Spaghetti Western Faces
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Klaus Kinski was born as Klaus Günter Karl Nakszynski in Zoppot, Free City of Danzig (now Sopot, Poland), to Susanne (Lutze), a nurse, and Bruno Nakszynski, a pharmacist. He grew up in Berlin, was drafted into the German army in 1944 and captured by British forces in Holland. After the war he began acting on the stage, quickly gaining a reputation for a ferocious talent and an equally ferocious temper. He started acting in films shortly afterward, showing an utter disregard for the quality of the productions he appeared in and churning out so many that a complete filmography is almost impossible to assemble.
However, he did turn out memorable work for director Werner Herzog, a similarly driven and obsessive character. Herzog and Kinski pushed each other to extremes over a 15-year working relationship, which finally ended after filming Cobra Verde (1987), a production plagued by volcanic clashes between the star and director, involving--among other things--violent physical altercations and mutual death threats. He subsequently directed and starred in the notorious Paganini (1989), his only film as director and which was marked by (again) clashes between Kinski and his producers, who accused him of turning their movie into a pornographic film and sued him in court. His autobiography, "All I Need is Love", a vicious attack on the film industry, was withdrawn for legal reasons and subsequently re-released as "Kinski Uncut" in the US & UK, "Ich brauche Liebe" in Germany, and in various other languages.- Actor
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Fernando Sancho was born on 7 January 1916 in Zaragoza, Aragón, Spain. He was an actor, known for The Son of Captain Blood (1962), La guerrilla (1973) and The Boldest Job in the West (1972). He was married to Maite Pardo. He died on 31 July 1990 in Madrid, Spain.- Actor
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Frank Wolff started his career by acting in several Roger Corman films. However, Wolff had to travel to Europe to be successful. He was finally able to become a well known actor in Italy and Europe with his performance in Salvatore Giuliano (1962) and had roles in many European film productions. Moreover, Wolff became a major star in Spaghetti Westerns. His most famous, but briefest, performances was as Brett McBain, the friendly farmer in Sergio Leone's Once Upon a Time in the West (1968). He also brought much needed light relief as the sheriff in Sergio Corbucci's The Great Silence (1968). When the time of "Spaghetti-Westerns" was ending, Wolff had several roles in Italian crime movies. Other memorable performances were in Duccio Tessari's Giallo Death Occurred Last Night (1970) or in one of Wolffs last performances as a police commissioner in Fernando Di Leo's Caliber 9 (1972). Sadly, the great actor suffered from depression and killed himself in the Hilton Hotel in Rome in December 1971.- Actor
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Al Mulock was born on 30 June 1925 in Toronto, Ontario, Canada. He was an actor, known for The Good, the Bad and the Ugly (1966), Pickup Alley (1957) and The Hellbenders (1967). He was married to Catherine Ellison and Steffi Henderson. He died in May 1968 in Guadix, Spain.- Piero Lulli was born on 1 February 1923 in Florence, Tuscany, Italy. He was an actor, known for My Name Is Nobody (1973), Fury of Achilles (1962) and Kill, Baby... Kill! (1966). He died on 23 June 1991 in Rome, Lazio, Italy.
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Prolific, versatile, and ubiquitous character actor Aldo Sambrell was featured in over 140 international motion pictures in a remarkably long, varied, and illustrious career that spanned four and a half decades. Swarthy and burly, usually sporting a thick mustache, and often projecting an air of quiet oily menace, Sambrell was frequently cast in colorful supporting parts as hateful villains and lethal gunslingers in numerous Italian spaghetti Westerns. Sambrell was born Alfredo Sanchez Brell on February 23, 1931 in Madrid, Spain. His family fled Spain because of the Spanish Civil War and he was raised in Mexico. While in Mexico Aldo played professional soccer in the Mexican leagues in Pueblo and Monterrey. After beginning his career in the entertainment industry as a singer, Sambrell eventually returned to Spain and made his film debut in an uncredited bit role as a Jewish rebel in the biblical epic King of Kings (1961). Aldo appeared in his first spaghetti western in 1963. Sambrell was perhaps best known for his gritty portrayals of scruffy bandit gang members in Sergio Leone's classic spaghetti westerns A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966) and C'era una volta questo pazzo, pazzo, pazzo West (1973). Sambrell gave a memorably chilling performance as ruthless bandit gang leader Mervyn Duncan in Navajo Joe (1966). He had a rare lead role as voodoo priest Gatenebo in the laughably lousy horror clunker Voodoo Black Exorcist (1974). Among the many directors Aldo worked for are David Lean, Richard Fleischer, John Milius, Sergio Corbucci, Umberto Lenzi, León Klimovsky, Jess Franco, Richard Lester, Jackie Chan, Charlton Heston, Matt Cimber and Enzo G. Castellari. Moreover, Sambrell also wrote, produced and directed a few films. He was married to actress Cándida López. His last film role was as an aging actor in the poignant short Río seco (2006). Aldo died at age 79 on July 10, 2010 in Alicante, Spain after suffering a series of strokes.- Actor
- Additional Crew
Luisi Pistilli's most notable stage successes were roles in "The Threepenny Opera", "St. Joan of the Stockyards" and a 1972 production, "Lulu". In 1991 he reprised his role in "Lulu" in the first professional collaboration with actress-singer Milva, his partner in previous plays as well as in a four-year offstage relationship. Pistilli's most memorable roles were in Francesco Rosi's Illustrious Corpses (1976), Lino Del Fra's Antonio Gramsci: i giorni del carcere (1977), Carlo Lizzani's Italo-Bulgarian co-production The Bandit (1969) and Sergio Leone's For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966), in which he played priest Pablo Ramirez, the brother of Eli Wallach's character Tuco. He also worked frequently in TV, including the Mafia series La piovra (1984), directed by Luigi Perelli.- William Berger was born on 20 June 1928 in Innsbruck, Austria. He was an actor, known for Hercules (1983), Keoma (1976) and Devil Fish (1984). He was married to Hanja Kochansky, Carol Lobravico and Dörte Völz-Mammarella. He died on 2 October 1993 in Los Angeles, California, USA.
- Tall, massively built, imposing-looking blond Gordon Mitchell (early on dubbed the "The Bronze Giant") was one of those perfectly developed bodybuilders who jumped on the Steve Reeves bandwagon and hightailed it to Italy to seek movie stardom as a Herculean strongman. Born Charles Allen Pendleton in Denver, Colorado on July 29, 1923, and raised in Inglewood, California, Mitchell served in WWII and, at one point, became a prisoner of war at the Battle of the Bulge. After the war, Gordon went to USC in Los Angeles under the G.I. bill and became a high school teacher and guidance counselor.
A fitness nut with an incredible physique, he soon became part of the Venice, California "Muscle Beach" crowd and it took over. He literally flexed his way into the entertainment business as part of Mae West's musclebound revue. He toured everywhere with Ms. West from Las Vegas to the Latin Quarter with other "abs"normal actor wannabes Mickey Hargitay, Brad Harris and Reg Lewis. In between, Gordon obscurely posed as beefcake in such films as The Ten Commandments (1956), Li'l Abner (1959) and Spartacus (1960), which, of course, did little to advance his acting career.
In 1961, after Reeves' Hercules (1958) proved a box-office smash, the non-Italian-speaking Mitchell, among others, headed off to Europe to compete on the peplum film pedestal. With his fierce and progressively hardened features, Gordon wound up playing both hero and villain, appearing regularly in the popular, if poorly dubbed, sandal-and-spear epics. In the usual over-the-top style. Gordon started off as the title strongman in Atlas Against the Cyclops (1961); and went on to play the Roman warrior General Metellus in The Centurion (1961); massively muscled hero Obro in The Giant of Metropolis (1961); Pluto, the God of War in Vulcan, Son of Jupiter (1962); the villainous pirate Hamar in Caesar Against the Pirates (1962); the title hero Fury of Achilles (1962); the barbarous villain Brenno in Brennus, Enemy of Rome (1963); a slave and co-hero in Gli schiavi più forti del mondo (1964); evil tyrant Omar in Simbad contro i sette saraceni (1964); villainous assassin Sven in Erik, the Viking (1965); and the villainous Hunding in The Stone Forest (1965).
Gordon developed a strong core of fans during this brief reign. When the film fad wore off by 1965, Mitchell, unlike many of his pectoral partners who chose to drop out of sight, moved on and muscled his way into more than 100 additional films. Many of his later 60's and 70's offerings were further down the credits list in the "spaghetti western" or "giallo mystery" categories -- staying true to the country that made him a star -- Three Graves for a Winchester (1966), Uccidi o muori (1966) a.k.a. "Kill or Be Killed", È mezzanotte... butta giù il cadavere (1966), Born to Kill (1967), Crazy Westerners (1967), Death on the Run (1967), John the Bastard (1967), Cheers to Cyanide (1968), Beyond the Law (1968), Trusting Is Good... Shooting Is Better (1968), Cry of Death (1968), I Am Sartana, Your Angel of Death (1969), Django and Sartana Are Coming... It's the End (1970), Inginocchiati straniero... I cadaveri non fanno ombra! (1970), Finders Killers (1971), Coffin Full of Dollars (1971), Down with Your Hands... You Scum! (1971), Let's Go and Kill Sartana (1971), Day of Judgment (1971), Lobo the Bastard (1971), His Name Was Sam Walbash, But They Call Him Amen (1971), Un uomo chiamato Dakota (1972), Stay Away from Trinity... When He Comes to Eldorado (1972), His Colt, Himself, His Revenge (1972), Seven Devils on Horseback (1975) and La polizia ordina: sparate a vista (1976).
As the years went on, Gordon would branch out more internationally. Some of these films included The Arizona Kid (1970) (Philippines); Angel's Leap (1971) (France); Seven Times Seven (1969) (Hong Kong); Tiger from River Kwai (1975) (Germany); A Very Special Woman (1979) (France); Kopfschuß (1981) (Germany); Inchon (1981) (US); the international mini-series Marco Polo (1982); White Fire (1984) (France); Commando Invasion (1986) (Germany) and Evil Spawn (1987) (Taiwan).
Returning to the States around 1990, Gordon continued to work sporadically Bikini Drive-in (1995) and An Enraged New World (2002)) until his last film -- the crime action flick Malevolence (2004). The actor, briefly married in the early 1950's, died of a heart attack on September 20, 2003, in Marina del Rey, California. He was 80 years old. - Actor
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Fernando Rey, the great Spanish movie actor primarily known in the United States for his role as "Frog One" in The French Connection (1971) and its sequel, was born Fernando Casado D'Arambillet on September 20 1917, in A Coruña, Galicia, Spain, the son of Colonel Casado Veiga. Originally, the young Fernando intended to become an architect. However, when the Spanish Civil War erupted in 1936, his architectural studies were interrupted, and he gained employment as a movie extra. He took the stage name "Fernando Rey" at the beginning of his career, equivalent, in English, to "Fernando King". Eight years after his movie debut, he was cast in his first major speaking role, as the Duke de Alba in José López Rubio's 1944 movie "Eugenia de Montijo".
