Bad Guys Par Excellence
The Best of the Worst!
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- Stony-faced, grizzled-looking tough guy Charles McGraw (real name Charles Butters) notched up dozens of TV and film credits, usually portraying law enforcement figures or military officers, plus the odd shifty gangster. While at high school he worked as a theatre usher and was nicknamed "Chick" by his friends. At 17, he returned to his home town of Akron to study at university. He hitchhiked to New York from Ohio, enjoyed a substantial period in the boxing ring as a middleweight pugilist and then found his first success as an actor in 1937 on the Broadway stage in the Clifford Odets play "Golden Boy". Afterwards, stage work proved hard to come by. Therefore, to make ends meet, McGraw began to earn his living as a hoofer in dime-a-dance establishments. His career in Hollywood began in 1942 with bit parts and stalled again after a brief sojourn in the army. However, by 1947, he had picked up a solid amount of work as radio actor thanks to his gravelly voice which was perfectly suited for crime dramas. This did eventually re-open the door to Hollywood. Before long, McGraw regularly plied his trade as assorted hard cases who perfectly matched his craggy looks and steely-eyed visage. Best remembered among his standout roles are the dogged cop protecting a mob witness in the 1952 classic thriller The Narrow Margin (1952) , as resolute Lt. Jim Cordell pursuing armed bandits in Armored Car Robbery (1950), as a hit man in Robert Siodmak's seminal film noir The Killers (1946), as sadistic gladiatorial trainer Marcellus taunting slave Kirk Douglas (and ending up in a vat of boiling soup) in the epic Spartacus (1960), as William Holden's naval commander in the Korean War drama The Bridges at Toko-Ri (1954) and as jaded police officer Lt. Matthews assisting Spencer Tracy in the all-star comedy It's a Mad Mad Mad Mad World (1963). McGraw died in 1980 after a tragic accident in which he slipped and fell through a glass shower door.
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American character actor specializing in tough guys and heavies. A native of Yonkers, New York. He worked on the Broadway stage and then became an increasingly familiar figure in Westerns and crime dramas, after World War II. Although almost as familiar a presence in films as his contemporaries Warren Oates, Robert J. Wilke, and Leo Gordon, for some reason Lambert never became as well-known, despite having appeared in a great number of similar roles and films. His credits are often confused with those of the Scottish actor of the same name, Jack Lambert.- Actor
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Big, burly character actor, one of the toughest of screen heavies. New York-born Leo Gordon's combination of a powerful physique, deep, menacing voice and icy, withering glare was guaranteed to strike fear into the heart of even the bravest screen hero. Director Don Siegel, who used Gordon in his prison film Riot in Cell Block 11 (1954), once said that "Leo Gordon was the scariest man I have ever met"--this coming from a man who had directed John Wayne, Clint Eastwood and Bette Midler! Siegel wasn't talking about just Gordon's screen presence. As a "heavy", Gordon was the real deal--before becoming an actor (he studied at the American Academy of Dramatic Arts), Gordon served five years in San Quentin State Prison for armed robbery (during which he was shot several times point-blank by police--and survived). "Riot in Cell Block 11" was filmed at Folsom State Prison--where Gordon also served time--and the Folsom warden remembered him as a troublemaker.At first he refused to allow the film to be shot there if Gordon was to be in it, but Siegel was able to convince him that Gordon was no threat to the prison.
Contrary to his image, though, Gordon was not just a one-note villain. He did play sympathetic parts on occasion, notably in the western Black Patch (1957)--which he also wrote--and in Roger Corman's civil rights drama The Intruder (1962), and turned in first-rate performances, especially in the latter film. Gordon was also a screenwriter, turning out several screenplays for Corman. He wasn't just limited to writing low-budget sci-fi films, either; he penned the screenplay for the WWII epic Tobruk (1967), writing in a meaty part for himself as Kruger, a tough sergeant in a platoon of German Jews masquerading as Nazi soldiers to help blow up a German oil storage facility.
Leo Gordon died in Los Angeles, CA, in 2000 at age 78 of heart failure.- One of the most familiar Asian character actors in American films of the 1930s and 1940s, Richard Loo was most often stereotyped as the Japanese enemy flier, spy or interrogator during the Second World War. Chinese by ancestry and Hawaiian by birth, Loo spent his youth in Hawaii, then moved to California as a teenager. He attended the University of California and attempted a career in business. However, the stock market crash of 1929 and the subsequent economic depression forced him to start over. He became involved with amateur, then professional, theater companies and in 1931 made his first film. Like most Asian actors in non-Asian countries, he played primarily small, stereotypical roles, though he rose quickly to familiarity, if not fame, in a number of fine films. His features led him to be a favorite movie villain, and the coming of World War II gave him greater prominence in roles as vicious Japanese soldiers in successful pictures such as The Purple Heart (1944) and God Is My Co-Pilot (1945). He had a rare heroic role as a weary Japanese-American soldier in the Korean War drama The Steel Helmet (1951), but spent far too much of his career in later years performing stock roles. His wife, Bessie Loo, was a well-known Hollywood agent.
- Mexican character actor who achieved his greatest success in U.S. films. He was born in Mexico city, living in numerous places throughout the country. He received a private education in Houston, Texas as a teenager, but dropped out and roamed about doing an assortment of jobs. His family, however, brought him back to Mexico City, where he subsequently found work in the struggling Mexican film industry. He appeared in many Mexican films before director John Huston offered him the role of Gold Hat in The Treasure of the Sierra Madre (1948). Bedoya stole the scenes in which he appeared as the smiling cutthroat and delivered the famous line about not needing any "stinking badges". He made a number of popular films in the U.S. in the next nine years, but a drinking problem destroyed his health. He died of a heart attack at the age of 53.
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Ian MacDonald was born on 28 June 1914 in Great Falls, Montana, USA. He was an actor and producer, known for High Noon (1952), Apache (1954) and The Silver Star (1955). He was married to Shirley Ray Kannegaard and Julia Edith King. He died on 11 April 1978 in Bozeman, Montana, USA.- Actor
- Producer
Prolific American character actor of primarily villainous roles. The son of German parents, Cincinnati feed-store manager August Wilke and his wife Rose, Robert Joseph Wilke grew up in Cincinnati. He worked as a lifeguard at a Miami, Florida, hotel, where he made contacts in the film business. He was able to obtain work as a stuntman and continued as such until the mid-'40s, when he began getting actual roles in low-budget westerns and serials. A prominent appearance as one of the heavies in High Noon (1952) led to work in higher-quality films. He worked extensively in television as well as movies, and became an enormously familiar face, though a fairly anonymous one to the general public. His weathered visage made him a perfect western bad guy, but he occasionally played sympathetic parts as well, as in Days of Heaven (1978). An expert golfer, he was said by his friend Claude Akins to have earned more money on the golf course than he ever did in movies. He died in 1989.- A big, brawny villain of many 1940s and 1950s films, Ted de Corsia was an actor in touring companies and on radio before making a memorable film debut as the killer in The Lady from Shanghai (1947). Although he occasionally played such sympathetic roles as a judge or prison warden, de Corsia's imposing size, tough New York street demeanor - he was born and raised in Brooklyn - and gravelly voice assured him steady work playing murderous street thugs, outlaw gang leaders or organized-crime bosses. One of his best-remembered roles was as the head of a murder-for-hire gang who turns state's evidence in the Humphrey Bogart crime thriller The Enforcer (1951).
