Long lived actors
Anyone who makes it to 90 or more eligible for this list. Mostly actors but a few other dignitaries also.
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- Actor
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William Powell was on the New York stage by 1912, but it would be ten years before his film career would begin. In 1924 he went to Paramount Pictures, where he was employed for the next seven years. During that time, he played in a number of interesting films, but stardom was elusive. He did finally attract attention with The Last Command (1928) as Leo, the arrogant film director. Stardom finally came via his role as Philo Vance in The Canary Murder Case (1929), in which he investigates the death of Louise Brooks, "the Canary." Unlike many silent actors, sound boosted Powell's career. He had a fine, urbane voice and his stage training and comic timing greatly aided his introduction to sound pictures. However, he was not happy with the type of roles he was playing at Paramount, so in 1931 he switched to Warner Bros. There, he again became disappointed with his roles, and his last appearance for Warners was as Philo Vance in The Kennel Murder Case (1933). In 1934 Powell went to MGM, where he was teamed with Myrna Loy in Manhattan Melodrama (1934). While Philo made Powell a star, another detective, Nick Charles, made him famous. Powell received an Academy Award nomination for The Thin Man (1934) and later starred in the Best Picture winner for 1936, The Great Ziegfeld (1936). Powell could play any role with authority, whether in a comedy, thriller, or drama. He received his second Academy Award nomination for My Man Godfrey (1936) and was on top of the world until 1937, when he made his first picture with Jean Harlow, Reckless (1935). The two clicked, off-screen as well as on-screen, and shortly became engaged. One day, while Powell was filming Double Wedding (1937) on one MGM sound stage, Harlow became ill on another. She was finally taken to the hospital, where she died. Her death greatly upset both Powell and Myrna Loy, and he took six weeks off from making the movie to deal with his sorrow. After that he traveled, not making another MGM film for a year. He eventually did five sequels to "The Thin Man," the last one in 1947. He also received his third Academy Award nomination for his work in Life with Father (1947). His screen appearances became less frequent after that, and his last role was in 1955. He had come a long way from playing the villain in 1922.- Actor
- Producer
- Director
Clinton Eastwood Jr. was born May 31, 1930 in San Francisco, to Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margret Ruth Runner), a housewife turned IBM clerk. He grew up in nearby Piedmont. At school Clint took interest in music and mechanics, but was an otherwise bored student; this resulted in being held back a grade. In 1949, the year he is said to have graduated from high school, his parents and younger sister Jeanne moved to Seattle. Clint spent a couple years in the Pacific Northwest himself, operating log broncs in Springfield, Oregon, with summer gigs life-guarding in Renton, Washington. Returning to California in 1951, he did a two-year stint at Fort Ord Military Reservation and later enrolled at L.A. City College, but dropped out to pursue acting.
During the mid-1950s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming. Although only a secondary player the first seven seasons, he was promoted to series star when Fleming departed--both literally and figuratively--in its final year, along the way becoming a recognizable face to television viewers around the country.
Eastwood's big-screen breakthrough came as The Man with No Name in Sergio Leone's trilogy of excellent spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The movies were shown exclusively in Italy during their respective copyright years with Enrico Maria Salerno providing the voice of Eastwood's character, finally getting American distribution in 1967-68. As the last film racked up respectable grosses, Eastwood, 37, rose from a barely registering actor to sought-after commodity in just a matter of months. Again a success was the late-blooming star's first U.S.-made western, Hang 'Em High (1968). He followed that up with the lead role in Coogan's Bluff (1968) (the loose inspiration for the TV series McCloud (1970)), before playing second fiddle to Richard Burton in the World War II epic Where Eagles Dare (1968) and Lee Marvin in the bizarre musical Paint Your Wagon (1969). In Two Mules for Sister Sara (1970) and Kelly's Heroes (1970), Eastwood leaned in an experimental direction by combining tough-guy action with offbeat humor.
1971 proved to be his busiest year in film. He starred as a sleazy Union soldier in The Beguiled (1971) to critical acclaim, and made his directorial debut with the classic erotic thriller Play Misty for Me (1971). His role as the hard edge police inspector in Dirty Harry (1971), meanwhile, boosted him to cultural icon status and helped popularize the loose-cannon cop genre. Eastwood put out a steady stream of entertaining movies thereafter: the westerns Joe Kidd (1972), High Plains Drifter (1973) and The Outlaw Josey Wales (1976) (his first of six onscreen collaborations with then live-in love Sondra Locke), the Dirty Harry sequels Magnum Force (1973) and The Enforcer (1976), the action-packed road adventures Thunderbolt and Lightfoot (1974) and The Gauntlet (1977), and the prison film Escape from Alcatraz (1979). He branched out into the comedy genre in 1978 with Every Which Way But Loose (1978), which became the biggest hit of his career up to that time; taking inflation into account, it still is. In short, The Eiger Sanction (1975) notwithstanding, the 1970s were nonstop success for Eastwood.
Eastwood kicked off the 1980s with Any Which Way You Can (1980), the blockbuster sequel to Every Which Way but Loose. The fourth Dirty Harry film, Sudden Impact (1983), was the highest-grossing film of the franchise and spawned his trademark catchphrase: "Make my day." He also starred in Bronco Billy (1980), Firefox (1982), Tightrope (1984), City Heat (1984), Pale Rider (1985) and Heartbreak Ridge (1986), all of which were solid hits, with Honkytonk Man (1982) being his only commercial failure of the period. In 1988, he did his fifth and final Dirty Harry movie, The Dead Pool (1988). Although it was a success overall, it did not have the box office punch the previous films had. About this time, with outright bombs like Pink Cadillac (1989) and The Rookie (1990), it seemed Eastwood's star was declining as it never had before. He then started taking on low-key projects, directing Bird (1988), a biopic of Charlie Parker that earned him a Golden Globe, and starring in and directing White Hunter Black Heart (1990), an uneven, loose biopic of John Huston (both films had a limited release).
Eastwood bounced back big time with his dark western Unforgiven (1992), which garnered the then 62-year-old his first ever Academy Award nomination (Best Actor), and an Oscar win for Best Director. Churning out a quick follow-up hit, he took on the secret service in In the Line of Fire (1993), then accepted second billing for the first time since 1970 in the interesting but poorly received A Perfect World (1993) with Kevin Costner. Next was a love story, The Bridges of Madison County (1995), where Eastwood surprised audiences with a sensitive performance alongside none other than Meryl Streep. But it soon became apparent he was going backwards after his brief revival. Subsequent films were credible, but nothing really stuck out. Absolute Power (1997) and Space Cowboys (2000) did well enough, while True Crime (1999) and Blood Work (2002) were received badly, as was Midnight in the Garden of Good and Evil (1997), which he directed but didn't appear in.
Eastwood surprised again in the mid-2000s, returning to the top of the A-list with Million Dollar Baby (2004). Also starring Hilary Swank and Morgan Freeman, the hugely successful drama won four Academy Awards, including Best Picture and Best Director for Eastwood. He scored his second Best Actor nomination, too. His next starring vehicle, Gran Torino (2008), earned almost $30 million in its opening weekend and was his highest grosser unadjusted for inflation. 2012 saw him in a rare lighthearted movie, Trouble with the Curve (2012), as well as a reality show, Mrs. Eastwood & Company (2012).
Between acting jobs, he chalked up an impressive list of credits behind the camera. He directed Mystic River (2003) (in which Sean Penn and Tim Robbins gave Oscar-winning performances), Flags of Our Fathers (2006), Letters from Iwo Jima (2006) (nominated for the Best Picture Oscar), Changeling (2008) (a vehicle for Angelina Jolie), Invictus (2009) (again with Freeman), Hereafter (2010), J. Edgar (2011), Jersey Boys (2014), American Sniper (2014) (2014's top box office champ), Sully (2016) (starring Tom Hanks as hero pilot Chesley Sullenberger) and The 15:17 to Paris (2018). Back on screens after a considerable absence, he played an unlikely drug courier in The Mule (2018), which reached the top of the box office with a nine-figure gross, then directed Richard Jewell (2019). At age 91, Eastwood made history as the oldest actor to star above the title in a movie with the release of Cry Macho (2021).
Away from the limelight, Eastwood has led an aberrant existence and is described by biographer Patrick McGilligan as a cunning manipulator of the media. His convoluted slew of partners and children are now somewhat factually acknowledged, but for the first three decades of his celebrity, his personal life was kept top secret, and several of his families were left out of the official narrative. The actor refuses to disclose his exact number of offspring even to this day. He had a longtime relationship with similarly abstruse co-star Locke (who died aged 74 in 2018, though for her entire public life she masqueraded about being younger), and has fathered at least eight children by at least six different women in an unending string of liaisons, many of which overlapped. He has been married only twice, however, with a mere three of his progeny coming from those unions.
His known children are: Laurie Murray (b. 1954), whose mother is unidentified; Kimber Eastwood (b. 1964) with stuntwoman Roxanne Tunis; Kyle Eastwood (b. 1968) and Alison Eastwood (b. 1972) with his first ex-wife, Margaret Neville Johnson; Scott Eastwood (b. 1986) and Kathryn Eastwood (b. 1988) with stewardess Jacelyn Reeves; Francesca Eastwood (b. 1993) with actress Frances Fisher; and Morgan Eastwood (b. 1996) with his second ex-wife, Dina Eastwood. The entire time that he lived with Locke she was legally married to sculptor Gordon Anderson.
Eastwood has real estate holdings in Bel-Air, La Quinta, Carmel-by-the-Sea, Cassel (in remote northern California), Idaho's Sun Valley and Kihei, Hawaii.- Actress
- Producer
- Writer
Betty White was born in Oak Park, Illinois, to Christine Tess (Cachikis), a homemaker, and Horace Logan White, a lighting company executive for the Crouse-Hinds Electric Company. She was of Danish, Greek, English, and Welsh descent.
Although she was best known as the devious Sue Ann Nivens on the classic sitcom The Mary Tyler Moore Show (1970) and the ditzy Rose Nylund on The Golden Girls (1985), Betty White had been in television for a long, long time before those two shows, having had her own series, Life with Elizabeth (1952) in 1952.
She was married three times, lastly for eighteen years, until widowed, to TV game-show host Allen Ludden.
She was inducted into the Television Hall of Fame and she was known for her tireless efforts on behalf of animals.
Betty White died on 31 December 2021, at the age of 99.- Actress
- Producer
- Executive
Angela Lansbury was born in 1925 into a prominent family of the upper middle class living in the Regent's Park neighborhood of London. Her father was socialist politician Edgar Isaac Lansbury (1887-1935), a member of both the Communist Party of Great Britain (CPGB) and the Labour Party. Edgar served as Honorary Treasurer of the East London Federation of Suffragettes (term 1915), and Mayor of Poplar (term 1924-1925). He was the second Communist mayor in British history, the first being Joe Vaughan (1878-1938). Lansbury's mother was Irish film actress Moyna Macgill (1895-1975), originally from Belfast. During the first five years of Angela's life, the Lansbury family lived in a flat located in Poplar. In 1930, they moved to a house located in the Mill Hill neighborhood of north London. They spend their weekends vacationing in a farm located in Berrick Salome, a village in South Oxfordshire.
In 1935, Edgar Lansbury died from stomach cancer. Angela reportedly retreated into "playing characters", as a coping mechanism to deal with the loss. The widowed Moyna Macgill soon became engaged to Leckie Forbes, a Scottish colonel. Moyna moved into his house in Hampstead.
From 1934 to 1939, Angela was a student at South Hampstead High School. During these years, she became interested in films.. She regularly visited the local cinema, and imagined herself in various roles. Angela learned how to play the piano, and received a musical education at the Ritman School of Dancing.
In 1940, Lansbury started her acting education at the Webber Douglas School of Singing and Dramatic Art, located in Kensington, West London. She made her theatrical debut in the school's production of the play "Mary of Scotland" (1933) by Maxwell Anderson (1888-1959). The play depicted the life of Mary, Queen of Scots (1542-1587, reigned 1542-1567), and Lansbury played one of the queen's ladies-in-waiting.
Also in 1940, Lansbury's paternal grandfather, George Lansbury, died from stomach cancer. When the Blitz started, Moyna Macgill had reasons to fear for the safety of her family and few remaining ties to England. Macgill moved to the United States to escape the Blitz, taking her three youngest children with her. Isolde was already a married adult, and was left behind in England.
Macgill secured financial sponsorship from American businessman Charles T. Smith. She and her children (including Angela) moved into Smith's house in Mahopac, New York, a hamlet in Putnam County. Lansbury was interested in continuing her studies, and secured a scholarship from the American Theatre Wing. From 1940 to 1942, Lansbury studied acting at the Feagin School of Dramatic Art, located in New York City. She appeared in performances organized by the school.
In 1942, Lansbury moved with her family to a flat located in Morton Street, Greenwich Village. She soon followed her mother in her theatrical tour of Canada. Lansbury secured her first paying job in Montreal, singing at the nightclub Samovar Club for a payment of 60 dollars per week. Lansbury was 16 years old at the time, but lied about her age and claimed to be 19 in order to be hired.
Lansbury returned to New York City in August, 1942, but Moyna Macgill soon moved herself and her family again. The family moved to Los Angeles, where Moyna was interested in resurrecting her film career. Their first home there was a bungalow in Laurel Canyon, a neighborhood in the Hollywood Hills.
Lansbury helped financially support her family by working for the Bullocks Wilshire department store in Los Angeles. Her weekly wages were only 28 dollars, but she had a secure income while her mother was unemployed. Through her mother, Lansbury was introduced to screenwriter John Van Druten (1901-1957), who had recently completed his script of "Gaslight" (1944). He suggested that young Lansbury would be perfect for the role of Nancy Oliver, the film's conniving cockney maid. This helped secure Lansbury's first film role at the age of 17, and a seven-year contract with the film studio Metro-Goldwyn-Mayer. She earned 500 dollars per week, and chose to continue using her own name instead of a stage name.
In 1945, Lansbury married actor Richard Cromwell (1910-1960), who was 15 years older than she. The troubled marriage ended in a divorce in 1946. The former spouses remained friends until Cromwell's death.
In 1946, Lansbury started a romantic relationship with aspiring actor Peter Shaw (1918-2003), who was 7 years older than her. Shaw had recently ended his relationship with actress Joan Crawford (c. 1908-1977). The new couple started living together, while planning marriage. They wanted to be married in the United Kingdom, but the Church of England refused to marry two divorcees. They were married in 1949, in a Church of Scotland ceremony at St. Columba's Church, located in Knightsbridge, London. After their return to the United States, they settled into Lansbury's home in Rustic Canyon, Malibu. In 1951, both Lansbury and Shaw became naturalized citizens of the United States, while retaining their British citizenship.
Meanwhile, Lansbury continued appearing in MGM films. She appeared in 11 MGM films between 1945 and 1952. MGM at times loaned Lansbury to other film studios. She appeared in United Artists' "The Private Affairs of Bel Ami" (1947), and Paramount Pictures' "Samson and Delilah" (1949). In 1948, Lansbury made her debut in radio roles, followed by her television debut in 1950.
In 1952, Lansbury requested the termination of her contract with MGM, instead of its renewal. She felt unsatisfied with her film career as an MGM contract player. She then joined the East Coast touring productions of two former Broadway plays. By 1953, Lansbury had two children of her own and was also raising a stepson. She and her family moved into a larger house, located on San Vincente Boulevard in Santa Monica. In 1959, she and her family moved into a house in Malibu. The married couple were able to send their children to a local public school.
Meanwhile she continued her film career as a freelance actress, but continued to be cast in middle-aged roles. She regained her A-picture actress through well-received roles in the drama film "The Long, Hot Summer" (1958) and the comedy film "The Reluctant Debutante" (1958). She also appeared regularly in television roles, and became a regular on game show "Pantomime Quiz" (1947-1959).
In 1957, Lansbury made her Broadway debut in a performance of "Hotel Paradiso". The play was an adaptation of the 1894 "L'Hôtel du libre échange" ("Free Exchange Hotel"), written by Maurice Desvallières (1857-1926) and Georges Feydeau (1862-1921). Lansbury's role as "Marcel Cat" was critically well received. She continued appearing in Broadway over the next several years, most notably cast as the verbally abusive mother in "A Taste of Honey". She was cast as the mother of co-star Joan Plowright (1929-), who was only four years younger.
In the early 1960s, Lansbury was cast as an overbearing mother in "Blue Hawaii" (1961). The role of her son was played by Elvis Presley (1935-1977), who was only 10 years than her. The film was a box office hit, it finished as the 10th-top-grossing film of 1961 and 14th for 1962 on the "Variety" national box office survey. It gained Lansbury renewed fame, at a difficult point of her career.
Lansbury gained critical praise for a sympathetic role in the drama film "The Dark at the Top of the Stairs" (1960), and the role of a manipulative mother in the drama film "All Fall Down" (1962). Based on her success in "All Fall Down", she was cast in a similar role in the Cold War-themed thriller "The Manchurian Candidate" (1962). She was cast as Eleanor Iselin, the mother of her co-star Laurence Harvey (1928-1973), who was only 3 years younger than she. This turned out to be one of the most memorable roles in her career. She received critical acclaim and was nominated for a third time for the Academy Award for Best Supporting Actress. The award was instead won by Patty Duke (1946-2016).
Lansbury made a comeback in the starring role of Mame Dennis in the musical "Mame" (1966), by Jerome Lawrence (1915-2004) and Robert Edwin Lee (1918-1994). The play was an adaptation of the novel "Auntie Mame: An Irreverent Escapade" (1955) by Patrick Dennis (1921-1976), and focused on the life and ideas of eccentric bohemian Mame Dennis. The musical received critical and popular praise, and Lansbury won her first Tony Award for Best Leading Actress in a Musical. Lansbury gained significant fame from her success, becoming a "superstar".
Her newfound fame led to other high-profile appearances by Lansbury. She starred in a musical performance at the 1968 Academy Awards ceremony, and co-hosted the 1968 Tony Awards. The Hasty Pudding Club, a social club for Harvard students. elected her "Woman of the Year" in 1968.
Lansbury's next theatrical success was in 1969 "The Madwoman of Chaillot" (1945) by Jean Giraudoux (1882-1944). The play concerns an eccentric Parisian woman's struggles with authority figures. Lansbury was cast in the starring role of 75-year-old Countess Aurelia, despite her actual age of 44. The show was well received and lasted for 132 performances. Lansbury won her second Tony Award for this role.
In 1970, Lansbury's Malibu home was destroyed in a brush fire. Lansbury and her husband decided to buy Knockmourne Glebe, an 1820s Irish farmhouse, located near the village of Conna in rural County Cork.
Her film career reached a new height. She was cast in the starring role of benevolent witch Eglantine Price in Disney's fantasy film "Bedknobs and Broomsticks" (1971). The film was a box-office hit; it was critically well received, and introduced Lansbury to a wider audience of children and families.
In 1972, Lansbury returned to the British stage, performing in London's West End with the Royal Shakespeare Company. In 1973, Lansbury appeared in the role of Rose in London performances of the musical "Gypsy" (1959) by Arthur Laurents. It was quite successful. In 1974, "Gypsy" went on tour in the United States. with the same cast. For her role, Lanbury won the Sarah Siddons Award and her third Tony Award. The musical had its second tour in 1975.
Tired from musicals. Lansbury next sought Shakespearean roles in the United Kingdom. From 1975 to 1976, she appeared as Queen Gertrude in the National Theatre Company's production of Hamlet. In November 1975, Lansbury's mother Moyna Macgill died at the age of 79. Lansbury arranged for her mother's remains to be cremated, and the ashes scattered near her own County Cork home.
In 1976, Lansbury returned to the American stage. In 1978, Lansbury temporarily replaced Constance Towers (1933-) in the starring role of Anna Leonowens (1831-1915) in The King and I. While Towers was on a break from the role, Lansbury appeared in 24 performances.
In 1978, Lansbury appeared in her first film role in seven years, as the novelist and murder victim Salome Otterbourne in the mystery film "Death on the Nile" (1978). The film was an adaptation of the 1937 novel by Agatha Christie (1890-1976); Otterbourne was loosely based on real-life novelist Elinor Glyn (1864-1943). The film was a modest box-office hit, and Lansbury befriended her co-star Bette Davis (1908-1989).
In 1979, Lansbury was cast in the role of meat pie seller Mrs. Lovett in the musical "Sweeney Todd: The Demon Barber of Fleet Street" (1979), by Stephen Sondheim and Hugh Wheeler (1912-1987). The musical was loosely based on the penny dreadful serial novel "The String of Pearls: A Domestic Romance" (1846-1847), which first depicted fictional serial killer Sweeney Todd. Lansbury remained in the role for 14 months, and was then replaced by Dorothy Loudon (1925-2003). Lansbury won her fourth Tony Award for this role. She returned to the role for 10 months in 1980.
Lansbury's next prominent film role was that of Miss Froy in "The Lady Vanishes" (1979), a remake of the 1938 film directed by Alfred Hitchcock (1899-1980). She was next cast in the role of amateur sleuth Miss Jane Marple in the mystery film "The Mirror Crack'd" (1980), an adaptation of the novel "The Mirror Crack'd from Side to Side" (1962) by Agatha Christie. The novel was loosely inspired by the life of Gene Tierney (1920-1991). The film was a modest commercial success. There were plans for at least two sequels, but they ended in development hell.
In 1982, Lansbury was inducted into the American Theatre Hall of Fame, She appeared at the time in the new play "A Little Family Business" and a revival of "Mame", but both shows were commercial failures. In film, Lansbury voiced the witch Mommy Fortuna in the animated fantasy film "The Last Unicorn" (1982). The film was critically well received, but was not a box-office hit.
Lansbury played Ruth in the musical comedy "The Pirates of Penzance" (1983), a film adaptation of the 1879 comic opera by William Schwenck Gilbert (1836-1911) and Arthur Sullivan (1842-1900). The film was a box office bomb, earning about 695,000 dollars.
Lansbury's next film role was that of Granny in the gothic fantasy film "The Company of Wolves" (1984), based on a 1979 short story by Angela Carter (1940-1992). Lansbury was cast as the grandmother of protagonist Rosaleen (played by Sarah Patterson), in a tale featuring werewolves and shape-shifting. The film was critically well received, but barely broke even at the box office.
At about that time, Lansbury appeared regularly in television films and mini-series. Her most prominent television role was that of Jessica Fletcher in the detective series "Murder, She Wrote" (1984-1996). Jessica was depicted as a successful mystery novelist from Maine who encounters and solves many murders. The character was considered an American counterpart to Miss Marple. The series followed the "whodunit" format and mostly avoided depictions of violence or gore.
The series was considered a television landmark for having an older female character as the protagonist. It was aimed primarily at middle-aged audiences, but also attracted both younger viewers and senior citizen viewers. Ratings remained high for most of its run. Lansbury rejected pressure from network executives to put her character in a relationship, as she believed that Fletcher should remain a strong single female.
In 1989, Lansbury co-founded the production company Corymore Productions, which started co-producing the television series with Universal Television. This allowed Lansbury to have more creative input on the series. She was appointed an executive producer. By the time the series ended in 1996, it tied with the original "Hawaii Five-O" (1968-1980) as the longest-running detective drama series in television history.
Her popularity from "Murder, She Wrote" made Lansbury a much-sought figure for advertisers. She appeared in advertisements and infomercials for Bufferin, MasterCard and the Beatrix Potter Company.
Lansbury's highest-profile film role in decades was voicing the character of singing teapot Mrs. Potts in Disney's animated fantasy film "Beauty and the Beast" (1991). Lansbury performed the film's title song, which won the Academy Award for Best Original Song, the Golden Globe Award for Best Original Song, and the Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media.
During the late 1980s and 1990s, Lansbury lived most of the year in California. In 1991, she had Corymore House, a farmhouse at Ballywilliam, County Cork, built as her new family home. She spend Christmases and summers there.
Following the end of "Murder, She Wrote", Lansbury returned to a career as a theatrical actress. She temporarily retired from the stage in 2001, to take care of her husband Peter Shaw, whose health was failing. Shaw died in 2003, from congestive heart failure at the couple's Brentwood, California home. Their marriage had lasted for 54 years (1949-2003).
Lansbury felt at the time that she could not take on any more major acting roles, but that she could still make cameos. She moved back to New York City in 2006, buying a condominium in Manhattan. Her first prominent film role in years was that of Aunt Adelaide in the fantasy film "Nanny McPhee" (2005). She credits her performance in the film with pulling her out of depression, a state of mind which had lasted since her husband's death.
Lansbury returned to performing on the Broadway stage in 2007, after an absence of 23 years. In 2009, she won her fifth Tony Award. She shared the record for most Tony Award victories with Julie Harris (1925-2013). In the 2010s, she continued regularly appearing in theatrical performances. In 2014, she returned to the London stage, after an absence of nearly 40 years.
In 2015, Lansbury received her first Olivier Award for Best Supporting Actress. At age 89, she was among the oldest first-time winners. Also in 2015, November 2015 was awarded the Oscar Hammerstein Award for Lifetime Achievement in Musical Theatre.
In 2017, she was cast as Aunt March in the mini-series "Little Women". The mini-series was an adaptation of the 1868-1869 novel of the same name by Louisa May Alcott (1832-1888). The series lasted for 3 episodes, and was critically well received.
In 2018, Lansbury gained her next film role in Disney's fantasy film "Mary Poppins Returns" (2018), a sequel to "Mary Poppins". Lansbury was cast in the role of the Balloon Lady, a kindly old woman who sells balloons at the park. The films was a commercial hit, earning about 350 million dollars at the worldwide box office.
In 2019, Lansbury performed at a one-night benefit staging of Oscar Wilde's play "The Importance of Being Earnest" (1895). a farce satirizing Victorian morals. She was cast in the role of society lady Lady Bracknell, mother to Gwendolen Fairfax.
By 2020, Lansbury was 95 years old, one of the oldest-living actresses. She has never retired from acting, and remains a popular icon.- Actor
- Producer
- Writer
Dick Van Dyke was born Richard Wayne Van Dyke in West Plains, Missouri, to Hazel Victoria (McCord), a stenographer, and Loren Wayne Van Dyke, a salesman. His younger brother was entertainer Jerry Van Dyke. His ancestry includes English, Dutch, Scottish, German and Swiss-German. Although he had small roles beforehand, Van Dyke was launched to stardom in the musical "Bye-Bye Birdie" (1960), for which he won a Tony Award, and, then, later in the movie based on that play, Bye Bye Birdie (1963). He has starred in a number of films through the years including Mary Poppins (1964), Chitty Chitty Bang Bang (1968) and Fitzwilly (1967), as well as a number of successful television series which won him no less than four Emmy Awards and three made-for-CBS movies. After separating from his wife, Margie Willett, in the 1970s, Dick later became involved with Michelle Triola. Margie and Dick had four children born during the first ten years of their marriage: Barry Van Dyke, Carrie Beth Van Dyke, Christian Van Dyke and Stacy Van Dyke, all of whom are now in their sixties and seventies, and married themselves. He has seven grandchildren, including Shane Van Dyke, Carey Van Dyke, Wes Van Dyke and Taryn Van Dyke (Barry's children) and family members often appear with him on Diagnosis Murder (1993).- Actress
- Producer
- Additional Crew
Patricia Alma Hitchcock was the only child of Alfred Hitchcock and his wife Alma Reville. Her upbringing was 'English' and strict. Two years of boarding school from the age of eight was followed by relocation to the U.S. a year later when Hitch was contracted by David O. Selznick to direct Rebecca (1940). Keen to join the acting fraternity, Pat appeared on stage by the early 40s. In 1944, she played the titular role in the short-lived Broadway play Violet at the Belasco Theater. Though she would have liked to go on to a college education, her father instead packed her off to London when she was 18 to study at RADA (among her classmates were Lionel Jeffries and Dorothy Tutin). She made several appearances on the London stage, followed by an inauspicious screen debut in 1949. In 1950, she had a small role in her father's thriller Stage Fright (1950) (as 'Chubby Bannister') which set the tone for her future roles, usually as the dowdy friend or sister of the heroine (Strangers on a Train (1951), Psycho (1960)). She was also featured in ten episodes of Alfred Hitchcock Presents (1955), whenever (in her own words) "they needed a maid with an English accent". In a 1984 Washington Post interview she bemoaned the fact that her father had not believed in nepotism, so that more work would have come her way. In 1951, Pat got married and -- barely a decade later -- decided to forsake show business to raise a family. Her father did not object. In 2003, Pat published a book of reminiscences and anecdotes (co-authored by film writer Laurent Bouzereau), entitled Alma Hitchcock: the Woman Behind the Man, asserting that "My mother had much more to do with the films than she has ever been given credit for - he depended on her for everything, absolutely everything".- Producer
- Actor
- Director
Norman Lloyd was born Norman Perlmutter in Jersey City, New Jersey, to Sadie (Horowitz), a housewife and singer, and Max Perlmutter, a furniture store manager. His family was Jewish (from Hungary and Russia). He began his acting career in the theater, first "treading the boards" at Eva Le Gallienne's Civic Repertory in New York. Aspiring to work as a classical repertory player, he gradually shed his Brooklyn accent and became a busy stage actor in the 1930s; he next joined the original company of the Orson Welles-John Houseman Mercury Theatre. Lloyd was brought to Hollywood to play a supporting part (albeit the title role) in Alfred Hitchcock's Saboteur (1942). Hitchcock, who later used the actor in Spellbound (1945) and other films, made him an associate producer and a director on TV's long-running Alfred Hitchcock Presents (1955) (then in its third year). In the course of his eight years on the series, Lloyd became a co-producer (with Joan Harrison) and then executive producer. He has since directed for other series (including the prestigious Omnibus (1952)) and for the stage, produced TV's Tales of the Unexpected (1979) and Journey to the Unknown (1968), and played Dr. Auschlander in TV's acclaimed St. Elsewhere (1982).- Actor
- Producer
- Music Department
Legendary actor Christopher Plummer, perhaps Canada's greatest thespian, delivered outstanding performances as Sherlock Holmes in Murder by Decree (1979), the chilling villain in The Silent Partner (1978), the iconoclastic Mike Wallace in The Insider (1999), the empathetic psychiatrist in A Beautiful Mind (2001), the kindly and clever mystery writer in Knives Out (2019), and as Leo Tolstoy in The Last Station (2009). It was this last role that finally brought him recognition from the Academy of Motion Picture Arts & Sciences, when he was nominated as Best Actor in a Supporting Role, one of three Academy Award nominations he received in the 2010s, along with All the Money in the World (2017) (as J. Paul Getty) and Beginners (2010); he won for the latter role. He will also likely always be remembered as Captain Von Trapp in the atomic bomb-strength blockbuster The Sound of Music (1965), a film he publicly despised until softening his stance in his autobiography "In Spite of Me" (2008).
Christopher Plummer was born Arthur Christopher Orme Plummer on December 13, 1929 in Toronto, Ontario. He was the only child of Isabella Mary (Abbott), a secretary to the Dean of Sciences at McGill University, and John Orme Plummer, who sold securities and stocks. Christopher was a great-grandson of John Abbott, who was Canada's third Prime Minister (from 1891 to 1892), and a great-great-great-grandson of Presbyterian clergyman John Bethune. He had Scottish, English, Anglo-Irish, and Cornish ancestry. Plummer was raised in Senneville, Quebec, near Montreal, at his maternal grandparents' home.
Aside from the youngest member of the Barrymore siblings (which counted Oscar-winners Ethel Barrymore and Lionel Barrymore in their number), Plummer was the premier Shakespearean actor to come out of North America in the 20th century. He was particularly memorable as Hamlet, Iago and Lear, though his Macbeth opposite Glenda Jackson was -- and this was no surprise to him due to the famous curse attached to the "Scottish Play" -- a failure.
Like another great stage actor, Richard Burton, early in his career Plummer failed to connect with the screen in a way that would make him a star. Dynamic on stage, he didn't succeed as a younger leading man in films. Perhaps if he had been born earlier, and acted in the studio system of Hollywood's golden age, he could have been carefully groomed for stardom. As it was, he shared the English stage actors' disdain -- and he was equally at home in London as he was on the boards of Broadway or on-stage in his native Canada -- for the movies, which did not help him in that medium, as he has confessed. As he aged, Plummer excelled at character roles. He was always a good villain, this man who garnered kudos playing Lucifer on Broadway in Archibald Macleish's Pulitzer Prize-winning "J.B.".
Plummer won two Emmy Awards out of seven nominations stretching 46 years from 1959 and 2011, and one Genie Award in six nominations from 1980 to 2009. For his stage work, Plummer has racked up two Tony Awards on six nominations, the first in 1974 as Best Actor (Musical) for the title role in "Cyrano" and the second in 1997, as Best Actor (Play), in "Barrymore". Surprisingly, he did not win (though he was nominated) for his masterful 2004 performance of "King Lear", which he originated at the Stratford Festival in Ontario and brought down to Broadway for a sold-out run. His other Tony nominations show the wide range of his talent, from a 1959 nod for the Elia Kazan-directed production of Macleish's "J.B." to recognition in 1994 for Harold Pinter's "No Man's Land", with a 1982 Best Actor (Play) nomination for his "Iago" in William Shakespeare's "Othello".
Until the 2009 Academy Awards were announced, it could be said about Plummer that he was the finest actor of the post-World War II period to fail to get an Academy Award. In that, he was following in the footsteps of the late great John Barrymore, whom Plummer so memorably portrayed on Broadway in a one-man show that brought him his second Tony Award. In 2010, Plummer finally got an Oscar nod for his portrayal of another legend, Lev Tolstoy in The Last Station (2009). Two years later, the first paragraph of his obituary was written when the 82-year-old Plummer became the oldest person in Academy history to win an Oscar. He won for playing a senior citizen who comes out as gay after the death of his wife in the movie Beginners (2010). As he clutched his statuette, the debonaire thespian addressed it thus: "You're only two years older than me darling, where have you been all of my life?"
Plummer then told the audience that at birth, "I was already rehearsing my Academy acceptance speech, but it was so long ago mercifully for you I've forgotten it." The Academy Award was a long time in coming and richly deserved.
Plummer gave many other fine portrayals on film, particularly as he grew older and settled down into a comfortable marriage with his third wife Elaine. He continued to be an in-demand character actor in prestigious motion pictures. If he were English rather than Canadian, he would have been knighted. (In 1968, he was appointed Companion of the Order of Canada, the country's highest civilian honor and one which required the approval of the sovereign, Queen Elizabeth II.) If he lived in the company town of Los Angeles rather than in Connecticut, he likely would have several more Oscar nominations before winning his first for "The Last Station".
As it is, as attested to in his witty and well-written autobiography, Plummer was amply rewarded in life. In 1970, Plummer - then a self-confessed 43-year-old "bottle baby" - married his third wife Elaine Taylor, a dancer, who helped wean him off his dependency on alcohol. They lived happily with their dogs on a 30-acre estate in Weston, Connecticut. He thanked her from the stage during the 2012 Oscar telecast, quipping that she "deserves the Nobel Peace Prize for coming to my rescue every day of my life." Although he spent the majority of his time in the United States, he remained a Canadian citizen. He died in his Weston, Connecticut home on February 5, 2021 at age 91.
His daughter, with actress Tammy Grimes, is actress Amanda Plummer.- Actor
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Edward Asner was born of Russian Jewish parentage in Kansas City, to Morris David Asner (founder and owner of the Kansas City-based Asner Iron & Metal Company) and his wife Elizabeth "Lizzie" (Seliger). After attending college, Ed worked various jobs, including in a steel mill, as a door-to-door salesman and on an assembly line for General Motors. Between 1947 and 1949, he attended the University of Chicago. The onset of the Korean War saw him drafted into the U.S. Army Signals Corps and posted to France where he was primarily assigned clerical tasks. Upon demobilization, Asner joined the Playwrights Theatre Company in Chicago but soon progressed to New York. In 1955, he appeared off-Broadway in the leading role of the beggar king Jonathan Peachum in Brecht's Threepenny Opera. Five years later, he made his debut on the Great White Way in the courtroom drama Face of a Hero, co-starring alongside Jack Lemmon. He also began regular TV work in anthology drama.
From the early '60s, Asner, now based in California, earned his living as a busy supporting actor. His many noted guest appearances included turns in Route 66 (1960), The Untouchables (1959), The Fugitive (1963), Voyage to the Bottom of the Sea (1964) (sinister dictator-in-exile Brynov), The Invaders (1967) (twice -- as aliens) and How the Ghosts Stole Christmas (1998) (one of a couple of ghostly residents in a haunted mansion). Heavy-set and distinctively gravelly-voiced, Asner established his reputation as tough, robust and uncompromising (though, on occasion, good-hearted) authority figures. Excellent at conveying menace, he was memorably cast as the brutish patriarch Axel Jordache in Rich Man, Poor Man (1976) and as the slave ship's morally conflicted master, Captain Thomas Davies, in Roots (1977), which earned him a Primetime Emmy Award in 1977. The immensely prolific Asner (417 IMDB screen credits!) would receive seven Emmys in total (from 21 nominations), all Primetime, and become the only actor to win in both the comedy and drama category for the same role. That was also the part which made Asner a household name: the gruff, snarky newspaper editor Lou Grant (1977). Grant began as a mainstay on The Mary Tyler Moore Show (1970), a 30-minute sitcom.
When the character was promoted to West Coast editor of The Los Angeles Tribune, Asner went on to star in his own much acclaimed drama series. Despite consistently high ratings, the show was axed after five seasons amid rumours of disharmony between the star and producers, possibly due to the former's outspoken political views. Indeed, Asner has been a controversial figure as an activist and campaigner, engaged in a variety of humanitarian and political issues. A self-proclaimed liberal Democrat, he published a book in 2017, amusingly titled "The Grouchy Historian: An Old-Time Lefty Defends Our Constitution Against Right-Wing Hypocrites and Nutjobs."