Rey enjoyed a long and prosperous career as an actor in movies, the theater, radio, and television. He also was a major voice-over artist in Spain, narrating films and dubbing the voices of actors in foreign films. Rey's most fruitful collaboration was with the great director Luis Buñuel, which began during the 1960s and continued thought the 1970s. The films that Rey appeared in for Buñuel' made him an international star, the first produced by the Spanish cinema. By the early 1970s, Rey's career reached its high point, with his co-starring role in "The French Connection" (Best Picture Oscar Winner for 1971) and his starring role in Buñuel's The Discreet Charm of the Bourgeoisie (1972) ("The Discreet Charm of the Bourgeoisie", Best Foreign Language Film Oscar winner for 1972). Rey followed up these successes by appearing in The French Connection (1971) in 1974, and Buñuel's tandem That Obscure Object of Desire (1977) ("That Obscure Object of Desire"), an art-house hit that was nominated for the Best Foreign Language Film Oscar. Ironically, in the film, Rey's voice was dubbed into French by Michel Piccoli. That same year, he won the Best Actor prize at Cannes for Carlos Saura' Elisa, My Life (1977).
Many honors came to Rey in the twilight of his career, during the 1980s and 1990s. He was awarded at San Sebastián and Cannes, and was presented with the gold medal of the Spanish Art and Movie Sciences Academy. He became the president of that Academy from 1992 till his death from cancer two years later.- Actor
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Eduardo Fajardo was born on 14 August 1924 in Meis, Pontevedra, Galicia, Spain. He was an actor, known for Django (1966), The Murder Mansion (1972) and Ace of Hearts (1975). He was married to Carmelita González. He died on 4 July 2019 in Mexico.- The blond, steely-eyed bad guy of European westerns and potboilers was born in Lübeck, Germany, the son of a porcelain painter. Horst Frank financed his acting studies by working part-time as a babysitter and night watchman. He actually failed his final exams at the Musikhochschule Hamburg, but nonetheless managed to secure an acting position in his home town. For some time after, his work was primarily confined to small parts on stage and in radio. His first screen role saw him as a cowardly pilot in Der Stern von Afrika (1957). Frank then won a critic's award for his next role as member of a U-Boat crew in the war drama Haie und kleine Fische (1957).
Of athletic, lithe build and owner of a somewhat cold, hypnotic gaze (with a voice to match), Frank soon found himself typecast to disturbingly good effect as psychotic murderers in German and international productions (The Black Panther of Ratana (1963), Das Mädchen vom Moorhof (1958), Der Greifer (1958)). Alternatively, he proved an ideal henchman for spaghetti westerns (Bullets Don't Argue (1964), Johnny Hamlet (1968) and Django, Prepare a Coffin (1968)). Frank didn't seem to mind turning out copies of the same negative in a seemingly endless gallery of ruthless killers and impassive assassins. He did so with relish well into the 1980's and 90's, enjoying guest spots on popular TV crime time shows like Tatort (1970) and Derrick (1974). If Horst Frank was in the cast, you knew pretty much from the start 'whodunnit'.
Behind the menacing heavy, there was a family man and author of poems and chansons. In addition to his screen acting, Frank lent his voice to dubbing work (for the likes of fellow tough guys Jack Palance, Ernest Borgnine and Chuck Connors); and to radio, where he voiced Captain Nemo in "20,000 Leagues Under the Sea" and "The Mysterious Island".
Likely because of his lack of work in major American or British productions, Frank never quite achieved the international recognition he undoubtedly deserved. He died quite suddenly in May 1999 of a brain hemorrhage, just short of his 70th birthday. - Actor
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An athlete turned actor, Strode was a top-notch decathlete and a football star at UCLA. He became part of Hollywood lore after meeting director John Ford and becoming a part of the Ford "family," appearing in four Ford motion pictures. Strode also played the powerful gladiator who does battle with Kirk Douglas in Spartacus (1960)."- José Bódalo was born on 24 March 1916 in Córdoba, Argentina. He was an actor, known for Django (1966), Estudio 1 (1965) and El crack (1981). He died on 24 July 1985 in Madrid, Spain.
- Marco Zuanelli was born on 17 May 1939 in Rome, Italy. He is an actor, known for Sabata (1969), Salome '73 (1965) and Chapaqua's Gold (1970).
- Roberto Camardiel was born on 29 November 1917 in Alagón, Zaragoza, Aragón, Spain. He was an actor, known for Piedra de toque (1963), Ensayo general para la muerte (1963) and For a Few Dollars More (1965). He died on 7 November 1986 in Madrid, Spain.
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Elegant, urbane and well-spoken, Gabriele Ferzetti was one of Italy's most prominent international stars of the 1950's and 60's. His passion for the stage had begun with performing in university plays. This paved the way to a scholarship at the Rome Academy of Dramatic Art (Accademia d'arte drammatica). Before long, he was expelled for appearing with a professional theatrical troupe and proceeded to join the National Theatre, and, a year later, the company of Vivi Gioi. As the silver screen beckoned, Ferzetti made his motion picture debut at the age of seventeen in Luigi Chiarini's Via delle cinque lune (1942). After a succession of supporting roles and uncredited bits as an extra, his first genuine lead came opposite Gina Lollobrigida in the comedy The Wayward Wife (1953). This role won him an award from the Italian National Syndicate of Film Journalists and established his reputation as a major romantic star. In its wake came steady offers for more challenging roles across diverse genres. He played the central character, respectively in Puccini (1953) and Sins of Casanova (1955) before excelling as a struggling artist in Michelangelo Antonioni's The Girlfriends (1955). He impressed again as the failed architect and irresolute playboy Sandro in the controversial L'Avventura (1960), again directed by Antonioni.
By the early 60's, Ferzetti's distinguished features had him frequently cast in provocative political dramas as flawed men hiding behind charming, sophisticated facades. He also acquired an international following with character roles in Torpedo Bay (1963), I Spy (1965), as a cynical railway baron in Sergio Leone's epic Once Upon a Time in the West (1968) and as syndicate boss Marc-Ange Draco joining forces with James Bond in On Her Majesty's Secret Service (1969) (his accent was deemed to be too strong, however, and he was dubbed by David de Keyser ). Ferzetti's career continued to prosper during the 70's and beyond,despite occasional missteps (including the incongruously cast Hitler: The Last Ten Days (1973) and the box office disaster that was Inchon (1981). During his final years, he restricted his appearances predominantly to the small screen.- Franco Ressel was born on 8 February 1925 in Naples, Campania, Italy. He was an actor, known for Trinity Is Still My Name (1971), Erik the Conqueror (1961) and Sabata (1969). He died on 30 April 1985 in Rome, Lazio, Italy.
- Luis Dávila was born on 15 July 1927 in Buenos Aires, Argentina. He was an actor, known for Espionage in Tangiers (1965), Ypotron - Final Countdown (1966) and Le tigri di Mompracem (1970). He died on 21 August 1998 in Buenos Aires, Argentina.
- Sullen faced blonde Frederico Boido was born in 1938 at Novi Ligure, Alessandria, Piemonte in Italy. He became a familiar character in European films from sci-fi to westerns and was a charter cast member of the dark photo novels known as Killing in Italy, Satanik in France and Sadistik in America. Usually playing a deranged psycho, he has the honor of having been killed by space vampires and cowboys as well as dark comics icons Diabolik and Sadistik (many times)!
At 26, his first film was a standard peplum (sword & sandal) epic of the era, Sansone e il tesoro degli Incas (known in the US as Hercules and the Treasure of the Incas). It also co-starred future Sadistik actor, Franco Jamonte. Next Boido was in a three-segment film called Thrilling that had an episode based on the dark, Diabolik-inspired character Sadik.
After some uncredited appearances in some spy films, Rico Boido made a splash on the screen in the atmospheric Mario Bava film Terrore nello spazio (Planet of Vampires, 1965) as a zombie astronaut.
From the first issue in 1966, Rico Boido appeared in the Sadistik adventures while still menacing the film screen. A prime ingredient in spaghetti westerns, Rico was also a hood in Bava's incredible Danger: Diabolik. He had a memorable role as a henchman who casually plugs a bullet hole in a jet cabin with a wad of chewing gum. Boido made a cameo in Frederico Fellini's wild Toby Dammit segment in Histoires extraordinaires (Spirits of the Dead, 1968).
For the next ten years Boido mostly showed up as a gunslinger in a series of Trinity, Sartana, Django and Sabata westerns, though he did have a presence as a hitman in 1973's Superfly T.N.T.
Recently, Boido filmed an interview about his photo novel experiences for a documentary called The Diabolikal Super Kriminal. - Actor
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Bruno Ukmar is known for The Great Silence (1968), The Revolt of the Pretorians (1964) and The Cat o' Nine Tails (1971).- Furio Meniconi was born on 22 February 1924 in Rome, Lazio, Italy. He was an actor, known for Deep Red (1975), Duck, You Sucker! (1971) and Vulcan, Son of Jupiter (1962). He died on 12 December 1981 in Rome, Lazio, Italy.
- The talented scion of a show-business family, Keenan Wynn's father was the great burlesque and television buffoon Ed Wynn while his maternal grandfather, Frank Keenan, earned distinction on the other side of the entertainment ladder as a Shakespearean tragedian. Mother Hilda Keenan was also a minor actress. Born in New York City on July 27, 1916, during the height of his father's Broadway popularity, Keenan grew up in the lap of luxury and was educated at St. John's Military Academy. He initially followed in his grandfather's dramatic footsteps as opposed to his father's clown shoes, making his professional bow in Maine with the Lakewood Players in a production of "Accent of Youth". By 1937, he was on Broadway with "Hitch Your Wagon" in two small roles. During the run of the show, he met first wife, actress Evie Wynn Johnson, who became his coach, manager and advisor. At the same time, he began to get steady radio work.
Through the aid and encouragement of his wife and her contacts, he eventually wrangled screen tests for both 20th Century-Fox and MGM. Turned down by the first studio, he signed with Metro-Goldwyn-Mayer at a rather low pay scale of $300 a week. At MGM, Keenan became the utilitarian character player, adept at playing almost anything handed to him. Balding, homely but with real distinctive, imposing features, he made his unbilled debut in Somewhere I'll Find You (1942), and went on to play a grab-bag of shady brutes, usually in comic relief style. He was Gene Kelly's agent in For Me and My Gal (1942), a gangster in Lost Angel (1943), a soldier buddy to Robert Walker in See Here, Private Hargrove (1944) and its sequel; a drunk in a diner in The Clock (1945); Lucille Ball's tipsy beau in the Katharine Hepburn / Spencer Tracy vehicle Without Love (1945); and a news editor paired up with Ms. Ball again in Easy to Wed (1946). Moreover, he was given "B" co-star assignments in lesser material such as The Thrill of Brazil (1946), No Leave, No Love (1946) and The Cockeyed Miracle (1946).
Two sons were born to Keenan and Eve during the war years but he and Eve soon drifted apart. In 1946, the couple filed divorce papers with a third-party involvement in the form of family close friend and MGM star Van Johnson. Eve went on to marry Johnson the day after the couple's divorce was decreed in 1947. Keenan's second marriage in 1949 to Betty Jane Butler lasted only four years.
He resigned with Metro-Goldwyn-Mayer in the postwar years and ventured on as one of Hollywood's strongest character players. The drawback was that not many of his roles were high-quality challenges, roles that might have moved him toward the top of the MGM hierarchy. The more scene-stealing roles that came to him were his disagreeable, self-important burlesque star in the Clark Gable starrer The Hucksters (1947); his jazz reedman in Song of the Thin Man (1947); and the songwriter friend to Kirk Douglas in My Dear Secretary (1948). He was also given his quota of vulgar, blunt-talking villains to play, both comically and dramatically, in such films as Love That Brute (1950), Kind Lady (1951) and, in particular, his Runyonesque gangster in the musical classic Kiss Me Kate (1953). Partnered with co-hort James Whitmore, their rendering of "Brush Up Your Shakespeare" was one of many comedy highlights. He also doled out a number of brash soldier types in such films as Fearless Fagan (1952), Battle Circus (1953), Code Two (1953) and Men of the Fighting Lady (1954).
