Character Actors (& Actresses)
It is often the character actors who make a movie. They are frequently underappreciated, the faces we know, but whose names we tend to forget. We owe them a tribute, putting their names and faces together, in a list.
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- Hailing from Long Beach, California, talented character actor Anthony Zerbe has kept busy in Hollywood and on stage since the late 1960s, often playing villainous or untrustworthy characters, with his narrow gaze and unsettling smirk. Zerbe was born May 20, 1936 in Long Beach, and served a stint in the United States Air Force before heading off to New York to study drama under noted acting coach Stella Adler. He made his screen debut as Dutchie, one of Charlton Heston's fellow cowhands in the western Will Penny (1967), played a miner in The Molly Maguires (1970), was a post-apocalyptic, lunatic messiah in The Omega Man (1971), hustled a naive Paul Newman in The Life and Times of Judge Roy Bean (1972), played a leper colony leader in Papillon (1973) and a former lawman gone bad in Rooster Cogburn (1975).
Zerbe also starred alongside David Janssen in the television series Harry O (1973) as the urbane, nattily dressed Lieutenant K.C. Trench, Janssen's sometime nemesis, for which he picked up an Emmy Award. Definitely in strong demand for sinister roles, Zerbe played a crazed scientist in the corny Kiss Meets the Phantom of the Park (1978), was an arrogant father in The Dead Zone (1983), made a great General Ulysses S. Grant in North & South: Book 2, Love & War (1986), starred in the military drama Opposing Force (1986) and suffered a grisly demise in an airlock full of money in the James Bond thriller Licence to Kill (1989). Most recently, Zerbe has been seen as Councillor Hamann in The Matrix Reloaded (2003) and The Matrix Revolutions (2003).
In addition to his extensive television and film appearances, Zerbe has appeared in Broadway productions including "The Little Foxes", "Terra Nova" and "Solomon's Child". He was in residence for five summer seasons at The Old Globe Theatre playing several key Shakespearean characters to strong critical acclaim. He has also held residencies at the Theatre of the Living Arts in Philadelphia, the Arena Stage in Washington, D.C., and the Huntington Theatre Company in Boston. In 2003, he toured across several states with Roscoe Lee Browne in their production of "Behind the Broken Words", a performance of 20th-century poetry, comedy and drama. - Actor
- Soundtrack
For more than three decades Hollywood defaulted to a small core group of actors when it came to casting convincing mobsters, gamblers and racketeers. These often typecast individuals included Joseph Ruskin, Bruce Gordon, Neville Brand, Robert Loggia and...Anthony Caruso. Square-jawed, broad-shouldered and gravelly-voiced, Caruso provided a reliable source of menace and was amply utilised in films and in countless television episodes beginning in 1941.
The son of Italian-American parents, Caruso decided to forgo a career as an opera singer and instead took up acting with a stock company in Long Beach, California. A year later, in 1935, he joined the Pasadena Playhouse. He began in films as a bit player, commenting later that "MGM was the place to be, offering us extras a higher quality of lunch". In his first film, Johnny Apollo (1940), he played a henchman named Joe and there were to be many more of these to come with names like Fingers, Dapper Dan Greco, Chips Malloy, Pinky Luiz and Lucky Grillo. These dastardly nemeses came in a variety of ethnic types, ranging from Italians, Mexicans and Latinos to Greeks and Russians. A close personal friend of the actor Alan Ladd, Caruso featured in eleven of the star's films (the first as a hitman in Lucky Jordan (1942) ). In 1954, he became a member of Ladd's newly formed stock company, Jaguar Films. Whenever Caruso was not gleefully portraying underworld figures (The Iron Mistress (1952) , Hell on Frisco Bay (1955), The Asphalt Jungle (1950)) he was effectively employed as Native American chiefs (Drum Beat (1954), Cattle Queen of Montana (1954), The Lawless Eighties (1957)). On television, he had a popular recurring role as the charming but lethal Comanchero El Lobo on The High Chaparral (1967). Even on a planet (far, far away) in the Star Trek (1966) universe, Caruso -- as crime boss Bela Oxmyx -- was up to his old tricks using James T. & company to eliminate a rival gang and assume control of the government.
In stark contrast to his screen image, Caruso was the consummate family man in private life, happily married for 63 years, and enjoying the simple pleasures of gardening and cooking.- Actor
- Soundtrack
Albert Salmi was born on March 11, 1927, in Brooklyn, New York, to Finnish parents. After serving in the Army during WWII, he used the GI Bill to study at the Dramatic Workshop of the American Theater Wing and the prestigious Actors Studio. He became a stage actor, very soon landing on Broadway, where his role as Bo Decker in "Bus Stop" was his biggest stage success. A compromise between the stage and screen was live TV drama, in which he was cast regularly. His portrayal of Bruce Pearson in the The United States Steel Hour (1953)'s live 1956 broadcast of "Bang the Drum Slowly" was heart-tuggingly poignant. Salmi's very first film appearance was a choice role in The Brothers Karamazov (1958), for which he turned down an Oscar nomination. The National Board of Review succeeded in presenting him with its award for the same picture, however. Salmi came to enjoy film work and actively sought out parts in westerns. He became a very familiar presence, especially on the TV screen, where he guest starred in many of the westerns and other series of the 1960s and 1970s.
In 1967 he was presented with the Western Heritage (Wrangler) Award from the National Cowboy Hall of Fame for his role in the Gunsmoke (1955) episode entitled "Death Watch". This bronze cowboy on horseback became his most cherished award. Salmi demonstrated his versatility, however, as years went on. Tall, brawny and sometimes quite intimidating, he was often cast as the bad guy or the authority figure. He was equally convincing, though, as a wronged or misunderstood good guy or a good-natured sidekick. A method actor, Salmi had the ability to make you love or hate his character.
He was, in real life, quite different from most of the characters he played. A quiet-natured family man, he was an oddity by glitzy Hollywood standards. Many of his friends and co-stars have commented on his sense of humor and his lack of pretense. In semi-retirement, he shared his knowledge of theatre by teaching drama classes in Spokane, Washington, where he and his wife settled.- Actor
- Director
- Writer
American character actor and teacher. Born Jewel Guy in Powderly, Kentucky, on July 26, 1926, he was orphaned at three and adopted by Armen and Essa Knowland Best, who renamed him James Knowland Best and raised him in Corydon, Indiana. Following high school he worked briefly as a metalworker before joining the Army during World War II in July 1944. The majority of his service was as an MP in Wiesbaden, Germany just after the end of the war. While still in Germany, Best was transferred to Special Services and began his acting career. According to Best, he first acted in a European tour of "My Sister Eileen" directed by Arthur Penn. Upon his return to the U.S., he toured in road and stock companies in plays and musicals, and was finally spotted by a scout from Universal Pictures, who put him under contract. A handsome young man, his rural inflections perhaps kept him from frequent leading man roles. During the 1950s and '60s, he was a familiar face in movies and television in a wide range of roles, from Western bad guys to craven cowards and country bumpkins. Physical ailments curtailed his work for a long period late in his career, and he established a well-respected acting workshop in Los Angeles. He also served as artist-in-residence at the University of Mississippi, teaching and directing. He worked in both acting and producing capacities for Burt Reynolds on several of the latter's films in the late 1970s, before taking on his greatest commercial success. Although the The Dukes of Hazzard (1979) TV series was far beneath his talents, his role as Sheriff Rosco Coltrane was the part that gave him his greatest fame. He continued teaching, both in Hollywood and later in Florida (at the University of Central Florida). Semi-retired, he makes personal appearances and exhibits his paintings. James Best starred in the 2007 feature film, Moondance Alexander (2007), along with Don Johnson, Lori Loughlin, Kay Panabaker, Sasha Cohen and Whitney Sloan.- Actress
- Soundtrack
Reta Shaw is best known to television audiences as Hope Lange's housekeeper in the TV series The Ghost & Mrs. Muir (1968). Disney fans will remember her as one of the singing domestics in the Oscar-winning masterpiece Mary Poppins (1964). While she never achieved stardom as a leading lady, she earned her place as a solid supporting player in a variety of popular, much-loved cinematic classics. She created the comic part of Mabel when the musical "The Pajama Game" opened on Broadway in 1954, a role she repeated in the film version.- Actor
- Soundtrack
Parley Baer was born on 5 August 1914 in Salt Lake City, Utah, USA. He was an actor, known for License to Drive (1988), A Fever in the Blood (1961) and Dave (1993). He was married to Ernestine Clark. He died on 22 November 2002 in Los Angeles, California, USA.- Actor
- Soundtrack
Burt Mustin was a salesman most of his life, but got his first taste of show business as the host of a weekly radio variety show on KDKA Pittsburgh in 1921. He appeared onstage in "Detective Story" at Sombrero Playhouse in Phoenix Arizona, and played the janitor in the movie version, (Detective Story (1951)), after moving to Hollywood. Hundreds of screen appearances later, he announced his retirement while filming an episode of Phyllis (1975). In the episode, his character married Mother Dexter, played by actress Judith Lowry. Lowry died one month before, and Mustin died one month after the episode aired.- Hope Summers could portray a friendly neighbor or companion as she did for Frances Bavier's Aunt Bee character on many episodes of The Andy Griffith Show (1960) or a seemingly amiable satanist in Rosemary's Baby (1968).
Born in Mattoon, Illinois, she developed an early interest in the theater. Graduating from Northwestern School of Speech in Evanston, Illinois, she subsequently taught speech and diction there. This, in turn, led to her the head position in the Speech Department at Bradley University in Peoria, Illinois, teaching students privately on the side as well. In the 1930s Hope began to focus on acting. She found work in community and stock theaters in Illinois and earned some notice for putting on one-woman shows such as "Backstage of Broadway." She made use of her vocal eloquence by building up her resumé on radio, performing in scores of dramatic shows, including "Authors' Playhouse," "First Night," "Ma Perkins", and "Step-Mother".
In 1950 Hope transferred her talents to the new medium of television and earned a regular role on the comedy series Hawkins Falls: A Television Novel (1950). By the age of 50 she was customarily called upon to play slightly older than she was, appearing in a number of minuscule matron roles in such films as Zero Hour! (1957), Hound-Dog Man (1959), Inherit the Wind (1960), Spencer's Mountain (1963), The Ghost and Mr. Chicken (1966), Charley Varrick (1973) and her last, Foul Play (1978). She never had any major stand-out roles in movies; TV would be a more prolific choice of medium. Her gently stern, old-fashioned looks allowed her to be a part of many small-town settings, including Dennis the Menace (1959) and Petticoat Junction (1963), and in various western locales such as Maverick (1957) and Wagon Train (1957).
She played a rustic regular for many years on The Rifleman (1958). Usually assigned to play teachers, nurses and other helpful, nurturing types, her characters were also known to be inveterate gossips. Hope worked until close to the end of her life, passing away from heart failure in 1979. - Actor
- Soundtrack
Although Los Angeles native Howard McNear had a long career on radio and in films, he will forever be remembered for his memorable - and scene-stealing - portrayal of Floyd the Barber in the long-running The Andy Griffith Show (1960) (actor Don Knotts once said that playing Floyd wasn't much of a stretch for McNear, as his real personality was pretty much like Floyd to begin with). McNear started his career in radio, where he played Doc Adams in "Gunsmoke" for many years. In films he often played congressmen, hotel managers or other such figures, although he did on occasion play villains. While working on the "Andy Griffith Show" he suffered a massive stroke. After he recuperated he had trouble using his arms and legs, and when he returned to work on the show he was always seen either in a close-up or sitting down (often in a chair outside the barber shop while chatting with Barney and Andy). He died in 1969 in Hollywood.- Jack Dodson was arguably best known for playing "Howard Sprague," the somewhat geeky county clerk on The Andy Griffith Show (1960). This amazingly funny character actor endeared himself to 60s and 70s audiences as the straight-laced "straight man" to the "comic idiot" character "Goober." He brought laughs throughout the end of the run of The Andy Griffith Show (1960) (Ugh!!!)- and its spin-off, the ever popular (he said facetiously), Mayberry R.F.D. (1968) (alongside Ken Berry in the "Andy" knock-off role). Dodson got his start on Broadway, later coming to Hollywood and "The Andy Griffith Show" (1960) in 1967. In fact, Andy Griffith saw Jack on Broadway in 1964's, "Hughie," and hired him for "The Andy Griffith Show" straight away.
In 1971, Mayberry R.F.D. (1968) fizzled, but Jack remained busy with television and film appearances. From his first effort in Munster, Go Home! (1966) to the Griffith film Angel in My Pocket (1969) and even a nod as "Dr. Douglas" in the very scary Disney (Ray Bradbury) film Something Wicked This Way Comes (1983). Believe it or not, Howard (Jack) did it "all, working with some of the great directors and actors of his time. From Andy Griffith to Sam Peckinpah, Bea Arthur and Jonathan Pryce; Jack Dodson made friends and history.