Between 1981 and 1985, Asner served twice as President of the Screen Actors Guild, during which time he was critical of former SAG President Ronald Reagan -- then the president of a greater concern -- for his Central American policy. In 1996, he was inducted into the Television Hall of Fame and in 2002 received the Screen Actors Guild's Life Achievement Award. In addition to appearing on screen and stage, he performed extensive work for radio, video games and animated TV series. He voiced the lead character Carl Fredricksen in Pixar's Oscar-winning production of Up (2009), starred as Santa in Elf (2003), and played Nicholas Drago in The Games Maker (2014). Ed passed away in Los Angeles at the age of 91 on August 29, 2021.- Actor
- Producer
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Buddy Ebsen began his career as a dancer in the late 1920s in a Broadway chorus. He later formed a vaudeville act with his sister Vilma Ebsen, which also appeared on Broadway. In 1935 he and his sister went to Hollywood, where they were signed for the first of MGM's Eleanor Powell movies, Broadway Melody of 1936 (1935). While Vilma retired from stage and screen shortly after this, Buddy starred in two further MGM movies with Powell. Two of his dancing partners were Frances Langford in Born to Dance (1936) and Judy Garland in Broadway Melody of 1938 (1937). They were a little bit taller than Shirley Temple, with whom he danced in Captain January (1936). MGM studio chief Louis B. Mayer offered him an exclusive contract in 1938, but Ebsen turned it down. In spite of Mayer's warning that he would never get a job in Hollywood again, he was offered the role of the scarecrow in The Wizard of Oz (1939). Ebsen agreed to change roles with Ray Bolger, who was cast as the Tin Man. Ebsen subsequently became ill from the aluminum make-up, however, and was replaced by Jack Haley. He returned to the stage, making only a few pictures before he got a role in the Disney production of Davy Crockett: King of the Wild Frontier (1955). After this, he became a straight actor, and later won more fame in his own hit series, The Beverly Hillbillies (1962) and Barnaby Jones (1973).- Actor
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George Burns was an American actor, comedian, singer, and published author. He formed a comedy duo with his wife Gracie Allen (1895-1964), and typically played the straight man to her zany roles. Following her death, Burns started appearing as a solo performer. He once won an Academy Award for Best Supporting Actor, and continued performing until his 90s. He lived to be a centenarian, was viewed as an "elder statesman" in the field of comedy.
Burns was born under the name "Nathan Birnbaum" in 1896, and was nicknamed "Nattie" by his family. His father was Eliezer "Louis" Birnbaum (1855-1903), a coat presser who also served a substitute cantor at a local synagogue in New York City. His mother was Hadassah "Dorah" Bluth (1857-1927), a homemaker. Both parents were Jewish immigrants, originally from the small town of Kolbuszowa in Austrian Galicia (currently part of Poland). Kolbuszowa had a large Jewish population until World War II, when the German occupation forces in Poland relocated the local Jews to a ghetto in Rzeszów.
The Birnbaums were a large family, and Burns had 11 siblings. He was the 9th eldest of the Birnbaum Children. In 1903, Louis Birnbaum caught influenza and died, during an ongoing influenza epidemic. Orphaned when 7-years-old, Burns had to work to financially support his family. He variously shined shoes, run errands, selling newspapers, and worked as a syrup maker in a local candy shop.
Burns liked to sing while working, and practiced singing harmony with three co-workers of similar age. They were discovered by letter carrier Lou Farley, who gave them the idea to perform singing in exchange for payment. The four children soon started performing as the "Pee-Wee Quartet", singing in brothels, ferryboats, saloons, and street corners. They put their hats down for donations from their audience, though their audience was not always generous. In Burns' words: "Sometimes the customers threw something in the hats. Sometimes they took something out of the hats. Sometimes they took the hats."
Burns started smoking cigars c. 1910, when 14-years-old. It became a lifelong habit for him. Burns' performing career was briefly interrupted in 1917, when he was drafted for service in World I. He eventually failed his physical exams, due to his poor eyesight.
By the early 1920s, he adopted the stage name "George Burns", though he told several different stories of why he chose the name. He supposedly named himself after then-famous baseball player George Henry Burns (1897-1978), or the also famous baseball player George Joseph Burns (1889-1966). In another version, he named himself after his brother Izzy "George" Birnbaum, and took the last name "Burns" in honor of Burns Brothers Coal Company.
Burns performed dance routines with various female partners, until he eventually married his most recent partner Gracie Allen in 1926. Burns made his film debut in the comedy short film "Lambchops" (1929), which was distributed by Vitaphone. The film simply recorded one of Burns and Allen's comedy routines from vaudeville.
Burns made his feature film debut in a supporting role of the musical comedy "The Big Broadcast" (1932). He appeared regularly in films throughout the 1930s, with his last film role for several years appearing in the musical film "Honolulu" (1939). Burns was reportedly considered for leading role in "Road to Singapore" (1940), but the studio replaced him with Bob Hope (1903-2003).
Burns and Allen started appearing as comic relief for a radio show featuring bandleader Guy Lombardo (1902-1977). By February 1932, they received their own sketch comedy radio show. The couple portrayed younger singles, until the show was retooled in 1941 and started featuring them as a married couple. By the fall of 1941, the show had evolved into a situational comedy about married life. Burns and Allen's supporting cast included notable voice actors Mel Blanc, Bea Benaderet, and Hal March.
The radio show finally ended in 1949, reworked into the popular television show "The George Burns and Gracie Allen Show" (1950-1958). Allen would typically play the "illogical" housewife, while Burns played the straight man and broke the fourth wall to speak to the audience. The couple formed the production company McCadden Corporation to help produce the show.
Allen developed heart problems during the 1950s, and by the late 1950s was unable to put up the energy needed for the show. She fully retired in 1958. The show was briefly retooled to "The George Burns Show" (1958-1959), but Burns comedic style was not as popular as that of his wife. The new show was canceled due to low ratings.
Following Allen's death in 1964, Burns attempted a television comeback by creating the sitcom "Wendy and Me" (1964-1965) about the life of a younger married couple. The lead roles were reserved for Ron Harper and Connie Stevens, while Burns had a supporting role as their landlord. He also performed as the show's narrator.
As a television producer, Burns produced the military comedy "No Time for Sergeants", and the sitcom "Mona McCluskey". As an actor, he mostly appeared in theaters and nightclubs. Burns had a career comeback with the comedy film "The Sunshine Boys" (1975), his first film appearance since World War II. He played faded vaudevillian Al Lewis, who has a difficult relationship with his former partner Willy Clark (played by Walter Matthau). The role was met with critical success, and Burns won the Academy Award for Best Supporting Actor. At age 80, Burns was the oldest Oscar winner at the time. His record was broken by Jessica Tandy in 1989.
Burns had his greatest film success playing God in the comedy film "Oh, God!" (1977). The film 51 million dollars at the domestic box office, and was one of the greatest hits of 1977. Burns returned to the role in the sequels "Oh, God! Book II" (1980) and "Oh, God! You Devil" (1984). He had a double role as both God and the Devil in the last film.
Burns had several other film roles until the 1990s. His most notable films in this period were the musical comedy "Sgt. Pepper's Lonely Hearts Club Band" (1978), the comedy film "Just You and Me, Kid" (1979), the caper film "Going in Style" (1979), and the fantasy-comedy "18 Again!" (1988). The last of the four featured him as a grandfather who exchanges souls with his grandson.
Burns' last film role was a bit part in the mystery film "Radioland Murders" (1994), which was a box office flop. In July 1994, Burns fell in his bathtub and underwent surgery to remove fluid in his skull. He survived, but his health never fully recovered. He was forced to retire from acting and stand-up comedy.
On January 20, 1996, Burns celebrated his 100th birthday, but was in poor health and had to cancel a pre-arranged comeback performance. In March 1996, he suffered from cardiac arrest and died. He was buried in Forest Lawn Memorial Park Cemetery, Glendale, next to Gracie Allen.- Actor
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Comedian Bob Hope was born Leslie Townes Hope in Eltham, London, England, the fifth of seven sons of Avis (Townes), light opera singer, and William Henry Hope, a stonemason from Weston-super-Mare, Somerset. His maternal grandmother was Welsh. Hope moved to Bristol before emigrating with his parents to the USA in 1908. After some years onstage as a dancer and comedian, he made his first film appearance in The Big Broadcast of 1938 (1938) singing "Thanks for the Memory", which became his signature tune.
In partnership with Bing Crosby and Dorothy Lamour, he appeared in the highly successful "Road to ..." comedies (1940-52), and in many others until the early 1970s. During World War II and the Korean and Vietnam wars he spent much time entertaining the troops in the field. For these activities and for his continued contributions to the industry he received five honorary Academy Awards.- Actor
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He once jokingly described himself as 'a frustrated song-and-dance man' who wound up typecast as a TV crime fighter. Tall, handsome Armenian-American Mike Connors had a minor career in the movies before becoming a star on the small screen as the impeccably dressed macho sleuth Joe Mannix. Towards the end of the series, his earnings per episode averaged a respectable $40,000. He was four times nominated for an Emmy Award and won a Golden Globe in 1969. Mannix (1967) was highly innovative in its day: among its winning combination were an upbeat jazzy score (composed by Lalo Schifrin), teasers, fast cuts from scene to scene, a car replete with a computer transmitting and receiving fingerprints and an African-American co-star (the charming Gail Fisher, who played Joe's secretary Peggy Fair). Many notable names guested in the show, some at very beginning of their careers (Diane Keaton and Martin Sheen, among others). 'Mannix' ran for eight seasons (1967-1975), a testament to its enduring popularity.
Connors was born Krekor Ohanian in Fresno, California. His mother wanted him to become an attorney. After wartime service in the Army Air Force he enrolled at UCLA on the G. I. Bill of Rights, began in law school but eventually took up theatre studies as his major. The nickname "Touch', Mike acquired on the basketball court where he first came to the attention of the director William A. Wellman who considered his features 'expressive'. He was first signed by Goldwyn studios on a 90-day contract. However, Goldwyn never took up the option and Mike never appeared in any of his films (it turned out that his signing had been no more than leverage to bring Farley Granger back in line who was causing Goldwyn some trouble). Through a talent agent, Mike got an interview at Republic to do a film with Joan Crawford called Sudden Fear (1952). That same guy also decided that his original surname Ohanian sounded too much like O'Hanlon -- George O'Hanlon was already a well-established film actor and writer -- and consequently changed his name to 'Connors'. Until 1957, Mike appeared in mainly low budget movies and TV anthologies, billed as 'Touch Connors' (an appellation he thoroughly disliked). He did several films for Roger Corman for $400 a pop. Arguably, the one highlight of his film career -- several years later -- could be said to be his role as one of a pair of American bomber crew (the other being Robert Redford) held captive in a cellar by a lonely German drug store clerk who chooses to withhold from them the trivial matter of Germany's surrender to the Allies (played with whimsical aplomb by the brilliant Alec Guinness) in the underrated and very funny black comedy Situation Hopeless -- But Not Serious (1965).
After many years as a struggling actor, Mike's first TV hit was Tightrope (1959) for CBS in which he starred as an undercover cop infiltrating an organized crime syndicate. Though the story lines became increasingly repetitive through its 37 episodes, the role pretty much defined his subsequent tough-guy image. During the original pilot for 'Mannix', which initially had Joe Mannix as the top investigator for the computerized Intertect detective agency under boss Joseph Campanella, Mike performed many of the stunts himself, in the process breaking a wrist and dislocating a shoulder. In an effort to make his character 'more real' than the traditional cynical Bogart-style gumshoe, he played Mannix as being more 'humane', often becoming emotionally involved in his cases and -- just as often -- ending up on the wrong end of a knuckle sandwich (in the course of the 194 episodes, poor old Joe was knocked unconscious on fifty-five occasions and shot seventeen times), or watching his beautiful client walk off with another man.
Another subsequent starring role as a modern-day G-Man in the short-lived Today's F.B.I. (1981) did not come close to rekindling his earlier success. Most of Mike's later appearances were as guest stars, notably a return as Joe Mannix in an episode of Diagnosis Murder (1993). Later interviews revealed him to have been acutely aware of the transitory nature of TV stardom and exceedingly grateful for his one opportunity to shine. Mike Connors was happily married to Mary Lou Willey for 67 years.- Actress
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Olivia Mary de Havilland was born on July 1, 1916 in Tokyo, Japan to British parents, Lilian Augusta (Ruse), a former actress, and Walter Augustus de Havilland, an English professor and patent attorney. Her sister Joan, later to become famous as Joan Fontaine, was born the following year. Her surname comes from her paternal grandfather, whose family was from Guernsey in the Channel Islands. Her parents divorced when Olivia was just three years old, and she moved with her mother and sister to Saratoga, California.
After graduating from high school, where she fell prey to the acting bug, Olivia enrolled in Mills College in Oakland, where she participated in the school play "A Midsummer Night's Dream" and was spotted by Max Reinhardt. She so impressed Reinhardt that he picked her up for both his stage version and, later, the Warner Bros. film version in 1935. She again was so impressive that Warner executives signed her to a seven-year contract. No sooner had the ink dried on the contract than Olivia appeared in three more films: The Irish in Us (1935), Alibi Ike (1935), and Captain Blood (1935), this last with the man with whom her career would be most closely identified: heartthrob Errol Flynn. He and Olivia starred together in eight films during their careers. In 1939 Warner Bros. loaned her to David O. Selznick for the classic Gone with the Wind (1939). Playing sweet Melanie Hamilton, Olivia received her first nomination for an Academy Award for Best Supporting Actress, only to lose out to one of her co-stars in the film, Hattie McDaniel.
After GWTW, Olivia returned to Warner Bros. and continued to churn out films. In 1941 she played Emmy Brown in Hold Back the Dawn (1941), which resulted in her second Oscar nomination, this time for Best Actress. Again she lost, this time to her sister Joan for her role in Suspicion (1941). After that strong showing, Olivia now demanded better, more substantial roles than the "sweet young thing" slot into which Warners had been fitting her. The studio responded by placing her on a six-month suspension, all of the studios at the time operating under the policy that players were nothing more than property to do with as they saw fit. As if that weren't bad enough, when her contract with Warners was up, she was told that she needed to make up the time lost because of the suspension. Irate, she sued the studio, and for the length of the court battle she didn't appear in a single film. The result, however, was worth it. In a landmark decision, the court said that not only would Olivia not need to make up the time, but also that all performers would be limited to a seven-year contract that would include any suspensions handed down. This became known as the "de Havilland decision": no longer could studios treat their performers as chattel. Olivia returned to the screen in 1946 and made up for lost time by appearing in four films, one of which finally won her the Oscar that had so long eluded her: To Each His Own (1946), in which she played Josephine Norris to the delight of critics and audiences alike. Olivia was the strongest performer in Hollywood for the balance of the 1940s.
In 1948 she turned in another strong showing in The Snake Pit (1948) as Virginia Cunningham, a woman suffering a mental breakdown. The end result was another Oscar nomination for Best Actress, but she lost to Jane Wyman in Johnny Belinda (1948). As in the two previous years, she made only one film in 1949, but she again won a nomination and the Academy Award for Best Actress for The Heiress (1949). After a three-year hiatus, Olivia returned to star in My Cousin Rachel (1952). From that point on, she made few appearances on the screen but was seen on Broadway and in some television shows. Her last screen appearance was in The Fifth Musketeer (1979), and her last career appearance was in the TV movie The Woman He Loved (1988).
Her turbulent relationship with her only sibling, Joan Fontaine, was press fodder for many decades; the two were reported as having been permanently estranged since their mother's death in 1975, when Joan claimed that she had not been invited to the memorial service, which she only managed to hold off until she could arrive by threatening to go public. Joan also wrote in her memoir that her elder sister had been physically, psychologically, and emotionally abusive when they were young. And the iconic photo of Joan with her hand outstretched to congratulate Olivia backstage after the latter's first Oscar win and Olivia ignoring it because she was peeved by a comment Joan had made about Olivia's new husband, Marcus Goodrich, remained part of Hollywood lore for many years.
Nonetheless, late in life, Fontaine gave an interview in which she serenely denied any and all claims of an estrangement from her sister. When a reporter asked Joan if she and Olivia were friends, she replied, "Of course!" The reporter responded that rumors to the contrary must have been sensationalism and she replied, "Oh, right--they have to. Two nice girls liking each other isn't copy." Asked if she and Olivia were in communication and spoke to each other, Joan replied "Absolutely." When asked if there ever had been a time when the two did not get along to the point where they wouldn't speak with one another, Joan replied, again, "Never. Never. There is not a word of truth about that." When asked why people believe it, she replied "Oh, I have no idea. It's just something to say ... Oh, it's terrible." When asked if she had seen Olivia over the years, she replied, "I've seen her in Paris. And she came to my apartment in New York often." The reporter stated that all this was a nice thing to hear. Joan then stated, "Let me just say, Olivia and I have never had a quarrel. We have never had any dissatisfaction. We have never had hard words. And all this is press." Joan died in 2013.
During the hoopla surrounding the 50th anniversary of GWTW in 1989, Olivia graciously declined requests for all interviews as the last of the four main stars. She enjoyed a quiet retirement in Paris, France, where she resided for many decades, and where she died on 26 July, 2020, at the age of 104.
As well as being the last surviving major cast member of some of cinema's most beloved pre-war and wartime film classics (including The Adventures of Robin Hood (1938) and Gone with the Wind (1939)), and one of the longest-lived major stars in film history, Olivia de Havilland was unquestionably the last surviving iconic figure from the peak of Hollywood's golden era during the late 1930s, and her passing truly marked the end of an era.- Actress
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Born Joan de Beauvoir de Havilland on October 22, 1917, in Tokyo, Japan, in what was known as the International Settlement, to British parents, Lilian Augusta (Ruse), a former actress, and Walter Augustus de Havilland, an English professor and patent attorney. Her paternal grandfather's family was from Guernsey in the Channel Islands. Her father had a lucrative practice in Japan, but due to Joan and older sister Olivia de Havilland's recurring ailments the family moved to California in the hopes of improving their health. Mrs. de Havilland and the two girls settled in Saratoga while their father went back to his practice in Japan. Joan's parents did not get along well and divorced soon afterward. Mrs. de Havilland had a desire to be an actress but her dreams were curtailed when she married, but now she hoped to pass on her dream to Olivia and Joan. While Olivia pursued a stage career, Joan went back to Tokyo, where she attended the American School. In 1934 she came back to California, where her sister was already making a name for herself on the stage. Joan likewise joined a theater group in San Jose and then Los Angeles to try her luck there. After moving to L.A., Joan adopted the name of Joan Burfield because she didn't want to infringe upon Olivia, who was using the family surname.
She tested at MGM and gained a small role in No More Ladies (1935), but she was scarcely noticed and Joan was idle for a year and a half. During this time she roomed with Olivia, who was having much more success in films. In 1937, this time calling herself Joan Fontaine, she landed a better role as Trudy Olson in You Can't Beat Love (1937) and then an uncredited part in Quality Street (1937). Although the next two years saw her in better roles, she still yearned for something better. In 1940 she garnered her first Academy Award nomination for Rebecca (1940). Although she thought she should have won, (she lost out to Ginger Rogers in Kitty Foyle (1940)), she was now an established member of the Hollywood set. She would again be Oscar-nominated for her role as Lina McLaidlaw Aysgarth in Suspicion (1941), and this time she won. Joan was making one film a year but choosing her roles well. In 1942 she starred in the well-received This Above All (1942).
The following year she appeared in The Constant Nymph (1943). Once again she was nominated for the Oscar, she lost out to Jennifer Jones in The Song of Bernadette (1943). By now it was safe to say she was more famous than her older sister and more fine films followed. In 1948, she accepted second billing to Bing Crosby in The Emperor Waltz (1948). Joan took the year of 1949 off before coming back in 1950 with September Affair (1950) and Born to Be Bad (1950). In 1951 she starred in Paramount's Darling, How Could You! (1951), which turned out badly for both her and the studio and more weak productions followed.
Absent from the big screen for a while, she took parts in television and dinner theaters. She also starred in many well-produced Broadway plays such as Forty Carats and The Lion in Winter. Her last appearance on the big screen was The Witches (1966) and her final appearance before the cameras was Good King Wenceslas (1994). She is, without a doubt, a lasting movie icon.- Actor
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Sidney Poitier was a native of Cat Island, Bahamas, although born, two months prematurely, in Miami during a visit by his parents, Evelyn (Outten) and Reginald James Poitier. He grew up in poverty as the son of farmers, with his father also driving a cab in Nassau. Sidney had little formal education and at the age of 15 was sent to Miami to live with his brother, in order to forestall a growing tendency toward delinquency. In the U.S., he experienced the racial chasm that divides the country, a great shock to a boy coming from a society with a majority of African descent.
At 18, he went to New York, did menial jobs and slept in a bus terminal toilet. A brief stint in the Army as a worker at a veterans' hospital was followed by more menial jobs in Harlem. An impulsive audition at the American Negro Theatre was rejected so forcefully that Poitier dedicated the next six months to overcoming his accent and improving his performing skills. On his second try, he was accepted. Spotted in rehearsal by a casting agent, he won a bit part in the Broadway production of "Lysistrata", for which he earned good reviews. By the end of 1949, he was having to choose between leading roles on stage and an offer to work for Darryl F. Zanuck in the film No Way Out (1950). His performance as a doctor treating a white bigot got him plenty of notice and led to more roles. Nevertheless, the roles were still less interesting and prominent than those white actors routinely obtained. But seven years later, after turning down several projects he considered demeaning, Poitier got a number of roles that catapulted him into a category rarely if ever achieved by an African-American man of that time, that of leading man. One of these films, The Defiant Ones (1958), earned Poitier his first Academy Award nomination as Best Actor. Five years later, he won the Oscar for Lilies of the Field (1963), the first African American to win for a leading role.
He remained active on stage and screen as well as in the burgeoning Civil Rights movement. His roles in Guess Who's Coming to Dinner (1967) and To Sir, with Love (1967) were landmarks in helping to break down some social barriers between blacks and whites. Poitier's talent, conscience, integrity, and inherent likability placed him on equal footing with the white stars of the day. He took on directing and producing chores in the 1970s, achieving success in both arenas.- Actress
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In America, the early performing arts accomplishments of young Maureen FitzSimons (who we know as Maureen O'Hara) would definitely have put her in the child prodigy category. However, for a child of Irish heritage surrounded by gifted parents and family, these were very natural traits. Maureen made her entrance into this caring haven on August 17, 1920, in Ranelagh (a suburb of Dublin), Ireland. Her mother, Marguerita Lilburn FitzSimons, was an accomplished contralto. Her father, Charles FitzSimons, managed a business in Dublin and also owned part of the renowned Irish soccer team "The Shamrock Rovers." Maureen was the second of six FitzSimons children - Peggy, Florrie, Charles B. Fitzsimons, Margot Fitzsimons and James O'Hara completed this beautiful family.
Maureen loved playing rough athletic games as a child and excelled in sports. She combined this interest with an equally natural gift for performing. This was demonstrated by her winning pretty much every Feis award for drama and theatrical performing her country offered. By age 14 she was accepted to the prestigious Abbey Theater and pursued her dream of classical theater and operatic singing. This course was to be altered, however, when Charles Laughton, after seeing a screen test of Maureen, became mesmerized by her hauntingly beautiful eyes. Before casting her to star in Jamaica Inn (1939), Laughton and his partner, Erich Pommer, changed her name from Maureen FitzSimons to "Maureen O'Hara" - a bit shorter last name for the marquee.
Under contract to Laughton, Maureen's next picture was to be filmed in America (The Hunchback of Notre Dame (1939)) at RKO Pictures. The epic film was an extraordinary success and Maureen's contract was eventually bought from Laughton by RKO. At 19, Maureen had already starred in two major motion pictures with Laughton. Unlike most stars of her era, she started at the top, and remained there - with her skills and talents only getting better and better with the passing years.
Maureen has an enviable string of all-time classics to her credit that include the aforementioned "The Hunchback of Notre Dame," How Green Was My Valley (1941), Miracle on 34th Street (1947), Sitting Pretty (1948), The Quiet Man (1952), and The Parent Trap (1961). Add to this the distinction of being voted one of the five most beautiful women in the world and you have a film star who was as gorgeous as she was talented.
Although at times early in her career Hollywood didn't seem to notice, there was much more to Maureen O'Hara than her dynamic beauty. She not only had a wonderful lyric soprano voice, but she could use her inherent athletic ability to perform physical feats that most actresses couldn't begin to attempt, from fencing to fisticuffs. She was a natural athlete.
In her career Maureen starred with some of Hollywood's most dashing leading men, including Tyrone Power, John Payne, Rex Harrison, James Stewart, Henry Fonda, Brian Keith, Sir Alec Guinness and, of course, her famed pairings with "The Duke" himself, John Wayne. She starred in five films with Wayne, the most beloved being The Quiet Man (1952).
In addition to famed director John Ford, Maureen was also fortunate to have worked for some other great directors in the business: Alfred Hitchcock, William Dieterle, Henry Hathaway, Henry King, Jean Renoir, John M. Stahl, William A. Wellman, Frank Borzage, Walter Lang, George Seaton, George Sherman, Carol Reed, Delmer Daves, David Swift, Andrew V. McLaglen and Chris Columbus.
In 1968 Maureen found much deserved personal happiness when she married Charles Blair. Gen. Blair was a famous aviator whom she had known as a friend of her family for many years. A new career began for Maureen, that of a full-time wife. Her marriage to Blair, however, was again far from typical. Blair was the real-life version of what John Wayne had been on the screen. He had been a Brigadier General in the Air Force, a Senior Pilot with Pan American, and held many incredible record-breaking aeronautic achievements. Maureen happily retired from films in 1973 after making the TV movie The Red Pony (1973) (which on the prestigious Peabody Award for Excellence) with Henry Fonda. With Blair, Maureen managed Antilles Airboats, a commuter sea plane service in the Caribbean. She not only made trips around the world with her pilot husband, but owned and published a magazine, "The Virgin Islander," writing a monthly column called "Maureen O'Hara Says."
Tragically, Charles Blair died in a plane crash in 1978. Though completely devastated, Maureen pulled herself together and, with memories of ten of the happiest years of her life, continued on. She was elected President and CEO of Antilles Airboats, which brought her the distinction of being the first woman president of a scheduled airline in the United States.
Fortunately, she was coaxed out of retirement several times - once in 1991 to star with John Candy in Only the Lonely (1991) and again, in 1995, in a made-for-TV movie, The Christmas Box (1995) on CBS. In the spring of 1998, Maureen accepted the second of what would be three projects for Polson Productions and CBS: Cab to Canada (1998) - and, in October, 2000, The Last Dance (2000).
On St. Patrick's Day in 2004, she published her New York Times bestselling memoir, 'Tis Herself, co-authored with her longtime biographer and manager Johnny Nicoletti.
On November 4, 2014 Maureen was honored by a long overdue Oscar for "Lifetime Achievement" at the annual Motion Picture Arts and Sciences Governors Awards.
Maureen O'Hara was absolutely stunning, with that trademark red hair, dazzling smile and those huge, expressive eyes. She has fans from all over the world of all ages who are utterly devoted to her legacy of films and her persona as a strong, courageous and intelligent woman.- Actor
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The tall, handsome and muscular Scottish actor Sean Connery is best known as the original actor to portray James Bond in the hugely successful movie franchise, starring in seven films between 1962 and 1983. Some believed that such a career-defining role might leave him unable to escape it, but he proved the doubters wrong, becoming one of the most notable film actors of his generation, with a host of great movies to his name. This arguably culminated in his greatest acclaim in 1988, when Connery won the Academy Award for Best Supporting Actor for his role as an Irish cop in The Untouchables (1987), stealing the thunder from the movie's principal star Kevin Costner. Connery was polled as "The Greatest Living Scot" and "Scotland's Greatest Living National Treasure". In 1989, he was proclaimed "Sexiest Man Alive" by People magazine, and in 1999, at age 69, he was proclaimed "Sexiest Man of the Century."
Thomas "Sean" Connery was born on August 25, 1930 in Fountainbridge, Edinburgh. His mother, Euphemia Maclean, was a cleaning lady, and his father, Joseph Connery, was a factory worker and truck driver. He also had a, Neil Connery, a plasterer in Edinburgh, who was eight years younger. Before going into acting, Sean had many different jobs, such as a milkman, lorry driver, a laborer, artist's model for the Edinburgh College of Art, coffin polisher and bodybuilder. He also joined the Royal Navy, but was later discharged because of medical problems. At the age of 23, he had a choice between becoming a professional soccer player or an actor, and even though he showed much promise in the sport, he chose acting and said it was one of his more intelligent decisions.
No Road Back (1957) was Sean's first major movie role, and it was followed by several made-for-TV movies such as Anna Christie (1957), Macbeth (1961) and Anna Karenina (1961) as well as guest appearances on TV series, and also films such as Hell Drivers (1957), Another Time, Another Place (1958), Darby O'Gill and the Little People (1959) and The Frightened City (1961). In 1962 he appeared in The Longest Day (1962) with a host of other stars.
His big breakthrough came in 1962 when he landed the role of secret agent James Bond in Dr. No (1962). He played James Bond in six more films: From Russia with Love (1963), Goldfinger (1964), Thunderball (1965), You Only Live Twice (1967), Diamonds Are Forever (1971) and Never Say Never Again (1983).
After and during the success of the Bond films, he maintained a successful career as an actor and has appeared in films, including Alfred Hitchcock's Marnie (1964), The Hill (1965), Murder on the Orient Express (1974), The Man Who Would Be King (1975), The Wind and the Lion (1975), Time Bandits (1981), Highlander (1986), The Name of the Rose (1986), Indiana Jones and the Last Crusade (1989), The Hunt for Red October (1990), Rising Sun (1993), The Rock (1996), Finding Forrester (2000) and The League of Extraordinary Gentlemen (2003).
Sean married actress Diane Cilento in 1962 and they had Sean's only child, Jason Connery, born on January 11, 1963. The couple announced their separation in February 1971 and filed for divorce 2½ years later. Sean then dated Jill St. John, Lana Wood, Magda Konopka and Carole Mallory. In 1975 he married Micheline Roquebrune and they stayed married, despite Sean's well-documented love affair with Lynsey de Paul in the late '80s. Sean had three stepchildren through his marriage to Micheline, who was one year his senior. He is also a grandfather. His son, Jason and Jason's ex-wife, actress Mia Sara had a son, Dashiell Connery, in 1997.
Sean Connery died at the age of 90 on October 31, 2020, in Nassau, the Bahamas, where he resided for many years.- Actor
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Mel Brooks was born Melvin Kaminsky on June 28, 1926 in Brooklyn, New York. He served in WWII, and afterwards got a job playing the drums at nightclubs in the Catskills. Brooks eventually started a comedy act and also worked in radio and as Master Entertainer at Grossinger's Resort before going to television.
He was a writer for, Your Show of Shows (1950) Caesar's Hour (1954) and wrote the Broadway show Shinbone Alley. He also worked in the creation of The 2000 Year Old Man (1975) and Get Smart (1965) before embarking on a highly successful film career in writing, acting, producing and directing.
Brooks is famous for the spoofs of different film genres that he made such as Blazing Saddles (1974), History of the World: Part I (1981), Silent Movie (1976), Young Frankenstein (1974), Robin Hood: Men in Tights (1993), High Anxiety (1977), Dracula: Dead and Loving It (1995), and Spaceballs (1987).- Actor
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Respected character actor whose on-screen work included everything from Shakespeare to Dick Tracy (1990) (his last film). After a long apprenticeship in the theatre, the 38-year-old Wolfe finally debuted in films in The Barretts of Wimpole Street (1934), recreating his Broadway role. He then toiled away steadily in Hollywood for the next several decades, working as a supporting player in literally hundreds of film and TV productions well into his 90s. Though capable of a wide range of parts, Wolfe's gentle, patrician manner found him most often cast as a butler, a minister or a kindly doctor. He finally gained his greatest fame at the age of 85, effortlessly stealing scenes as Mama Carlson's doddering yet feisty butler "Hirsch" in several episodes of the MTM sitcom WKRP in Cincinnati (1978).- Actress
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Dame Judith Anderson was born Frances Margaret Anderson on February 10, 1897 in Adelaide, South Australia. She began her acting career in Australia before moving to New York in 1918. There she established herself as one of the greatest theatrical actresses and was a major star on Broadway throughout the 1930s, 1940s and 1950s. Her notable stage works included the role of Lady Macbeth, which she played first in the 1920s, and gave an Emmy Award-winning television performance in Macbeth (1960). Anderson's long association with Euripides' "Medea" began with her acclaimed Tony Award-winning 1948 stage performance in the title role. She appeared in the television version of Medea (1983) in the supporting character of the Nurse.
Anderson made her Hollywood film debut under director Rowland Brown in a supporting role in Blood Money (1933). Her striking, not conventionally attractive features were complemented with her powerful presence, mastery of timing and an effortless style. Anderson made a film career as a supporting character actress in several significant films including Alfred Hitchcock's Rebecca (1940), for which she was Oscar nominated for Best Supporting Actress. She worked with director Otto Preminger in Laura (1944), then with René Clair in And Then There Were None (1945). Her remarkable performance in a supporting role in Cat on a Hot Tin Roof (1958) fit in a stellar acting ensemble under director Richard Brooks.
Anderson was awarded Dame Commander of the Order of the British Empire in the 1960 Queen's New Year's Honours List for her services to the performing arts. Living in Santa Barbara in her later years, she also had a successful stint on the soap opera Santa Barbara (1984) and was nominated for a Daytime Emmy Award in 1984. In the same year, at age 87, she appeared in Star Trek III: The Search for Spock (1984) as the High Priestess, and was nominated for a Saturn Award for that role. She was awarded Companion of the Order of Australia in the 1991 Queen's Birthday Honours List for her services to the performing arts. Anderson died at age 94 of pneumonia on January 3, 1992 in Santa Barbara, California.- Actor
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Born in London, England, John Gielgud trained at Lady Benson's Acting School and RADA, London. Best known for his Shakespearean roles in the theater, he first played Hamlet at the age of 26. He worked under the tutelage of Lilian Bayliss with friend and fellow performer Laurence Olivier and other contemporaries of the National Theatre at the "Old Vic", London. He made his screen debut in 1924. Academy Award Best Supporting Actor, 1981, for Arthur (1981), Academy Award Nomination, 1964, for Becket (1964).- Actress
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This marvelous screen comedienne's best asset was only muffled during her seven years' stint in silent films. That asset? It was, of course, her squeaky, frog-like voice, which silent-era cinema audiences had simply no way of perceiving, much less appreciating. Jean Arthur, born Gladys Georgianna Greene in upstate New York, 20 miles south of the Canadian border, has had her year of birth cited variously as 1900, 1905 and 1908. Her place of birth has often been cited as New York City! (Herein we shall rely for those particulars on Miss Arthur's obituary as given in the authoritative and reliable New York Times. The date and place indicated above shall be deemed correct.) Following her screen debut in a bit part in John Ford's Cameo Kirby (1923), she spent several years playing unremarkable roles as ingénue or leading lady in comedy shorts and cheapie westerns. With the arrival of sound she was able to appear in films whose quality was but slightly improved over that of her past silents. She had to contend, for example, with the consummately evil likes of Dr. Fu Manchu (played by future "Charlie Chan" Warner Oland). Her career bloomed with her appearance in Ford's The Whole Town's Talking (1935), in which she played opposite Edward G. Robinson, the latter in a dual role as a notorious gangster and his lookalike, a befuddled, well-meaning clerk. Here is where her wholesomeness and flair for farcical comedy began making themselves plain. The turning point in her career came when she was chosen by Frank Capra to star with Gary Cooper in the classic social comedy Mr. Deeds Goes to Town (1936). Here she rescues the hero - thus herself becoming heroine! - from rapacious human vultures who are scheming to separate him from his wealth. In Capra's masterpiece Mr. Smith Goes to Washington (1939), she again rescues a besieged hero (James Stewart), protecting him from a band of manipulative and cynical politicians and their cronies and again she ends up as a heroine of sorts. For her performance in George Stevens' The More the Merrier (1943), in which she starred with Joel McCrea and Charles Coburn, she received a Best Actress Academy Award nomination, but the award went to Jennifer Jones in The Song of Bernadette (1943) (Coburn, incidentally, won for Best Supporting Actor). Her career began waning toward the end of the 1940s. She starred with Marlene Dietrich and John Lund in Billy Wilder's fluff about post-World War II Berlin, A Foreign Affair (1948). Thereafter, the actress would return to the screen but once, again for George Stevens but not in comedy. She starred with Alan Ladd and Van Heflin in Stevens' western Shane (1953), playing the wife of a besieged settler (Heflin) who accepts help from a nomadic gunman (Ladd) in the settler's effort to protect his farm. It was her silver-screen swansong. She would provide one more opportunity for a mass audience to appreciate her craft. In 1966 she starred as a witty and sophisticated lawyer, Patricia Marshall, a widow, in the TV series The Jean Arthur Show (1966). Her time was apparently past, however; the show ran for only 11 weeks.- Actress
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Irene Marie Dunne was born on December 20, 1898, in Louisville, Kentucky. She was the daughter of Joseph Dunne, who inspected steamships, and Adelaide Henry, a musician who prompted Irene in the arts. Her first production was in Louisville when she appeared in "A Midsummer Night's Dream" at the age of five. Her "debut" set the tone for a fabulous career. Following the tragic death of her father when she was 12, she moved with her remaining family to the picturesque and historic town of Madison, Indiana, to live with her maternal grandparents at 916 W. Second St. During the next few years Irene studied voice and took piano lessons in town. She was able to earn money singing in the Christ Episcopal Church choir on Sundays. After graduating from Madison High School in 1916, she studied until 1917 in a music conservatory in Indianapolis. After that she accepted a teaching post as a music and art instructor in East Chicago, Indiana, just a stone's throw from Chicago. She never made it to the school. While on her way to East Chicago, she saw a newspaper ad in the Indianapolis Star and News for an annual scholarship contest run by the Chicago Music College. Irene won the contest, which enabled her to study there for a year. After that she headed for New York City because it was still the entertainment capital of the world. Her first goal in New York was to add her name to the list of luminaries of the Metropolitan Opera Company. Her audition did her little good, as she was rejected for being too young and inexperienced. She did win the leading role in a road theater company, which was, in turn, followed by numerous plays. During this time she studied at the Chicago Music College, from which she graduated with high honors in 1926. In 1928, Irene met and married a promising young dentist from New York named Francis Dennis Griffin. She remained with Dr. Griffin until his death in 1965.
