Famous Stars in "Spartacus" (1960) :The Restored 1991 Version!
The inspirational true account of man's eternal struggle for freedom, "SPARTACUS" combines history with spectacle to create a moving drama of commitment and love.
Director Stanley Kubrick tells the tale of Spartacus (Kirk Douglas), the bold gladiator slave and Virinia (Jean Simmons), the woman who believed in his cause. Challenged by the power-hungrey General Crassus (Laurence Olivier) Spartacus is forced to face his convictions and the power of Imperial Rome at it's glorious height.
The 1991 restoration contains exactly four more minutes of footage than the version that ran in theaters in 1960. Two of those minutes are taken up by the famous "snails and oysters" scene. This scene included a scene where Marcus Licinius Crassus (Laurence Olivier) attempts to seduce Antoninus (Tony Curtis). The Production Code Administration and the Legion of Decency both objected. At one point Geoffrey Shurlock, representing the censors, suggested it would help if the reference in the scene to a preference for oysters or snails was changed to truffles and artichokes. In the end the scene was cut, but it was put back in for the 1991 restoration. However, the soundtrack had been lost in the meantime and the dialogue had to be dubbed. Curtis was able to redo his lines, but Olivier had died. Joan Plowright, his widow, remembered that Anthony Hopkins had done a dead-on impression of Olivier and she mentioned this to the restoration team. They approached Hopkins and he agreed to voice Olivier's lines in that scene. Hopkins is thanked in the credits for the restored version. The rest are scenes of gore and violence--including a more explicit version of the death of Draba (Woody Strode) and a shot of the slicing off of the arm of a Roman soldier (played by real-life amputee Bill Raisch of the "One-Armed Man" of The Fugitive (1963) fame) during the climactic battle scene. The remainder of the longer running time of the restored version is taken up by the Overture, Entr'acte, and Exit Music.
Director Stanley Kubrick tells the tale of Spartacus (Kirk Douglas), the bold gladiator slave and Virinia (Jean Simmons), the woman who believed in his cause. Challenged by the power-hungrey General Crassus (Laurence Olivier) Spartacus is forced to face his convictions and the power of Imperial Rome at it's glorious height.
The 1991 restoration contains exactly four more minutes of footage than the version that ran in theaters in 1960. Two of those minutes are taken up by the famous "snails and oysters" scene. This scene included a scene where Marcus Licinius Crassus (Laurence Olivier) attempts to seduce Antoninus (Tony Curtis). The Production Code Administration and the Legion of Decency both objected. At one point Geoffrey Shurlock, representing the censors, suggested it would help if the reference in the scene to a preference for oysters or snails was changed to truffles and artichokes. In the end the scene was cut, but it was put back in for the 1991 restoration. However, the soundtrack had been lost in the meantime and the dialogue had to be dubbed. Curtis was able to redo his lines, but Olivier had died. Joan Plowright, his widow, remembered that Anthony Hopkins had done a dead-on impression of Olivier and she mentioned this to the restoration team. They approached Hopkins and he agreed to voice Olivier's lines in that scene. Hopkins is thanked in the credits for the restored version. The rest are scenes of gore and violence--including a more explicit version of the death of Draba (Woody Strode) and a shot of the slicing off of the arm of a Roman soldier (played by real-life amputee Bill Raisch of the "One-Armed Man" of The Fugitive (1963) fame) during the climactic battle scene. The remainder of the longer running time of the restored version is taken up by the Overture, Entr'acte, and Exit Music.
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- Actor
- Stunts
Michael Masters was born on 7 August 1929 in Chicago, Illinois, USA. He was an actor, known for Combat! (1962), Emergency! (1972) and The Bob Cummings Show (1955). He died on 2 December 2003 in Arleta, California, USA.Small Role (uncredited)- Joanna Barnes was an American actress and novelist and journalist. Barnes was born in Boston, Massachusetts. She moved to Los Angeles, California soon after finishing her education, and took up a contract with Columbia Pictures. She had roles in more than twenty films and made guest appearances on many television shows, including the ABC/Warner Brothers programs, 77 Sunset Strip (1958) and Maverick (1957), CBS's Have Gun - Will Travel (1957), and the David Janssen crime drama, Richard Diamond, Private Detective (1956). Her books included "The Deceivers" (1970), "Pastora" (1980) and "Silverwood" (1985), and were published in Italy, France, England, Sweden, Portugal and Brazil. Her syndicated column, "Touching Home," was for many years carried by The Chicago Tribune and New York News Syndicate." Claudia Marius"
- Actor
- Stunts
- Producer
Chuck Courtney was born on 23 July 1930 in Los Angeles, California, USA. He was an actor and producer, known for Billy the Kid Versus Dracula (1966), The Rookie (1990) and Pet Sematary (1989). He was married to Geraldine Courtney. He died on 19 January 2000 in North Hollywood, California, USA.Soldier (uncredited)- A big, brawny villain of many 1940s and 1950s films, Ted de Corsia was an actor in touring companies and on radio before making a memorable film debut as the killer in The Lady from Shanghai (1947). Although he occasionally played such sympathetic roles as a judge or prison warden, de Corsia's imposing size, tough New York street demeanor - he was born and raised in Brooklyn - and gravelly voice assured him steady work playing murderous street thugs, outlaw gang leaders or organized-crime bosses. One of his best-remembered roles was as the head of a murder-for-hire gang who turns state's evidence in the Humphrey Bogart crime thriller The Enforcer (1951).Legionnaire (uncredited)
- Actor
- Producer
- Soundtrack
Tony Curtis was born Bernard Schwartz, the eldest of three children of Helen (Klein) and Emanuel Schwartz, Jewish immigrants from Hungary. Curtis himself admits that while he had almost no formal education, he was a student of the "school of hard knocks" and learned from a young age that the only person who ever had his back was himself, so he learned how to take care of both himself and younger brother, Julius. Curtis grew up in poverty, as his father, Emanuel, who worked as a tailor, had the sole responsibility of providing for his entire family on his meager income. This led to constant bickering between Curtis's parents over money, and Curtis began to go to movies as a way of briefly escaping the constant worries of poverty and other family problems. The financial strain of raising two children on a meager income became so tough that in 1935, Curtis's parents decided that their children would have a better life under the care of the state and briefly had Tony and his brother admitted to an orphanage. During this lonely time, the only companion Curtis had was his brother, Julius, and the two became inseparable as they struggled to get used to this new way of life. Weeks later, Curtis's parents came back to reclaim custody of Tony and his brother, but by then Curtis had learned one of life's toughest lessons: the only person you can count on is yourself.
In 1938, shortly before Tony's Bar Mitzvah, tragedy struck when Tony lost the person most important to him when his brother, Julius, was hit by a truck and killed. After that tragedy, Curtis's parents became convinced that a formal education was the best way Tony could avoid the same never-knowing-where-your-next-meal-is-coming-from life that they had known. However, Tony rejected this because he felt that learning about literary classics and algebra wasn't going to advance him in life as much as some real hands-on life experience would. He was to find that real-life experience a few years later, when he enlisted in the navy in 1942. Tony spent over two years getting that life experience doing everything from working as a crewman on a submarine tender, the USS Proteus (AS-19), to honing his future craft as an actor performing as a sailor in a stage play at the Navy Signalman School in Illinois.
In 1945, Curtis was honorably discharged from the navy, and when he realized that the GI Bill would allow him to go to acting school without paying for it, he now saw that his lifelong pipe dream of being an actor might actually be achievable. Curtis auditioned for the New York Dramatic Workshop, and after being accepted on the strength of his audition piece (a scene from "Dr. Jekyll and Mr. Hyde" in pantomime), Curtis enrolled in early 1947. He then began to pay his dues by appearing in a slew of stage productions, including "Twelfth Night" and "Golden Boy". He then connected with a small theatrical agent named Joyce Selznick, who was the niece of film producer David O. Selznick. After seeing his potential, Selznick arranged an interview for Curtis to see David O. Selznick at Universal Studios, where Curtis was offered a seven-year contract. After changing his name to what he saw as an elegant, mysterious moniker--"Tony Curtis" (named after the novel Anthony Adverse (1936) by Hervey Allen and a cousin of his named Janush Kertiz)--Curtis began making a name for himself by appearing in small, offbeat roles in small-budget productions. His first notable performance was a two-minute role in Criss Cross (1949), with Burt Lancaster, in which he makes Lancaster jealous by dancing with Yvonne De Carlo. This offbeat role resulted in Curtis's being typecast as a heavy for the next few years, such as playing a gang member in City Across the River (1949).
Curtis continued to build up a show reel by accepting any paying job, acting in a number of bit-part roles for the next few years. It wasn't until late 1949 that he finally got the chance to demonstrate his acting flair, when he was cast in an important role in an action western, Sierra (1950). On the strength of his performance in that movie, Curtis was finally cast in a big-budget movie, Winchester '73 (1950). While he appears in that movie only very briefly, it was a chance for him to act alongside a Hollywood legend, James Stewart.
As his career developed, Curtis wanted to act in movies that had social relevance, ones that would challenge audiences, so he began to appear in such movies as Spartacus (1960) and The Defiant Ones (1958). He was advised against appearing as the subordinate sidekick in Spartacus (1960), playing second fiddle to the equally famous Kirk Douglas. However, Curtis saw no problem with this because the two had recently acted together in dual leading roles in The Vikings (1958)."Antoninus"
*During the film Laurence Olivier gave Tony Curtis tips on acting to improve his performance, and Curtis gave Olivier tips on bodybuilding to improve his physique.- John Dall was born John Dall Thompson on May 26, 1920, the younger son of Mr. Charles Jenner Thompson and Mrs. Henry (née Worthington) Thompson. He made his Broadway debut in Norman Krasna's comedy, 'Dear Ruth', directed by Moss Hart, in 1944. The show was a hit, running for over a year and a half and 680 performances.
He next appeared on Broadway in Jean-Paul Sartre's 'Red Gloves' in 1948. The show ran for 113 performances. Dall's penultimate stint on Broadway, in the 1950 revival of 'The Heiress', was a flop, closing after 16 performances. He had the role of the callow fortune hunter Morris Townsend, played so memorably by Montgomery Clift in William Wyler's 1949 movie version, The Heiress (1949).
Dall received a Best Supporting Actor Oscar nomination for The Corn Is Green (1945), his debut film. He reached the height of his movie career in 1948, playing one of the two students modeled after the 1920s' thrill killers Leopold & Loeb in Alfred Hitchcock's Rope (1948). Unfortunately for Dall, "Rope" was an interesting flop. The other role for which he is best remembered, the firearms fetishist in Gun Crazy (1950) (originally released as "Deadly is the Female", the name of the short story the movie was based on), earned him a place in the film noir pantheon. It was a B-movie and, like "Rope", also flopped. The only prominent film he appeared in subsequently was Stanley Kubrick-Kirk Douglas' Spartacus (1960) in 1960, which--like "Gun Crazy"--was scripted by Dalton Trumbo.