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One of the great movie villains, Clarence Leroy Van Cleef, Jr. was born in Somerville, New Jersey, to Marion Lavinia (Van Fleet) and Clarence LeRoy Van Cleef, Sr. His parents were of Dutch ancestry. Van Cleef started out as an accountant. He served in the U.S. Navy aboard minesweepers and sub chasers during World War II. After the war he worked as an office administrator, becoming involved in amateur theatrics in his spare time. An audition for a professional role led to a touring company job in "Mr. Roberts". His performance was seen by Stanley Kramer, who cast him as henchman Jack Colby in High Noon (1952), a role that brought him great recognition despite the fact that he had no dialogue. For the next decade, he played a string of memorably villainous characters, primarily in westerns but also in crime dramas such as The Big Combo (1955). His hawk nose and steely, slit eyes seemed destined to keep him always in the realm of heavies, but in the mid 1960s Sergio Leone cast him as the tough but decent Col. Mortimer opposite Clint Eastwood in For a Few Dollars More (1965). A new career as a western hero (or at least anti-hero) opened up, and Van Cleef became an international star, though in films of decreasing quality. In the 1980s, he moved easily into action and martial-arts movies and starred in The Master (1984), a TV series featuring almost non-stop martial arts action. He died of a heart attack in December 1989 and was buried at Forest Lawn in the Hollywood Hills.- Handsome, blond-haired, steely-eyed villain in many film Westerns. He was never the grizzled outlaw, covered in trail dust. No, he was the immaculate-looking, "respectable" (but two-faced) dandy in silk damask vest, often puffing suavely on a cheroot, whose ashes he then might contemptuously flick in the hero's face. He could confront an antagonist wearing a wry smile, even while neatly inserting his dirk between the latter's ribs. One wonders why Bettger, with his Aryan looks and menacing sneer, never became typecast as the stereotypical Nazi SS officer or Gestapo interrogator. (Perhaps the man was just fortunate in that regard.)
- After serving in World War I, Roy Barcroft spent most of the 1920s and early 1930s moving from job to job. It was in the 1930s, after he moved to California with his wife, that he found his calling while acting in amateur theatrical productions. In 1937 he was appearing in bit parts in various genres, but by 1938 he was in westerns, where he became a well-known (and memorable) "heavy". Roy would alternate among Monogram, Universal, Columbia and other studios. In 1943, however, he signed an exclusive ten-year contract with Republic Pictures and became the convincing, and tireless, menace to all the good people in the West. He also did more than sneer at the likes of Don 'Red' Barry, Bill Elliot, Sunset Carson and Allan Lane. Roy acted in The Fighting Seabees (1944), which starred John Wayne. He was the Purple Martian in The Purple Monster Strikes (1945) and Capt. Mephisto in Manhunt of Mystery Island (1945), and who can forget his Retik, The Moon Menace. from the classic Radar Men from the Moon (1952)? Roy even played the good-natured marshal in Oklahoma! (1955). It was westerns, though, that were his bread and butter, and he knocked out a lot of them over the years. Outlaws of Cherokee Trail (1941), Riders of the Rio Grande (1943) and Sun Valley Cyclone (1946) were but a few of the "B" westerns Roy turned out. Off-screen, he was known as one of the nicest, kindest and most helpful people anyone would want to meet, with a terrific sense of humor. More than once, many a leading hero type such as Barry or Elliot would find that their hairpieces would mysteriously disappear before they were to put them on prior to shooting. When the era of the "B" westerns started to fade out, Roy's volume of work also slowed. He appeared in a handful of films, but his movie career had stalled by the end of 1957. He moved into the small screen with roles in TV westerns and also a recurring role in the Walt Disney production of The Adventures of Spin and Marty (1955). In the early 1960s he worked in a couple of movies, but his resurgence began in the mid-'60s when he appeared in low-budget films like Billy the Kid Versus Dracula (1966). Roy would make some better films, such as Texas Across the River (1966) and The Reivers (1969).
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Colorful American character actor equally adept at vicious killers or grizzled sidekicks. As a child he worked in the cotton fields. He attended Santa Monica Junior College in California and subsequently became an accountant and, at one time, manager of the Bel Air Hotel. Elam got his first movie job by trading his accounting services for a role. In short time he became one of the most memorable supporting players in Hollywood, thanks not only to his near-demented screen persona but also to an out-of-kilter left eye, sightless from a childhood fight. He appeared with great aplomb in Westerns and gangster films alike, and in later years played to wonderful effect in comedic roles.- Actor
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Harry Woods was born on 5 May 1889 in Cleveland, Ohio, USA. He was an actor, known for The Viking (1928), Monkey Business (1931) and Colorado Territory (1949). He was married to Helen P. Hookenberry. He died on 28 December 1968 in Los Angeles, California, USA.- Director
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Abner Biberman was born on 1 April 1909 in Milwaukee, Wisconsin, USA. He was a director and actor, known for His Girl Friday (1940), The Golden Mistress (1954) and Winchester '73 (1950). He was married to Sibil Kamban (editor), Helen Churchill Dalby and Tolbie Snyderman. He died on 20 June 1977 in San Diego, California, USA.- Instantly recognizable American character actor with bulbous nose and heavily lined face, who could convey integrity or menace to equal effect. He first came to prominence on radio as (Captain) Starr of Space (1953), using ray guns to combat Martians and alien queens. Beginning in 1953, Larch accumulated an impressive resume of TV series credits, spanning almost the entire spectrum of the best western, crime and science-fiction shows the 1950's and 60's had to offer. His authoritarian personality and demeanor generally typecast him as police officers, military men, attorneys and politicians. Quite a few of these turned out to be either corrupt or outright villains. Point in case, his performance as a tough hood in The Phenix City Story (1955), described by Bosley Crowther as "stinging" in "hard malevolence" (New York Times, September 3, 1955).
At his best, Larch was the nervous Mr. Fremont, father to the eminently dangerous Anthony (Bill Mumy) in the classic entry into The Twilight Zone (1959), 'It's a Good Life'. In The Invaders (1967) episode 'Genesis', he was again excellent as police officer Greg Lucather, at first skeptical, but subsequently swayed by irrefutable evidence to help in David Vincent's quest. On the big screen, he is perhaps best remembered as Harry Callahan's Chief of Police in the original Dirty Harry (1971). - Actor
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John Vernon was a prolific stage-trained Canadian character player who made a career out of convincingly playing crafty villains, morally-bankrupt officials and heartless authority figures in American films and television since the 1960s. Vernon was directed by some stellar filmmakers, including Alfred Hitchcock (Topaz (1969)); George Cukor (Justine (1969)); Don Siegel (Dirty Harry (1971)) and Clint Eastwood (The Outlaw Josey Wales (1976)). After training at London's Royal Academy of Dramatic Art and honing his skills in Canadian theatre and television, Vernon made his US film debut in John Boorman's noir/gangster classic Point Blank (1967) as a trusted friend who betrays Lee Marvin. He again failed to inspire confidence as the ineffectual mayor of San Francisco in Dirty Harry (1971). Vernon may be best remembered as the sinister Dean Vernon Wormer in John Landis' National Lampoon's Animal House (1978), a role he reprised for the TV spin-off Delta House (1979). This led to more film comedy roles, a highlight being Mr. Big in the blaxploitation spoof I'm Gonna Git You Sucka (1988).- Actor
- Director
During the '50s and '60s it seemed like every time you turned around, there was Bert Freed as a detective, gangster, sheriff or greedy small-town businessman, and sci-fi fans will remember him as the police chief taken over by the Martians in the classic Invaders from Mars (1953). He played a lot of tough cops--sometimes crooked ones, sometimes racist ones, sometimes violent ones, sometimes a combination of all three--and a lot of tough soldiers, but he could also play a jovial family patriarch when called upon. Born and raised in New York, Freed began acting while attending Penn State University, and made his Broadway debut in 1942. His film debut occurred, oddly enough, in a musical--Carnegie Hall (1947)--and he went on to play everything from a gangster in a Ma and Pa Kettle movie (Ma and Pa Kettle Go to Town (1950)) to a French army sergeant--a first-rate job, too--in the classic Paths of Glory (1957). It seems as if he appeared in just about every cop and detective series on TV at one time or another. He retired from acting in 1981, and died of a heart attack in Canada in 1994 while on a fishing trip with his son.- Versatile, diligent character actor Frank Marth was a familiar presence in just about every major American prime-time TV show of the 60's and 70's. The native New Yorker got his big break as a member of Jackie Gleason's stock company, perennially cast as uncredited background characters in Cavalcade of Stars (1949) and The Honeymooners (1955). According to series co-star Audrey Meadows he was "worth his weight in gold". Thereafter, granite-faced, sober-looking Marth became omnipresent on the small screen for more than two decades as tough cops, FBI agents and stern military brass. Amazingly, he was overlooked for the part of a KAOS operative in Get Smart (1965) (which would have been perfect casting !) but made up for it with Luger-wielding Count von Waffenschmidt and assorted SS officers in Hogan's Heroes (1965). He was also a favorite in anything sci-fi, whether as a sinister alien in The Invaders (1967) or as THRUSH agent Carl Voegler in The Man from U.N.C.L.E. (1964). He appeared suitably taciturn as Colonel Brody, stymying dinosaur-hunting Darren McGavin in Kolchak: The Night Stalker (1974). Perfectly cast yet again, he gave the medics a hard time as a hard-nosed tank commander in the M*A*S*H episode "Hey, Doc". He had other recurring uniformed roles in The Dirty Dozen (1988) and War and Remembrance (1988).