Irene came to the attention of Hollywood when she performed in "Show Boat" on the East Coast. By 1930 she was under contract to RKO Pictures. Her first film was Leathernecking (1930), which went almost unnoticed. In 1931 she appeared in Cimarron (1931), for which she received the first of five Academy Award nominations. No Other Woman (1933) and Ann Vickers (1933) the same year followed.
In 1936 (due to her comic skits in Show Boat (1936)), she was "persuaded" to star in a comedy, up to that time a medium for which she had small affection. However, Theodora Goes Wild (1936) was an instant hit, almost as popular as the more famous It Happened One Night (1934) from two years before. From this she earned her second Academy Award nomination. Later, in 1937, she was teamed with Cary Grant in The Awful Truth (1937). This helped her garner a third Academy Award nomination. She starred with Grant later in My Favorite Wife (1940) and Penny Serenade (1941).
Her favorite film was Love Affair (1939) with Charles Boyer, a huge hit in a year with so many great films, and a role for which she was again nominated for an Academy Award. Howevever, it was the tear-jerker I Remember Mama (1948) for which she will be best remembered in the role of the loving, self-sacrificing Norwegian mother. She got another nomination for that but again lost. This was the picture in which she should have won the Oscar.
She began to wean herself away from films toward the many charities and public works she championed. Her last major movie was as Polly Baxter in 1952's It Grows on Trees (1952). After that she only appeared as a guest on television. Irene knew enough to quit while she was ahead of the game and this helped keep her legacy intact.
In 1957 she was appointed as a special US delegate to the United Nations during the 12th General Assembly by President Dwight D. Eisenhower, such was her widespread appeal. The remainder of her life was spent on civic causes. She even donated $10,000 to the restoration of the town fountain in her girlhood home of Madison, Indiana, in 1976, even though she had not been there since 1938 when she came home for a visit. She died of heart failure on September 4, 1990, in Los Angeles, California.- Actor
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Although this pint-sized actor started out in films often in innocuous college-student roles in mid-30s rah-rahs, playing alongside the likes of a pretty Gloria Stuart or a young, pre-"Oz" Judy Garland, casting directors would soon enough discover his flair for portraying intense neurotics or spineless double-dealers. Thus was he graduated from the innocuous to the noxious. In Warners' They Won't Forget (1937), for example, he plays the role of a student whose social engagement with a young Lana Turner, debuting here in a featured role, seems to have been broken by her whereas, possibly unbeknownst to him, she has quite mysteriously been murdered. Cook becomes so enraged, venting such venom, that the movie audience can only look upon him as a prime suspect in Lana's demise. In Universal's Phantom Lady (1944), he portrays a nightclub-orchestra drummer who, under the intoxicating influence of some substance or other, encounters Ella Raines during an afternoon's band practice. Thoroughly taken with her slinky allure, he enacts a drum-solo piece that is of such crescendo, and played with such innuendo, as to suggest - glaringly - nothing except his own fantasized sexual journey from cymbal foreplay through bass-drum climax.- Actress
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One of the brightest film stars to grace the screen was born Emilie Claudette Chauchoin on September 13, 1903, in Saint Mandé, France where her father owned a bakery at 57, rue de la République (now Avenue Général de Gaulle). The family moved to the United States when she was three. As Claudette grew up, she wanted nothing more than to play to Broadway audiences (in those days, any actress or actor worth their salt went for Broadway, not Hollywood). After her formal education ended, she enrolled in the Art Students League, where she paid for her dramatic training by working in a dress shop. She made her Broadway debut in 1923 in the stage production of "The Wild Wescotts". It was during this event that she adopted the name Claudette Colbert.
When the Great Depression shut down most of the theaters, Claudette decided to make a go of it in films. Her first film was called For the Love of Mike (1927). Unfortunately, it was a box-office disaster. She wasn't real keen on the film industry, but with an extreme scarcity in theatrical roles, she had no choice but to remain. In 1929 she starred as Joyce Roamer in The Lady Lies (1929). The film was a success and later that year she had another hit entitled The Hole in the Wall (1929). In 1930 she starred opposite Fredric March in Manslaughter (1930), which was a remake of the silent version of eight years earlier. A year after that Claudette was again paired in a film with March, Honor Among Lovers (1931). It fared well at the box-office, probably only because it was the kind of film that catered to women who enjoyed magazine fiction romantic stories. In 1932 Claudette played the evil Poppeia in Cecil B. DeMille's last great work, The Sign of the Cross (1932), and once again was cast with March. Later the same year she was paired with Jimmy Durante in The Phantom President (1932). By now Claudette's name symbolized good movies and she, along with March, pulled crowds into the theaters with the acclaimed Tonight Is Ours (1933).
The next year started a little on the slow side with the release of Four Frightened People (1934), where Claudette and her co-stars were at odds with the dreaded bubonic plague on board a ship. However, the next two films were real gems for this young actress. First up, Claudette was charming and radiant in Cecil B. DeMille's spectacular Cleopatra (1934). It wasn't one of DeMille's finest by any means, but it was a financial success and showcased Claudette as never before. However, it was as Ellie Andrews, in the now famous It Happened One Night (1934), that ensured she would be forever immortalized. Paired with Clark Gable, the madcap comedy was a mega-hit all across the country. It also resulted in Claudette being nominated for and winning the Oscar that year for Best Actress. IN 1935 she was nominated again for Private Worlds (1935), where she played Dr. Jane Everest, on the staff at a mental institution. The performance was exquisite. Films such as The Gilded Lily (1935), Drums Along the Mohawk (1939) and No Time for Love (1943) kept fans coming to the theaters and the movie moguls happy. Claudette was a sure drawing card for virtually any film she was in. In 1944 she starred as Anne Hilton in Since You Went Away (1944). Again, although she didn't win, Claudette picked up her third nomination for Best Actress.
By the late 1940s and early 1950s she was not only seen on the screen but the infant medium of television, where she appeared in a number of programs. However, her drawing power was fading somewhat as new stars replaced the older ones. In 1955 she filmed the western Texas Lady (1955) and wasn't seen on the screen again until Parrish (1961). It was her final silver screen performance. Her final appearance before the cameras was in a TV movie, The Two Mrs. Grenvilles (1987). She did, however, remain on the stage where she had returned in 1956, her first love. After a series of strokes, Claudette divided her time between New York and Barbados. On July 30, 1996, Claudette died in Speightstown, Barbados. She was 92.- Actress
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Her father was a police lieutenant and imbued in her a military attitude to life. Marlene was known in school for her "bedroom eyes" and her first affairs were at this stage in her life - a professor at the school was terminated. She entered the cabaret scene in 1920s Germany, first as a spectator then as a cabaret singer. In 1923, she married and, although she and Rudolf Sieber lived together only 5 years, they remained married until his death. She was in over a dozen silent films in increasingly important roles. In 1929, she was seen in a Berlin cabaret by Josef von Sternberg and, after a screen test, captured the role of the cabaret singer in The Blue Angel (1930) (and became von Sternberg's lover). With the success of this film, von Sternberg immediately took her to Hollywood, introducing her to the world in Morocco (1930), and signing an agreement to produce all her films. A series of successes followed, and Marlene became the highest paid actress of her time, but her later films in the mid-part of the decade were critical and popular failures. She returned to Europe at the end of the decade, with a series of affairs with former leading men (she had a reputation of romancing her co-stars), as well as other prominent artistic figures. In 1939, an offer came to star with James Stewart in a western and, after initial hesitation, she accepted. The film was Destry Rides Again (1939) - the siren of film could also be a comedienne and a remarkable comeback was reality. She toured extensively for the allied effort in WW II (she had become a United States citizen) and, after the war, limited her cinematic life. But a new career as a singer and performer appeared, with reviews and shows in Las Vegas, touring theatricals, and even Broadway. New success was accompanied by a too close acquaintance with alcohol, until falls in her performance eventually resulted in a compound fracture of the leg. Although the last 13 years of her life were spent in seclusion in her apartment in Paris, with the last 12 years in bed, she had withdrawn only from public life and maintained active telephone and correspondence contact with friends and associates.- Actor
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A graduate of the University of Minnesota, Eddie Albert was a circus trapeze flier before becoming a stage and radio actor. He made his film debut in 1938 and has worked steadily since, often cast as the friendly, good-natured buddy of the hero but occasionally being cast as a villain; one of his most memorable roles was as the cowardly, glory-seeking army officer in Robert Aldrich's World War 2 film, Attack (1956).- Actress
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Katharine Houghton Hepburn was born on May 12, 1907 in Hartford, Connecticut to a suffragist, Katharine Martha (Houghton), and a doctor, Thomas Norval Hepburn, who both always encouraged her to speak her mind, develop it fully, and exercise her body to its full potential. An athletic tomboy as a child, she was very close to her brother Tom; at 14 she was devastated to find him dead, the apparent result of accidentally hanging himself while practicing a hanging trick their father had taught them. For many years afterward, she used his November 8 birth date as her own. She became shy around girls her age and was largely schooled at home. She did attend Bryn Mawr College, where she decided to become an actress, appearing in many of their productions.
After graduating, she began getting small roles in plays on Broadway and elsewhere. She always attracted attention, especially for her role in "Art and Mrs. Bottle" (1931). She finally broke into stardom when she took the starring role of the Amazon princess Antiope in "A Warrior's Husband" (1932). The inevitable film offers followed; after making a few screen tests, she was cast in A Bill of Divorcement (1932), opposite John Barrymore. The film was a hit, and after agreeing to her salary demands, RKO signed her to a contract. She made five films between 1932 and 1934. For her third, Morning Glory (1933), she won her first Academy Award. Her fourth, Little Women (1933), was the most successful picture of its day.
But stories were beginning to leak out, of her haughty behavior off- screen and her refusal to play the Hollywood Game, always wearing slacks and no makeup, never posing for pictures or giving interviews. Audiences were shocked at her unconventional behavior instead of applauding it, and so when she returned to Broadway in 1934 to star in "The Lake", the critics panned her, and the audiences, who at first bought up tickets, soon deserted her. When she returned to Hollywood, things didn't get much better. From 1935-1938, she had only two hits: Alice Adams (1935), which brought her her second Oscar nomination, and Stage Door (1937); the many flops included Break of Hearts (1935), Sylvia Scarlett (1935), Mary of Scotland (1936), Quality Street (1937), and the now-classic Bringing Up Baby (1938).
With so many flops, she came to be labeled "box-office poison". She decided to go back to Broadway to star in "The Philadelphia Story" (1938) and was rewarded with a smash. She quickly bought the film rights and so was able to negotiate her way back to Hollywood on her own terms, including her choice of director and co-stars. The Philadelphia Story (1940) was a box-office hit, and Hepburn, who won her third Oscar nomination for the film, was bankable again. For her next film, Woman of the Year (1942), she was paired with Spencer Tracy, and the chemistry between them lasted for eight more films, spanning the course of 25 years, and a romance that lasted that long off-screen. (She received her fourth Oscar nomination for the film.) Their films included the very successful Adam's Rib (1949), Pat and Mike (1952), and Desk Set (1957).
With The African Queen (1951), Hepburn moved into middle-aged spinster roles, receiving her fifth Oscar nomination for the film. She played more of these types of roles throughout the 1950s, and won more Oscar nominations for many of them, including her roles in Summertime (1955), The Rainmaker (1956), and Suddenly, Last Summer (1959). Her film roles became fewer and farther between in the 1960s, as she devoted her time to the ailing Tracy. For one of her film appearances in this decade, in Long Day's Journey Into Night (1962), she received her ninth Oscar nomination. After a five-year absence from films, she then made Guess Who's Coming to Dinner (1967), her last film with Tracy and the last film Tracy ever made; he died just weeks after finishing it. It garnered Hepburn her tenth Oscar nomination and her second win. The next year, she did The Lion in Winter (1968), which brought her her eleventh Oscar nomination and third win.
In the 1970s, she turned to making made-for-TV films, with The Glass Menagerie (1973), Love Among the Ruins (1975), and The Corn Is Green (1979). She still continued to make an occasional appearance in feature films, such as Rooster Cogburn (1975) with John Wayne and On Golden Pond (1981) with Henry Fonda. This last brought her her twelfth Oscar nomination and fourth win - the latter still the record.
She made more TV-films in the 1980s and wrote her autobiography, 'Me', in 1991. Her last feature film was Love Affair (1994), with Warren Beatty and Annette Bening, and her last TV- film was One Christmas (1994). With her health declining, she retired from public life in the mid-1990s. She died at 96 at her home in Old Saybrook, Connecticut.- Actress
- Soundtrack
Lena Calhoun Horne was born June 30, 1917, in Brooklyn, New York. In her biography she stated that, on the day she was born, her father was in the midst of a card game trying to get money to pay the hospital costs. Her parents divorced while she was still a toddler. Her mother left later in order to find work as an actress and Lena was left in the care of her grandparents. When she was seven, her mother returned and the two traveled around the state which meant that Lena was enrolled in numerous schools. For a time she also attended schools in Florida, Georgia and Ohio. Later she returned to Brooklyn.
Lena quit school when she was 14 and got her first stage job at 16 dancing and later singing at the famed Cotton Club in Harlem, a renowned theater in which black performers played before white audiences immortalized in The Cotton Club (1984)). She was in good hands at the club, especially when people such as Cab Calloway and Duke Ellington took her under their wings and helped her over the rough spots. Before long, her talent resulted in her playing before packed houses.
If Lena had never made a movie, her music career would have been enough to have ensured her legendary status in the entertainment industry, but films were icing on the cake. After she made an appearance on Broadway, Hollywood came calling. At 21 years of age, Lena made her first film, The Duke Is Tops (1938). It would be four more years before she appeared in another, Panama Hattie (1942), playing a singer in a nightclub. By now Lena had signed with MGM but, unfortunately for her, the pictures were shot so that her scenes could be cut out when they were shown in the South since most theaters in the South refused to show films that portrayed blacks in anything other than subservient roles to whites. Most movie studios did not want to take a chance on losing that particular source of revenue. Lena did not want to appear in those kinds of stereotyped roles and who could blame her?
In 1943, MGM loaned Lena to 20th Century-Fox to play the role of Selina Rogers in the all-black musical Stormy Weather (1943), which did extremely well at the box office. Her rendition of the title song became a major hit on the musical charts. In 1943, she appeared in Cabin in the Sky (1943), regarded by many as one of the finest performances of her career. She played Georgia Brown opposite Ethel Waters and Eddie 'Rochester' Anderson in the all black production. Rumors were rampant that she and Waters just did not get along well, although there was never any mention of the source of the alleged friction. However, that was not the only feud on that picture. Other cast members sniped at one another and it was a wonder the film was made at all. Regardless of the hostilities, the movie was released to very good reviews from the ever tough critics. It went a long way in showing the depth of the talent that existed among black performers in Hollywood, especially Lena.
Lena's musical career flourished, but her movie career stagnated. Minor roles in films such as Boogie-Woogie Dream (1944), Words and Music (1948) and Mantan Messes Up (1946) did little to advance her film career, due mainly to the ingrained racist attitudes of the time. Even at the height of Lena's musical career, she was often denied rooms at the very hotels in which she performed because they would not let blacks stay there. After Meet Me in Las Vegas (1956), Lena left films to concentrate on music and the stage. She returned in 1969 as Claire Quintana in Death of a Gunfighter (1969). Nine years later, she returned to the screen again in the all black musical The Wiz (1978) where she played Glinda the Good Witch. Although that was her last big-screen appearance, she stayed busy in television appearing in A Century of Women (1994) and That's Entertainment! III (1994).
Had it not been for the prevailing racial attitudes during the time when Lena was just starting her career, it's fair to say that it would have been much bigger and come much sooner. Even taking those factors into account, Lena Horne is still one of the most respected, talented and beautiful performers of all time.- Actress
- Writer
- Camera and Electrical Department
Canadian-born Fay Wray was brought up in Los Angeles and entered films at an early age. She was barely in her teens when she started working as an extra. She began her career as a heroine in westerns at Universal during the silent era. In 1926 the Western Association of Motion Picture Advertisers selected 13 young starlets it deemed most likely to succeed in pictures. Fay was chosen as one of these starlets, along with Janet Gaynor and Mary Astor. Fame would indeed come to Fay when she played another heroine in Erich von Stroheim's The Wedding March (1928). She continued playing leads in a number of films, such as the good-bad girl in Thunderbolt (1929). By the early 1930s she was at Paramount working with Gary Cooper and Jack Holt in a number of average films, such as Master of Men (1933). She also appeared in such horror films as Doctor X (1932) and The Vampire Bat (1933). In 1933 Fay was approached by producer Merian C. Cooper, who told her that he had a part for her in a picture in which she would be working with a tall, dark leading man. What he didn't tell her was that her "tall, dark leading man" was a giant gorilla, and the picture turned out to be the classic King Kong (1933). Perhaps no one in the history of pictures could scream more dramatically than Fay, and she really put on a show in "Kong". Her character provided a combination of sex appeal, vulnerability and lung capacity as she was stalked by the giant beast all the way to the top of the Empire State Building. That was as far as Fay would rise, however, as this was, after all, just another horror movie. After "Kong", she began a slow decline that put her into low-budget action films by the mid '30s. In 1939 her 11-year marriage to screenwriter John Monk Saunders ended in divorce, and her career was almost finished. In 1942 she remarried and retired from the screen, forever to be remembered as the "beauty who killed the beast" in "King Kong". However, in 1953 she made a comeback, playing mature character roles, and also appeared on television as Catherine, Natalie Wood's mother, in The Pride of the Family (1953). She continued to appear in films until 1958 and television into the 1960s.- Actress
- Soundtrack
Diminutive, fiery-tempered Simone Simon was born in France, but spent much of her early childhood in Madagascar, where her father managed a graphite mine. Her schooling was somewhat unsettled, her family moving from city to city (Berlin, Budapest, Turin) before finally establishing themselves in Paris in 1930. Simone started as a dress designer, fashion model and occasional performer in stage musicals. She eventually met the director Marc Allégret, who took her under his wing. Her film debut was in 1931 and she had her first major hit as Jean Gabin's co-star in La Bête Humaine (1938), directed by Jean Renoir.
There were two halves to Simone's history in Hollywood. In 1936, Darryl F. Zanuck signed her to a contract at 20th Century Fox on the strength of a picture she had made two years earlier, Allegret's Ladies Lake (1934). She was launched with an expensive publicity campaign which accentuated her continental allure, particularly, her 'sexy pout'. During her tenure, problems surfaced regarding her command of English and also her limited singing skills. Dissatisfied with the roles she was given, Simone returned to France and 'La Bete Humaine'. She made a second attempt at Hollywood, acting in William Dieterle's The Devil and Daniel Webster (1941) as Belle, the devil's handmaiden. The New York Times review of October 17 considered her 'completely out of key'. Simone's best work, however, was to come in the shape of the cult horror classic Cat People (1942). Producer Val Lewton and director Jacques Tourneur used her triangular-faced feline qualities to best effect in the story of a girl who obsesses about an ancient Balkan curse turning her into a panther. The film was stylish and subtle, creating imagined rather than actual menace. Simone's performance was commensurate with perfectly studied cat-like mannerisms. During the production of 'Cat People', Simone was under FBI surveillance because of her relationship with MI5 spy Dusko Popov. She made two further, less successful, films at RKO, then returned to France for good. Simone made several films there and worked on the stage. In spite of many affairs and relationships, she never married.- Actor
- Production Manager
- Additional Crew
Ronald Reagan had quite a prolific career, having catapulted from a Warner Bros. contract player and television star, into serving as president of the Screen Actors Guild, the governorship of California (1967-1975), and lastly, two terms as President of the United States (1981-1989).
Ronald Wilson Reagan was born in Tampico, Illinois, to Nelle Clyde (Wilson) and John Edward "Jack" Reagan, who was a salesman and storyteller. His father was of Irish descent, and his mother was of half Scottish and half English ancestry.
A successful actor beginning in the 1930s, the young Reagan was a staunch admirer of President Franklin D. Roosevelt (even after he evolved into a Republican), and was a Democrat in the 1940s, a self-described 'hemophiliac' liberal. He was elected president of the Screen Actors Guild in 1947 and served five years during the most tumultuous times to ever hit Hollywood. A committed anti-communist, Reagan not only fought more-militantly activist movie industry unions that he and others felt had been infiltrated by communists, but had to deal with the investigation into Hollywood's politics launched by the House Un-American Activities Committee in 1947, an inquisition that lasted through the 1950s. The House Un-American Activities Committee investigations of Hollywood (which led to the jailing of the "Hollywood Ten" in the late '40s) sowed the seeds of the McCarthyism that racked Hollywood and America in the 1950s.
In 1950, U.S. Representative Helen Gahagan Douglas (D-CA), the wife of "Dutch" Reagan's friend Melvyn Douglas, ran as a Democrat for the U.S. Senate and was opposed by the Republican nominee, the Red-bating Congressman from Whittier, Richard Nixon. While Nixon did not go so far as to accuse Gahagan Douglas of being a communist herself, he did charge her with being soft on communism due to her opposition to the House Un-American Activities Committee. Nixon tarred her as a "fellow traveler" of communists, a "pinko" who was "pink right down to her underwear." Gahagan Douglas was defeated by the man she was the first to call "Tricky Dicky" because of his unethical behavior and dirty campaign tactics. Reagan was on the Douglases' side during that campaign.
The Douglases, like Reagan and such other prominent actors as Humphrey Bogart and Edward G. Robinson, were liberal Democrats, supporters of the late Franklin D. Roosevelt and his New Deal, a legacy that increasingly was under attack by the right after World War II. They were NOT fellow-travelers; Melvyn Douglas had actually been an active anti-communist and was someone the communists despised. Melvyn Douglas, Robinson and Henry Fonda - a registered Republican! - wound up "gray-listed." (They weren't explicitly black-listed, they just weren't offered any work.) Reagan, who it was later revealed had been an F.B.I. informant while a union leader (turning in suspected communists), was never hurt that way, as he made S.A.G. an accomplice of the black-listing.
Reagan's career sagged after the late 1940s, and he started appearing in B-movies after he left Warner Bros. to go free-lance. However, he had a eminence grise par excellence in Lew Wasserman, his agent and the head of the Music Corp. of America. Wasserman, later called "The Pope of Hollywood," was the genius who figured out that an actor could make a killing via a tax windfall by turning himself into a corporation. The corporation, which would employ the actor, would own part of a motion picture the actor appeared in, and all monies would accrue to the corporation, which was taxed at a much lower rate than was personal income. Wasserman pioneered this tax avoidance scheme with his client James Stewart, beginning with the Anthony Mann western Winchester '73 (1950) (1950). It made Stewart enormously rich as he became a top box office draw in the 1950s after the success of "Winchester 73" and several more Mann-directed westerns, all of which he had an ownership stake in.
Ironically, Reagan became a poor-man's James Stewart in the early 1950s, appearing in westerns, but they were mostly B-pictures. He did not have the acting chops of the great Stewart, but he did have his agent. Wasserman at M.C.A. was one of the pioneers of television syndication, and this was to benefit Reagan enormously. M.C.A. was the only talent agency that was also allowed to be a producer through an exemption to union rules granted by S.A.G. when Reagan was the union president, and it used the exemption to acquire Universal International Pictures. Talent agents were not permitted to be producers as there was an inherent conflict of interest between the two professions, one of which was committed to acquiring talent at the lowest possible cost and the other whose focus was to get the best possible price for their client. When a talent agent was also a producer, like M.C.A. was, it had a habit of steering its clients to its own productions, where they were employed but at a lower price than their potential free market value. It was a system that made M.C.A. and Lew Wasserman, enormously wealthy.
The ownership of Universal and its entry into the production of television shows that were syndicated to network made M.C.A. the most successful organization in Hollywood of its time, a real cash cow as television overtook the movies as the #1 business of the entertainment industry. Wasserman repaid Ronald Reagan's largess by structuring a deal by which he hosted and owned part of General Electric Theater (1953), a western omnibus showcase that ran from 1954 to 1961. It made Reagan very comfortable financially, though it did not make him rich. That came later.
In 1960, with the election of the Democratic President John F. Kennedy, the black and gray lists went into eclipse. J.F.K. appointed Helen Gahagan Douglas Treasurer of the United States. About this time, as the civil rights movement became stronger and found more support among Democrats and the Kennedy administration, Reagan - fresh from a second stint as S.A.G. president in 1959 - was in the process of undergoing a personal and political metamorphosis into a right-wing Republican, a process that culminated with his endorsing Barry Goldwater for the Republican presidential nomination in 1964. (He narrated a Goldwater campaign film played at the G.O.P. Convention in San Francisco.) Reagan's evolution into a right-wing Republican sundered his friendship with the Douglases. (After Reagan was elected President of the United States in 1980, Melvyn Douglas said of his former friend that Reagan turned to the right after he had begun to believe the pro-business speeches he delivered for General Electric when he was the host of the "G.E. Theater.")
In 1959, while Reagan was back as a second go-round as S.A.G. president, M.C.A.'s exemption from S.A.G. regulations that forbade a talent agency from being a producer was renewed. However, in 1962, the U.S. Justice Department under Attorney General Robert F. Kennedy successfully forced M.C.A. - known as "The Octopus" in Hollywood for its monopolistic tendencies - to divest itself of its talent agency.
When Reagan was tipped by the California Republican Party to be its standard-bearer in the 1965 gubernatorial election against Democratic Governor Pat Brown, Lew Wasserman went back in action. Politics makes strange bedfellows, and though Wasserman was a liberal Democrat, having an old friend like Reagan who had shown his loyalty as S.A.G. president in the state house was good for business. Wasserman and his partner, M.C.A. Chairman Jules Styne (a Republican), helped ensure that Reagan would be financially secure for the rest of his life so that he could enter politics. (At the time, he was the host of "Death Valley Days" on TV.)
According to the Wall Street Journal, Universal sold Reagan a nice piece of land of many acres north of Santa Barbara that had been used for location shooting. The Reagans sold most of the ranch, then converted the rest of it, about 200 acres, into a magnificent estate overlooking the valley and the Pacific Ocean. The Rancho del Cielo became President Reagan's much needed counterpoint to the buzz of Washington, D.C. There, in a setting both rugged and serene, the Reagans could spend time alone or receive political leaders such as the Soviet President Mikhail Gorbachev, Margaret Thatcher, and others.
Reagan was known to the world for his one-liners, the most famous of them was addressed to Mikhail Gorbachev in 1987. "Mister Gorbachev, tear down this wall" said Reagan standing in front of the Berlin Wall. That call made an impact on the course of human history.
Ronald Reagan played many roles in his life's seven acts: radio announcer, movie star, union boss, television actor-cum-host, governor, right-wing critic of big government and President of the United States.- Actor
- Producer
- Writer
Hume Cronyn was a Canadian actor with a lengthy career. He was nominated for an Academy Award for Best Supporting Actor for his performance in "The Seventh Cross" (1944).
Cronyn was born to a prominent family. His father was politician Hume Blake Cronyn (1864-1933), Member of Parliament for London, Ontario (term 1917-1921). The elder Cronyn was a grandson of both Benjamin Cronyn, first bishop of the Anglican Diocese of Huron (1802-1871) and politician William Hume Blake (1809-1870), first Chancellor of Upper Canada.
Cronyn's mother was Frances Amelia Labatt, heiress of the Labatt Brewing Company. Labatt remains the largest brewing company of Canada. Frances' father was businessman John Labatt (1838-1915), and her grandfather was company founder John Kinder Labatt (1803-1866). The Labatts were a prominent Irish-Canadian family, claiming descent from a French Huguenot family which settled in Ireland.
Cronyn was sent to a boarding school in Ottawa, where he studied from 1917 to 1921. The school was at the time called "Rockliffe Preparatory School", but has since been renamed to Elmwood School. Elmwood has become a school for girls. Cronyn attended first Ridley College in St. Catharines, and then McGill University in Montreal.
During his university years, Cronyn was a featherweight boxer. He was nominated for Canada's Olympic Boxing team for the 1932 Summer Olympics in Los Angeles. Cronyn was studying pre-law in the University, but switched his major to acting. He then enrolled at the American Academy of Dramatic Arts, where he studied under theatrical director Max Reinhardt (1873-1943).
Cronyn made his Broadway debut in 1934, in the play "Hipper's Holiday". He had the minor role of a janitor. After a decade as a theatrical actor, Cronyn made his film debut in the psychological thriller "Shadow of a Doubt" (1943). He played crime fiction buff Herbie Hawkins. This was Cronyn's first collaboration with director Alfred Hitchcock. Cronyn later acted in "Lifeboat" (1944), and served as a screenwriter for both "Rope" (1948) and "Under Capricorn" (1949).
Cronyn was nominated for the Academy Award for Best Supporting Actor for his role as Paul Roeder in the concentration camp themed film "The Seventh Cross" (1942). Roeder is a common factory worker in Nazi Germany, who risks his life and family to assist his old friend George Heisler (played by Spencer Tracy) to flee the country. While Cronyn's role was well-received, the award was instead won by rival actor Barry Fitzgerald (1888-1961).
In 1942, Cronyn married actress Jessica Tandy, and for many years they appeared together in theatre, film and television. The duo headlined the radio series "The Marriage" (1953-1954), depicting the difficulties of a professional woman in transitioning to the roles of housewife and mother. The duo also appeared in a television adaptation of the radio series, but it only lasted for 8 episodes.
Cronyn acting career mostly included supporting roles, but he found himself in the spotlight for the role of Joe Finley in the science fiction film "Cocoon". It became a surprise box office hit, and Cronyn was nominated for the Saturn Award for Best Actor. The award was instead won by a much younger actor, Michael J. Fox (1961-).
Cronyn returned to the role of Joe Finley in the sequel "Cocoon: The Return" (1988). While less successful than its predecessor, Cronyn's role was well-received. He was again nominated for the Saturn Award for Best Actor, but again lost to a younger actor. The award was won by Tom Hanks (1956-).
Jessica Tandy died in 1994, and the widowed Cronyn married writer Susan Cooper in 1996. Cronyn had one of his last prominent roles in the film "Marvin's Room" (1996). He played the incapacitated and bed-ridden Marvin Wakefield, who has to be taken care of by his adult daughters. The cast of the film was collectively nominated for a Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture.
Cronyn's last film role was the role of con-artist Sam Clausner in the television film "Off Season" (2001). Cronyn died in 2003 from prostate cancer. He was 91-years-old.- Actor
- Director
- Soundtrack
Born to a Czech mother and a Serbian father in Chicago as Mladen Sekulovich, on March 22, 1912, Karl Malden did not speak English until he was in kindergarten. After graduating from high school in the nearby steel town of Gary, Indiana, Malden worked in the industry for three years until 1934, when he was frustrated with the drudgery of manual labor. He left to attend the Arkansas State Teacher's College, then the Goodman Theater Dramatic School and never looked back. Three years later, he went to New York City to find fame.
Malden rapidly became involved with the Group Theater, an organization of actors and directors who were changing the face of theater, where he attracted the attention of director Elia Kazan. With Kazan directing, Karl starred in plays such as "All My Sons" by Arthur Miller and "A Streetcar Named Desire" by Tennessee Williams. While Malden had one screen appearance before his military service in World War II, in They Knew What They Wanted (1940), he did not establish his film career until after the war. Malden won the Oscar for Best Supporting Actor as Mitch in A Streetcar Named Desire (1951) and showed his range as an actor in roles such as that of Father Corrigan in On the Waterfront (1954) and the lecherous Archie Lee in Baby Doll (1956).
He starred in dozens of films such as Fear Strikes Out (1957), Pollyanna (1960), Birdman of Alcatraz (1962), Gypsy (1962), How the West Was Won (1962), The Cincinnati Kid (1965), and Patton (1970) as General Omar Bradley. In the early 1970s, he built a television career on the tough but honest screen persona he had created when he starred as Detective Mike Stone on The Streets of San Francisco (1972), co-starring with Michael Douglas. He also became the pitchman for American Express, a position he held for 21 years. In 1988, he was elected President of the Academy of Motion Picture Arts and Sciences, a position he held for five years. Following that he, published his memoir entitled, "When Do I Start?: A Memoir", written with his daughter Carla.
Malden also courted controversy by pushing for a special salute to Elia Kazan at the 1999 Academy Awards. Malden defended both Kazan and the award, arguing that Kazan's artistic achievements outshone any shame attached to Kazan's naming names before the Congressional committee investigating Communists in Hollywood. Marlon Brando refused to give Kazan the statuette; Robert De Niro ultimately did. Karl Malden died at age 97 of natural causes at his home in Los Angeles on July 1, 2009. He was buried at Westwood Village Memorial Park Cemetery in Westwood, California.- Actor
- Additional Crew
- Soundtrack
Handsome, chisel-jawed character actor Kevin McCarthy appeared in nearly 100 movies in a career that spanned seven decades. He also had some starring roles, most notably the horror cult classic Invasion of the Body Snatchers (1956). He played the disillusioned son Biff Loman in the 1951 screen adaptation of Arthur Miller's classic Death of a Salesman (1951), for which he was nominated for a Best Supporting Actor Oscar and won the Golden Globe Award for most promising newcomer (male).
He is the younger brother of the late author Mary McCarthy and distant cousin of former U.S. Senator and presidential candidate Eugene McCarthy.
McCarthy was orphaned at the age of four when both his parents died in the great flu epidemic of 1918. He was raised by his father's parents in Minneapolis, Minnesota, and later by an uncle and aunt. He graduated from Campion Jesuit High School in Prairie du Chien, Wisconsin, in 1932. He attended the School of Foreign Service at Georgetown University, Washington, DC, in 1933, intending to enter into the diplomatic field. He also attended the University of Minnesota, Minneapolis, in 1936 and the Actors Studio New York, New York. He had roles in two short-lived TV series: The Survivors (1969), with Lana Turner, and Flamingo Road (1980) as Claude Weldon, the father of the character played by Morgan Fairchild.
The stage-trained McCarthy frequently appeared on Broadway. He starred as Jerry in "Two for the Seesaw" (1959) and as Van Ackerman in "Advise and Consent" (1960). He also played President Harry S. Truman in the one-man show "Give 'Em Hell, Harry!"
McCarthy showed no signs of retiring as late as June 2007. McCarthy acted in the film The Ghastly Love of Johnny X (2012), playing the role of the Grand Inquisitor, at age 93, which was finally released in 2011. He died of pneumonia on September 11, 2010.- Actor
- Producer
- Additional Crew
One of Hollywood's finest character / "Method" actors, Eli Wallach was in demand for over 60 years (first film/TV role was 1949) on stage and screen, and has worked alongside the world's biggest stars, including Clark Gable, Clint Eastwood, Steve McQueen, Marilyn Monroe, Yul Brynner, Peter O'Toole, and Al Pacino, to name but a few.
Wallach was born on 7 December 1915 in Brooklyn, NY, to Jewish parents who emigrated from Poland, and was one of the few Jewish kids in his mostly Italian neighborhood. His parents, Bertha (Schorr) and Abraham Wallach, owned a candy store, Bertha's Candy Store. He went on to graduate with a B.A. from the University of Texas in Austin, but gained his dramatic training with the Actors Studio and the Neighborhood Playhouse. He made his debut on Broadway in 1945, and won a Tony Award in 1951 for portraying Alvaro Mangiacavallo in the Tennessee Williams play "The Rose Tattoo".
Wallach made a strong screen debut in 1956 in the film version of the Tennessee Williams play Baby Doll (1956), shined as "Dancer", the nattily dressed hitman, in director Don Siegel's film-noir classic The Lineup (1958), and co-starred in the heist film Seven Thieves (1960). Director John Sturges then cast Wallach as vicious Mexican bandit Calvera in The Magnificent Seven (1960), the western adaptation of the Akira Kurosawa epic Seven Samurai (1954). The Misfits (1961), in the star-spangled western opus How the West Was Won (1962), the underrated WW2 film The Victors (1963), as a kidnapper in The Moon-Spinners (1964), in the sea epic Lord Jim (1965) and in the romantic comedy How to Steal a Million (1966).
Looking for a third lead actor in the final episode of the "Dollars Trilogy", Italian director Sergio Leone cast the versatile Wallach as the lying, two-faced, money-hungry (but somehow lovable) bandit "Tuco" in the spectacular The Good, the Bad and the Ugly (1966) (aka "The Good, The Bad and The Ugly"), arguably his most memorable performance. Wallach kept busy throughout the remainder of the '60s and into the '70s with good roles in Mackenna's Gold (1969), Cinderella Liberty (1973), Crazy Joe (1974), The Deep (1977) and as Steve McQueen's bail buddy in The Hunter (1980).