Dall, whose career started out so promisingly in the 1940s, getting an Oscar nod for his movie debut, never gained any traction. He appeared in only eight movies from 1945 to 1961, though he did many TV acting gigs. He died in 1971, aged 50, of a heart attack due to underlying myocarditis, according to his death certificate."Marcus Publius Glabrus" - Actor
- Producer
- Director
Cleft-chinned, steely-eyed and virile star of international cinema who rose from being "the ragman's son" (the name of his best-selling 1988 autobiography) to become a bona fide superstar, Kirk Douglas, also known as Issur Danielovitch Demsky, was born on December 9, 1916 in Amsterdam, New York. His parents, Bryna (Sanglel) and Herschel Danielovitch, were Jewish immigrants from Chavusy, Mahilyow Voblast (now in Belarus). Although growing up in a poor ghetto, Douglas was a fine student and a keen athlete and wrestled competitively during his time at St. Lawrence University. Professional wrestling helped pay for his studies as did working on the side as a waiter and a bellboy. However, he soon identified an acting scholarship as a way out of his meager existence, and was sufficiently talented to gain entry into the American Academy of Dramatic Arts. He made his Broadway debut in "Spring Again" before his career was interrupted by World War II. He joining the United States Navy in 1941, and then after the end of hostilities in 1945, returned to the theater and some radio work. On the insistence of ex-classmate Lauren Bacall, movie producer Hal B. Wallis screen-tested Douglas and cast him in the lead role in The Strange Love of Martha Ivers (1946). His performance received rave reviews and further work quickly followed, including an appearance in the low-key drama I Walk Alone (1947), the first time he worked alongside fellow future screen legend Burt Lancaster. Such was the strong chemistry between the two that they appeared in seven films together, including the dynamic western Gunfight at the O.K. Corral (1957), the John Frankenheimer political thriller Seven Days in May (1964) and their final pairing in the gangster comedy Tough Guys (1986). Douglas once said about his good friend: "I've finally gotten away from Burt Lancaster. My luck has changed for the better. I've got nice-looking girls in my films now."
After appearing in "I Walk Alone," Douglas scored his first Oscar nomination playing the untrustworthy and opportunistic boxer Midge Kelly in the gripping Champion (1949). The quality of his work continued to garner the attention of critics and he was again nominated for Oscars for his role as a film producer in The Bad and the Beautiful (1952) and as tortured painter Vincent van Gogh in Lust for Life (1956), both directed by Vincente Minnelli. In 1955, Douglas launched his own production company, Bryna Productions, the company behind two pivotal film roles in his career. The first was as French army officer Col. Dax in director Stanley Kubrick's brilliant anti-war epic Paths of Glory (1957). Douglas reunited with Kubrick for yet another epic, the magnificent Spartacus (1960). The film also marked a key turning point in the life of screenwriter Dalton Trumbo, who had been blacklisted during the McCarthy "Red Scare" hysteria in the 1950s. At Douglas' insistence, Trumbo was given on-screen credit for his contributions, which began the dissolution of the infamous blacklisting policies begun almost a decade previously that had destroyed so many careers and lives.
Douglas remained busy throughout the 1960s, starring in many films. He played a rebellious modern-day cowboy in Lonely Are the Brave (1962), acted alongside John Wayne in the World War II story In Harm's Way (1965), again with The Duke in a drama about the Israeli fight for independence, Cast a Giant Shadow (1966), and once more with Wayne in the tongue-in-cheek western The War Wagon (1967). Additionally in 1963, he starred in an onstage production of Ken Kesey's "One Flew Over the Cuckoo's Nest," but despite his keen interest, no Hollywood studio could be convinced to bring the story to the screen. However, the rights remained with the Douglas clan, and Kirk's talented son Michael Douglas finally filmed the tale in 1975, starring Jack Nicholson. Into the 1970s, Douglas wasn't as busy as previous years; however, he starred in some unusual vehicles, including alongside a young Arnold Schwarzenegger in the loopy western comedy The Villain (1979), then with Farrah Fawcett in the sci-fi thriller Saturn 3 (1980) and then he traveled to Australia for the horse opera/drama The Man from Snowy River (1982).
Unknown to many, Kirk has long been involved in humanitarian causes and has been a Goodwill Ambassador for the US State Department since 1963. His efforts were rewarded with the Presidential Medal of Freedom (1981), and with the Jefferson Award (1983). Furthermore, the French honored him with the Chevalier of the Legion of Honor. More recognition followed for his work with the American Cinema Award (1987), the German Golden Kamera Award (1987), The National Board of Reviews Career Achievement Award (1989), an honorary Academy Award (1995), Recipient of the American Film Institute's Lifetime Achievement Award (1999) and the UCLA Medal of Honor (2002). Despite a helicopter crash and a stroke suffered in the 1990s, he remained active and continued to appear in front of the camera. Until his passing on February 5 2020 at the age of 103, he and Olivia de Havilland were the last surviving major stars from the Golden Years of Hollywood."Spartacus"
*Kirk Douglas wanted to play the titular hero in Ben-Hur (1959), but the film's director William Wyler wanted Charlton Heston to play the role. Douglas was then offered the antagonist role of Messala--which was eventually given to Stephen Boyd--but refused to play second banana. In later years Douglas admitted that he made this film as to show Wyler and his company that he could make a Roman epic that could match "Ben-Hur". He once said, "That was what spurred me to do it in a childish way, the 'I'll show them' sort of thing."
* Douglas, as co-producer of the film (through his company, Bryna Productions), insisted on hiring Hollywood Ten blacklisted screenwriter Dalton Trumbo to adapt the film. Douglas also hired blacklisted character actor Peter Brocco to play a supporting role.
*Douglas describes this film as a love story: "Love predominates all through the movie: love between Spartacus and Varinia, love among the men; the whole revolt was based on a love of freedom, a love of humanity."
*In order to get so many big stars to play supporting roles, Kirk Douglas showed each a different script in which their character was emphasized.- Actor
- Stunts
- Soundtrack
An American stuntman who, after more than 30 years in the business, moved into acting and became an acclaimed and respected character actor, Richard Farnsworth was a native of Los Angeles. He grew up around horses and as a teenager was offered an opportunity to ride in films. He appeared in horse-racing scenes and cavalry charges unbilled, first as a general rider and later as a stuntman. His riding and stunting skills gained him regular work doubling stars ranging from Roy Rogers to Gary Cooper, and he often doubled the bad guy as well. Although. like most stuntmen, he was occasionally given a line or two of dialogue, it was not until Farnsworth was over 50 that his natural talent for acting and his ease and warmth before the camera became apparent. When he won an Academy Award nomination for his role in Comes a Horseman (1978), it came as a surprise to many in the industry that this "newcomer" had been around since the 1930s. Farnsworth followed his Oscar nomination with a number of finely wrought performances, including The Grey Fox (1982) and The Natural (1984). In 1999 he came out of semi-retirement for a tour-de-force portrayal in The Straight Story (1999).Salt Mine Slave / Gladiator / Slave General/ Stunts (uncredited)
*Farnsworth and the five other stuntmen who worked for the entire filming also doubled as actors, including playing salt mine slaves, gladiators, and generals in the slave army.- Actress
- Additional Crew
- Director
A leading lady of the 1940s, the tall and blonde Foch usually played cool, aloof and often foreign, women of sophistication. As film roles became harder to find, Foch proved to be versatile in many areas. She was a panelist on several TV quiz shows, worked as George Stevens' assistant director for The Diary of Anne Frank (1959) and directed plays. Since the 1960s, she has been an acting teacher for USC and the American Film Institute."Helena Glabrus"- Actor
- Stunts
Robert Fuller was born in Troy, New York on July 29, 1933 at 1:50 PM and was raised in Key West, Florida. He was an only child and his birth name was Leonard Leroy Lee, but he was nicknamed Buddy Lee by his friends.
Robert started his education at St Mary's in New York and when his mother Betty divorced she took Robert and they moved to Florida where she was nightclub dancer. Robert was put into Miami Military Academy, where he did 5th to 6th grade. After that he spent one year in a standard school. At this time Betty met and married Robert Simpson who was a naval officer and they moved to Chicago for one year then returned to Key West where he attended Robert attended Key West High for 9th grade. (15 years of age). Robert quit school at 9th grade as he did not enjoy school and openly admits he did not do well there. He worked a variety of jobs before moving to Hollywood.
When his mother Betty married Robert Simpson, Robert took the name Robert Simpson Jr. This changed when Robert started acting and he decided he needed a different handle. At the time he had no idea what his name should be but he had a relative with a first name of Fuller and he figured it went well with his name so the handle of Robert Fuller was created. Robert was very close to his step-dad and considered him as a dad rather than a step-dad, so for the remainder of this biography I will refer to him as Robert's dad or father.
Eventually, Betty convinced Robert Simpson to quit the navy. She taught him to dance, and this led to them opening a dance school in Key West. In the daytime his mother taught ballet to the local children and in the evening they both taught ballroom dancing to the hundreds of navy personnel who were stationed in Key West at that time. In 1950 when Robert was just 16 his parents decided to move to Hollywood. Robert's dad became a very accomplished dancer, and had a plan to get into the motion picture business as a dancer, which he did successfully. His dad subsequently changed his name to Robert Cole and danced in almost every musical made between 1950 up to his retirement in 1987. This included working in many top grade musicals such as Oklahoma, Jailhouse Rock, Seven Brides For Seven Brothers and Gentlemen Prefer Blondes in which young Robert Fuller also appeared as a dancer in the chorus line.
After the move to Hollywood Robert had several jobs. The most significant of these was at Graumans Chinese Theatre where he started as a doorman and worked his way up to Assistant Manager. He met a number of people around his own age of 18 years, who were members of the Screen Extras Guild, and they convinced him to join as they were earning significantly more than Robert. This was the start of Robert's journey into acting, and it was then he changed from Robert Simpson Jr to Robert Fuller.
After joining SEG Robert started doing extra work and in 1952 got his first job in the movie Above and Beyond with Robert Taylor. This was followed by extra work in a great many films including Raintree County with Liz Taylor, The Harder They Fall with Humphrey Bogart and The Man In The Grey Flannel Suit with Gregory Peck.
His Dad convinced him to look for jobs as a dancer which he did successfully getting roles in I Love Melvin with Debbie Reynolds, Gentlemen Prefer Blondes with Marilyn Monroe and Latin Lovers with Lana Turner.
In 1953, while the Korean war was on, Robert at the age of 19 was drafted into the United States Army where he served 2 years, 15 months of which was in Korea. His unit was 19th Infantry Regiment and he was chosen 3 times as the outstanding soldier on Guard Mount, a decision based upon appearance, knowledge of military subjects and bearing.
When he returned home in 1955 he decided to give up his career in show business as he did not see any future in it. However his dad, along with his long time pal Chuck Courtney, convinced him to attend Richard Boone's acting class. This was a pivotal move for Robert as the class impressed him so much he changed his mind, decided to stay in show business and take a shot at becoming an actor. After studying with Boone for a year, Boone was impressed enough with Robert's potential that he recommended him to Sanford Meisner who accepted Robert into the New York Neighbourhood Playhouse School Of Theatre. Meisner was a highly respected acting teacher who taught future stars like Gregory Peck, Jon Voight, Robert Duvall, Edmund O'Brien and Grace Kelly. Robert was in good company.
In 1956 came his first speaking part in a movie where he played a union soldier and said to Gary Cooper "Bet you a dollar you can't do that again." The film was "Friendly Persuasion," and not only was it Robert's first talking part in a movie, it was also the first time he worked with his Laramie co-star John Smith. Originally director William Wyler had wanted another actor to play the part Robert was given, however he was unimpressed with the fact the other actor had false sideburns. Robert's sideburns were real and when Wyler saw Robert he called him over and asked him if he could act - Robert said "You Bet." Wyler then said "Say this line - "I bet I can knock down more than you can." Robert repeated the line and Wyler without hesitation said "Give this kid the part."
This was a turning point for Robert and the beginning of a great career.
Following Friendly Persuasion Robert had a number of small speaking parts and then in 1956 came his big break in Teenage Thunder.
To get the part he and his good friend Chuck Courtney staged a fight to convince the Director, Paul Helmick, that he was the man for the part. Originally Helmick had wanted Edd Byrnes but after seeing Chuck and Robert perform Helmick gave the role of bad guy Maurie Weston to Robert. The very same year Robert did another film for the same company that produced Teenage Thunder and again worked with the same production team. This film was the cult science fiction movie "The Brain From Planet Arous" with John Agar. After over 50 years this film is still available on DVD.
This was followed by a part in a science fiction series where he played a bad guy and was killed in the 3rd episode. The name of this series was Outpost In Space.
He spent the next couple of years doing featured and guest star roles in a variety of TV programs mainly westerns.