Dodson returned to Broadway in the revival of "You Can't Take It With You" in 1985. Jack was married to television actress Mary Dodson (the sister of actor Fritz Weaver) from 1959 until his death. In his personal life, Jack was very much "Howard". The actor was a boxing fan, and was also an outdoors man; loving to fish and camp. Jack left us all too soon, at the age of 63, from heart failure. He will be missed. - Actor
- Writer
- Soundtrack
Hal Smith was born on 24 August 1916 in Petoskey, Michigan, USA. He was an actor and writer, known for The Great Race (1965), The Many Adventures of Winnie the Pooh (1977) and The Andy Griffith Show (1960). He was married to Vivian M. Angstadt. He died on 28 January 1994 in Woodland Hills, Los Angeles, California, USA.- In the 1930s, 1940s, and especially the 1950s, if a director wanted a short, fat actor to play a windy storekeeper or a raucous conventioneer, he might well cast Dick Elliott. He was one of those actors who, whenever he appeared on screen, often for less than a minute, the audience would think, "Oh, it's that guy." Yet few would ever know his name.
Elliott was certainly short, probably not much more than five foot four. And he was certainly fat. His belly was large and round, so he looked a bit like a huge ball with arms and legs. One imagined him soft and pink, and always happy. A Hobbit, perhaps. Santa Claus without the whiskers. And like another short, fat actor, Eugene Pallette, Elliott had a distinctive voice. Not the bullfrog basso that rumbled out of Pallette's gullet, but higher-pitched, whiny, or honey-smooth as the role demanded, with an "sh" in place of a lot of "s" sounds.
Elliott appeared in over 240 films. He was most often cast as judges, mayors, newspaper reporters, policemen, and blowhards, usually one who can't stop talking except when he'd burst into a loud laugh that bordered on a cackle.
As was the case with many character actors who never became featured players, not much record remains of his personal life. He was born Richard Damon Elliott on April 30, 1886, in Salem, Massachusetts. His gravestone says he was a loving husband and father. And we know he began performing in stock in 1931 and was on stage for nearly thirty years before his film debut, including appearing in the long-running hit, "Abie's Irish Rose." Other than that, we have only his film and television appearances to go on, and I'll mention some highlights.
His first movie was Central Airport (1933), and he was Ned Buntline in Annie Oakley (1935) with Barbara Stanwyck in 1935. He was perfect for the role of Marryin' Sam in Li'l Abner (1940), was amusing as the Judge in Christmas in Connecticut (1945), again starring Stanwyck, and made the most of his small role as a Whiskey Drummer in The Dude Goes West (1948) with Eddie Albert. Many film fans remember him best for another small role, as the man on the porch in the holiday perennial It's a Wonderful Life (1946), who tells James Stewart to stop jabbering and go ahead and kiss Donna Reed. Often his role in a film was so small his character didn't even have a name, and was sometimes listed in the cast simply as "Fat Man." He did have a good part in the under appreciated film Park Row (1952). His last film role was in Go, Johnny, Go! (1959).
The advent of television opened up a whole new world of roles. An unending stream of weekly comedies, dramas, and even variety shows needed performers. Some featured character actors like Gene Lockhart and Cecil Kellaway might star in an episode of an anthology series. Actors who had little screen time in films became invaluable featured players, and a few even attained the Holy Grail of being a series regular, Elliott among them. In the fifties he appeared in dozens and dozens of TV shows, including Dick Tracy (1950), in which he had a recurring role as Chief Murphy, My Little Margie (1952), Adventures of Superman (1952), I Love Lucy (1951), I Married Joan (1952), in which his character was called "Fatso," December Bride (1954), and Rawhide (1959). One of his best roles was in the episode The Rain Wagon (1955), in which he played Osgood Falstaff, the Shakespeare-quoting rainmaker who is secretly a bank robber. It was rare for Elliott to play a villain, but he pulls it off, making his eyes look devious and sinister -- a cuddly fat man, but don't turn your back on him. At the other extreme, he often played Santa Claus on Christmas episodes of the Jimmy Durante, Red Skelton, and Jack Benny shows.
To many people, Elliott will always be remembered as Mayor Pike in The Andy Griffith Show (1960) Sadly, Elliott died during the second season of the show, on December 22, 1961, in Burbank, California.
Dick Elliott was one of those character actors who were almost anonymous, though they lit up the screen in short roles. Fortunately, because of "It's a Wonderful Life" every Christmas and "The Andy Griffith Show" in frequent reruns, his fans can still delight in the little fat man. - Actor
- Soundtrack
Robert Emhardt looked and sounded as if he had intentionally been created by some perverse god to play villains. Though rotund, he had hooded, lizard-like eyes and a drawling whine in his voice. The real Robert Emhardt, however, was a well-educated, cultured, generous man, not at all like the characters he often portrayed.
Robert Christian Emhardt was born in Indianapolis, Indiana. His father was C.J. Emhardt, a lawyer, judge, and onetime mayor of the city. The younger Emhardt received his early training as an actor in the theater at Butler University. He then went to London, England, where he gained experience at The London Academy of Dramatic Art in 1937-38, and played in repertory with the British Broadcasting Company while there.
While in England, he met the woman who would become his wife, the well-known English actress Silvia Sedeli. The couple would go on to have four children. Eventually he found himself understudying Sydney Greenstreet on an American tour. He stayed in the United States, debuting on Broadway in 1942 in "The Pirate." He went on to win the Critics' Circle Award as best supporting actor in "Life with Mother" (1948-49) and appeared in eleven other plays in New York until his last in 1959. He made his film debut in The Iron Mistress (1952), a fictionalized life of Jim Bowie starring Alan Ladd. Among his other memorable movies were 3:10 to Yuma (1957), Underworld U.S.A. (1961), and The Stone Killer (1973) with Charles Bronson. His favorite and probably best film role was as Shirley Knight's paunchy and gracious but ultimately insane father in The Group (1966).
Emhardt had a busy career. He also acted in 125 summer stock productions and 250 television programs, such as Have Gun - Will Travel (1957), The Untouchables (1959), Perry Mason (1957), Bonanza (1959), and six episodes of Alfred Hitchcock Presents (1955). He had a recurring role on the soap opera Another World (1964).
Emhardt was extremely active in St. Augustine's Episcopal Church in Santa Monica and gave a great deal of support to The Boy Scouts of America. In his spare time (Emhardt had spare time?) he followed sports and enjoyed ballet.
Robert Emhardt died due to heart failure on December 26, 1994, in Ojai, California.- Actor
- Soundtrack
Rubber-limbed American dancer, vaudevillian and character actor, whose roots were steeped in show business. Paul's impresario father, Ferris Hartman, was known by the sobriquet "the Ziegfeld of the Pacific Coast." Between 1917 and 1921, he also worked as a silent film director for Triangle out of Culver City. Paul performed as part of a family act from the age of six weeks (!) and was part of a tour to Japan in the cast of "The Mikado" at the age of two. After finishing high school, Paul briefly attended the University of California, then worked for a while as a copy boy and reporter for a San Francisco newspaper. He soon left journalism to seek his fame and fortune in the entertainment industry, becoming noted as a dancer in nightclubs opposite future stars Ginger Rogers, Faye Emerson and Nancy Walker. With his wife Grace Hartman (née Barrett), he then formed a famous ballroom-dancing partnership, touring the U.S. on the vaudeville circuit and also appearing on Broadway. In 1948, they had a huge hit with the revue "Angel in the Wings," both winning Tony Awards as Best Leading Players in a Musical.
At the peak of their popularity, the couple were invited to Hollywood to star in one of the earliest TV sitcoms, The Hartmans (1949). Due to indifferent scripting, the show was not a success, however. After Grace died from cancer in 1955, Paul essentially gave up stage work, except for one final performance on Broadway in the comedy "Drink to Me Only" (1958). Lured by the lucrative financial returns from regular television work, he continued to act in supporting roles on the small screen for the remainder of his career. He also appeared in a handful of feature films. He had several more substantial recurring roles, notably as a family patriarch in The Pride of the Family (1953), as handyman Emmett Clark in The Andy Griffith Show (1960) and as barber Bert Smedley in Petticoat Junction (1963). Paul Hartman died in Los Angeles on October 2, 1973 at the age of 69.- Burly, coarse, raspy-voiced Mike Kellin was often cast as a tough cop, gangster, or soldier, usually a corporal or sergeant, so it may be surprising to some that during his stint in the US Navy during World War II he was a Lieutenant Commander.
Though he seemed to be straight out of the tenements of New York City, he was born in upscale Hartford, Connecticut, and received his education at Boston College. After his discharge from the Navy, he enrolled in the Yale School of Drama. He appeared in more than 50 plays, winning an Obie award and being nominated for a Tony. He made his film debut in the Dean Martin/Jerry Lewis comedy At War with the Army (1950)--as, of course, a sergeant. He turned in a first-rate performance as a tough infantry soldier with a soft spot for a young Polish refugee in the WWII film Hell Is for Heroes (1962). He died of cancer in Nyack, New York, in 1983. - Actor
- Producer
- Additional Crew
One of Hollywood's finest character / "Method" actors, Eli Wallach was in demand for over 60 years (first film/TV role was 1949) on stage and screen, and has worked alongside the world's biggest stars, including Clark Gable, Clint Eastwood, Steve McQueen, Marilyn Monroe, Yul Brynner, Peter O'Toole, and Al Pacino, to name but a few.
Wallach was born on 7 December 1915 in Brooklyn, NY, to Jewish parents who emigrated from Poland, and was one of the few Jewish kids in his mostly Italian neighborhood. His parents, Bertha (Schorr) and Abraham Wallach, owned a candy store, Bertha's Candy Store. He went on to graduate with a B.A. from the University of Texas in Austin, but gained his dramatic training with the Actors Studio and the Neighborhood Playhouse. He made his debut on Broadway in 1945, and won a Tony Award in 1951 for portraying Alvaro Mangiacavallo in the Tennessee Williams play "The Rose Tattoo".
Wallach made a strong screen debut in 1956 in the film version of the Tennessee Williams play Baby Doll (1956), shined as "Dancer", the nattily dressed hitman, in director Don Siegel's film-noir classic The Lineup (1958), and co-starred in the heist film Seven Thieves (1960). Director John Sturges then cast Wallach as vicious Mexican bandit Calvera in The Magnificent Seven (1960), the western adaptation of the Akira Kurosawa epic Seven Samurai (1954). The Misfits (1961), in the star-spangled western opus How the West Was Won (1962), the underrated WW2 film The Victors (1963), as a kidnapper in The Moon-Spinners (1964), in the sea epic Lord Jim (1965) and in the romantic comedy How to Steal a Million (1966).
Looking for a third lead actor in the final episode of the "Dollars Trilogy", Italian director Sergio Leone cast the versatile Wallach as the lying, two-faced, money-hungry (but somehow lovable) bandit "Tuco" in the spectacular The Good, the Bad and the Ugly (1966) (aka "The Good, The Bad and The Ugly"), arguably his most memorable performance. Wallach kept busy throughout the remainder of the '60s and into the '70s with good roles in Mackenna's Gold (1969), Cinderella Liberty (1973), Crazy Joe (1974), The Deep (1977) and as Steve McQueen's bail buddy in The Hunter (1980).
The 1980s was an interesting period for Wallach, as he was regularly cast as an aging doctor, a Mafia figure or an over-the-hill hitman, such as in The Executioner's Song (1982), Our Family Honor (1985), Tough Guys (1986), Nuts (1987), The Two Jakes (1990) and as the candy-addicted "Don Altabello" in The Godfather Part III (1990). At 75+ years of age, Wallach's quality of work was still first class and into the 1990s and beyond, he has remained in demand. He lent fine support to Vendetta: Secrets of a Mafia Bride (1990), Teamster Boss: The Jackie Presser Story (1992), Naked City: Justice with a Bullet (1998) and Keeping the Faith (2000). Most recently Wallach showed up as a fast-talking liquor store owner in Mystic River (2003) and in the comedic drama King of the Corner (2004).
In early 2005, Eli Wallach released his much anticipated autobiography, "The Good, The Bad And Me: In My Anecdotage", an enjoyable reading from one of the screen's most inventive and enduring actors.
Eli Wallach was very much a family man who remained married to his wife Anne Jackson for 66 years. When Wallach died at 98, in 2014, in Manhattan, NY, he was survived by his wife, three children, five grandchildren and several great-grandchildren.- Actor
- Producer
- Soundtrack
Pat Hingle (real name: Martin Patterson Hingle) was born in Miami, Florida, the son of a building contractor. His parents divorced when Hingle was still in his infancy (he never knew his father) and his mother supported the family by teaching school in Denver. She then began to travel (with her son in tow) in search of more lucrative work; by age 13 Hingle had lived in a dozen cities. The future Tony Award nominee made his "acting debut" in the third grade, playing a carrot in a school play ("At that time it didn't seem like much of a way to make a living!", he recalled). Hingle attended high school in Texas and in 1941 entered the University of Texas, majoring in advertising. After serving in the Navy during WW II, he went back to the university and got involved with the drama department as a way to meet girls. With his wife Alyce (whom he first met at the university), Hingle moved to New York and began to get jobs on the stage and on TV. The apex of his stage career was "J.B." by poet Archibald Macleish, with Hingle in the title role as a 20th-century Job. It was during the run of "J.B." that Hingle took an accidental plunge down the elevator shaft of his New York apartment building, sustaining near-fatal injuries in the 54-foot fall. He was near death for two weeks (and lost the little finger of his left hand); his recovery took more than a year. In more recent years, Hingle has played Commissioner Gordon in the "Batman" movies.