The 1980s was an interesting period for Wallach, as he was regularly cast as an aging doctor, a Mafia figure or an over-the-hill hitman, such as in The Executioner's Song (1982), Our Family Honor (1985), Tough Guys (1986), Nuts (1987), The Two Jakes (1990) and as the candy-addicted "Don Altabello" in The Godfather Part III (1990). At 75+ years of age, Wallach's quality of work was still first class and into the 1990s and beyond, he has remained in demand. He lent fine support to Vendetta: Secrets of a Mafia Bride (1990), Teamster Boss: The Jackie Presser Story (1992), Naked City: Justice with a Bullet (1998) and Keeping the Faith (2000). Most recently Wallach showed up as a fast-talking liquor store owner in Mystic River (2003) and in the comedic drama King of the Corner (2004).
In early 2005, Eli Wallach released his much anticipated autobiography, "The Good, The Bad And Me: In My Anecdotage", an enjoyable reading from one of the screen's most inventive and enduring actors.
Eli Wallach was very much a family man who remained married to his wife Anne Jackson for 66 years. When Wallach died at 98, in 2014, in Manhattan, NY, he was survived by his wife, three children, five grandchildren and several great-grandchildren.- Actor
- Producer
- Director
Cleft-chinned, steely-eyed and virile star of international cinema who rose from being "the ragman's son" (the name of his best-selling 1988 autobiography) to become a bona fide superstar, Kirk Douglas, also known as Issur Danielovitch Demsky, was born on December 9, 1916 in Amsterdam, New York. His parents, Bryna (Sanglel) and Herschel Danielovitch, were Jewish immigrants from Chavusy, Mahilyow Voblast (now in Belarus). Although growing up in a poor ghetto, Douglas was a fine student and a keen athlete and wrestled competitively during his time at St. Lawrence University. Professional wrestling helped pay for his studies as did working on the side as a waiter and a bellboy. However, he soon identified an acting scholarship as a way out of his meager existence, and was sufficiently talented to gain entry into the American Academy of Dramatic Arts. He made his Broadway debut in "Spring Again" before his career was interrupted by World War II. He joining the United States Navy in 1941, and then after the end of hostilities in 1945, returned to the theater and some radio work. On the insistence of ex-classmate Lauren Bacall, movie producer Hal B. Wallis screen-tested Douglas and cast him in the lead role in The Strange Love of Martha Ivers (1946). His performance received rave reviews and further work quickly followed, including an appearance in the low-key drama I Walk Alone (1947), the first time he worked alongside fellow future screen legend Burt Lancaster. Such was the strong chemistry between the two that they appeared in seven films together, including the dynamic western Gunfight at the O.K. Corral (1957), the John Frankenheimer political thriller Seven Days in May (1964) and their final pairing in the gangster comedy Tough Guys (1986). Douglas once said about his good friend: "I've finally gotten away from Burt Lancaster. My luck has changed for the better. I've got nice-looking girls in my films now."
After appearing in "I Walk Alone," Douglas scored his first Oscar nomination playing the untrustworthy and opportunistic boxer Midge Kelly in the gripping Champion (1949). The quality of his work continued to garner the attention of critics and he was again nominated for Oscars for his role as a film producer in The Bad and the Beautiful (1952) and as tortured painter Vincent van Gogh in Lust for Life (1956), both directed by Vincente Minnelli. In 1955, Douglas launched his own production company, Bryna Productions, the company behind two pivotal film roles in his career. The first was as French army officer Col. Dax in director Stanley Kubrick's brilliant anti-war epic Paths of Glory (1957). Douglas reunited with Kubrick for yet another epic, the magnificent Spartacus (1960). The film also marked a key turning point in the life of screenwriter Dalton Trumbo, who had been blacklisted during the McCarthy "Red Scare" hysteria in the 1950s. At Douglas' insistence, Trumbo was given on-screen credit for his contributions, which began the dissolution of the infamous blacklisting policies begun almost a decade previously that had destroyed so many careers and lives.
Douglas remained busy throughout the 1960s, starring in many films. He played a rebellious modern-day cowboy in Lonely Are the Brave (1962), acted alongside John Wayne in the World War II story In Harm's Way (1965), again with The Duke in a drama about the Israeli fight for independence, Cast a Giant Shadow (1966), and once more with Wayne in the tongue-in-cheek western The War Wagon (1967). Additionally in 1963, he starred in an onstage production of Ken Kesey's "One Flew Over the Cuckoo's Nest," but despite his keen interest, no Hollywood studio could be convinced to bring the story to the screen. However, the rights remained with the Douglas clan, and Kirk's talented son Michael Douglas finally filmed the tale in 1975, starring Jack Nicholson. Into the 1970s, Douglas wasn't as busy as previous years; however, he starred in some unusual vehicles, including alongside a young Arnold Schwarzenegger in the loopy western comedy The Villain (1979), then with Farrah Fawcett in the sci-fi thriller Saturn 3 (1980) and then he traveled to Australia for the horse opera/drama The Man from Snowy River (1982).
Unknown to many, Kirk has long been involved in humanitarian causes and has been a Goodwill Ambassador for the US State Department since 1963. His efforts were rewarded with the Presidential Medal of Freedom (1981), and with the Jefferson Award (1983). Furthermore, the French honored him with the Chevalier of the Legion of Honor. More recognition followed for his work with the American Cinema Award (1987), the German Golden Kamera Award (1987), The National Board of Reviews Career Achievement Award (1989), an honorary Academy Award (1995), Recipient of the American Film Institute's Lifetime Achievement Award (1999) and the UCLA Medal of Honor (2002). Despite a helicopter crash and a stroke suffered in the 1990s, he remained active and continued to appear in front of the camera. Until his passing on February 5 2020 at the age of 103, he and Olivia de Havilland were the last surviving major stars from the Golden Years of Hollywood.- Actress
- Soundtrack
No shrinking violet this one, but despite her talent, vivacity and sheer drive, lovely and alluring blonde Evelyn Keyes would remain for the most part typed as a "B" girl on the silver screen. In spite of her ripe contributions to such superior pictures as Here Comes Mr. Jordan (1941), The Jolson Story (1946), Mrs. Mike (1949), The Prowler (1951) and 99 River Street (1953), she received no significant awards during her career. In fact, film-goers seem to remember her best not for one of these exceptional co-starring parts, but for her bit role as Scarlett O'Hara's kid sister in Gone with the Wind (1939), American's most beloved epic film. Evelyn also kept Hollywood alive and kicking with two sensationalistic memoirs that chronicled her four dicey marriages, numerous affairs with the rich and famous, and negative takes on the Hollywood studio system.
Evelyn Louise Keyes was born in Port Arthur, Texas, on November 20, 1916 (for decades she would deceive the public as to her real age). Her father died when she was two, and she and her only brother and three sisters grew up living with her mother and her grandmother in Atlanta, Georgia. Taking voice, dance and piano lessons, she was hopeful of becoming a ballerina. Instead, she entered a beauty pageant or two and worked as a chorus girl before relocating to California at age 20. Shortly after her arrival in Los Angeles, a chance meeting with the legendary Cecil B. DeMille led to a Paramount Pictures contract. Stories differ as to how she met De Mille. Hollywood folklore has it that she was "discovered" by a talent scout in true Lana Turner fashion while eating at a restaurant. Another, more believable story has it that she hooked up with one of De Mille's former writers, which led to an introduction.
Nevertheless, she was groomed as a starlet and initially placed in bit and/or unbilled roles. De Mille first gave her a small part in his pirate epic The Buccaneer (1938), then placed her rather obscurely in his sprawling railroad saga Union Pacific (1939). It was David O. Selznick who gave her the bit part of whiny, bratty Suellen O'Hara, who loses her beau to the more calculating Scarlett in "Gone with the Wind". This led directly to her signing with Columbia Pictures. In 1938, just prior to the filming of GWTW, she married businessman Barton Bainbridge, her first of four. The marriage soured within a year or so, however, after she took up with Budapest-born director Charles Vidor, who directed three of her pictures: The Lady in Question (1940) (her first at Columbia), Ladies in Retirement (1941) and The Desperadoes (1943). This second marriage lasted about as long as the first (1943-1945), supposedly due to Vidor's infidelities.
At Columbia Evelyn hit pin-up status and sparked a number of war-era pictures. She played Boris Karloff's daughter in the crime horror Before I Hang (1940) and a blind woman who befriends the hideously scarred Peter Lorre in the excellent The Face Behind the Mask (1941). Still, she could not rise above her secondary status. For every one nifty "B" picture that could propel her into the higher ranks, such as Dangerous Blondes (1943), there was always a low-caliber western (Beyond the Sacramento (1940)), adventure (A Thousand and One Nights (1945)) or musical (The Thrill of Brazil (1946)) lurking about to keep her humble.
In the post-war years, a third tempestuous but highly adventurous marriage (1946-1950) to Hollywood titan John Huston made the tabloid papers practically on a weekly basis. They divorced after four years. She did some of her best work during this period, particularly as the wife of Al Jolson opposite Larry Parks' splendid impersonation. She also showed she had a strong range and earned snappy notices alongside Dick Powell in the film noir Johnny O'Clock (1947) as well as the title comedy character in The Mating of Millie (1948) co-starring Glenn Ford.
Her last (and just as questionable) marriage was to another "father figure" type, musician Artie Shaw, a womanizer if ever there was one who had already had been discarded by trophy wives Ava Gardner and Lana Turner (and five others) by the time he and Evelyn married in 1957. She had pretty much put her career on the back burner by this point. Surprisingly, this marriage lasted longer than any of their previous ones. The couple separated in the 1970s but did not divorce until 1985.
Evelyn returned to the acting fold every once in while. Scarcely on stage (she once played Sally Bowles in a theatrical production of "I Am a Camera" in 1953), she joined up with Don Ameche in a 1972 tour of the musical "No, No, Nanette". She also would show up on an episode of The Love Boat (1977) or Murder, She Wrote (1984) every now and then. She remained childless (there was one adopted child, Pedro, by Huston, but they were estranged).
Very much the traveler, Evelyn lived sporadically all over the world, including France, England and Mexico, and spoke Spanish and French fluently. She was also a writer and published a Hollywood-themed novel in her later years. Her GWTW association and tell-all memoirs in 1977 and 1991 kept her a point of interest right up until the end. Not surprisingly, this firecracker of a lady passed away on the 4th of July -- at age 91 of uterine cancer at an assisted-living residence in Montecito, California.- Actor
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Born in 1919 in Jerusalem, Nehemiah Persoff emigrated with his family to America in 1929.
Following schooling at the Hebrew Technical Institute of New York, he found a job as a subway electrician doing signal maintenance until an interest in the theater altered the direction of his life.
He joined amateur groups and subsequently won a scholarship to the Dramatic Workshop in New York. This led to what would have been his Broadway debut in a production of "Eve of St. Mark", but he was fired before the show opened. He made his official New York debut in a production of "The Emperor's New Clothes" in 1940.
WWII interrupted his young career in 1942, when he was inducted into the United Sates Army, returning to the stage after his hitch was over in 1945, three years later. He sought work in stock plays and became an intern of Stella Adler and, as a result, a strong exponent of the Actor's Studio. Discovered by Charles Laughton and cast in his production of "Galileo" in 1947, Persoff made his film debut a year later with an uncredited bit in The Naked City (1948).
Short, dark, chunky-framed and with a distinct talent for dialects, Persoff became known primarily for his ethnic villainy, usually playing authoritative Eastern Europeans.
In a formidable career which had him portraying everything from cab drivers to Joseph Stalin, standout film roles would include Leo in The Harder They Fall (1956) with Humphrey Bogart, Gene Conforti in Alfred Hitchcock's The Wrong Man (1956), Albert in This Angry Age (1958) and gangster Johnny Torrio in Al Capone (1959). That same year he played another gangster, the small role of Little Bonaparte, in Some Like It Hot (1959).
He was a durable performer during TV's "Golden Age" (Gunsmoke (1955), The Twilight Zone (1959)) and well beyond (Chicago Hope (1994), Law & Order (1990)), playing hundreds of intense, volatile and dominating characters.
In later years, his characters grew a bit softer as Barbra Streisand's Jewish father in Yentl (1983) and the voice of Papa Mousekewitz in the An American Tail (1986) will attest. Later stage work included well-received productions of "I'm Not Rappaport" and his biographical one-man show "Sholem Aleichem".
After declining health and high blood pressure forced him to slow down, Persoff took up painting in 1985, studying sketching in Los Angeles. Specializing in watercolor, he created more than 100 works of art, many of which have been exhibited up and down the coast of California. He celebrated his 100th birthday in 2019.- Actor
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Sir Christopher Frank Carandini Lee was perhaps the only actor of his generation to have starred in so many films and cult saga. Although most notable for personifying bloodsucking vampire, Dracula, on screen, he portrayed other varied characters on screen, most of which were villains, whether it be Francisco Scaramanga in the James Bond film, The Man with the Golden Gun (1974), or Count Dooku in Star Wars: Episode II - Attack of the Clones (2002), or as the title monster in the Hammer Horror film, The Mummy (1959).
Lee was born in 1922 in London, England, where he and his older sister Xandra were raised by their parents, Contessa Estelle Marie (Carandini di Sarzano) and Geoffrey Trollope Lee, a professional soldier, until their divorce in 1926. Later, while Lee was still a child, his mother married (and later divorced) Harcourt George St.-Croix (nicknamed Ingle), who was a banker. Lee's maternal great-grandfather was an Italian political refugee, while Lee's great-grandmother was English opera singer Marie (Burgess) Carandini.
After attending Wellington College from age 14 to 17, Lee worked as an office clerk in a couple of London shipping companies until 1941 when he enlisted in the Royal Air Force during World War II. Following his release from military service, Lee joined the Rank Organisation in 1947, training as an actor in their "Charm School" and playing a number of bit parts in such films as Corridor of Mirrors (1948). He made a brief appearance in Laurence Olivier's Hamlet (1948), in which his future partner-in-horror Peter Cushing also appeared. Both actors also appeared later in Moulin Rouge (1952) but did not meet until their horror films together.
Lee had numerous parts in film and television throughout the 1950s. He struggled initially in his new career because he was discriminated as being taller than the leading male actors of his time and being too foreign-looking. However, playing the monster in the Hammer film The Curse of Frankenstein (1957) proved to be a blessing in disguise, since the was successful, leading to him being signed on for future roles in Hammer Film Productions.
Lee's association with Hammer Film Productions brought him into contact with Peter Cushing, and they became good friends. Lee and Cushing often than not played contrasting roles in Hammer films, where Cushing was the protagonist and Lee the villain, whether it be Van Helsing and Dracula respectively in Horror of Dracula (1958), or John Banning and Kharis the Mummy respectively in The Mummy (1959).
Lee continued his role as "Dracula" in a number of Hammer sequels throughout the 1960s and into the early 1970s. During this time, he co-starred in The Hound of the Baskervilles (1959), and made numerous appearances as Fu Manchu, most notably in the first of the series The Face of Fu Manchu (1965), and also appeared in a number of films in Europe. With his own production company, Charlemagne Productions, Ltd., Lee made Nothing But the Night (1973) and To the Devil a Daughter (1976).
By the mid-1970s, Lee was tiring of his horror image and tried to widen his appeal by participating in several mainstream films, such as The Private Life of Sherlock Holmes (1970), The Three Musketeers (1973), The Four Musketeers: Milady's Revenge (1974), and the James Bond film The Man with the Golden Gun (1974).
The success of these films prompted him in the late 1970s to move to Hollywood, where he remained a busy actor but made mostly unremarkable film and television appearances, and eventually moved back to England. The beginning of the new millennium relaunched his career to some degree, during which he has played Count Dooku in Star Wars: Episode II - Attack of the Clones (2002) and as Saruman the White in the Lord of the Rings trilogy. Lee played Count Dooku again in Star Wars: Episode III - Revenge of the Sith (2005), and portrayed the father of Willy Wonka, played by Johnny Depp, in the Tim Burton film, Charlie and the Chocolate Factory (2005).
On 16 June 2001, he was created a Commander of the Order of the British Empire in recognition of his services to drama. He was created a Knight Bachelor on 13 June 2009 in the Queen's Birthday Honours List for his services to drama and charity. In addition he was made a Commander of the Order of St John on 16 January 1997.
Lee died at the Chelsea and Westminster Hospital on 7 June 2015 at 8:30 am after being admitted for respiratory problems and heart failure, shortly after celebrating his 93rd birthday there. His wife delayed the public announcement until 11 June, in order to break the news to their family.- Actress
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Lizabeth Scott was born Emma Matzo on September 29, 1922 in Scranton, Pennsylvania, the oldest of six children of Mary (Pennock) and John Matzo, who were Slovak immigrants. Scott attended Marywood Seminary and the Alvienne School of the Theatre in New York City, where she adopted the stage name of "Elizabeth Scott." After doing a national tour of Hellzapoppin, she was discovered by Broadway producer Michael Myerberg in 1942. Scott was the understudy for Tallulah Bankhead in the original Broadway production of "The Skin of Our Teeth." Later in 1943, a Warner Brothers producer, Hal B. Wallis, discovered Scott at her 21st birthday party held at the Stork Club in New York. Wallis scheduled an interview with Scott the following day, but Scott canceled it when a telegram asked her to replace Miriam Hopkins at the Boston production of The Skin of Our Teeth.
In 1944, Scott was invited to Los Angeles by agent Charles K. Feldman, who saw her photos in "Harpers Bazaar." After failed screen tests at Universal, International, then Warner Brothers, Scott again met Wallis, who said he would hire her if he had the power. Scott mistakenly believed that Wallis was as powerful as Jack L. Warner, and did not believe him. The day Scott left for New York, she read in Variety that Wallis resigned from Warner and formed his own production company, releasing films primarily through Paramount. A few months later, she returned from New York and was finally signed to Paramount. Scott appeared in 21 films between 1945 and 1957, though loaned out for half of her films to United Artists, RKO and Columbia. When Scott was introduced to the public in 1945, Paramount publicity releases, exaggerating her background, claimed Scott was a debutante, that her grocer father was an English-born, New York banker, and that her mother was a White Russian aristocrat.
Scott's first film was You Came Along (1945), with Robert Cummings as the leading man. This Ayn Rand scripted film introduced the 23-year old smoky blonde to the American public. In a role originally intended for Barbara Stanwyck, Scott played a US Treasury PR flack that falls in love with an Army Air Force officer, who tries to hide his terminal leukemia. Despite Scott's difficulties with director John Farrow, who lobbied for Teresa Wright, the film remains one Scott's favorites.
On the strength of her first performance, Wallis starred Scott in The Strange Love of Martha Ivers (1946) over Stanwyck's protests. Scott ended up in third place at the top behind Stanwyck and Van Heflin, with Kirk Douglas, in his film debut, billed below the three stars. The film is actually two in one, with Stanwyck and Scott inhabiting two parallel worlds, both linked by Heflin. The female leads have only one brief scene together. The director, Lewis Milestone, swore never to work with Wallis again, who wanted to re-shoot all of Scott's scenes, which Wallis had to do personally. The film boasts an Oscar nominated screenplay by screenplay by Robert Rossen, music by Miklós Rózsa, art direction by Hans Dreier, and costumes by Edith Head.
In Scott's third film, she is cast with Humphrey Bogart in Dead Reckoning (1946). It is Scott's first crack as the archetypal femme fatale. In Dead Reckoning she lures Bogart into a web of lies, and deceit. As is typical in the noir genre, her power is rooted in her beauty and sexual allure. In a departure from his tough guy roles, Bogart plays a wronged man (a noir hero), who struggles to learn the fate of a missing army buddy. Scott is the ex-girlfriend who knows more than she lets on. To keep Bogart from learning the truth about his lost friend and his mysterious double life, Scott seduces him into believing she loves him.
In her fourth film, Scott appeared in the second noir to be shot in color, Desert Fury (1947), a coming-of-age story scripted again by Robert Rossen, based on the novel "Desert Town" by Ramona Stewart. Mary Astor is Fritzi Haller, a casino and bordello owner who runs the corrupt town of Chuckawalla, Nevada. She controls everyone in town, including the judge and sheriff's office. The only one who dares defy Fritzi is her rebellious daughter Paula (Scott), who returns home after being expelled from another private school. When John Hodiak, a professional gambler, comes to town, Paula falls in love with him and trouble ensues. Then newcomers Burt Lancaster, and Wendell Corey also appear.
In 1947, Scott was again cast with Lancaster and Kirk Douglas in I Walk Alone (1947), a story of betrayal and vengeance. Scott plays a nightclub singer who provides sympathy and support to Lancaster, recently released from prison to collect a debt, but is double-crossed by the Douglas character. Scott rises above it all and is completely convincing in her portrayal. Scott's character provides a degree of romanticism and humanism usually lacking in film noir.
Film number seven was Pitfall (1948). Dick Powell played a middle-level insurance investigator, married to his high school sweetheart, Jane Wyatt. They living out a comfortable but boring existence in a post-war Los Angeles suburb. Powell is restless and unfulfilled ("I feel like a wheel within a wheel within a wheel") when he receives what at first seems like a routine assignment to recover goods that have been bought with stolen money, a claim paid off by Powell's firm. The items are traced to Mona Stevens (Scott), a model living in Marina Del Rey. Powell is attracted to her, and what starts out as innocent flirtation ends up in a passionate love affair. Powell's journey into a daydream turns into a nightmare as he becomes a prisoner in his own home and kills an assailant, who has been set on his trail by a jealous private investigator, played by Raymond Burr. Meanwhile, the Burr character also blackmails Mona into doing private "fashion shows."
In Too Late for Tears (1949), Scott played an avaricious Jane Palmer, a wife who goes to any length to keep $60,000 that is accidentally thrown in the back of her husband's car. She eventually leaves behind a string of bodies in an effort to keep the money. This film is widely regarded by critics and viewers alike as Scott's best performance and film. Don DeFore, Arthur Kennedy, and Kristine Miller also star.
Also of interest is 1949's Easy Living (1949), an intelligent, well-written film about an aging football star, played by Victor Mature, who struggles to adjust to his impending retirement, as well as the pressures brought on by an ambitious and defiant wife (Scott). Lucille Ball is commendable as the sympathetic team secretary and director Jacques Tourneur is first-rate. One of Scott's finest roles, it is a favorite of many of her fans.
By the end of 1949 Scott appeared in nine films, but did not achieve the level of stardom and clout that was needed to maintain her popularity at the box-office. From 1950 on, she and Hal Wallis passed up numerous opportunities to maintain her stardom. Wallis passed up a chance to star Scott in Lillian Hellman's Broadway play "Another Part of the Forest" (1946), later to made into the 1948 film. Scott herself passed up the lead in "The Rose Tattoo (19955), a decision she publicly regretted. She continued to make films such as Dark City (1950), Red Mountain (1951), Two of a Kind (1951), Scared Stiff (1953), and Bad for Each Other (1953). In February 1954, Scott did not renew her contract with Paramount and became a freelancer. She went on to make the western noir Silver Lode (1954) and The Weapon (1956).
In 1957 she retired from the big screen by starring with Elvis Presley in Loving You (1957), Presley's second film. Also starring is newcomer Dolores Hart and veteran Wendell Corey. Since 1957 Scott appeared on a few television shows in the 1960s, during which time she attended the University of Southern California. She eventually became involved in real estate projects. Her legacy lives on, however, in the growing popularity of classic movies sparked by DVDs and movie channels such as AMC (American Movie Classics) and TCM (Turner Classic Movies).- Actress
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It would have been pretty difficult for willowy actress/model Dina Merrill to have pulled off playing a commoner on stage, film or TV in her day. She reeked of elegance and class. The epitome of style, poise and glamour, the New York-born socialite and celebrity was born Nedenia Marjorie Hutton on December 29, 1923, the daughter of E.F. Hutton, the financier and founder of the Wall Street firm that bore his name, and heiress Marjorie Merriweather Post, of the Post cereal fortune. Although Dina made elegant, elaborate use of her upbringing over the decades, she handled it all positively and graciously without tabloid incidents, instilling these same refined credentials into a large portion of her characters.
Dina did not originally intend on an acting career. After studying at George Washington University, she suddenly dropped out after only a year (to the chagrin of her disapproving parents) after demonstrating a late desire to perform. Enrolling at the American Academy of Dramatic Arts and studying with Uta Hagen among others, Dina appeared in the comedy "The Man Who Came to Dinner" before taking her first Broadway curtain call in "The Mermaids Singing" in 1945. She took some time off to play wife and mother to three children after marrying Stanley Rumbough, Jr., heir to the Colgate toothpaste fortune.
Dina finally made an official film debut with a smart and stylish support role in the Spencer Tracy/Katharine Hepburn vehicle Desk Set (1957). She continued to charm in the same upper crust vein playing some version of the model wife or blue-blooded maven in frequent posh outings. Some of her more noticeable roles came with Operation Petticoat (1959) with the equally classy Cary Grant; BUtterfield 8 (1960) starring Elizabeth Taylor and Laurence Harvey; and The Young Savages (1961) opposite Burt Lancaster.
Following her divorce to Rumbough after 20 years, Dina married ruggedly handsome actor Cliff Robertson in 1966. The pair had one daughter and were a popular Hollywood fixture for nearly 20 years. With her film career on the wane in the mid 1960's, Dina gravitated toward TV guest spots on such popular shows as "Dr. Kildare," "Alfred Hitchcock Presents," "Burke's Law," "Rawhide," "Daktari," "Bonanza," "Daniel Boone," "Batman" (as the villainous "Calamity Jan" alongside Robertson's western bad guy "Shame"), "The Name of the Game," "The Virginian," "Night Gallery," "Marcus Welby," "The Love Boat" and "The Odd Couple." She also graced a number of TV-movie dramas beginning with The Sunshine Patriot (1968) co-starring husband Robertson and Seven in Darkness (1969) (as a blind survivor of a plane crash), and continuing with The Lonely Profession (1969), Mr. and Mrs. Bo Jo Jones (1971), Family Flight (1972), The Letters (1973), The Tenth Month (1979), and a featured part in the mini-series sequel Roots: The Next Generations (1979).
Dina returned to Broadway as the co-star of the drama "Angel Street" (1975) and again with the revival of the musical "On Your Toes" in which she played "Peggy Porterfield" in both the 1983 Broadway revival and 1986 national tour. In the same year that Dina divorced second husband Cliff Robertson (1989), she married actor/investment banker Ted Hartley. Together the couple bought RKO Studios and renamed it RKO Pavilion. He serves as chairman and she vice chairperson/creative director. The studio produced such popular efforts as Milk & Money (1996) and the remake of Mighty Joe Young (1998).
Admired for her tireless philanthropic contributions, Dina was a moderate Republican (vice chair of the Republican Pro-Choice Coalition), and an active lobbyist for women's health issues. She also devoted much time working for the disadvantaged, particularly for the New York City Mission Society. She remained active and was an avid tennis and golf player for quite some time. Broaching age 90, the ever-glamorous actress appeared in a summer stock production of "Only a Kingdom" (2004) and continued to appear in occasional movie and television productions until developing dementia. Dina died on May 22, 2017, at age 93, survived by her third husband.- Actor
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Mickey Rooney was born Joe Yule Jr. on September 23, 1920 in Brooklyn, New York. He first took the stage as a toddler in his parents vaudeville act at 17 months old. He made his first film appearance in 1926. The following year, he played the lead character in the first Mickey McGuire short film. It was in this popular film series that he took the stage name Mickey Rooney. Rooney reached new heights in 1937 with A Family Affair, the film that introduced the country to Andy Hardy, the popular all-American teenager. This beloved character appeared in nearly 20 films and helped make Rooney the top star at the box office in 1939, 1940 and 1941. Rooney also proved himself an excellent dramatic actor as a delinquent in Boys Town (1938) starring Spencer Tracy. In 1938, he was awarded a Juvenile Academy Award.
Teaming up with Judy Garland, Rooney also appeared in a string of musicals, including Babes in Arms (1939) the first teenager to be nominated for an Oscar for Best Actor in a leading role, Strike Up the Band (1940), Babes on Broadway (1941), and Girl Crazy (1943). He and Garland immediately became best of friends. "We weren't just a team, we were magic," Rooney once said. During that time he also appeared with Elizabeth Taylor in the now classic National Velvet (1944). Rooney joined the service that same year, where he helped to entertain the troops and worked on the American Armed Forces Network. He returned to Hollywood after 21 months in Love Laughs at Andy Hardy (1946), did a remake of a Robert Taylor film, The Crowd Roars (1932) called Killer McCoy (1947) and portrayed composer Lorenz Hart in Words and Music (1948). He also appeared in Breakfast at Tiffany's (1961), starring Audrey Hepburn and George Peppard. Rooney played Hepburn's Japanese neighbor, Mr. Yunioshi. A sign of the times, Rooney played the part for comic relief which he later regretted feeling the role was offensive. He once again showed his incredible range in the dramatic role of a boxing trainer with Anthony Quinn and Jackie Gleason in Requiem for a Heavyweight (1962). In the late 1960s and 1970s Rooney showed audiences and critics alike why he was one of Hollywood's most enduring stars. He gave an impressive performance in Francis Ford Coppola's 1979 film The Black Stallion (1979), which brought him an Academy Award nomination as Best Actor in a Supporting Role. He also turned to the stage in 1979 in Sugar Babies with Ann Miller, and was nominated for a Tony Award. During that time he also portrayed the Wizard in The Wonderful Wizard of Oz with Eartha Kitt at New York's Madison Square Garden, which also had a successful run nationally.
Rooney appeared in four television series': The Mickey Rooney Show (1954) (1954-1955), a comedy sit-com in 1964 with Sammee Tong called Mickey, One of the Boys in 1982 with Dana Carvey and Nathan Lane, and The New Adventures of the Black Stallion (1990) from 1990-1993. In 1981, Rooney won an Emmy Award for his portrayal of a mentally challenged man in Bill (1981). The critical acclaim continued to flow for the veteran performer, with Rooney receiving an honorary Academy Award "in recognition of his 60 years of versatility in a variety of memorable film performances". More recently he has appeared in such films as Night at the Museum (2006) with Ben Stiller and The Muppets (2011) with Amy Adams and Jason Segel.
Rooney's personal life, including his frequent trips to the altar, has proved to be just as epic as his on-screen performances. His first wife was one of the most beautiful women in Hollywood, actress Ava Gardner. Mickey permanently separated from his eighth wife Jan in June of 2012. In 2011 Rooney filed elder abuse and fraud charges against stepson Christopher Aber and Aber's wife. At Rooney's request, the Superior Court issued a restraining order against the Aber's demanding they stay 100 yards from Rooney, as well as Mickey's other son Mark Rooney and Mark's wife Charlene. Just prior, Rooney mustered the strength to break his silence and appeared before the Senate in Washington D.C. telling of his own heartbreaking story of abuse in an effort to live a peaceful, full life and help others who may be similarly suffering in silence.
Rooney requested through the Superior Court to permanently reside with his son Mark Rooney, who is a musician and Marks wife Charlene, an artist, in the Hollywood Hills. He legally separated from his eighth wife in June of 2012. Ironically, after eight failed marriages he never looked or felt better and finally found happiness and peace in the single life. Mickey, Mark and Charlene focused on health, happiness and creative endeavors and it showed. Mickey Rooney had once again landed on his feet reminding us that he was a survivor. Rooney died on April 6th 2014. He was taking his afternoon nap and never woke. One week before his death Mark and Charlene surprised him by reunited him with a long lost love, the racetrack. He was ecstatic to be back after decades and ran into his old friends Mel Brooks and Dick Van Patten.- Actress
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One of America's most loved actresses was born Doris Mary Kappelhoff on April 3, 1922, in Cincinnati, Ohio, to Alma Sophia (Welz), a housewife, and William Joseph Kappelhoff, a music teacher and choir master. Her grandparents were all German immigrants. She had two brothers, Richard, who died before she was born and Paul, a few years older.
Her parents divorced while she was still a child, and she lived with her mother. Like most little girls, Doris liked to dance. At fourteen, she formed a dance act with a boy, Jerry Doherty, and they won $500 in a local talent contest. She and Jerry took a brief trip to Hollywood to test the waters. They felt they could succeed, so she and Jerry returned to Cincinnati with the intention of packing and making a permanent move to Hollywood. Tragically, the night before she was to move to Hollywood, she was injured riding in a car hit by a train, ending the possibility of a dancing career.
It was a terrible setback, but after taking singing lessons she found a new vocation, and at age 17, she began touring with the Les Brown Band. She met trombonist Al Jorden, whom she married in 1941. Jorden was prone to violence and they divorced after two years, not long after the birth of their son Terry. In 1946, Doris married George Weidler, but this union lasted less than a year. Day's agent talked her into taking a screen test at Warner Bros. The executives there liked what they saw and signed her to a contract (her early credits are often confused with those of another actress named Doris Day, who appeared mainly in B westerns in the 1930s and 1940s).
Her first starring movie role was in Romance on the High Seas (1948). The next year, she made two more films, My Dream Is Yours (1949) and It's a Great Feeling (1949). Audiences took to her beauty, terrific singing voice and bubbly personality, and she turned in fine performances in the movies she made (in addition to several hit records). She made three films for Warner Bros. in 1950 and five more in 1951. In that year, she met and married Martin Melcher, who adopted her young son Terry, who later grew up to become Terry Melcher, a successful record producer.
In 1953, Doris starred in Calamity Jane (1953), which was a major hit, and several more followed: Lucky Me (1954), Love Me or Leave Me (1955), The Man Who Knew Too Much (1956) and what is probably her best-known film, Pillow Talk (1959). She began to slow down her filmmaking pace in the 1960s, even though she started out the decade with a hit, Please Don't Eat the Daisies (1960).
In 1958, her brother Paul died. Around this time, her husband, who had also taken charge of her career, had made deals for her to star in films she didn't really care about, which led to a bout with exhaustion. The 1960s weren't to be a repeat of the previous busy decade. She didn't make as many films as she had in that decade, but the ones she did make were successful: Do Not Disturb (1965), The Glass Bottom Boat (1966), Where Were You When the Lights Went Out? (1968) and With Six You Get Eggroll (1968). Martin Melcher died in 1968, and Doris never made another film, but she had been signed by Melcher to do her own TV series, The Doris Day Show (1968). That show, like her movies, was successful, lasting until 1973. After her series went off the air, she made only occasional TV appearances.
By the time Martin Melcher died, Doris discovered she was millions of dollars in debt. She learned that Melcher had squandered virtually all of her considerable earnings, but she was eventually awarded $22 million by the courts in a case against a man that Melcher had unwisely let invest her money. She married for the fourth time in 1976 and since her divorce in 1980 has devoted her life to animals.
Doris was a passionate animal rights activist. She ran Doris Day Animal League in Carmel, California, which advocates homes and proper care of household pets.
Doris died on May 13, 2019, in Carmel Valley Village, California. She was 97.- Actor
- Additional Crew
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George Harris Kennedy, Jr. was born on February 18, 1925 in New York City, to Helen (Kieselbach), a ballet dancer, and George Harris Kennedy, an orchestra leader and musician. Following high school graduation, Kennedy enlisted in the United States Army in 1943 with the hope to become a fighter pilot in the Army Air Corps. Instead, he wound up in the infantry, served under General George S. Patton and distinguished himself with valor. He won two Bronze Stars and four rows of combat and service ribbons.
A World War II veteran, Kennedy at one stage in his career cornered the market at playing tough, no-nonsense characters who were either quite crooked or possessed hearts of gold. Kennedy notched up an impressive 200+ appearances in both television and films, and was well respected within the Hollywood community. He started out on television Westerns in the late 1950s and early 1960s (Have Gun - Will Travel (1957), Rawhide (1959), Maverick (1957), Colt .45 (1957), among others) before scoring minor roles in films including Lonely Are the Brave (1962), The Sons of Katie Elder (1965) and The Flight of the Phoenix (1965).
The late 1960s was a very busy period for Kennedy, and he was strongly in favor with casting agents, appearing in Hurry Sundown (1967), The Dirty Dozen (1967) and scoring an Oscar win as Best Supporting Actor for his performance in Cool Hand Luke (1967). The disaster film boom of the 1970s was also kind to Kennedy and his talents were in demand for Airport (1970) and the three subsequent sequels, as a grizzled police officer in Earthquake (1974), plus the buddy/road film Thunderbolt and Lightfoot (1974) as vicious bank robber Red Leary.
The 1980s saw Kennedy appear in a mishmash of roles, playing various characters; however, Kennedy and Leslie Nielsen surprised everyone with their comedic talents in the hugely successful The Naked Gun: From the Files of Police Squad! (1988), and the two screen veterans exaggerate themselves again, in The Naked Gun 2½: The Smell of Fear (1991) and Naked Gun 33 1/3: The Final Insult (1994). From 1988-1991, he also played Ewing family nemesis Carter McKay on the CBS prime-time soap opera Dallas (1978).
Kennedy also played President Warren G. Harding in the miniseries Backstairs at the White House (1979) and had a long standing role on the CBS daytime soap opera The Young and the Restless (1973). He remained busy in Hollywood and lent his distinctive voice to the animated Cats Don't Dance (1997) and the children's action film Small Soldiers (1998). A Hollywood stalwart for nearly 50 years, he is one of the most enjoyable actors to watch on screen. His last role was in the film The Gambler (2014), as Mark Wahlberg's character's grandfather.
George Kennedy died of natural causes in Middleton, Idaho on February 28, 2016, only ten days after his 91st birthday.- Actress
- Soundtrack
One of four children, Blackman was born in London's East End, to Edith Eliza (Stokes), a homemaker, and Frederick Thomas Blackman, a statistician employed with the Civil Service. She received elocution lessons for her 16th birthday (at her own request), and later attended the Guildhall School of Music and Drama, which she paid for by working as a clerical assistant in the Civil Service. She was also a dispatch rider for the Home Office during World War II, playing an important role in the war effort.
Blackman received her first acting work on stage in London's West End as an understudy in "The Guinea Pig". She continued with roles in "The Gleam" (1946) and "The Blind Goddess" (1947), before moving into film. She debuted with Fame Is the Spur (1947), starring Michael Redgrave.