In February 1959 Robert appeared again with John Smith, this time in a western series called Cimarron City and now Robert's career had progressed to the point where he was getting guest star billing. It was this appearance that led to his being offered the role of Jess Harper in "Laramie."
The story goes as follows;
While filming Cimarron City Robert was summoned to the Vice President of Talent, Patrick Kelly's office. He went there actually thinking he was going to be fired. However Kelly told him that he liked the work he had done in a number of shows over the previous year and wanted him to do a TV series. This was a very exciting prospect for Robert, however excitement soon turned to disappointment when Kelly offered him the second lead in a detective series starring Ray Milland called "Markham" Robert refused the role on the grounds he wanted to do a good western. Kelly was naturally dumbfounded that his offer was being refused but he accepted Robert's decision and Robert left his office. Then a couple of weeks later Robert was summoned again to Patrick Kelly's office. This time he offered Robert a part in a new 30 minute western called Laramie. Robert was delighted and read the script and loved it, but again things were about to turn awkward. Kelly offered Robert the role of Slim Sherman - Robert wanted the part of Jess Harper!!! So again Kelly found himself being refused. He explained to Robert that the role of Jess had already been given to John Smith who was already under contract with Revue. Yet again Robert stuck to his guns and again the two men parted without agreement. Robert left Patrick Kelly's office thinking that was the end of his career - you don't turn down those opportunities once let alone twice! However there was a twist - The very same day Robert's agent called him to say that he was required to test for the part of Jess Harper. The next day he was given the role that he wanted so much, a role that was truly made for him, a role that would make him an international star and transform his life.
John Smith was given the role of Slim Sherman and hindsight shows that these were the right roles for each of them. Robert Fuller WAS Jess Harper and John Smith WAS Slim Sherman. Had that role change not happened then Laramie would not have worked anywhere near as well as it did. Over the next 4 years Robert immortalized the character of Jess Harper and gained millions of fans worldwide. Robert said of this role that it was the best part he ever had.
In December 1962, while Laramie was still at its peak Robert married Patty Lyon.
Laramie ran from 1959-1963 and from there Robert went straight into "Wagon Train" as chief scout Cooper Smith. Coop was a less volatile character than Jess Harper and Robert played him very differently. The move into Wagon Train gave Robert the opportunity to work with some of the best stars in the business, people like John McIntire, Robert Ryan, Ernest Borgnine and Rhonda Fleming.
When "Wagon Train" finished in 1965, Robert moved onto the big screen, and in 1966 got his first starring role in a movie. This was the western "Incident At Phantom Hill" where he was re-united with his close friend Dan Duryea, a man for whom Robert had the greatest respect, and who had made a couple of guest spots in Laramie. It was an all action western where Robert's character Matt Martin had many of the characteristics of Jess Harper. Also in 1966 Robert was given second billing to Yul Brynner in the sequel to "The Magnificent Seven," a film aptly titled "Return Of The Seven." He was so busy in 66 that for the filming of Return Of The Seven they had to shoot around him while he was in Munich for the premiere of "Incident At Phantom Hill."
The character of Vin he portrayed in "Seven" was the part previously occupied by Steve McQueen who had now gone on to become a superstar. McQueen was not offered the role in the sequel because it is likely that if he had been in the film then Yul Brynner would not. The stories of Brynner's less than cordial relationship with McQueen are now legendary. With Robert it was very different and he and Yul got along very well, and in fact remained close friends until Brynner died in 1985.
Robert remained busy doing movies in Germany, Israel and the States over the next few years, then in 1970 he made one of his best ever movies "The Hard Ride." This was a stunning film about a Vietnam vet, Phil Duncan who brought his dead buddy's body home and sets out to find his buddy's old biker friends to get them to attend the funeral. This was Robert Fuller at his best and while there were good performances he carried the film. Today you can still buy the soundtrack and the DVD.
Jack Webb saw Robert's performance in "The Hard Ride" and decided he wanted him to star in a new TV medical drama series called Emergency. Robert was grateful for the offer but did not want to play a doctor and he told Webb so. But Webb was determined and finally persuaded Robert to take the part. True, it was a departure from the action roles his fans were so used to, but Emergency was a major television success which ran for 7 years and resulted in another generation of fans - the show continues to be very popular still. Over 30 years after it ended there was an Emergency re-union which was attended by most of the stars plus fans from all over the world. Robert's old friend John Smith appeared in a couple of episodes playing a Fire Captain.
Since then Robert has been very busy in a wide variety of roles, sometimes to the delight of his fans, he returns to the western genre.
Robert's marriage to Patty Lyon ended in 1984 after 22 years. They had 3 children Robert, Christine and Patrick. Robert later married the lovely Jennifer Savidge who played Nurse Lucy in "St Elsewhere" and appeared regularly in the hit TV series JAG.
Robert's last performance was playing 2 roles in the final episode of Walker Texas Ranger. He played Ranger Wade Harper, who was a descendant of Jess Harper, and an old west Town Sheriff. Robert retired after that show and it is fitting that his final part was in a western role.
In July 2004 Robert and Jennifer re-located from Los Angeles to Texas where they now live on a beautiful ranch. He still enjoys his lifelong passions of fishing and shooting and he now has more time to enjoy them.
Despite being retired he attends a number of western festivals each year where he spends a lot of time with his fans who have stayed loyal for over 60 years. Indeed at the National Festival Of the West in Phoenix Robert hosted many private parties with his fans where he would sit for hours talking to them and enjoying telling stories of his time in show business. It is testament to the talent and personality of Robert Fuller that fans still travel from the four corners of the earth just to spend a couple of days with him at the Festivals he attends. He has always loved his fans and that remains true today. He still has an international fan club - The Robert Fuller Fandom.
Robert Fuller has had a long and very successful career which is proven by the awards he has received. Look at this!
1961 - Best Actor Award in Japan 1961 - Japanese Golden Order Of Merit - awarded to him by the Empress of Japan. Robert was the first American to receive this award 1970 - Best Actor in Germany. Robert actually won 5 Ottos which are German awards that are the equivalent of the Emmy. 1970 - Buffalo Bill Award for outstanding western entertainment. 1975 - Star on the Hollywood Walk Of Fame 1989 - Golden Boot Award 2002 - Honoree Kanab Western Legends Roundup 2004 - Cowboy Spirit Award - National Festival Of The West, Phoenix October 2007 - Silver Spur Award April 2008 - Inducted into the National Cowboy & Western Heritage Museum, Oklahoma, Hall Of Great Western PerformersExtra (uncredited)- Actor
- Soundtrack
John Gavin, the American film and TV actor, businessman and diplomat who was Ronald Reagan's first Ambassador to Mexico, was born Juan Vincent Apablasa in Los Angeles, California.
The future "Jack" Gavin was a fifth-generation Angeleno, the son of Delia Diana Pablos and Juan Vincent Apablasa, and was of Mexican, Chilean, and Spanish ancestry, a descendant of early landowners in Spanish California and the powerful Pablos family of the Mexican state of Sonora. His stepfather was Herald Ray Golenor. John had a fluency in Spanish that aided him in his career in diplomacy. He graduated with honors from Stanford University, majoring in Latin American economic history. "Law, Latin America and diplomacy were my early interests," Gavin later remembered. Too young to participate in World War II, he did serve in the military during the Korean Conflict. He was commissioned an officer in the U.S. Navy in 1952, where he served in naval air intelligence until his 1955 discharge. After his hitch in the Navy, Universal -- the home studio of 6'5" heartthrob Rock Hudson, who was on his way to becoming the top box office star in America -- offered the 6'4" Gavin a screen-test and a contract with the studio. Studio bosses always liked internal competition to keep the pressure on their major stars; Metro-Goldwyn-Mayer signed Robert Taylor as a young backup to the King of Hollywood Clark Gable, and similarly, Gavin was positioned as the "next Rock Hudson".
Tall, dark and handsome, Gavin debuted in Behind the High Wall (1956), and three years later, in 1959, he had his first major lead in Douglas Sirk's remake of Imitation of Life (1959) opposite Lana Turner. Sirk, whose Ross Hunter-produced melodramas of the mid-1950's made Hudson a superstar, first directed Gavin in the role of a German soldier in his adaptation of Erich Maria Remarque's A Time to Love and a Time to Die (1958) the year before. Imitation of Life (1959), which was produced by Ross Hunter in his typical lavish style, was a huge hit. Gavin was on the road to becoming a major Hudson-style heart-throb, it seemed.
The following year, Gavin achieved cinematic immortality by appearing in two classics in supporting roles, as Sam Loomis in Alfred Hitchcock's Psycho (1960) and as Julius Caesar in Stanley Kubrick's Spartacus (1960). Of Psycho (1960) and Spartacus (1960), he has said, "I didn't have an inkling they would be classics. Had I realized that, perhaps I would have paid more attention." The momentum of his cinema career petered out after appearing opposite Susan Hayward in the 1961 remake of Fannie Hurst's Back Street (1961), though he did move on to star in two television series during the 1960s, Destry (1964) and Convoy (1965). Both series were produced by companies that were subsidiaries of the Universal-M.C.A., Revue Studios and Universal TV, created by the legendary agent and studio boss Lew Wasserman, the éminence grise behind Ronald Reagan's movie, TV and political careers. More importantly, in 1961, he was appointed special adviser to the secretary general of the Organization of American States, a position he held until 1973. He also performed task-group work for the Department of State and the Executive Office of the President. From 1966 to 1973, he also served on the board of the Screen Actors Guild and was guild president from 1971-1973. For the next eight years, he was engaged in business activities, many of which took him to Mexico and other Latin American countries. The producers of the James Bond series signed him to replace George Lazenby as James Bond in Diamonds Are Forever (1971), until they convinced Sean Connery to reprise the role with a $1 million charitable contribution and a $1 million salary. Thus, Gavin lost out on what could have been his career break into the big-time. However, he did not lament the loss of the role. If he had been a more successful actor, it "might have prevented me from fulfilling my real childhood dream: to be U.S. ambassador to Mexico."
During the 1970s, Gavin made some more movies, toured in summer stock in a production of The Fantasticks (Gavin has a fine baritone voice), and appeared on Broadway and in the touring show of the musical Seesaw (1973). He ended the decade by starring in TV mini-series Doctors' Private Lives (1979); he left show business to pursue business interests. The 1980s brought America a new president, and on May 7, 1981, Republican Gavin was appointed Ambassador to Mexico by President Reagan, serving until June 10, 1986. The American diplomatic mission in Mexico, one of the largest in the world, employed more than 1,000 American and Mexican employees tasked by over a dozen U.S. government agencies in consulates and offices throughout Mexico.
Gavin married the former stage and television actress Constance Towers in 1974. Each partner had two children from previous marriages. Gavin's daughter, Christina Gavin, followed in his footsteps and became an actress.
Since leaving government service, Gavin has become a successful businessman and civic leader, co-founding and managing successful ventures in the U.S. and Latin America. In 1986, Gavin was named president of Univisa Satellite Communications, a subsidiary of Univisa, Inc. He is founder/chairman of Gamma Holdings and serves on the boards of Apex Mortgage Capital, International Wire Holdings, and KKFC. Inc, and is a trustee and director of certain Merrill Lynch mutual funds. He is also a member of the Latin America Strategy Board of Hicks, Muse, Tate & Furst. Previously he was a managing director and partner of Hicks, Muse, Tate & Furst (Latin America) as well as a director of Atlantic Richfield (where he had served as vice president of federal and international relations). He also served on the boards of Dresser Industries, Claxson and several other major corporations. Gavin also serves on the boards of several non-profit corporations, pro bono, including The Anderson Graduate School of Management at UCLA, Loyola Marymount University, and the California Community Foundation. Gavin also is a member of the Congressional Policy Advisory Board as a defense and foreign policy expert.