After leaving Metro-Goldwyn-Mayer in 1954, he set his sights on television, but the lure of films (and steady work) never stopped. In The Great Man (1956), Keenan finally appeared with father Ed Wynn, who had suffered a major career slide and subsequent nervous breakdown. Keenan, who at one time had gone to great lengths to extricate himself from his father's famous shadow, was now an instrument of encouragement. He suggested the elder Wynn abandon his old-styled clowning in favor of a serious character acting. His father agreed to try and appeared in a small role in the film but they had no scenes together. The risk worked. The following year both were being hailed for their superlative work together in the dramatic television production Requiem for a Heavyweight (1956).
Disney employed both father and son in the 1960s with a mustachioed Keenan as an exceptionally hissable villain in the studio's comedy feature The Absent Minded Professor (1961) and its sequel, Son of Flubber (1962). His hammy antics were spurred on in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), The Great Race (1965), Viva Max (1969) and Pretty Maids All in a Row (1971), along with standard, if not always stand-out, television work. His annoying, fast-talking conmen, scheming tycoons and other unappetizing cronies never lost their demand. In 1975, he earned an Emmy Award nomination for his guest-starring role on Police Woman (1974).
Though his later years were marred by a severe case of tinnitus (a ringing in the ear that blocks out exterior sound), he was able to continue acting until the very end. One of his last roles was as a regular on the short-lived television series The Last Precinct (1986). Sons Ned Wynn ("Edmund") and Tracy Keenan Wynn became successful writers in the business. On October 14, 1986, Keenan Wynn died of pancreatic cancer at age 70 and was survived by third wife Sharley Jean Hudson, who had three daughters by him: Hilda, Emily and Edwina. His granddaughter Jessica Keenan Wynn (Edwina's daughter) is also a Broadway singer and actress. - Robert Hundar was born on 12 January 1935 in Castelvetrano, Sicily, Italy. He was an actor, known for Hour of Death (1964), Goliath and the Dragon (1960) and Caribbean Hawk (1962). He died on 12 May 2008 in Rome, Lazio, Italy.
- Ivan Rassimov and his younger sister, Rada, decided to pursue a career in acting. Ivan studied acting at the University at Trieste. After attending military service in Italy, he then settled in Rome to pursue his acting career. A series of small roles began his career, one of them being from the legendary director Mario Bava with Planet of Vampires.
With his strong, piercing eyes and striking look, Rassimov was often cast as villains, from Nazi soldiers, to tough guys, to murder suspects. Rassimov also occasionally played good guys and saw it as a novelty item from his bad guy roles. From playing a police detective, an archaeologist, and even a psychiatrist in Mario Bava's last theatrical movie, Shock (1977). He was most often seen as a male stalwart of the Italian cannibal films in acting alongside Me Me Lai in three of them, most notably being _Jungle Holocaust (1977)_.
By 1987, Rassimov more or less retired from acting and lived in a villa north of Rome with his wife and teenage daughter. He worked as the director of a publishing house for comic books and novels until his death in 2003. - Actor
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- Art Department
Leo Anchóriz was born on 22 September 1932 in Almería, Almería, Spain. He was an actor and writer, known for La petición (1976), Sandokan the Great (1963) and Vivir al sol (1965). He was married to Mary Callejón. He died on 17 February 1987 in Madrid, Spain.- Actor
- Stunts
José Torres was born on 4 June 1925 in Tocuyito, Venezuela. He is an actor, known for Children of the Salt (2018), Le tigri di Mompracem (1970) and Death Is Sweet from the Soldier of God (1972).- Remo Capitani was born on 19 December 1927 in Rome, Lazio, Italy. He was an actor, known for Canterbury proibito (1972), The Beast (1970) and Fighters from Ave Maria (1970). He died on 14 February 2014 in Rome, Lazio, Italy.
- Andrea Scotti was born on 27 August 1931 in Naples, Italy. He was an actor, known for The Loves of Hercules (1960), The Minotaur, the Wild Beast of Crete (1960) and Elena sì... ma di Troia (1973). He died on 21 December 2003 in Italy.
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- Producer
Giovanni Ivan Scratuglia was born on 11 November 1938 in Lastovo, Croatia. He was an actor and assistant director, known for Django (1966), Vengeance (1968) and The Girl with a Pistol (1968). He died on 21 May 2013.- Though best known to cult film fans for his roles in Italian B-movies, Donald O'Brien hailed from Pau, in the Pyrenees mountains of France. His Irish father was a former US Army Calvary officer who fought in the Spanish-American war, and his mother was an English governess. When World War II broke out and France came under Nazi occupation, the O'Briens fled back to Ireland, where Donald would spend his formative years. He studied acting under the Irish theatre legend Micheál MacLiammóir, and later moved back to France, where he worked several oddjobs including prizefighter and office worker.
In 1953, the 23-year-old O'Brien made his first appearance in a feature film, Anatole Litvak's war drama Act of Love (1953). A chance meeting with director John Frankenheimer saw him cast as a Nazi officer in The Train (1964), which so impressed the director that he cast him in a supporting role in Grand Prix (1966). In 1967, O'Brien was brought to Italy to star in Sergio Sollima's cult Spaghetti Western Run, Man, Run (1968). His portrayal of ex-American lawman turned soldier of fortune Nathaniel Cassidy led to future leading roles in the genre for a number of years, during which he changed his name from "Donal" to "Donald" due to contracts frequently misspelling it.
O'Brien quickly became a staple of Italian B-movies, appearing in everything from Spaghetti Westerns, to horror films, to Sexploitation pictures. In 1981, he starred in Zombie Holocaust (1980) (retitled 'Doctor Butcher, M.D.' for its US release), which earned him a strong cult following among horror and exploitation film fans for his portrayal of the eponymous mad scientist. However, that same year he sustained a brain injury that paralyzed half his body, and significantly reduced the number of roles he could play even after he recovered. He appeared in several films for the notorious Joe D'Amato, and had a supporting role as a Franciscan friar opposite Sean Connery in Jean-Jacques Annaud's The Name of the Rose (1986).
Following another accident in 1996, O'Brien all but retired from acting, settling in Paris with his family. - Actor
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Lionel Stander, the movie character actor with the great gravelly voice, was born on January 11th, 1908 in The Bronx borough of New York City. Stander's acting career was derailed when he was blacklisted during the 1950s after being exposed as a Communist Party member during the House Un-American Activities Committee hearings. In his own HUAC testimony in May 1953, Stander denounced HUAC's use of informers, particularly those with mental problems.
Stander specialized in playing lovable hoodlums and henchmen and assorted acerbic, hard-boiled types. His physique was burly and brutish, and his head featured a square-jaw beneath a coarse-featured pan that was lightened by his charm. But it was his gruff, foghorn voice that made his fortune.
Stander attended the University of North Carolina, but after making his stage debut at the age of 19, he decided to give up college for acting. Along with a successful stage career, his unusual voice made him ideal for radio. His movie screen debut was in the comedy short Salt Water Daffy (1933) with Jack Haley and Shemp Howard. He went on to star in a number of two-reel comedy shorts produced at Vitaphone's Brooklyn studio before moving to Hollywood in 1935, where he appeared as a character actor in many A-list features such as Nothing Sacred (1937).
John Howard Lawson, the screenwriter who was one of the Hollywood Ten and who served as the Communist Party's cultural commissar in Hollywood, held up Stander as the model of a committed communist actor who enhanced the class struggle through his performances. In the movie No Time to Marry (1938), which had been written by Party member Paul Jarrico, Stander had whistled a few bars of the "Internationale" while waiting for an elevator.
Stander thought that the scene would be cut from the movie, but it remained in the picture because "they were so apolitical in Hollywood at the time that nobody recognized the tune".
Stander had a long history of supporting left-wing causes. He was an active member of the Popular Front from 1936-39, a broad grouping of left-wing organizations dedicated to fighting reactionaries at home and fascism abroad. Stander wrote of the time, "We fought on every front because we realized that the forces of reaction and Faciscm fight democracy on every front. We, too, have been forced, therefore, to organize in order to combat them on every front: politically through such organizations as the Motion Picture Democratic Committee; economically through our guilds and unions; socially, and culturally through such organizations as the Hollywood Anti-Nazi League."
The Front disintegrated when the U.S.S.R. signed a non-aggression pact with Nazi Germany, which engendered World War II by giving the Nazis the get-go to invade Poland (with the Soviet Union invading from the East). The Communist Party-USA dropped out of the Front and from anti-Nazi activities, and during the early days of the War, before Germany invaded the U.S.S.R. in June 1941, it tried to hamper US support for the UK under the aegis of supporting "peace," including calling strikes in defense plants. Many communists, such as Elia Kazan, dropped out of the Party after this development, but many others stayed. These were the Stalinists that the American non-communist left grew to despise, and eventually joined with the right to destroy, though much of their antipathy after 1947-48 was generated by a desire to save themselves from the tightening noose of reaction.
Melvyn Douglas, a prominent liberal whose wife Helen Gahagan Douglas would later be a U.S. Representative from California (and would lose her bid for the Senate to a young Congressman named Richard Nixon, who red-baited her as "The Pink Lady"), had resisted Stander's attempts to recruit him to the Party. "One night, Lionel Stander kept me up until dawn trying to sell me the Russian brand of Marxism and to recruit me for the Communist Party. I resisted. I had always been condemnatory of totalitarianism and I made continual, critical references to the U.S.S.R. in my speeches. Members of the Anti-Nazi League would urge me to delete these references and several conflicts ensued."
Douglas, his wife, and other liberals were not adverse to cooperating with Party members and fellow travelers under the aegis of the MPDC, working to oppose fascism and organize relief for the Spanish Republic. They believed that they could minimize Communist Party influence, and were heartened by the fact that the Communists had joined the liberal, patriotic, anti-fascist bandwagon. Their tolerance of Communists lasted until the Soviet-Nazi Pact of August 1939. That, and the invasion of Poland by the Nazis and the USSR shattered the Popular Front.
Stander had been subpoenaed by the very first House Un-American Activities Committee inquisition in Hollywood, in 1940, when it was headed by Texas Congressman Martin Dies. The Dies Committee had succeeded in abolishing the Federal Theatre Project of the Works Progress Administration as a left-wing menace in 1939 (the FTP had put on a revival of Lawson's play about the exploitation of miners, "Prcessional," that year in New York). The attack on the FTP had been opposed by many liberals in Hollywood. Stung by the criticisms of Hollywood, the Dies Committee decided to turn its attention on Hollywood itself.
Sending investigators to Hollywood, Dies' HUAC compiled a long-list of subversives, including Melvyn Douglas. John L. Leech, a police agent who had infiltrated the Communist Party before being expelled in 1937, presented a list of real and suspected communists to a Los Angeles County grand jury, which also subpoenaed Stander. The testimony was leaked, and the newspapers reported that Stander, along with such prominent Hollywood liberals as James Cagney, Humphrey Bogart, Frederic March and Francot Tone, had been identified as communists.
Committee chairman Dies offered all of the people named as communists the opportunity to clear themselves if they would cooperate with him in executive session. Only one of the named people did not appear, and Stander was the only one to appear who was not cleared. Subsequently, he was fired by his studio, Republic Pictures.