Blackman suffered a nervous breakdown following her divorce from Bill Sankey, a man 12 years her senior, who's jealousy, fraudulent business practices, and emptying of her bank accounts took it's toll. After hospitalisation Blackman began counselling, which would last for years, and began rebuilding her career.
TV series work also came her way again, most notably the highly popular The Avengers (1961), co-starring Patrick Macnee as John Steed. As the leather-clad "Catherine Gale", Blackman showcased her incredible beauty, self-confidence, and athletic abilities. Her admirable qualities made her not only a catch for the men, but also an inspirational figure for the 1960s feminist movement.
Blackman took on the role of Greek goddess Hera in popular movie adventure Jason and the Argonauts (1963) with Ray Harryhausen and melodrama Life at the Top (1965) with Laurence Harvey. She then played "Pussy Galore" in the classic James Bond film Goldfinger (1964). Blackman went toe to toe with Sean Connery's womanizing "007" and created major sparks on screen.
Blackman continued to work consistently in films and tv, while also appearing on stage where she earned rave reviews as the blind heroine of the thriller "Wait Until Dark" as well as for her dual roles in "Mr. and Mrs.", a production based on two of Noël Coward's plays. She also enjoyed working with her second husband, actor Maurice Kaufmann, in the play "Move Over, Mrs. Markham" and the film thriller Fright (1971). She proved a sultry-voiced sensation in various musicals productions such as "A Little Night Music", "The Sound of Music", "On Your Toes", and "Nunsense."
In the new millennium, Honor was seen in such films as Bridget Jones's Diary (2001), Color Me Kubrick (2005), Reuniting the Rubins (2010), I, Anna (2012) and Cockneys vs Zombies (2012), as well as the British TV serieses Water, Water, Everywhere (1920) The Royal (2003) Coronation Street (1960), long running series Casualty (1986) and finally You, Me & Them (2013), her last role after her retirement several years earlier.
Divorced from Kaufmann in 1975 (although they remained friends until his death, Blackman even cared for him during his 13 year battle with cancer), Blackman never remarried, revealing in an interview that she simply preferred single life, "Basically I'm a shy person and I like my own company". Unable to conceive, the couple adopted two children, Lottie and Barnaby, in '67 and '68 respectively.
The ever-lovely and eternally glamorous star continued to find regular work into her 90s, including co-starring in the long-running English hit comedy series The Upper Hand (1990) and performing her one-woman stage show, "Wayward Women"
Honor Blackman died on April 5, 2020, in Lewes, Sussex. She was 94.- Actress
- Soundtrack
The legendary actress set a record when at age 82, she appeared on Dancing with the Stars (2005). Cloris Leachman was born on April 30, 1926 in Des Moines, Iowa to Berkeley Claiborne "Buck" Leachman and the former Cloris Wallace. Her father's family owned a lumber company, Leachman Lumber Co. She was of Czech (from her maternal grandmother) and English descent. After graduating from high school, Leachman attended Illinois State University and Northwestern University, where she majored in drama. After winning the title of Miss Chicago 1946 (as part of the Miss America pageant), she acted with the Des Moines Playhouse before moving to New York.
Leachman made her credited debut in 1948 in an episode of The Ford Theatre Hour (1948) and appeared in many television anthologies and series before becoming a regular on The Bob & Ray Show (1951) in 1952. Her movie debut was memorable, playing the doomed blonde femme fatale Christina Bailey in Robert Aldrich's classic noir Kiss Me Deadly (1955). Other than a role in Rod Serling's movie The Rack (1956) in support of Paul Newman, Leachman remained a television actress throughout the 1950s and the 1960s, appearing in only two movies during the latter decade, The Chapman Report (1962) and Butch Cassidy and the Sundance Kid (1969). Though she would win an Oscar for Peter Bogdanovich's adaptation of Larry McMurtry's The Last Picture Show (1971) and appear in three Mel Brooks movies, it was in television that her career remained and her fame was assured in the 1970s and into the second decade of the new millennium.
Leachman was nominated five times for an Emmy Award playing Phyllis Lindstrom, Mary Tyler Moore's landlady and self-described best friend on The Mary Tyler Moore Show (1970) and on the spin-off series Phyllis (1975). She won twice as Best Supporting Actress in a comedy for her "Mary Tyler Moore" gig and won a Golden Globe Award as a leading performer in comedy for "Phyllis", but her first Emmy Award came in the category Outstanding Single Performance by an Actress in a Leading Role in 1973 for the television movie A Brand New Life (1973). She also won two Emmy Awards as a supporting player for Malcolm in the Middle (2000).
She was married to director-producer George Englund from 1953 to 1979. They had five children together. Cloris Leachman died of natural causes on January 27, 2021 in Encinitas, California.- Music Artist
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Tony Bennett, one of the legends of jazz and popular music who served during the Second World War and then developed a career spanning over half a century, is now giving another concert tour across the United States and Europe.
He was born Anthony (Antonio) Dominick Benedetto on August 3, 1926, in Astoria, Queens, in New York City. His father, Giovanni "John" Benedetto, was a grocer, his mother, Anna Maria (Suraci), was a seamstress, and his uncle was a tap dancer. His parents were both from poor farming families in Calabria, Italy. Young Tony gave a singing performance at the opening of the Triborough Bridge at the age of 10. He studied music and painting at the New York High School of Industrial Arts but dropped out at the age of 16. He had to support his family and he performed as a singing waiter in Italian restaurants.
During the Second World War Tony Bennett was drafted into the US Army. He served on the front lines until April 1945 and was involved in the liberation of a Nazi concentration camp at Landsberg, Germany. After the WWII he sang with the Army military band under the stage name "Joe Bari" until his discharge and return to the US in 1946. He studied the Bel Canto singing discipline at the American Theater Wing on the GI Bill and continued singing while waiting on tables at New York restaurants.
At the beginning of his career he drew from such influences as Judy Garland, Louis Armstrong, and Bing Crosby among others and eventually created his own style of singing. He also integrated jazz-style phrasing into his singing by imitating the instrumental solos with his own voice.
In 1949, Bennett was invited on a concert tour by Bob Hope, who suggested him to use the name Tony Bennett. In 1950, he was signed to Columbia Records and made his first big hit 'Because of You', produced by Mitch Miller with orchestration by Percy Faith. It sold over a million copies, reaching #1 in 1951 pop charts. His other #1 hits were 'Blue Velvet', 'Rags to Riches', and "Stranger in Paradise" in 1952-54. Bennett was able to do five to seven shows a day in New York to crowds of screaming teenagers.
In 1956, he hosted The Tony Bennett Show (1956), which replaced Perry Como's Kraft Music Hall (1948). He continued making recordings with the top jazz musicians of the day and his collaboration with Count Basie brought two albums, with 'Chicago' and 'Jeepers Creepers' becoming popular songs. His landmark concert at the Carnegie Hall in June of 1962 featured 44 songs and was accompanied by an all-star band. The same year he released 'I Left My Heart in San Francisco', which remained on the charts for a year and has become his signature song. The eponymous album became a gold record.
Bennett had a change of fortune after 1964, with strong competition from The Beatles and the British Invasion. In 1965, he separated from his first wife, artist Patricia Beech, with whom he had two sons. The marriage did not work under the pressures of being too much on the road and eventually ended in divorce. At the same time, his first acting role in the film The Oscar (1966) was not a success; he received poor reviews, and the film was lambasted by critics, ignored by audiences and became one of the biggest flops of the year. His singing career took a downturn when his bosses at Columbia Records, worried about competition from The Beatles, forced him to change his image and style, which pleased no one. He left Columbia in 1972. A brief contract with MGM Records yielded no hits, and Bennett was left without a recording job.
He married again. He started his own record company and made two highly praised albums with Bill Evans. He moved to England for a while, where he once performed for the Queen. Back in the US, Bennett found only one regular gig in Las Vegas, but no recording deals or concert tours. His debts grew to the point of bankruptcy, and the IRS was trying to seize his house in L.A. By the late 1970s, his second marriage to actress Sandra Grant, with whom he had two daughters, was failing. He also suffered from a drug addiction, and after an overdose in 1979, he called for help from his son Danny Bennett. Danny signed on as his father's manager, and it turned out to be a smart move.
Tony Bennett rejuvenated his career by bringing back his original style, tuxedo and the Great American Songbook. He staged a strong comeback during the 1980s and 1990s, signed with Columbia again, and made two gold albums in 1992 and 1993, and developed a surprising and loyal following among audiences in their 20s and 30s. He also received a Grammy Award, the first since 1962. He again performed and recorded with Frank Sinatra, and extended musical collaboration to gigs with the Red Hot Chili Peppers, Elvis Costello, and k.d. lang among others. Bennet also appeared as himself on MTV's documentary series Unplugged (1989) in 1994 and 2000.
His resilience and successful comeback became a sensation in the modern day entertainment industry. Bennett appeared as himself in the films Analyze This (1999), The Scout (1994), and Bruce Almighty (2003). He has sold over 50 million records worldwide, was inducted into the Big Band and Jazz Hall of Fame (1997), published an autobiography "The Good Life: The Autobiography of Tony Bennett" (1998), received a lifetime achievement award from ASCAP (2002), and was the recipient of a Kennedy Center Honor in December of 2005. Honored by the United Nations with its Citizen of the World award, he is widely considered an International treasure.
On his 80th anniversary, Tony Bennett enjoyed congratulations from millions of fans from all over the world. In November 2006, Bennett hosted a Gala-party in his honor at the Kodak Theatre in Los Angeles. There he enjoyed live performances by numerous celebrities. The party came to culmination when Mr. Bennett entertained his guests by singing his best known hits: 'I Left My Heart in San Francisco' and 'What A Good Life.'- Actress
- Additional Crew
Betty May Adams was the daughter of a travelling Iowa cotton buyer with a penchant for alcohol. Growing up in Arkansas, Betty expressed an early interest in acting and made her performing debut in a third grade play of "Hansel and Gretel." Beautiful, talented and determined, the freshly minted 'Miss Little Rock' left home at the age of 19 to live with her aunt and uncle in California. For three days a week she made ends meet working as a secretary. The remainder of her time was spent taking speech and drama lessons (in due course losing her Southern twang) and making the rounds of the various Hollywood casting departments. Her first screen role was (appropriately) as a starlet in Paramount's Red, Hot and Blue (1949). This was followed by an inauspicious leading role in the B-grade Western The Dalton Gang (1949). Over a period of five weeks she appeared in six further quota quickies of the sagebrush variety for Poverty Row outfit Lippert Productions. Since Lippert owned no actual studio facilities, most of the filming took place at the Ray Corrigan ranch in Chatsworth, California. In the summer of 1950, Betty assisted in a screen test for Detroit Lions football star Leon Hart at Universal-International. While Hart's movie career ended up stillborn, Betty clicked with producers who opted to change her first name to 'Julia.' The initial outing for her new studio was entitled Bright Victory (1951), with the budding actress a little underemployed as 'the other girl' in a love triangle involving a blind war veteran (played by Arthur Kennedy). Her career was significantly better served in her next assignment as co-star opposite James Stewart in Anthony Mann's seminal Technicolor western Bend of the River (1952) (Kennedy this time cast as the arch villain). Adams later recalled her part in this film as "a great learning experience" and one of her "fondest Hollywood memories," It also led to a life long friendship with Jimmy Stewart.
Signed to a seven-year contract (and having her legs insured by Universal to the tune of $125,000 by Lloyds of London), Julia seemed destined to remain perpetually typecast as a western heroine. A comely actress with soft, classical features, she often gave affecting performances in what amounted to little more than bread-and-butter pictures. At the very least, she got to play romantic leads opposite some of Universal's top box-office earners: Rock Hudson (in Horizons West (1952) and The Lawless Breed (1952)), Tyrone Power(The Mississippi Gambler (1953)) and Glenn Ford (The Man from the Alamo (1953)). Having played a succession of 'nice girls,' Julia took a turn as leader of an outlaw gang in Wings of the Hawk (1953), set against the background of the Mexican Revolution (Van Heflin was first-billed as a mining engineer, who, having his gold mine taken over by Federales, joins Julia's band of 'insurrectos'). 'Miss Melon Patch' of 1953 was about to experience another important career change, being famously cast as the imperilled heroine Kay Lawrence in Jack Arnolds cultish monster flic Creature from the Black Lagoon (1954), a role Adams initially considered turning down. Shot in 3-D on a shoestring budget, the picture was light on script but strong on atmosphere and proved once again that style can succeed over content. The not inconsiderable physical charms of Miss Adams often dominated the scenery and gave the 'Gill Man' a run for his money. Audiences approved and 'Creature' spawned two further sequels, alas without Julia and with diminishing returns.
In 1955, having generated strong box office heat, Julia changed her moniker (with studio approval) to the less gentle-sounding Julie. Accordingly, she was now offered more varied material ranging from tough melodramas, to comedies and lightweight romances. Adams further established her credentials with roles which included a soft porn model who survives a plane crash in the Colorado Rockies in The Looters (1955); as a cop's wife in Six Bridges to Cross (1955) (a crime drama based on Boston's Great Brinks Robbery); a sympathetic school's doctor in the family-oriented comedy The Private War of Major Benson (1955) and as the wife of an assistant D.A. fighting gangland on the New York waterfront in Slaughter on 10th Avenue (1957). After 1957, her contract with Universal having expired, Adams successfully transitioned into television where she remained a firm favorite in westerns and crime dramas, guest-starring in just about every classic prime-time series covering both genres (Perry Mason (1957) being her personal favorite). Latterly, she had a popular recurring role as real estate lady Eve Simpson in Murder, She Wrote (1984). Adams was still in demand for occasional screen appearances well into her 90s.
She was married twice: first, to writer-producer Leonard Stern, and, secondly, to the actor Ray Danton. Julie Adams passed away in Los Angeles on February 3, 2019 at the age of 92. Her autobiography (co-written with her son Mitchell Danton), entitled "The Lucky Southern Star: Reflections from the Black Lagoon" appeared in 2011.- Actress
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Undoubtedly the woman who had come to epitomize what we recognize today as "celebrity," Zsa Zsa Gabor, is better known for her many marriages, personal appearances, her "dahlink" catchphrase, her actions, gossip, and quotations on men, rather than her film career.
Zsa Zsa was born as Sári Gabor on February 6, 1917 in Budapest, Hungary, to Jolie Gabor (née Janka Tilleman) and Vilmos Gabor (born Farkas Miklós Grün), both of Jewish descent. Her siblings were Eva Gabor and Magda Gabor. Zsa Zsa studied at a Swiss finishing school, was second runner-up in the fifth Miss Hungary pageant, and began her stage career in Vienna in 1934. In 1941, the year she obtained her first divorce, she followed younger sister Eva to Hollywood.
A radiant, beautiful blonde, Zsa Zsa began to appear on television series and occasional films. Her first film was at Metro-Goldwyn-Mayer in Lovely to Look At (1952), co-starring Kathryn Grayson and Red Skelton. She next made a comedy called We're Not Married! (1952) at 20th Century Fox with Ginger Rogers. It was far from a star billing; she appeared several names down the cast as a supporting actress. But in 1952 she broke into films big time with her starring role opposite José Ferrer in Moulin Rouge (1952), although it has been said that throughout filming, director John Huston gave her a very difficult time.
In the following years, Zsa Zsa slipped back into supporting roles in films such as Lili (1953) and 3 Ring Circus (1954). Her main period of film work was in the 1950s, with other roles in Death of a Scoundrel (1956), with Yvonne De Carlo, and The Man Who Wouldn't Talk (1958) with Anna Neagle; again, these were supporting roles. By the 1960s, Zsa Zsa was appearing more as herself in films. She now appeared to follow her own persona around, and cameo appearances were the order of the day in films such as Pepe (1960) and Jack of Diamonds (1967). This continued throughout the 1970s.
She was memorable as herself in The Naked Gun 2½: The Smell of Fear (1991), in which she humorously poked fun at a 1989 incident where she was convicted of slapping a police officer (Paul Kramer) during a traffic stop. She spent three days in jail and had to do 120 hours of community service. Such infamous incidents contributed to her becoming one of the most all-time recognizable of Hollywood celebrities, and sometimes ridiculed as a result. She was also memorable to British television viewers on The Ruby Wax Show (1997).
In 2002, Gabor was reported to be in a coma in a Los Angeles hospital after a horrifying car accident. The 85-year-old star was injured when the car she was traveling in hit a utility pole in West Hollywood, California. The reports about her coma eventually proved to be inaccurate.
Zsa Zsa's life, spanning two continents, nine husbands, and 11 decades, came to an end on December 18, 2016, when she died of cardiac arrest in Los Angeles, California. She was 99.- Actress
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Jane Wyman was born Sarah Jane Mayfield on January 5, 1917, in St. Joseph, Missouri (she was also known later as Sarah Jane Fulks). When she was only eight years old, and after her parents filed for divorce, she lost her father prematurely. After graduating high school she attempted, with the help of her mother, to break into films, but to no avail. In 1935, after attending the University of Missouri, she began a career as a radio singer, which led to her first name change to Jane Durrell. In 1936 she signed a contract with Warner Bros. Pictures and that led to another name change, the more familiar one of Jane Wyman. Under that name she appeared in "A" and "B" pictures at Warners, including two with her future husband, Ronald Reagan: Brother Rat (1938) and its sequel, Brother Rat and a Baby (1940). In the early 1940s she moved into comedies and melodramas and gained attention for her role as Ray Milland's long-suffering girlfriend in The Lost Weekend (1945). The following year she was nominated for a Best Actress Oscar for her role as Ma Baxter in The Yearling (1946), and won the coveted prize in 1949 as deaf-mute rape victim Belinda MacDonald in Johnny Belinda (1948). She followed that with a number of appearances in more prestigious films, such as Alfred Hitchcock's Stage Fright (1950), Frank Capra's Here Comes the Groom (1951), Michael Curtiz's The Story of Will Rogers (1952) and the first movie version of The Glass Menagerie (1950). She starred opposite Bing Crosby in the musical Just for You (1952). She was Oscar-nominated for her performances in The Blue Veil (1951) and Magnificent Obsession (1954). She also starred in the immensely popular So Big (1953), Lucy Gallant (1955), All That Heaven Allows (1955) and Miracle in the Rain (1956). In addition to her extensive film career, she hosted TV's Jane Wyman Presents the Fireside Theatre (1955) and starred in most of the episodes of the show, which ran for three seasons. She came back to the big screen in Holiday for Lovers (1959), Pollyanna (1960) and her final film, How to Commit Marriage (1969). Although off the big screen, she became a presence on the small screen and starred in two made-for-TV movies, including The Incredible Journey of Doctor Meg Laurel (1979). In early 1981, in the 49th year of her career, she won the role of conniving matriarch Angela Channing Erikson Stavros Agretti in the movie "The Vintage Years", which was the unaired pilot for the prime-time soap opera Falcon Crest (1981), later in the year. For nine seasons she played that character in a way that virtually no other actress could have done, and became the moral center of the show. The show was a ratings winner from its debut in 1981, and made stars out of her fellow cast members Robert Foxworth, Lorenzo Lamas, Abby Dalton and Susan Sullivan. At the end of the first season the story line had her being informed that her evil son, played by David Selby, had inherited 50% of a California newspaper company, and the conflicts inherent in that situation led to even bigger ratings over the next five years. Wyman was nominated six times for a Soap Opera Digest Award, and in 1984 she won the Golden Globe for Best Performance by an Actress in a TV Series Drama. By the show's eighth season, however, she was emotionally drained and the strain of constantly working to keep up the quality of a hit show took its toll on her. In addition, there was friction on the set among cast members. All of these events culminated in her departure from the show after the first two episodes of the ninth season (her character was hospitalized and slipped into a coma) for health reasons. After a period of recuperation, she believed that she had recovered enough to guest-star in the last three episodes of the season (her doctor disagreed, but she did it anyway). She then guest-starred as Jane Seymour's mother on Dr. Quinn, Medicine Woman (1993) and three years later appeared in Wild Bill: Hollywood Maverick (1995). In the late 1990s she purchased a home in Rancho Mirage, California, where she lived in retirement. Her daughter, Maureen Reagan (who died in August 2001), was a writer who also involved herself in political issues and organized a powerful foundation. Also, she placed her 3200-sq.-ft. Rancho Mirage condominium on the market. Jane Wyman died at the age of 90, at her Palm Springs, California home, on September 10, 2007, having long suffered from arthritis and diabetes. It was reported that Wyman died in her sleep of natural causes at the Rancho Mirage Country Club.- Actor
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Eugene Allen Hackman was born in San Bernardino, California, the son of Ann Lydia Elizabeth (Gray) and Eugene Ezra Hackman, who operated a newspaper printing press. He is of Pennsylvania Dutch (German), English, and Scottish ancestry, partly by way of Canada, where his mother was born. After several moves, his family settled in Danville, Illinois. Gene grew up in a broken home, which he left at the age of sixteen for a hitch with the US Marines.
Moving to New York after being discharged, he worked in a number of menial jobs before studying journalism and television production on the G.I. Bill at the University of Illinois. Hackman would be over 30 years old when he finally decided to take his chance at acting by enrolling at the Pasadena Playhouse. Legend says that Hackman and friend Dustin Hoffman were voted "least likely to succeed."
Hackman next moved back to New York, where he worked in summer stock and off-Broadway. In 1964 he was cast as the young suitor in the Broadway play "Any Wednesday." This role would lead to him being cast in the small role of Norman in Lilith (1964), starring Warren Beatty. When Beatty was casting for Bonnie and Clyde (1967), he cast Hackman as Buck Barrow, Clyde Barrow's brother. That role earned Hackman a nomination for the Academy Award for Best Supporting Actor, an award for which he would again be nominated in I Never Sang for My Father (1970). In 1972 he won the Oscar for his role as Detective Jimmy "Popeye" Doyle in The French Connection (1971). At 40 years old Hackman was a Hollywood star whose work would rise to new heights with Night Moves (1975) and Bite the Bullet (1975), or fall to new depths with The Poseidon Adventure (1972) and Eureka (1983). Hackman is a versatile actor who can play comedy (the blind man in Young Frankenstein (1974)) or villainy (the evil Lex Luthor in Superman (1978)). He is the doctor who puts his work above people in Extreme Measures (1996) and the captain on the edge of nuclear destruction in Crimson Tide (1995). After initially turning down the role of Little Bill Daggett in Clint Eastwood's Unforgiven (1992), Hackman finally accepted it, as its different slant on the western interested him. For his performance he won the Oscar and Golden Globe and decided that he wasn't tired of westerns after all. He has since appeared in Geronimo: An American Legend (1993), Wyatt Earp (1994), and The Quick and the Dead (1995).- Tall, dour-faced and slouch-shouldered character actor Abe Vigoda proved himself in both gritty dramatic roles and as an actor with wonderful comedic timing.
Vigoda was born in Brooklyn, New York, to Lena (Moses) and Samuel Vigoda, a tailor -- both Russian Jewish immigrants. His father was a tailor on the Lower East Side. He made his first stage appearance at the age of 17 and plodded away in small theater shows for over 20 years. For the majority of film-goers, Vigoda first came to prominence in The Godfather (1972) as the double-crossing Tessio, pleading to no avail with Robert Duvall to save his life "for old times' sake". Vigoda had roles in a few nondescript TV films before landing the plum role of the dour, unsmiling, urinary tract-tormented Sgt. Phil Fish on the sitcom Barney Miller (1975), his best-known role. The character of Fish proved popular enough to be spun off to his own (albeit short-lived) series, Fish (1977).
With his long, blank, rarely smiling face, he remained in high demand in mafioso-type roles, and for a while in the mid-1980s, he was mistakenly believed to have been dead, leading a producer to remark, "I need an Abe Vigoda type actor", not realizing Vigoda was still alive. The 1990s and beyond became busy again for Vigoda, making appearances in North (1994), The Misery Brothers (1995), A Brooklyn State of Mind (1998), and Crime Spree (2003). He continued acting into his 90s, surprising audiences with his entertaining style.
Vigoda died in his sleep on January 26, 2016, , a month before his 95th birthday, in suburban Woodland Park, New Jersey. He was interred in Beth David Cemetery in Elmont, New York. - Actor
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Veteran actor and director Robert Selden Duvall was born on January 5, 1931, in San Diego, CA, to Mildred Virginia (Hart), an amateur actress, and William Howard Duvall, a career military officer who later became an admiral. Duvall majored in drama at Principia College (Elsah, IL), then served a two-year hitch in the army after graduating in 1953. He began attending The Neighborhood Playhouse School of the Theatre In New York City on the G.I. Bill in 1955, studying under Sanford Meisner along with Dustin Hoffman, with whom Duvall shared an apartment. Both were close to another struggling young actor named Gene Hackman. Meisner cast Duvall in the play "The Midnight Caller" by Horton Foote, a link that would prove critical to his career, as it was Foote who recommended Duvall to play the mentally disabled "Boo Radley" in To Kill a Mockingbird (1962). This was his first "major" role since his 1956 motion picture debut as an MP in Somebody Up There Likes Me (1956), starring Paul Newman.
Duvall began making a name for himself as a stage actor in New York, winning an Obie Award in 1965 playing incest-minded longshoreman "Eddie Carbone" in the off-Broadway revival of Arthur Miller's "A View from the Bridge", a production for which his old roommate Hoffman was assistant director. He found steady work in episodic TV and appeared as a modestly billed character actor in films, such as Arthur Penn's The Chase (1966) with Marlon Brando and in Robert Altman's Countdown (1967) and Francis Ford Coppola's The Rain People (1969), in both of which he co-starred with James Caan.
He was also memorable as the heavy who is shot by John Wayne at the climax of True Grit (1969) and was the first "Maj. Frank Burns", creating the character in Altman's Korean War comedy M*A*S*H (1970). He also appeared as the eponymous lead in George Lucas' directorial debut, THX 1138 (1971). It was Francis Ford Coppola, casting The Godfather (1972), who reunited Duvall with Brando and Caan and provided him with his career breakthrough as mob lawyer "Tom Hagen". He received the first of his six Academy Award nominations for the role.
Thereafter, Duvall had steady work in featured roles in such films as The Godfather Part II (1974), The Killer Elite (1975), Network (1976), The Seven-Per-Cent Solution (1976) and The Eagle Has Landed (1976). Occasionally this actor's actor got the chance to assay a lead role, most notably in Tomorrow (1972), in which he was brilliant as William Faulkner's inarticulate backwoods farmer. He was less impressive as the lead in Badge 373 (1973), in which he played a character based on real-life NYPD detective Eddie Egan, the same man his old friend Gene Hackman had won an Oscar for playing, in fictionalized form as "Popeye Doyle" in The French Connection (1971).
It was his appearance as "Lt. Col. Kilgore" in another Coppola picture, Apocalypse Now (1979), that solidified Duvall's reputation as a great actor. He got his second Academy Award nomination for the role, and was named by the Guinness Book of World Records as the most versatile actor in the world. Duvall created one of the most memorable characters ever assayed on film, and gave the world the memorable phrase, "I love the smell of napalm in the morning!"
Subsequently, Duvall proved one of the few established character actors to move from supporting to leading roles, with his Oscar-nominated turns in The Great Santini (1979) and Tender Mercies (1983), the latter of which won him the Academy Award for Best Actor. Now at the summit of his career, Duvall seemed to be afflicted with the fabled "Oscar curse" that had overwhelmed the careers of fellow Academy Award winners Luise Rainer, Rod Steiger and Cliff Robertson. He could not find work equal to his talents, either due to his post-Oscar salary demands or a lack of perception in the industry that he truly was leading man material. He did not appear in The Godfather Part III (1990), as the studio would not give in to his demands for a salary commensurate with that of Al Pacino, who was receiving $5 million to reprise Michael Corleone.
His greatest achievement in his immediate post-Oscar period was his triumphant characterization of grizzled Texas Ranger Gus McCrae in the TV mini-series Lonesome Dove (1989), for which he received an Emmy nomination. He received a second Emmy nomination and a Golden Globe for his portrayal of Soviet dictator Joseph Stalin in Stalin (1992), and a third Emmy nomination playing Nazi war criminal Adolf Eichmann in The Man Who Captured Eichmann (1996).
The shakeout of his career doldrums was that Duvall eventually settled back into his status as one of the premier character actors in the industry, rivaled only by his old friend Gene Hackman. Duvall, unlike Hackman, also has directed pictures, including the documentary We're Not the Jet Set (1974), Angelo My Love (1983) and Assassination Tango (2002). As a writer-director, Duvall gave himself one of his most memorable roles, that of the preacher on the run from the law in The Apostle (1997), a brilliant performance for which he received his third Best Actor nomination and fifth Oscar nomination overall. The film brought Duvall back to the front ranks of great actors, and was followed by a Best Supporting Actor Oscar nod for A Civil Action (1998).
Robert Duvall will long be remembered as one of the great naturalistic American screen actors in the mode of Spencer Tracy and his frequent co-star Marlon Brando. His performances as "Boo Radley" in To Kill a Mockingbird (1962), "Jackson Fentry" in Tomorrow (1972), "Tom Hagen" in the first two "Godfather" movies, "Frank Hackett" in Network (1976), "Lt. Col. Kilgore" in Apocalypse Now (1979), "Bull Meechum" in The Great Santini (1979), "Mac Sledge" in Tender Mercies (1983), "Gus McCrae" in Lonesome Dove (1989) and "Sonny Dewey" in The Apostle (1997) rank as some of the finest acting ever put on film. It's a body of work that few actors can equal, let alone surpass.- Actor
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Widely regarded as the one of greatest stage and screen actors both in his native USA and internationally, James Earl Jones was born on January 17, 1931 in Arkabutla, Mississippi. At an early age, he started to take dramatic lessons to calm himself down. It appeared to work as he has since starred in many films over a 40-year period, beginning with the Stanley Kubrick classic Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964). For several movie fans, he is probably best known for his role as Darth Vader in the original Star Wars trilogy (due to his contribution for the voice of the role, as the man in the Darth Vader suit was David Prowse, whose voice was dubbed because of his British West Country accent). In his brilliant course of memorable performances, among others, he has also appeared on the animated series The Simpsons (1989) three times and played Mufasa both in The Lion King (1994) and The Lion King (2019), while he returned too as the voice of Darth Vader in Star Wars: Episode III - Revenge of the Sith (2005) and Rogue One: A Star Wars Story (2016).- Actor
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William Shatner has notched up an impressive 70-plus years in front of the camera, displaying heady comedic talent and being instantly recognizable to several generations of cult television fans as the square-jawed Captain James T. Kirk, commander of the starship U.S.S. Enterprise.
Shatner was born in Côte Saint-Luc, Montréal, Québec, Canada, to Anne (Garmaise) and Joseph Shatner, a clothing manufacturer. His father was a Jewish emigrant from Bukovina in the Austro-Hungarian Empire, while his maternal grandparents were Lithuanian Jews. After graduating from university, he joined a local Summer theatre group as an assistant manager. He then performed with the National Repertory Theatre of Ottawa and at the Stratford, Ontario, Shakespeare Festival as an understudy working with such as Alec Guinness, James Mason, and Anthony Quayle. He came to the attention of New York critics and was soon playing important roles in major shows on live television.
Shatner spent many years honing his craft before debuting alongside Yul Brynner in The Brothers Karamazov (1958). He was kept busy during the 1960s in films such as Judgment at Nuremberg (1961) and The Intruder (1962) and on television guest-starring in dozens of series such as Alfred Hitchcock Presents (1955), The Defenders (1961), The Outer Limits (1963) and The Twilight Zone (1959). In 1966, Shatner boarded the USS Enterprise for three seasons of Star Trek (1966), co-starring alongside Leonard Nimoy, with the series eventually becoming a bona-fide cult classic with a worldwide legion of fans known variously as "Trekkies" or "Trekkers".
After "Star Trek" folded, Shatner spent the rest of the decade and the 1970s making the rounds, guest-starring on many prime-time television series, including Hawaii Five-O (1968), Marcus Welby, M.D. (1969) and Ironside (1967). He has also appeared in several feature films, but they were mainly B-grade (or lower) fare, such as the embarrassingly bad Euro western White Comanche (1968) and the campy Kingdom of the Spiders (1977). However, the 1980s saw a major resurgence in Shatner's career with the renewed interest in the original Star Trek (1966) series culminating in a series of big-budget "Star Trek" feature films, including Star Trek: The Motion Picture (1979), Star Trek II: The Wrath of Khan (1982), Star Trek III: The Search for Spock (1984), Star Trek IV: The Voyage Home (1986), Star Trek V: The Final Frontier (1989) and Star Trek VI: The Undiscovered Country (1991). In addition, he starred in the lightweight police series T.J. Hooker (1982) from 1982 to 1986, alongside spunky Heather Locklear, and surprised many fans with his droll comedic talents in Airplane II: The Sequel (1982), Loaded Weapon 1 (1993) and Miss Congeniality (2000).
He has most recently been starring in the David E. Kelley television series The Practice (1997) and its spin-off Boston Legal (2004).
Outside of work, he jogs and follows other athletic pursuits. His interest in health and nutrition led to him becoming spokesman for the American Health Institute's 'Know Your Body' program to promote nutritional and physical health.- Music Artist
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Harold George Belafonte was born on March 1, 1927 in New York City. He was educated at the New York Dramatic Workshop. He grew up in Jamaica, British West Indies, and did folk-singing in nightclubs and theaters, and on television and records. His debut was at the Village Vanguard in New York. Also, he appeared in the Broadway revues "John Murray Anderson's Almanac" and "Three for Tonight". He owns his own music publishing firm and film production company. He won a Tony Award in 1953, a Donaldson Award in 1953-1954, a Show Business Award in 1954, a Diners' Club Award in 1955-1956, and an Emmy Award for "Tonight with Belafonte". He has made many records. Joining the ASCAP in 1960, his popular-music compositions include "Turn Around", "Shake That Little Foot" and "Glory Manger".- Actress
- Soundtrack
Nancy Reagan was born on 6 July 1921 in New York City, New York, USA. She was an actress, known for Hellcats of the Navy (1957), Night Into Morning (1951) and Donovan's Brain (1953). She was married to Ronald Reagan. She died on 6 March 2016 in Los Angeles, California, USA.- Actor
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Bob Newhart is an American actor and stand-up comedian. His comedic style involves deadpan delivery of dialogue, a slight stammer when talking, and comedic monologues. He has cited earlier comedians George Gobel (1919-1991), Ray Goulding (1922-1990), and Bob Elliott (1923-2016) as his main influences in developing his comedy style.
In 1929, Newhart was born in a hospital in Oak Park, Illinois. His parents were George David Newhart (1900-1985) and his wife Julia Pauline Burns (1900-1994). George was the son of an American father and a Canadian mother, had both German and Irish ancestry, and claimed maternal descent from the O'Conor family of Connacht; his mother was an Irish-American. George had partial ownership in a plumbing and heating-supply business, which was the Newhart family's main source of income.
Bob Newhart was raised in the vicinity of Chicago and attended a number of local Roman Catholic schools: first the St. Catherine of Siena Grammar School in Oak Park, then St. Ignatius College Prep in Chicago. He graduated the prep school (equivalent to a high school) in 1947, then enrolled at the Loyola University Chicago. He graduated in 1952 with a Bachelor's Degree in business management.
Shortly after graduating from the university, Newhart was drafted into the the United States Army. He served as a personnel manager for the Army during the Korean War (1950-1953). He was honorably discharged in 1954, during the post-war demobilization of the American armed forces. He attempted to continue his studies, and enrolled into the Loyola University Chicago School of Law. However he never completed his degree, quitting a required internship because his employer had demanded "unethical" behavior from him.
Newhart briefly worked as an accountant for the USG Corporation (United States Gypsum Corporation), a Chicago-based company which manufactures construction materials. He quit after regularly facing trouble in "adjusting petty cash imbalances". He then proceeded to work as a clerk for various employers, but found himself struggling financially.
In 1958, Newhart was hired as an advertising copywriter for a Chicago-based production company. To entertain himself, he started exchanging "long telephone calls about absurd scenarios" with a friendly co-worker. The 29-year-old Newhart had the idea to try his hand as a comedian, and developed a comedy routine based on the telephone calls. He recorded his routine into audition tapes, and send them to radio stations. His routine was met favorably. In 1959, Newhart started performing as a stand-up-comedian in nightclubs, and signed a contract with a new record company which was seeking to recruit some talent. The company was Warner Bros. Records (established in 1958), a subsidiary of the film studio Warner Bros.
Newhart became famous primarily through his audio releases. His comedy album "The Button-Down Mind of Bob Newhart" (1960) became the first comedy album to make number one on the Billboard charts, and earned him the 1961 Grammy Award for Best New Artist.
This success opened to him new career opportunities, in television and film. NBC offered him his own variety television show, the short-lived "The Bob Newhart Show" (October, 1961-June 1962). The show won the 1962 Primetime Emmy Award for Outstanding Comedy Series, but was canceled anyway. It had won the award while facing four other candidates: "The Andy Griffith Show", "Car 54, Where Are You?", "Hazel", and "The Red Skelton Show". Each of them managed to outlast the award-winning show.
In 1962, Newhart made his film debut in the war film "Hell Is for Heroes". Newhart played the character James Driscoll, an Army company clerk who broadcasts misleading radio messages to the enemy limes during World War II. As essentially comic role in an otherwise dramatic film.
Newhart appeared frequently as a guest star in television over the subsequent years, but had relatively few film roles. He appeared in the caper story "Hot Millions" (1968), the reincarnation-themed fantasy film "On a Clear Day You Can See Forever" (1970), the war film "Catch-22" (1970), and the tobacco-smoking-themed satirical film "Cold Turkey" (1971).
From 1972 to 1978, Newhart starred in the hit sitcom "The Bob Newhart Show". He played the character Robert "Bob" Hartley, Ph.D. (Newhart), a Chicago psychologist who is surrounded by eccentric patients, work colleagues, friends, and family members. Hartley was effectively the "straight man" to the wacky characters surrounding him.