Just prior to his death, he resided in Carolina Beach, North Carolina, with his wife, Julia.- Lyle Talbot, who appeared in over 150 movies from leads in Warner Bros.' "pre-Code" pictures to countless supporting roles, and later enjoyed a steady TV career as a character actor, was born Lysle Henderson on February 8, 1902, in Pittsburgh, Pennsylvania. He grew up in a small town in Nebraska, where after the early death of his mother, he was raised by her mother, Mary Hollywood Talbot, whose name he later bore professionally.
Talbot's incredibly long and varied show-business career began right after high school, when he joined a traveling tent show. Starting out as a magician-hypnotist's assistant, he worked his way up to magician before quitting the carny's life for that of the stock theater. He learned to act with stock companies throughout the Midwest, where he became a leading man, and even formed his own short-lived company in Memphis, Tennessee, "The Talbot Players," which included his actor father and stepmother, Ed and Anna Henderson.
By 1931 he was in Hollywood as the talkies were maturing. He had the good looks of a star but, more importantly, he had a rich baritone voice that the talkies needed. After a screen test in which he inadvertently mocked Warner Bros. production head Darryl Zanuck but impressed director William "Wild Bill" Wellman, Talbot was signed by Warner Bros.-First National. The studio gave him a plum part in William A. Wellman's Love Is a Racket (1932) co-staring with Douglas Fairbanks Jr., Ann Dvorak and the fast-talking Lee Tracy. He appeared in "A" pictures in the 1930s in supporting roles, including Three on a Match (1932), 20,000 Years in Sing Sing (1932), and One Night of Love (1934) (with opera star Grace Moore), but his work was mostly in "B" pictures, in which he frequently played leads. Although he thoroughly enjoyed the work, acting was practiced as an assembly line operation at the time. Actors would be assigned work usually based on 12-hour days and six-day weeks, and commit themselves to the infamous seven-year exclusive contract that included draconian suspension penalties in the fine print. Talbot, along with James Cagney, Olivia de Havilland and Bette Davis (ironically all WB contract players), were outspoken in their commitment to change working conditions for actors. Talbot was one of the founders of the Screen Actors Guild and the first employee of the Brothers Warners to join the union, much to their ire.
As a matinee idol during the Depression, frequently playing a gangster or tuxedo-clad man about town, Talbot co-starred with the leading actresses of the day, including Ginger Rogers, Mary Astor, Bette Davis, Barbara Stanwyck, Glenda Farrell, Kay Francis, Mae West, Ann Dvorak, Loretta Young, Carole Lombard and Shirley Temple.
Later, as a character actor, Talbot appeared as Commissioner Gordon in the 1949 serial Batman and Robin (1949) and was Lex Luthor in Atom Man vs. Superman (1950) the next year. Talbot took on a tremendous number of roles, either because he was not discriminating enough, always wanted to keep working, or simply appreciated the money. In the early 1950s he appeared in several of Edward D. Wood Jr.'s most notorious films, including the infamous transvestite tear-jerker Glen or Glenda (1953) and the famously inept Plan 9 from Outer Space (1957). Aside from Bela Lugosi, Talbot was Wood's most famous star.
Talbot's acting career thrived on television, in which he appeared from the beginning of the medium until the 1980s. He co-starred as Ozzie Nelson's friend Joe Randolph on The Adventures of Ozzie and Harriet (1952) and as Robert Cummings' Air Force buddy in The Bob Cummings Show (1955) (also known as "Love that Bob") and made guest appearances on a plethora of TV series, including Leave It to Beaver (1957), The Lone Ranger (1949), Topper (1953), The George Burns and Gracie Allen Show (1950), Perry Mason (1957), Rawhide (1959), Wagon Train (1957), The Beverly Hillbillies (1962), Green Acres (1965), Charlie's Angels (1976), Newhart (1982), The Dukes of Hazzard (1979) and Who's the Boss? (1984).
Throughout his film and TV career, Talbot continued to perform on stage, co-starring in "Separate Rooms" on Broadway in the early 1940s and starring in national touring companies of Neil Simon's "The Odd Couple" and summer stock tours of Gore Vidal's "The Best Man" and Thornton Wilder's "The Matchmaker." In 1967 he co-starred in a revival of "South Pacific" at New York's Lincoln Center with Florence Henderson.
Lyle Talbot died of natural causes on March 3, 1996, in his home in San Francisco, California, at the age of 94, the last of the SAG founders to shuffle off this mortal coil. - Actor
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Born in Kansas, Max Showalter picked up the "acting bug" as a toddler when mother used to take him to the local theater where she played the piano for silent movies. He acted in 92 shows at the Pasadena Playhouse between 1935 and '38, made his Broadway debut under the aegis of Oscar Hammerstein II in "Knights of Song" and acted for two years in the cast of Irving Berlin's traveling musical "This Is the Army." In addition to his films, TV appearances (over 1000), and stage shows, Showalter was a composer, a songwriter, and pianist. In his later years he lived in an 18th-century farmhouse in the Connecticut town he fell in love with while shooting the movie It Happened to Jane (1959).- Actor
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One of those familiar character actors who seems to have been born old, Will Wright specialized in playing crusty old codgers, rich skinflints,crooked small-town politicians and the like. A former newspaper reporter in San Francisco, he switched careers and entered vaudeville, then took to the stage. He ventured from acting to producing, and staged shows on Broadway as well as other cities, eventually making his way to Hollywood. He appeared in over 100 films and did much TV work, including a recurring role on The Andy Griffith Show (1960). Although his hunched-over figure, craggy face and somewhat sour disposition made it seem like he started out his 20+-year career as an old man, he was actually only 68 when he died of cancer in Hollywood in 1962.- Actor
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Burly, handsome and rugged character actor John Crawford appeared in over 200 movies and TV shows combined in a career that spanned over 40 years, usually cast as tough and/or villainous characters.
Crawford was born Cleve Richardson on September 13, 1920, in Colfax, Washington. He was discovered by a Warner Bros. scout while attending the University of Washington's School of Drama. Although he failed his screen test, Crawford nonetheless joined RKO as a laborer. He then got a job building sets at Circle Theater in Los Angeles, and eventually persuaded the producers to cast him in some of their plays. He was soon signed to Columbia Pictures to act in secondary roles in westerns. In the late 1950s he graduated to bigger parts in such films as Orders to Kill (1958), The Key (1958) and Hell Is a City (1960), all of which were made in the UK. Crawford returned to America in the early 1960s and began a prolific career in both movies and TV series, up until 1986. His most memorable film roles include the ill-fated chief engineer in The Poseidon Adventure (1972), the hearty Tom Iverson in Night Moves (1975), the bumbling mayor of San Francisco in The Enforcer (1976), hard-nosed police chief Buzz Cavanaugh in Outlaw Blues (1977) and amiable old mine hand Brian Deerling in The Boogens (1981). John had recurring parts as Sheriff Ep Bridges in The Waltons (1972) and Capt. Parks on Police Woman (1974). Among the many TV shows he made guest appearances in are The Lone Ranger (1949), Adventures of Superman (1952), I Spy (1965), The Twilight Zone (1959), The Untouchables (1959), Wagon Train (1957), The Fugitive (1963), Star Trek (1966), Lost in Space (1965), Bonanza (1959), Hogan's Heroes (1965), Mission: Impossible (1966), Gunsmoke (1955), The Bionic Woman (1976), Dallas (1978) and Dynasty (1981). Crawford died at age 90 following complications from a stroke on September 21, 2010, in Thousand Oaks, California. He's survived by his ex-wife Ann Wakefield, four daughters and two grandchildren.- Actor
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Ray Bidwell Collins was an American actor in film, stage, radio and television. One of his best remembered roles was that of Lt. Arthur Tragg in the long-running series Perry Mason (1957). Collins was born in Sacramento, California, to Lillie Bidwell and William C. Collins, a newspaper drama editor. He started acting on stage at the age of 14. In the mid 1930s, now an established stage and radio actor, Collins began working with Orson Welles' Mercury Theatre (Welles himself called Collins "the finest actor I've ever worked with"), leading to some of his most memorable roles. Having already appeared on radio with Welles in "The Shadow" (a regular as Commissioner Weston) and in Welles' serial adaptation of "Les Miserables" from 1937, Collins became a regular on "The Mercury Theatre on the Air" program; through the run of the series, he played many roles in literary adaptations, from Squire Livesey from "Treasure Island" and Dr. Watson in "Sherlock Holmes" to Mr. Pickwick in an adaptation of "The Pickwick Papers". Collins' best known (albeit uncredited) work on this series, however, was in the infamous "The War of the Worlds" broadcast, playing three roles, including Mr. Wilmuth (on whose farm the Martian craft lands) and the newscaster who describes the destruction of New York. Along with other Mercury Theatre players, Collins made his first notable screen appearance in Citizen Kane (1941), as ruthless Boss Jim Gettys. He would also play key roles in Welles' The Magnificent Ambersons (1942) and Touch of Evil (1958). Collins appeared in over 90 films in all, including Leave Her to Heaven (1945), The Best Years of Our Lives (1946) and Crack-Up (1946), A Double Life (1947), two entries in the "Ma and Pa Kettle" series (as in-law Benjamin Parker), and The Desert Song (1953), in which he played the non-singing role of Kathryn Grayson's father. He displayed comic ability in The Bachelor and the Bobby-Soxer (1947) and The Man from Colorado (1948). He may be best remembered for his work on television. He was also a regular as John Merriweather on the television version of The Halls of Ivy (1954) starring Ronald Colman.- Actor
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Gruff, burly American character actor. Born in 1903 in Benkelman, Nebraska (confirmed by Social Security records; sources stating 1905 or Denver, Colorado are in error.) Bond grew up in Denver, the son of a lumberyard worker. He attended the University of Southern California, where he got work as an extra through a football teammate who would become both his best friend and one of cinema's biggest stars: John Wayne. Director John Ford promoted Bond from extra to supporting player in the film Salute (1929), and became another fast friend. An arrogant man of little tact, yet fun-loving in the extreme, Bond was either loved or hated by all who knew him. His face and personality fit perfectly into almost any type of film, and he appeared in hundreds of pictures in his more than 30-year career, in both bit parts and major supporting roles. In the films of Wayne and Ford, particularly, he was nearly always present. Among his most memorable roles are John L. Sullivan in Gentleman Jim (1942), Det. Tom Polhaus in The Maltese Falcon (1941) and the Rev. Capt. Samuel Johnson Clayton The Searchers (1956). An ardent but anti-intellectual patriot, he was perhaps the most vehement proponent, among the Hollywood community, of blacklisting in the witch hunts of the 1950s, and he served as a most unforgiving president of the ultra-right-wing Motion Picture Alliance for the Preservation of American Ideals. In the mid-'50s he gained his greatest fame as the star of TV's Wagon Train (1957). During its production, Bond traveled to Dallas, Texas, to attend a football game and died there in his hotel room of a massive heart attack.- Actor
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Stocky tough-guy character actor Richard Jaeckel was one of Hollywood's most prolific supporting stars. Born in Long Island, New York, on October 10, 1926, Jaeckel's family moved to Los Angeles when he was still in his teens. After graduation from Hollywood High School, Jaeckel was discovered by a casting director while working as a mailboy for 20th Century-Fox. Although he had some reluctance to act, Jaeckel accepted a key part in the war epic Guadalcanal Diary (1943) and remained in films for over 50 years, graduating from playing baby-faced teenagers (like Dick Clark, Jaeckel never seemed to age) to gunfighters and hired killers with ease. From 1944-48 he served in the US Navy, and after his discharge he co-starred in Sands of Iwo Jima (1949) with John Wayne. Jaeckel's other notable roles in films include one of a trio of GIs accused of raping a German girl in Town Without Pity (1961)--a standout performance--and The Dirty Dozen (1967) as tough MP Sgt. Clyde Bowren, who goes along on the mission to keep an eye on the prisoners he's trained, a role he reprised in a made-for-TV sequel in 1985. Jaeckel also received an Academy Award nomination as Best Supporting Actor for his funny but tragic performance in Sometimes a Great Notion (1971). Although he appeared in over 70 films, he was very active in television series such as Frontier Circus (1961), Banyon (1971), Firehouse (1974), Salvage 1 (1979), At Ease (1983), Spenser: For Hire (1985) and Supercarrier (1988). From 1991-94 he played Lt. Ben Edwards on the hit series Baywatch (1989). He passed away after a three-year battle with melanoma cancer on June 14, 1997, at the Motion Picture and Television Hospital in Woodland Hills, California. Jaeckel was 70 years old.- Actor
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Character actor John Richard Erdmann was born on June 1, 1925 in Enid, Oklahoma, of Dutch descent. Raised in Colorado Springs, Colorado, Erdman and his single mother moved to Los Angeles, California in 1941 after his high school drama teacher told him he could make it in movies. Richard subsequently enrolled in Hollywood High School. Moreover, Erdman was immediately offered and quickly signed a contract at Warner Bros. while still a teenager upon meeting director Michael Curtiz in his office.