Stander was then subpoenaed to testify before the California Assembly's Committee on Un-American Activities, along with John Howard Lawson, the union leader John Sorrell and others. During the strike led by Sorrell's militant Conference of Student Unions against the studios in 1945, Stander was the head of a group of progressives in the Screen Actors Guild who supported the CSU and lobbied the guild to honor its picket lines. They were outvoted by the more conservative faction headed by Robert Montgomery, George Murphy and Ronald Reagan. The SAG membership voted 3,029 to 88 to cross the CSU picket-line.
Stander continued to work after being fired by Republic. He appeared in Hangmen Also Die! (1943), a film about the Nazi Reinhard Heydrich, who was assassinated by anti-fascists. After the bitter CSU strike, which was smeared as being communist-inspired by the studios, HUAC once again turned its gaze towards Hollywood, starting two cycles of inquisitions in 1947 and 1951. The screenwriter Martin Berkeley, who set a record by naming 155 names before the the second round of Committee hearings, testified that Stander had introduced him to the militant labor union leader Harry Bridges, long suspected of being a communist, whom Stander called "comrade".
After being blacklisted, Stander worked as a broker on Wall Street and appeared on the stage as a journeyman actor. He returned to the movies in Tony Richardson's The Loved One (1965), and he began his career anew as a character actor, appearing in many films, including Roman Polanski's Cul-de-sac (1966) and Martin Scorsese's New York, New York (1977). Other movies he appeared in included Promise Her Anything (1966), The Black Bird (1975), The Cassandra Crossing (1976), 1941 (1979), Cookie (1989) and The Last Good Time (1994), his final theatrical film.
Stander is best remembered for playing Max on TV's Hart to Hart (1979) (1979-84) with Robert Wagner and Stefanie Powers, a role he reprised in a series of "Hart to Hart" TV movies. Stander also appeared on Wagner's earlier TV series It Takes a Thief (1968) and on the HBO series Dream On (1990).
Lionel Stander died of lung cancer on November 30, 1994 in Los Angeles, California. He was 86 years old.- Actor
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Colorful American character actor equally adept at vicious killers or grizzled sidekicks. As a child he worked in the cotton fields. He attended Santa Monica Junior College in California and subsequently became an accountant and, at one time, manager of the Bel Air Hotel. Elam got his first movie job by trading his accounting services for a role. In short time he became one of the most memorable supporting players in Hollywood, thanks not only to his near-demented screen persona but also to an out-of-kilter left eye, sightless from a childhood fight. He appeared with great aplomb in Westerns and gangster films alike, and in later years played to wonderful effect in comedic roles.- Actor
- Additional Crew
Charles Southwood was born on 30 August 1937 in Los Angeles, California, USA. He was an actor, known for Sartana's Here... Trade Your Pistol for a Coffin (1970), Make the Sign of the Cross, Stranger! (1968) and I Protect Myself Against My Enemies (1968). He died on 8 April 2009 in Grants Pass, Oregon, USA.- Ignazio Spalla was born in 1924 in Siena, Tuscany, Italy. He was an actor, known for Three Supermen of the West (1973), Sabata (1969) and Dream of Zorro (1975). He died in 1995.
- Actor
- Additional Crew
Corrado Pani was born on 4 March 1936 in Rome, Lazio, Italy. He was an actor, known for Daughter of Cleopatra (1960), Rocco and His Brothers (1960) and Amazons of Rome (1961). He was married to Nadia Strebernik Pani and Renata Monteduro. He died on 2 March 2005 in Rome, Lazio, Italy.- Gianni Rizzo was born on 5 April 1924 in Brindisi, Puglia, Italy. He was an actor, known for The Name of the Rose (1986), Zorro and the Three Musketeers (1963) and The Ten Gladiators (1963). He died on 4 February 1992 in Rome, Lazio, Italy.
- Aldo Canti, aka Nick Jordan, was a Roman stuntman at Cinecittà who gradually became a minor leading man in a few Italian B-movies. He was reportedly linked to the Italian underworld, and was found murdered in the early nineties at Rome's Villa Borghese park.
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Japanese leading man, an important star and one of the handful of Japanese actors well known outside Japan. Nakadai was a tall handsome clerk in a Tokyo shop when director Masaki Kobayashi encountered him and cast him in The Thick-Walled Room (1956). Nakadai was subsequently cast in the lead role in Kobayashi's monumental trilogy 'Ningen no joken' and became a star whose international acclaim rivaled that of countryman Toshirô Mifune. Like Mifune, Nakadai worked frequently with director Akira Kurosawa and indeed more or less replaced Mifune as Kurosawa's principal leading man after the well-known falling out between Mifune and Kurosawa. His appearances for Kurosawa in Kagemusha: The Shadow Warrior (1980) and Ran (1985) are among the most indelible in the director's oeuvre.- Actor
- Writer
Long-faced, emaciated-looking character actor with a thin mustache and an impeccable English accent, Anthony Dawson was typecast in a variety of villainous roles in the 1950s and 1960s.
He was born Anthony Douglas Gillon Dawson in Edinburgh, Scotland, to Ida Violet (Kittel) and Eric Francis Dawson. His father was Scottish and his mother was of German and English descent. Dawson made his greatest impact in the Alfred Hitchcock classic Dial M for Murder (1954). He was excellent as Lesgate, seedy ex-Cambridge classmate of would-be wife murderer Wendice (Ray Milland). In the scene where Wendice blackmails him to commit the killing ("There were times I felt you belonged to me"), he is nervous and visibly torn between fear and avarice. Dawson gave similarly sinister performances in the thriller Midnight Lace (1960), where he menaced hapless Doris Day, and the Terence Fisher-directed Hammer horror The Curse of the Werewolf (1961) as Count Siniestro. In a film by Terence Young, the James Bond classic Dr. No (1962), Dawson played the geologist Prof. R.J.Dent, a henchman of the title character who attempts to assassinate the hero, then finds out to his cost what Bond's "license to kill" really means.
Dawson was also the first screen incarnation of Bond villain Ernst Stavro Blofeld (in From Russia with Love (1963) and Thunderball (1965)), though the viewer only sees his hands stroking a white cat and hears the voice of Austrian actor Eric Pohlmann. A highly capable, immediately recognizable actor, Dawson deserved better roles than came his way after the mid-1960s. He eventually ended up playing small parts in minor Italian films and European co-productions, but should not be confused with the Italian horror director Antonio Margheriti who sometimes used the pseudonym 'Anthomy M. Dawson'.
An interesting footnote to Dawson's career are his unpublished memoirs, "Rambling Recollections", in which he vividly recalls meeting Hitchcock after first arriving in Hollywood. This took place at a dinner party given by the director at Perino's Restaurant in Los Angeles. Also present were 'Dial M' co-stars Grace Kelly and English actor John Williams. Dawson later escorted Kelly to her residence at Chateau Marmont, an apartment bloc on Sunset Strip. Dawson then intimated that an affair took place, which, however lasted just until Ray Milland arrived on the scene.- Carlo Gaddi was born on 4 January 1936 in Vatican City, Vatican. He was an actor, known for The Conformist (1970), The Tough Ones (1976) and Violent Naples (1976). He died on 4 November 1977 in Rome, Lazio, Italy.
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Nello Pazzafini was born on 15 May 1934 in Rome, Lazio, Italy. He was an actor, known for Ator, the Fighting Eagle (1982), Long Live Robin Hood (1971) and Carambola (1974). He died on 27 November 1997 in Ostia, Rome, Lazio, Italy.- Actor
- Additional Crew
Claudio Camaso was born on 3 February 1939 in Turin, Piedmont, Italy. He was an actor, known for 1900 (1976), A Bay of Blood (1971) and I Knew Her Well (1965). He was married to Verena Baer Volonté. He died on 16 September 1977 in Rome, Lazio, Italy.- Dan van Husen had a certain look about him back then in the 1970s and all the last 40 years have done is add a sage, aged, mature wisened aura to him. He has appeared in twenty-three Italo Westerns in six or seven years and then he branched out and tackled more challenging roles and genres. Not that many from the Spaghetti Western days ever studied or hit acting with the tenacity that he has done up until the present.
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Andrea Bosic was born on 15 July 1919 in Gomilsko, Maribor, Yugoslavia. He was an actor, known for Sandokan the Great (1963), Duel of the Titans (1961) and Danger: Diabolik (1968). He died on 9 January 2012 in Bologna, Emilia-Romagna, Italy.- Giuseppe Cardillo is known for The Beast (1970).
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- Additional Crew
Round-faced, high-hairlined stuntman who started as a bit part actor in Italian Westerns. He was immediately noticed for his athletic ability and given large supporting roles and even a few starring roles in some low-budget Westerns, often opposite Gordon Mitchell. Even with the demise of the Spaghetti Western genre, Pacifico stayed on and made the transition from star to character actor and stunt coordinator. Bouncing around between all the major Italian studios, Pacifico is best known in his small roles as a "thug" or "henchman" in countless Italian crime and action films, usually alongside Giovanni Cianfriglia and Nello Pazzafini, who both made similar prolific stunt / character actor careers. Pacifico still lives in Italy and his son Claudio Pacifico continues the family tradition as a stunt coordinator.- Actor
- Producer
- Director
Antonio Molino Rojo was born on 14 September 1926 in Valencia, Spain. He was an actor and producer, known for The Good, the Bad and the Ugly (1966) and Hola... señor Dios (1970). He died on 2 November 2011 in Barcelona, Spain.- José Jaspe was born on 10 August 1906 in A Coruña, Galicia, Spain. He was an actor, known for Horror Express (1972), The Queen of the Pirates (1960) and Killer Goodbye (1968). He was married to Mercedes Vecino. He died on 5 June 1974 in Becerril, Spain.
- Actor
- Additional Crew
- Production Manager
Spartaco Conversi was born on 6 October 1916 in Rome, Lazio, Italy. He was an actor and production manager, known for The Great Silence (1968), The Stone Forest (1965) and Cry of Death (1968). He died on 7 June 1989 in Rome, Lazio, Italy.- Actor
- Additional Crew
- Camera and Electrical Department
Swiss-born actor Howard Vernon (né Mario Lippert) would make his infamous claim to fame as a stock lead player for the lowgrade, campy horror features of notorious director Jesús Franco, starring as Dr. Orloff, Dracula, and other terrorizers, most of them produced in Spain or France. Born in 1914 the son of a Swiss father and American mother, Howard received his dramatic training in both Berlin and Paris and was originally a stage and radio player (from 1945) before arriving in post-war French films. He articulated and personified a number of nefarious Nazis and sinister criminals in his five-decade career, although he could grab a sympathetic role from time such as in the French film The Silence of the Sea (1949), which remains one of his best. Occasionally a still photographer, he forged a long, non-creative association beginning in the early 1960s with cult director Jess Franco following his good showing for Fritz Lang in _Tausend Augen des Dr. Mabuse, Die (1960)_ [The 1,000 Eyes of Dr. Mabuse]. With his piercing gaze and gravely-voiced he entered into an enduring alliance with Franco, albeit in dreadful schlock. It began promisingly enough with the horror classic The Awful Dr. Orlof (1962) [The Awful Dr. Orloff] in which he portrayed the creepy title role with a slightly sympathetic countenance, but his appearances quickly degenerated into cheap exploitation, void of deserving artistic merit. He died in Paris shortly after his 82nd birthday.- Livio Lorenzon was born on 6 May 1923 in Trieste, Friuli-Venezia Giulia, Italy. He was an actor, known for The Good, the Bad and the Ugly (1966), Zorro and the Three Musketeers (1963) and Tharus figlio di Attila (1962). He died on 23 December 1971 in Latisana, Friuli-Venezia Giulia, Italy.