In 1977, Newhart voiced Bernard, the male lead in the animated film "The Rescuers" (1977). The film features the Rescue Aid Society, an international mouse organization, with its headquarters located in New York City. Bernard is not initially one of its members, but works as their janitor. When Miss Bianca, Hungary's representative in the organization, must choose a partner for her first field mission, she impulsively chooses Bernard over the the other available agents. Part of the success of the film is based on the contrast between the two partners, the adventurous, brave, but rather impulsive Bianca, and the overly cautious, shy, and reluctant hero Bernard. "The Rescuers" earned worldwide gross rentals of 48 million dollars at the box office during its initial release, and had a total lifetime worldwide gross of 169 million dollars through subsequent re-releases.
In 1980, Newhart appeared in two live-action films, the comedy-drama "Little Miss Marker", and the political comedy "First Family". The first features Newhart as a member of a gangster-run gambling operation. The gangsters are surprised when a client uses his 6-year-old daughter as collateral for a bet, and and more surprised when the client commits suicide. The film deals with jaded criminals who develop parental feelings for the orphan girl. The other film was a more cynical comedy, with Newheart as an inept President of the United States. The main plot deals with the President tolerating the kidnapping of American citizens by a fictional African country, because the country offers some valuable resources in exchange for their new American slaves.
From 1982 to 1990, Newhart starred in a second hit sitcom, called simply "Newhart". He played the character Dick Loudon, a Vermon-based innkeeper who finds himself surrounded by strange employees, neighbors, and competitors. The show had a famous ending where the entire series is "revealed" to be a dream of Robert Hartley, Newhart's character from his first sitcom.
In 1990, Newhart returned to the role of Bernard, in the sequel film "The Rescuers Down Under". Early in the film, Bernard is preparing a marriage proposal for Miss Bianca, but his plans are derailed when they are both send to Australia for an urgent mission. The duo are partnered with Australian agent Jake, and Bernard is frustrated with when Jake competes with him for Bianca's affections. At the end of the mission, Berbard finally makes his marriage proposal, unwilling to let orders for further missions to interfere with his plans to marry the woman he loves. The film only earned 47.4 million dollars at the worldwide box office, and became Walt Disney Animation Studio's least successful theatrical animated film of the 1990s.
From 1992 to 1993, Newhart starred in his third sitcom, called simply "Bob". He played the character Bob McKay, a veteran comic book writer and artist from the 1950s. Having long retired into obscurity, McKay is hired by a corporation to produce a revival of his classic character, the superhero "Mad-Dog". The first season introduced a large cast of eccentric co-workers. The second season dismissed most of these characters, and had McKay serving as the President of a company producing greeting cards. The series suffered from low ratings, and was canceled at the end of its second season. Only 33 episodes were produced.
From 1997 to 1998, Newhart starred in his fourth sitcom "George & Leo". He played the character George Stoody, a bookstore owner who finds himself offering hospitality to a professional magician and part-time criminal, who recently robbed a Mafia-owned casino. The humor was based on the strong contrast between the two men, but the series failed to find an audience.
Newhart returned to theatrical films with the romantic comedy "In & Out" (1997). He had roles in the animated film "Rudolph the Red-Nosed Reindeer: The Movie" (1998), the comedy "Legally Blonde 2: Red, White & Blonde" (2003), and the Christmas film "Elf" (2003) . From 2004 to 2008, Newhart played the major character Judson in three television films of "The Librarian" fantasy franchise. The franchise features a mystical library, which hides numerous magical and technological artifacts from various historical eras. A series of librarians have to guard the library and its contents from criminal organizations with sinister designs. Judson is the mentor who trains the current librarian, after the previous one was killed in action. The series hinted that Judson was older than he looked, and he was eventually revealed to be the original librarian. He was nearly immortal, and had trained succeeding librarians for centuries.
In 2011, Newhart played a small role in the black comedy "Horrible Bosses", playing the character of sadistic CEO Louis Sherman. Sherman is described as a "Twisted Old Fuck", who keeps people locked in his trunk.
In 2013, Newhart started playing the recurring character Arthur Jeffries (stage name "Professor Proton") in the sitcom "The Big Bang Theory" (2007-). Arthur was a scientist who decades ago served as the host of a science show aimed at children, inspiring series co-protagonists Leonard Hofstadter and Sheldon Cooper to start science careers of their own. Leonard and Sheldon, now professional physicists with academic careers, eventually get to meet their childhood idol. Arthur's scientific career ended in disgrace, his television days are long over, and he has been reduced to earning a meager living as a party entertainer.
The role of Arthur Jeffries won Newhart his first Primetime Emmy Award. The character dynamic between Arthur and Sheldon was popular, as Sheldon continued to idolize Arthur, while Arthur found his "student" to be insufferable. Following the character's physical death, Newhart has continued to appear in the series as Arthur Jeffries' ghost. He appears to Sheldon at various points to offer him advice, serving as a mentor figure. Sheldon views Arthur as his version of Obi-Wan Kenobi.
Newhart turned 89 in 2018 but he continues to tirelessly appear in television projects and to entertain new generations of fans.- Lovely, sweet-natured Joyce Randolph will forever be etched in the minds of "Golden Age" television viewers as the Bowery-like fourth party of the classic husband/wife quartet on the enduring TV family comedy The Honeymooners (1955) starring Jackie Gleason as the irrepressible hothead bus driver Ralph Kramden. As Thelma ("Trixie") Norton, the dressed-down, beleaguered wife of sewer worker Ed Norton (played by the adorably goofy Art Carney) and best friend to equally stern realist Alice Kramden (played by equally lovely Audrey Meadows), Joyce participated in nearly 100 episodes of the beloved show before it left the air in 1957.
Randolph's real last name was Sirola, being of Finnish descent. As a teenager, her interest in acting grew and she eventually found her way to become a part of the Wayne University Workshop. After high school graduation, Joyce found employment in retail at a Saks Fifth Avenue store in Detroit. Auditioning for a Workshop tour of the play "Stage Door" in Detroit, she won the part and traveled with the company. She followed that tour with another tour, a revival of "Abie's Irish Rose" that ran for a year.
At age 18, Joyce moved to New York City during war-time (1943) to try her luck. She made her Broadway debut in 1945 in the short-lived comedy "A Goose for the Gander" starring Gloria Swanson and Conrad Nagel at the Playhouse Theatre. She returned to Broadway with "Ladies Night at a Turkish Bath" in 1950. She also appeared in summer stock and once performed in the musical "No, No, Nanette" with Ms. Meadows.
She began on TV as early as 1946 at General Electric's experimental laboratory in Schenectady, NY. Having now changed her stage name from her christened name to the more inviting "Joyce Randolph," the actress began appearing on TV in 1950, finding parts on such regular programs as "The Colgate Comedy Hour," "Rocky King, Detective," "Buck Rogers," "The Clock," "I Cover Times Square" and "Famous Jury Trials." By sheer luck, Joyce was spotted in a Clorets chewing gum commercial by Gleason himself the following year and was asked to appear in a skit on the "Cavalcade of Stars," Gleason's variety show on the DuMont Network. He liked her, he cast her then as Trixie, and the rest is TV history.
Taking over the role played originally, and only once, by Elaine Stritch, when the part of Trixie was thought of as a burlesque girl, the skit format was changed to series form with The Honeymooners (1955). Caught in a terrible typecasting, Joyce would find it extremely hard obtaining other roles after the demise of the show. Interestingly, when "The Honeymooners" sketches were revived on a revamped Gleason variety show in the 1960s, the roles of Alice and Trixie were taken over by Sheila MacRae and Jane Kean. Only Carney remained. Joyce would later say she did not revive her Trixie role due to "personal and geographic reasons." Gleason had moved his company to Miami, Florida.
Joyce maintained her career for awhile on the musical stage, in commercials, and with a few solo appearances on such shows as "The Jack Benny Show," and "The Doctors and the Nurses," but eventually retired from acting altogether. She married Richard Lincoln Charles, a wealthy entrepreneur and marketing executive, on October 2, 1955, the day after The Honeymooners premiered. He died at age 74 in 1997. Their son, Randolph Richard Charles, born in 1960, followed in his father's, not his mother's, footsteps after attending Yale University. He became a marketing executive before taking over his father's business. Joyce is also the grand aunt of former Major League Baseball pitcher Tim Redding. - Actress
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From working for the exacting Alfred Hitchcock to a film written by Edward D. Wood Jr., Tippi Hedren, the Minnesota blonde, has had a distinctive career. She was born Nathalie Kay Hedren in New Ulm, MN, to Dorothea (née Eckhardt) and Bernard Hedren, who ran a general store, and is of Swedish, Norwegian, and German descent. Tippi was working as a New York fashion model when she married her first husband, former actor and later advertising executive Peter Griffith, in 1952 (married until 1961). She gave birth to her only child, future star Melanie Griffith, on August 9, 1957. Alfred Hitchcock discovered Tippi, the pretty cover girl, while viewing a commercial on NBC's Today (1952) show. He put her under personal contract and cast her in The Birds (1963). In a cover article about the movie in Look magazine (Dec. 4, 1962), Hitchcock praised her; he also told the Associated Press: "Tippi Hedren is really remarkable. She's already reaching the lows and highs of terror". Her performance in the film earned her both the Golden Globe award and the Photoplay award as Most Promising Newcomer. Her next film was playing the title role in Hitchcock's Marnie (1964), where she played a challenging and difficult role of a frigid, habitual thief. The film wasn't as big a hit as "The Birds," and it would take years before she won well-deserved admiration for her work. The professional relationship with Hitchcock ended with mutual bitterness and disappointment during the filming of "Marnie." That year, she married her agent, Noel Marshall (married until 1982). Charles Chaplin cast her in a supporting role in his final film A Countess from Hong Kong (1967), which flopped. Thereafter, Tippi and her husband Marshall collected big cats and other wildlife for the film Roar (1981), which they starred in and produced. The film took 11 years and $17 million to make, but it only made $2 million worldwide. Nevertheless, the film was a turning point in her life; she became actively involved in animal rights, as well as a wide variety of humanitarian and environmental causes. She married her third husband, businessman Luis Barrenecha, in 1985 but divorced him seven years later. In 2002, she became engaged to veterinarian Martin Dinnes, but after six years and no wedding, the couple called it quits. Tippi has devoted much time and effort to charitable causes: she is a volunteer International Relief Coordinator for "Food for the Hungry". She has traveled worldwide to set up relief programs following earthquakes, hurricanes, famine and war, and has received numerous awards for her efforts, including the Humanitarian Award presented to her by the Baha'i Faith. As for animal causes, she is founder and president of The Roar Foundation. Onscreen, she continues to work frequently in films, theater and TV. She appeared in I Woke Up Early the Day I Died (1998), finally bringing to the big screen the last screenplay written by the late Edward D. Wood Jr. in 1974 (and featuring Wood regulars Maila Nurmi and Conrad Brooks, just about the only surviving members of Wood's stock company). She also enjoyed playing comedic roles, such as an abortion rights activist in Alexander Payne's satire Citizen Ruth (1996) and slapping Jude Law in I Heart Huckabees (2004). Tippi's contributions to world cinema have been honored with Life Achievement awards in France at The Beauvais Film Festival Cinemalia 1994; in Spain, by The Fundacion Municipal De Cine in 1995; and at the Riverside International Film Festival in 2007. In 1999, Tippi was honored as "Woman of Vision" by Women in Film and Video in Washington, D.C., and received the Presidential Medal for her work in film from Hofstra University. She enjoys spending time with her daughter and grandchildren: Alexander Bauer, Dakota Johnson and Stella Banderas.- Actress
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Born in Boise City, Oklahoma, Vera Miles attended school in Pratt, Kansas and Wichita, Kansas. The patrician beauty of Miss Miles won her the title of "Miss Kansas" in 1948, leading soon to small roles in Hollywood films and television series. Fame came to the forthright, spirited Miles when she attracted the attention of two master directors, Alfred Hitchcock and John Ford. Ford cast her in the classic western The Searchers (1956) and Hitchcock, who put her under personal contract and hailed her as his "new Grace Kelly", paired her with the great Henry Fonda in The Wrong Man (1956). Hitchcock cast Miles in the potentially star-making role of Judy Barton in Vertigo (1958), but Miles withdrew from the film when she became pregnant. Hitchcock gave Miles a supporting role in another masterpiece Psycho (1960), as did Ford when he cast her opposite John Wayne and James Stewart in The Man Who Shot Liberty Valance (1962), She also starred in such films as Beau James (1957) opposite Bob Hope, The FBI Story (1959) opposite Stewart, Back Street (1961) opposite Susan Hayward and John Gavin and Sergeant Ryker (1968) opposite Lee Marvin, as well as showing her consistently remarkable and versatile talent on dozens of popular television movies and series including The Alfred Hitchcock Hour (1962), The Twilight Zone (1959), The Outer Limits (1963), The Fugitive (1963), My Three Sons (1960), Bonanza (1959), Columbo (1971) and Murder, She Wrote (1984). In 1983, she reprised her role as "Lila Crane" in the film sequel Psycho II (1983), starring Anthony Perkins. Although, too often, the stunningly beautiful Miles' gifts were underutilized, before her retirement in 1995, hers was a most intriguing and enduring Hollywood career.- Actor
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Herbert Lom was born on September 11, 1917 as Herbert Charles Angelo Kuchacevich ze Schluderpacheru into an aristocratic family living in genteel poverty. His incredibly long surnames led him to select the shortest surname he could find extant ("Lom") and adopt it as his own, professionally. He made his film debut in the Czech film Woman Below the Cross (1937) and played supporting and, occasionally, lead roles. His career picked up in the 1940s and he played, among other roles, Napoleon Bonaparte in The Young Mr. Pitt (1942) and in War and Peace (1956). In a rare starring role, Lom played twin trapeze artists in Dual Alibi (1947). He continued into the 1950s with roles opposite Alec Guinness and Peter Sellers in The Ladykillers (1955), and Robert Mitchum, Jack Lemmon and Rita Hayworth in Fire Down Below (1957). His career really took off in the 1960s and he got the title role in Hammer Films' production of The Phantom of the Opera (1962). He also played "Captain Nemo" in Mysterious Island (1961) and landed supporting parts in El Cid (1961) and an especially showy role in Spartacus (1960) as a pirate chieftain contracted to transport Spartacus' army away from Italy.
The 1960s was also the decade in which Lom secured the role for which he will always be remembered: Clouseau/Peter Sellers' long-suffering boss, Commissioner Charles Dreyfus, in the "Pink Panther" films, in which he pulled off the not-inconsiderable feat of stealing almost every scene he and Sellers were in--a real accomplishment, considering what a veteran scene-stealer Sellers was. However, Lom did not concentrate solely on feature films. He became a familiar face to British television viewers when he starred as Dr. Roger Corder in The Human Jungle (1963). He moved into horror films in the 1970s, with parts in Asylum (1972) and And Now the Screaming Starts! (1973). He played Prof. Abraham Van Helsing opposite Christopher Lee in Count Dracula (1970), matching wits against the sinister vampire himself.
Lom appeared as one of the victims in Ten Little Indians (1974), the drunken Dr. Edward Armstrong. His career continued into the 1980s, a standout role being that of Christopher Walken's sympathetic doctor in The Dead Zone (1983). He also played opposite Walter Matthau in Hopscotch (1980) and returned to the murder mystery Ten Little Indians (1989), this time playing The General. Lom has been taking it easy since then, though he returned to his familiar role of Dreyfus in Son of the Pink Panther (1993). He was always a reliable and eminently watchable actor, and unfortunately did not receive the stardom he should have.
Herbert Lom died in his sleep at age 95 on September 27, 2012, in London, England.- Actor
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Jerry Lewis (born March 16, 1926 - August 20, 2017) was an American comedian, actor, singer, film producer, screenwriter and film director. He is known for his slapstick humor in film, television, stage and radio. He was originally paired up with Dean Martin in 1946, forming the famed comedy team of Martin and Lewis. In addition to the duo's popular nightclub work, they starred in a successful series of comedy films for Paramount Pictures. Lewis was also known for his charity fund-raising telethons and position as national chairman for the Muscular Dystrophy Association (MDA). Lewis won several awards for lifetime achievements from The American Comedy Awards, Los Angeles Film Critics Association, and Venice Film Festival, and he had two stars on the Hollywood Walk of Fame. In 2005, he received the Governors Award of the Academy of Television Arts & Sciences Board of Governors, which is the highest Emmy Award presented. On February 22, 2009, the Academy of Motion Picture Arts and Sciences awarded Lewis the Jean Hersholt Humanitarian Award.
Jerry died on August 20, 2017, in Las Vegas.- Actor
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Milton Berle was an American comedian and actor.
Berle's career as an entertainer spanned over 80 years, first in silent films and on stage as a child actor, then in radio, movies and television. As the host of NBC's Texaco Star Theatre (1948-55), he was the first major American television star and was known to millions of viewers as "Uncle Miltie" and "Mr. Television" during the first Golden Age of Television. He was honored with two stars on the Hollywood Walk of Fame for his work in both radio and TV.
Berle won the Emmy for Most Outstanding Kinescoped Personality in 1950. In 1979, Berle was awarded a special Emmy Award, titled "Mr. Television." He was twice nominated for Emmys for his acting, in 1962 and 1995.
Berle was inducted into the Television Hall of Fame in 1984. On December 5, 2007, Berle was inducted into the California Hall of Fame.- Actor
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Donald Jay Rickles was born May 8, 1926 in New York. Following the Golden Era of Hollywood, he remained active until early 2017. He got his start in night clubs, toiling for over 20 years, until 1958, when he made his film debut in Run Silent Run Deep (1958). The movie was a big hit. Afterward, Rickles continued acting, starring in films like X: The Man with the X-Ray Eyes (1963), Bikini Beach (1964), Enter Laughing (1967), and Kelly's Heroes (1970). In 1973, Don became a regular on Dean Martin's Celebrity Roasts.
From 1973-84, he appeared frequently on Dean's show, paying tribute to some of his friends, like Bob Hope, Frank Sinatra, Lucille Ball, and was even the roast master on the roast for Dean Martin himself. In 1976, he had his own TV series CPO Sharkey (1976), which enjoyed a two year run. After 1984, he slowed down, appearing in a few minor film roles. In 1995, he made a comeback, appearing with Tom Hanks and Tim Allen in Toy Story (1995) in the role of the grouchy Mr. Potato Head. In 1999, he returned as Mr. Potato Head in Toy Story 2 (1999). He died on April 6, 2017, in Los Angeles, California, aged 90. He is interred at Mount Sinai Memorial Park in Los Angeles, California, in the Courts of Tanach.- Producer
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Stan Lee was an American comic-book writer, editor, and publisher, who was executive vice president and publisher of Marvel Comics.
Stan was born in New York City, to Celia (Solomon) and Jack Lieber, a dress cutter. His parents were Romanian Jewish immigrants. Lee co-created Spider-Man, the Hulk, Doctor Strange, the Fantastic Four, Iron Man, Daredevil, Thor, the X-Men, and many other fictional characters, introducing a thoroughly shared universe into superhero comic books. In addition, he challenged the comics' industry's censorship organization, the Comics Code Authority, indirectly leading to it updating its policies. Lee subsequently led the expansion of Marvel Comics from a small division of a publishing house to a large multimedia corporation.
He had cameo appearances in many Marvel film and television projects, with many yet to come, posthumously. A few of these appearances are self-aware and sometimes reference Lee's involvement in the creation of certain characters.
On 16 July 2017, Lee was named a Disney Legend, a hall of fame program that recognizes individuals who have made an extraordinary and integral contribution to The Walt Disney Company.
Stan was married to Joan Lee for almost 70 years, until her death. The couple had two children. Joan died on July 6, 2017. Stan died on November 12, 2018, in LA.- Eunice Gayson was an English actress best known for playing Sylvia Trench, James Bond's girlfriend in the first two Bond films (Dr. No and From Russia with Love). Originally, Gayson was to be cast as Miss Moneypenny, but that part went to Lois Maxwell instead.
Gayson was originally to have been a regular in the Bond film series, but her character was dropped. Gayson's voice in Dr. No and From Russia with Love was overdubbed by voice actress Nikki van der Zyl, as were the voices of nearly all the actresses appearing in the first two Bond films, though Gayson's real voice can still be heard in original trailers for Dr. No.
As the first female to be seen in Dr. No together with James Bond (Sean Connery), she is officially the very first actress to play a Bond girl.
Decades later, Gayson's daughter appeared in a casino scene in the 1995 Bond film GoldenEye.
She also starred in the Hammer horror film The Revenge of Frankenstein (1958).
Gayson died on 8 June 2018, aged 90. - Actress
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Cicely Tyson was born in Harlem, New York City, where she was raised by her devoutly religious parents, who had come from the Caribbean island of Nevis. Her mother Theodosia was a domestic worker and her her father William was a carpenter and painter. Tyson was discovered by a fashion editor at Ebony Magazine, and with her stunning looks she quickly rose to the top of the modeling industry. In 1957 she began acting in Off-Broadway productions. She had small roles in feature films before she was cast as Portia in The Heart Is a Lonely Hunter (1968). Four years later, she was nominated for an Academy Award for Best Actress for her sensational performance in the critically-acclaimed film Sounder (1972). In 1974, she went on to portray a 110-year-old former slave in The Autobiography of Miss Jane Pittman (1974), which earned her two Emmy Awards. She also appeared in the television miniseries Roots (1977), King (1978), and A Woman Called Moses (1978). While Cicely has not appeared steadily onscreen because of her loyalty to solely portraying strong, positive images of Black women, she is definitely one of the most talented, beautiful actresses who ever graced stage or screen.- Petite American character actress who was celebrated for her definitive portrayal of long-suffering Linda Loman in Arthur Miller's "Death of a Salesman", a part she played opposite Lee J. Cobb at the Morosco Theatre for 742 consecutive performances between 1949 and 1950. Mildred recreated her role for the screen the following year and was nominated for an Academy Award as Best Supporting Actress, critic Bosley Crowther describing her performance as 'simply superb'. Ironically, Dunnock had not been the first choice for the part for either Miller, or the director, Elia Kazan.
Mildred Dunnock first came to the realisation that she had the potential to perform in public when called upon to read in front of her assembled classmates at Western High School. She quickly discovered that, above all, she had 'a voice'. Her initial training was served at Agora, the dramatic society of Baltimore's Goucher College. After graduation she continued her studies at Columbia, completing a master's degree in theatre arts. She first appeared in college productions at John Hopkins University, her debut being a part in "Penelope" by W. Somerset Maugham in 1924. She had to wait another eight years before making her debut on Broadway in "Life Begins", at the same time earning a crust teaching at a private girl's school. The 1930's were a period of struggle and hardship for the actress and not until the following decade did she gain recognition for her performances in "King Richard II", "Foolish Notion" and "The Corn is Green". One of her biggest hits was as Lavinia Hubbard in Lillian Hellman's "Another Part of the Forest" (1946-47). Going from strength to strength, Mildred followed her triumph in 'Salesman' with a tour-de-force performance in the Tennessee Williams play "Cat on a Hot Tin Roof" (1955-56), originating the role of 'Big Mama'.
Mildred absented herself from the theatre for several years to act in films. Near the beginning of her motion picture career, she was the frail old lady in a wheelchair (in real life she was in her forties) pushed down a flight of stairs by psychopathic killer Tommy Udo (Richard Widmark, in his screen debut) in Kiss of Death (1947).
With her finely etched features and sad, all-knowing eyes, Mildred excelled in equal measure at playing eccentric spinster aunts, understanding wives and mothers, her slight frame belying a powerful, intense presence. In Elia Kazan's Baby Doll (1956), she enacted the relatively small part of simple-minded, perpetually timorous Aunt Rose Comfort with such conviction, that she garnered her second Academy Award nomination (losing to Dorothy Malone for Written on the Wind (1956)). She then appeared as a compassionate teacher (her first real-life profession) in Peyton Place (1957), as the exemplary Sister Margharita in The Nun's Story (1959), and, against type, as Gig Young's glacial and avaricious mother in The Story on Page One (1959). In this, Mildred demonstrated her versatility in a chilling portrayal of motherly domination and ostensible virtue turned to vice.
Dunnock's film roles in the 1960's included two films with Geraldine Page: Sweet Bird of Youth (1962), as another gentle-mannered aunt, and What Ever Happened to Aunt Alice? (1969), as Page's housekeeper and eventual murder victim. As film roles diminished, she appeared on television and returned to stage work, particularly at the Long Wharf Theater in New Haven, acting in plays by Tennessee Williams and Eugene O'Neill. In 1971, she received the Drama Desk Award for Outstanding Performance for her starring role in "A Place Without Doors" by Marguerite Duras. The much-respected actress spent her final years in relative seclusion at Martha's Vineyard, Massachusetts, and died there of age-related problems in July 1991. A teaching theatre at Goucher College is named in her honour. - Actress
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Geraldine Fitzgerald was the only actress to appear as both Laurence Olivier's wife and Rodney Dangerfield's mother-in-law, which surely qualifies her as running the gamut (if not the gauntlet, in the latter case) of A to Z for co-starring with cinema immortals. The Irish lass appeared in many masterpieces of Hollywood's Golden Age, including Wuthering Heights (1939) and Dark Victory (1939), to say nothing of her late-career screen work in the blue-collar white-trash classic, Easy Money (1983).
She was born in Dublin, Ireland, on November 24, 1913, and made her theatrical debut at her hometown's Gate Theater in 1932. She appeared in English films from 1934 to 1937 before emigrating to New York City, where she acted with Orson Welles (who had appeared at the Gate when he was all of 16 years old as a protégé of Micheál MacLiammóir). In 1938 she made her Broadway debut with Welles' Mercury Theater in their production of George Bernard Shaw's "Heartbreak House," but her connection with Welles was sundered when she was signed by a Warner Bros. talent scout and decamped to Hollywood. Her first American film turned out to be a masterpiece. Her portrayal of Isabella, the wife of Olivier's Heathcliff in William Wyler's "Wuthering Heights" brought her a Best Supporting Actress Oscar nomination in her very first role in Tinseltown. She followed that up with a supporting turn in the Bette Davis three-hankie tearjerker "Dark Victory." Other major films she appeared in at Warner Bros. were Shining Victory (1941), The Gay Sisters (1942) and Watch on the Rhine (1943), but her career was stymied by a rebellious streak. Like Warner Bros. divas Davis and Olivia de Havilland, Fitzgerald refused roles she disliked and was put on suspension by the studio. Unlike Davis and de Havilland, however, she never won an Oscar, nor did she ever become a star. She matured into a character actress, appearing in a wide variety of quality movies, including Ten North Frederick (1958), The Pawnbroker (1964), Rachel, Rachel (1968) and Harry and Tonto (1974). In later years she appeared in several hit comedies, among them Arthur (1981).
Fitzgerald appeared on Broadway and off-Broadway in many plays, including revivals of the works of Irish-American playwright Eugene O'Neill (I)'; she was Mary Tyrone in a 1971 off-Broadway production of "Long Day's Journey into Night" opposite Robert Ryan and was in the 1977 Broadway revival of "A Touch of the Poet" with Jason Robards. She also appeared earlier that year on Broadway in the Pulitzer Prize- and Tony Award-winning play "The Shadow Box." The previous year she had performed in her own cabaret act for a one-week engagement on Broadway, which she then revived in New York nightclubs as "Streetsongs." In addition to singing, she would reminisce about her life. Later, she received Tony Award and Drama Desk nominations for directing "Mass Appeal," a play about Catholic priests.
Geraldine Fitzgerald died in New York City on July 19, 2005, of complications from Alzheimer's disease. She was 91 years old.- Actor
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Joseph Wiseman was born on May 15, 1918 in Montreal, Quebec, Canada. He came to Broadway in the 1930s, where he was critically hailed for performances in Shakespeare's "King Lear", Clifford Odets' "Golden Boy" and Anton Chekhov's "Uncle Vanya". Motion pictures in which Wiseman has been seen include Detective Story (1951), starring Kirk Douglas, Viva Zapata! (1952) with Marlon Brando, The Garment Jungle (1957), The Night They Raided Minsky's (1968), The Valachi Papers (1972) and The Apprenticeship of Duddy Kravitz (1974) which brought him back to his native Canada for a co-starring role with Richard Dreyfuss.- Actor
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John Forysthe was born Jacob Lincoln Freund in Penns Grove, New Jersey, the son of Blanche Materson (Blohm) and Samuel Jeremiah Freund, a Wall Street businessman. He chose to pursue acting over the objections of his father. He did some work in radio soaps and on Broadway before signing a movie contract with Warner Bros. His early career was interrupted by World War II. During the war, he enlisted in the Army Air Corps appearing in the Air Corps show "Winged Victory". After the war, he helped found the Actors Studio. He has had the most success on television, with healthy runs on Bachelor Father (1957), Dynasty (1981) and as the unseen voice of Charlie Townsend on Charlie's Angels (1976). John Forsythe died at age 92 of complications from pneumonia on April 1, 2010 in Santa Ynez, California.- Actor
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British-born Henry Travers was a veteran of the English stage before emigrating to the U.S. in 1917. He gained more stage experience there on Broadway working with the Theatre Guild, and began his long film career with Reunion in Vienna (1933). Travers' kindly, grandfatherly demeanor became familiar to filmgoers over the next 25 years, especially in films like High Sierra (1940), where he played Joan Leslie's kindly but slyly observant uncle, and the generous Mr. Bogardus in The Bells of St. Mary's (1945), but it's as the somewhat befuddled angel Clarence Oddbody assigned to James Stewart in the classic It's a Wonderful Life (1946) that Travers will forever be known. After a long and successful career, he retired from the screen in 1949, and died in Hollywood in 1965.- Actress
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Rita Moreno is one of the very few performers to win an Oscar, an Emmy, a Tony and a Grammy, thus becoming an EGOT. She was born Rosita Dolores Alverío in the hospital in Humacao, Puerto Rico on December 11, 1931 (but raised in nearby, smaller Juncos, which had no hospital), to seamstress Rosa María (Marcano) and farmer Francisco José "Paco" Alverío. Her mother moved to New York City in 1937, taking Rita with her while leaving her reportedly unfaithful husband and Rita's younger brother behind. Rita's professional career began before she reached adolescence.
From the age of nine, she performed as a professional dancer in New York night clubs. At age 11, she landed her first movie experience, dubbing Spanish-language versions of US films. Less than a month before her 14th birthday on November 22, 1945, she made her Broadway debut in the play "Skydrift" at the Belasco Theatre, costarring with Arthur Keegan and a young Eli Wallach. Although she would not appear again on Broadway for almost two decades, Rita Moreno, as she was billed in the play, had arrived professionally. In 1950, she was signed by MGM, but the studio dropped her option after just one year.
The cover of the March 1, 1954, edition of "Life Magazine" featured a three-quarters, over-the-left-shoulder profile of the young Puerto Rican actress/entertainer with the provocative title "Rita Moreno: An Actresses' Catalog of Sex and Innocence". It was sexpot time, a stereotype that would plague her throughout the decade. If not cast as a Hispanic pepper pot, she could rely on being cast as another "exotic", such as her appearance on Father Knows Best (1954) as an exchange student from India. Because of a dearth of decent material, Moreno had to play roles in movies that she considered degrading. Among the better pictures she earned featured roles in were the classic Singin' in the Rain (1952) and The King and I (1956).
Director Robert Wise, who was chosen to co-direct West Side Story (1961) (the film version of the smash Broadway musical, a retelling of William Shakespeare's "Romeo & Juliet" with the warring Venetian clans the Montagues and Capulets re-envisioned as Irish/Polish and Puerto Rican adolescent street gangs, the Jets and the Sharks), cast Moreno as "Anita", the Puerto Rican girlfriend of Sharks' leader Bernardo, whose sister Maria is the piece's Juliet.
However, despite her talent, roles commensurate with that talent were not forthcoming in the 1960s. The following decade would prove kinder, possibly because the beautiful Moreno had aged gracefully and could now be seen by filmmakers, TV producers and casting directors as something other than the spitfire/sexpot that Hispanic women were supposed to conform to. Ironically, it was in two vastly diverging roles--that of a $100 hooker in director Mike Nichols' brilliant realization of Jules Feiffer's acerbic look at male sexuality, Carnal Knowledge (1971), and Milly the Helper in the children's TV show The Electric Company (1971)--that signaled a career renaissance.
Moreno won a 1972 Grammy Award for her contribution to "The Electric Company"'s soundtrack album, following it up three years later with a Tony Award as Best Featured Actress in a Musical for "The Ritz" (a role she would reprise in the film version, The Ritz (1976)). She then won Emmy Awards for The Muppet Show (1976) and The Rockford Files (1974).
She has continued to work steadily on screen (both large and small) and on stage, solidifying her reputation as a national treasure, a status that was officially ratified with the award of the Presidential Medal of Freedom by President George W. Bush in June 2004.- Actress
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Barbara Eden, born Barbara Jean Morehead in Tucson, Arizona, became one of America's most endearing and enduring actresses. A graduate of Abraham Lincoln High School in San Francisco, California, Eden would go on to study at San Francisco's City College as well as the San Francisco Conservatory of Music and the Elizabeth Holloway School of Theatre. While her aspirations as a singer motivated her during her early years for a career in music, it was her starring role in the NBC TV comedy series, I Dream of Jeannie (1965) where Barbara Eden immediately gained international acclaim.
Although most remembered for her role as "Jeannie", Barbara Eden has starred in more than 20 theatrical feature films and made-for-television films for at least four different movie studios: 20th Century Fox, Metro-Goldwyn-Mayer, Columbia Studios, and Universal Studios, most notably in the film Flaming Star (1960), when she acted as Elvis Presley's leading lady. Other films in which Barbara Eden had a leading role were Voyage to the Bottom of the Sea (1961), The Wonderful World of the Brothers Grimm (1962), Five Weeks in a Balloon (1962), 7 Faces of Dr. Lao (1964) and The Brass Bottle (1964). The Brass Bottle comedy movie led to Sidney Sheldon's creation of I Dream of Jeannie (1965) comical TV series.
In television, Eden made her first featured appearance on Country Club Dance (1957), as the series was nearing cancellation (there were just two more episodes). Eden immediately landed a starring role in the television version of How to Marry a Millionaire (1957), where she portrayed the same character role originated by Marilyn Monroe. Another memorable appearance came on The Manicurist (1962), featuring her in the character role, special guest-star, as well as her occupation being titled.
In 1965, Barbara Eden was cast the leading role in Sidney Sheldon's NBC sitcom, I Dream of Jeannie (1965). It televised weekly, for five successful and humorous seasons with 139 episodes. After "Jeannie," Barbara Eden went on to star in many other comical and family productions including Harper Valley P.T.A. (1978) and Chattanooga Choo Choo (1984) among other numerous highly rated made-for-television movies well into the 1990s. She has also acted in multiple western series and thrillers.
Outside of her film and television works, Barbara Eden headlined major hotel resorts and casinos including Lake Tahoe, Atlantic City and Las Vegas. She also was the star attraction at the MGM Grand, Harrah's, Caesar's Palace and on concert stages and legitimate theaters across the country.
Utilizing her singing ability, Eden released an album titled "Miss Barbara Eden" in 1967, for record company, Dot Records. She has also been a musical guest star in a wide range of variety television shows. Eden's appearances included 21 Bob Hope special shows, along with The Carol Burnett Show (1967), The Jonathan Winters Show (1967), The Sonny and Cher Show (1976), The Jerry Lewis Show (1963), This Is Tom Jones (1969), Tony Orlando and Dawn (1974), and Donny and Marie (1975).
During the Persian Gulf War, she traveled with Bob Hope to the middle-east to perform for the combat troops and then continued on with Hope in a whirlwind eight-day, around-the-world USO tour entertaining servicemen during the Christmas season.
To celebrate the 2002 Yuletide season, she responded to an invitation from President George Bush; Barbara journeyed to Washington D.C. and sang "Have Yourself a Merry Little Christmas" at the annual White House "Lighting of the National Christmas Tree" event where she also hosted the show and pageant with President and Mrs. Bush for an audience of 6,000 cheering fans on the Ellipse near the White House.
A multi-talent, Eden starred in the national touring musicals The Sound of Music (1965) and Gentlemen Prefer Blondes (1998). In the latter production, she played Lorelei Lee, the character created on Broadway by Carol Channing and performed by Marilyn Monroe in the 20th Century Fox film version. Eden also toured vastly in various stage productions like Neil Simon's Last of the Red Hot Lovers (1972), The Best Little Whorehouse in Texas (1982), Annie Get Your Gun (1967), Wild Pacific (2009) and Nite Club Confidential (1996). In the play "Love Letters," Eden reunited with her I Dream of Jeannie (1965) co-star, Larry Hagman. The duo toured metropolitan and major cities, across the United States. Eden starred in Neil Simon's "The Odd Couple: Female Version", and "Social Security" (1985). She has also been seen in TV series like, All Star Blitz (1985), Entertainment Tonight (1981) and Larry King Live (1985).
In 2011, Crown Archetype, a division of Random House, published Barbara's memoir, "Jeannie Out of the Bottle," which debuted at number 14 on the New York Times Best Seller List and on Australia's Best Seller List, published there by Harper-Collins, Inc. The autobiography chronicle's Eden's colorful life and remarkable Hollywood career that spans more than 50 years.
One of Hollywood's busiest actresses, Barbara filmed a starring role in Always and Forever (2009), a movie filmed by and for the Hallmark Channel. The move was televised numerous times during the year it was filmed and released. On the road, she hosted productions of Ballets with a Twist (1996), the new groundbreaking show that stars rotating celebrity emcees and dancers from Dancing with the Stars (2010). Barbara Eden has appeared recently in a recurring role on Lifetime's Army Wives (2007) series, guest-starred on ABC's George Lopez (2002), and enacted a recurring role on Sabrina the Teenage Witch (1996). During her long career, Barbara has starred in 25 feature films, five network TV series and 19 top-rated network made-for-television movies.