Gavin served as founding Chairman and Chief Executive Officer of The Century Council's from May 1991 until December 1994, then served on the Council's Advisory Board until 1996. The Century Council, a non-profit organization dedicated to fighting alcohol abuse, focuses on drunk driving and underage drinking problems and is supported by America's leading distillers.
John died on February 9, 2018 in Beverly Hills."Julius Caesar"
*Julius Caesar's subplot (defecting from Gracchus to Crassus) was far more prominent in Stanley Kubrick's original cut.- Actor
- Writer
- Composer
Ideal for playing swarthy villains, James Griffith's tall, dark and gaunt features and shady countenance invaded hundreds of film and TV dramas (and a few comedies) throughout his career on-camera. Highlighted by his arched brows, hooded eyes and prominent proboscis, heavy character work would be his largest source of income for nearly four decades.
He was born James J. Griffith, of Welsh ancestry, on February 13, 1916, in Los Angeles. He and sister Dorothy were raised in the Santa Monica area. An early interest in music led to his learning to play several instruments, including the clarinet and saxophone. He got his first taste of entertaining audiences by performing in local bands while arranging music for them as well. An interest in acting came about participating in school plays and continued when he found parts to play in small theatre houses in such productions as "They Can't Get You Down" in 1939.
Unable to consistently pay the bills, however, Griffith found steadier work at Douglas Aircraft in Santa Monica. Enlisting in the Marine Corps. in 1941, he served his country until 1947. Eventually married with a newborn, a chance meeting with bandleader Spike Jones while working as a gas station attendant led to a six month traveling gig with Jones' City Slicker Band playing tenor saxophone.
Griffith finally broke into "B" films with a smarmy but showy role as an insurance agent in the murder drama Blonde Ice (1948). He continued to sniff out work in both drama and occasional comedy usually as unsympathetic or shady characters, sometimes billed and sometimes not. Some of his bigger, noteworthy parts in the early years came with the pictures Alaska Patrol (1949), Indian Territory (1950) and Double Deal (1950). He also took on some famous and infamous figures of history as in Fighting Man of the Plains (1949) (as William Quantrill), Day of Triumph (1954) (as Judas Iscariot), Jesse James vs. the Daltons (1954) (as outlaw Bob Dalton), The Law vs. Billy the Kid (1954) (as Pat Garrett), and Masterson of Kansas (1954) as Doc Holliday. He provided the voice of Abraham Lincoln in the Rod Cameron western Stage to Tucson (1950).
TV took much of the mustachioed actor's time from the 1950s on, notably in westerns such as "The Lone Ranger," "Annie Oakley," "Gunsmoke," "The Big Valley," "Bonanza," "Death Valley Days," "The Gene Autry Show," "Wagon Train," "Rawhide," "Maverick," "Little House on the Prairie," "B.J. and the Bear" and "Dallas." Elsewhere on the small screen he played cold-hearted villains twice on "Batman" in support of the nefarious Ma Parker and Catwoman. Not to be pegged in just oaters, he also appeared in less dusty TV fare such as "The Streets of San Francisco," "Fantasy Island" and Emergency!" Griffith made his final acting appearance on a 1984 "Trapper John" episode.
A gifted raconteur, his later years were spent writing theatre plays and movie scripts, and attending film festivals. Two of his earlier movie scripts that found releases were Russ Meyer's Lorna (1964) (in which he also appeared), Shalako (1968) and Catlow (1971). Griffith died of cancer on September 17, 1993, at age 77."Otho" (uncredited)- Jack Grinnage was born on 20 January 1931 in Los Angeles, California, USA. He is an actor, known for Rebel Without a Cause (1955), Kolchak: The Night Stalker (1974) and Wolf Larsen (1958).Petitioner (uncredited)
- Actor
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- Producer
Anthony Hopkins was born on December 31, 1937, in Margam, Wales, to Muriel Anne (Yeats) and Richard Arthur Hopkins, a baker. His parents were both of half Welsh and half English descent. Influenced by Richard Burton, he decided to study at College of Music and Drama and graduated in 1957. In 1965, he moved to London and joined the National Theatre, invited by Laurence Olivier, who could see the talent in Hopkins. In 1967, he made his first film for television, A Flea in Her Ear (1967).
From this moment on, he enjoyed a successful career in cinema and television. In 1968, he worked on The Lion in Winter (1968) with Timothy Dalton. Many successes came later, and Hopkins' remarkable acting style reached the four corners of the world. In 1977, he appeared in two major films: A Bridge Too Far (1977) with James Caan, Gene Hackman, Sean Connery, Michael Caine, Elliott Gould and Laurence Olivier, and Maximilian Schell. In 1980, he worked on The Elephant Man (1980). Two good television literature adaptations followed: Othello (1981) and The Hunchback of Notre Dame (1982). In 1987 he was awarded with the Commander of the order of the British Empire. This year was also important in his cinematic life, with 84 Charing Cross Road (1987), acclaimed by specialists. In 1993, he was knighted.
In the 1990s, Hopkins acted in movies like Desperate Hours (1990) and Howards End (1992), The Remains of the Day (1993) (nominee for the Oscar), Legends of the Fall (1994), Nixon (1995) (nominee for the Oscar), Surviving Picasso (1996), Amistad (1997) (nominee for the Oscar), The Mask of Zorro (1998), Meet Joe Black (1998) and Instinct (1999). His most remarkable film, however, was The Silence of the Lambs (1991), for which he won the Oscar for Best Actor. He also got a B.A.F.T.A. for this role."Crassus" (voice only)
*The original version included a scene where Marcus Licinius Crassus (Laurence Olivier) attempts to seduce Antoninus (Tony Curtis). The Production Code Administration and the Legion of Decency both objected. At one point Geoffrey Shurlock, representing the censors, suggested it would help if the reference in the scene to a preference for oysters or snails was changed to truffles and artichokes. In the end the scene was cut, but it was put back in for the 1991 restoration. However, the soundtrack had been lost in the meantime and the dialogue had to be dubbed. Curtis was able to redo his lines, but Olivier had died. Joan Plowright, his widow, remembered that Anthony Hopkins had done a dead-on impression of Olivier and she mentioned this to the restoration team. They approached Hopkins and he agreed to voice Olivier's lines in that scene. Hopkins is thanked in the credits for the restored version.- Actor
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- Producer
John Hoyt was born on 5 October 1905 in Bronxville, New York, USA. He was an actor and writer, known for When Worlds Collide (1951), Spartacus (1960) and Brute Force (1947). He was married to Dorothy Marion Oltman and Marion Virginia Burns. He died on 15 September 1991 in Santa Cruz, California, USA."Caius"- Actor
- Director
- Producer
Born in Canada, John Ireland was raised in New York. Performing as a swimmer in a water carnival, he moved into the legitimate theater, often appearing in minor roles in Broadway plays. His first big break in pictures came in 1945 when he appeared as Windy the introspective letter-writing G.I. in the classic war epic A Walk in the Sun (1945). Ireland was then often featured (mostly as a heavy) in several films. In 1949, he was nominated for best supporting actor for his role as the reporter in All the King's Men (1949). During the early 1950s, Ireland often starred as the emoting, brooding hero, almost exclusively in "B" pictures. In 1953, with his son Peter Ireland and wife, Joanne Dru, Ireland co-produced and co-directed the western mini-classic Hannah Lee: An American Primitive (1953) (aka Outlaw Territory). From the mid-'50s on. he appeared mainly in Italian "quickie" features and showed up occasionally in supporting roles in major pictures (Spartacus (1960)). Occasionally, his name was mentioned in tabloids of the times, in connection with young starlets, namely Natalie Wood and Sue Lyon. He was to play the role of the patriarch on the Ponderosa in Bonanza: The Next Generation (1988) but the series was not picked up. In addition to Hannah Lee: An American Primitive (1953), his best work was in Little Big Horn (1951) and The Bushwhackers (1951). In his later years, he owned and operated a tiny restaurant, Ireland's, in Santa Barbara, California."Crixus"
*In reality, Spartacus' chief lieutenant Crixus broke from him and led a large faction of his army on a desultory march against Rome. Dalton Trumbo's original script depicted this, but either Kirk Douglas or Stanley Kubrick removed it from the final film, where Crixus is a loyal follower.- Stunts
- Actor
- Additional Crew
One of the key figures in the development of modern cinematic stunt design, improved safety procedures and co-founder of the Stuntmen's Association of Motion Pictures & Televsion, Loren Janes ranks alongside Dar Robinson, Hal Needham and Yakima Canutt for his contributions to movie stunt work.
James has lent his athletic skills to many amazing stunt sequences in over 130 feature films, and has doubled for some of Hollywood's biggest stars including Paul Newman, Steve McQueen, Jack Nicholson and even Debbie Reynolds in a career spanning nearly half a century. He has contributed his talents to such spectacular films as The Ten Commandments (1956), Spartacus (1960), The Magnificent Seven (1960), Planet of the Apes (1968), The Towering Inferno (1974) and Beverly Hills Cop (1984). Ruggedly handsome, Janes has also had minor acting roles in over a dozen Hollywood feature films.
In 2001, well known western actor L.Q. Jones presented Loren Janes with the Golden Boot Award for his lifetime contribution to the western film genre.Salt Mine Slave / Gladiator / Slave General (uncredited)- Actor
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- Producer
Charles Laughton was born in Scarborough, Yorkshire, England, to Eliza (Conlon) and Robert Laughton, hotel keepers of Irish and English descent, respectively. He was educated at Stonyhurst (a highly esteemed Jesuit college in England) and at the Royal Academy of Dramatic Art (received gold medal). His first appearance on stage was in 1926. Laughton formed own film company, Mayflower Pictures Corp., with Erich Pommer, in 1937. He became an American citizen 1950. A consummate artist, Laughton achieved great success on stage and film, with many staged readings (particularly of George Bernard Shaw) to his credit. Laughton died in Hollywood, California, aged 63."Gracchus"
*Laughton's prima donna behavior aggravated everyone. It included such things as storming off the set and threatening to sue Kirk Douglas for trimming his part.
*Laughton and Olivier much like their characters, were longtime rivals and barely on speaking terms.
*Some four minutes of the film are lost, because of Universal's mishandling of its film prints in the 1970s. These scenes relate to the character of Gracchus, including a scene where he commits suicide. The audio tracks of these scenes have survived.- Actor
- Additional Crew
- Soundtrack
Herbert Lom was born on September 11, 1917 as Herbert Charles Angelo Kuchacevich ze Schluderpacheru into an aristocratic family living in genteel poverty. His incredibly long surnames led him to select the shortest surname he could find extant ("Lom") and adopt it as his own, professionally. He made his film debut in the Czech film Woman Below the Cross (1937) and played supporting and, occasionally, lead roles. His career picked up in the 1940s and he played, among other roles, Napoleon Bonaparte in The Young Mr. Pitt (1942) and in War and Peace (1956). In a rare starring role, Lom played twin trapeze artists in Dual Alibi (1947). He continued into the 1950s with roles opposite Alec Guinness and Peter Sellers in The Ladykillers (1955), and Robert Mitchum, Jack Lemmon and Rita Hayworth in Fire Down Below (1957). His career really took off in the 1960s and he got the title role in Hammer Films' production of The Phantom of the Opera (1962). He also played "Captain Nemo" in Mysterious Island (1961) and landed supporting parts in El Cid (1961) and an especially showy role in Spartacus (1960) as a pirate chieftain contracted to transport Spartacus' army away from Italy.
The 1960s was also the decade in which Lom secured the role for which he will always be remembered: Clouseau/Peter Sellers' long-suffering boss, Commissioner Charles Dreyfus, in the "Pink Panther" films, in which he pulled off the not-inconsiderable feat of stealing almost every scene he and Sellers were in--a real accomplishment, considering what a veteran scene-stealer Sellers was. However, Lom did not concentrate solely on feature films. He became a familiar face to British television viewers when he starred as Dr. Roger Corder in The Human Jungle (1963). He moved into horror films in the 1970s, with parts in Asylum (1972) and And Now the Screaming Starts! (1973). He played Prof. Abraham Van Helsing opposite Christopher Lee in Count Dracula (1970), matching wits against the sinister vampire himself.