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- Director
Piero Vida was born on 5 August 1938 in Mestre, Venice, Veneto, Italy. He was an actor and writer, known for Deep Red (1975), StageFright (1987) and Nostalghia (1983). He died on 25 January 1987 in Rome, Lazio, Italy.- Actor
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Ivano Staccioli was born on 3 January 1927 in Siena, Tuscany, Italy. He was an actor, known for La figlia del capitano (1965), La donna di cuori (1969) and A... For Assassin (1966). He died on 15 July 1995 in Rome, Lazio, Italy.- Actor
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- Director
Marcel Bozzuffi was born on 28 October 1929 in Rennes, Ille-et-Vilaine, France. He was an actor and director, known for The French Connection (1971), Z (1969) and Maigret voit rouge (1963). He was married to Françoise Fabian. He died on 1 February 1988 in Paris, France.- Domenico Maggio was born on 6 December 1931 in Naples, Italy. He was an actor, known for The Mean Machine (1973), Maciste contro i mostri (1962) and Sword of the Empire (1964). He died on 11 September 1988 in Rome, Italy.
- Actor
- Producer
He studied philosophy in Salamanca but he did not finish the career. Then he went to Barcelona where he studied in the Escuela Superior de Arte Dramatico. His first film was in 1960. He has also worked in TV (TVE, ORTF).- Cris Huerta started with a small part in a mythological "peplum" made in Italy, and went on doing typically fat, dirty, bad guys in "spaghetti westerns", up to Alfredo Mayo's Sabata the Killer (1970). He can be seen in the unforgettable French western by Christian-Jaque, The Legend of Frenchie King (1971).
In Storia di karatè, pugni e fagioli (1973) he and Dean Reed will play a pair of bandits in the fashion of the Italian predecessor team of Terence Hill, the lean, hunky bandit, and Bud Spencer - Cris Huerta's fat, ugly brawler.
He is the Priest in The City of Lost Children (1995), in the horror genre, in a varied and long career not unlike that of Fernando Sancho. He has a few TV appearances, early in his career, and then after 1997's in a series for Spanish television. - Raf Baldassarre was born on 17 January 1932 in Rome, Lazio, Italy. He was an actor, known for The Great Silence (1968), Our Man in Jamaica (1965) and The Giants of Thessaly (1960). He died on 17 January 1995 in Italy.
- Actor
- Cinematographer
- Camera and Electrical Department
Franco Pesce was born on 11 August 1890 in Naples, Campania, Italy. He was an actor and cinematographer, known for The Charterhouse of Parma (1948), A... For Assassin (1966) and L'amor mio non muore (1921). He died on 6 December 1975.- Stunts
- Actor
- Additional Crew
Roberto Dell'Acqua was born on 16 April 1946 in Rome, Italy. He was an actor, known for Popeye (1980), Life Is Beautiful (1997) and Crime Busters (1977). He died on 16 September 2019 in Rome, Lazio, Italy.- Spanish actor (although reportedly born in Puerto Rico) who relocated to Mexico in 1946 and became a popular leading man opposite stars like María Félix, María Antonieta Pons, and Gloria Marín. Calvo, the son of well-known Spanish actor Juan Calvo, began working on the stage at the age of 5. His Spanish film debut came in 1934, and in late 1945 he was hired by Mexico producer Gregorio Walerstein to appear with María Félix in La mujer de todos (1946). During the 1960s, Calvo returned to work in the Spanish film industry, but came back to Mexico in the 1970s, where he was a TV and stage regular and made occasional film appearances. During the last few years of his life, Calvo was something of a recluse, living in straitened circumstances in a Mexico City hotel and spending his time writing and painting. He suffered from emphysema and kidney trouble, and died of heart failure in July 1996.
- Actor
- Production Manager
Luciano Pigozzi was born on 10 January 1927 in Novellara, Reggio Emilia, Italy. He was an actor and production manager, known for Yor: The Hunter from the Future (1983), Death Will Have Your Eyes (1974) and Strike Commando (1987). He died on 14 June 2008 in Rome, Lazio, Italy.- Actor
- Producer
- Additional Crew
George Wang was born on 12 November 1918 in Dandong, Liaoning, China. He was an actor and producer, known for Huang tian hou tu (1981), The 10th Victim (1965) and Super Fly T.N.T. (1973). He died on 27 March 2015 in Taipei, Taiwan.- Franco Balducci was born on 23 November 1922 in Bettone, Perugia, Umbria, Italy. He was an actor, known for Mystery of the Black Jungle (1954), Death Rides a Horse (1967) and Romeo e Giulietta (1964). He died on 7 June 2001 in Bettona, Italy.
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- Writer
- Stunts
Guglielmo Spoletini was born on 18 April 1929 in Rome, Italy. He was an actor and writer, known for The Omen (1976), Carambola (1974) and The Sailor from Gibraltar (1967). He died on 12 March 2005 in Rome, Lazio, Italy.- Gianni Milito is known for Madness - Gli occhi della luna (1971), Torino nera (1972) and Ore di terrore (1971).
- Norwegian by heritage and a San Franciscan by birth, brown-haired, brown-eyed Gregg Palmer (born Palmer Lee) broke into show biz as a radio announcer. After an early '50s stint as a contract player at Universal, he turned to freelancing, closing out the decade by starring and co-starring in a number of detective, Western and sci-fi adventures. In the '60s, Palmer drifted into supporting roles and much TV work, and reinforced his growing rep with Western fans by becoming a regular member of John Wayne's latter-day stock company.
- Actor
- Soundtrack
Joseph Egger was born on 22 February 1889 in Donawitz, Styria, Austria-Hungary [now Austria]. He was an actor, known for A Fistful of Dollars (1964), For a Few Dollars More (1965) and Das alte Försterhaus (1956). He was married to Erna. He died on 29 August 1966 in Gablitz, Lower Austria, Austria.- Actor
- Additional Crew
José Calvo was born on 3 March 1916 in Madrid, Spain. He was an actor, known for A Fistful of Dollars (1964), Viridiana (1961) and El gran crucero (1970). He was married to Mercedes Barranco. He died on 16 May 1980 in Los Palmas de Gran Canaria, Spain.- Additional Crew
- Actor
- Sound Department
Mimmo Palmara was born on 25 July 1928 in Cagliari, Sardinia, Italy. He was an actor, known for The Ten Gladiators (1963), Tharus figlio di Attila (1962) and The Two Gladiators (1964). He died on 10 June 2016 in Rome, Italy.- Larger than life, Laughtonesque, and with an eloquent, king-sized appetite for maniacal merriment, a good portion of the work of actor Victor Buono was squandered on hokey villainy on both film and television. Ostensibly perceived as bizarre or demented, seldom did Hollywood give this cultivated cut-up the opportunity to rise above the deliciously hammy arrogance that flowed through so many of his cartoonish characters. He loved to make people laugh and while he could have approached his career with more serious attention, the real money was in his madness. In the end, the actor's chronic weight and accompanying health problems took their toll -- a fatal heart attack at the untimely age of 43 -- and a wonderful actor/writer/poet/chef had exited way before his time.
Born on February 3, 1938 in San Diego, California, the son of Victor Francis Buono and Myrtle Belle (née Keller), his interest in entertainment was originally encouraged by his grandmother, Myrtle Glied (1886-1969), who had once been a vaudevillian on the Orpheum Circuit. It was she who taught Victor how to sing and recite in front of company. His initial choice of career was somewhere in the direction of medicine but the pure joy he experienced from several high school performances (playing everything from Aladdin's evil genie to Hamlet himself) led him to dismiss such sensible thinking and take on the bohemian life style of an actor.
The already hefty-framed hopeful started appearing on local radio and television stations in San Diego. At age 18, he became a member of the Globe Theater Players where he was cast in Shakespeare and the classics ["Volpone", "A Midsummer Night's Dream", "Knight of the Burning Pestle", "The Man Who Came to Dinner", "Witness for the Prosecution", "Henry IV, Part I (as Falstaff)", "As You Like It", "Hamlet" (as Claudius)].
In 1959, a Warner Bros. agent happened to scope out the talent at the Globe Theatre and caught Victor's wonderfully robust portrayal of Falstaff (a role he would return to now and then) and gave him a screen test. Looking older than he was, the studio set upon using Victor in weird and wacky ways, such as his bearded poet Bongo Benny in an episode of 77 Sunset Strip (1958). His wry and witty demeanor, fixed stare, huge girth and goateed mug was guaranteed to put him in nearly every television crime story needing an off-the-wall character or outlandish villain.
Following an unbilled appearance in The Story of Ruth (1960), Victor was intriguingly cast by director Robert Aldrich to play Edwin Flagg, the creepy musical accompanist and opportunist who tries to use one-time child celebrity Bette Davis for his own piggy bank in the gothic horror classic What Ever Happened to Baby Jane? (1962). He held his own beautifully opposite the scenery-chewing Davis and was nominated for a Best Supporting Oscar for his efforts. This role also set the tone for the increasingly deranged characters he would go on to play.
Cast as the title menace in The Strangler (1964), Victor delved wholeheartedly into the sick mind of a mother-obsessed murderer and offered a startling, tense portrayal of a child-like monster who gives new meaning to the art of "necking" with women. Director Aldrich used Victor again (albeit too briefly) for his Southern-baked "Grand Guignol" horror Hush...Hush, Sweet Charlotte (1964) this time as Ms. Davis' crazed father. Victor also showed up in The Greatest Story Ever Told (1965) starring Max von Sydow where he flamboyantly took on the High Priest Sorak role in this epic but criticized retelling of Jesus.
He enhanced a number of lightweight 1960s movies including 4 for Texas (1963), Robin and the 7 Hoods (1964), The Silencers (1966) and Who's Minding the Mint? (1967) with his clever banter and gleeful menace. The lurid title said it all when Victor gamely took on the horror movie The Mad Butcher (1971) [aka The Strangler of Vienna] wherein he played a former mental patient preying on women again. This deranged low-budget German/Italian co-production added a "Sweeney Todd" meatpie tie in.
Victor's hearty, scene-stealing antics dominated late 1960s television series. Recurring madmen included his Count Carlos Manzeppi on The Wild Wild West (1965) and King Tut who habitually wreaked havoc on Gotham City on Batman (1966). One could always find his unsympathetic presence somewhere on a prime-time channel (Perry Mason (1957), Get Smart (1965), I Spy (1965)) but his roles ended up more campy than challenging. However, one heartfelt, serious portrayal was his portrayal of President William Howard Taft in the epic miniseries Backstairs at the White House (1979). Elsewhere, he recorded a self-effacing comedy album ("Victor Buono: Heavy!") and even wrote comic poetry ("Victor Buono: It Could Be Verse". He was indeed a sought-after raconteur on daytime and nighttime talk shows.
Continuing with the theatre but on a more infrequent basis, his one-man stage shows included "Just We Three", "Remembrance of Things Past" and "This Would I Keep". He also appeared as Pellinore opposite Robert Goulet and Carol Lawrence in a 1975 performance of "Camelot" and earned minor cult status for his memorable performance in the play "Last of the Marx Brothers' Writers" in a return to the Old Globe Theatre in 1977.