Barbara has been featured in TV commercials for Old Navy, AT&T, and she introduced the Lexus SUV, which was later named Car of the Year by Motor Trend Magazine.
People Magazine named Barbara "One of America's 200 Greatest Pop Icons of the 20th Century." She has been honored with a star on the Hollywood Walk of Fame at 7003 Hollywood Boulevard near the front of the world famous Grauman's Chinese Theatre. She was named one of TV Guide's Most Popular Comedy Stars and has received Lifetime Achievement Awards from the Broadcasters Hall of Fame, The Hollywood Chamber of Commerce, and the TV Land Television Network.
When there is time in her crowded schedule, Eden works actively on behalf of numerous charities including The Trail of Painted Ponies Breast Cancer Research, American Cancer Society, the Wellness Community, the Make-A-Wish Foundation, the March of Dimes, the American Heart Association, Save the Children and Childhelp USA.
Barbara Eden resides with her architect/real estate developer husband Jon Eicholtz in the Benedict Canyon area of Beverly Hills.- Actor
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Dark-haired, usually-mustachioed American actor with a cheeky grin, who achieved pop culture status through his portrayal of the kooky patriarch "Gomez Addams" in the hit TV series The Addams Family (1964), John Astin was born on March 30, 1930 in Baltimore, Maryland. He studied mathematics at Johns Hopkins University, but he discovered a passion for the theater and began to perform in minor plays and do voice-over work for commercials. He first got noticed thanks to a small role in West Side Story (1961), then appeared in several other films before being cast as "Gomez Addams". While "The Addams Family" was initially a huge hit, its popularity petered out after two years, and Astin moved on to other work including the offbeat Bunny O'Hare (1971), playing a grizzled but not- particularly-bright gunfighter in the Western spoof Evil Roy Slade (1972), an appearance in the Disney comedy Freaky Friday (1976) and dual roles in National Lampoon's European Vacation (1985).
He has since lent his comedic talents to numerous appearances as "Dr. Gangreen" in several corny "Killer Tomato" movies, and has contributed his voice to recreate "Gomez Addams" in the animated series The Addams Family (1992), then played "Grandpa Addams" in the successful TV series The New Addams Family (1998). In addition, Astin has contributed voices to several animated shows, and he still appears in films regularly.- Actress
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Joanne Gignilliat Trimmier Woodward was born on February 27, 1930, in Thomasville, Georgia, to Wade Woodward and Elinor Gignilliat Trimmier Woodward in a modest household. Her one older brother, Wade Jr., who was the favorite of her father, eventually became an architect. Elinor Woodward was a quite a movie buff and enjoyed going to picture shows often. Joanne claims she was nearly born in the middle of a Joan Crawford movie (Our Modern Maidens (1929)). Her mother wanted to name her Joan, but being Southern, she changed it to Joanne.
Thomasville was a typical small town in southern Georgia, around ten miles from the Florida border. Joanne was born right into the Great Depression. Her father was an administrator in the Thomasville school system, and her family was raised Episcopalian. Joanne's mother being an avid movie lover, it wasn't a surprise that Joanne wanted to go into the acting profession. Her father wasn't too keen on the idea, but her mother saw it coming and was thrilled. Joanne and her mother both adored the movie Wuthering Heights (1939) starring Laurence Olivier, and in 1939 Elinor took her daughter to the premiere of Gone with the Wind (1939) in Atlanta. Pulling up in a limo with the love of his life, Vivien Leigh (who starred in Gone with the Wind (1939)), Laurence Olivier was shocked when 9-year-old Joanne hopped right into the limo and sat in his lap without any warning. Years later when Joanne was famous, Olivier keenly remembered this incident. She later worked with Olivier in Come Back, Little Sheba (1977).
In her teens, Joanne entered and won many Georgia beauty contests. Her mother said that "she was the prettiest girl in town". But all Joanne wanted to do was act, and she saw beauty contests as the first step toward her dream. When she was of age, she enrolled in Louisiana State University, majoring in drama. After graduation and doing small plays, Joanne headed to New York and studied acting with Sanford Meisner. The first thing he tackled was Joanne's southern drawl.
Soon, Joanne was starring in television productions and theater. One day, she was introduced by her agent to another young actor at her level by the then-unknown name of Paul Newman. Paul's first reaction was, "Jeez, what an extraordinarily pretty girl". Joanne, while admitting that he was very good-looking, didn't like him at first sight, but she couldn't resist him. Soon they were working closely together as understudies for the Broadway production of "Picnic" and got along very well. They would have long conversations about anything and everything. Then both their movie careers took off: Joanne with Count Three and Pray (1955) and Paul with The Silver Chalice (1954). Also adding to the tension was Paul's wife, Jackie, who refused to get a divorce when Paul asked her for one. He wanted to marry Joanne; Jackie would simply not have it. Eventually, Jackie saw the anguish this was causing Paul and agreed to a divorce. Less than a week after the divorce was final, Paul married Joanne in Las Vegas on January 29, 1958, just months before Joanne won her Best Actress Oscar for The Three Faces of Eve (1957), in which she plays a woman with multiple personality disorder.
On April 8, 1959, Joanne gave birth to their first child, Elinor Teresa Newman, named after her and Paul's mothers. They both continued on with their careers, doing movies both together and apart. Two more children followed: Melissa Steward Newman on September 17, 1961, and Claire Olivia Newman on April 21, 1965. Since then, Joanne has been extremely busy in theater, film and television as well as ballet performances and very involved with charities and taking care of her family. In 2003, Joanne starred in a movie with Paul on HBO.- Actor
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As a film character actor, Klugman was the epitome of the everyman. He was one of the pioneers of television acting in the 1950s, and is best remembered for his 1970s TV work as Oscar Madison on The Odd Couple (1970) and as the medical examiner on Quincy M.E. (1976).- Actor
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Gavin MacLeod's pleasing, agreeable manner on two hit TV series in the 1970s and '80s belied a number of shady villains he portrayed in his early career. Born Allan George See in Mt. Kisco, New York, on February 28, 1931, and raised in Pleasantville, he was the son of Margaret (Shea) and George See, a gas station owner who was part Chippewa Indian (Ojibwa). He followed his 1952 graduation from Ithaca College (Fine Arts major) with Air Force military duty, then moved to New York City and worked for a while as an usher and elevator operator at Radio City Music Hall. Focusing on acting, he changed his stage name to "Gavin McLeod."
A solid break on Broadway in "A Hatful of Rain" in 1956 led to a move to Los Angeles in an attempt to break into film and TV. MacLeod began to earn a minor reputation as a second-string heavy in such crime shows as "The Thin Man," "Steve Canyon," "Manhunt," "Mr. Lucky," "Peter Gunn," "Michael Shayne," "The Untouchables" and "Perry Mason." This led to a regular comedy role as part of the McHale's Navy (1962) TV series. He also managed several film roles, although far down the credits, with I Want to Live! (1958), Compulsion (1959), Pork Chop Hill (1959), Operation Petticoat (1959), Twelve Hours to Kill (1960), High Time (1960), War Hunt (1962) and McHale's Navy (1964). He was a member of the superb supporting cast of The Sand Pebbles (1966). He returned to Broadway in "The Captains and the Kings" in 1962.
MacLeod's career more or less flowed and ebbed until 1972, when his shiftless typecast was shattered forever. As Murray Slaughter, the balding, beaming, wisecracking, gleaming-toothed news writer on The Mary Tyler Moore Show (1970), MacLeod became a happy household name. From then on, he could only be envisaged as a lovable schmuck and nice guy. From there he went on to another benign starring role with the TV series, The Love Boat (1977), as the ingratiating Captain Stubing.
On the down side, "Love Boat" marred MacLeod's chances to be considered for more challenging work, and his inability to cope with success led to alcoholism and divorce from second wife Patti. However, he later turned his life around, remarried his wife, and they both wrote a book called "Back on Course" (1987). MacLeod continued sporadically on the musical stage ("Gypsy," "Annie Get Your Gun," "Gigi"), in TV reunions ("Love Boat" specials) and as a TV guest ("Murder, She Wrote," "Touched by an Angel," "The King of Queens," "Oz," "That 70s Show," "JAG" and "The Comeback Kid").- Actress
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Natalie Schafer got her start doing Broadway plays then making the move to the big screen. Even before Gilligan's Island (1964), she was typecast in roles as society women, or elegant, fashionable ladies. It was her role as "Eunice 'Lovey' Wentworth Howell" wife of multi-millionaire Thurston Howell III, that she was best known for. After the show ended its run in 1967, Schafer did a few guest appearances on shows, most notably The Brady Bunch (1969).- Actress
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Her father was Irish Philadelphian newspaperman, Benny McNulty. He was related to Jim Farley, Roosevelt's campaign manager and later U.S. Postmaster General. As a child, she sang songs at a silent movie theater. After the sixth grade she joined a touring vaudeville act called "The Kiddie Kabaret." Billed as Penny McNulty, she sang and danced with Milton Berle and Gene Raymond. Her first speaking part was in a Jack Benny Broadway show, "Great Temptations".
Moving to Hollywood, she took a new name after marrying dentist Lawrence Singleton. Her first name derived from having saved large amounts of penny coins. She played a tough nightclub dancer in After the Thin Man (1936) and acted/sang/danced in Swing Your Lady (1938), one of the movies Humphrey Bogart regarded as his worst. Though naturally a brunette, she bleached her hair blonde ever since she got the role of Blondie in that long-lived series.- Actress
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Luise Rainer, the first thespian to win back-to-back Oscars, was born on January 12, 1910 in Dusseldorf, Germany, into a prosperous Jewish family. Her parents were Emilie (Königsberger) and Heinrich Rainer, a businessman. She took to the stage, and plied her craft on the boards in Germany. As a young actress, she was discovered by the legendary theater director Max Reinhardt and became part of his company in Vienna, Austria. "I was supposed to be very gifted, and he heard about me. He wanted me to be part of his theater," Rainer recounted in a 1997 interview. She joined Reinhardt's theatrical company in Vienna and spent years developing as an actress under his tutelage. As part of Reinhardt's company, Rainer became a popular stage actress in Berlin and Vienna in the early 1930s. Rainer was a natural talent for Reinhardt's type of staging, which required an impressionistic acting style.
Rainer, who made her screen debut as a teenager and appeared in three other German-language films in the early 1930s, terminated her European career when the Austrian Adolf Hitler consolidated his power in Germany. With his vicious anti-Semitism bringing about the Draconian Nuremberg Laws severely curtailing the rights of Germany's Jews, and efforts to expand that regime into the Sudetenland and Austria, Hitler and his Nazi government was proving a looming threat to European Jewry. Rainer had been spotted by a talent scout, who offered her a seven-year contract with the American studio Metro-Goldwyn-Mayer. The 25-year-old Rainer took the deal and emigrated to the United States.
She made her American debut in the movie Escapade (1935), replacing Myrna Loy, who was originally slated for the part. It was her luck to have William Powell as her co-star in her first Hollywood film, as he mentored her, teaching her how to act in front of the camera. Powell, whom Rainer remembers as "a dear man" and "a very fine person," lobbied MGM. boss Louis B. Mayer, reportedly telling him, "You've got to star this girl, or I'll look like an idiot."
During the making of "Escapade", Rainer met, and fell in love with, the left-wing playwright Clifford Odets, then at the height of his fame. They were married in 1937. It was not a happy union. MGM cast Rainer in support of Powell in the title role of the The Great Ziegfeld (1936), its spectacular bio-epic featuring musical numbers that recreated his "Follies" shows on Broadway. As Anna Held, Ziegfeld's common-law wife, Rainer excelled in the musical numbers, but it is for her telephone scene that she is most remembered. "The Great Ziegfeld" was a big hit and went on to win the Academy Award as Best Picture of 1936. Rainer received her first of two successive Best Actress Oscars for playing Held. The award was highly controversial at the time as she was a relative unknown and it was only her first nomination, but also because her role was so short and relatively minor that it better qualified for a supporting nomination. (While 1936 was the first year that the Academy of Motion Picture Arts & Sciences honored supporting players, her studio, Metro-Goldwyn-Mayer, listed her as a lead player, then got out its block vote for her.) Compounding the controversy was the fact that Rainer beat out such better known and more respected actresses as Carole Lombard (her sole Oscar nomination) in My Man Godfrey (1936), previous Best Actress winner Norma Shearer (her fifth nomination) in Romeo and Juliet (1936), and Irene Dunne (her second of five unsuccessful nominations) in Theodora Goes Wild (1936). Some of the bitchery was directed toward Louis B. Mayer, whom non-MGM Academy members resented for his ability to manipulate Academy votes. Other critics of her first Oscar win claimed it was the result of voters being unduly impressed with the great budget ($2 million) of "The Great Ziegfeld" rather than great acting. Most observers agree that Rainer won her Oscar as the result of her moving and poignant performance in just one single scene in the picture, the famous telephone scene in which the broken-hearted Held congratulates Ziegfeld over the telephone on his upcoming marriage to Billie Burke while trying to retain her composure and her dignity. During the scene, the camera is entirely focused on Rainer, and she delivers a tour-de-force performance. Seventy years later, it remains one of the most famous scenes in movie history. With another actress playing Held, the scene could have been mawkish, but Rainer brought the pathos of the scene out and onto film. She based her interpretation of the scene on Jean Cocteau's play "La Voix Humaine". "Cocteau's play is just a telephone conversation about a woman who has lost her beloved to another woman", Rainer remembered. "That is the comparison. As it fit into the Ziegfeld story, that's how I wrote it. It's a daily happening, not just in Cocteau." In an interview held 60 years after the film's release, Rainer was dismissive of the performance. "I was never proud of anything", she said. "I just did it like everything else. To do a film - let me explain to you - it's like having a baby. You labor, you labor, you labor, and then you have it. And then it grows up and it grows away from you. But to be proud of giving birth to a baby? Proud? No, every cow can do that."
Rainer would allay any back-biting from Hollywood's bovines over her first Oscar with her performance as O-Lan in MGM producer Irving Thalberg's spectacular adaptation of Pearl S. Buck's "The Good Earth", the former Boy Wonder's final picture before his untimely death. The role won Rainer her second Best Actress Award. The success of The Good Earth (1937) was rooted in its realism, and its realism was enhanced by Rainer's acting opposite the legendary Paul Muni as her husband. When Thalberg cast Muni in the role of Wang Lung, he had to abandon any thought of casting the Chinese-American actress Anna May Wong as O-Lan as the Hays Office would not allow the hint of miscegenation, even between an actual Chinese woman and a Caucuasian actor in yellow-face drag. So, Thalberg gave Rainer the part, and she made O-Lan her own. She refused to wear a heavy makeup, and her elfin look helped her to assay a Chinese woman with results far superior to those of Myrna Loy in her Oriental vamp phase or Katharine Hepburn in Dragon Seed (1944). In the late 1990s, Rainer praised her director, Sidney Franklin, as "wonderful", and explained that she used an acting technique similar to "The Method" being pioneered by her husband's Group Theatre comrades back in New York. "I worked from inside out", she said. "It's not for me, putting on a face, or putting on makeup, or making masquerade. It has to come from inside out. I knew what I wanted to do and he let me do it." The win made Rainer the first two-time Oscar winner in an acting category and the first to win consecutive acting awards (Spencer Tracy, her distaff honoree for Captains Courageous (1937) would follow her as a consecutive acting Oscar winner the next year, and Walter Brennan, Best Supporting Actor Oscar winner for Come and Get It (1936) the year Rainer won her first, would tie them both in 1937 with his win for Kentucky (1938) and trump them with his third win for The Westerner (1940), a record subsequently tied by Ingrid Bergman, Jack Nicholson, Meryl Streep, Daniel Day-Lewis, and surpassed by Katharine Hepburn.)
Rainer's career soon went into free-fall and collapsed, as she became the first notable victim of the "Oscar curse", the phenomenon that has seem many a performer's career take a nose-dive after winning an Academy Award. "For my second and third pictures I won Academy Awards. Nothing worse could have happened to me", Rainer said. A non-conformist, Rainer rejected Hollywood's values of Hollywood. In the late 1990s, she said, "I came from Europe where I was with a wonderful theater group, and I worked. The only thing on my mind was to do good work. I didn't know what an Academy Award was." MGM boss Mayer, the founding force behind the Academy of Motion Picture Arts and Sciences, had to force her to attend the Awards banquet to receive her Oscar. She rebelled against the studio due to the movies that MGM forced her into after "The Good Earth".
In one case, director Dorothy Arzner had been assigned by MGM producer Joseph M. Mankiewicz (whose wife, Rose Stradner had been Rainer's understudy in the Vienna State Theater) in 1937 to direct Rainer in "The Girl from Trieste", an unproduced Ferenc Molnár play about a prostitute trying to go reform herself who discovers the hypocrisies of the respectable class which she aspires to. After Thalberg's death in 1936, Mayer's lighter aesthetic began to rule the roost at MGM. Mayer genuinely believed in the goodness of women and motherhood and put women on a pedestal; he once told screenwriter Frances Marion that he never wanted to see anything produced by MGM that would embarrass his wife and two daughters.
Without the more sophisticated Thalberg at the studio to run interference, Molnar's play was rewritten so that it was no longer about a prostitute, but a slightly bitter Cinderella story with a happy ending. Retitled by Mankiewicz as The Bride Wore Red (1937), Rainer withdrew and was replaced by Joan Crawford. In a 1976 interview in "The New York Times", Arzner claimed that Rainer "had been suspended for marrying a Communist" (Clifford Odets). This is unlikely as MGM, like all Hollywood studios, had known or suspected communists on its payroll, most of whose affiliations were known by MGM vice president E.J. Mannix. (Mannix, one of whose functions was responsibility for security at the studio, once said it would have been impossible to fire them all, as "the communists" were the studio's best writers.) The studio never took action against alleged communists until an industry-wide agreement to do so was sealed at the Waldorf Conference of 1947, which was held in reaction to the House of Un-American Activities Committee (HUAC) launching a Hollywood witch hunt.
It was more likely that Rainer, fussy over her projects and wanting to use her Academy Award prominence to ensure herself better roles, withdrew on her own due to her lack of enthusiasm for the reformulated product. In the late 1990s, Rainer recalled the satisfaction of being a European stage actress. "One day we were on a big tour", she told an interviewer in the late 1990s. "We did a play by Pirandello, and Reinhardt was in the theater. I shall never forget, it was the greatest compliment I ever got, better than any Academy Award. He came to me, looked at me and said - we were never called by first names - 'Rainer, how did you do this?' It was so wonderful. 'How did you create this?' I was so startled and happy. That was my Academy Award." Rainer still is dismissive of the Academy Awards. "I can't watch the Oscars," she said. "Everybody thanking their mother, their father, their grandparents, their nurse - it's a crazy, horrible." She blames the studio and Mayer for the rapid decline in her career. "What they did with me upset me very much", she said in a 1997 interview. "I was dreaming naturally like anyone to do something very good, but after I got the two Academy Awards the studio thought, it doesn't matter what she gets. They threw all kinds of stuff on me, and I thought, no, I didn't want to be an actress."
Mayer pulled his famous emotional routines when Rainer, whom he wanted to turn into a glamorous star, would demand meatier roles. "He would cry phony tears", she recalled. Mayer had opposed her being cast as O-Lan in "The Good Earth", but Thalberg, who had a connection with MGM capo di tutti capi Nicholas Schenck, the president of MGM corporate parent Loew's, Inc., appealed to Schenck, who overrode Mayer's veto. (Mayer, who was involved in a power struggle with Thalberg before the latter's death, had opposed his filming Pearl Buck's novel. Mayer's reasoning was that American audiences wouldn't patronize movies about American farmers, so what made anyone think they'd flock to see a film about Chinese farmers, especially one with such a big budget, estimated at $2.8 million. (Upon release, the film barely broke even.) Thalberg died during the filming of "The Good Earth" (the only film of his released by MGM whose title credits bore his name, in the form of a posthumous tribute).
Rainer felt lost without her protector. She recalled that Mayer "didn't know what to do with me, and that made me so unhappy. I was on the stage with great artists, and everything was so wonderful. I was in a repertory theater, and every night I played something else." Rainer asked to play Nora in a film of Ibsen's "A Doll's House" or portray Madame Curie, but instead, Mayer - now in complete control of the studio - had her cast in The Toy Wife (1938), a movie she actually wound up liking, as she was charmed by her co-star, the urbane, intellectually and politically enlightened Melvyn Douglas. She recalls Douglas, ultimately a double-Oscar winner like herself, as her favorite leading man. "He was intelligent, and he was interested also in other things than acting."
Her problems with the culture of Hollywood, or the lack thereof, were worsening. The lack of intellectual conversation or concern with ideas by the denizens of the movie colony she was forced to work with was depressing. Hollywood was an unsophisticated place where materialism, such as the stars' preoccupation with clothes, was paramount. As she tells it, "Soon after I was there in Hollywood, for some reason I was at a luncheon with Robert Taylor sitting next to me, and I asked him, 'Now, what are your ideas or what do you want to do', and his answer was that he wanted to have 10 good suits to wear, elegant suits of all kinds, that was his idea. I practically fell under the table."
MGM teamed her with fellow Oscar-winner Tracy in Big City (1937), a movie about conflict between rival taxi drivers. The memory of the movie disgusted her. "Supposedly it wasn't a bad film, but I thought it was a bad film!" She was also cast in The Emperor's Candlesticks (1937), reteaming her with "Ziegfeld" co-star Powell, a movie she didn't like, as she couldn't understand its story. A detective tale, the script thoroughly confused Rainer, who was expected to soldier on like a good employee. Instead, she resisted.
After appearing in The Great Waltz (1938) and Dramatic School (1938), her career was virtually over by 1938. She never made another film for MGM. "I just had to get away", she said about Hollywood. "I couldn't bear this total concentration and interviews on oneself, oneself, oneself. I wanted to learn, and to live, to go all over the world, to learn by seeing things and experiencing things, and Hollywood seemed very narrow." When World War II broke out in Europe, Rainer was joined by her family, as her German-born father was also an American citizen, allowing them all to escape Hitler and the Holocaust. Even before the outbreak of war, Rainer had been very worried about the state of affairs of the world, and she could not abide the escapist trifles that MGM wanted to cast her in. When she protested, Mayer told Rainer that if she defied him, he would blackball her in Hollywood.
Disturbed by Hollywood's apathy over fascism in Europe and Asia and by labor unrest and poverty in the U.S., she decided to walk out on her contract. She and Odets returned to New York. They were divorced in 1940. "Hollywood was a very strange place", she remembered. "To me, it was like a huge hotel with a huge door, one of those rotunda doors. On one side people went in, heads high, and very soon they came out on the other side, heads hanging." Her frustration with Hollywood was so complete, she abandoned movie acting in the early 1940s, after making the World War II drama Hostages (1943) for Paramount.
She made her Broadway debut in the play "A Kiss for Cinderella", which was staged by Lee Strasberg, which opened at the Music Box Theatre on March 10, 1942 and closed April 18th after 48 performances. Rainer then worked for the war effort during World War II, appearing at war bond rallies. She went on a tour of North Africa and Italy for the Army Special Service, socializing with soldiers to build their morale, and supplying them with books. The experience changed her life, allowing her to get over the shyness she'd had all her life. It also broadened her experience, forcing her to deal with the obvious fact that there were more important things than movie acting, which had proven unfulfilling to her.
Fortunately, Rainer found happiness in a long-lived marriage with the publisher Robert Knittel, a wealthy man whom she married in 1945. The couple had a daughter and made their home mostly in Switzerland and England as Rainer essentially left acting behind, although she did do some television in the 1940s, '50s, and '60s. Her retirement from the movies lasted for 53 years, until her brief comeback in The Gambler (1997), a movie based on Fyodor Dostoevsky's eponymous story. In the film, Rainer played the role of the matriarch of an aristocratic Russian family in the 1860s who is in hock due to the family members' obsession with gambling.
Toward the end of her life, Rainer lived in a luxurious flat in Eaton Square in London's Belgravia district, in a building where Vivien Leigh once lived. Blessed with a good memory, she claimed she could not remember the 1937 Academy Awards ceremony, when she won her first Oscar. She says the glamour of the event was out of sync with her life at the time, which was one of great sadness. "I married Clifford Odets. The marriage was for both of us a failure. He wanted me to be his little wife and a great actress at the same time. Somehow I could not live up to all of that."
She had intriguing offers during her long retirement. Federico Fellini had wanted Rainer for a role in La Dolce Vita (1960), but though she admired the director, she didn't like the script and turned it down. Rainer occasionally plied her craft as an actress on the stage. She made one more stab at Broadway, appearing in a 1950 production of Ibsen's "The Lady from the Sea", which was staged by Sam Wanamaker and Terese Hayden and co-starred Steven Hill, one of the founding members of Lee Strasberg's Actor's Studio. The play was a flop, running just 16 performances. "I was living in America and was on the stage there - sporadically. I always lived more than I worked. Which doesn't mean that I do not love my profession, and every moment I was in it gave me great satisfaction and happiness."
Rainer had no regrets over not becoming the star she might have been. She outlived all of the legendary stars of her era, which likely is the best revenge for the loss of her career after bidding adieu to a company town she could not abide.- Actress
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This warm and winning, very non-theatrical brunette was born Phyllis St. Felix Thaxter in Portland, Maine, on November 20, 1919. The daughter of Maine Supreme Court Justice Sidney Thaxter, her acting talent came from her mother's side, who was a one-time Shakespearean actress. Phyllis was educated for a time at St. Genevieve School in Montreal and back at Portland's Deering High School.
She apprenticed in summer stock and had joined the Montreal Reperatory Theatre company by the time she made her Broadway debut at age 17 in "What a Life!" in 1939, the "Henry Aldrich" play. She went on to play a maid and to understudy the leading ingénue in "There Shall Be No Night" (1940), which starred America's premiere theatrical couple, Alfred Lunt and Lynn Fontanne, then understudied Dorothy McGuire in the hit dramatic play, "Claudia", later that year. She eventually played the title role both on Broadway and on the road, but lost out on the film role to McGuire.
Hollywood films reached her sights a few years later with the MGM war film, Thirty Seconds Over Tokyo (1944), proving quite convincing as Van Johnson's noble wife. Similar to Margaret Sullavan, June Allyson, Dorothy McGuire and Teresa Wright, Phyllis was depended on as a stabilizing factor in melodramas and war pictures, often the dewy-eyed, altruistic wife, girlfriend or daughter waiting on the home-front.
Other important films included the girl with a split personality in Bewitched (1945), and as a angst-ridden, teary-eyed bride-to-be in Week-End at the Waldorf (1945). She was dutifully wholesome as the daughter who reunites Spencer Tracy and Katharine Hepburn in the movie The Sea of Grass (1947) and evoked tears, yet again, as little Margaret O'Brien's mother in Tenth Avenue Angel (1948). So natural and non-glamorous was she that she tended to blend into the woodwork while the flashier actresses often stole the thunder and the notices.
Audiences did not always fully appreciate Phyllis's understated work. She finished out her MGM contract with Act of Violence (1948), ever-faithful to even the bad guy, this time psychotic gangster Robert Ryan. Phyllis moved to Warner Brothers in the 1950s and played more of the same. The ever-patient wife to a slew of top actors including shady boat skipper John Garfield in The Breaking Point (1950), an alcoholic Gig Young in Come Fill the Cup (1951) and law-abiding Gary Cooper in Springfield Rifle (1952), her nascent career at Warners was suddenly curtailed by illness.
While visiting her family in Portland, she contracted a form of infantile paralysis. Fortunately, she recovered quickly but the ailment triggered the termination of her contract. Film roles were few and far between after this. Still displaying her built-in compassion and concern, her best-known part came with the touching but relatively minor role of farm wife "Martha Kent" in the highly popular Superman (1978) film series with the late Christopher Reeve as her adopted superhero son and Glenn Ford as her husband. She was also a steady guest star on TV with numerous dramatic appearances including The Twilight Zone (1959), The F.B.I. (1965), Cannon (1971), Medical Center (1969), Barnaby Jones (1973) and several TV movies.
Married for nearly two decades to James T. Aubrey (1918-1994), who became president of CBS-TV before taking over MGM, they had three children--including Schuyler, who would become the actress Skye Aubrey. Following the couple's divorce in 1962, Phyllis married Gilbert Lea, who owned Tower Publishing Company in Portland. They eventually retired to Cumberland, Maine, where she involved herself in civic/community activities and dedicated herself to hospital volunteer work.
Phyllis died in Florida on August 14, 2012, at age 92.- Actress
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Legendary voice actress June Foray was born June Lucille Forer on September 18, 1917 in Springfield, Massachusetts, to Maurice Forer and Ida Edith Robinson, who wed in Hampden, Massachusetts. Her father, who was Jewish, emigrated from Novgorod, Imperial Russia, while her Massachusetts-born mother was of Lithuanian Jewish and French-Canadian descent. Her mother converted to Judaism to marry, and took the name Sarah.
At age 12, young June was already doing "old lady" voices. She had the good fortune of having a speech teacher who also had a radio program in the Springfield area. This teacher became her mentor, and added June to the cast of her show. Eventually her family moved to Los Angeles, where she continued in radio. By age fifteen, she was writing her own show for children, "Lady Makebelieve", in which she also provided voices. June dabbled in both on-camera acting and voice work, but was particularly talented in voice characterizations, dialects and accents. Just like Daws Butler, one of her later co-stars, she was a "voice magician" and worked steadily in radio from the 1930s into the 1950s.
June branched out from radio and began providing voices for cartoon characters. In the 1940s, she provided the voices for a live-action series of shorts, "Speaking of Animals", in which she dubbed in voices for real on-screen animals, a task she was to repeat many years later in an episode of The Magical World of Disney (1954). In the late 1940s June, Stan Freberg, Daws Butler, Pinto Colvig and many others recorded hundreds of children's and adult albums for Capitol Records. Her female characterizations on these records ran the entire gamut from little girls to middle-aged women, old ladies, dowagers and witches. No one seemed to be able to do these same voices with the warmth, energy and sparkle that June did.
In the 1950s June's star in animation not only began to rise but soared when Walt Disney sought her out and hired her to do the voice of Lucifer the cat in Cinderella (1950). The Disney organization continued to use June many times over, well into the 21st century. Warner Brothers also hired her to replace Bea Benaderet and do all of its "Looney Tunes" and "Merrie Melodies" cartoons. June has done many incidental characters for Warners, but her most famous voice has been that of Granny (in the "Tweety and Sylvester" series). Unfortunately, since Mel Blanc's contract called for exclusive voice credit on these cartoons, June never received credit for all the voices she did. During this time she also appeared on [error].
In 1957, Jay Ward met with June to discuss her voicing the characters of "Rocky the Flying Squirrel" and "Natasha Fatale" in a cartoon series. On November 19, 1959, the show debuted as The Bullwinkle Show (1959), later changing its name to The Bullwinkle Show (1959). June provided many other voices for this show, especially its "side shows" such as "Fractured Fairy Tales" and "Aesop and Son". She did fewer voices for the "Peabody's Improbable History" segment, but she did appear in at least three of those episodes. After the show had been successful for a few years, Ward added one of its most popular segments, "Dudley Do-Right of the Mounties". June was a regular in this side show as Dudley's girlfriend Nell Fenwick.
Since Ward used June exclusively for nearly all his female voices, he showcased her talents as no other producer had before. June missed out on doing voices for three of the show's "Fractured Fairy Tales" because she could not reschedule some bookings to do recording work with Stan Freberg, so Julie Bennett filled in for her on those occasions. Dorothy Scott--co-producer Bill Scott's wife--also filled in for June a few times for "Peabody's Improbable History". Her collaboration with Ward made her incredibly famous, and "Rocky the Flying Squirrel" became her signature voice. To this day June regularly wears a necklace with the figure of Rocky sculpted by her niece Lauren Marems.
Ward later produced two other cartoon series, Hoppity Hooper (1964) and George of the Jungle (1967). June's appearances on "Hoppity Hooper" were limited to the segments of "Fractured Fairy Tales", "Dudley Do-Right" and "Peabody" that aired during its run. On "Fractured Fairy Tales" June did a whole montage of voices similar to those from her Capitol Records days. Her witch voices were so incredibly funny and magnificently done that Disney and Warner Brothers tapped her to provide that same voice for the character of Witch Hazel. She was once again the lone female voice artist, this time on "George of the Jungle". Included on that show were the "Super Chicken" and "Tom Slick" side shows.
In the 1960s, June lost out to Bea Benaderet when she auditioned for the voice of "Betty Rubble" on The Flintstones (1960). June appeared numerous times during the decade in holiday specials such as Frosty the Snowman (1969) and The Little Drummer Boy (1968)). In the 1960s and 1970s, June dubbed in voices for full-length live-action feature films many times. Jay Ward and Bill Scott also had her dub in dialogue for silent movies in their non-animated series Fractured Flickers (1963).
In the early 1970s, June tried her hand at puppetry. She became the voice of an elephant, an aardvark and a giraffe on Curiosity Shop (1971). Around this time she also recorded various voices for the road shows of "Disney on Parade", which toured the US and Europe for several years.
She acted on-camera occasionally over the years, primarily on talk shows, game shows and documentaries; in the early years of The Tonight Show Starring Johnny Carson (1962), she performed a 13-week stint as a little Mexican girl. However, June had said that she prefers to record behind the scenes because she jokingly said "She can earn more money in less time."
June Foray died on July 26, 2017, in Los Angeles, California, U.S. She was ninety nine years old.- Actress
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Rose Marie was a legend of show business, with a career stretching 90 years, since her debut as her self in a Vitaphone musical short that appeared on the bill with The Jazz Singer (1927) at its premiere in 1927. According to Rose Marie, when she approached Al Jolson at the Winter Garden Theater in New York on the night of the premiere that made movie history and told him, "You were wonderful, Mr. Jolson!", his reply was, "Get away, you little brat!"
"He didn't like kids," Rose Marie explained. Her first credited appearance was in another musical short, Baby Rose Marie the Child Wonder (1929) in 1929.
The legendary performer was born Rose Marie Mazetta on August 15, 1923 in New York City, the daughter of an Italian-American father, Frank Mazetta (known as Frank Curley), and Polish-American mother, Stella (Gluszcak). Blessed with a remarkable singing voice for a child that allowed her to belt out jazz songs in the "coon shouter" style of the 1920s (as exemplified by Sophie Tucker), she began performing when she was three years old as "Baby Rose Marie." By the time she was five, she had her own radio show on NBC, appearing after 'Amos and Andy' (1949)_, the most popular show in the country. Many people could not believe the voice they were hearing actually belonged to a child.
Baby Rose Marie made many appearances in films in the 1930s, most famously in International House (1933), a movie about television, the medium in which Rose Marie would win her everlasting fame. In addition to her film performances, Baby Rose Marie also appeared on records and performed in vaudeville as a headliner. One of the acts she appeared with was Edgar Bergen before his Charlie McCarthy ventriloquism act, when he was still a small-timer. A half century later, when she appeared on Murphy Brown (1988), she told star Candice Bergen, "I worked with your father in vaudeville when he was doing a doctor sketch."
When Bergen replied that she couldn't have played the nurse in the act as she was too young, Rose Marie told her that she was the headliner and he was her opening act. "She didn't care for that too much," Rose Marie remembered.
She also appeared in vaudeville with Dick Powell, Rudy Vallee and Jimmy Durante, who mentored her. She also entertained at the White House three separate times at the request of three presidents. They were Calvin Coolidge, Herbert Hoover and Franklin D. Roosevelt.
She transitioned to becoming a nightclub chanteuse as a teenager, playing all the big night clubs and hotels in New York, Chicago, Atlantic City, Las Vegas and Miami, Florida, usually in Mob-controlled venues. (Prominent mobsters, who called her "The Kid", liked her and protected her.) A young Milton Berle, whom she had known since she was a child, wrote some of her material, as did Morey Amsterdam, her future "Dick Van Dyke" co-star whom she knew since she was nine years old.
After the war she married trumpeter Bobby Guy of the Kay Kyser Orchestra, in 1946. She made her Broadway debut in 1951, co-starring with Phil Silvers in the hit show Top Banana (1954) (she also appeared in the 1954 film adaptation). Rose Marie also appeared on radio on "The Phil Harris - Alice Faye Show", playing the sister of Sheldon Leonard, who would later hire her for The Dick Van Dyke Show (1961) in his capacity as executive producer.
Rose Marie had a career resurgence as an actress in the 1960s, starring in three sitcoms during the decade: First, My Sister Eileen (1960) in the 1960-1961 season. Second: as comedy writer "Sally Rogers" on The Dick Van Dyke Show (1961) from 1961 to 1966, and on The Doris Day Show (1968) from 1969 to 1971. She also appeared frequently on The Hollywood Squares (Daytime) (1965). She was the center square at least once, and had a recurring role on Murphy Brown (1988) and Wings (1990). She appeared in a Remington Steele episode "Steele in the Spotlight (1986).
She also kept her singing career going, touring as part of the musical revue "4 Girls 4" from 1977 to 1981 with Rosemary Clooney, Helen O'Connell and Margaret Whiting. In her latter years, she continued to make occasional appearances.