Marth was married to stage and screen actress Hope Holiday. - John Cason was born on 30 July 1918 in Valley View, Texas, USA. He was an actor, known for Sunset Carson Rides Again (1948), Cowboy G-Men (1952) and Jungle Drums of Africa (1953). He died on 7 July 1961 in Santa Barbara, California, USA.
- Rudy Diaz was born Adolph Carrillo Diaz on October 16, 1918 in Jerome, Arizona. He was one of four children in a family of Mescalero Apache descent. Rudy served in the U.S. Army during World War 2 as a paratrooper. Over the course of his military career, he made 49 jumps, reached the rank of Staff Sergeant, and was awarded multiple medals.
After his discharge, Diaz decided to make the natural progression from the military to working in law enforcement. He joined the LAPD where he remained for a 21-year career until his retirement in 1967. While with the police department he worked at various times on the narcotics squad and in the robbery/homicide division, and ultimately made the rank of Sergeant. His time doing police work around Los Angeles was where his interest in the entertainment industry originally grew. And some of his cases were even featured as real-life inspired stories on the television cop show Dragnet (1951) in the 1950s.
Diaz's time with the police is also notoriously known for his link to the death of Hollywood superstar Marilyn Monroe. As he was one of the first law enforcement officers who arrived at the scene of her demise in 1962. He was a detective at the time and worked on the investigation into the circumstances around Monroe's death.
Just a few years later he retired from the force and became an actor himself. He began to ply his new trade in local theater before landing his first role as a professional actor in 1968 in the film Bandolero! (1968) . Unfortunately, that same year he endured the personal tragedy of the suicide of his estranged first wife, Dorothy Abbott a veteran bit-part actress herself. Dorothy suffered from depression and was despondent about the breakdown of her and Rudy's marriage before she took her life. After several years of remaining single and working to establish himself as an actor, Diaz eventually married again to Beverly Gallaher in 1976. That union would endure for the remainder of his life.
As an actor Rudy specialized in character roles and his memorable physical appearance made him easily recognizable with audiences. He had an imposing stature along with rugged looks that made him a natural for gritty and "tough guy" roles. He is perhaps best remembered today specifically for his many performances in westerns, above all else. But throughout his screen career, he appeared in a wide array of genres in both film and television. And his roles spanned an eclectic range of projects from the glamorous film musical Pal Joey (1957) to the obscure children's TV show Far Out Space Nuts (1975) .
His heritage often made him a go-to choice to play American Indian and Hispanic characters. And his background as a real cop also frequently resulted in him getting cast in the roles of law enforcement officers. Diaz was also a favored stock actor of directors Don Siegel and Andrew V. McLaglen who both used him in multiple films. He remained active in the industry throughout 5 different decades, between the years 1957 and 1993.
Rudy Diaz spent the last few decades of his life away from the camera and passed away from undisclosed natural causes on December 5, 2006 in Los Angeles at the age of 88. He was survived by his wife of 30 years, Beverly, and a large family of children, grandchildren, siblings, and nieces and nephews. According to his family, his ashes were scattered at sea in Mazatlan, Mexico which was a location beloved by him. - Nazi swine "par excellence" Hans Schumm was born in Stuttgart, Germany, in 1896. He was an experienced stage actor in his native Germany when he emigrated to the US in 1927. He played small parts in American films--even showing up in a few musicals!--but he hit his stride in the late 1930s when America became aware of the Nazi menace in Europe. Schumm was a huge man, and his powerful build, deep voice, piercing eyes and menacing scowl were tailor-made to personify the Nazi brutes he played so well. Whether as an SS officer, Gestapo agent, treacherous spy, brutal soldier or suspicious policeman, the sight of the towering Schumm glaring at you in his black Nazi uniform with his Luger pointed at your head while barking "Hände hoch!" was guaranteed to make even the toughest screen hero stop in his tracks. He had a small but memorable part in Sahara (1943) as a fanatical Nazi soldier captured by Humphrey Bogart's men during an attack on their desert position, who is sent back to the German lines with a message from Bogart but on the way back murders a fellow German soldier who gave up information in exchange for some water. He had a somewhat bigger-than-usual part as Nazi spy-ring leader "The Mask" in the terrific Republic serial Spy Smasher (1942), and even did a turn as a slapstick villain who gets conked on the head with a coconut in the Bud Abbott and Lou Costello comedy Pardon My Sarong (1942).
After the war there was less of a call for Nazi villains in Hollywood, and Schumm returned several times to make films in Germany. His final film was the made-in-Germany fantasy Captain Sindbad (1963) with Guy Williams. He died of heart failure in Los Angeles, CA, on Feb. 2, 1990, at age 93. - Charles Horvath was born on 27 October 1920 in Upper Macungie Township, Pennsylvania, USA. He was an actor, known for A Woman Under the Influence (1974), His Majesty O'Keefe (1954) and Vera Cruz (1954). He was married to Margo and Georgiana Walker. He died on 23 July 1978 in Woodland Hills, Los Angeles, California, USA.
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German-born Henry Brandon was a character actor in American films, most often seen in villainous roles. His parents emigrated to the US shortly after his birth. His early interest in acting led him to study at the acclaimed Pasadena Community Playhouse. He landed the lead villain role in the Stan Laurel and Oliver Hardy film March of the Wooden Soldiers (1934), and rapidly became a familiar and reliable heavy in pictures both large and small. In 1936 he adopted the stage name Henry Brandon after several years of being billed as either Henry or Harry Kleinbach. He captivated thriller audiences as the sinister Dr. Fu Manchu in Drums of Fu Manchu (1943), yet balanced things by playing a sizable number of sympathetic roles as well, such as the skilled foreman Joe Dombrowski in Black Legion (1937). He continued to work on stage throughout his film career, playing the villain for many years in the record-length run of the melodrama "The Drunkard". His sharp features led him rather incongruously to be cast as Indian chiefs in two John Ford features, The Searchers (1956) and Two Rode Together (1961). He kept busy in films and occasional television roles, as well as reprising his role in "The Drunkard" onstage in the 1980s, until the end of his life. Brandon was a confirmed bachelor.- Neville Brand joined the Illinois National Guard in 1939, bent on a career in the military. His National Guard unit was activated into federal service shortly after the attack on Pearl Harbor on 7 December 1941. It was while he was in the army that he made his acting debut, in Army training films, and this experience apparently changed the direction of his life. Once a civilian again, he used his GI Bill education assistance to study drama with the American Theater Wing and then appeared in several Broadway plays. His film debut was in Port of New York (1949). Among his earliest films was the Oscar-winning Stalag 17 (1953). His heavy features and gravelly voice made Brand a natural tough guy (and he wasn't just a "movie" tough guy--he was among the most highly decorated American soldiers in World War II, fighting in the European Theater against the Germans). "With this kisser, I knew early in the game I wasn't going to make the world forget Clark Gable," he once told a reporter. He played Al Capone in The George Raft Story (1961), The Scarface Mob (1959), and TV's The Untouchables (1959). Among his other memorable roles are the sympathetic guard in Birdman of Alcatraz (1962) and the representative of rioting convicts in Riot in Cell Block 11 (1954). Perhaps his best-known role was that of the soft-hearted, loud-mouthed, none-too-bright but very effective Texas Ranger Reese Bennett of Backtrack! (1969), Three Guns for Texas (1968), and TV's Laredo (1965).