The never-married actor felt compelled to conceal his homosexuality. A well-regarded gourmet chef and an expert on Shakespeare, he died of a massive heart attack at his ranch in Apple Valley, California on January 1, 1982. Before his death was announced, Buono had just been cast in the Broadway-bound play "Whodunnit?" by Anthony Shaffer. The show finally arrived in New York without him and almost a year to his death (December 30, 1982). - Actor
- Writer
- Director
Talented and highly capable character actor Geoffrey Lewis, with rustic (sometimes sour-faced) looks, grew up in Rhode Island but was moved out to California at the age of ten. Lewis was very keen on the dramatic arts at high school, but often preferred to put on his own one-man shows rather than participate in larger school productions. His drama teacher took note of his growing talent and referred him to the Plymouth Theater in Massachusetts, where he appeared in summer stock. Afterwards he appeared in several off-Broadway productions in New York City. After spending considerable time traveling, in both the United States and abroad, Lewis turned his attention back to his love of the dramatic arts, and scored his first minor movie role in The Culpepper Cattle Co. (1972) as a somewhat jovial but deadly cowhand. He then cropped up as gangster Harry Pierpont in Dillinger (1973) before beginning a long association with Clint Eastwood, starting off with High Plains Drifter (1973), then as kind-hearted thief Eddie Goody in Thunderbolt and Lightfoot (1974), as Clint's buddy Orville Boggs in Every Which Way But Loose (1978) and Any Which Way You Can (1980), then as a henpecked husband in Bronco Billy (1980), as Ricky Z in Pink Cadillac (1989), and in Midnight in the Garden of Good and Evil (1997) also as patient Michael Kahn in Disturbed (1990).
Equally busy on the small screen, he has guest-starred in dozens of episodes of high profile TV series. Additionally, he received a Golden Globe nomination for his performance in the series Flo (1980). Apart from his extensive film and TV exposure, Lewis is also a member of the rather unique musical/storytelling "Celestial Navigations," along with award-winning composer songwriter Geoff Levin. Their performances have received terrific reviews from some of Hollywood's top actors and noted musicians, including Chick Corea. As Geoffrey Lewis approaches his seventh decade, nothing seems likely to slow down this multi-talented actor, storyteller and engaging entertainer!- Actor
- Second Unit Director or Assistant Director
- Producer
Serge Marquand was born on 12 March 1930 in Marseille, Bouches-du-Rhône, France. He was an actor and assistant director, known for Barbarella (1968), Spirits of the Dead (1968) and Nestor Burma (1991). He was married to Véronique Bonnardel. He died on 4 September 2004 in Paris, France.- Pierre Cressoy was born on 25 March 1924 in Vendôme, Loir-et-Cher, France. He was an actor, known for Il prigioniero del re (1954), Melodie immortali - Mascagni (1952) and The Life and Music of Giuseppe Verdi (1953). He died on 31 October 1980 in Gorbio, Alpes-Maritimes, France.
- Music Artist
- Actor
- Producer
Ringo Starr is a British musician, actor, director, writer, and artist best known as the drummer of The Beatles who also coined the title 'A Hard day's Night' for The Beatles' first movie.
He was born Richard Starkey on July 7, 1940, in a small two-storey house in the working class area of Liverpool, Merseyside, England. His father, Richard Starkey, was a former dockworker turned baker; his mother, Elsie (Gleave) Starkey, was a bakery worker. His parents divorced when he was three and he and his mother, Elsie, moved to another home in Liverpool. While attending Silas Infants' Schools he suffered from many afflictions that basically ruined his education: he had constant abdominal pains, was once diagnosed with a ruptured appendix that led to an inflamed peritoneum, which also led to one of his first surgeries. Ringo was in a coma, and his recovery took a couple of months, during which more operations were performed, and he was known to be accident-prone. Shortly after he came out of the coma, he was trying to offer a toy bus to another boy in an adjoining bed, but fell and suffered from a concussion. When he finally was able to go back to school, he learned that he was far behind in his studies. At age 13 he caught a cold that turned into chronic pleurisy, causing him another stay at a hospital in Liverpool. A few lung complications followed, which resulted in a treatment in yet another children's hospital, this time until 1955. Meanwhile, Richard's mother Elsie had married Harry Graves, the man who her son referred to as a "step-ladder".
At the age of 15 he could barely read or write, although he had aptitude for practical subjects such as woodwork and mechanics. At that time he dropped out of school and got his first job was as a delivery boy for British Rail. His second job was a barman on a ferry to New Brighton, and his next was as a trainee joiner at Henry Hunt & Sons. Ringo injured his finger on the first day of his new job, and then he decided to become a drummer. His dream came true, when his stepfather bought him a new drum kit, and Richard promised to be the best drummer ever.
In 1957, together with Eddie Miles, he started his own band called 'Eddie Clayton Skiffle Group'. At that time he became known as Ritchie, and eventually became caught in the Liverpool's Skiffle craze. Although he was self-taught, he was a good time-keeper, and developed an original beat with his signature accentuations, due to his left-handed manner of playing on the right-handed drum set. He traveled from band to band, but he eventually landed a spot with "Raving Texans", which was a backing band for Rory Storm, later known as "Rory Storm & The Hurricanes", a popular band at that time Liverpool. Rory Storm encouraged Richard to enhance his career by legally changing his name to Ringo Starr. The Hurricanes topped the bill at one of Liverpool's clubs, where The Beatles also had a gig. Ringo's group was at times sharing popularity with The Beatles and Gerry and the Pacemakers. He wanted to leave The Hurricanes to join another group called "The Seniors."
Before Ringo, The Beatles tried several other drummers. At one point they were so desperate, that they even invited strangers from the audience to fill the position. Then came Pete Best who was not considered by the other band members to be the greatest drummer, and they were keen to recruit Ringo as his replacement. On June 6, 1962, at the Abbey Road studios, The Beatles passed Martin's audition with the exception of Pete Best. George Martin liked them, but recommended the change of a drummer. Being asked by John Lennon, Paul McCartney, and George Harrison; Epstein fired Pete Best. After a mutual decision the band was completed with Ringo Starr. Ringo contributed to their first hit in September of 1962, when The Beatles recorded Love Me Do, which charted in UK, and reached the top of the US singles chart.
Ringo's steady and reliable drumming became essential in their studio sessions, as well as in their numerous and exhausting live performances across the world. Ringo's positive disposition as well as his drumming style played the pivotal role in shaping the famous image and music style of The Beatles as they are now known to the world, under the management of Brian Epstein and music producer George Martin. Ringo filled the position of a drummer for The Beatles in the most critical time of the band's formation. He quickly connected with the other three members of The Beatles, and contributed to their music and creativity with his easy-going personality, light humour, reliable drumming and inventive musicianship. All four members were charismatic and individually talented artists, they sparked each other from the beginning. Eventually they made a much better group effort under the thorough management by Brian Epstein whose coaching helped consolidate their talents and mutual stimulation into beautiful teamwork.
Starr had dreamed of becoming a professional actor since his younger years. He wanted to be in movies probably more so than the other members of The Beatles. In 1964, during the first months of Beatlemania, Ringo coined the phrase 'A Hard Day's Night' which soon became the official title of the Beatles' first movie, in replacement for the working title 'Beatlemania'. Ringo received great reviews for his performance in A Hard Day's Night (1964) and Help! (1965). At first, Ringo did not have a songwriting career, although he had no problem with his name recognition, however, he had a problem with getting his songs noticed. At that time he got help from his friends; John and Paul wrote a song or two for him to sing on their albums, such as "I Wanna Be Your Man" and "Yellow Submarine". He also sang on "Boys" (by Luther Dixon and Wes Farrell) and "Honey Don't (by Carl Perkins), During his eight-year career with The Beatles, Ringo wrote two original songs: "Don't Pass Me By" and "Octopus' Garden" for which he also sang the lead vocals. He is listed as co-writing "What Goes On" from Rubber Soul with Lennon and McCartney. Besides his drumming, Ringo's voice was recorded on many of the most popular Beatle's songs, contributing to their unique sound and tight harmonies.
He had a hectic solo career during the 1970s, after the breakup of The Beatles. However, Ringo eventually emerged as a steady performer, and sustained a very popular solo career, turning out a dozen chart-topping hit songs and eight best-selling albums. He made a famous appearance together with George Harrison, Ravi Shankar, and other popular musicians in the landmark 'Concert for Bangladesh' in 1971. His 1973 solo release "Ringo" was the last album to feature all four living Beatles, although not on the same song. He also appeared in various TV shows, including his own special, Ringo (1978), and a TV mini-series, Princess Daisy (1983), with his wife Barbara. In 1984 he did narration for the children's series Thomas & Friends (1984). During the 1980s, after having a long period of troubles with alcohol, Ringo and his wife attended a rehabilitation clinic, and came back to the scene sober. He made the All-Starr Band tour of America and Japan. The tour was so popular that he formed another All-Starr Band lineup in 1992, and began an American and European tour in June of that year. Since then Ringo Starr has been enjoying a continuous career as the leader of the All-Starr Band. In 1994, along with George Harrison and Paul McCartney, the three surviving members of The Beatles, reunited and produced Lennon's previously unknown song 'Free as a Bird'. It was preserved by 'Yoko Ono' on a tape recording made by John Lennon in 1977. The song was re-arranged and re-mixed with the voices of three surviving members, and became an international hit. 'Free as a Bird' was also included in The Beatles Anthology TV documentary which was watched by 420 million people in 1995. Ringo, Paul and George sang their new songs, in addition to mixing their voices and music arrangements to John Lennon demos.
Ringo's old friend and band-mate George Harrison passed away on November 29, 2001, after a long battle against lung cancer. The following year, on the anniversary of Harrison's death, Ringo Starr, Paul McCartney and Eric Clapton appeared in a Concert For George, to raise money for the support of Harrison's legacy in exploration of alternative lifestyles, views and philosophies. Starr also supported charitable organizations with consideration to those who have special needs.
Ringo Starr updated the role of a drummer in popular music, he made drummer an equal partner to the lead musicians, thus changing the whole paradigm in how the public saw drummers. His original performing style evolved from adjusting his natural left-handed manner of playing to the right-handed drum set, and allowing his left hand lead in weaving a pattern tightly intertwined with the music of other players, and adding such enhancements as unusual accents and stops. Ringo's musical originality as well as his inventive drumming patterns, time signatures and accentuations became essential to the sound of The Beatles. His on-stage presence and acting talent as well as his humor and musicianship was the essential part in formation and remarkable career of The Beatles.
