (from 2005 until 2011) and as a governor from 2005 until his retirement in 2016.
On film in later years, he often appeared in official high-ranking parts. His list of movies include Martin Scorsese's Gangs of New York (2002), The Four Feathers (2002), the historical Greek biopic Alexander (2004) starring Colin Farrell, V for Vendetta (2005), Flyboys (2006), Quantum of Solace (2008), Alice in Wonderland (2010), RED 2 (2013), Jupiter Ascending (2015) and Whisky Galore (2016). He also graced such TV shows as "Downtown Abbey" and recreated his stage triumph in the title role of King Charles III (2017) which earned him a second BAFTA-TV nomination.
Tim was in rehearsals for an upcoming stage performance of "Death of a Salesman" as Willy Loman in London when he died suddenly of natural causes on April 7, 2017, at age 70. He was survived by his actress wife Pamela Miles and their son Tom Pigott Smith, a concert/studio violinist.- Peter Hansen was born on 5 December 1921 in Oakland, California, USA. He was an actor, known for General Hospital (1963), The War of the Roses (1989) and When Worlds Collide (1951). He was married to Florence Elizabeth (Betty) Moe. He died on 9 April 2017 in Santa Clarita, California, USA.
- Actor
- Writer
- Additional Crew
Charlie Murphy was born on 12 July 1959 in Brooklyn, New York City, New York, USA. He was an actor and writer, known for Norbit (2007), Night at the Museum (2006) and Chappelle's Show (2003). He was married to Tisha Taylor Murphy. He died on 12 April 2017 in Manhattan, New York City, New York, USA.- Cinematographer
- Director
- Actor
Michael Ballhaus was a German cinematographer. He worked on many American films, including Baby It's You (1983), Old Enough (1984), After Hours (1985), The Color of Money (1986), The Last Temptation of Christ (1988), Goodfellas (1990), Dracula (1992), The Age of Innocence (1993), Gangs of New York (2002), and The Departed (2006).
Ballhaus was nominated three times for the Academy Award for Best Cinematography, for Broadcast News (1987), The Fabulous Baker Boys (1989), and Gangs of New York (2002), but never won.
His son Florian Ballhaus is also a cinematographer who worked on Flightplan (2005) and The Devil Wears Prada (2006).
Ballhaus died on 11 April 2017, at the age of 81.- Blustery, stocky, loud although often genial character actor who has created a niche for himself playing often frustrated and fast talking Southern characters... most noticeably as Sheriff J.W. Pepper alongside Roger Moore in the James Bond adventures Live and Let Die (1973) and The Man with the Golden Gun (1974).
He may have perfected a Southern drawl, however Clifton James was actually born on May 29, 1921 in Spokane, Washington. A graduate of the Actors Studio, he regularly appeared in guest roles on television series, including Gunsmoke (1955), Bonanza (1959) and The Virginian (1962). He was also busy in the cinema with minor roles in classy productions, such as Cool Hand Luke (1967), Will Penny (1967) and The New Centurions (1972). After his 007 escapades, James remained busy putting in a great dramatic performance in The Deadly Tower (1975), played another loud-mouthed Sheriff in the action comedy Silver Streak (1976) and was superb as team owner Charles Comiskey in the dramatization of the 1919 Chicago White Sox scandal, Eight Men Out (1988).
His other roles include that of a wealthy Montana baron whose cattle are being rustled in Rancho Deluxe (1975), and as the source who tips off a newspaper reporter (Bruce Willis) to a potentially explosive story in The Bonfire of the Vanities (1990). He had been quieter in his later years, but showed he could still contribute an enjoyable performance in the wonderful John Sayles movie Sunshine State (2002). James died at age 96 from complications of diabetes at his home in Gladstone, Oregon on April 15, 2017. - Producer
- Actor
J.C. Spink was born in 1973 in Philadelphia, Pennsylvania, USA. He was a producer and actor, known for A History of Violence (2005), I Am Number Four (2011) and The Butterfly Effect (2004). He died on 18 April 2017 in West Hollywood, California, USA.- Actor
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Cuba Gooding was born on 27 April 1944 in New York City, New York, USA. He was an actor, known for Sudden Death (1985), Thank God It's Friday (1978) and Children of the Struggle (1999). He was married to Shirley Sullivan and Gail Barbara Harris. He died on 20 April 2017 in Woodland Hills, California, USA.- Yvonne Thérèse Marie Camille Bedat de Monlaur was born in France, the daughter of a French poet and a Russian ballerina and pianist. As a youngster she was trained for ballet and in her late teens worked as a model for Elle fashion magazine. By the mid-1950's, she also began appearing in French and Italian films. Her good looks and some positive reviews paved the way to bigger roles towards the end of the decade. With this came increased publicity. In June 1959, she was featured on the cover of the weekly Milanese news publication Tempo. Another Italian paper heralded her as the year's 'most promising actress'.
There are two conflicting accounts as to how Yvonne first came to the attention of Hammer Studio's Head of Production Anthony Hinds: according to one, it was after watching her performance in Avventura a Capri (1959); another claimed that he saw an article of her in a French magazine. Either way, Hinds contacted her in Paris two days later and invited her to England where she was cast in a little-seen television drama, Women in Love (1958). A writer for the Daily Mail described this -- her first credited part in an English language production -- "as bubbly as a glass of champagne".