- Allen Jaffe was born on 9 April 1928 in Chicago, Illinois, USA. He was an actor, known for Papillon (1973), Circle of Fear (1972) and The Outer Limits (1963). He was married to Jeri K. Decker. He died on 18 March 1989 in Woodland Hills, Los Angeles, California, USA.
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- Soundtrack
LeRoy Mason was born on 2 July 1903 in Larimore, North Dakota, USA. He was an actor, known for Daughter of Don Q (1946), California Straight Ahead! (1937) and The Tiger Woman (1944). He was married to Rita Carewe and Bernice. He died on 13 October 1947 in Los Angeles, California, USA.- Lane Bradford was born on 29 August 1922 in Yonkers, New York, USA. He was an actor, known for Zombies of the Stratosphere (1952), The Invisible Monster (1950) and The Toughest Gun in Tombstone (1958). He was married to Joan Irene Velin and Mary Schrock. He died on 7 June 1973 in Honolulu, Hawaii, USA.
- John Merton was born on 18 February 1901 in Washington, District of Columbia, USA. He was an actor, known for Radar Patrol vs. Spy King (1949), The Ten Commandments (1956) and Drums of Fu Manchu (1940). He was married to Ellen Margaret Curtan and Esther Swarts. He died on 19 September 1959 in Los Angeles, California, USA.
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Barton MacLane graduated from Wesleyan University, where he displayed a notable aptitude for sports, in particular football and basketball. Not surprisingly, his physical prowess led to an early role in The Quarterback (1926) with Richard Dix. MacLane once commented that, as an actor, he needed to have the physical strength to tear the bad guys "from limb to limb", if necessary. Ironically, it was usually Barton himself who was destined to be at the end of a hiding (when not getting shot, instead), typically as snarling henchmen, outlaws and other assorted dubious or abrasive types throughout most of his 40-year acting career. In fact, Barton became so typecast, that his name was for a time used proverbially, to generally describe a shouting, hard-nosed ruffian.
After training at the American Academy of Dramatic Arts, MacLane joined a stock company in Brooklyn. In 1927 he had his first part on Broadway, a brief moment as an assistant district attorney, in the melodrama "The Trial of Mary Dugan". He then played a small featured role as a police officer in "Subway Express" (1929-30), a drama enacted in the interior of a subway car. In mid-1932 MacLane tried his hand at writing his own starring vehicle for the stage, entitled "Rendezvous". While the play closed after just 21 performances, it led to a contract with Warner Brothers.
Barton had already appeared in bit roles for Paramount at their Astoria Studios, including The Marx Brothers' debut film The Cocoanuts (1929). He portrayed mobster Brad Collins in 'G' Men (1935) (with James Cagney), which set the tone for most of his future assignments. Brawny, with squinty eyes and a rasping voice, MacLane was the ideal surly tough guy, particularly suitable for westerns and the type of films noir Warner Brothers excelled at. He was often cast as cops, be they bent or honest. Some of his most representative performances include gangster Al Kruger in Bullets or Ballots (1936), which won him some of the best critical notices of his career; outlaw Jack Slade in Western Union (1941); crooked construction boss Pat McCormick, who gets beaten up by Humphrey Bogart and Tim Holt over past-due wages in The Treasure of the Sierra Madre (1948); hard-nosed cops Detective Dundy in The Maltese Falcon (1941) and Lt. Reece in Kiss Tomorrow Goodbye (1950). MacLane, on loan to Universal, also had a starring role in Prison Break (1938) as an innocent tuna fisherman who is framed for murder. He was prominent as a tough but sympathetic cop, foil to sleuthing girl reporter Glenda Farrell in the "Torchy Blaine" series of the mid- to late 1930s. In the 1960s Barton began to cultivate a good-guy image as Marshal Frank Caine in the NBC western series Outlaws (1960) as well as showing up in a small recurring role as Air Force Gen. Martin Peterson in I Dream of Jeannie (1965).
Barton was married to the actress Charlotte Wynters, who appeared with him in six of his films. When not on the set, the couple spent time on their 2000-acre cattle ranch in Madera County, California. For his work in television, Barton has a star on the Hollywood Walk of Fame.- Actor
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Cy Kendall was born on 10 March 1898 in St. Louis, Missouri, USA. He was an actor, known for Lady in the Death House (1944), Blonde for a Day (1946) and Pacific Liner (1939). He was married to Margaret. He died on 22 July 1953 in Woodland Hills, Los Angeles, California, USA.- The son of vaudeville performers, Richard Theodore "Ted" Adams was part of his parents' troupe before attending Cornell University at the age of 18. After college he did stock work for three years before going on to New York City and stage work there. For more than half his life he performed on the stage before coming to films around 1926. He and his good friend Leo Carrillo performed together in Porter Emerson Browne's play "The Bad Man" in 1920, and Adams was also in the Broadway production of "Kongo", which starred Walter Huston, in 1926.
His earliest documented film role was as the doctor in Rayart's The Road Agent (1926), starring Al Hoxie, and he made his sound-film debut in 1930's Under Texas Skies (1930), starring Bob Custer. Adams quickly established himself in westerns, in which he worked almost exclusively for 25 years in over 200 films. He was a mainstay performer (mostly lead villains) for the low-budget films cranked out by independents such as Supreme, Metropolitan, Puritan, Colony and Victory in the 1930s and PRC and Monogram in the 1940s, in addition to appearing in films from Republic, Columbia, Paramount and Universal.
Following a role in Bill Elliott's Kansas Territory (1952) for Monogram Pictures, and some TV work on Russell Hayden's Cowboy G-Men (1952) TV series, Ted Adams hung up his spurs at the age of 62, then lived quietly in retirement until his death from heart disease at the age of 83. A widower at the time of his death, September 24, 1973, he was at Braewood Convalescence Hospital in South Pasadena, his place of residence prior to his death. His cremated remains were placed at the Chapel of the Pines Crematory in Los Angeles. - Actor
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Before there was an Alan Ladd, there was another furtive-eyed, baby-faced, cigarette-dangling Alan, impacting the movie scene with his various colorless and cold-hearted thugs, mobsters and killers. Dark-haired, bullet-headed actor Alan Baxter earned a noticeable degree of popularity back in the late 1930s and 1940s with his various despicable characters, before his film career lost steam and he sought more and more TV and stage work.
The son of a Cleveland Trust Company vice president, Baxter was born on November 19, 1908, in East Cleveland. Following high school, he studied drama at Williams College in Williamstown, Massachusetts, where he forged a strong friendship with fellow collegiate and future directing icon, Elia Kazan. Once they graduated in 1930, the duo attended Yale's School of Drama.
Baxter hooked up with the then-fledgling Group Theatre in the early 1930s and appeared in such stage productions as "Lone Valley", "The Pure in Heart" and "Waiting for Lefty". His performance in "Black Pit" in 1935, however, was witnessed by a Hollywood talent scout and it was enough to change the course of his career. Immediately heading west to Hollywood, Baxter made an auspicious debut with his strong performance as "Babe Wilson", the unfeeling killer loved by Sylvia Sidney's character in Mary Burns, Fugitive (1935). Three years later, Baxter went on to recreate the role on radio.
With his foot strongly in the Paramount door, he continued playing dangerous, unsavory types in 13 Hours by Air (1936), Big Brown Eyes (1936) and The Case Against Mrs. Ames (1936), until his contract ran out. Continuing to freelance throughout the remainder of the 1930s, he remained on the wrong side of the law in Parole! (1936), Breezing Home (1937), Night Key (1937), Wide Open Faces (1938), Off the Record (1939), My Son Is a Criminal (1939), and Each Dawn I Die (1939).
A solid "B" lead player who appeared in support when it came to "A" pictures, Baxter occasionally broke out of the "bad guy" mold -- but not often. By this time, Alan Ladd was starting to cut in on Baxter's action with his moody and sexy versions of trench-coat-trendy villains. Baxter, nevertheless, continued to roll on, playing outlaw "Jesse James" in Bad Men of Missouri (1941) opposite Dennis Morgan, Wayne Morris, and Arthur Kennedy as the Younger brothers, while adding slick malevolence to such films as Escape to Glory (1940) (with Constance Bennett), Under Age (1941) (with Nan Grey and Mary Anderson), The Pittsburgh Kid (1941) (with Jean Parker), and Rags to Riches (1941) (with Mary Carlisle). This period of filming was topped by an excellent support role in the classic Alfred Hitchcock thriller, Saboteur (1942), in which he, as the meek-voiced, mustachioed, bespectacled, peroxide blond Nazi spy "Freeman", shares a memorable scene with lead Robert Cummings.