Often cast as amiable sailors, rowdy soldiers, or wisecracking best buddies, Richard's career in both films and television alike encompassed several decades starting in the mid-1940's and continued going strong well into the 2010's. Outside of acting, Erdman also directed two movies and some episodic television. Richard was acting almost right to the end. He died at age 93 on March 16, 2019.- Actor
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American character actor who specialized in none-too-bright pals of the lead, though his range included villains and ethnic types. A native of New York City, he began acting at 15. He studied at the Neighborhood Playhouse and played on Broadway with the Theatre Guild, and with the Provincetown Players. He came to Hollywood in the late Thirties and quickly became a fixture in films of all genres, primarily at Warner Bros. He was a frequent foil for James Cagney and played everything from comedies to dramas and musicals. In the 1960s, he achieved greater fame as the long-suffering neighbor Abner Kravitz on the hit TV show Bewitched (1964). He retired in 1972. He died of cancer a decade later.- Actor
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Henry Hull, the actor who created the role of Jeeter on Broadway in "Tobacco Road," was born in Louisville, Kentucky, on October 13, 1890, the son of a drama critic. Originally intending to become an engineer, Hull became an actor and made his Broadway debut in "Green Stockings" less than two weeks before his 21st birthday, on October 2, 1911. Two years later he appeared again on Broadway in support of John Barrymore in "Believe Me, Xantippe." He then quit the stage to go prospecting for gold, using his skills as a mining engineer. When he failed to find his El Dorado, Hull turned back to acting, appearing in "The Man Who Came Back" in 1916. He made his first films at the nearby World Pictures in 1917, most famously starring as the ill-fated Aleksandr Kerensky in Rasputin, the Black Monk (1917). The following year he appeared in the second film adaptation of Louisa May Alcott's famous novel Little Women (1918).
Although he appeared in about a dozen films from just after World War One to the mid '30s, Hull concentrated on the stage until he went to Hollywood to appear as Magwitch in Great Expectations (1934). He even had a play he wrote produced on Broadway, "Manhattan," which made its debut on August 15, 1922, at the Playhouse Theatre and ran for a respectable (for the time) 86 performances.
Hull made his mark in the history of the horror film, one of Hollywood's most venerable genres, by appearing in the title role in Werewolf of London (1935). Six feet tall and slender, Hull had a rich and cultured voice, which put him in demand as a supporting player in the Golden Age of Hollywood. He was, however, somewhat of a mannered actor in a style that went out of favor after the death of John Barrymore, and he often gave a performance, such as that of the newspaper editor in The Return of Frank James (1940), that was a thick slice of ham. However, his mannerisms and plummy voice were perfect for certain roles such as the obnoxious millionaire conceived by populist John Steinbeck for Lifeboat (1944).
Hull's greatest success as an actor was on Broadway, limning Erskine Caldwell's Jeeter in "Tobacco Road," which still ranks as the longest-running drama in the Great White Way's history, opening on December 4, 1933, and closing on May 31, 1941, after 3,182 total performances. (Hull, of course, did not play the entire run; Jeeter was also played by James Barton and Will Geer). By early 1936 Hull was starring on Broadway in Maxwell Anderson's "The Masque of Kings". When John Ford went looking to cast roles in his film version of the play Tobacco Road (1941), he chose lovable old coot Charley Grapewin for Jeeter; Grapewin had been memorable as Grandpa Joad the year before in Ford's classic adaptation of Steinbeck's novel, The Grapes of Wrath (1940).
Henry Hull's last film appearance was as a sort of chorus along with Jocelyn Brando in The Chase (1966). He was the brother of actor Shelly Hull, the brother-in-law of Shelly's wife Josephine Hull and the father of producer Shelley Hull with his wife, actress Juliet Fremont, with whom he had appeared on Broadway in 1916 in "The Man Who Came Back." Their son Henry Hull Jr. had a minor career on Broadway, appearing in and serving as assistant stage manager in his father's "The Masque of Kings," as well as appearing in the ensemble in the legendary "Hamlet" of John Gielgud that was on Broadway in 1936.- William was a character actor, whose popularity was due to hundreds of appearances in soap operas.
Going from stage to screen, William had an undistinguished movie career in the '40s which ran out of steam after about four years.
But in the '50s, he would find his calling on the small screen. On Young Dr. Malone (1958), he played the father for five years. He was also cast in Another World (1964), The Edge of Night (1956), Search for Tomorrow (1951) and A World Apart (1970). One noteworthy credit was that he was part of the continuing cast on the first hour-long television drama series, The Mask (1954).
By the '70s and '80s, he appeared in a number of television mini-series and television movies. On stage, he appeared in plays by Eugene O'Neill and Edward Albee. - Actress
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Character actress Beulah Bondi was a favorite of directors and audiences and is one of the reasons so many films from the 1930s and 1940s remain so enjoyable, as she was an integral part of many of the ensemble casts (a hallmark of the studio system) of major and/or great films, including The Trail of the Lonesome Pine (1936), Mr. Smith Goes to Washington (1939), Our Town (1940) and Penny Serenade (1941). Highly respected as a first-tier character actress, Bondi won two Best Supporting Actress Oscar nominations, for The Gorgeous Hussy (1936) and Of Human Hearts (1938), and an Emmy Award in 1976 for her turn in the television program The Waltons (1972).
She was born Beulah Bondy on May 3, 1888, in Chicago, and established herself as a stage actress in the first phase of her career. She made her Broadway debut in Kenneth S. Webb's "One of the Family" at the 49th Street Theatre on December 21, 1925. The show was a modest hit, racking up 238 performances. She next appeared in another hit, Maxwell Anderson's "Saturday's Children," which ran for 326 performances, before appearing in her first flop, Clemence Dane's "Mariners" in 1927. Philip Barry's and Elmer Rice's "Cock Robin" was an extremely modest hit in 1928, reaching the century mark (100 performances), but it was Bondi's performance in Rice's "Street Scene," which opened at the Playhouse Theatre on Jamuary 10, 1929, that made her career. This famous play won Rice the 1929 Pulitzer Prize for Drama and was a big hit, playing for 601 performances. Most importantly, though, it brought Bondi to the movies at the advanced age of 43. She made her motion picture debut in 1931 in the movie adaptation (Street Scene (1931)), recreating the role she had originated on the Broadway stage. The talkies were still new, and she had the talent and the voice to thrive in Hollywood.
Bondi appeared in four more Broadway plays from 1931 to 1934, only one of which, "The Late Christopher Bean", a comedy by Sidney Howard, was a hit. Her last appearance on Broadway for a generation was in a flop staged by Melvyn Douglas, "Mother Lode" (she made two more appearances on the Great White Way, in "Hilda Crane" (1950) and "On Borrowed Time" in 1953; neither was a success). For the rest of her professional life, her career lay primarily in film and television.
She was typecast as mothers and, later, grandmothers, and played James Stewart's mother four times, most famously as "Ma Bailey" in It's a Wonderful Life (1946). Her greatest role is considered her turn in Leo McCarey's Depression-era melodrama Make Way for Tomorrow (1937), in which she played a mother abandoned by her children.
Beulah Bondi died on January 1, 1981, from complications from an accident, when she broke her ribs after falling over her cat. She was 92 years old.- Actor
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Clu Gulager was born William Martin Gulager in Holdenville, Hughes County, Oklahoma. His nickname was given to him by his father for the clu-clu birds (known in English as martins, like his middle name) that were nesting at the Gulager home at the time Clu was born. He grew up on his uncle's ranch as a cowhand and when he was old enough he joined the United States Marine Corps for a stint from 1946-1948. He got the acting bug being in army plays so when he left he used the GI Bill of Rights to study acting. During this time he met his wife, actress Miriam Byrd-Nethery. They wed in 1952 and had two children: John (born 1957) and Tom (born 1965) The couple was married for more than 50 years until her death in 2003 from cancer.
Gulager's career started off as bit parts on popular western shows usually playing the heavy. Shows like Wanted Dead or Alive, Have Gun Will Travel, Laramie, Riverboat. He scored big with The Untouchables as "Mad Dog Coll", which led to him being offered the role of "Billy the Kid" on The Tall Man from 1960-1962, which also starred Barry Sullivan as "Pat Garrett". The show was pulled after two seasons reportedly because the powers that were didn't like kids seeing Billy the Kid as a hero.
His next big break was playing Deputy Emmett Ryker on The Virginian from 1964-1968. During this time he also fared very well as Lee Marvin's sidekick in the 1964 TV film The Killers, which was considered too violent for TV so it went to theaters. Having being burned out being a TV star he tried to break into films, mostly as a character actor. His stand out films were The Last Picture Show (1971, playing Ellen Burstyn's lover), McQ (1974) with John Wayne, and A Force of One (1979) with Chuck Norris, with whom he would later work in the 1990s on Walker, Texas Ranger.
Gulager was also cast in San Francisco International Airport, with Lloyd Bridges, which failed big time. Throughout the 1970s and 1980s he was in almost every show around, playing bit parts. Then the unthinkable happened: he found a second career as a horror film actor; he followed the footsteps of other TV actors who were stuck in TV hell, like Doug McClure (his costar from The Virginian) and Christopher George. Both men found new careers in B-movies and late night horror films. Gulager finally got a lead part in Dan O'Bannon's cult classic The Return of the Living Dead (1985). He also was in A Nightmare on Elm Street Part 2: Freddy's Revenge (1985).
Throughout the 1980s and 1990s, he appeared in TV and in the occasional horror flick. In 2005 he started acting in his son's horror films -- the Feasts movies and Piranha DD in his 80s. Not letting age get in his way, he was a horror fan favorite and still showed up at conventions at almost 90.- Actor
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Frank McGrath was born on 2 February 1903 in Mound City, Missouri, USA. He was an actor, known for The Reluctant Astronaut (1967), Wagon Train (1957) and Tammy and the Millionaire (1967). He was married to Libby Quay Buschlen. He died on 13 May 1967 in Hollywood, California, USA.- Actor
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Rip Torn was born Elmore Rual Torn Jr. on February 6, 1931 in Temple, Texas, the son of Thelma Mary (Spacek) and Elmore Rudolph Torn, who was an agriculturalist and economist, credited with popularizing the custom of eating black-eyed peas on New Year's Day. "Rip" is a family name, taken by generations of Torn men and bestowed on Elmore by his father, who was also called "Rip." He was of German, Austrian, Bohemian, and Moravian descent. His mother was an elder sister of actress Sissy Spacek's father, Edwin Spacek.
Torn attended Texas A&M and the University of Texas, where he joined Sigma Chi Fraternity. He majored in animal husbandry. Extremely naïve when he was young, Torn hitchhiked to Hollywood with the idea of becoming a movie star; he wanted to make enough money in order to buy a ranch. Success did not come overnight, as he had hoped, and Torn had to work many odd jobs while occasionally being cast in television roles. He made his feature film debut in Elia Kazan's Baby Doll (1956) in a small part.
Serious about learning his craft, he moved to New York City where he studied under Lee Strasberg at the Actors Studio. Torn also studied dance with Martha Graham. His serious acting career began on the small screen, where he made a name for himself in the Golden Age of Television; between 1957 and 1960, he appeared regularly on such prestigious live shows as Omnibus (1952) and Playhouse 90 (1956).
Torn made his Broadway debut in Kazan's staging of Tennessee Williams' "Sweet Bird of Youth" on March 10, 1959, in support of Paul Newman, Sidney Blackmer and Geraldine Page, who would become his second wife. The play was a hit, closing on January 30, 1960 after 375 performances. He won a 1960 Tony Award nomination as Best Featured Actor in a Play and a Theater World award for his role as "Tom, Jr.", a role he recreated in the 1962 film. (Torn also starred as "Boss Finley" in a later television adaptation of the play).
Torn earned a reputation as an actor's actor on stage, both Broadway and off-Broadway, as well as on screen. He continued to work in the New York theater despite his demanding TV and movie schedule as both an actor and director. He won two Obie awards for his work off-Broadway, for Distinguished Performance in Norman Mailer's "The Deer Park" (for the 1966-67 season), and for Distinguished Direction for "The Beard" (1967-68). He had his own stage company, and directed his daughter Angelica Page (by Geraldine Page) in John Paul Alexander's "Strangers in the Land of Canaan" at the Actors Studio. Torn made his feature film directorial debut with The Telephone (1988).