Yvonne's introduction to the horror genre came via Circus of Horrors (1960), made by Anglo-Amalgamated. She still had some difficulties with English but recalled receiving some benevolent mentoring from her co-star Anton Diffring (who, on screen, specialised in rather non-philanthropic types). Next came the role for which she is perhaps best remembered: that of French teacher Marianne Danielle, the heroine and potential 'tasty morsel' of The Brides of Dracula (1960). Filmed at Hammer's Bray Studio, director Terence Fisher did his best to provide suspense since the plot lacked any genuine semblance to originality. Indeed, Christopher Lee had refused to play the vampire for fear of being typecast and the role of Dracula descendant Baron Meinster fell instead to little-known David Peel, while Peter Cushing returned in the familiar guise of Van Helsing.
The Terror of the Tongs (1961) provided the finale of Yvonne's brief sojourn in Britain. First-billed Christopher Lee was particularly effective as Chung King, evil head of a Hong Kong-based Red Dragon crime gang. So much so, that he managed afterwards to secure the lucrative part of supervillain Fu Manchu in a series of four pictures made from 1965 to 1968. Yvonne was cast as a Eurasian girl (ironically named Lee), and had invisible adhesive strips mounted either side of her face to give her eyes an Asian appearance. Michael R. Pitts, in his book "Columbia Pictures, Horror, Science Fiction and Fantasy Films, 1928-1982", regards both Lee and Monlaur as the picture's highlights.
At the end of 1961, Yvonne returned to the continent and went on to appear for the rest of the decade in an assortment of Italian and French films of varying merit: some comedies, a swashbuckler, even a couple of the ever-popular crime potboilers, featuring Eddie Constantine as Lemmy Caution or Nick Carter. Her last outing was in a 1969 made-for-television homage to French music hall, doing a rendition of grand chanteuse Mistinguett's hit 'C'est vrais'. The following year she retired from the screen 'for personal reasons' and lived most of her remaining life in Paris, occasionally attending film festivals and conventions. - Actor
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Gustavo Rojo was born on 5 September 1923 in Montevideo, Uruguay. He was an actor and director, known for Caesar Against the Pirates (1962), The Valley of Gwangi (1969) and The Evil Forest (1952). He was married to Erika Remberg, Mercedes Castellanos and Carmela Stein. He died on 22 April 2017 in Mexico City, Mexico.- Actress
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Born in Burbank, California, USA on October 18, 1960, Erin Moran was the youngest daughter of Sharon and Edward Moran, who have five other children. She attended Walter Reed Junior High School for one year and North Hollywood High School for another year. Her first professional acting job was in a TV commercial. She played Richie Cunningham's baby sister, Joanie Cunningham, on ABC's Happy Days (1974); however, this was not Erin's first major TV series. She was a regular on the series, Daktari (1966). She has also made guest appearances on TV series such as The Waltons (1972), Family Affair (1966), My Three Sons (1960), The Courtship of Eddie's Father (1969), Gunsmoke (1955), The Smith Family (1971), and The F.B.I. (1965).
Erin Moran has worked on feature films with Debbie Reynolds in How Sweet It Is! (1968), with Godfrey Cambridge in Watermelon Man (1970), and with Wayne Newton in 80 Steps to Jonah (1969).
Like many other child actors, Erin had difficulty finding roles as an adult. Following the cancellation of Happy Days (1974) in 1984, she made occasional guest appearances on scripted and reality shows. She eventually moved away from Hollywood after her home was foreclosed on.
On April 22, 2017, she died in Corydon, Indiana, where she had been living with her husband of 23 years; she was 56 years old.- Writer
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Enrico Medioli was born on 17 March 1925 in Parma, Emilia-Romagna, Italy. He was a writer, known for The Leopard (1963), Rocco and His Brothers (1960) and The Damned (1969). He died on 21 April 2017 in Orvieto, Umbria, Italy.- William Hjortsberg was born on 23 February 1941 in New York City, New York, USA. He was a writer, known for Legend (1985), Angel Heart (1987) and Thunder and Lightning (1977). He was married to Margaret Jane Camp, Sharon Leroy and Marian Souidee Renken. He died on 22 April 2017 in Livingston, Montana, USA.
- Kathleen Crowley represented her home state of New Jersey in the Miss America pageant in 1949, placed sixth and (with the scholarship money she won) enrolled at the American Academy of Dramatic Art in New York. She played the plum title roles in prestigious TV productions of A Star Is Born (1951) and Jane Eyre (1951), caught the eye of Hollywood and became a 20th Century-Fox contractee in 1952. Freelancing after leaving the studio, she kept busy in feature films (mostly Westerns and horror/sci-fi titles) and TV. Crowley turned up at film conventions in Memphis, Baltimore and New Jersey before her death in 2017.
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Jonathan Demme was born on 22 February 1944 in Baldwin, Long Island, New York, USA. He was a director and producer, known for The Silence of the Lambs (1991), Rachel Getting Married (2008) and Philadelphia (1993). He was married to Joanne Howard and Evelyn Purcell. He died on 26 April 2017 in Manhattan, New York City, New York, USA.- Writer
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Pierre Gaspard-Huit was born on 29 November 1917 in Libourne, Gironde, France. He was a writer and director, known for Scorching Sands (1963), Le capitaine Fracasse (1961) and The Leatherstocking Tales (1969). He was married to Claudine Auger. He died on 1 May 2017 in Paris, France.- Moray Watson was born on 25 June 1928 in Sunningdale, Berkshire, England, UK. He was an actor, known for The Quatermass Experiment (1953), No Wreath for the General (1960) and Nobody's Perfect (1980). He was married to Pam Marmont. He died on 2 May 2017 in Hillingdon, London, England, UK.