He was married to his long-time girlfriend, Maureen Cox, from 1965 - 1975, and they had three children: Zak Starkey, Jason, and Lee. The couple broke up in July of 1975, and he married actress Barbara Bach. Ringo Starr divides his time between his residences in England, in Switzerland and his home in Los Angeles, California.- Actor
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- Director
Born in America, and raised in Ireland and England, actor Patrick McGoohan rose to become the number-one British TV star in the 1950s to 1960s era. His parents moved to Ireland when he was very young and McGoohan acquired a neutral accent that sounds at home in British or American dialogue. He was an avid stage actor and performed hundreds of times in small and large productions before landing his first TV and film roles. McGoohan is one of few actors who has successfully switched between theater, TV, and films many times during his career. He was often cast in the role of Angry Young Man. In 1959, he was named Best TV Actor of the Year in Britain. Shortly thereafter, he was chosen for the starring role in the Secret Agent (1964) TV series (AKA 'Secret Agent in the US), which proved to be an immense success for three years and allowed the British to break into the burgeoning American TV market for the first time. By the series' 3rd year, McGoohan felt the series had run its course and was beginning to repeat itself. McGoohan and Lew Grade - the president of ITC (the series' production company), had agreed that McGoohan could leave Danger Man to begin work on a new series, and turned in his resignation right after the first episode of the fourth year had been filmed ("Koroshi"). McGoohan set up his own production company and collaborated with noted author and script editor George Markstein to sell a brand new concept to ITC's Lew Grade. McGoohan starred in, directed, produced, and wrote many of the episodes, sometimes taking a pseudonym to reduce the sheer number of credits to his name. Thus, the TV series The Prisoner (1967) came to revolve around the efforts of a secret agent, who resigned early in his career, to clear his name. His aim was to escape from a fancifully beautiful but psychologically brutal prison for people who know too much. The series was as popular as it was surreal and allegorical, and its mysterious final episode caused such an uproar that McGoohan was to desert England for more than 20 years to seek relative anonymity in LA, where celebrities are "a dime a dozen."
During the 1970s, he appeared in four episodes of the TV detective series "Columbo," for which he won an Emmy Award. His film roles lapsed from prominence until his powerful performance as King Edward I (Longshanks) in Mel Gibson's production of Braveheart (1995). As such, he has solidified his casting in the role of Angry Old Man.- Actor
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Mario Adorf, a tell-tale name indeed. Mario calls to mind the actor's Italian roots (his father was a Calabrian surgeon) whereas Adorf reveals his German origins (his mother was a radiologist from the German region Eifel). As for the full name Mario Adorf it echoes to perfection the international character of this living legend's long career. Born in 1930, Mario Adorf was still studying drama at the famous Otto Falkenberg School in Munich when he landed his first role in the first installment of the "O8/15" series in 1954. It was a small part but it didn't go unnoticed and got him new roles in German films, the most remarkable of which being that of Bruno Lüdke, the mentally retarded serial killer in Robert Siodmak's 1957 masterpiece "Nachts, wenn der Teufel kam". It earned him his first prize (the German Film Award of the outstanding young actor of 1958). After this Mario Adorf's career turned international. His Mediterranean looks, his rugged face, his dark oily frizzy hair and his volubility made him an ideal villain in European-made westerns, spy or mafia films. These flicks - made in the 1960s - were mostly just commercial and Adorf hammed his parts but he did it so brilliantly that he alone made them watchable. From the 1970s on, the quality of his films improved and Adorf could lend his remarkable acting talents to more ambitious works such as "Il Delitto Matteotti", in which he was a striking Mussolini, or "Die Blechtrommel", where he was terrifying as a boorish grocer contaminated by Nazism. The list of great directors he worked with is impressive: Robert Siodmak, Volker Schlöndorff, Wolgang Staudte, Michel Deville, Dino Risi, Mikhaïl Kalatozov, Luigi Comencini, Peter Fleischmann, Billy Wilder, John Frankenheimer, Claude Chabrol, Fassbinder... Likewise he served many a great author, either in the theatre (Shakespeare, Tennessee Williams, Richard Nash) or the big or small screen (Grass, Böll, Schnitzler, Heny Miller, Joseph Conrad, Gorky, Patrick Süskind...). He also sang and wrote books (five novels and one memoir). Hyperactive for more than fifty-five years now, Mario Adorf, still in fine form at the age of seventy-eight, is still ... hyperactive!- Claudio Ruffini was born on 5 June 1922 in Italy. He was an actor, known for Uno sceriffo extraterrestre... poco extra e molto terrestre (1979), Tough Guys (1974) and Crime Busters (1977). He died on 15 July 1981 in Rome, Italy.
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- Producer
Julio Peña was born on 18 June 1912 in Madrid, Spain. He was an actor and producer, known for Horror Express (1972), Solomon and Sheba (1959) and The Castilian (1963). He was married to Susana Canales. He died on 27 July 1972 in Marbella, Málaga, Andalucía, Spain.- Actor
- Additional Crew
Paolo Gozlino was born on 26 March 1926 in Senigallia, Italy. He was an actor, known for Flashman (1967), Man of La Mancha (1972) and The Tyrant of Castile (1963). He died on 17 August 1992 in Sutri, Viterbo, Lazio, Italy.- Dark, rugged and exceedingly good-looking, Italian actor Ettore Manni was a familiar presence in Neopolitan romancers and costumers. He also gave added stature to a number of peplum films and spaghetti westerns of the 1960s. On screen from 1952, he appeared in over 100 films in his close to three-decade career. Popular in his native country, he played opposite Italy's most scintillating leading ladies in his early movies -- Sophia Loren, Eleonora Rossi Drago and Gianna Maria Canale, to name a few, often playing the continental lover.
Manni was born on May 6, 1927, in Rome, Italy, and came to films in 1952 with La tratta delle bianche (1952) [Frustrations] starring Rossi-Drago in which he was third billed. In 1952 and 1953 he was handed prime leads and supports in the Carlo Ponti/Dino De Laurentiis productions of I tre corsari (1952) [The Three Pirates], Fratelli d'Italia (1952), The Devil Is a Woman (1953) and The Ship of Damned Women (1953) the last two co-starring Kerima and May Britt. Ponti also paired Manni opposite his sultry-eyed wife Sophia Loren in Two Nights with Cleopatra (1954) playing Marc Antony to Loren's Cleopatra.
Other strong roles followed for Manni. He played the brother of Anthony Quinn's Attila (1954), and was reunited with Rossi-Drago in both Donne sole (1956) and The Girlfriends (1955), as well as with both Kerima and May Britt in Fatal Desire (1953). The quality of Manni's films declined into the late 50s and 60s but he found himself quite busy in such lowbudget fare as The Warrior and the Slave Girl (1958), The Pirate of the Black Hawk (1958) and Diez fusiles esperan (1959). He also appeared opposite lovely Linda Cristal's Cleopatra in Legions of the Nile (1959) and the equally fetching Debra Paget as Daughter of Cleopatra (1960).
Sword-and-sandal spectacles became the rage during this time and Manni took full advantage with supporting roles in Hercules and the Captive Women (1961) starring Reg Park as the muscular titan, Hercules and the Masked Rider (1963), Hercules, Prisoner of Evil (1964) and Giants of Rome (1964) with Richard Harrison as the muscled hero. Manni also jumped on the "spaghetti western" bandwagon years later with appearances in the films Ringo and His Golden Pistol (1966), Fort Yuma Gold (1966), The Stranger Returns (1967), Johnny Colt (1966), Ed ora... raccomanda l'anima a Dio! (1968), I Am Sartana, Your Angel of Death (1969) and Inginocchiati straniero... I cadaveri non fanno ombra! (1970).
Outside of Italy, Manni, who grew stockier in later years, could be found playing priests and officer parts. He appeared as Jason in a couple of the popular French "Angelique" series with Untamable Angelique (1967) and Angelique and the Sultan (1968). Manni also lent support to a number of imported American/British male leads past their prime who found headlining work in Italy. These included The Valiant (1962) starring John Mills, Attack of the Normans (1962) starring Cameron Mitchell, Gold for the Caesars (1963) starring Jeffrey Hunter; War of the Zombies (1964) starring John Drew Barrymore, The Battle of El Alamein (1969) with Frederick Stafford, and in Incontro d'amore (1970) with John Steiner. A supreme showcase role came his way during this period when he appeared opposite Jeanne Moreau in Mademoiselle (1966).
In the early 1970s, Manni met gorgeous Austrian-born actress Krista Nell, who had leads and second leads in French and Italian films. Although they did not marry, they became longtime companions. They showed up together in the films Django and Sartana Are Coming... It's the End (1970) Les libertines (1970) and Karzan, il favoloso uomo della jungla (1972). Sadly, Nell was diagnosed with leukemia and lost her battle against the disease in Rome in 1975. She was only 28.
The grief-stricken Manni suffered from chronic depression following her death but continued to work in Italy, appearing in Risking (1976), Oh, Serafina! (1976), The Rip-Off (1977), Silver Saddle (1978), Il malato immaginario (1979), La verdad sobre el caso Savolta (1980), along with many TV projects.
Much now has been said over the controversy of the actor's untimely death on July 27, 1979 in Rome. It was originally believed that the 52-year-old Manni, an avid gun collector, accidentally shot himself in the groin while cleaning or handling a gun. It is now believed he committed suicide. His final film, Federico Fellini's City of Women (1980) in which he supported Marcello Mastroianni, was released posthumously. - Alberto Farnese was born on 3 June 1926 in Palombara Sabina, Lazio, Italy. He was an actor, known for Nobody's Children (1951), Sandokan alla riscossa (1964) and The Two Gladiators (1964). He died on 2 June 1996 in Rome, Lazio, Italy.
- Ángel Aranda was born on 18 September 1934 in Jaén, Andalucía, Spain. He is an actor, known for Javier y los invasores del espacio (1967), Planet of the Vampires (1965) and The Last Days of Pompeii (1959).
- Renato Baldini was born on 18 December 1921 in Rome, Lazio, Italy. He was an actor, known for Esther and the King (1960), Giants of Rome (1964) and Girl with a Suitcase (1961). He died on 5 July 1995 in Rome, Lazio, Italy.
- Carlos Quiney was born on 11 June 1937 in Las Palmas, Canary Islands, Spain. He was an actor, known for Robin Hood: the Invincible Archer (1970), Zorro's Latest Adventure (1969) and Zorro, Rider of Vengeance (1971). He was married to Maria Cristina Urbieta Malax-Echevarria and Wiebke Begemann. He died on 5 May 2007 in Las Palmas, Canary Islands, Spain.
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Roberto Miali is known for Pepe nel latte (2009), 20.000 dollari sul 7 (1967) and Killer's Carnival (1966).- Actor
- Soundtrack
Van Johnson was the fresh-faced, well-mannered nice guy on screen you always wanted your daughter to marry! This fair, freckled and invariably friendly-looking MGM song-and-dance star of the 40s emerged a box office favorite (1944-1946) and second only to heartthrob Frank Sinatra during what gossip monger Hedda Hopper dubbed the "Bobby-soxer Blitz" era. Johnson's musical timing proved just as adroit as his legit career timing for he was able to court WWII stardom as a regimented MGM symbol of the war effort with an impressive parade of earnest soldiers. He may have been a second tier musical star behind the likes of Fred Astaire and Gene Kelly, but his easy smile, wholesome, boy-next-door appeal and strawberry-blond good looks made him a solid box-office attraction while MGM's "big boys" were off to war.
Born Charles Van Dell Johnson in Newport, Rhode Island, on August 25, 1916, Van was the only child of Loretta (Snyder) and Charles E. Johnson. His paternal grandparents were Swedish, and his mother was of German, and a small amount of Irish, ancestry. Johnson endured a lonely and unhappy childhood as the sole offspring of an extremely aloof father (who was both a plumber and real estate agent by trade) and an absentee mother (she abandoned the family when he was three, the victim of alcoholism). A paternal grandmother helped in raising the young lad. Happier times were spent drifting into the fantasy world of movies, and he developed an ardent passion to entertain. Taking singing, dancing and violin lessons during his high school years, he disregarded his father's wish to become a lawyer and instead left home following graduation to try his luck in New York.