He was constantly in demand as a character actor, in supporting, second lead and occasional lead roles. Arguably his best performance on film came in Payday (1973), and he was nominated for a best supporting actor Oscar for Cross Creek (1983). Most of Torn's roles were in drama, though he was adept at comedy. His role in Albert Brooks' comedy Defending Your Life (1991) led to his being cast in The Larry Sanders Show (1992), on which he played talk show producer "Artie." Torn won six consecutive Emmy nominations for the role, winning once for Best Supporting Actor in a comedy series in 1996.
Torn was married to actress Ann Wedgeworth from 1956-61, whom he divorced to marry Geraldine Page. They remained married until her death in 1987. He was married to Amy Wright until his death. Torn helped his first cousin, Oscar-winner Sissy Spacek, to make her way as an actress, seeing to it that she was accepted by the Lee Strasberg's Actors Studio and then the Lee Strasberg Institute.
Rip Torn died in on July 9, 2019 in Lakeville, Connecticut, aged 88.- Actor
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American character actor and playwright Wallace Shawn has one of those fun, delightfully mischievously gnomish faces made for entertaining. Though he got out of the acting starting gate rather late, he quickly excelled film and TV while managing to turn himself into comedy egghead or loser types. Woody Allen's slightly threatened character in the movie Manhattan (1979) amusingly describes Wallace's benign gent as "a homunculus", which may be a pretty fair description of this predominantly bald, wan, pucker-mouthed, butterball-framed, slightly lisping gent. Shawn made his movie debut at age 36 in Allen's heralded classic in a brief but telling scene as Diane Keaton's ex-husband.
The 5'2" Jewish actor was born Wallace Michael Shawn into privilege on November 12, 1943 in New York City, as the son of Cecille (Lyon) (1906-2005), a journalist, and William Shawn (1907-1992), renowned and long-time editor of The New Yorker. His brother, Allen Shawn, went on to become a composer. Wallace was educated at both Harvard University, where he studied history, and Magdalen College, Oxford. Wallace initially taught English in India on a Fulbright scholarship, and then English, Latin and drama back in New York. However, a keen interest in writing and acting soon compelled him to leave his cushy position and pursue a stage career as both playwright and actor.
During his distinguished career, Wallace churned out several plays. "Our Late Night", the first of his works to be performed, was awarded an off-Broadway Obie in 1975. This was followed by "A Thought in Three Parts" (1976);, "The Mandrake" (1977) (which he translated from the original Italian and made his acting debut), "Marie and Bruce" (1979), "Aunt Dan and Lemon" (1985) and "The Fever," for which he received his second Obie for "Best New Play" during the 1990-91 season.
A popular supporting player of comedy and the occasional drama, Shawn's assorted kooks, creeps, brainiacs and schmucks possessed both endearing and unappetizing qualities. He earned his best early notices partnered with theatre director/actor Andre Gregory in the unique Louis Malle-directed film My Dinner with Andre (1981). Shawn co-wrote the improvisatory, humanistic piece with brother Allan as the composer. Shawn and Gregory would collaborate again for Malle in another superb, original-concept film Vanya on 42nd Street (1994).
Among Shawn's offbeat films have been Bruce Paltrow's A Little Sex (1982); James Ivory's The Bostonians (1984); Stephen Frears' Prick Up Your Ears (1987); Rob Reiner's The Princess Bride (1987); Alan Rudolph's The Moderns (1988) and Mrs. Parker and the Vicious Circle (1994); and Paul Bartel's Scenes from the Class Struggle in Beverly Hills (1989). He also appeared in several other Woody Allen offerings including Radio Days (1987), Shadows and Fog (1991), The Curse of the Jade Scorpion (2001), Melinda and Melinda (2004) and the title role in Rifkin's Festival (2020).
Since the 1990s, he has lent his vocal talents to a considerable number of animated pictures including A Goofy Movie (1995), Toy Story (1995) (and its sequels), The Jungle Book: Mowgli's Story (1998), The Incredibles (2004), Chicken Little (2005), Happily N'Ever After (2006), Cats & Dogs: The Revenge of Kitty Galore (2010) and Animal Crackers (2017). TV voices have included The Pink Panther (1993), The Lionhearts (1998), Family Guy (1999), Kung Fu Panda: Legends of Awesomeness (2011), The Stinky & Dirty Show (2015) and The Bug Diaries (2019).
Millennium films graced with Shawn's participation include Southland Tales (2006), Kit Kittredge: An American Girl (2008), Jack and the Beanstalk (2009), The Speed of Thought (2011) and Vamps (2012). He co-starred as Halvard Solness and wrote the screen adaptation for Ibsen's classic play A Master Builder (2013) co-starring Julie Hagerty, and went on to appear in Don Peyote (2014), Maggie's Plan (2015), Robo-Dog (2015), Drawing Home (2016), Another Kind of Wedding (2017), Book Club (2018) and Marriage Story (2019).
Over the decades, Shawn has scurried about effortlessly with a number of television guest appearances including "Taxi," "Homicide: Life on the Streets," "Ally McBeal," "Law & Order: Criminal Intent," "Sex and the City," "Desperate Housewives," "The Daily Show," "The 7D," "Life in Pieces," "The Good Fight," "Mr. Robot" and "Search Party. He has also drummed up a few recurring roles for himself in the process, including The Cosby Show (1984), Murphy Brown (1988), Clueless (1996) (based on the hit film Clueless (1995), revisiting his teacher role), Murphy Brown (1988), Star Trek: Deep Space Nine (1993), Crossing Jordan (2001), The L Word (2004), Gossip Girl (2007), The Good Wife (2009), Mozart in the Jungle (2014), and, more recently, as Dr. Sturgis in the comedy Young Sheldon (2017).- Actor
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Colorful American character actor equally adept at vicious killers or grizzled sidekicks. As a child he worked in the cotton fields. He attended Santa Monica Junior College in California and subsequently became an accountant and, at one time, manager of the Bel Air Hotel. Elam got his first movie job by trading his accounting services for a role. In short time he became one of the most memorable supporting players in Hollywood, thanks not only to his near-demented screen persona but also to an out-of-kilter left eye, sightless from a childhood fight. He appeared with great aplomb in Westerns and gangster films alike, and in later years played to wonderful effect in comedic roles.- Virginia has a long career as a character actress on the screen, but she will always be best remembered as the Swedish "Mrs. Olsen", who somehow knew everything about making coffee, and we somehow always found her in the kitchen of some hapless young housewife who just couldn't seem to make good coffee. Mrs. Olsen taught these women how to do so, as long as it involved using "Mountain Grown" Folger's brand Coffee. For some reason only Mrs. Olsen knew, no other kind of coffee you could buy was any good. And if you believe her, I have some land you'll be interested in!
Virginia was born in the small Iowa town of Stanton, which later converted its water tower to resemble a coffee pot in honor of its most famous citizen. When her family moved to Los Angeles, Virginia worked in radio while attending the University of California, Los Angeles. She was trained for a theatrical career by actor/director Fritz Feld, whom she married in 1940. In 1942, she signed a contract with Warner Bros. and started appearing in various films. Her first film was, Edge of Darkness (1943), in which she played a Norwegian peasant girl called "Miss Olson". Over the years, she appeared in prestigious films such as High Noon (1952) and Judgment at Nuremberg (1961) - to horror in The Mummy's Curse (1944) and Invasion of the Body Snatchers (1956). She was a favorite of Stanley Kramer, appearing in a number of his films. But her greatest fame came in the 1960's when she started her 21-year stint as the matronly "Mrs. Olsen", who always had comforting words for young married couples while pouring Folger's Coffee in the TV ads. - Actor
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Paul Fix, the well-known movie and TV character actor who played "Marshal Micah Torrance" on the TV series The Rifleman (1958), was born Peter Paul Fix on March 13, 1901 in Dobbs Ferry, New York to brew-master Wilhelm Fix and his wife, the former Louise C. Walz. His mother and father were German immigrants who had left their Black Forest home and arrived in New York City in the 1870s. (The name "Fix" is of Latin/Germanic origin, and is derived from St. Vitus and means "animated" or "vital").
Besides Peter Paul, the Fix family consisted of two girls and three boys, the youngest of whom was six years older than the future actor. Peter Paul's childhood was a happy one. He and his family lived on the 200-acre property on which the Manilla Anchor Brewery, where his father was brew-master, was situated. Such was the importance of the senior Fix to the brewery that when he died at the age of 62 on the eve of America's entry into the First World War (two years after his 54-year old wife had died), the brewery closed.
The orphaned Peter Paul, who kept to himself a lot and had a vivid imagination, was sent to live with his married sisters, first one who lived nearby in Yonkers, and then to another in Zanesville, Ohio. The just-turned-17-year-old Peter Paul Fix joined the U.S. Navy on March 12, 1918, and spent his state-side service time during World War I in Newport, Rhode Island and Charleston, South Carolina. He first tread the boards as an actor while a sailor stationed in Newport, when the baby-faced salt (who looked much younger than his age) was one of six gobs chosen to play female roles in the Navy Relief Show "HMS Pinafore". The Navy staging of the Gilbert and Sullivan operetta was a big hit and chalked up a run of several weeks in Providence and Boston.
Fix was assigned as an able-bodied seaman to the troopship U.S.S. Mount Vernon, which was torpedoed by a German U-boat off the coast of France but did not sink as it was run aground. The rest of Fix's naval career was less exciting, and he was demobilized on September 5, 1919. After his discharge, Fix went back to his girlfriend Frances (Taddy) Harvey, whom he had left behind in Zanesville. He and Taddy were married in 1922 and they moved to California as Fix had always wanted to live in a warm climate.
Fix and his bride settled in Hollywood, not so much because he had set ideas about becoming an actor but because he didn't know what he wanted to do with the rest of his life. He liked writing and acting in local plays, and soon became friends with the fellow tyro actor Clark Gable, who was his own age. Fix and Gable were discovered by the stage actress Pauline Frederick, who hired them to be members of her touring troupe that traveled by train the length of the West Coast putting on plays. In all, Fix - who had informally renamed himself Paul Peter - appeared in 20 plays with Gable.
Paul Fix had one of his earliest acting roles on celluloid in the mid-1920s, appearing in a silent Western starring William S. Hart. The Western genre eventually would become the one he was most identified with. He played uncredited bit parts and small roles in silents before getting his first credited role in an early talkie (which was part-silent and part-talking), The First Kiss (1928), which starred future Hollywood superstar Gary Cooper and the dame that drove King Kong ape, Fay Wray. In all, Fix appeared in 300-400 films. The Western programmers of the silent and early talkie days could be shot in less than a week.
In 1925, Taddy gave birth to their daughter Marilyn Carey, who eventually would marry Harry Carey Jr., the son of one of the first great Western superstars. They would have three more children and become part of the extended family gathered around the director John Ford. In his career, Paul Fix would appear with another Western legend, John Wayne, in 26 films, starting in 1931 with Three Girls Lost (1931). Urged on by Loretta Young, Fix became an acting coach for the young actor, and Wayne later paid him back when he became a star by having Fix appear in his movies. (The Duke also was a part of the close-knit group that collected around John Ford). With the Duke's patronage, the kinds of roles that Fix played changed. He had been typed as villains in the 1930s but, in the 40s, he began assaying a better class of character.
Paul Fix was also a screenwriter, and is credited as the writer on three films: Tall in the Saddle (1944), Ring of Fear (1954) and The Notorious Mr. Monks (1958). His favorites parts included playing the stricken passenger in the John Wayne picture The High and the Mighty (1954), Elizabeth Taylor's father in George Stevens' classic Giant (1956), the grandfather of the eponymous The Bad Seed (1956) and the judge in To Kill a Mockingbird (1962). His last screen appearance was in the Brooke Shields movie Wanda Nevada (1979), but he is most famous for appearing in the recurring role of "Marshal Micah Torrance" in the popular Western TV series The Rifleman (1958). As of 1981, the 80-year old Fix was still getting mail from all over the world from "Rifleman" fans.