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Lukas Ammann was born on 29 September 1912 in Basel, Switzerland. He was an actor and director, known for Hast noch der Söhne ja...? (1959), Bel-Ami Der Frauenheld von Paris (1955) and Bel Ami (1955). He was married to Liselotte Ebnet, Hedda Ippen and Hertha Heger. He died on 3 May 2017 in Munich, Bavaria, Germany.- Actor
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Victor Lanoux was born on 18 June 1936 in Paris, France. He was an actor and writer, known for Cousin, Cousine (1975), National Lampoon's European Vacation (1985) and Pardon Mon Affaire (1976). He was married to Véronique Langlois and Nicole. He died on 4 May 2017 in Vaux-sur-Mer, Charente-Maritime, France.- Actress
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Stylish, slender-framed, raven-haired Daliah Lavi was made for alluring, exotic types and princess roles with her mesmerizing beauty, chiseled cheek bones and long, flowing mane. The Israeli actress first became a star in Europe before making a dent in Hollywood as part of a wave of knockout foreign star imports that flooded Hollywood during the mid 1960s -- Claudia Cardinale, Julie Christie, Jeanne Moreau, Liv Ullmann, Melina Mercouri, Ursula Andress, Jacqueline Bisset, Romy Schneider, Elke Sommer, Senta Berger, Rosanna Schiaffino, Geneviève Bujold, Capucine, Shirley Eaton, Sylva Koscina, Barbara Bouchet, Susannah York, Rita Tushingham, Monica Vitti, Vanessa Redgrave and her sister Lynn Redgrave, and Catherine Deneuve and her sister Françoise Dorléac. Like most of the others, Daliah was to be viewed as a viable sex symbol contender. In her case, she found decorative, second-tier notice via tongue-in-cheek spy spoofs, crime mysteries, erotic thrillers and rugged adventures. In retrospect, she may have fallen short of the illustrious Hollywood pedestal, but she did create a fine, if brief, stir.
She was born Daliah Levenbuch in the Moshav Shavey Zion, in the British Mandate of Palestine on October 12, 1942. The daughter of Reuben and Ruth Lewinbuk (or Levenbuch), who were of German-Jewish and Polish-Jewish descent, she was sent as a child to Stockholm, Sweden in the early 1950s to train in dance. She made her first film there at age 13 in the drama Hemsöborna (1955) playing the daughter of a professor. Her start in films was interrupted when she returned to Israeli following her father's death and joined the Israeli Army.
Following this period, she returned to acting and, being fluent in many European languages, began to figure in prominently with a host of French, Italian, German and English productions, often as a co-star. Such early films include a starring role in the German/Israeli co-production Brennender Sand (1960); the classic Voltaire comedy Candide or The Optimism in the 20th Century (1960) co-starring as Cunegonde alongside Jean-Pierre Cassel in the title role; and the Martine Carol drama Un soir sur la plage (1961). She continued to build up a strong European film reputation with the war drama No Time for Ecstasy (1961) co-starring Peter van Eyck; the mystery crime The Return of Dr. Mabuse (1961) starring Gert Fröbe and post-Tarzan Lex Barker; and made her American movie debut (earning a Golden Globe "Newcomer" Award in the process) as the second femme lead in the Kirk Douglas starer Two Weeks in Another Town (1962), directed by Vincente Minnelli.
Daliah gained considerable ground enhancing and beautifying such foreign movie product as the ensemble French crime mystery Le jeu de la vérité (1961) (aka The Game of Truth); the German comedy satire Das schwarz-weiß-rote Himmelbett (1962); the title role of a sultry peasant girl accused of being a witch in the Italian/French co-production Il demonio (1963) (aka The Demon); the European western action film Old Shatterhand (1964) starring U.S. imports Lex Barker and Guy Madison; the continental costumed adventure Cyrano et d'Artagnan (1964) starring José Ferrer and Jean-Pierre Cassel as Cyrano and D'Artagnan; the German comedy thriller They're Too Much (1965) starring Curd Jürgens, and the one of the ensemble suspects in the internationally cast whodunit Ten Little Indians (1965).
The actress hit her height of international popularity with four popular English/US-based films: as "The Girl" in the epic adventure Lord Jim (1965) starring Peter O'Toole and James Mason; as Princess Natasha in the spy comedy The Spy with a Cold Nose (1966) opposite Laurence Harvey; an alluring double agent in the first Matt Helm entry The Silencers (1966) starring Dean Martin; and as a sexy enemy weapon in the phantasmagorical Bondian spoof Casino Royale (1967), starring Peter Sellers and an all-star international cast. The last-mentioned film, in particular, had American male audiences taking major notice.
Decked out in tight mini-skirts, thigh-high go-go boots and a helmet of black hair, Daliah fit in perfectly with the times, a swinging, gorgeous chick of the psychedelic 60s. She quickly lost momentum, however, cast in such overlooked films as Those Fantastic Flying Fools (1967), The High Commissioner (1968) and Some Girls Do (1969). Her final film would be in the western comedy Catlow (1971) starring Yul Brynner.