Lom appeared as one of the victims in Ten Little Indians (1974), the drunken Dr. Edward Armstrong. His career continued into the 1980s, a standout role being that of Christopher Walken's sympathetic doctor in The Dead Zone (1983). He also played opposite Walter Matthau in Hopscotch (1980) and returned to the murder mystery Ten Little Indians (1989), this time playing The General. Lom has been taking it easy since then, though he returned to his familiar role of Dreyfus in Son of the Pink Panther (1993). He was always a reliable and eminently watchable actor, and unfortunately did not receive the stardom he should have.
Herbert Lom died in his sleep at age 95 on September 27, 2012, in London, England."Tigranes Levantus"
*Screenwriter Dalton Trumbo originally wanted Universal to get Orson Welles to play the character of the pirate, Tigranes Levantus. It was eventually played by Herbert Lom.- Stony-faced, grizzled-looking tough guy Charles McGraw (real name Charles Butters) notched up dozens of TV and film credits, usually portraying law enforcement figures or military officers, plus the odd shifty gangster. While at high school he worked as a theatre usher and was nicknamed "Chick" by his friends. At 17, he returned to his home town of Akron to study at university. He hitchhiked to New York from Ohio, enjoyed a substantial period in the boxing ring as a middleweight pugilist and then found his first success as an actor in 1937 on the Broadway stage in the Clifford Odets play "Golden Boy". Afterwards, stage work proved hard to come by. Therefore, to make ends meet, McGraw began to earn his living as a hoofer in dime-a-dance establishments. His career in Hollywood began in 1942 with bit parts and stalled again after a brief sojourn in the army. However, by 1947, he had picked up a solid amount of work as radio actor thanks to his gravelly voice which was perfectly suited for crime dramas. This did eventually re-open the door to Hollywood. Before long, McGraw regularly plied his trade as assorted hard cases who perfectly matched his craggy looks and steely-eyed visage. Best remembered among his standout roles are the dogged cop protecting a mob witness in the 1952 classic thriller The Narrow Margin (1952) , as resolute Lt. Jim Cordell pursuing armed bandits in Armored Car Robbery (1950), as a hit man in Robert Siodmak's seminal film noir The Killers (1946), as sadistic gladiatorial trainer Marcellus taunting slave Kirk Douglas (and ending up in a vat of boiling soup) in the epic Spartacus (1960), as William Holden's naval commander in the Korean War drama The Bridges at Toko-Ri (1954) and as jaded police officer Lt. Matthews assisting Spencer Tracy in the all-star comedy It's a Mad Mad Mad Mad World (1963). McGraw died in 1980 after a tragic accident in which he slipped and fell through a glass shower door."Marcellus"
*According to producer Edward Lewis, Charles McGraw (Marcellus) had his jaw broken in the scene where Kirk Douglas viciously jams his head into a large vat of soup. In spite of the pain of the injury, McGraw finished the scene. - Tall, massively built, imposing-looking blond Gordon Mitchell (early on dubbed the "The Bronze Giant") was one of those perfectly developed bodybuilders who jumped on the Steve Reeves bandwagon and hightailed it to Italy to seek movie stardom as a Herculean strongman. Born Charles Allen Pendleton in Denver, Colorado on July 29, 1923, and raised in Inglewood, California, Mitchell served in WWII and, at one point, became a prisoner of war at the Battle of the Bulge. After the war, Gordon went to USC in Los Angeles under the G.I. bill and became a high school teacher and guidance counselor.
A fitness nut with an incredible physique, he soon became part of the Venice, California "Muscle Beach" crowd and it took over. He literally flexed his way into the entertainment business as part of Mae West's musclebound revue. He toured everywhere with Ms. West from Las Vegas to the Latin Quarter with other "abs"normal actor wannabes Mickey Hargitay, Brad Harris and Reg Lewis. In between, Gordon obscurely posed as beefcake in such films as The Ten Commandments (1956), Li'l Abner (1959) and Spartacus (1960), which, of course, did little to advance his acting career.
In 1961, after Reeves' Hercules (1958) proved a box-office smash, the non-Italian-speaking Mitchell, among others, headed off to Europe to compete on the peplum film pedestal. With his fierce and progressively hardened features, Gordon wound up playing both hero and villain, appearing regularly in the popular, if poorly dubbed, sandal-and-spear epics. In the usual over-the-top style. Gordon started off as the title strongman in Atlas Against the Cyclops (1961); and went on to play the Roman warrior General Metellus in The Centurion (1961); massively muscled hero Obro in The Giant of Metropolis (1961); Pluto, the God of War in Vulcan, Son of Jupiter (1962); the villainous pirate Hamar in Caesar Against the Pirates (1962); the title hero Fury of Achilles (1962); the barbarous villain Brenno in Brennus, Enemy of Rome (1963); a slave and co-hero in Gli schiavi più forti del mondo (1964); evil tyrant Omar in Simbad contro i sette saraceni (1964); villainous assassin Sven in Erik, the Viking (1965); and the villainous Hunding in The Stone Forest (1965).
Gordon developed a strong core of fans during this brief reign. When the film fad wore off by 1965, Mitchell, unlike many of his pectoral partners who chose to drop out of sight, moved on and muscled his way into more than 100 additional films. Many of his later 60's and 70's offerings were further down the credits list in the "spaghetti western" or "giallo mystery" categories -- staying true to the country that made him a star -- Three Graves for a Winchester (1966), Uccidi o muori (1966) a.k.a. "Kill or Be Killed", È mezzanotte... butta giù il cadavere (1966), Born to Kill (1967), Crazy Westerners (1967), Death on the Run (1967), John the Bastard (1967), Cheers to Cyanide (1968), Beyond the Law (1968), Trusting Is Good... Shooting Is Better (1968), Cry of Death (1968), I Am Sartana, Your Angel of Death (1969), Django and Sartana Are Coming... It's the End (1970), Inginocchiati straniero... I cadaveri non fanno ombra! (1970), Finders Killers (1971), Coffin Full of Dollars (1971), Down with Your Hands... You Scum! (1971), Let's Go and Kill Sartana (1971), Day of Judgment (1971), Lobo the Bastard (1971), His Name Was Sam Walbash, But They Call Him Amen (1971), Un uomo chiamato Dakota (1972), Stay Away from Trinity... When He Comes to Eldorado (1972), His Colt, Himself, His Revenge (1972), Seven Devils on Horseback (1975) and La polizia ordina: sparate a vista (1976).
As the years went on, Gordon would branch out more internationally. Some of these films included The Arizona Kid (1970) (Philippines); Angel's Leap (1971) (France); Seven Times Seven (1969) (Hong Kong); Tiger from River Kwai (1975) (Germany); A Very Special Woman (1979) (France); Kopfschuß (1981) (Germany); Inchon (1981) (US); the international mini-series Marco Polo (1982); White Fire (1984) (France); Commando Invasion (1986) (Germany) and Evil Spawn (1987) (Taiwan).
Returning to the States around 1990, Gordon continued to work sporadically Bikini Drive-in (1995) and An Enraged New World (2002)) until his last film -- the crime action flick Malevolence (2004). The actor, briefly married in the early 1950's, died of a heart attack on September 20, 2003, in Marina del Rey, California. He was 80 years old.Gladiator (uncredited) - Actor
- Producer
- Director
Laurence Olivier could speak William Shakespeare's lines as naturally as if he were "actually thinking them", said English playwright Charles Bennett, who met Olivier in 1927. Laurence Kerr Olivier was born in Dorking, Surrey, England, to Agnes Louise (Crookenden) and Gerard Kerr Olivier, a High Anglican priest. His surname came from a great-great-grandfather who was of French Huguenot origin.
One of Olivier's earliest successes as a Shakespearean actor on the London stage came in 1935 when he played "Romeo" and "Mercutio" in alternate performances of "Romeo and Juliet" with John Gielgud. A young Englishwoman just beginning her career on the stage fell in love with Olivier's Romeo. In 1937, she was "Ophelia" to his "Hamlet" in a special performance at Kronborg Castle, Elsinore (Helsingør), Denmark. In 1940, she became his second wife after both returned from making films in America that were major box office hits of 1939. His film was Wuthering Heights (1939), her film was Gone with the Wind (1939). Vivien Leigh and Olivier were screen lovers in Fire Over England (1937), 21 Days Together (1940) and That Hamilton Woman (1941).
There was almost a fourth film together in 1944 when Olivier and Leigh traveled to Scotland with Charles C. Bennett to research the real-life story of a Scottish girl accused of murdering her French lover. Bennett recalled that Olivier researched the story "with all the thoroughness of Sherlock Holmes" and "we unearthed evidence, never known or produced at the trial, that would most certainly have sent the young lady to the gallows". The film project was then abandoned. During their two-decade marriage, Olivier and Leigh appeared on the stage in England and America and made films whenever they really needed to make some money.
In 1951, Olivier was working on a screen adaptation of Theodore Dreiser's novel "Sister Carrie" (Carrie (1952)) while Leigh was completing work on the film version of the Tennessee Williams' play, A Streetcar Named Desire (1951). She won her second Oscar for bringing "Blanche DuBois" to the screen. Carrie (1952) was a film that Olivier never talked about. George Hurstwood, a middle-aged married man from Chicago who tricked a young woman into leaving a younger man about to marry her, became a New York street person in the novel. Olivier played him as a somewhat nicer person who didn't fall quite as low. A PBS documentary on Olivier's career broadcast in 1987 covered his first sojourn in Hollywood in the early 1930s with his first wife, Jill Esmond, and noted that her star was higher than his at that time. On film, he was upstaged by his second wife, too, even though the list of films he made is four times as long as hers.
More than half of his film credits come after The Entertainer (1960), which started out as a play in London in 1957. When the play moved across the Atlantic to Broadway in 1958, the role of "Archie Rice"'s daughter was taken over by Joan Plowright, who was also in the film. They married soon after the release of The Entertainer (1960)."Crassus"
*David Lean was considered to direct, but declined. Laurence Olivier was then asked to direct, but he had relinquished the directing assignment, as he felt the dual role of actor-director would prove too demanding.
*Olivier, while researching on the Romans for his role, learned that the Romans rode without a saddle, so he followed likewise and rode saddleless in his horseback scenes. This proved a great hindrance, as there was no saddle to keep him steady while the horse was in even the slightest motion, and he kept wobbling throughout his horseback scenes. Eventually Kubrick forced Olivier to film his horseback scenes on a ladder.- Actor
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- Cinematographer
Robert Osborne was the host on Turner Classic Movies from its inception in 1994, in large part due to his deep and abiding love and knowledge of film. Osborne got his start working for Lucille Ball and Desi Arnaz. The ever-perspicacious Ball suggested that Osborne combine his interest in classic film and training in journalism, and write instead of act. Osborne took this advice and produced "Academy Awards Illustrated" a book which then begat his years at The Hollywood Reporter. He also became the official historian of the Academy of Motion Picture Arts and Sciences. An elegant and unassuming man, Osborne combined a startling facility with movie names, dates, and facts with the gift to tell a good story and ability to be a gracious host.Guard (uncredited)- Actress
- Second Unit Director or Assistant Director
Evelyn Rudie was born on 28 March 1949 in Hollywood, California, USA. She is an actress and assistant director, known for Playhouse 90 (1956), The Cut-Throats (1971) and The Gift of Love (1958). She has been married to Chris DeCarlo since 24 August 1970. She was previously married to Tim O'Kelly.Little Girl in Slave Camp (uncredited)- Actress
- Soundtrack
Demure British beauty Jean Simmons was born January 31, 1929, in Crouch End, London. As a 14-year-old dance student, she was plucked from her school to play Margaret Lockwood's precocious sister in Give Us the Moon (1944). She had a small part as a harpist in the high-profile Caesar and Cleopatra (1945), produced by Gabriel Pascal, starring Vivien Leigh, and co-starring her future husband Stewart Granger. Pascal saw potential in Simmons, and in 1945 he signed her to a seven-year contract to the J. Arthur Rank Organization, and she went on to make a name for herself in such major British productions as Great Expectations (1946) (as the spoiled, selfish Estella), Black Narcissus (1947) (as a sultry native beauty), Hamlet (1948) (playing Ophelia to Laurence Olivier's great Dane and earning a Best Supporting Actress Oscar nomination), The Blue Lagoon (1949) and So Long at the Fair (1950), among others.