Paul Fix died October 14, 1983 of kidney failure. He was survived by his daughter Marilyn Carey and son-in-law Harry "Dobe" Carey, three grandchildren and several great-grandchildren.- Actor
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Lean, tall American character actor Arthur Hunnicutt was known for playing humorously wise rural roles. He attended Arkansas State Teachers College in his native state, but was forced to drop out in his third year due to lack of funds. He joined a theatre company in Massachusetts, then migrated to New York, where he began to find acting roles on Broadway and on tour. He played in numerous productions, including the leading role in "Tobacco Road", a part his rangy country persona was made for. He took a few roles in small films in the early 1940s, then returned to stage work. In 1949 he came back to Hollywood permanently and began a long career as a reliable supporting player. His wonderfully written and vibrantly played role in the Howard Hawks Western The Big Sky (1952) won him acclaim and an Oscar nomination for Supporting Actor. He continued playing similar characters, almost always sympathetic, for the remainder of his career. He was stricken with cancer of the tongue and died in 1979.- Actor
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A golden career was reflected in his name. Robert Golden Armstrong ("Bob" to his friends) was born in Birmingham, Alabama on April 7, 1917. He attended the University of North Carolina at Chapel Hill. While there, he was frequently performing on stage with the Carolina Playmakers. After graduating, R.G. headed to New York, where his acting career really took off. In 1953, along with many of his Actors Studio buddies, he was part of the cast of "End As a Man" -- this became the first play to go from off-Broadway to Broadway. The following year, R.G. got his first taste of movies, appearing in Garden of Eden (1954). However, he returned to New York and the live stage. He received great reviews for his portrayal of Big Daddy in the Broadway production of "Cat On a Hot Tin Roof" in 1955.
In 1958, R.G. took the plunge to Hollywood -- he appeared in two movies, a television series, and did numerous guest appearances on television series that year, usually in Westerns such as The Rifleman (1958), Have Gun - Will Travel (1957) and Zane Grey Theatre (1956), among others. He would go on to appear in 80 movies and three television series in his career, and guest-starred in 90 television series, many of them Westerns, often as a tough sheriff or a rugged land baron. R.G. was a regular cast member in the television series T.H.E. Cat (1966), playing tough, one-handed Captain MacAllister. During the filming of Steel (1979) in Kentucky, watching the mammoth Kincaid Tower being built, he made some good friends in the cast: "You become a family on the set," he said in an interview at the time.
Even though he had a long, versatile career, the younger generation knows him as the demonic Lewis Vandredi (pronounced VON-drah-dee), who just would not let the main characters have a good night's sleep on the television series Friday the 13th: The Series (1987). Finally retiring after six successful decades in show business -- his last film appearance was Purgatory (1999) -- R.G. and his lovely wife Mary Craven were mostly just enjoying life in California, and still traveled and vacationed in Europe occasionally. His upbeat, fun-loving personality made him a delight for all who came in contact with him. R.G. Armstrong died at age 95 of natural causes in Studio City, California on July 27, 2012.- Actor
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Burly Brooklyn-born tough guy Adam Roarke made an infamous name for himself in 1960s biker flicks, usually donning a black leather jacket and a mean, mean scowl, typically the head of a bunch of hell-raisers. Nine of his more than 30 films would be in motorcycle movies, sometimes at odds with young rebel Jack Nicholson before his 'Easy Rider' fame.
The former Richard Jordan Gerler was born on August 8, 1937, and destined to become some type of entertainer as his dad was a vaudeville comic and his mom a chorus girl. His parents met while performing in a Ziegfeld Follies show. He grew up rough and rebellious and was a former gang member surviving on the streets of New York. He eventually straightened up by enlisting in the Army. Following his military duty, he studied acting at the Beverly Hills Playhouse and eventually earned a Universal contract to boot, making his film debut (billed as Jordan Gerler) in the crimer 13 West Street (1962). Some of his early work includes a bit part in the film Ensign Pulver (1964) and parts on the TV shows Combat! (1962) and The Virginian (1962).
Adam played tough on TV in many of the "hip" 60's and 70's shows at the time such as Mod Squad (1968), the first pilot episode of Star Trek (1966) and The Man from U.N.C.L.E. (1964). His cult films include Hells Angels on Wheels (1967) with Nicholson, The Savage Seven (1968), Psych-Out (1968) again with Nicholson, Hell's Belles (1969) and Platinum Pussycat (1968). In addition, he appeared on horseback in John Wayne's western El Dorado (1966), and co-starred with Anthony Perkins in Play It As It Lays (1972), Peter Fonda in Dirty Mary Crazy Larry (1974), and Peter O'Toole in The Stunt Man (1980).
Parts grew scarce in the early 80s and Adam decided to focus his attentions on teaching. In 1982 he opened the Film Actor's Lab in Dallas, Texas and settled there. One of his prized students would be Lou Diamond Phillips of "La Bamba" fame. During this time he also acted in and co-directed the low-budget vengeance thriller Trespasses (1986) with Loren Bivens and co-written by former protégé Phillips. Adam's last film was a featured role in the low-budget film Sioux City (1994) directed by and starring Phillips.
Adam, 58, died suddenly of a heart attack in his sleep in the Dallas-Fort Worth suburb of Euless, Texas. A sturdy 60's 'leader of the pack' prototype was survived by second wife Carla Delane-Roarke who co-starred in the film Final Cut (1987) and actor/son Jordan Gerler.- Actor
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Endearing, bushy-whiskered Welsh character actor whose screen repertoire seemed to consist for the better part of variations on a similar theme, namely stereotypical stiff-upper-lip or bumbling British gents. The son of an actress and an actor-manager and on stage from early childhood, Fox began his career in repertory theatre. During the last two years of World War II he served on a minesweeper in the Royal Navy. In 1952, he joined the ensemble of Brian Rix's Whitehall Farces as one of the 'Reluctant Heroes' and the 'Simple Spymen'. Buoyed by popular success, he probably developed his stock-in-trade character around this time. Following a stint on the London stage, Fox then landed several small roles in British films and co-starred for the BBC in the short-lived comedy series Three Live Wires (1961). The show's American producer promised him a shot at Hollywood and the actor and his wife promptly moved to Los Angeles. In 1962, Fox made his American stage debut at the Civic Playhouse in the three-act mystery play "Write Me a Murder" by Frederick Knott. The following year he appeared as a blundering waiter in The Danny Thomas Show (1953).
During the 1960's he became a familiar face on television, staking his particular claim to comedy relief fame as the cranky warlock physician Dr. Bombay in Bewitched (1964) (a character he declared was based on a naval officer with whom he served during the war) and as the buffoonish Colonel Rodney Crittenden in Hogan's Heroes (1965) (who was hopefully not based on anyone). He was also a Dr. Watson to Stewart Granger's Sherlock Holmes in The Hound of the Baskervilles (1972), striding a kind of middle ground between the Watson of Nigel Bruce and that of Edward Hardwicke. His many guest roles as assorted 'visiting' English officers included, among others, 12 O'Clock High (1964), The Man from U.N.C.L.E. (1964), Columbo (1971) and M*A*S*H (1972). More recently, he appeared as Archibald Gracie IV, survivor (albeit briefly) of the sinking of the Titanic (1997) and as the unflappable aviator Winston Havelock going off to his last 'tally-ho' in The Mummy (1999). His ongoing commitment to theatrical work led to engagements in Canada with Stage West, in Las Vegas, Los Angeles and starring on Broadway in a 1978 production of "3 Rue de L'Amour" with Louis Jourdan and Kathleen Freeman.
In private life, Fox was renowned as an expert theatre historian. He was reputedly a keen gardener, a painter of landscapes and a devotee of performing magic.- Originally named Shalom Jaffe, he became known to the world as Sam Jaffe. He was born in New York City, to Heida (Ada) and Barnett Jaffe, who were Russian Jewish immigrants. As a child, he appeared in Yiddish theatre productions with his mother, a prominent regional stage actress. He graduated from the City College of New York and then studied engineering at Columbia University graduate school. He began his career as a mathematics teacher in the Bronx. Around 1915 Jaffe joined the Washington Square Players. By 1918 he was no stranger to Broadway, having debuted in the original play Youth, and he appeared regularly through the 1920s, though less in the 1930s and only sporadically in the 1940s. He appeared in 21 plays on Broadway during his acting career, his final appearance in 1979.
Jaffe was a method actor before it was defined and early on sported his signature shock of curly hair that some people would later misinterpret as part of some Harpo Marx characterization. Jaffe was anything but. His acting talents were considerable, and Hollywood noticed him first for the unusual role of the mad Grand Duke Peter in Josef von Sternberg 's The Scarlet Empress (1934). Frightening in his rendition of Peter, he was dispatched by the always magnificent Marlene Dietrich.
Jaffe was no matinee idol but his homely features were made for unusual character roles. He did not disappoint in providing unforgettable performances. Frank Capra cast him as the mysterious High Lama in Lost Horizon (1937) (as last minute replacement; the actor originally cast had died). It would be another two years before Jaffe was once more called to Hollywood - he was back quite busy on Broadway. He appeared in George Stevens Gunga Din (1939) which sported big star names as well. Stevens gave Jaffe the lead, Gunga Din, native regimental bhisti (Hindi for water-carrier). It was probably Jaffe's most familiar film role. It was a standout part which Jaffe handled with great humanity, and the film was a huge hit.
Jaffe would not appear in another film for eight years. His second of two movies in 1947 was Elia Kazan 's powerful expose of anti-Semitism Gentleman's Agreement (1947) in which Jaffe played an Albert Einstein-like professor. Jaffe would play doctors of one sort or another in the handful of movies for the next few years. Then in 1950 he played a very different doctor - Doc Erwin Riedenschneider, criminal mastermind -- in John Huston's taut The Asphalt Jungle (1950). Jaffe would receive a nomination for a supporting actor Oscar for this effort. Of the three films he did in 1951, Jaffe also appeared in an another Einstein-like role in the Robert Wise sci-fi classic The Day the Earth Stood Still (1951).
Jaffe experienced the destructive anti-communist furor when his name was included on a listing of performers sympathetic to communism in the Red Channels pamphlet and like many, was blacklisted by the big Hollywood studios. He was considered essential by producer Julian Blaustein and Robert Wise to play Professor Jacob Barnhardt, and 20th Century Fox boss Darryl Zanuck (who had resisted much heat for Gentleman's Agreement (1947)) agreed. It was ironic that Einstein, veiled as the character Barnhardt, was a pacifist and being watched by the U.S. government at that time. There was some credence for rumors that Jaffe provided the calculus equations (mainly the gravitational force between bodies) on Barnhardt's blackboard - solved so easily by alien Michael Rennie.
Jaffe didn't appear on-screen for seven years due to the punitive effects of the blacklisting. In 1958, John Huston wanted him for his very original The Barbarian and the Geisha (1958) with John Wayne, and director William Wyler also came forward later to cast him as faithful servant Simonides in the blockbuster Ben-Hur (1959). From then on Jaffe was very busy, especially with episodic TV through the 1960s which included his own recurring role as Dr. Zorba in the very popular Ben Casey (1961) series. Jaffe also appeared with his lifelong best friend, screen icon Edward G. Robinson in the made-for-TV film The Old Man Who Cried Wolf (1970) . Jaffe remained active into the year of his passing, a thoroughly engaging and unique actor and human being who never pushed his views on anyone. - Richard Dysart served for four years in the Air Force during the Korean War. He was a founding member of the American Conservatory Theatre, San Francisco. He received the Drama Desk Award in 1972 and a Emmy Award in 1992. He was good friends with Diana Muldaur, who played Rosalind Shays on L.A. Law.
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Jack Warden was born John Warden Lebzelter, Jr. on September 18, 1920 in Newark, New Jersey, to Laura M. (Costello) and John Warden Lebzelter. His father was of German and Irish descent, and his mother was of Irish ancestry. Raised in Louisville, Kentucky, at the age of seventeen, young Jack Lebzelter was expelled from Louisville's DuPont Manual High School for repeatedly fighting. Good with his fists, he turned professional, boxing as a welterweight under the name "Johnny Costello", adopting his mother's maiden name. The purses were poor, so he soon left the ring and worked as a bouncer at a night club. He also worked as a lifeguard before signing up with the U.S. Navy in 1938. He served in China with the Yangtze River Patrol for the best part of his three-year hitch before joining the Merchant Marine in 1941.
Though the Merchant Marine paid better than the Navy, Warden was dissatisfied with his life aboard ship on the long convoy runs and quit in 1942 in order to enlist in the U.S. Army. He became a paratrooper with the elite 101st Airborne Division, and missed the June 1944 invasion of Normandy due to a leg badly broken by landing on a fence during a nighttime practice jump shortly before D-Day. Many of his comrades lost their lives during the Normandy invasion, but the future Jack Warden was spared that ordeal. Recuperating from his injuries, he read a play by Clifford Odets given to him by a fellow soldier who was an actor in civilian life. He was so moved by the play, he decided to become an actor after the war. After recovering from his badly shattered leg, Warden saw action at the Battle of the Bulge, Nazi Germany's last major offensive. He was demobilized with the rank of sergeant and decided to pursue an acting career on the G.I. Bill. He moved to New York City to attend acting school, then joined the company of Theatre '47 in Dallas in 1947 as a professional actor, taking his middle name as his surname. This repertory company, run by Margo Jones, became famous in the 1940s and '50s for producing Tennessee Williams's plays. The experience gave him a valuable grounding in both classic and contemporary drama, and he shuttled between Texas and New York for five years as he was in demand as an actor. Warden made his television debut in 1948, though he continued to perform on stage (he appeared in a stage production in Arthur Miller's Death of a Salesman (1966)). After several years in small, local productions, he made both his Broadway debut in the 1952 Broadway revival of Odets' "Golden Boy" and, three years later, originated the role of "Marco" in the original Broadway production of Miller's "A View From the Bridge". On film, he and fellow World War II veteran, Lee Marvin (Marine Corps, South Pacific), made their debut in You're in the Navy Now (1951) (a.k.a. "U.S.S. Teakettle"), uncredited, along with fellow vet Charles Bronson, then billed as "Charles Buchinsky".