In the 1970s Daliah pursued a singing career in Germany after being discovered by record producer Jimmy Bowien. A popular draw, she had a few hit songs and covered many international songwriters and artists. She was also glimpsed again on German television in the 90s for a brief spell. Daliah died on May 3, 2017, in North Carolina. Her fourth husband of 40 years, Charles Gans, survived her, along with four children, including her son Alex Gans who follow in her footsteps in film as a film editor, producer and director.- Actor
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Andreas von der Meden was born on 10 January 1943 in Hamburg, Germany. He was an actor, known for Sonderdezernat K1 (1972), Masters of the Universe (1984) and Hamburg Transit (1970). He was married to Brigitte Böttrich. He died on 26 April 2017 in Hamburg, Germany.- Actor
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Don Gordon was born on 13 November 1926 in Los Angeles, California, USA. He was an actor and writer, known for The Towering Inferno (1974), Papillon (1973) and Bullitt (1968). He was married to Denise Farr, Bek Nelson, Nita Talbot and Helen Westcott. He died on 24 April 2017 in Los Angeles, California, USA.- Actor
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Michael Parks is known as an actor's actor by his peers with a breadth of astonishing range that has allowed him to portray stunning contrasts--sometimes in the same film, like in Tusk (2014), starring in dual roles as an erudite serial killer opposite Justin Long, and as a feeble rube opposite Johnny Depp. In Kill Bill: Vol. 1 (2003) and Kill Bill: Vol. 2 (2004). Parks portrayed spot-on contrasting roles as Texas Ranger Earl McGraw and the heavily accented Esteban Vihaio opposite Uma Thurman. Writers/directors, including Kevin Smith and Quentin Tarantino, wrote roles specifically for Parks, claiming all they need to do is "turn on the camera" to elicit a masterful performance.
Parks has played in more than 100 films and TV shows over a 50-year career. He started as a contract player in 1961 with the portrayal of the nephew of the character George MacMichael on the ABC sitcom The Real McCoys (1957). He played Adam in John Huston's 1966 movie The Bible in the Beginning... (1966). His other early roles includes appearances in two NBC series: Too Many Strangers (1962) as "Larry Wilcox" and as "Dr. Mark Reynolds" in Pressure Breakdown (1963). He also starred in The China Lake Murders (1990) and Stranger by Night (1994), playing a police officer in both.
From 1969-70 he starred in the series Then Came Bronson (1969), in which he was the only recurring character. He sang the theme song for the show, "Long Lonesome Highway", which became a #20 Billboard Hot 100 and #41 Hot Country Songs hit. Albums he recorded under MGM Records (the label of the studio which produced the series) include "Closing The Gap" (1969)," Long Lonesome Highway" (1970) and "Blue". He also had various records of songs included on these albums. He played Philip Colby during the second season (1986-87) of ABC's Dynasty (1981) spin-off series The Colbys (1985). He played the antagonist Irish mob boss Tommy O'Shea in Death Wish: The Face of Death (1994) (1994), French-Canadian drug runner Jean Renault in the ABC television series Twin Peaks (1990), Dr. Banyard in Deceiver (1997), Texas Ranger Earl McGraw in From Dusk Till Dawn (1996) and Ambrose Bierce in From Dusk Till Dawn 3: The Hangman's Daughter (1999). After playing Earl McGraw in the "Kill Bill" film series he reprised the role in both segments of the film Grindhouse (2007). In Red State (2011) as villain Abin Cooper, quoting the Bible and issuing homicidal directives in the same gently insinuating voice, Parks plays a disturbingly soft-spoken psycho making the talk all the more convincing and scary with his brilliant delivery affecting a folksy "down-home" accent , knowing just how to modulate his remarks for maximum effect; most reviewers agreed with "Hollywood Reporter" writer Todd McCarthy that he is mesmerizing as he spews Cooper's hate in a way that brooks no argument . In "Tusk" as Howard Howe, a real-life ancient mariner (a role Kevin Smith tailor-made for him), "Parks has such light in his eyes, fire in his belly and a mellifluous purr in his voice" that "Variety" wrote, "it would probably be a pleasure to watch him recite the Manitoba phone book".- Actor
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Curt Lowens was born on 17 November 1925 in Allenstein, East Prussia, Germany [now Olsztyn, Warminsko-Mazurskie, Poland]. He was an actor, known for Angels & Demons (2009), The Bourne Supremacy (2004) and Flightplan (2005). He was married to Katherine Guilford. He died on 8 May 2017 in Beverly Hills, Los Angeles, California, USA.- Born Leeds, England and trained at Old Vic Theatre School, 1947-1949. First stage appearance in "Tough at the Top" (C.B. Cochran's last musical) in 1949, followed by seasons at the Shakespeare Memorial Theatre, Stratford-upon-Avon; Glasgow Citizen's and Birmingham Repertory Theatre. First in London's West End in "The Happy Time" (1952) and more recently in "Worzel Gummidge", "A Month of Sundays", "Maria" and "Unfinished Business". Overseas: played Caesar in "Caesar and Cleopatra" (International Festival, Paris, 1956); Ravinia Shakespeare Festival (Chicago, 1964); Pickering in "My Fair Lady" (Houston, 1991). In 1998 he was nominated as "Best Actor" for the Royal Midland Television Awards for his role as Alby James in an episode of Peak Practice (1993).