Following standard work in China Girl (1942) and Behind Prison Walls (1943), Baxter (at age 35) signed up for the Army Air Force in 1943, and appeared in the Broadway production of Moss Hart's "Winged Victory", which later was turned into the 1944 movie version of the same name, Winged Victory (1944) (also featuring Baxter). Post-war filming grew more dismal with a high majority of "Poverty Row" pictures coming Baxter's way. His last appearance in a strong film was the Robert Ryan boxing pic, The Set-Up (1949), as a mobster involved in fixing matches. Alan decided to return to the challenge of the stage, appearing in such plays as "Home of the Brave" (1945), "The Voice of the Turtle" (1947), "The Hallams" (1948), "Jenny Kissed Me" (1948), "Tea and Sympathy" (1955), and "South Pacific" (1957) (in a non-singing role). TV also became a positive medium, with adventure guest roles on The Rifleman (1958), Wagon Train (1957), Colt .45 (1957) and Alfred Hitchcock Presents (1955), among the offerings.
By the 1960s, Baxter was seen primarily in incidental film roles, his last being the cult rodent thriller, Willard (1971). Diagnosed with cancer, the twice-married actor died a few years later at the Motion Picture Country Home in Woodland Hills, Los Angeles, on May 8, 1976, aged 67.- Actor
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Alfred Ryder, the veteran actor who appeared on radio and Broadway and in the movies and TV and who also was a renowned stage director, was born Alfred Jacob Corn on January 5, 1916, in New York City. He made his professional debut as an actor at the age of eight and attended New York City's Professional Children's School. His Broadway debut came in 1929, when the 13-year-old Ryder played a "lost boy" in Eva Le Gallienne's production of J.M. Barrie's "Peter Pan". Ryder studied acting with Benno Schneider, Robert Lewis and Lee Strasberg. He appeared in the 1938 Broadway production of "Our Town" - his Broadway debut as an adult performer - as well as numerous Broadway productions before World War II, including the 1939 revival of Clifford Odets's "Awake and Sing!". For many years he was the voice of Sammy in the radio serial "Rise of the Goldbergs" Ryder joined the Army Air Force during World War II, eventually appearing in the U.S. Army Air Force's gala Broadway stage show "Winged Victory" in 1943. The following year, he made his movie debut as "PFC Alfred Ryder" in the film version of the show Winged Victory (1944)). After the war he made more films, including director Anthony Mann's classic 1947 film noir T-Men (1947). On Broadway, he appeared as Oswald in the 1948 revival of Henrik Ibsen's "Ghosts" and as Mark Antony in the 1950 production of "Julius Caesar". Also that year, he appeared as Orestes in the Broadway play "The Tower Beyond Tragedy".
Ryder had the singular honor of being cast as the understudy for Laurence Olivier in one of the legendary actor's greatest roles, that of Archie Rice, in the 1958 Broadway production of John Osborne's "The Entertainer". Olivier's Archie Rice is considered one of the greatest performances of the 20th century, and Ryder was chosen to keep the Broadway patrons in their seats in the event the great British theatrical knight couldn't go on. Ryder also appeared in the original Broadway production of Eugène Ionesco's absurdist masterpiece "Rhinoceros" in 1960.
A noted theatrical stage director with such companies as Washington, D.C.'s Arena Stage, Ryder made his Broadway directorial debut with the play "A Far Country" in 1961. He subsequently directed two more Broadway productions, "The Exercise" in 1968 and the 1971 revival of August Strindberg's "Dance of Death."
Despite his achievements on the stage, film and radio, Ryder is mostly remembered as a prolific and versatile TV character actor. He made over 100 appearances on TV, including memorable turns on Star Trek (1966) (he appeared as Prof. Robert Crater in the series' very first aired episode, "The Man Trap"), Voyage to the Bottom of the Sea (1964) (two appearances as the ghost of Nazi U-boat commander Capt. Gerhardt Krueger), and The Invaders (1967) (appearing as The Alien Leader). Ryder retired from screen acting in 1976 to concentrate on the stage, both as an actor and director. He died on April 16, 1995 in Englewood, NJ, at the age of 79. He was married to actress Kim Stanley, with whom he had a child, from 1957 until 1964, and he was the brother of actress Olive Deering.- Actor
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Stocky, balding American character actor with a rich, deep voice, equally adept at Western bad guys and Shakespeare. He began his career in films in minor roles, primarily as gangland henchmen, and progressed to become widely familiar as a figure in a variety of dramas and occasional comedies. Although a stalwart and reliable supporting player, he was not of a type to essay leading roles in films, but remained a well-respected actor whose face, if not name, is familiar to a generation of film and television viewers.- Actor
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The son of a celebrated Dutch actor, John Van Dreelen may have come by his debonair countenance with a bit of help from his continental pedigree. Fluent in several languages, he was reported to have escaped a concentration camp in Nazi-occupied Holland by disguising himself as one of the German officers he would later play so often on both big and small screens.
Though he bookended and sprinkled his career with appearances in many European films, Van Dreelen is best remembered as an A-list guest star in dozens of American television shows from the early 1960s to the mid-'80s. Never a major player in American theatrical films, he nonetheless scored a few choice roles, including the Danish concert pianist who rescues and woos Lana Turner during an extended sequence in Madame X (1966). Van Dreelen also enjoyed an international stage career and starred in the original American touring production of "The Sound of Music." Despite his close identification with despotic roles, he also easily breezed through light drama and comedy and cut a dashing and memorable figure in 1960s pop culture oeuvre.- Actor
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With his whitish blond crew-cut, slow, menacing drawl and Germanic manner, Van Eyck was destined to be typecast as stereotypically scowling, arrogant Nazi officers. This was ironic, because he was an avowed anti-fascist who had left Germany in 1931 -- two years before Adolf Hitler came to power. The son of an aristocratic Prussian land owner, his father had intended him to embark on a military career. Instead, Peter spent his education in Berlin, where he trained as a musician.
In 1937, Van Eyck arrived in New York via Havana, Cuba, and became acquainted with the composer Aaron Copland. This led to a collaboration, as well as solo efforts, as composer and lyricist on a variety of songs for revue and cabaret. He also moonlighted as a pianist in bars and nightclubs. Around this time, he also began to work as a stage manager and arranger for Irving Berlin. Not afraid to try any job that came along, he tried his hand at driving a truck, and this, somehow, led him to Hollywood where he became a protege of the director Billy Wilder. Wilder prompted him to appear in front of the camera. In 1943, Peter commenced his career in films, by this time, as a naturalized American citizen. For the remainder of the decade, he had little to do but act an assembly line of parts as German officers and Gestapo henchmen in films like Five Graves to Cairo (1943) and Address Unknown (1944).
After the war, Van Eyck returned to Germany, where he was ironically cast as an American officer in Hallo, Fräulein! (1949). He also appeared in the comedy Royal Children (1950) ,with Jenny Jugo), as yet another American. He gave one of his very best performances in the role of Bimba in Henri-Georges Clouzot's high octane thriller The Wages of Fear (1953). In this famous French classic, he played one of a group of daredevil truck drivers traversing an impenetrable South American jungle with a deadly load of nitroglycerin.
Down the track, he found other good roles: as the womanising Frenchman Fribert in Rosemary (1958); as a police inspector investigating a famous murder in Dr. Crippen lebt (1958),aka ('Dr.Crippen lives'); a starring role as Paul Decker, who attempts the perfect murder of his wife in The Snorkel (1958); and one of two industrialist brothers in Helmut Käutner''s The Rest Is Silence (1959).
During the 60's, Van Eyck appeared increasingly in international co-productions of variable quality. Having settled in Switzerland and maintaining a residence in Paris, he was ideally placed to alternate between French, English and German film roles. He made three potboilers about the master criminal Dr. Mabuse which were extremely popular in Germany. His best performances during this period were as the East German intelligence officer Mundt, who is the target of The Spy Who Came in from the Cold (1965) and as Colonel General von Brock in the absorbing war drama The Bridge at Remagen (1969), which was also his last film.