With his athletic physique, he was routinely cast in bit parts as soldiers (including the sympathetic barracks-mate of Montgomery Clift and Frank Sinatra in the Oscar-winning From Here to Eternity (1953). He played the coach on TV's Mister Peepers (1952) with Wally Cox.
Aside from From Here to Eternity (1953) (The Best Picture Oscar winner for 1953), other famous roles in the 1950s included Juror #7 (a disinterested salesman who wants a quick conviction to get the trial over with) in 12 Angry Men (1957) - a film that proved to be his career breakthrough - the bigoted foreman in Edge of the City (1957) and one of the submariners commended by Clark Gable and Burt Lancaster in the World War II drama, Run Silent Run Deep (1958). In 1959, Warden capped off the decade with a memorable appearance in The Twilight Zone (1959) episode, The Lonely (1959), in the series premier year of 1959. As "James Corry", Warden created a sensitive portrayal of a convicted felon marooned on an asteroid, sentenced to serve a lifetime sentence, who falls in love with a robot. It was a character quite different from his role as Juror #7.
In the 1960s and early 70s, his most memorable work was on television, playing a detective in The Asphalt Jungle (1961), The Wackiest Ship in the Army (1965) and N.Y.P.D. (1967). He opened up the decade of the 1970s by winning an Emmy Award playing football coach "George Halas" in Brian's Song (1971), the highly-rated and acclaimed TV movie based on Gale Sayers's memoir, "I Am Third". He appeared again as a detective in the TV series, Jigsaw John (1976), in the mid-1970s, The Bad News Bears (1979) and appeared in a pilot for a planned revival of Topper (1937) in 1979.
His collaboration with Warren Beatty in two 1970s films brought him to the summit of his career as he displayed a flair for comedy in both Shampoo (1975) and Heaven Can Wait (1978). As the faintly sinister businessman "Lester" and as the perpetually befuddled football trainer "Max Corkle", Warden received Academy Award nominations as Best Supporting Actor. Other memorable roles in the period were as the metro news editor of the "Washington Post" in All the President's Men (1976), the German doctor in Death on the Nile (1978), the senile, gun-toting judge in And Justice for All (1979), the President of the United States in Being There (1979), the twin car salesmen in Used Cars (1980) and Paul Newman's law partner in The Verdict (1982).
This was the peak of Warden's career, as he entered his early sixties. He single-handedly made Andrew Bergman's So Fine (1981) watchable, but after that film, the quality of his roles declined. He made a third stab at TV, again appearing as a detective in Crazy Like a Fox (1984) in the mid-1980s. He played the shifty convenience store owner "Big Ben" in Problem Child (1990) and its two sequels, a role unworthy of his talent, but he shone again as the Broadway high-roller "Julian Marx" in Woody Allen's Bullets Over Broadway (1994). After appearing in Warren Beatty's Bulworth (1998), Warden's last film was The Replacements (2000) in 2000. He then lived in retirement in New York City with his girlfriend, Marucha Hinds. He was married to French stage actress Wanda Ottoni, best known for her role as the object of Joe Besser's desire in The Three Stooges short, Fifi Blows Her Top (1958). She gave up her career after her marriage. They had one son, Christopher, but had been separated for many years.- Actor
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Though stage, screen and TV veteran Arthur O'Connell was born in New York City (on March 29, 1908), he looked as countrified as the American Gothic painting or Mom's home-made apple pie. Looking much more comfy in overalls than he ever could in a tuxedo, he would find an equally comfortable niche in westerns or small town drama while playing an assortment of shady, weak-willed, folksy characters. His trademark mustache, weary-worry countenance and weathered looks often had him portraying characters older than he was.
The son of Michael and Julie (Byrne) O'Connell, Arthur attended St. John's High School and College in Brooklyn. He made made his legitimate stage debut in a production of "The Patsy" in 1929, and played in vaudeville as part of an act called "Any Family." He later toured with a number of vaudevillians, including Bert Lahr. In London he played the role of Pepper White in a 1938 production of "Golden Boy." He played the role again over a decade later in New York.
In 1940, O'Connell began to find atmospheric bits in a slew of films as pilots, pages, clerks, interns, photographers, ambulance assistants, etc. During this time, he came into contact with Orson Welles and his Mercury Theatre. As such, he was given the small role of a reporter in the final scenes of Citizen Kane (1941). While serving in the U.S. Army (1941-1945) during World War II, he performed and directed several plays and revues. One of his performances was presented before President Franklin D. Roosevelt and Queen Wilhelmina. Making little leeway in films once his military duty was over, O'Connell returned to the New York and, during the 1948-1949 season, toured with the Margaret Webster Shakepeare Company portraying Polonius in "Hamlet" and Banquo in "Macbeth." Following standard roles in such plays as "How Long Till Summer," "Child of the Morning" and Anna Christie," the actor finally hit pay dirt as meek bachelor/storekeeper Howard Bevans in William Inge's Pulitzer Prize-winning play "Picnic" which opened on Broadway in 1953.
As for film work, O'Connell returned to it in 1948 after a six-year absence, but could still find very little beyond uncredited bits. It wasn't until he was given the opportunity to transfer his popular Broadway stage role in "Picnic" to film that he found his big cinematic break. Directed by Joshua Logan, Picnic (1955) went on to win two Oscars and O'Connell himself was the only actor in the film nominated (for supporting actor). Thereafter, he was able to focus playing flawed gents on film and TV. Showier character movie roles in The Man in the Gray Flannel Suit (1956), The Proud Ones (1956), The Solid Gold Cadillac (1956), Bus Stop (1956), April Love (1957), Man of the West (1958) and Gidget (1959) followed, which led to a standout part as the alcoholic, rumple-suited mentor of defense attorney James Stewart in the award-winning courtroom drama Anatomy of a Murder (1959), for which he received a second "supporting actor" Oscar-nomination.
Whether warm, helpful and wise or sly, impish and crafty, O'Connell remained a steady camera presence for the rest of his career. Later films included Hound-Dog Man (1959), Cimarron (1960), Pocketful of Miracles (1961), Kissin' Cousins (1964), 7 Faces of Dr. Lao (1964), Your Cheatin' Heart (1964), The Great Race (1965), Fantastic Voyage (1966), There Was a Crooked Man... (1970), The Poseidon Adventure (1972), Huckleberry Finn (1974) and The Hiding Place (1975). On TV he played urban and rustic rascals, both comedic and dramatic, on a number of regular series in the 1960s and 1970s -- "Zane Grey Theatre," "Alcoa Theatre," "The F.B.I.," "Petticoat Junction," "Wagon Train," "The Big Valley," "The Wild Wild West," "Ironside," "Room 222," "The Name of the Game," "McCloud," "The Jimmy Stewart Show," "The New Perry Mason Show" and "Emergency!" He co-starred with younger Monte Markham, playing his "son" in the short-lived, time-suspended sitcom The Second Hundred Years (1967).
Married once (no children) to Anne Hall Dunlop (1962-1971), Arthur was forced to curtail his work load in the mid 70's to commercials as the insidious progression of Alzheimer's began to creep in. He eventually had to enter the Motion Picture and Television Country Home in Woodland Hills, California. He died there on May 18, 1981, aged 73.- Actor
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Whit Bissell came to Hollywood in the 1940s, and by the time he retired he had appeared in more than 200 movies and scores of TV series. He is best known for playing the evil scientist who turned Michael Landon into a half beast in the 1957 cult classic film I Was a Teenage Werewolf (1957). Bissell specialized in playing doctors, military officers and other authority figures. On television he was a regular on Bachelor Father (1957) and The Time Tunnel (1966). He also served on the Screen Actors Guild board of directors for 18 years and represented the actors branch in the Academy of Motion Picture Arts and Sciences board of governors.- Actor
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In many ways the most successful and familiar character actor of American sound films and the only actor to date to win three Oscars for Best Supporting Actor, Walter Brennan attended college in Cambridge, Massachusetts, studying engineering. While in school he became interested in acting and performed in school plays. He worked some in vaudeville and also in various jobs such as clerking in a bank and as a lumberjack. He toured in small musical comedy companies before entering the military in 1917. After his war service he went to Guatemala and raised pineapples, then migrated to Los Angeles, where he speculated in real estate. A few jobs as a film extra came his way beginning in 1923, then some work as a stuntman. He eventually achieved speaking roles, going from bit parts to substantial supporting parts in scores of features and short subjects between 1927 and 1938. In 1936 his role in Come and Get It (1936) won him the very first Best Supporting Actor Academy Award. He would win it twice more in the decade, and be nominated for a fourth. His range was enormous. He could play sophisticated businessmen, con artists, local yokels, cowhands and military officers with apparent equal ease. An accident in 1932 cost him most of his teeth, and he most often was seen in eccentric rural parts, often playing characters much older than his actual age. His career never really declined, and in the 1950s he became an even more endearing and familiar figure in several television series, most famously The Real McCoys (1957). He died in 1974 of emphysema, a beloved figure in movies and TV, the target of countless comic impressionists, and one of the best and most prolific actors of his time.- Murray Hamilton was one of those character actors whose face would be familiar to most movie buffs at an instant, yet his name may not. That's a shame, because Hamilton was one of the most versatile and prolific of performers who was never anything less than completely convincing in any role he took on, from priests to gangsters, soldiers to politicians, ordinary men to aliens. His characters would rarely fail to evoke emotion, whether that be sympathy or dislike. He particularly excelled at hard-edged, street-wise tough guys on either side of the law. His own dictum was to be always "true to the part as it is written".
Born and schooled in Washington, North Carolina, he had originally studied graphic design but had an early yearning for the acting profession. Barely out of his teens, he took a bus to Los Angeles, eventually arriving in Hollywood with just $50 to his name. He gained a foothold at Warner Brothers (his favorite studio) through the back door, as a messenger boy, earning $22 a week. He soon found work as an extra in films, but by 1945, returned to New York making his debut on Broadway as "a mill hand" in 'Strange Fruit', directed by 'Jose Ferrer (I)'.
His breakthrough came three years later, when he appeared with Henry Fonda in the long-running play 'Mister Roberts' (1948-51), first playing the role of a shore patrol officer, later taking over from David Wayne in the key part of Ensign Pulver. Over the years, Murray became quite comfortable with playing more comedic roles on stage and made good impressions as the over-zealous director Dion Kapakos in 'Critic's Choice' (1960-61), and as Otis Clifton in his Tony Award-nominated performance in 'Absence of a Cello' (1964-65), co-starring with Fred Clark and Charles Grodin. Of his enactment as Robert E. Lee Prewitt in the short-lived military drama 'Stockade' (1954), critic Brooks Atkinson remarked: "Modest of manner, pleasant of voice, he has a steel-like spirit that brings Prewitt honestly to life" (New York Times, September 17, 1986).
Murray began in films properly as a credited screen actor from 1951, alternating with guest starring roles on television (by the end of his life he had appeared in more than 100 TV shows). His expressive face and gravelly voice became an adaptable combination for playing surly gangsters (Perry Mason (1957)), authority figures with integrity (James Stewart's ill-fated colleague in The FBI Story (1959)), or without (pompous mayor Larry Vaughn in Jaws (1975)). He was particularly good as Irving Blanchard in the comedy No Time for Sergeants (1958), giving an excellent drunk impersonation; as obtuse barkeeper Al Paquette in Anatomy of a Murder (1959), the key witness to the crime who keeps mum out of misguided loyalty; cocky Kentuckian millionaire Findley who thinks he can take Fast Eddie in The Hustler (1961); and Anne Bancroft's complacent, cuckolded husband, Mr. Robinson, in The Graduate (1967), a role for which Marlon Brando was at one time considered. Of Murray's performance in the iconic 1960s film, Bosley Crowther posited that "Murray Hamilton is piercing ... a seemingly self-indulgent type who is sharply revealed as bewildered and wounded in one fine, funny scene" (New York Times, December 22, 1967).
On the small screen, he was memorable as "Mr. Death" in the 'One for the Angels' episode of Rod Serling's The Twilight Zone (1959), who is seemingly sweet-talked by salesman Lew Bookman (Ed Wynn) to remain on earth just long enough to make his big "pitch to the angels". As Lewis Dunn in the episode 'The Condemned' of The Invaders (1967), he was a very different type of visitor to earth, a sinister alien. In addition to numerous portrayals of harassed or cynical cops, he is also remembered for his recurring TV role, Captain Rutherford T. Grant, in B.J. and the Bear (1978).