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Incisive, gravelly-voiced screen tough guy Powers Boothe was born on June 1, 1948 in Snyder, Texas, a sharecropper's son. Used to hard physical work "chopping cotton" as a youngster, he went on to become the first member of his family to attend university. He then proceeded to study acting via a fellowship with Southern Methodist University and graduated with a degree in Fine Arts. His performing career began in repertory with the Oregon Shakespeare Festival.
In 1974, Boothe arrived in New York after theatrical stints in Connecticut and Philadelphia. It took another five years before he made his breakthrough on Broadway as a swaggering Texas cowboy in James McLure's comedy play "Lone Star". His Emmy-winning performance as Reverend Jim Jones in the miniseries Guyana Tragedy: The Story of Jim Jones (1980) led to a permanent move to Los Angeles. Lucrative screen offers followed and Boothe became firmly established as a leading actor after being well cast as Raymond Chandler's hard-boiled Philip Marlowe, Private Eye (1983), HBO's first drama series, set in 1930s Los Angeles.
Though his portfolio of characters would eventually comprise assorted sheriffs, military brass and FBI agents, Boothe appreciated the indisputable fact that bad guys were often the "last in people's minds" and playing them could be "more fun". Arguably, his most convincing (and oddly likeable) villain was snarling gunslinger Curly Bill Brocius, confronting the Earps in Tombstone (1993). He went on to tackle such complex characters as White House Chief of Staff Alexander Haig in Oliver Stone's Nixon (1995), hawkish Vice President Noah Daniels on 24 (2001) and industrialist power broker Lamar Wyatt in Nashville (2012).
One of his best remembered roles remains that of Cy Tolliver, the (fictional) owner of the (historical) Bella Union saloon and brothel, chief nemesis of Al Swearingen on HBO's Deadwood (2004). Boothe particularly enjoyed his lengthy soliloquies which reminded him of his time on the Shakespearean stage. The tall Texan with the penetrating eyes was rather gleefully (and enjoyably) over-the-top fiendish as Senator Roark in the post film noir Sin City: A Dame to Kill For (2014) and managed (at least near the end) to inject some humanity into the role of Gideon Malick, the sinister head of HYDRA, in Marvel's Agents of S.H.I.E.L.D. (2013).
As is so often the case with actors of the 'hard-boiled school', Boothe has often been described as the very antithesis of the characters he essayed on screen. Sin City director Robert Rodriguez fittingly eulogised him as "a towering Texas gentleman and world class artist". Powers Boothe died in his sleep, in Los Angeles, at age 68 on the morning of May 14, 2017 of a heart attack after battling pancreatic cancer for six months.- Producer
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Edwin Sherin was born on 15 January 1930 in Harrisburg, Pennsylvania, USA. He was a producer and director, known for Law & Order (1990), Homicide: Life on the Street (1993) and Law & Order: Special Victims Unit (1999). He was married to Jane Alexander and Pamela Nichol Vevers. He died on 4 May 2017 in Lockport, Nova Scotia, Canada.- Producer
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Douglas Netter was born on 21 May 1921 in Seattle, Washington, USA. He was a producer and director, known for The Wild West (1993), Hypernauts (1996) and The Ambushers (1967). He died on 10 May 2017.- Director
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Claus Peter Witt was born on 24 March 1932 in Berlin, Germany. He was a director and writer, known for The Great British Train Robbery (1966), Intercontinental Express (1964) and Hamburg Transit (1970). He was married to Lilly Scherdin and Eva Zlonitzky. He died on 8 May 2017 in Hamburg, Germany.- Actor
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Gunnar Möller was born on 1 July 1928 in Berlin, Germany. He was an actor, known for Mussolini: The Untold Story (1985), Die Post geht ab (1962) and Dny zrady (1973). He was married to Christiane Hammacher and Brigitte Rau. He died on 16 May 2017 in Berlin, Germany.- Actor
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Roger Moore will perhaps always be remembered as the man who replaced Sean Connery in the James Bond series, arguably something he never lived down.
Roger George Moore was born on October 14, 1927 in Stockwell, London, England, the son of Lillian (Pope) and George Alfred Moore, a policeman. His mother was born in Calcutta, India, to a British family. Roger first wanted to be an artist, but got into films full time after becoming an extra in the late 1940s. He came to the United States in 1953. Suave, extremely handsome, and an excellent actor, he received a contract with Metro-Goldwyn-Mayer. His initial foray met with mixed success, with movies like Diane (1956) and Interrupted Melody (1955), as well as The Last Time I Saw Paris (1954).
Moore went into television in the 1950s on series such as Ivanhoe (1958) and The Alaskans (1959), but probably received the most recognition from Maverick (1957), as cousin Beau. He received his big breakthrough, at least internationally, as The Saint (1962). The series made him a superstar and he became very successful thereafter. Moore ended his run as the Saint, and was one of the premier stars of the world, but he was not catching on in America. In an attempt to change this, he agreed to star with Tony Curtis on ITC's The Persuaders! (1971), but although hugely popular in Europe, it did not catch on in the United States and was canceled. Just prior to making the series, he starred in The Man Who Haunted Himself (1970), which proved there was far more to Moore than the light-hearted roles he had previously accepted.