Van Eyck died near Zurich in July,1969, of septicemia, just short of his 58th birthday.- A familiar face to movie audiences in the 1950s, James Anderson's rugged and somewhat sinister good looks made him a natural for westerns, and he appeared in many of them over the years, often as a gunman or hired killer but occasionally as a storekeeper or grizzled frontier scout. He turned in a very good performance as one of the survivors of a nuclear attack in Five (1951) and another as a redneck farmer in To Kill a Mockingbird (1962), but it's for his western roles in films and on TV that Anderson is best known.
- Character actor John Davis Chandler was born on January 28, 1935, in Hinton, West Virginia. He was raised in Charleston, West Virginia. Tall and thin, with fair hair, piercing blue eyes, a pale complexion and a nasal, whiny voice, Chandler specialized in portraying mean, neurotic and dangerous villains. He made an impressive film debut in his sole starring part as the titular sniveling, psychotic, homicidal weasel gangster in Mad Dog Coll (1961). He acted in a trio of Westerns for director Sam Peckinpah, and is especially memorable (and frightening) as the creepy Jimmy Hammond in the magnificent Ride the High Country (1962). He was excellent as vicious punk Arthur Reardon in The Young Savages (1961). He made an effectively loathsome appearance as a vile bushwhacker in the supremely spooky horror-western The Shadow of Chikara (1977) and had a nice bit as a bounty hunter in Clint Eastwood's terrific The Outlaw Josey Wales (1976). He even played a good guy--of sorts--in Peckinpah's Major Dundee (1965).
Chandler popped up in three entertaining drive-in exploitation features for director William Grefé: at his wacky best as the crazed, doped-up Acid in The Hooked Generation (1968), a foul shark poacher in the fun Jaws (1975) copy Mako: The Jaws of Death (1976) and an evil pot farmer in Whiskey Mountain (1977). Among the many TV shows John did guest spots on are Star Trek: Deep Space Nine (1993), Walker, Texas Ranger (1993), Chicago Hope (1994) ER (1994), Simon & Simon (1981), Hunter (1984), Murder, She Wrote (1984), Hill Street Blues (1981), T.J. Hooker (1982), Fantasy Island (1977), The Incredible Hulk (1978), Police Woman (1974), Gunsmoke (1955), Adam-12 (1968), The Fugitive (1963), Combat! (1962), The Rifleman (1958), Route 66 (1960) and The Virginian (1962). In real life he was an avid practitioner of yoga. Chandler died at age 75 on February 16, 2010 in Toluca Lake, California. - Although Charles King played a variety of roles in silent films, and even made a series of comedy shorts for Universal in the 1920s, it was as a villain in sound westerns that King achieved his greatest fame. In the 1930s and 1940s his jowly face, beady eyes, Texas accent, droopy walrus mustache and overhanging beer belly became familiar to legions of fans of B westerns, especially those of rock-bottom PRC Pictures (it seemed like he showed up in every western PRC ever made), and you knew as soon as you saw him that he would meet his doom before the end of the last reel. Sometimes he was actually the head of the gang, but usually he was just a hired gun or, on even rarer occasions, "middle management". There's a line in Blazing Saddles (1974) where Gene Wilder says, "I've killed more men than Cecil B. DeMille"; it's doubtful that anyone has been killed more times in films than Charlie King. He's been shot, beaten up, run over, thrown off cliffs and blown up by the likes of John Wayne, Buster Crabbe, Buck Jones, Tim McCoy, and pretty much anyone who ever appeared in a movie with him--if he had been in a Shirley Temple picture, she would have found a way to bump him off.
After a memorable career as a punching bag, piñata and moving target for most of the actors in Hollywood, Charlie King finally hung up his spurs in 1957, and died of cirrhosis of the liver in May of that year. - Primarily known as a "B" movie bad guy of hundreds of films, husky actor Steve Brodie was born John Daugherty Stephens on November 25, 1919, in El Dorado, Kansas. Raised in Wichita, he dropped out of school and raced cars, boxed and worked on oil rigs to get by. He initially entertained a criminal law career but that interest quickly wore off after having to toil as a property boy.
A passion for acting then was instigated and Brodie found early work in summer stock. Changing his stage name to "Steve Brodie", a move to New York did not pay off but a subsequent move to Los Angeles did. He broke into films after being spotted by an MGM talent scout in a Hollywood theatre production entitled "Money Girls". Loaned out for his first film, Universal's Ladies Courageous (1944), Brodie appeared in a few tough-guy bit parts in such MGM films as Thirty Seconds Over Tokyo (1944), The Clock (1945) and Anchors Aweigh (1945) before he was dropped. It wasn't long before he was signed by RKO and it was with studio that his reputation as a heavy in westerns grew, with such roles as notorious outlaws Bob Dalton in Badman's Territory (1946) and Cole Younger in Return of the Bad Men (1948). In between those two pictures were strong roles in three film noir classics: Desperate (1947) (leading good guy), Crossfire (1947) and Out of the Past (1947) (both supporting baddies).
A hard-living, hard-drinking actor, Brodie married "B" actress Lois Andrews in 1946 but the couple divorced four years later, not long after appearing together in the western programmer Rustlers (1949). He married Barbara Savitt--the widow of bandleader Jan Savitt--in September of 1950 and the union produced son Kevin Brodie two years later (Kevin later became a producer/director). Steve's second marriage lasted until 1966.
Interest in Brodie eventually waned at the studio and his contract was not renewed. Freelancing elsewhere, he appeared as a lead in Rose of the Yukon (1949) and another classic film noir, Armored Car Robbery (1950), and also earned good parts in Home of the Brave (1949), The Steel Helmet (1951) and Lady in the Iron Mask (1952) (as the Musketeer Athos). Most of his post-RKO film work, however, would be in low-budgeters: I Cheated the Law (1949), The Great Plane Robbery (1950), Army Bound (1952), The Beast from 20,000 Fathoms (1953), Donovan's Brain (1953) and Under Fire (1957). He also appeared as the hero's nemesis in several Tim Holt / Richard Martin westerns, including The Arizona Ranger (1948), Guns of Hate (1948) and Brothers in the Saddle (1949). In the late 1950s he had leads in the "C"-level films Spy in the Sky! (1958), Arson for Hire (1959) and Here Come the Jets (1959).
A familiar presence on 1950s and 1960s TV, he worked on such crime series as Public Defender (1954), Hawaiian Eye (1959), Surfside 6 (1960), Perry Mason (1957), Burke's Law (1963) and such western series as The Life and Legend of Wyatt Earp (1955) (recurring part), The Lone Ranger (1949), Adventures of Wild Bill Hickok (1951), Laramie (1959), Sugarfoot (1957), Maverick (1957), Rawhide (1959), Gunsmoke (1955) and comedies including The Adventures of Ozzie and Harriet (1952), _"The Beverly Hillbillies" (1962)_ (qav). He also appeared in a touring production of "The Caine Mutiny Court Martial" starring Paul Douglas and Wendell Corey. The company ended abruptly when the liberal-minded Douglas, in a North Carolina interview, strongly criticized the conservative state and the resulting backlash forced the production's closure.
Brodie's later years were marred by drinking arrests. In the 1970s he made sporadic appearances, including a lead in the campy low-budget horror film The Giant Spider Invasion (1975) opposite Barbara Hale and a part in Delta Pi (1984) [aka "Mugsy's Girls"], which was written, produced and directed by son Kevin and was also his last film. He also provided voice work in commercials and showed up at nostalgia conventions, including The Knoxville Western Film Fair in 1991, less than a year before his death.
In 1973 Brodie married a third time, to Virginia Hefner, and they had a son Sean. Suffering from esophageal cancer and heart problems, Brodie died at age 72 on January 9, 1992, at a West Hills, California, hospital. - Joseph Turkel was an American character actor. He is known for his roles in Stanley Kubrick's films The Killing, Paths of Glory, and The Shining, and as Dr. Eldon Tyrell in Blade Runner. He also had roles in three of Bert I. Gordon's films. Joseph Turkel was born in Brooklyn on July 15, 1927, to Benjamin Turkel, who was a tailor, and Gazella (née Goldfisher), a homemaker and occasional opera singer. His parents were Polish-Jewish immigrants. He had two brothers, Harold and David. Turkel joined the United States Army when he was seventeen and served in the European Theater of Operations during World War II.