In 1950, she married Stewart Granger, and that same year, she moved to Hollywood. While Granger was signed to Metro-Goldwyn-Mayer, Rank sold her contract to Howard Hughes, who then owned RKO Pictures. Hughes was eager to start a sexual relationship with Simmons, but Granger put a stop to his advances. Her first Hollywood film was Androcles and the Lion (1952), produced by Pascal and co-starring Victor Mature. It was followed by Angel Face (1952), directed by Otto Preminger with Robert Mitchum. To further punish Simmons and Granger, Hughes refused to lend her to Paramount, where William Wyler wanted to cast her in the female lead for his film Roman Holiday (1953); the role made a star of Audrey Hepburn. A court case freed Simmons from the contract with Hughes in 1952. They settled out of court; part of the arrangement was that Simmons would do one more film for no additional money. Simmons also agreed to make three more movies under the auspices of RKO, but not actually at that studio - she would be lent out. MGM cast her in the lead of Young Bess (1953) playing a young Queen Elizabeth I with Granger. She went back to RKO to do the extra film under the settlement with Hughes, titled Affair with a Stranger (1953) with Mature; it flopped.
Simmons went over to 20th Century Fox to play the female lead in The Robe (1953), the first CinemaScope movie and an enormous financial success. Less popular was The Actress (1953) at MGM alongside Spencer Tracy, despite superb reviews; it was one of her personal favorites. Fox asked Simmons back for The Egyptian (1954), another epic, but it was not especially popular. She had the lead in Columbia's A Bullet Is Waiting (1954). More popular with moviegoers was Désirée (1954), where Simmons played Désirée Clary to Marlon Brando's Napoleon Bonaparte. Simmons and Granger returned to England to make the thriller Footsteps in the Fog (1955). She then starred in the musical Guys and Dolls (1955) with Brando and Frank Sinatra; she used her own singing voice and earned her first Golden Globe Award. Simmons played the title role in Hilda Crane (1956) at Fox, a commercial failure. So, too, were This Could Be the Night (1957) and Until They Sail (1957), both at MGM. Simmons had a big success, though, in The Big Country (1958), directed by Wyler. She starred in Home Before Dark (1958) at Warner Bros. and This Earth Is Mine (1959) with Rock Hudson at Universal.
Simmons divorced Granger in 1960 and almost immediately married writer-director Richard Brooks, who cast her as Sister Sharon opposite Burt Lancaster in Elmer Gantry (1960), a memorable adaptation of the Sinclair Lewis novel. That same year, she co-starred with Kirk Douglas in Stanley Kubrick's Spartacus (1960) and played a would-be homewrecker opposite Cary Grant in The Grass Is Greener (1960).
Off the screen for a few years, Jean captivated moviegoers with a brilliant performance as the mother in All the Way Home (1963), a literate, tasteful adaptation of James Agee's "A Death in the Family". However, after that, she found quality projects somewhat harder to come by, and took work in Life at the Top (1965), Mister Buddwing (1966), Divorce American Style (1967), Rough Night in Jericho (1967), The Happy Ending (1969) (a Richard Brooks film for which she was again Oscar-nominated, this time as Best Actress).
Jean continued making films well into the 1970s. In the 1980s, she appeared mainly in television miniseries, such as North & South: Book 1, North & South (1985) and The Thorn Birds (1983). She made a comeback to films in 1995 in How to Make an American Quilt (1995) co-starring Winona Ryder and Anne Bancroft, and most recently voiced the elderly Sophie in the English version of Hayao Miyazaki's Howl's Moving Castle (2004). She now resided in Santa Monica, California, with her dog, Mr. Gates, and her two cats, Adisson and Megan. Jean Simmons died of lung cancer on January 22, 2010, nine days before her 81st birthday."Varinia"
*Kirk Douglas was unsure about casting Jean Simmons as Varinia, as she was a British actress; American actors had been cast as the slaves and British actors had been cast as the Romans. Douglas actually wanted a German actress to play Varinia (her actual portrayal in the Howard Fast novel), but since none were pretty enough he decided to go with Simmons.- Actor
- Soundtrack
Robert Stevenson was born on 10 October 1915 in Harrisburg, Pennsylvania, USA. He was an actor, known for Get Smart (1965), Zero Hour! (1957) and State Department: File 649 (1949). He was married to Margaret (Peggy) Constance. He died on 4 March 1975 in Northridge, California, USA.Legionnaire (uncredited)- Actor
- Soundtrack
Never a big name but always a reliable staple on TV crime shows during the 1960s and 1970s, Harold J. Stone usually was seen in a strong, unsympathetic vein -- an unyielding father or husband, corrupt businessman, menacing crime figure, etc. A sober-looking gent with a block jaw, Romanesque-styled nose and steely gray-black hair, he was also prone to playing ethnic types of varying origins.
Born Harold Jacob Hochstein in New York City on March 3, 1913, the scion of a Jewish acting family who established themselves in the Yiddish theater, Stone started on stage with his father as a child. He once entertained a career in medicine, attaining a BA degree at the University of Buffalo Medical School, but acting proved too strong a desire. After initially finding work in radio, Stone made his Broadway bow with "The World We Make" (1939), which led to other productions such as "Morning Star" (1940) and "A Bell for Adano" (1944). His early work in New York on stage and TV eventually paved the way to a modest character career in movies and a move to Hollywood.
In the 1950s Stone began to provide a minor, shady presence in such "A" films as Humphrey Bogart's The Harder They Fall (1956), Alfred Hitchcock's The Wrong Man (1956), the Rocky Graziano biopic Somebody Up There Likes Me (1956), the ultimate gladiator spectacle Spartacus (1960) and the gangster epic The St. Valentine's Day Massacre (1967) in which he played Chicago mobster Frank Nitti. He also played a no-nonsense foil to good friend Jerry Lewis in a few of his wacky 60s comedies. None of these, however, did much to improve his standing. Television, on the other hand, became a strong and steady medium for Stone, and he became a fixture in hundreds of police dramas including 77 Sunset Strip (1958), Naked City (1958), The Untouchables (1959), Mannix (1967), Mission: Impossible (1966), The Rockford Files (1974) and Kojak (1973). He was once Emmy-nominated for a dramatic guest role.
Left a widower by his first wife Joan in 1960, by whom he had two children, he continued to work primarily on episodic TV into the mid-1980s before retiring and settling down with his second wife Miriam (from 1962), who bore him another child. He died in Woodland Hills, California at age 92."David"- Actor
- Stunts
- Soundtrack
An athlete turned actor, Strode was a top-notch decathlete and a football star at UCLA. He became part of Hollywood lore after meeting director John Ford and becoming a part of the Ford "family," appearing in four Ford motion pictures. Strode also played the powerful gladiator who does battle with Kirk Douglas in Spartacus (1960).""Draba"
*Draba, played by Woody Strode, is killed in the ring after attacking one of the senators. His body is hung upside down in the gladiators' quarters as a warning. Originally this was going to be a replica of Strode, but when the effect wasn't satisfactory, he himself hung upside-down, ropes tied around his ankles. As the gladiators slowly file past his dangling body, Strode doesn't flinch or twitch. According to his son Kalai Strode, the unused replica hung inside the entrance to Universal Studios' prop room for several years.
In order to put Woody Strode in the right mood for the scene where he and Kirk Douglas wait to do combat, director Stanley Kubrick had the actor listen to a Sergei Prokofiev concerto during the filming and got the visual response he wanted.- Actor
- Writer
- Director
Peter Ustinov was a two-time Academy Award-winning film actor, director, writer, journalist and raconteur. He wrote and directed many acclaimed stage plays and led numerous international theatrical productions.
He was born Peter Alexander Freiherr von Ustinow on April 16, 1921 in Swiss Cottage, London, the son of Nadezhda Leontievna (née Benois) and Jona Freiherr von Ustinow. His father was of one-quarter Polish Jewish, one-half Russian, one-eighth Ethiopian, and one-eighth German descent, while his mother was of one-half Russian, one-quarter Italian, one-eighth French, and one-eighth German ancestry. Ustinov had ancestral connections to Russian nobility as well as to the Ethiopian Royal Family. His father, also known as "Klop Ustinov", was a pilot in the German Air Force during World War I. In 1919, Jona Freiherr von Ustinow joined his own mother and sister in St Petersburg, Russia, where he met his future wife, artist Nadia Benois, who worked for the Imperial Mariinsky Ballet and Opera House in St Petersburg.
In 1920, in a modest and discreet ceremony at a Russian-German church in St Petersburg, Ustinov's father married Nadia. In February 1921, when she was seven months pregnant with Peter, the couple emigrated from Russia in the aftermath of the Communist Revolution. Young Peter was brought up in a multilingual family. He was fluent in Russian, French, Italian and German, as well as English. He attended Westminster College (1934-37), took the drama and acting class under Michel St Denis at the London Theatre Studio (1937-39), and made his stage debut in 1938 at the Stage Theatre Club in Surrey. He wrote his first play at the age of 19. In 1939, he made his London stage debut in a revue sketch, then had regular performances with the Aylesbury Repertory Company. The following year, he made his film debut in Hullo, Fame! (1940).
From 1942-46, Ustinov served with the British Army's Royal Sussex Regiment. He was batman for David Niven, and the two became lifelong friends. Ustinov spent most of his service working with the Army Cinema Unit, where he was involved in making recruitment films, wrote plays and appeared in three films as an actor. At that time he co-wrote and acted in The Way Ahead (1944) (aka "The Immortal Battalion").
Ustinov had a stellar film career as actor, director, and writer. Among his numerous screen acting gems were his unparalleled, Academy Award-nominated interpretation of Nero in Quo Vadis (1951) and roles in Max Ophüls's masterpiece Lola Montès (1955), Barefoot in Athens (1966), The Comedians (1967), Robin Hood (1973) and Logan's Run (1976). He also wrote and directed such brilliant films as Billy Budd (1962), Lady L (1965) and Memed My Hawk (1984). He was awarded two Oscars for Best Supporting Actor, one for his role in Spartacus (1960) and one for his role in Topkapi (1964), and received two more Oscar nominations as an actor and writer. His career slowed down a bit in the 1970s, but made a comeback as Hercule Poirot in Death on the Nile (1978) by director John Guillermin. In the 1980s, Ustinov recreated Poirot in several subsequent television movies and theatrical films, including Evil Under the Sun (1982) and Appointment with Death (1988), while his cinema work in the 1990s also includes his superb performance as Professor Gus Nikolais in George Miller's excellent dramatic film, Lorenzo's Oil (1992), a character partially inspired by Hugo Wolfgang Moser, a research scientist who had been director of the Neurogenetics Research Center at the Kennedy Krieger Institute and Professor of Neurology and Pediatrics at Johns Hopkins University.
His expertise in dialectic and physical comedy made him a regular guest of talk show hosts and late-night comedians. His witty and multidimensional humor was legendary, and he later published a collection of his jokes and quotations summarizing his wide popularity as a raconteur. He was also an internationally acclaimed TV journalist. Ustinov covered over 100,000 miles and visited more than 30 Russian cities during the making of his well-received BBC television series Russia (1986).