He was next offered and accepted the role of James Bond, and once audiences got used to the change of style from Connery's portrayal, they also accepted him. Live and Let Die (1973), his first Bond movie, grossed more outside of America than Diamonds Are Forever (1971); Connery's last outing as James Bond. He went on to star in another six Bond films, before bowing out after A View to a Kill (1985). He was age 57 at the time the film was made and was looking a little too old for Bond - it was possibly one film too many. In between times, there had been more success with appearances in films such as That Lucky Touch (1975), Shout at the Devil (1976), The Wild Geese (1978), Escape to Athena (1979) and North Sea Hijack (1980).
Despite his fame from the Bond films and many others, the United States never completely took to him until he starred in The Cannonball Run (1981) alongside Burt Reynolds, a success there. After relinquishing his role as Bond, his work load tended to diminish a little, though he did star in the American box office flop Feuer, Eis & Dynamit (1990), as well as the comedy Bullseye! (1990), with Michael Caine. He did the overlooked comedy Bed & Breakfast (1991), as well as the television movie The Man Who Wouldn't Die (1994), and then the major Jean-Claude Van Damme flop The Quest (1996). Moore then took second rate roles such as Spice World (1997), and the American television series The Dream Team (1999). Although his film work slowed down, he was still in the public eye, be it appearing on television chat shows or hosting documentaries.
Roger Moore was appointed Commander of the Order of the British Empire on December 31, 1998 in the New Years Honours for services to UNICEF, and was promoted to Knight Commander of the same order on June 14, 2003 in the Queen's Birthday Honours for services to the charities UNICEF and Kiwanis International.
Roger Moore died of cancer on 23 May, 2017, in Switzerland. He was 89.- Actress
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It would have been pretty difficult for willowy actress/model Dina Merrill to have pulled off playing a commoner on stage, film or TV in her day. She reeked of elegance and class. The epitome of style, poise and glamour, the New York-born socialite and celebrity was born Nedenia Marjorie Hutton on December 29, 1923, the daughter of E.F. Hutton, the financier and founder of the Wall Street firm that bore his name, and heiress Marjorie Merriweather Post, of the Post cereal fortune. Although Dina made elegant, elaborate use of her upbringing over the decades, she handled it all positively and graciously without tabloid incidents, instilling these same refined credentials into a large portion of her characters.
Dina did not originally intend on an acting career. After studying at George Washington University, she suddenly dropped out after only a year (to the chagrin of her disapproving parents) after demonstrating a late desire to perform. Enrolling at the American Academy of Dramatic Arts and studying with Uta Hagen among others, Dina appeared in the comedy "The Man Who Came to Dinner" before taking her first Broadway curtain call in "The Mermaids Singing" in 1945. She took some time off to play wife and mother to three children after marrying Stanley Rumbough, Jr., heir to the Colgate toothpaste fortune.
Dina finally made an official film debut with a smart and stylish support role in the Spencer Tracy/Katharine Hepburn vehicle Desk Set (1957). She continued to charm in the same upper crust vein playing some version of the model wife or blue-blooded maven in frequent posh outings. Some of her more noticeable roles came with Operation Petticoat (1959) with the equally classy Cary Grant; BUtterfield 8 (1960) starring Elizabeth Taylor and Laurence Harvey; and The Young Savages (1961) opposite Burt Lancaster.
Following her divorce to Rumbough after 20 years, Dina married ruggedly handsome actor Cliff Robertson in 1966. The pair had one daughter and were a popular Hollywood fixture for nearly 20 years. With her film career on the wane in the mid 1960's, Dina gravitated toward TV guest spots on such popular shows as "Dr. Kildare," "Alfred Hitchcock Presents," "Burke's Law," "Rawhide," "Daktari," "Bonanza," "Daniel Boone," "Batman" (as the villainous "Calamity Jan" alongside Robertson's western bad guy "Shame"), "The Name of the Game," "The Virginian," "Night Gallery," "Marcus Welby," "The Love Boat" and "The Odd Couple." She also graced a number of TV-movie dramas beginning with The Sunshine Patriot (1968) co-starring husband Robertson and Seven in Darkness (1969) (as a blind survivor of a plane crash), and continuing with The Lonely Profession (1969), Mr. and Mrs. Bo Jo Jones (1971), Family Flight (1972), The Letters (1973), The Tenth Month (1979), and a featured part in the mini-series sequel Roots: The Next Generations (1979).
Dina returned to Broadway as the co-star of the drama "Angel Street" (1975) and again with the revival of the musical "On Your Toes" in which she played "Peggy Porterfield" in both the 1983 Broadway revival and 1986 national tour. In the same year that Dina divorced second husband Cliff Robertson (1989), she married actor/investment banker Ted Hartley. Together the couple bought RKO Studios and renamed it RKO Pavilion. He serves as chairman and she vice chairperson/creative director. The studio produced such popular efforts as Milk & Money (1996) and the remake of Mighty Joe Young (1998).
Admired for her tireless philanthropic contributions, Dina was a moderate Republican (vice chair of the Republican Pro-Choice Coalition), and an active lobbyist for women's health issues. She also devoted much time working for the disadvantaged, particularly for the New York City Mission Society. She remained active and was an avid tennis and golf player for quite some time. Broaching age 90, the ever-glamorous actress appeared in a summer stock production of "Only a Kingdom" (2004) and continued to appear in occasional movie and television productions until developing dementia. Dina died on May 22, 2017, at age 93, survived by her third husband.- Fritz Lichtenhahn was born on 6 May 1932 in Arosa, Switzerland. He was an actor, known for Alle Jahre wieder: Die Familie Semmeling (1976), Group Portrait with a Lady (1977) and Einmal im Leben - Geschichte eines Eigenheims (1972). He was married to Margrid Jürgensen and Margrid Lichtenhahn. He died on 24 May 2017 in Hamburg, Germany.