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This tall, sandy-haired, mustachioed actor from Texas, born Justus McQueen, adopted the name of the character he portrayed in his first film, Battle Cry (1955). Jones, with his craggy, gaunt looks, first appeared in minor character roles in plenty of WWII films including The Young Lions (1958), The Naked and the Dead (1958), Hell Is for Heroes (1962) and Battle of the Coral Sea (1959). However, 1962 saw him team up with maverick director Sam Peckinpah for the first of Jones' five appearances in his films. Ride the High Country (1962) saw Jones play one of the lowlife Hammond brothers. Next he appeared alongside Charlton Heston in Major Dundee (1965), then Peckinpah cast him, along with his real-life friend Strother Martin, as one of the scummy, murderous bounty hunters in The Wild Bunch (1969). Such was the chemistry between Jones and Martin that Peckinpah teamed them again the following year in The Ballad of Cable Hogue (1970), and Jones' final appearance in a Peckinpah film was in another western, Pat Garrett & Billy the Kid (1973). Two years later Jones directed the cult post-apocalyptic film A Boy and His Dog (1975) starring a young Don Johnson. He has continued to work in Hollywood, and as the lines on his craggy face have deepened, he turns up more frequently as crusty old westerners, especially in multiple TV guest spots. He turned in an interesting performance as a seemingly good ol' boy Nevada cowboy who was actually a powerful behind-the-scenes player in state politics who leaned on Robert De Niro's Las Vegas mob gambler in Martin Scorsese's violent and powerful Casino (1995).- Actor
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American character actor who achieved considerable fame in the last decade of his life. A native of Kokomo, Indiana, Strother Martin Jr. was the youngest of three children of Strother Douglas Martin, a machinist, and Ethel Dunlap Martin. His family moved soon after his birth to San Antonio, Texas, but quickly returned to Indiana. Strother Jr. grew up in Indianapolis and in Cloverdale, Indiana. He excelled at swimming and diving, and at 17 won the National Junior Springboard Diving Championship. He attended the University of Michigan as diving team member. He served in the U.S. Navy as a swimming instructor in World War II. Nicknamed "T-Bone" Martin for his diving style, his 3rd place finish in the adult National Springboard Diving Championships cost him a place on the 1948 Olympic team. He moved to California to become an actor, but worked in odd jobs and as a swimming instructor to Marion Davies and the children of Charles Chaplin. He found work as a swimming extra in several films and as a leprechaun on a local children's TV show, "Mabel's Fables." Bit parts came his way, leading to television work with Sam Peckinpah, which led to a lifelong relationship. He also found memorable roles for John Ford and by the 1960s was a familiar face in American movies. With Cool Hand Luke (1967) in 1967 came new acclaim and a place among the busiest character actors in Hollywood. He worked steadily and in substantial roles throughout the 1970s and seemed at the peak of his career when he died suddenly of a heart attack in 1980.- Actor
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Two-time Oscar nominee Bruce Dern's tremendous career is made up of playing both modern day heroes and legendary villains. Through decades of lauded performances, Dern has acquired the reputation of being one of the most talented and prolific actors of his generation.
Dern currently appears opposite Kristen Wiig, Allison Janney and his daughter Laura in Apple+ TV's acclaimed comedy series "Palm Royale." He also received critical praise for the last season of the Amazon series "Goliath" opposite Oscar winners Billy Bob Thornton and JK Simmons.
Dern appeared as real-life rancher George Spahn in Quentin Tarantino's 10-time Academy Award nominated "Once Upon a Time in Hollywood." The film also won the Golden Globes & Critics Choice Awards for Best Picture, among others. He also co-starred in the #1 independent film of 2019, "The Peanut Butter Falcon" and he earned rave reviews for Focus Features' "The Mustang." He has recently appeared in several recent independent film projects including "Reminisce," "The Accidental Texan," "Remember Me," "The Artist's Wife," "Emperor," "Badland," "Death in Texas," "Last Call," and "The Gateway."
In 2018, he starred in two high profile independent films - as Joe Kennedy in "Chappaquiddick" and opposite Matthew McConaughey in Sony's "White Boy Rick." In 2017, he appeared with Jane Fonda and Robert Redford in the Netflix film "Our Souls at Night."
On the television side in 2019 - he memorably guested on Showtime's comedy "Black Monday" and was seen in the Stephen King series "Mr. Mercedes" for the AT&T AUDIENCE Network.
In 2015, Dern reteamed with his "Django Unchained" director Quentin Tarantino in the ambitious & critically-acclaimed "The Hateful Eight." In 2013, Dern earned his second Academy Award nomination for his heralded role in Alexander Payne's "Nebraska." That role also garnered him a Best Actor Award from the Cannes Film Festival and the National Board of Review. He was also nominated for a BAFTA, Golden Globe, Independent Spirit Award, Broadcast Film Critics Association Award and Screen Actors Guild Award.
Dern was also nominated for an Emmy in 2011 for his portrayal of polygamist patriarch Frank Harlow in HBO's hit drama "Big Love." A celebrated stage actor, Dern was trained by famed director Elia Kazan at the legendary The Actor's Studio and made his film debut in Kazan's "Wild River" in 1960. In the 60's, Dern also found success as a distinguished television actor. He appeared regularly in contemporary Western TV series, as well as on "Alfred Hitchcock Presents." Mr. Hitchcock was such a fan of Dern's that he cast him in "Marnie" and "Family Plot" (Hitchcock's final film).
Also during the 60's, Dern went on to work with director Roger Corman and appeared in several of his classic and decade defining films including "Wild Angels." He also received critical success during that time for films such as "They Shoot Horses, Don't They?" and "Drive, He Said." Dern goes down in history for his role as Long Hair in "The Cowboys," in which he became the only man ever to kill John Wayne on screen.
Dern went on to star in such classic films like "The King of Marvin Gardens" with Jack Nicholson and Ellen Burstyn as well as playing Tom Buchanan in "The Great Gatsby" (for which he received a Golden Globe nomination). It was his brilliant and powerful performance in Hal Ashby's "Coming Home" that earned him both an Academy Award and Golden Globe nomination.
Dern has starred in over 100 films in his career, including: "Monster," "Hush...Hush, Sweet Charlotte," "Silent Running," "Smile," "Middle Age Crazy," "That Championship Season," "Tattoo," "The 'Burbs," "The Haunting," "All the Pretty Horses," "Masked and Anonymous," "Down in the Valley," "Astronaut Farmer," "The Cake Eaters," "Black Sunday," "After Dark, My Sweet," "Madison," "Diggstown," "Twixt" and "Last Man Standing."
Dern has received several Lifetime Achievement Awards from various film festivals. In 2010, Dern received the prestigious Hollywood Walk of Fame star along with his ex-wife Diane Ladd & daughter Laura Dern, the only family in history to receive their Stars in one ceremony.- Actor
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Richard Devon wanted to be an actor from the time he was in first grade and played a small part in a school production. After finishing high school he answered a small ad in a Los Angeles newspaper for a school that offered training to the novice actor. This drama school, "Stage Eight", allowed him to work his way through, as he hadn't the money for tuition. He painted walls, built sets, waxed floors and strung lights. It was during this time that he made his first live television appearance for the experimental TV station W6XAO, atop Mt. Lee in the Hollywood Hills. Amidst much additional work in TV, Devon also played a recurring character in the kiddie-oriented teleseries Space Patrol (1950) (when Devon asked for a pay hike, his character was put into permanent suspended animation). He made his first film in the early '50s.- Actor
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Legendary Hollywood "tough guy", on screen and off. Remembered as the title character in Dillinger (1945) and as the consummately brutal lover of Claire Trevor in Born to Kill (1947). Notorious for his frequent, well-publicized barroom brawls and the like, including being stabbed in 1973. In his later years, he continued as a screen actor projecting the hard-as-nails mien that has been ingrained since his younger days, as evidenced in Quentin Tarantino's Reservoir Dogs (1992).- Korean-American character actor Philip Ahn played hundreds of Chinese and Japanese characters during a long career. He was born in Los Angeles in 1905 (though 1911 is the year usually given, U.S. government records confirm that Ahn was born in 1905), the son of a Korean diplomat. He attended the University of Southern California at Los Angeles. Ahn got his first film acting job in 1935 and quickly made a place for himself playing Asians of many ethnicities. Although his kindly demeanor made him perfect for sympathetic roles, he could excel in the occasional villainous "Yellow Peril"-type role. Condemned, like most Asian actors of the period, to stereotypical roles, Ahn nevertheless brought a dignity to even the most subservient of characters. In his later years he achieved his greatest fame as the wise Master Kan on the television series Kung Fu (1972). Ahn was also a successful Los Angeles restaurateur. He died in 1978. Not to be confused with his brother, actor Philson Ahn.