In his autobiographies, "Dear Me" (1977) and "My Russia" (1996), Ustinov revealed his observations on his life, career, and his multicultural and multi-ethnic background. He wrote and directed numerous stage plays, successfully presenting them in several countries. His drama, "Photo Finish", was staged in New York, London and St. Petersburg, Russia, where Ustinov directed the acclaimed production, starring Elena Solovey and Petr Shelokhonov. Ustinov also served as a Goodwill Ambassador for UNICEF and a president of WFM, a global citizens movement. Ustinov served as Rector of Dundee University for six years. He was awarded the Benjamin Franklin Medal from the Royal Society of Arts in 1957 and was knighted in 1990.
From 1971 until his death in 2004, Ustinov's permanent residence was a château in Bursins, Vaud, Switzerland. He died of heart failure on March 28, 2004, in a clinic in Genolier, also in Vaud. His funeral service was held at Geneva's historic Cathedral of St. Pierre, and he was laid to rest in the village cemetery of Bursins. He was survived by three daughters (Tamara, Pavla, and Andrea) and one son (Igor). His epitaph may be gleaned from his comment, "I am an international citizen conceived in Russia, born in England, working in Hollywood, living in Switzerland, and touring the World"."Batiatus"
*Winning a Best Supporting Actor Oscar for his portrayal of Lentulus Batiatus, Peter Ustinov stands as the only actor to win an Oscar for a Stanley Kubrick film.
*A number of scenes featuring Peter Ustinov and Charles Laughton were rewritten by Ustinov after Laughton rejected the original script. He is uncredited for Writing Credits.
*Ustinov wrote Gracchus' dialogue about corpulence making a man pleasant. Ustinov couldn't understand how a sleazy low-class character like Batiatus could be friends with a high-ranking politician like Gracchus, until he reasoned that their stoutness gave them a common bond.
* Ustinov joked about his daughter, born at the beginning of production, being in kindergarten by the time the film was finished. When asked what her father did for a living she would answer, "Spartacus."- Actress
- Producer
- Casting Director
A film producer and former child actress, Judy Whitney grew up in the Hollywood Hills. The daughter of television actor and screenwriter Roy Erwin, her first acting experience came at the tender age of 14 months in an episode of "Rin Tin Tin". Judy spent her younger years acting in major films such as "The Birds", "The Errand Boy", "Spartacus", and "Marnie", and television shows such as "Hazel", "Alfred Hitchcock Presents", "Thriller", "The Detectives", and "The Eleventh Hour". The entertainment business is in her DNA through not only her father, but also her mother, Nancy (stage trained actress), her Aunt Trudy Erwin (singer with the Kay Kaiser Band), and her Uncle Murdo MacKenzie (Bing Crosby's producer). Under their new production banner, Undaunted Films, Judy and her husband, Dean Whitney, just completed their first feature film, "Ghostline", and are in preproduction on a supernatural thriller entitled "Kill Me Once", which is scheduled to begin principal photography in 2015.Child (uncredited)- Actor
- Producer
Prolific American character actor of primarily villainous roles. The son of German parents, Cincinnati feed-store manager August Wilke and his wife Rose, Robert Joseph Wilke grew up in Cincinnati. He worked as a lifeguard at a Miami, Florida, hotel, where he made contacts in the film business. He was able to obtain work as a stuntman and continued as such until the mid-'40s, when he began getting actual roles in low-budget westerns and serials. A prominent appearance as one of the heavies in High Noon (1952) led to work in higher-quality films. He worked extensively in television as well as movies, and became an enormously familiar face, though a fairly anonymous one to the general public. His weathered visage made him a perfect western bad guy, but he occasionally played sympathetic parts as well, as in Days of Heaven (1978). An expert golfer, he was said by his friend Claude Akins to have earned more money on the golf course than he ever did in movies. He died in 1989.Guard Captain- American character actor noted for his deep, rich voice. Young made his Broadway debut in the early 1930s, appearing in such plays as "Page Pygmalion", "The Man Who Reclaimed His Head", "Late Wisdom" and "Yesterday's Orchids". Moving to Hollywood in 1936, he began getting small film roles and soon graduated to frequent appearances in B-Westerns and serials, occasionally as a supporting lead, but most often as a heavy. He was Dick Tracy's brother in Dick Tracy (1937) and was a familiar face in many oaters and serials at Republic, where he was a contract player, occasionally working under the stage name Gordon Robert. In 1941, Young returned to Broadway to star in "Cuckoos On the Hearth" by Parker Fennelly. Back in Hollywood, he made Westerns throughout the Forties, then began appearing in better roles in better films, becoming a late favorite of John Ford. His line in The Man Who Shot Liberty Valance (1962), "This is the West, sir. When the legend becomes fact, print the legend", has become synonymous with Ford. Young retired in 1970 and died in 1994, at the age of 89. He is often confused with Carleton G. Young, a radio performer who made a few films and who was the father of actor Tony Young.Herald (uncredited)
- Director
- Writer
- Producer
Stanley Kubrick was born in Manhattan, New York City, to Sadie Gertrude (Perveler) and Jacob Leonard Kubrick, a physician. His family were Jewish immigrants (from Austria, Romania, and Russia). Stanley was considered intelligent, despite poor grades at school. Hoping that a change of scenery would produce better academic performance, Kubrick's father sent him in 1940 to Pasadena, California, to stay with his uncle, Martin Perveler. Returning to the Bronx in 1941 for his last year of grammar school, there seemed to be little change in his attitude or his results. Hoping to find something to interest his son, Jack introduced Stanley to chess, with the desired result. Kubrick took to the game passionately, and quickly became a skilled player. Chess would become an important device for Kubrick in later years, often as a tool for dealing with recalcitrant actors, but also as an artistic motif in his films.
Jack Kubrick's decision to give his son a camera for his thirteenth birthday would be an even wiser move: Kubrick became an avid photographer, and would often make trips around New York taking photographs which he would develop in a friend's darkroom. After selling an unsolicited photograph to Look Magazine, Kubrick began to associate with their staff photographers, and at the age of seventeen was offered a job as an apprentice photographer.
In the next few years, Kubrick had regular assignments for "Look", and would become a voracious movie-goer. Together with friend Alexander Singer, Kubrick planned a move into film, and in 1950 sank his savings into making the documentary Day of the Fight (1951). This was followed by several short commissioned documentaries (Flying Padre (1951), and (The Seafarers (1953), but by attracting investors and hustling chess games in Central Park, Kubrick was able to make Fear and Desire (1952) in California.
Filming this movie was not a happy experience; Kubrick's marriage to high school sweetheart Toba Metz did not survive the shooting. Despite mixed reviews for the film itself, Kubrick received good notices for his obvious directorial talents. Kubrick's next two films Killer's Kiss (1955) and The Killing (1956) brought him to the attention of Hollywood, and in 1957 he directed Kirk Douglas in Paths of Glory (1957). Douglas later called upon Kubrick to take over the production of Spartacus (1960), by some accounts hoping that Kubrick would be daunted by the scale of the project and would thus be accommodating. This was not the case, however: Kubrick took charge of the project, imposing his ideas and standards on the film. Many crew members were upset by his style: cinematographer Russell Metty complained to producers that Kubrick was taking over his job. Kubrick's response was to tell him to sit there and do nothing. Metty complied, and ironically was awarded the Academy Award for his cinematography.
Kubrick's next project was to direct Marlon Brando in One-Eyed Jacks (1961), but negotiations broke down and Brando himself ended up directing the film himself. Disenchanted with Hollywood and after another failed marriage, Kubrick moved permanently to England, from where he would make all of his subsequent films. Despite having obtained a pilot's license, Kubrick was rumored to be afraid of flying.
Kubrick's first UK film was Lolita (1962), which was carefully constructed and guided so as to not offend the censorship boards which at the time had the power to severely damage the commercial success of a film. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) was a big risk for Kubrick; before this, "nuclear" was not considered a subject for comedy. Originally written as a drama, Kubrick decided that too many of the ideas he had written were just too funny to be taken seriously. The film's critical and commercial success allowed Kubrick the financial and artistic freedom to work on any project he desired. Around this time, Kubrick's focus diversified and he would always have several projects in various stages of development: "Blue Moon" (a story about Hollywood's first pornographic feature film), "Napoleon" (an epic historical biography, abandoned after studio losses on similar projects), "Wartime Lies" (based on the novel by Louis Begley), and "Rhapsody" (a psycho-sexual thriller).
The next film he completed was a collaboration with sci-fi author Arthur C. Clarke. 2001: A Space Odyssey (1968) is hailed by many as the best ever made; an instant cult favorite, it has set the standard and tone for many science fiction films that followed. Kubrick followed this with A Clockwork Orange (1971), which rivaled Lolita (1962) for the controversy it generated - this time not only for its portrayal of sex, but also of violence. Barry Lyndon (1975) would prove a turning point in both his professional and private lives. His unrelenting demands of commitment and perfection of cast and crew had by now become legendary. Actors would be required to perform dozens of takes with no breaks. Filming a story in Ireland involving military, Kubrick received reports that the IRA had declared him a possible target. Production was promptly moved out of the country, and Kubrick's desire for privacy and security resulted in him being considered a recluse ever since.
Having turned down directing a sequel to The Exorcist (1973), Kubrick made his own horror film: The Shining (1980). Again, rumors circulated of demands made upon actors and crew. Stephen King (whose novel the film was based upon) reportedly didn't like Kubrick's adaptation (indeed, he would later write his own screenplay which was filmed as The Shining (1997).)
Kubrick's subsequent work has been well spaced: it was seven years before Full Metal Jacket (1987) was released. By this time, Kubrick was married with children and had extensively remodeled his house. Seen by one critic as the dark side to the humanist story of Platoon (1986), Full Metal Jacket (1987) continued Kubrick's legacy of solid critical acclaim, and profit at the box office.
In the 1990s, Kubrick began an on-again/off-again collaboration with Brian Aldiss on a new science fiction film called "Artificial Intelligence (AI)", but progress was very slow, and was backgrounded until special effects technology was up to the standard the Kubrick wanted.
Kubrick returned to his in-development projects, but encountered a number of problems: "Napoleon" was completely dead, and "Wartime Lies" (now called "The Aryan Papers") was abandoned when Steven Spielberg announced he would direct Schindler's List (1993), which covered much of the same material.
While pre-production work on "AI" crawled along, Kubrick combined "Rhapsody" and "Blue Movie" and officially announced his next project as Eyes Wide Shut (1999), starring the then-married Tom Cruise and Nicole Kidman. After two years of production under unprecedented security and privacy, the film was released to a typically polarized critical and public reception; Kubrick claimed it was his best film to date.
Special effects technology had matured rapidly in the meantime, and Kubrick immediately began active work on A.I. Artificial Intelligence (2001), but tragically suffered a fatal heart attack in his sleep on March 7th, 1999.
After Kubrick's death, Spielberg revealed that the two of them were friends that frequently communicated discreetly about the art of filmmaking; both had a large degree of mutual respect for each other's work. "AI" was frequently discussed; Kubrick even suggested that Spielberg should direct it as it was more his type of project. Based on this relationship, Spielberg took over as the film's director and completed the last Kubrick project.
How much of Kubrick's vision remains in the finished project -- and what he would think of the film as eventually released -- will be the final great unanswerable mysteries in the life of this talented and private filmmaker.(Directed By)
*The intimate scenes were filmed in Hollywood, but Stanley Kubrick insisted that all battle scenes be filmed on a vast plain outside Madrid. Eight thousand trained troops from the Spanish were used to double as the Roman infantry. Kubrick directed the armies from the top of specially constructed towers. However, he eventually had to cut all but one of the gory battle scenes, due to negative audience reactions at preview screenings. So precise was Kubrick that even in arranging the bodies of the slaughtered slaves he had each "corpse" assigned with a number and instructions.