Early experiences included chorus lines in revues, at hotels and in various small shows around town. A couple of minor breaks occurred with his 40-week stint in the "New Faces of 1936" revue (making his Broadway debut) and in a vaudeville club act (based around star Mary Martin) called "Eight Young Men of Manhattan" that played the Rainbow Room. He served as understudy to the three male leads of Rodgers and Hart's popular musical "Too Many Girls" in October of 1939 and eventually replaced one of them (actor Richard Kollmar left the show to marry reporter Dorothy Kilgallen.) He also formed a lifelong and career-igniting friendship with one of the other leads, Desi Arnaz.
Johnson made an inauspicious film debut with Arnaz in Too Many Girls (1940) when the musical was eventually lensed in Hollywood, but he was cast in a scant chorus boy part. Following a stint on Broadway in "Pal Joey" in 1940, Warner Bros. signed Van to a six-month contract. He went on to co-star with Faye Emerson in Murder in the Big House (1942), but they dropped him quickly feeling that his acting chops were lacking. It was Arnaz's wife Lucille Ball, who had recently signed with MGM, who introduced Van to Billy Grady, MGM's casting head, and instigated a successful screen test.
With the studio's top male talent off to war, Van (along with Peter Lawford) served as an earnest substitute donning fatigues in such stalwart movies as Somewhere I'll Find You (1942) The War Against Mrs. Hadley (1942) and The Human Comedy (1943). In addition, he replaced actor/war pacifist Lew Ayres in the "Dr. Kildare/Dr. Gillespie" film series after Ayres was unceremoniously dumped by the studio for his unpopular beliefs.
Stardom came, and at quite a price, for Van when he was cast yet again as a wholesome serviceman in A Guy Named Joe (1943). During the early part of filming, he was severely injured in a near-fatal car crash (he had a metal plate inserted in his skull, which instantly gave him a 4-F disqualification status for war service). Endangered of being replaced on the film, the two stars of the picture, Spencer Tracy (who became another lifelong friend) and Irene Dunne, insisted that the studio work around his convalescence or they would quit the film. The unusually kind gesture made Van a star following the film's popular release and resulting publicity. Van's career soared during the war years, making him and Lawford the resident heartthrobs not only in musicals (Two Girls and a Sailor (1944), Easy to Wed (1946)), but in airy comedies (Week-End at the Waldorf (1945)) and, of course, more war stories (Thirty Seconds Over Tokyo (1944)).
When the big stars such as Clark Gable, James Stewart and Robert Taylor returned to reclaim post-war stardom, Van willingly relinquished his "golden boy" pedestal, but he remained a high profile musical star opposite the likes of June Allyson, Esther Williams and Judy Garland. He continued to demonstrate his dramatic mettle in such well-regarded films as Command Decision (1948), State of the Union (1948), Battleground (1949), Brigadoon (1954) and The Caine Mutiny (1954) and remained a popular star for three more decades. When MGM's "golden age" phased out by the mid-1950s, Van's movie career took a sharp decline and the studio released him after he co-starred with Elizabeth Taylor in The Last Time I Saw Paris (1954).
While Van continued working as a freelancer in such as the English-made The End of the Affair (1955) with Deborah Kerr; Miracle in the Rain (1956) opposite Jane Wyman, The Bottom of the Bottle (1956) with Joseph Cotten, 23 Paces to Baker Street (1956) co-starring Vera Miles, Kelly and Me (1956) partnered with a dog, and Web of Evidence (1959), he again capitalized on his musical talents by reinventing himself as a nightclub performer and musical stage star on the regional and dinner theater circuits, including "The Music Man," "Damn Yankees," "Guys and Dolls," "Bells Are Ringing," "On a Clear Day...," "Forty Carats," "Bye Bye Birdie," "There's a Girl in My Soup" and "I Do! I Do!"
Van delved heavily into TV from the late 1960's on and served as a guest on such shows as "Laugh-In," "The Name of the Game," "The Red Skelton Show," "Nanny and the Professor," "The Virginian," "The Doris Day Show," "Love, American Style," "Maude," "Quincy," "McMillan & Wife," "The Love Boat," "Fantasy Island" and "Murder, She Wrote." He earned an Emmy nomination for his participation in the mini-series Rich Man, Poor Man (1976), and co-starred or was featured in such TV movies as Call Her Mom (1972), Superdome (1978), Black Beauty (1978), Getting Married (1978) and Three Days to a Kill (1992).
In later years, he grew larger in girth but still continued to work. He earned respectable reviews after replacing Gene Barry as Georges in the smash gay musical "La Cage Aux Folles" in 1985. His last musical role was as Cap' Andy in "Show Boat" in 1991, and his last several movies were primarily filmed overseas in Italy and Australia. Occasional featured roles on film in later years included Concorde Affaire '79 (1979), The Kidnapping of the President (1980), The Purple Rose of Cairo (1985), Killer Crocodile (1989), Delta Force Commando II: Priority Red One (1990) and Clowning Around (1992).
Van was married only once but it was the constant source of tabloid news. Typically in the closet as a high-ranking actor of the 1940s, he was extremely close friends with fellow MGM actor Keenan Wynn and his wife. Shockingly, Van wound up marrying Wynn's ex-wife, one-time stage actress Evie Wynn Johnson, immediately after the Wynn's divorced in 1947. Van and Eve went on to have one child, daughter Schuyler, in 1948, and were a popular Hollywood couple before separating after fifteen years of marriage. The marriage ended acrimoniously in 1968 and decades later Eve published a statement (after her death in 2004) confirming suspicions that MGM had engineered their marriage to cover up Johnson's homosexuality. In declining health, Van, who was estranged from his only child, died at age 92 on December 12, 2008, at a senior living facility in Nyack, New York.- Actor
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Luis Antonio Damaso de Alonso, later known as Gilbert Roland, was born in 1905 in Mexico. Following his parents to the USA, he did not become the bullfighter he had dreamed of being but became an actor instead. His Mexican roots, his half macho half romantic ways, his handsome virile figure helped him land roles in movies from the early twenties to 1982. A long and varied career in which Roland was in turns an extra, a matinée idol (Armand Duval in Camille (1926)), a Latin Lover, a star of English-speaking films made in Hollywood in the early 1930s, a Mexican bandit in B-Movies, The Cisco Kid in a series of six popular Westerns, a brilliant character in major A movies (John Huston's We Were Strangers (1949), Vincente Minnelli's The Bad and the Beautiful (1952); Anthony Mann's Thunder Bay (1953), John Ford's Cheyenne Autumn (1964)), a sinister character in Spaghetti Westerns... When he retired in 1982, twelve years before he died, he could be satisfied. His career had spanned six decades, the coming of sound had not ended it, he had played in all kinds of movies, he had held the most beautiful women in his arms, and maybe the most important thing, he had been given the opportunity to show his acting talents. Not every actor can boast such a life achievement.- Jeff Cameron was born Giovanni Goffredo Scarciofolo in Rome, Italy. He died in 1985, aged 51, exact date unknown. In a recent broadcast on his Once Upon A Time In Spaghetti Westerns podcast dedicated to Jeff, Tom Betts revealed these details as confirmed by Jeff's nephew, also informing us that Jeff had a wife, Anna Maria Collieri, and a son, Massimo. The podcast can be watched on You Tube here. Unfortunately there's no information known on why he retired or died so young.
Jeff worked steadily as a stuntman from 1962-1967, first in sword and sandal then moving into euro spies and spaghetti westerns, with occasional credits. 1968 saw him rise rapidly through the western credit lists (with several under his real name) and in 1969 he became a fully fledged lead actor, scoring 10 lead or featured roles over the next 4 years. Then in 1973, just as his career could have taken off internationally, he mysteriously vanished from the screen. - Actor
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Lloyd Battista was born on 14 May 1937 in Cleveland, Ohio, USA. He is an actor and writer, known for Love and Death (1975), Chisum (1970) and Treasure of the Four Crowns (1983).- Actor
- Stunts
Dan Vadis was born on 3 January 1938 in Shanghai, China. He was an actor, known for High Plains Drifter (1973), Every Which Way But Loose (1978) and The Ten Gladiators (1963). He was married to Sharon Jessup. He died on 11 June 1987 in Lancaster, California, USA.- Marco Guglielmi was born on 6 October 1928 in Sanremo, Liguria, Italy. He was an actor and writer, known for The Savage Innocents (1960), Colt 38 Special Squad (1976) and Imperial Venus (1962). He died on 28 December 2005 in Rome, Lazio, Italy.
- Fidel Gonzáles is known for Hercules and the Masked Rider (1963), Johnny Yuma (1966) and Father Jack-Leg (1972).
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Cast in a number of racially-motivated British films during the 1950s and 1960s, actor Harry Baird was born in Georgetown, Guyana (then called British Guiana) on May 12, 1931 and received his education both in Canada and England.
Famed director Carol Reed gave Harry his film break in 1954 at age 23 when he cast the actor in the smallish role of a black boxer named Jamaica in A Kid for Two Farthings (1955), a tale that dealt with the tense ethnic struggles of London's East End. A year later Harry made a minor stage bow in the musical "Kismet" at the Stoll theatre in London. Although he continued sporadically before live audiences, including a role in Jean Genet's "The Blacks" in 1961, his stronger focus would be in the cinema and on TV where he often took to stunt work just to keep himself in front of the lens.
His first lead on TV was as Rhodes Reason's bearer, Atimbu, in the low-budget White Hunter (1957) adventure series. Moviegoers first took notice of Harry, however, with his stirring portrayal of a young black brutalized by the police in the film Sapphire (1959), a role that helped him continue into the next decade. Extremely good-looking and physically fit, he rarely managed to attain leads, primarily due to the lack of parts at the time for men of his race. He did find regular supporting roles on TV, however, including the series Secret Agent (1964) and the science-fiction program UFO (1970).
As jobs grew scarce into the 60s Harry traveled to other parts of Europe, especially Italy and France, to find work. Some were even leads or co-leads. He played well-muscled action heroes in a handful of Italian spectacles and "spaghetti" westerns and scored a personal triumph in France with first-time director Melvin Van Peebles' landmark low-budget film The Story of a Three Day Pass (1967), in which he starred as a black American GI who falls in love with a white French girl (played by the late Nicole Berger) while on leave in Paris. Sadly, Ms. Berger was killed in a car accident shortly after filming the movie.
Other films around this time included Bryan Forbes' classic The Whisperers (1967) starring Edith Evans, The Touchables (1968), in which the athletic actor played a gay wrestler named "Lillywhite," the Edgar Allan Poe adaptation The Oblong Box (1969) with Vincent Price, and friend Michael Caine's picture The Italian Job (1969). In the 1970s Harry was diagnosed with glaucoma.
He was forced to retire as the impairment worsened and he eventually went completely blind. He remained upbeat and positive in later years as he adapted to his handicap and took classes on film history among other interests. He was married and divorced and survived by a stepdaughter when he died of cancer at age 73 in London on February 13, 2005.- Rik Battaglia was born on 18 February 1927 in Corbola, Veneto, Italy. He was an actor, known for Esther and the King (1960), Orlando e i Paladini di Francia (1956) and Duck, You Sucker! (1971). He died on 27 March 2015 in Corbola, Veneto, Italy.
- Additional Crew
- Actor
- Sound Department
Mimmo Palmara was born on 25 July 1928 in Cagliari, Sardinia, Italy. He was an actor, known for The Ten Gladiators (1963), Tharus figlio di Attila (1962) and The Two Gladiators (1964). He died on 10 June 2016 in Rome, Italy.- Actor
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