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Born in Manhattan, New York to Charles E. Martin, prolific cover artist and cartoonist for the New Yorker magazine, and Florence Taylor, an artist and homemaker; Jared began acting at the age of thirteen when his parents gave him the choice of learning to play the piano or acting in the local children theater group. At 14 he attended Putney school where he continued his interest in theater and discovered sports. At Columbia University he initially expected to take part in the athletic programs, but later opted to focus on acting, as doing both took up too much time. His roommate at Columbia was Brian De Palma. While acting in plays and experimental films at Columbia and Sarah Lawrence College he spent a summer apprenticing with Joseph Papp's Shakespeare in the Park. After graduating college Jared tried the newspaper business, taking a job at the New York Times as copy boy and thumbnail book reviewer for the Sunday edition. Missing theater's excitement he left the Times and joined a summer stock company in Cape May, New Jersey; then spent a season with the Boston classical repertory, and eventually rejoined Papp at his new Public Theater in Manhattan, where he played Laertes in the modern rock-disco Hamlet with Martin Sheen and then Cleavon Little in the title role. He continued acting off-Broadway and made an unreleased film that caught the eye of a casting director at Columbia Pictures, who encouraged him to seek a career in Hollywood. He waited for his break for several years working as bartender, truck driver, and landscaper until becoming visible in various roles during the mid 1970s; notably the cult classic 'Westworld', the martial arts thriller 'Men of the Dragon', and the short lived science-fiction series, The Fantastic Journey co-starring Roddy McDowell and Carl Franklin. He is best known for his role as Steven "Dusty" Farlow, son of Clayton Farlow and boyfriend of Sue Ellen Ewing in the mega-hit Dallas. During and after Dallas he alternated between living in Rome starring in European films; and New York where he studied under Lee Strasberg, performed in Broadway's 'Torch Song Trilogy', and did soap opera (One Life to Live). In 1988 he relocated to Toronto to star in the TV version of War of the Worlds as Dr. Harrison Blackwood. After W.O.W. was canceled in 1991 Jared spent the next 2 1/2 years traveling in Africa and China and working on two novels. In 1994 entrepreneur Jeffrey Seder asked him to direct a film for Mayor Ed Rendell's 'Heroes of the Streets' campaign in Philadelphia. During location shooting he and Seder conceived the idea of a film-production themed educational non-profit to serve Philadelphia's inner city and migrant youth populations. Jared moved to Philadelphia and became BPA's Creative Director for the next 15 years; supervising over 2000 students and producing over 250 student films. He personally directed 30 films, garnering awards from Cine Eagle, Intercom, and the Chicago International Film Festival. After retiring BPA in 2010 Jared has begun another career as a fine arts photographer, studying under the painter Michael David. While in Beijing in 1998 he met Chinese classical dancer Yu Wei. They corresponded for two years and married in 2000. Jared has directed a dozen short films for Wei, who tours extensively. They live in Philadelphia's East Falls area and support a large collection of animals including a tribe of freeloading raccoons. Jared's son Christian is an executive at AETN. His two grandchildren, Charles and Emilia Grace, are busy tearing up the block on Baltic Street in Brooklyn. Martin died from pancreatic cancer on May 24, 2017 at his home in Philadelphia aged 75.- Molly Peters was a gorgeous and voluptuous British blonde bombshell actress and model who alas only appeared in a handful of films and TV shows during her regrettably fleeting acting career in the mid 60s. Molly was born in 1942 in Walsham-le-Willows, Suffolk, England. Peters started out as a model; among the men's magazines she graced the covers of and/or posed in pictorials for are "Playboy," "Modern Man," "Calvalcade," "Beau," "Ace," "Parade," "Best for Men," "Dapper," and "Escapade." Molly achieved her greatest enduring cult cinema popularity with her memorably sensuous portrayal of Patricia Fearing, the fetching masseuse who gets seduced by James Bond at the Shrubland health club in "Thunderball." She was discovered by director Terence Young and has the distinction of being the first Bond girl to be seen taking her clothes off on screen. In the wake of her 007 stint Peters acted in two more movies and popped up on episodes of the TV shows "Armchair Theatre" and "Baker's Half-Dozen." Molly Peters had her acting career abruptly cut short after reportedly having a falling out with her agent.
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Most baby-boomers remember actress Elena Verdugo from her pleasant, plain but rather dowdy Emmy-nominated role as "Consuelo Lopez", the altruistic assistant and sometime aide-de-camp to Robert Young's general practitioner for several seasons on the popular Marcus Welby, M.D. (1969) dramatic series. However, decades before donning her drab white nurse's hat, she was an alluring 40s Universal player who displayed her best assets in their "B" adventure yarns and horror opuses. One who was probably wise to keep a set of hoop earrings nearby at all times, Elena reliably hauled out a reliable number of gypsies, harem dancers, peasant girls, Indian maidens and senoritas over the years before TV instigated the second stretch of her career.