*Steven Spielberg gave his backing to the restoration effort, and recommended that Stanley Kubrick be informed of the project. Kubrick, who had disowned the film, had nothing to do with the actual physical restoration of the film, though he gave his approval to the effort, and the producers wanted his final approval of their work.
*The filming was plagued by the conflicting visions of Stanley Kubrick and Dalton Trumbo. Kubrick complained that the character of Spartacus had no faults or quirks, and he later distanced himself from the film.
*Despite the film being a huge box-office success, gaining four Oscars and being considered to rank among the very best of historical epics, Stanley Kubrick disowned the movie and did not include it as part of his canon. Although his personal mark is a distinct part of the final picture, his contract did not give him complete control over the filming, the only occasion on which he did not exercise such control over one of his films.
*Kubrick spent $40,000 on the over-ten-acre gladiator camp set. On the side of the set that bordered the freeway, a 125-foot asbestos curtain was erected in order to film the burning of the camp, which was organized with collaboration from the Los Angeles Fire and Police Departments. Studio press materials state that 5,000 uniforms and seven tons of armor were borrowed from Italian museums, and that every one of Hollywood's 187 stunt men was trained in the gladiatorial rituals of combat to the death. Modern sources note that production utilized approximately 10,500 people.
* Kubrick was brought in as director after Kirk Douglas had a major falling out with the original director, Anthony Mann. According to Sir Peter Ustinov, the salt mines sequence was the only footage shot by Mann.
*Kubrick was not given control of the script, which he felt was full of stupid moralizing. After he finished this film he always kept full control over all aspects of his films.- Nick Dennis was born on 26 April 1904 in Thessaly, Greece. He was an actor, known for A Streetcar Named Desire (1951), Spartacus (1960) and Kiss Me Deadly (1955). He died on 14 November 1980 in Los Angeles, California, USA."Dionysius" (as Nicholas Dennis)
- Roy Engel was born on 13 September 1913 in St. Louis, Missouri, USA. He was an actor and writer, known for Zombies of the Stratosphere (1952), The Man from Planet X (1951) and Rogue River (1951). He died on 29 December 1980 in Burbank, California, USA.Roman Businessman (uncredited)
- Joe Gold was born on 10 March 1922 in Los Angeles, California, USA. He was an actor, known for I Spy (1965) and You Bet Your Life (1950). He died on 11 July 2004 in Marina Del Rey, California, USA.Soldier (uncredited)
- Actor
- Stunts
- Producer
Born in St. Anthony, a small town in eastern Idaho, Bradford Harris attended UCLA in the early 1950s, where he played fullback on the football team while studying economics. His studies may have been intended as the groundwork for a career in his family's banking business, but Harris instead drifted into the fringes of Los Angeles' movie industry, and secured employment as a stunt man. In the late 1950s he traveled to Europe as the stunt co-ordinator for a German-Italian co-production. Soon he found himself working as a second-unit director, and that led to a starring role in Goliath Against the Giants (1961). His good looks and muscular build kept him in demand during the era of "sword and sandal" movies, and when this genre began to fade away, he moved into "spaghetti westerns" and a spate of action movies with an emphasis on spy thrillers. In 1967 he married actress Olga Schoberová.Gladiator / Soldier (uncredited)- Stunts
- Actor
- Second Unit Director or Assistant Director
Prolific American stunt man and occasional small part actor, formerly billed as Wayne Van Horn. The son of a veterinarian who ministered to animals at Universal studios, he first worked as a horse wrangler following a stint in the U.S. Army. This earlier expertise as a rider served him well after he joined his brother Jimmy in Hollywood. Van Horn's riding skills were showcased in many westerns of the 50s and 60s. He frequently doubled for Guy Williams on Disney's popular TV series Zorro (1957). Equally adept at fencing and fight scenes, Van Horn also made his mark in epic swashbucklers like Spartacus (1960) and The War Lord (1965). Major stars he doubled for have included Gregory Peck (Mackenna's Gold (1969) ), James Stewart (Firecreek (1968)]) and Henry Fonda ([The Cheyenne Social Club (1970)]). He was latterly best known as a long-standing collaborator of Clint Eastwood in the capacities of stunt double and stunt coordinator (The Enforcer (1976), The Gauntlet (1977), Sudden Impact (1983)), director (Any Which Way You Can (1980), The Dead Pool (1988), and Pink Cadillac (1989)) and second-unit director (Magnum Force (1973), The Rookie (1990), Pale Rider (1985) etc.). Van Horn was an inductee into the Stuntmen's Hall of Fame and a recipient of the Taurus Lifetime Achievement Stunt Award .Soldier (uncredited)- Irvin 'Zabo' Koszewski was born on 20 August 1924 in Camden, New Jersey, USA. He was an actor, known for Things Are Tough All Over (1982), Nice Dreams (1981) and You Bet Your Life (1950). He died on 29 March 2009 in Doylestown, Pennsylvania, USA.Soldier (uncredited)
- Stunts
- Actor
Bob Morgan was born on 14 November 1916 in Mt. Carmel, Illinois, USA. He was an actor, known for La spada e la croce (1958), The Big Country (1958) and The Boss (1956). He was married to Yvonne De Carlo. He died on 22 February 1999 in Woodland Hills, Los Angeles, California, USA.Galeno (uncredited)
*One of the warrior-slaves who shouts "I'm Spartacus!" towards the end of the film, is stuntman/actor Bob Morgan, who strongly resembles actor George Kennedy. This film is often mistakenly credited as the film debut (uncredited) of George Kennedy. Kennedy had no association with the film.- Music Department
- Composer
- Soundtrack
Alex North studied music at the Curtis Institute of Philadelphia, then won a scholarship to Juilliard in New York (1929) and the Moscow Conservatoire (1933), making him the first-ever American to become a member of the Union of Soviet Composers. In Europe, he worked as music director for the Latvian State Theatre, before returning to the U.S. in 1935 to perfect his craft under the auspices of Aaron Copland. At the same time, he produced his first compositions, including two symphonies, chamber music and dance scores for Martha Graham and Agnes de Mille. After a spell in Mexico as conductor/composer, he served as a captain with the U.S. Army, in charge of 'self-entertainment programs' for hospitalised psychiatric patients. He also did his first film work, scoring documentaries for the Office of War Information.
Profoundly influenced by, above all, Duke Ellington, North began to write several innovative compositions in jazz. His 'Revue for Clarinet and Orchestra' was originally commissioned by Benny Goodman and first performed in 1946 under the direction of Goodman and Leonard Bernstein with the New York Philharmonic Orchestra. Joining ASCAP in 1947, North went on to compose theatrical scores, including 'Death of a Salesman' for Elia Kazan and this opened the door to Hollywood. A Streetcar Named Desire (1951) was the first all-jazz score ever written for a motion picture. His next assignment was the film version of Death of a Salesman (1951), followed by Viva Zapata! (1952), for which he used traditional instruments, including marimbas and timbales.
Much of his subsequent work was characterised by sparse instrumentation (as, for example, Who's Afraid of Virginia Woolf? (1966) and the Oscar-nominated Under the Volcano (1984)). He used jazz again, evocatively, to score The Long, Hot Summer (1958) and The Sound and the Fury (1959), but was rather less successful on more conventional themes, such as The Misfits (1961). One of his most beautiful and lyrical works was the love theme from Spartacus (1960). For the small screen, he composed the music for the two instalments of the popular miniseries Rich Man, Poor Man (1976). Alex North was Oscar-nominated fifteen times but only received the coveted statuette as a Lifetime Achievement Award in 1986.(Music Composed by)
*After extensive research of music of the period, Alex North gathered a collection of antique instruments that, while not authentically Roman, provided a strong dramatic effect. These instruments included a sarrusophone, Israeli recorder, Chinese oboe, lute, mandolin, Yugoslav flute, kythara, dulcimer, and bagpipes. North's prize instrument was the ondioline, similar to an earlier version of the electronic synthesizer, which had never been used in film before.
*The soundtrack album runs less than 45 minutes and is not very representative of the score. There were plans to re-record a significant amount of the music with Alex North's friend and fellow film composer Jerry Goldsmith, but the project kept getting delayed. Goldsmith died in 2004. Numerous bootleg recordings have been made, but none has good sound quality.- Actor
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Vic Perrin was born on 26 April 1916 in Menomonee Falls, Wisconsin, USA. He was an actor and writer, known for Watchmen (2009), Mission: Impossible (1966) and Gunsmoke (1955). He was married to Rita Singer and Evelyn Held. He died on 4 July 1989 in Los Angeles, California, USA.Narrator (voice) (uncredited)- Actor
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Bill Raisch was born of German immigrant parents in New Jersey in 1905. After graduating from high school, Raisch took a job at a construction site hauling cement. When he wasn't working, he lifted weights at Sig Klein's Gym in New York City. Raisch was noticed by a society girl looking for a dancing partner and he escorted her to various parties as her date and dancing partner. Raisch came to the attention of Marilyn Miller the star of Ziegfield Follies. She introduced him to Florenz Ziegfeld Jr., who signed Raisch up for his dance troupe.
In the late 1920s, Raisch danced for Ziegfield at the New Amsterdam Roof Theater where he got to work with Maurice Chevalier making his first American stage appearance and he also appeared in the stage musical "Whoopee" starring Eddie Cantor. While he was dancing in New York, Raisch, coming home from work one evening, was attacked by five muggers on the street. Although he was worked over, Raisch took them on and beat them all up single-handily. The next day, a newspaper ran a picture of Raisch with the headline, "Don't Say Dancers Are Sissies". While still in New York, Raisch met and married his wife, Ziegfeld dancer Adele Smith.
During World War II, Raisch served in the U.S. Merchant Marines where he was badly wounded in early 1945 fighting a shipboard fire in which he was so badly burned he lost his right arm. With his stage career over, Raisch moved to Los Angeles in 1946 where Ben Hecht had a part for him in the movie Specter of the Rose (1946).
In 1952, Raisch became a stand-in for Burt Lancaster where he appeared as a double for the famous actor and later appeared as a one-armed man in Lonely Are the Brave (1962). Here Raisch was noticed and offered the recurring role on the TV Series The Fugitive (1963) - Fred Johnson, the One-Armed Man, which David Janssen's character Dr. Richard Kimble hounds throughout the series. However, Raisch was hired just for his looks, not his acting ability. His very first speaking role was mainly limited to a handful of episodes with short lines and speeches. Because of the show's popularity, Raisch was so recognizable as the One-Armed Man that it was almost impossible for him to get work on other shows. So, producer Quinn Martin put Raisch on a retainer, giving him a degree of security.
After "The Fugitive" series ended in 1967, Raisch, fed up with typecast TV and movie offers, rarely acted again, although his popularity of the One-Armed Man never diminished. He worked as an acting teacher and coach in West Los Angeles from then on until his death.
Bill Raisch died from lung cancer in a hospital in Santa Monica in July 1984 at the age of 79.Soldier Whose Arm is Hacked Off (uncredited)
*Several scenes in the battle drew the ire of the Legion of Decency and were therefore cut. These include shots of men being dismembered (dwarfs with false torsos and an actor with only one arm [Bill Raisch, the "One-Armed Man" of The Fugitive (1963) fame] with a phony breakaway limb as a Roman soldier who has his arm cut off in battle were used to give authenticity).
*Kirk Douglas was very hesitant to perform the shot of Spartacus lopping off a Roman soldier's arm. Although the arm was fake (attached to an amputee), the sword blade was real and Douglas had to hit exactly the right mark. After successfully performing the stunt once, Douglas refused a second take.- Stunts
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Tom Steele was born on 12 June 1909 in Carluke, Lanarkshire, Scotland, UK. He was an actor, known for The Blues Brothers (1980), Scarface (1983) and Zombies of the Stratosphere (1952). He died on 30 October 1990 in Los Angeles, California, USA.Gladiator (uncredited)