She died on December 28, 2017 in Van Nuys, California, at 94 years old.- Actress
- Soundtrack
Although British actress Kathleen Harrison was born in 1892 in the Lancashire town of Blackburn, she was fondly known for her cockney characters throughout her career. Trained for the stage at the Royal Academy of Dramatic Art she first married and lived overseas in Argentina for nearly eight years. Upon her return she made her initial stage appearance in "The Constant Flirt" in 1926. In the 30s she found her way onto the screen, taking many of her delightful theatre roles to film, including Line Engaged (1935), Night Must Fall (1937) (probably her most noteworthy), and Who Is Guilty? (1939). She added immeasurable Dickensian flavor as various maids and mums to such classics as Oliver Twist (1948), A Christmas Carol (1951) and The Pickwick Papers (1952).
She was also openly received as Mrs. Huggett in the "Huggett Family" series that ran a few years in the late 40s. In her five decade career, Kathleen 'toiled' as various servile characters in nearly 80 films. As popular in England as similar 'working class' as character player Thelma Ritter was in America, Kathleen also enjoyed a slight shot of TV popularity late in her career, notably in the brief series Mrs Thursday (1966) as a cleaning lady who inherits her boss's vast fortune. Kathleen's last years were spent in a nursing home, living to the ripe old age of 103.- Actor
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Ernest Borgnine was born Ermes Effron Borgnino on January 24, 1917 in Hamden, Connecticut. His parents were Anna (Boselli), who had emigrated from Carpi (MO), Italy, and Camillo Borgnino, who had emigrated from Ottiglio (AL), Italy. As an only child, Ernest enjoyed most sports, especially boxing, but took no real interest in acting. At age 18, after graduating from high school in New Haven, and undecided about his future career, he joined the United States Navy, where he stayed for ten years until leaving in 1945. After a few factory jobs, his mother suggested that his forceful personality could make him suitable for a career in acting, and Borgnine promptly enrolled at the Randall School of Drama in Hartford. After completing the course, he joined Robert Porterfield's famous Barter Theatre in Abingdon, Virginia, staying there for four years, undertaking odd jobs and playing every type of role imaginable. His big break came in 1949, when he made his acting debut on Broadway playing a male nurse in "Harvey".
In 1951, Borgnine moved to Los Angeles to pursue a movie career, and made his film debut as Bill Street in The Whistle at Eaton Falls (1951). His career took off in 1953 when he was cast in the role of Sergeant "Fatso" Judson in From Here to Eternity (1953). This memorable performance led to numerous supporting roles as "heavies" in a steady string of dramas and westerns. He played against type in 1955 by securing the lead role of Marty Piletti, a shy and sensitive butcher, in Marty (1955). He won an Academy Award for Best Actor for his performance, despite strong competition from Spencer Tracy, Frank Sinatra, James Dean and James Cagney. Throughout the 1950s, 1960s and 1970s, Borgnine performed memorably in such films as The Catered Affair (1956), Ice Station Zebra (1968) and Emperor of the North (1973). Between 1962 and 1966, he played Lt. Commander Quinton McHale in the popular television series McHale's Navy (1962). In early 1984, he returned to television as Dominic Santini in the action series Airwolf (1984) co-starring Jan-Michael Vincent, and in 1995, he was cast in the comedy series The Single Guy (1995) as doorman Manny Cordoba. He also appeared in several made-for-TV movies.
Ernest Borgnine has often stated that acting was his greatest passion. His amazing 61-year career (1951 - 2012) included appearances in well over 100 feature films and as a regular in three television series, as well as voice-overs in animated films such as All Dogs Go to Heaven 2 (1996), Small Soldiers (1998), and a continued role in the series SpongeBob SquarePants (1999). Between 1973 until his death, Ernest was married to Tova Traesnaes, who heads her own cosmetics company. They lived in Beverly Hills, California, where Ernest assisted his wife between film projects. When not acting, Ernest actively supported numerous charities and spoke tirelessly at benefits throughout the country. He has been awarded several honorary doctorates from colleges across the United States as well as numerous Lifetime Achievement Awards. In 1996, Ernest purchased a bus and traveled across the United States to see the country and meet his many fans. On December 17, 1999, he presented the University of North Alabama with a collection of scripts from his film and television career, due to his long friendship with North Alabama alumnus and actor George Lindsey (died May 6, 2012), who was an artist in residence at North Alabama.
Ernest Borgnine passed away aged 95 on July 8, 2012, at Cedars-Sinai Medical Center in Los Angeles, California, of renal failure. He is survived by his wife Tova, their children and his younger sister Evelyn (1926-2013)- A graduate of the University of Michigan School of Drama, Ruth Hussey's first show-business job was as a fashion commentator on a local radio station. She journeyed to New York City, where she was signed as a model by the world-famous Powers agency. She obtained some stage roles with touring companies and was noticed by MGM, which signed her and with whom she made her film debut in 1937. She quickly became a leading lady in MGM's "B" unit, usually playing sophisticated, worldly roles. She was nominated for an Academy Award for her turn as a cynical photographer in The Philadelphia Story (1940). She soon focused her main energies on the stage, however, and returned to the screen only occasionally.
- Actress
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Minnesota-born Noel Neill's ambition was to be a journalist like her father, the editor of a Minneapolis newspaper. However, she was hired by Bing Crosby to sing at the Turf Club at the race track in Del Mar, California (Crosby was one of the owners). Shortly thereafter, in 1941, she was signed to a contract by Paramount Pictures. She got early experience in television by hosting and performing on several experimental programs broadcast locally in Los Angeles in the late 1940s, and it was around that time that she began appearing in serials, first at Columbia and then for Republic. While she is best known for playing Lois Lane in the TV series Adventures of Superman (1952) beginning in the second season in 1953, she actually first played Lois in the 1948 serial Superman (1948). She replaced Phyllis Coates in the part when the series went on hiatus and Coates accepted a leading part in another TV series before the hiatus ended. When the series ended in 1957, Neill retired from the industry.- With that impish, gap-toothed grin, nervous bundle of energy, Robert Morse could never be contained long enough to become a film star. The live stage would be his calling.
He was born Robert Allen Morse on May 18, 1931, in Newton, Massachusetts, the son of May (Silver) and Charles Morse, who worked at a record store. His father was of German Jewish descent and his mother was of Russian Jewish ancestry. He developed an interest in performing in high school. Moving to New York, he joined elder brother Richard who was already studying acting at the Neighborhood Playhouse. Robert made his debut with the musical "On the Town", in 1949, and trained with Lee Strasberg, before making his inauspicious film debut in The Proud and Profane (1956), but movie offers were few. Instead, he brightened up the lights of Broadway as "Barnaby Tucker" in "The Matchmaker" (and in the film version of The Matchmaker (1958)), as well as in "Say, Darling" (Tony nomination in 1958), "Take Me Along" (Tony nomination in 1959) and his best-known role as the ever-ambitious "J. Pierpont Finch" in "How to Succeed in Business Without Really Trying", in which he finally won the Tony, in 1961, while singing his signature song, "I Believe in You", to himself in the mirror. He took that role to film, How to Succeed in Business Without Really Trying (1967), six years later.
Morse's best movie roles also came in the 60s, as a Britisher arranging his uncle's funeral in the cult favorite, The Loved One (1965), and as Walter Matthau's philandering buddy/advisor in A Guide for the Married Man (1967). His offbeat musical talents were used for the intriguing experimental James Thurber-like TV series, That's Life (1968), with E.J. Peaker, which combined sketches, monologues and musical interludes, but the show lasted only one season.
Overall, Bobby's work has never been less than interesting with no gray areas in his performances -- ranging from bizarre to irritating, from frenzied to fascinating. After earning acclaim and another Tony-nomination as the cross-dressing musician on the lam in "Sugar", a Broadway musical version of Some Like It Hot (1959), Morse appeared less and less -- his eccentricities proving both difficult to cast and to deal with.
Following an unfulfilling stint on the daytime soap, All My Children (1970), he came back in grand style in the one-man tour de farce, Tru (1992), based on the life of the equally-eccentric Truman Capote - a perfect fit, if ever there was one, between actor and role. With this role, Bobby became one of the choice few to ever win Tony awards for both a musical and dramatic part. At the age of 85, Morse returned to the lights of Broadway in the 2016 revival of "The Front Page" starring Nathan Lane.
Robert continued to be seen in odd roles from time to time, such as "Grandpa" in the revamped TV movie, Here Come the Munsters (1995). Into the millennium, he focused on TV work. He made a huge dramatic impression as an advertising agency founder Bertram Cooper on the popular series Mad Men (2007) and earned five Emmy nominations. He also impressed as Dominick Dunne on the series American Crime Story (2016) and provided the TV voice of Santa Claus in the animated short series Teen Titans Go! (2013).
Married twice, his five children include actresses Andrea Doven, Hilary Morse and Robin Morse. Robert Morse died on April 20, 2022, in Los Angeles. He was 90. - Actress
- Soundtrack
A native-born Californian, Rhonda Fleming attended Beverly Hills public and private schools. Her father was Harold Cheverton Louis (1896-1951). Her mother, Effie Olivia Graham (1891-1985), was a famous model and actress in New York. She has a son (Kent Lane), two granddaughters (Kimberly and Kelly) and four great-grandchildren (Wagner, Page, Lane and Cole). She has appeared in over 40 films, including David O. Selznick's Spellbound (1945), directed by Alfred Hitchcock; Jacques Tourneur's Out of the Past (1947); and Robert Siodmak's The Spiral Staircase (1946). She later got starring roles in such classics as A Connecticut Yankee in King Arthur's Court (1949), Gunfight at the O.K. Corral (1957), Home Before Dark (1958), Pony Express (1953), Slightly Scarlet (1956), While the City Sleeps (1956) and The Big Circus (1959). While she was always a competent actress, she was more renowned for her exquisite beauty, and the camera absolutely adored her. One time a cameraman on one of her films remarked on how he was so struck by her beauty that, as a gag, he intentionally tried to photograph her badly; he was astonished to discover that no matter how deliberately he botched it, she still came out looking ravishing.
Among her co-stars over the years were Gregory Peck, Robert Mitchum, Kirk Douglas, Charlton Heston, Glenn Ford, Burt Lancaster, Bob Hope, Bing Crosby, Rock Hudson and Ronald Reagan (with whom she made four films). In addition to motion pictures, Fleming made her Broadway debut in Clare Boothe Luce's "The Women", essayed the role of "Lalume" in "Kismet" at the Los Angeles Music Center and toured as "Madame Dubonnet" in "The Boyfriend". She made her stage musical debut in Las Vegas at the opening of the Tropicana Hotel's showroom. Later she appeared at the Hollywood Bowl in a one-woman concert of Cole Porter and Irving Berlin compositions. She also starred in a national ten-week concert tour with Skitch Henderson, featuring the music of George Gershwin. She has guest-starred on numerous television series, including Wagon Train (1957), Police Woman (1974), The Love Boat (1977), Last Hours Before Morning (1975) and a two-hour special of McMillan & Wife (1971). Waiting for the Wind (1991) reunited her with former co-star Robert Mitchum.
In private life she resides in Century City, California, and was married for 23 years to Ted Mann, a producer and chairman of Mann Theatres, until his death in January 2001. She is a member and supporter of Childhelp USA, ARCS (Achievement Rewards For College Scientists); a Life Associate of Pepperdine University; a Lifetime Member of the Freedoms Foundation at Valley Forge; a Founding Member of the French Foundation For Alzheimer Research; a Benefactor of the Los Angeles Music Center: and a Member of the Center's Blue Ribbon Board of Directors. She is a Member of the Advisory Board of Olive Crest Treatment Centers for Abused Children and serves as a Board of Directors Trustee of World Opportunities International. Along with her husband she helped build the Jerusalem Film Institute in Israel. She also is a member of the Board of Trustees of The UCLA Foundation and a member of the Board of Advisors of the Revlon/UCLA Women's Health Research Program. In addition, she created at the City of Hope Hospital The Rhonda Fleming Mann Research Fellowship to further advance research and treatment associated with women's cancer.
In 1991, she and her husband established the Rhonda Fleming Mann Clinic for Women's Comprehensive Care at UCLA Medical Center. This clinic provides a full range of expert gynecologic and obstetric care to women. Since 1992, she has devoted her time to a second facility at UCLA - the Rhonda Fleming Mann Resource Center for Women with Cancer, which opened in early 1994. This Center is the fulfillment of her vision to create a safe, warm place where women cancer patients and their families might receive the highest quality psychosocial and emotional care as well as assistance with the complex practical problems that arise with cancer. In August 1997, the Center opened "Reflections", a unique retail store and consultation suite that carries wigs, head coverings, breast prostheses and other items to help men, women and children deal with the physical appearance changes brought on by cancer and its treatments. The staffs of the clinic, center and store are guided by her belief that caring, compassion, communication and commitment are essential components of the healing process.- Actress
- Writer
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Elaine May (born under the name Elaine Iva Berlin) is an American actress, comedian, film director, playwright, and screenwriter from Philadelphia. Her professional career started in the 1950s and is still ongoing. She has twice been nominated for the Academy Award for Best Adapted Screenplay. She is best remembered for directing the Cold War-themed action comedy "Ishtar" (1987). She won the Golden Raspberry Award for Worst Director, but the film has had a vocal minority of critics who defend its quality.
In 1932, May was born to a Jewish-American family. Both her parents were theatrical actors. Her father Jack Berlin was also a theater director and led his own traveling Yiddish theater company. Her mother was actress Ida Aaron. May made her stage debut c. 1935, at the age of 3. Her father had decided to include her in his performances. As a a child actress, she was reportedly cast in the roles of boys.
The theater company toured extensively, and May was part of their tours. She kept changing schools, enrolling for a few weeks and then moving to another city. May reputedly hated school, but loved reading books on her own. Her favorite topics were fairy tales and mythology.
Jack Berlin died c. 1942, and May's career as a child actress consequently ended. She was left in the custody of her mother. The duo settled in Los Angeles, and May eventually enrolled in Hollywood High School. In 1946, May dropped out of school. In 1948, she married her her first husband, the toy inventor Marvin May. She was only 16-years-old at the time of her marriage. She would later keep her husband's surname as her professional name.
In 1949, May had her only child, Jeannie Brette May. Jeannie would later become a professional actress in her own right, under the name Jeannie Berlin. May and her husband separated c. 1950, and she received a divorce in 1960. She started supporting herself through a series of odd jobs.
In 1950, May was interested in attending college, but most colleges in California required applicants to have high school diplomas. As a high school dropout, she did not have the necessary diploma. Learning that the University of Chicago did not use this requirement, she hitch-hiked her way to Chicago, At the time her personal fortune consisted of 7 dollars.
Once she arrived in Chicago, May started informally taking classes at the university by auditing, sitting in without enrolling. She habitually engaged in discussions with her instructors. She once had a fight with a philosophy instructor because of their different interpretations of the motives behind Socrates' apology. May was introduced to aspiring actor Mike Nichols (1931-2014),who was also attending the University. They bonded over their shared passion for the theater.
In 1955, May became one of the charter members of the Compass Players, a Chicago-based improvisational theater group. Nichols joined the group shortly after. The two of them formed a working partnership, jointly developing improvised comedy sketches. May helped the Compass Players to become a highly popular comedy troupe, due to her talent for satire. She helped in the training of novice members of the group.
In 1957, Nichols was asked to leave the Compass Players. His popularity had outshone most members of the group, and had caused internal conflicts. May left the group with him. They then decided to form their own stand-up comedy team, "Nichols and May". Their improvisational skills, and ability to come up with fresh material allowed them to impress their audience.
In 1960, the comedy duo made their Broadway debut, with the show "An Evening with Mike Nichols and Elaine May". A recording of the show won the 1962 "Grammy Award for Best Comedy Album". "Nichols and May" became very popular in New York City, performing in sold-out shows. They also started making appearances in radio and television, and even recorded commercials.
May was reportedly surprised with her own success. She had spend much of her adult life in near-poverty, but she was now earning a regular income from show business. She joked in an interview that she was practically barefoot when she arrived in New York, and now had to get used to wearing high heels.
In 1961, the duo was at the height of their fame. But they decided to dissolve their partnership in order to pursue solo careers. Nichols started working as a Broadway stage director, while May started her new career as a playwright. Her most successful play was "Adaptation" (1969), which she also directed. For her work as a theatrical director, she won the 1969 "Outer Critics Circle Award, Best Director".
May made her debut as a film director with the black comedy "A New Leaf" (1971). It was an adaptation of a short story by Jack Ritchie (1922-1983), depicting the story of an impoverished patrician who marries a wealthy heiress for her money. The main character initially considers murdering his wife to inherit her wealth, but first he has to protect her from other predators who were after her money.
Her first film found little success at the box office, but was praised by critics and was nominated for the "Golden Globe Award for Best Motion Picture - Musical or Comedy". It later earned a reputation as a cult classic, and in 2019 it was selected for preservation by the National Film Registry.
Her second film was the romantic comedy "The Heartbreak Kid" (1972). It concerns a newlywed man who falls madly in love with a younger woman while on his honeymoon. He pursues his romantic interest obsessively despite all signs that his love is unrequited, and despite the disapproval of the woman's protective father. The film was critically acclaimed, and has at times been listed in retrospectives concerning the funniest American films.
In an unusual career move, her third film was not a comedy. It was the rather bleak gangster film "Mikey and Nicky" (1976). It depicts a small-time mobster whose life is in danger, resorting to asking for help from his childhood friend. While creating this film, May got involved in a legal dispute with the film studio Paramount Pictures. The studio eventually decided to only allow a limited release for the film. The film found a niche audience in the home video market, but May's career as a director suffered from this dispute. She was effectively blacklisted.
May decided to focus on her screenwriting career. She found success with the script to the fantasy-comedy "Heaven Can Wait" (1978), about the afterlife of a man who died prematurely. The film was based on a 1938 play by Harry Segall (1892-1975), and also served as a remake to the classic film "Here Comes Mr. Jordan" (1941) which was based on the same play. The film earned about 99 million dollars at the worldwide box office, and was a critical hit. May was nominated for the Academy Award for Best Adapted Screenplay, but the award was instead won by rival screenwriter Oliver Stone (1946-).
During the early 1980s, May mainly worked as an uncredited script doctor. She "polished" scripts by other screenwriters. Her greatest success in this role was the romantic comedy "Tootsie" (1982), for which she wrote several additional scenes. She attempted her comeback as a director with the action comedy "Ishtar" (1987), which became a box office flop for the film studio Columbia Pictures. The film's failure reportedly convinced Columbia's parent company Coca-Cola to sell the under-performing studio to Sony.
"Ishtar" was derided at the time as the worst film of its era by many critics, but was also defended by a vocal minority of critics. It has since attracted a cult audience, who consider this to be a great film. However the film's failure ended May's career as a film director and damaged her reputation. She also ceased working as a screenwriter for several years, reduced to working as an actress again.
May made her comeback as a screenwriter with the comedy film "The Birdcage" (1996), a remake of the European comedy "La Cage aux Folles" (The Cage of Madwomen, 1978). In the film, the openly gay parents to a young man have to pretend to be straight in an attempt to impress their son's prospective in-laws. The film earned about 185 million dollars at the worldwide box office, the greatest hit in May's career up to that point. She was nominated for the "Writers Guild of America Award for Best Adapted Screenplay", but the award was instead won by rival screenwriter Billy Bob Thornton (1955-).
May found more critical success with her next screenplay, for the political film "Primary Colors" (1998). It was an adaptation of the roman à clef novel "Primary Colors: A Novel of Politics" (1996) by Joe Klein (1946-). The novel itself was a fictionalized version of Bill Clinton's 1992 presidential campaign, and depicts an idealistic campaign worker's disillusionment with the politician. The film's cast were nominated for several awards. May herself received her second nomination for the Academy Award for Best Adapted Screenplay, but the award was instead won by rival screenwriter Bill Condon (1955-).
May largely retired from screenwriting since the end of the 1990s. As an actress, she had a supporting role in the crime-comedy "Small Time Crooks" (2000). The film concerned nouveau riche criminals, who attempt to socialize with the American upper class. For this role, she won the "Best Supporting Actress Award" at the National Society of Film Critics Awards.
May lived in retirement until joining the cast of the television mini-series "Crisis in Six Scenes" (2016), her first television role in several decades. The series was created by Woody Allen (1935-), who happened to be an old friend of May.
In 2018, May made a theatrical comeback in Broadway. She played the elderly gallery owner Gladys Green in a revival of the play "The Waverly Gallery" (2000) by Kenneth Lonergan (1962-). In the play, Gladys shows early signs of Alzheimer's disease, and her family has to deal with her mental decline. May received critical acclaim for this role. For this role, she won the 2019 Tony Award for Best Actress in a Play. At age 87, she was the second-oldest winner of a Tony Award for acting.
As of 2021, May is 89-years-old. She is no longer very active, but she reportedly has plans to direct another film. She remains a popular actress.- Actress
- Soundtrack
Born in New York City on June 25, 1925, the daughter of actors Gene Lockhart and Kathleen Lockhart, June Lockhart made her professional debut at age eight in a Metropolitan Opera production of "Peter Ibbetson", playing Mimsey in the dream sequence. In the mid-1930s, the Lockharts relocated to California, where father Gene enjoyed a long career as one of the screen's great character actors. June made her screen debut in MGM's version of A Christmas Carol (1938), playing--appropriately enough the daughter of stars Gene Lockhart and Kathleen Lockhart. June appeared in a dozen or more movies before 1947, when she made her Broadway bow playing the ingénue in the comedy "For Love or Money" with John Loder. She got a standing ovation on opening night; one critic compared her debut to the first big hits of Helen Hayes and Margaret Sullavan. The overnight toast of Broadway, she went on to win a Tony Award, the Donaldson Award, the Theatre World Award and the Associated Press citation for Woman of the Year for Drama for her work in that play. On television, she has co-starred in popular series like Lassie (1954) and Lost in Space (1965).- Producer
- Director
- Actor
Roger William Corman was born April 5, 1926, in Detroit, Michigan. Initially following in his father's footsteps, Corman studied engineering at Stanford University but while in school, he began to lose interest in the profession and developed a growing passion for film. Upon graduation, he worked a total of three days as an engineer at US Electrical Motors, which cemented his growing realization that engineering wasn't for him. He quit and took a job as a messenger for 20th Century Fox, eventually rising to the position of story analyst.
After a term spent studying modern English literature at England's Oxford University and a year spent bopping around Europe, Corman returned to the US, intent on becoming a screenwriter/producer. He sold his first script in 1953, "The House in the Sea," which was eventually filmed and released as Highway Dragnet (1954).
Horrified by the disconnect between his vision for the project and the film that eventually emerged, Corman took his salary from the picture, scraped together a little capital and set himself up as a producer, turning out Monster from the Ocean Floor (1954). Corman used his next picture, The Fast and the Furious (1954), to finagle a multi-picture deal with a fledgling company called American Releasing Corp. (ARC). It would soon change its name to American-International Pictures (AIP) and with Corman as its major talent behind the camera, would become one of the most successful independent studios in cinema history.
With no formal training, Corman first took to the director's chair with Five Guns West (1955) and over the next 15 years directed 53 films, mostly for AIP. He proved himself a master of quick, inexpensive productions, turning out several movies as director and/or producer in each of those years--nine movies in 1957, and nine again in 1958. His personal speed record was set with The Little Shop of Horrors (1960), which he shot in two days and a night.
In the early 1960s he began to take on more ambitious projects, gaining a great deal of critical praise (and commercial success) from a series of adaptations of Edgar Allan Poe stories, most of them starring Vincent Price. His film The Intruder (1962) was a serious look at racial integration in the South, starring a very young William Shatner. Critically praised and winning a prize at the Venice Film Festival, the movie became Corman's first--and, for many years, only--commercial flop. He called its failure "the greatest disappointment in my career." As a consequence of the experience, Corman opted to avoid such direct "message" films in the future and resolved to express his social and political concerns beneath the surface of overt entertainments.
Those messages became more radical as the 1960s wound to a close and after AIP began re-editing his films without his knowledge or consent, he left the company, retiring from directing to concentrate on production and distribution through his own newly formed company, New World Pictures. In addition to low-budget exploitation flicks, New World also distributed distinguished art cinema from around the world, becoming the American distributor for the films of Ingmar Bergman, Akira Kurosawa, Federico Fellini, François Truffaut and others. Selling off New World in the 1980s, Corman has continued his work through various companies in the years since--Concorde Pictures, New Horizons, Millenium Pictures, New Concorde. In 1990, after the publication of his biography "How I Made A Hundred Movies in Hollywood And Never Lost A Dime"--one of the all-time great books on filmmaking--he returned to directing but only for a single film, Frankenstein Unbound (1990)
With hundreds of movies to his credit, Roger Corman is one of the most prolific producers in the history of the film medium and one of the most successful--in his nearly six decades in the business, only about a dozen of his films have failed to turn a profit. Corman has been dubbed, among other things, "The King of the Cult Film" and "The Pope of Pop Cinema" and his filmography is packed with hundreds of remarkably entertaining films in addition to dozens of genuine cult classics. Corman has displayed an unrivaled eye for talent over the years--it could almost be said that it would be easier to name the top directors, actors, writers and creators in Hollywood who DIDN'T get their start with him than those who did. Among those he mentored are Francis Ford Coppola, Ron Howard, Martin Scorsese, Jack Nicholson, James Cameron, Robert De Niro, Peter Bogdanovich, Joe Dante and Sandra Bullock. His influence on modern American cinema is almost incalculable. In 2009 he was honored with an Academy Award for Lifetime Achievement.- Actor
- Additional Crew
- Producer
For decades, Dabney Coleman has often appeared as a smarmy, selfish, nervous person, often with money, who is mostly out for himself. He did such a good job in this type of part that he's made a career of it in film.
Dabney Wharton Coleman was born in Austin, Texas, to Mary Wharton (Johns) and Melvin Randolph Coleman. He attended the Virginia Military Institute, and studied law in Texas. Coleman has a well deserved reputation as a fine character actor, and a reliable presence for almost any role in TV and movies. Dabney Coleman's early appearances in the cinema were in The Slender Thread (1965) and Downhill Racer (1969). On TV he starred in That Girl (1966). As the 1970s approached he became a well-known character actor in television and movies, appearing in The Towering Inferno (1974), Midway (1976), and Cinderella Liberty (1973). Television seemed Dabney Coleman's forum in the 1970s as Coleman played the role of Merle Jeeter in Mary Hartman, Mary Hartman (1976) and Fernwood Tonight (1977). Coleman made appearances in the popular North Dallas Forty (1979) and the Oscar-winning Melvin and Howard (1980). Dabney Coleman also became known for some satirical movies, starring in the comedy How to Beat the High Cost of Living (1980) and snatched a lead role for the TV movie Pray TV (1980). Coleman's reputation for playing world-class jerks became cemented in 1980 as the boss to Dolly Parton , Jane Fonda and Lily Tomlin in 9 to 5 (1980). The next year, Coleman was in very good company working with legends Henry Fonda and Katharine Hepburn in On Golden Pond (1981). Coleman's hit streak would not end there.
In 1982 Coleman landed a key role in the classic Tootsie (1982), further cementing his role as an unlikable wealthy boss in some capacity. In 1983 Coleman starred in the Cold War classic WarGames (1983). During this period he also found many parts in lesser known movies like Young Doctors in Love (1982) and Callie & Son (1981). In 1984 he starred in The Muppets Take Manhattan (1984) and in 1985 he starred with Tom Hanks in The Man with One Red Shoe (1985). In 1987 the actor won an Emmy for Sworn to Silence (1987). In 1990 Coleman took two lead roles, one in the disastrous Where the Heart Is (1990), and the other in the quirky comedy Short Time (1990). In 1993 Coleman starred in the slapstick comedy Amos & Andrew (1993) (a very funny part) and in a remake of the TV show The Beverly Hillbillies (1993) as Milburn Drysdale. Coleman took an extensive line of TV movies, such films as Texan, In the Line of Duty, among others. Coleman took an unusual part in the ABC cartoon, Recess (1997), and then starred in a couple of big money grossers, the Tom Hanks comedy, You've Got Mail (1998), as Chief Quimby in Inspector Gadget (1999), and in Stuart Little (1999), both 1999.
Coleman is still very active.- Actress
- Producer
- Soundtrack
Neile Adams was born in Manila, the Philippine Islands on July 10, 1932 as María Ruby Neilam Arrastia y Salvador of Eurasian descent as her DNA attests. Her bloodline, to clarify erroneous reports, consists of 26% mixture of Chinese, Japanese, Mongolian, 7% Polynesian and 67% Spanish Basque and English, although her maternal grandmother's name was changed from Sulse to Schultz when that family emigrated to Spain from Germany. She spent WW2 in Japanese-occupied Manila, came to America in 1948, graduated high school the following year from Rosemary Hall (now Choate Rosemary Hall) in Greenwich, Connecticut and immediately went to New York to study dancing where she got a scholarship at the Katherine Dunham School of Dance. To ward off being cast exclusively as a "señorita" or in just plain old Spanish-speaking parts because of her name, her mother claimed Adams was her father's middle name. Never having seen nor met her father she soon became Neile Adams.
In 1953, she was cast as a dancer in "Kismet" and shortly became one of the lead dancers in the show. When the show closed in 1955 she was offered a showy role in the Versailles Nightclub where George Abbott and Bob Fosse caught her performance and offered her the Carol Haney role in "The Pajama Game" just as soon as her contract ended with the club. To meet both deadlines she performed at night and rehearsed during the day. She met Steve McQueen shortly thereafter and married four months after their formal introduction. The couple had two children, Terry McQueen (born 1959) and Chad McQueen (born 1960). The marriage legally ended in 1972. Neile is the grandmother of actor Steven R. McQueen. She remarried in 1980 to Alvin Toffel, a political campaign manager and president of the Norton Simon Museum. This union lasted until Toffel's passing in 2005.
Broadway credits: featured dancer in "Kismet", starred in "Pajama Game" opposite John Raitt and Julie Wilson, and Broadway-bound "At The Grand" opposite Paul Muni. She married McQueen while filming MGM's This Could Be the Night (1957) when she was under contract. Adams opened the Tropicana Hotel in Las Vegas in 1958 with Dick Shawn and Vivian Blaine. Television revues later became her main staple as she raised her family. She appeared on such programs as Perry Como's Kraft Music Hall (1948), The Bob Hope Show (1950), The Pat Boone-Chevy Showroom (1957), The Patrice Munsel Show (1956), The Eddie Fisher Show (1957) and The Walter Winchell Show (1956), among others. She played opposite McQueen and villainous Peter Lorre on a macabre episode of Alfred Hitchcock Presents (1955) and starred in two other Hitchcock episodes. In the '60s and '70s she guest-starred in almost all the popular dramatic shows, such as The Man from U.N.C.L.E. (1964), Vega$ (1978), Fantasy Island (1977), The Rockford Files (1974), The Bionic Woman (1976) and Love, American Style (1969), to name a few. On film, she played Burt Reynolds' wife in Fuzz (1972), was directed by Billy Wilder in Buddy Buddy (1981) and appeared in Chu Chu and the Philly Flash (1981). Adams continues to perform her cabaret shows in L.A., New York, London and Paris.- Actor
- Writer
- Soundtrack
Congenial, unassuming and always ingratiating comic actor Bill Daily came to fame as the bumbling, jittery playboy astronaut Roger Healy, best buddy and sidekick to Larry Hagman's accident-prone Tony Nelson in the perennial sitcom favourite I Dream of Jeannie (1965). Though his role had initially been earmarked for Don Dubbins, the show's creator and executive producer Sidney Sheldon (with possible input from Hagman) made the impromptu decision to cast the relatively unknown Iowa native instead.
Daily had started his professional life as a musician playing bass with a local jazz combo called 'Jack and the Beanstalks'. Having completed compulsory military service during the Korean War he took on acting studies at the Goodman Theater College in Chicago. After graduating, he worked briefly as an announcer and staff director for NBC and subsequently developed his own stand-up comedy act which he took to nightclubs across the mid-west. By 1960, Daily contributed material for comedic sketches to Westinghouse Broadcasting for use in popular variety shows hosted by Mike Douglas, Merv Griffin and Steve Allen. Douglas also occasionally featured him in sketches. Daily was well on his way to accumulating the credentials to becoming a top comedy writer when Sheldon noticed him in a small supporting role in Bewitched (1964) (his TV debut). While now happily employed at Columbia/NBC as the affable Major Healy, Daily continued to moonlight as a writer for assorted food commercials. In the wake of 'Jeanie', he enjoyed an even longer run (six seasons) as the star's annoying neighbour and clueless comic foil on The Bob Newhart Show (1972).
During his later career he made numerous guest appearances, frequently as a panellist on TV shows like Match Game (1973) (which inspired the later UK franchise Blankety Blank (1978)). He also tried his hand hosting several youth-oriented specials on magic ('Bill Daily's Hocus-Pocus Gang') and appeared at conventions with his former co-stars for nostalgic reunions.- Actress
- Costume and Wardrobe Department
- Soundtrack
Kim Novak was born in Chicago, Illinois on February 13, 1933 with the birth name of Marilyn Pauline Novak. She was the daughter of a former teacher turned transit clerk and his wife, also a former teacher. Throughout elementary and high school, Kim did not get along well with teachers. She even admitted that she didn't like being told what to do and when to do it.
Her first job, after high school, was modeling teen fashions for a local department store. Kim, later, won a scholarship in a modeling school and continued to model part-time. Kim later worked odd jobs as an elevator operator, sales clerk, and a dental assistant. The jobs never seemed to work out so she fell back on modeling, the one job she did well.
After a stint on the road as a spokesperson for an appliance company, Kim decided to go to Los Angeles and try her luck at modeling there. Ultimately, her modeling landed her an uncredited role in the RKO production of The French Line (1953). The role encompassed nothing more than being seen on a set of stairs.
Later a talent agent arranged for a screen test with Columbia Pictures and won a small six month contract. In truth, some of the studio hierarchy thought that Kim was Columbia's answer to Marilyn Monroe. Kim, who was still going by her own name of Marilyn, was originally going to be called "Kit Marlowe". She wanted to at least keep her family name of Novak, so the young actress and studio personnel settled on Kim Novak.
After taking some acting lessons, which the studio declined to pay for, Kim appeared in her first film opposite Fred MacMurray in Pushover (1954). Though her role as "Lona McLane" wasn't exactly a great one, it was her classic beauty that seemed to capture the eyes of the critics. Later that year, Kim appeared in the film, Phffft (1954) with Jack Lemmon and Judy Holliday. Now more and more fans were eager to see this bright new star. These two films set the tone for her career with a lot of fan mail coming her way.
Her next film was as "Kay Greylek" in 5 Against the House (1955). The film was well-received, but it was her next one for that year that was her best to date. The film was Picnic (1955). Although Kim did a superb job of acting in the film as did her co-stars, the film did win two Oscars for editing and set decoration. Kim's next film was with United Artists on a loan out in the controversial Otto Preminger film The Man with the Golden Arm (1955). Her performance was flawless, but it was was Kim's beauty that carried the day. The film was a big hit.
In 1957, Kim played "Linda English" in the hit movie Pal Joey (1957) with Frank Sinatra and Rita Hayworth. The film did very well at the box office, but was condemned by the critics. Kim really didn't seem that interested in the role. She even said she couldn't stand people such as her character.
That same year, Novak risked her career when she started dating singer/actor Sammy Davis Jr.. The interracial affair alarmed studio executives, most notably Harry Cohn, and they ended their relationship in January of the following year. In 1958, Kim appeared in Alfred Hitchcock's, now classic, Vertigo (1958) with James Stewart. This film's plot was one that thoroughly entertained the theater patrons wherever it played. The film was one in which Stewart's character, a detective, is hired to tail a friend's wife (Kim) and witnesses her suicide. In the end, Stewart finds that he has been duped in an elaborate scheme.
Her next film was Bell Book and Candle (1958) which was only a modest success. By the early 1960s, Kim's star was beginning to fade, especially with the rise of new stars or stars that were remodeling their status within the film community. With a few more nondescript films between 1960 and 1964, she landed the role of "Mildred Rogers" in the remake of Of Human Bondage (1964). The film debuted to good reviews.
In the meantime, Kim broke off her engagement to director Richard Quine and embarked on a brief dalliance with basketball player Wilt Chamberlain. While filming The Amorous Adventures of Moll Flanders (1965), she had a romance with co-star Richard Johnson, whom she married, but the marriage failed the following year.
Kim stepped away from the cameras for a while, returning in 1968 to star in The Legend of Lylah Clare (1968). It was a resounding flop, perhaps the worst of her career. However, after that, Kim, basically, was able to pick what projects she wanted. After The Great Bank Robbery (1969) in 1969, Kim was away for another four years until she was seen with then-boyfriend Michael Brandon in a television movie called The Third Girl from the Left (1973), playing a veteran Las Vegas showgirl experiencing a midlife crisis.
In a personal development, Novak met equine veterinarian Robert Malloy in October 1974 and the couple married in 1976. Subsequent films were not the type to get the critics to sit up and take notice, but afforded her the opportunity to work with strong talent. She appeared to good effect in Satan's Triangle (1975), Just a Gigolo (1978), The Mirror Crack'd (1980) and Malibu (1983).
In 1986 and 1987, Kim played, of all people, "Kit Marlowe" in the TV series Falcon Crest (1981). In 1990, she starred alongside Ben Kingsley in The Children (1990), a fine independent film shot in Europe. It was not widely distributed, thus few got to see Novak giving one of her most powerful performances.
Her last film, on the silver screen, was Liebestraum (1991), in which she played a terminally ill woman with a past. The film was a major disappointment in every aspect. Kim clashed with director Mike Figgis over how to play her character. Consequently, the role was cut to shreds. Kim has ruled out any plans for a comeback and says she just isn't cut out for Hollywood.
Fortunately, she has found long-lasting happiness outside her career. Today she lives in Eagle Point, Oregon with her husband Bob, on a ranch where they raise horses and llamas. Kim is also an accomplished artist and has exhibited her painting in galleries around the country. She enjoys riding, canoeing and expressing herself through paint, poetry and photography.