- Albert Paulsen's pronounced accent and clipped manner may have marked him as German, Austrian or some East European nationality--roles he played often--but he was actually born in Guyaquil, Ecuador, in 1925. Although he did appear in some films and on stage, he was mainly a television actor, with numerous appearances in dramas and action shows, especially in such series as Mission: Impossible (1966) and Combat! (1962), and played a succession of Communist spies, Russian generals, East European dictators, Nazi officers and the like. However, he did show up once on the comedy series The Odd Couple (1970) playing a European opera star who wasn't quite as uptight as everyone thought he was. He died in his sleep in Los Angeles, CA, in 2004.
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Ric Roman was born on 29 September 1916 in New York, USA. He was an actor and writer, known for The Big Heat (1953), The Wayward Girl (1957) and Shadows of Tombstone (1953). He died on 11 August 2000 in Los Angeles, California, USA.- Burly, craggy-faced tough guy actor George Mathews was brought up in Manhattan and educated in Brooklyn. He had an extensive career on stage, which began in the early 1930s, after he failed to get a job with the US Post Office. Instead, he joined the WPA (Works Progress Administration) Theatre Program, a government agency that provided jobs for the unemployed on public works projects during the Depression. He first appeared on Broadway in the key role of Dynamite Jim in "Processional" (1937). With his broad face, strong eyebrows, gravelly voice and jutting lower lip, Mathews was invariably cast as heavies or hard-as-nails military types. He appeared to great effect on stage in 1942-43 as Sgt. Ruby in "The Eve of St. Mark" on Broadway, and repeated his role in the film version (The Eve of St. Mark (1944)), a perfect showcase for his screen personae. Not just a one-note "plug ugly", he was equally as effective at portraying comic toughs, which he did in Pat and Mike (1952), becoming the recipient of some judo action meted out by Katharine Hepburn; and the Garson Kanin-directed musical comedy 'Do Re Mi' (1960-62), as Fatso O'Rear, starring Phil Silvers.
Mathews also acted in classical plays like "Antigone" (1946, as a guard) with Cedric Hardwicke and played Mitch in "A Streetcar Named Desire" (1949-50), going on tour with fellow cast members Uta Hagen and Anthony Quinn. This performance garnered some critical accolades from Brooks Atkinson of The New York Times. In 1950, he joined Tyrone Power in a sell-out London production of "Mister Roberts" at the Coliseum Theatre, playing the role of the captain. In films, he was notable as the gambler Williams in the powerhouse drama The Man with the Golden Arm (1955) and as the sadistic Sheriff Bull Harper in the colorful western The Last Wagon (1956). Mathews also had a recurring role in the TV comedy series Glynis (1963), playing ex-cop Chick Rogers who aids and abets mystery writer and amateur sleuth Glynis Johns in solving a string of "whodunnits".
In private life, Mathews was the antithesis of the ruffians he often portrayed on screen: amicable and intelligent. Outside of his profession, he was an avid chess player and often participated in international tournaments. He retired from the acting profession in 1972 and died in South Carolina in November 1984. - Actor
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Victor Jory was born in Dawson City, Yukon, Canada. His burly physique made him a wrestling and boxing champion during his military service in the United States Coast Guard. After a few appearances on Broadway, he made his way into Hollywood in the early 1930s. His acting career spanned exactly 50 years, during which he played in nearly 200 films and TV series. In his early years he was cast in romantic roles, but it wasn't long before he began playing villainous parts, likely due to his "black eyes" which could easily give the impression of intimidation. He is remembered for his role as the ruthless overseer Jonas Wilkerson in Gone With the Wind, and his role as Lamont Cranston in The Shadow. He also played Oberon in the 1935 film version of A Midsummer Night's Dream. Among these many co-starring roles, he also appeared in 7 Hopalong Cassidy films between the years 1941 and 1943, usually cast as the villain or a right hand man. The only Hopalong film in which he did not play a 'bad guy' was in Riders of the Timberlane where he played a hot blooded, broad-shouldered lumberjack. During his film career, Victor's voice also offered him the an extensive career in radio. He was the lead role in the radio series, Dangerously Yours, and he also narrated "Tubby the Tuba" and "Bumpo the Ballerina" for children. In the 1950s and 1960s, he began acting in television series while remaining in the film industry. He played the lead role of Detective Howard Finucane in the police drama series, Manhunt, which ran from 1959 to 1961. In 1962 he played Helen Keller's father in the film, The Miracle Worker, for which his co-stars Patty Duke and Anne Bancroft won Oscars. In 1964, he along with fellow actors Susan Seafourth and Coleen Gray testified before the United States Congress as part of Project Prayer, arguing in favor of an amendment which would restore school prayer, something which the United States had eliminated in the early 1960s. Victor Jory continued acting until he retired in 1980. He was married to Jean Inness Jory from 1928 until her death in 1978. Together they had two children, Jon and Jean. At age 79, Victor died of a heart attack on February 12, 1982, in Santa Monica, California.- Actor
- Soundtrack
Born in 1919 in Jerusalem, Nehemiah Persoff emigrated with his family to America in 1929.
Following schooling at the Hebrew Technical Institute of New York, he found a job as a subway electrician doing signal maintenance until an interest in the theater altered the direction of his life.
He joined amateur groups and subsequently won a scholarship to the Dramatic Workshop in New York. This led to what would have been his Broadway debut in a production of "Eve of St. Mark", but he was fired before the show opened. He made his official New York debut in a production of "The Emperor's New Clothes" in 1940.
WWII interrupted his young career in 1942, when he was inducted into the United Sates Army, returning to the stage after his hitch was over in 1945, three years later. He sought work in stock plays and became an intern of Stella Adler and, as a result, a strong exponent of the Actor's Studio. Discovered by Charles Laughton and cast in his production of "Galileo" in 1947, Persoff made his film debut a year later with an uncredited bit in The Naked City (1948).
Short, dark, chunky-framed and with a distinct talent for dialects, Persoff became known primarily for his ethnic villainy, usually playing authoritative Eastern Europeans.
In a formidable career which had him portraying everything from cab drivers to Joseph Stalin, standout film roles would include Leo in The Harder They Fall (1956) with Humphrey Bogart, Gene Conforti in Alfred Hitchcock's The Wrong Man (1956), Albert in This Angry Age (1958) and gangster Johnny Torrio in Al Capone (1959). That same year he played another gangster, the small role of Little Bonaparte, in Some Like It Hot (1959).
He was a durable performer during TV's "Golden Age" (Gunsmoke (1955), The Twilight Zone (1959)) and well beyond (Chicago Hope (1994), Law & Order (1990)), playing hundreds of intense, volatile and dominating characters.
In later years, his characters grew a bit softer as Barbra Streisand's Jewish father in Yentl (1983) and the voice of Papa Mousekewitz in the An American Tail (1986) will attest. Later stage work included well-received productions of "I'm Not Rappaport" and his biographical one-man show "Sholem Aleichem".
After declining health and high blood pressure forced him to slow down, Persoff took up painting in 1985, studying sketching in Los Angeles. Specializing in watercolor, he created more than 100 works of art, many of which have been exhibited up and down the coast of California. He celebrated his 100th birthday in 2019.