Elena was born April 20, 1925, in Paso Robles, California, and began putting on dance shoes as a kindergartener. At age 6, she made her movie debut in the western Cavalier of the West (1931) starring Harry Carey, but didn't come back to films until her teen years. She nominally provided exotic footwork for such movies as Down Argentine Way (1940) with Betty Grable and Carmen Miranda, the Tyrone Power starrer Blood and Sand (1941), and the war picture To the Shores of Tripoli (1942), among others. She received her first big break featured as the object of desire of George Sanders's impressionist painter Paul Gauguin in The Moon and Sixpence (1942).
Universal used her consistently in the mid- to late-40s, starting her off as the touching and vulnerable gypsy girl "Ilonka" in the multiple monster bash House of Frankenstein (1944) which featured the holy horror trinity of Dracula, the Werewolf and Frankenstein's Monster. A natural blonde who got plenty of wear out of the dark wigs handed to her for these kinds of roles, her best scenes in the movie were with the doomed lycanthropic "Larry Talbot", played by Lon Chaney Jr.. She went on to appear with Chaney again in The Frozen Ghost (1945). While filming the Abbott and Costello comedy Little Giant (1946), she met and married movie writer Charles R. Marion, who also wrote for the comedy duo's radio show. The couple had one son, Richard Marion, who later became an actor/director in his own right. A real trooper despite her stereotype, Elena forged on in nothing-special "easterns" (i.e., Song of Scheherazade (1947); Thief of Damascus (1952)) and westerns (i.e., El Dorado Pass (1948); The Big Sombrero (1949)) playing whatever ethnic the script called for.
Television became a reality in the early 1950s. She found herself in a major sitcom hit playing a Brooklyn-born secretary for four seasons on Meet Millie (1952), initially replacing Audrey Totter in the lead role on radio. Elena retired for a time after this but eventually returned to perform on the occasional musical stage and on the small screen. After her big success as the nurse/receptionist on the "Welby" series, she slowed down considerably, but she and Young did reunite on The Return of Marcus Welby, M.D. (1984), sans the other series' star, James Brolin, a decade later.
Verdugo, who later married psychiatrist Charles Rosey Rosewall after her divorce from writer Marion, has since appeared occasionally at nostalgia-based film/TV conventions. In 1999, she suffered the loss of her only child, actor/director Richard Marion, to a heart attack. He was only 50. She survived her second husband, who died in 2012, by five years, dying at age 92 on May 30, 2017, in Los Angeles.- Proficient in Greek and Latin and self-taught in classic literature, Sonja Sutter was a captivating actress who achieved dramatic depths on both stage and screen during a career which commenced in 1951. A banker's daughter, she had completed a rudimentary education in her home town (Freiburg) where she also made her theatrical debut. She was 'discovered' for the screen by Luis Trenker during an audition for a Heimatfilm and passed along to the director Slatan Dudow who gave her a pivotal role in his post-war drama Frauenschicksale (1952). Affiliated with both East and West German cinema, Sutter then appeared in several prestige pictures, including Das Schweigen im Walde (1955) and Die Barrings (1955). Not until five years later did she get another opportunity to demonstrate her talent as the titular star of Lissy (1957), directed by Konrad Wolf. This anti-fascist drama, chronicling the lives of a working class family in 1930's Berlin under the Nazis, became one of Wolf's most famous films and was also the high point of Sutter's film career. Perhaps too closely identified with a particular type of character, she received fewer film offers from the West in the 60's. The creation of the Berlin Wall effectively ended her association with DEFA. Returning to the stage, Sutter became an ensemble member of the iconic Vienna Burgtheater in 1959. Her tenure with the company lasted four decades, with as many as seventy leading roles to her repertoire. She also regularly performed at the Salzburg Festival, her roles ranging from Strindberg's "Queen Christina" and Schiller's "Intrigue and Love" (Kabale und Liebe) to Gute Werke in Hugo von Hofmannsthal's medieval play "Everyman". Towards the end of her career, she concentrated increasingly on TV work, often guesting as genteel ladies in popular crime shows like Tatort (1970), Derrick (1974) and The Old Fox (1977).
- In 1958, at the age of just seventeen, the beautiful Jose' Greci was chosen by Metro-Goldwyn-Mayer to play the role of the Virgin Mary in "Ben-Hur" which was to be filmed at Cinecitta Studios in Rome, thus assuring her of a great deal of publicity in newsreels and magazines of the day. Although international stardom surprisingly eluded her, she remained busy throughout the 1960s starring in low-budget Italian sword n' sandal epics, spy and crime thrillers and Television work. (See filmography below). Also used the pseudonym Carolyn Davys.
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- Additional Crew
Tino Insana was born on 15 February 1948 in Chicago, Illinois, USA. He was an actor and writer, known for Barnyard (2006), Beverly Hills Cop III (1994) and Masters of Menace (1990). He was married to Dana Moller. He died on 31 May 2017 in Los Angeles, California, USA.- Actor
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- Writer
Peter started off as a junior bank clerk but he had always been interested in the theatre and went every week to the Intimate Theatre in Palmers Green in London which was run by actor John Clements. Serving in the RAF as a radio instructor one of his pupils was Peter Bridge (now a theatre impresario) who later asked him to play David Bliss in his production of 'Hay Fever', He enjoyed the experience so much that he decided to make the theatre his profession.