Unlike other busy actors, Hamilton was not a part of the established Hollywood set, preferring to spend his life in his native North Carolina, and in Manhattan. He counted George C. Scott, Jason Robards, and Walter Matthau, among his close friends.
When the actor was suffering from the effects of cancer and found film roles harder to come by, Scott helped out by getting him a part in the made-for-television movie The Last Days of Patton (1986).
Murray Hamilton died, aged 63, in September 1986 in his native North Carolina. - If ever there was an actor born to play a tough Irish cop, it was Ken Lynch, and he played so many of them in his long career that he could probably do it in his sleep. His suspicious manner, aggressive attitude, steely eyes and snarling voice broke down many a quavering suspect. He also played military officers, business executives and private eyes, and every so often he'd be a sheriff in a western, but it was as a street cop or detective that most people remember him.
Born in Albany, NY, he started his acting career in radio dramas, and after gaining experience there he headed to Los Angeles, making his film debut in 1950. He appeared in quite a few movies over his career, but he also did an enormous amount of television work, and that's where most probably remember seeing him, as he turned up on pretty much every cop show, detective show and private-eye series ever made (he even showed up in an episode of the Jackie Gleason comedy series The Honeymooners (1955)--as a tough Irish detective!).
He died in 1990 in Burbank, CA. - Actor
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One of the best and most familiar character actors of the first four decades of sound films, although few who knew his face also knew his name, John Qualen was born in Canada to Norwegian parents. His father was a minister. The family moved to the United States and Qualen (whose real name was Kvalen) grew up in Elgin, Illinois. He won an oratory contest and was given a scholarship to Northwestern University. His interest in acting was piqued there, and he began appearing in tent shows on the Lyceum-Chautauqua circuit and in stock. He went to New York in 1929 and got his big break as the Swedish janitor in Elmer Rice's Street Scene. He repeated the role two years later in the film version. That same year he first worked for director John Ford in Arrowsmith (1931). He became a member of Ford's famed stock company and had prominent roles for Ford for the next thirty-five years. He became a most familiar character player, specializing in Scandinavians of various nationalities, but frequently playing a wide variety of other ethnicities. Perhaps his greatest work among many memorable roles was as the pitiful Muley, who recounts the destruction of his farm by the bank in Ford's masterpiece The Grapes of Wrath (1940). Although plagued in his later years by failing eyesight, he continued to work steadily into his final years. He was treasurer of The Authors Club and historian of The Masquers, Hollywood's famed social group for actors. He had three children, Elizabeth, Kathleen, and Meredith. Qualen died in 1987.- Actor
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Jimmy Conlin was born on 14 October 1884 in Camden, New Jersey, USA. He was an actor, known for Sullivan's Travels (1941), Calling Philo Vance (1940) and The Sin of Harold Diddlebock (1947). He was married to Dorothy Julia Ryan, Myrtle Glass and Lillian Grace Steel (actress). He died on 7 May 1962 in Encino, California, USA.- Blustery, stocky, loud although often genial character actor who has created a niche for himself playing often frustrated and fast talking Southern characters... most noticeably as Sheriff J.W. Pepper alongside Roger Moore in the James Bond adventures Live and Let Die (1973) and The Man with the Golden Gun (1974).
He may have perfected a Southern drawl, however Clifton James was actually born on May 29, 1921 in Spokane, Washington. A graduate of the Actors Studio, he regularly appeared in guest roles on television series, including Gunsmoke (1955), Bonanza (1959) and The Virginian (1962). He was also busy in the cinema with minor roles in classy productions, such as Cool Hand Luke (1967), Will Penny (1967) and The New Centurions (1972). After his 007 escapades, James remained busy putting in a great dramatic performance in The Deadly Tower (1975), played another loud-mouthed Sheriff in the action comedy Silver Streak (1976) and was superb as team owner Charles Comiskey in the dramatization of the 1919 Chicago White Sox scandal, Eight Men Out (1988).
His other roles include that of a wealthy Montana baron whose cattle are being rustled in Rancho Deluxe (1975), and as the source who tips off a newspaper reporter (Bruce Willis) to a potentially explosive story in The Bonfire of the Vanities (1990). He had been quieter in his later years, but showed he could still contribute an enjoyable performance in the wonderful John Sayles movie Sunshine State (2002). James died at age 96 from complications of diabetes at his home in Gladstone, Oregon on April 15, 2017. - Actor
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Forrest Tucker, best known to the Baby Boom generation as Sergeant O'Rourke on the classic TV sitcom F Troop (1965), was born on February 12, 1919, in Plainfield, Indiana. He began his performing career at age 14 at the 1933 Chicago "Century of Progress" World's Fair, pushing big wicker tourists' chairs by day and singing at night. His family moved to Arlington, Virginia, where he attended Washington-Lee High School in 1938.
Big for his age, as a youth Tucker was hired by the Old Gayety Burlesque Theater in Washington, DC, to serve as a Master of Ceremonies for the burly-cue after consecutively winning Saturday night amateur contests. He was fired when it was found out that he was underage. When he turned 18, he was rehired by the Old Gayety.
After graduating from high school in 1938, the 6'4", 200-lb. Tucker played semi-pro football in the Washington, DC, area. He also enlisted in the National Guard and was assigned to a cavalry unit in Ft. Myers, Virginia. He started at the top when he entered the movies, in a supporting role in William Wyler's The Westerner (1940) opposite Gary Cooper and Walter Brennan, who won his third Oscar for portraying Judge Roy Bean in the picture. He got the role during his 1939 vacation from the Old Gayety, which shut down due to the District of Columbia's horrible summers in the days before air conditioning was common.He was signed to the part in the Wyler picture, which required a big fellow with enough presence for a fight scene with the 6'3" superstar Cooper.
Tucker moved to California and began auditioning for parts in films. After "The Westerner", it was off to Poverty Row, where he appeared in William Beaudine's Emergency Landing (1941) at rock-bottom PRC (Producers Releasing Corp.). He was soon signed by Columbia and assigned to the B-pictures unit, though he was lent to MGM for the Spencer Tracy-Katharine Hepburn vehicle Keeper of the Flame (1942), his last film before going off to World War II.
Tucker served as an enlisted man in the Army during the war, being discharged as a second lieutenant in 1945. He returned to Columbia and resumed his acting career with an appearance in the classic film The Yearling (1946). He signed with Republic Pictures in 1948, which brought him one of his greatest roles, that of the Marine corporal bearing a grudge against gung-ho sergeant John Wayne in Sands of Iwo Jima (1949). At Republic Tucker was top-billed in many of the "B' pictures in the action and western genres the studio was famous for, such as Rock Island Trail (1950), California Passage (1950) and Ride the Man Down (1952), among many others. In 1958 he broke out of action / western pictures and played Beauregard Burnside to Rosalind Russell's Auntie Mame (1958), the highest grossing US film of the year. It showed that Tucker was capable of performing in light comedy.
Morton DaCosta, his director on "Auntie Mame", cast Tucker as "Professor" Harold Hill in the national touring production of The Music Man (1962), and he was a more than credible substitute for the great Broadway star Robert Preston, who originated the role. Tucker made 2,008 appearances in The Music Man over the next five years, then starred in "Fair Game for Lovers" on Broadway in 1964.
However, it was television that provided Tucker with his most famous role: scheming cavalry sergeant Morgan O'Rourke in "F Troop", which ran from 1965 to 1967 on ABC. Ably supported by Larry Storch, Ken Berry and James Hampton, Tucker showed a flair for comedy and he and Storch had great chemistry, but the series was canceled after only two seasons. It has, however, remained in syndication ever since.
Following "F Troop", Tucker returned to films in supporting parts (having a good turn as the villain in the John Wayne western Chisum (1970)) and character leads (The Wild McCullochs (1975)). On television he was a regular on three series: Dusty's Trail (1973) with Bob Denver; The Ghost Busters (1975), which reunited him with Larry Storch; and Filthy Rich (1982). Tucker was also a frequent guest star on TV, with many appearances on Gunsmoke (1955) and in the recurring role of Jarvis Castleberry, Flo's estranged father, on Alice (1976) and its spin-off, Flo (1980). He continued to be active on stage as well, starring in the national productions of Plaza Suite (1971), Show Boat (1936), and That Championship Season (1982). He also toured with Roy Radin's Vaudeville Revue, a variety show in which, as a headliner, he told Irish stories and jokes and sang Irish songs.
Tucker returned to the big screen after an absence of several years in 1986, playing hero trucker Charlie Morrison in the action film Thunder Run (1985). His comeback to features was short-lived, however, as he died on October 25, 1986, in the Los Angeles suburb of Woodland Hills, of complications from lung cancer and emphysema. He was 67 years old. Tucker was buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles.- Actor
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Colorful character actor of American Westerns. Named "Chill" as an ironic comment on his birth date being the hottest day of 1902. A musician from his youth, he performed from the age of 12 with tent shows, in vaudeville, and with stock companies. While performing in vaudeville in Kansas City, he married ballet dancer Betty Chappelle, with whom he had two children. He formed a musical group, Chill Wills and His Avalon Boys. During an appearance at the Trocadero in Hollywood, they were spotted by an RKO executive, subsequently appearing as a group in several low-budget Westerns. After a prominent appearance with The Avalon Boys as both himself and the bass-singing voice of Stan Laurel in Way Out West (1937), Wills disbanded the group and began a solo career as a usually jovial (but occasionally sinister) character actor, primarily in Westerns. His delightful portrayal of Beekeeper in The Alamo (1960) won him an Academy Award nomination for Best Supporting Actor, but his blatant and embarrassing campaign for the Oscar cost him the award and subjected him to a great deal of humiliation -- and probably cost the film a number of awards as well. His wife died in 1971, and he remarried, to Novadeen Googe, in 1973. He continued to work in films and television, usually in roguishly lovable good-ol'-boy parts, up until his death in 1978.- Actor
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British character actor of wry charm, equally at home in amused or strait-laced characters. A native of Bourton-on-the-Water in Gloucestershire, he attended Marlborough College and the Royal Academy of Dramatic Arts. His stage debut came in 1922, and by 1925 he was a busy London actor. He married actress Blanche Glynne (real name: Blanche Hope Aitken) and in 1932 toured South Africa in plays. Alleged to have been spotted by George Cukor during a performance in Aldritch, Hyde-White (with or without Cukor's help) made his film debut in 1934. He often appeared under the name Hyde White in these early films. He continued to act upon the stage, playing opposite Laurence Olivier and Vivien Leigh in "Caesar and Cleopatra" and "Antony and Cleopatra" in 1951. With scores of films to his credit, he will always be remembered for one, My Fair Lady (1964), in which he played Colonel Pickering. Active into his ninth decade, Hyde-White died six days before his 88th birthday. He was survived by his second wife, Ethel, and three children.- Actor
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Joe E. Brown happily claimed that he was the only youngster in show business who ran away from home to join the circus with the blessings of his parents. In 1902, the ten-year-old Brown joined a circus tumbling act called the Five Marvellous Ashtons that toured various circuses and vaudeville theaters. Joe later began adding comedy bits into his vaudeville act and added more as it became popular. In 1920 he debuted on Broadway in an all-star review called "Jim Jam Jems". As he developed skits and comedy routines throughout the 1920s, he built up his confidence and his popularity soared. The same could not be said for his debut in movies. Hired for a non-comedy role in The Circus Kid (1928), he played a lion tamer whose fate is death. He didn't register with the public until he signed with Warner Brothers in 1929 to do comedy roles in the film adaptations of Broadway shows such as Sally (1929) and Top Speed (1930). Joe would be well known for his loud yell, his infectious grin and his cavernous mouth. Since many of his films revolved around sports, his natural athletic ability, combined with the physical comedy, made them hits. In Local Boy Makes Good (1931), Joe played a botanist who becomes a track star. As he had briefly played semi-pro baseball, he was a natural for films like Fireman, Save My Child! (1932), in which he played a pitcher who was also a fireman. Two of his biggest hits also involved the game of baseball, Elmer, the Great (1933) and Alibi Ike (1935). In his contract with Warners, he had it written that he would have his own baseball team at the studio to play when he was able. Joe was one of the top ten moneymaking stars for 1933 and 1936. In 1937, he left Warners to make films for David L. Loew, and it was a disaster. Most of the films were cheaply made with poor production values, and only a few were successful. Two of the better ones were Riding on Air (1937) and The Gladiator (1938). Brown always called signing with Loew his biggest professional mistake, and with Loew his popularity fell. By the end of the 1930s he was working in "B" material, which would have been unimaginable less than five years earlier. With the advent of World War II, Joe worked tirelessly to entertain the troops while his film career floundered. Their enthusiastic response enabled Joe to overcome the death of his son, Captain Donald Brown, on a training flight. In 1947 Joe was back in the biz and back on stage in a road company tour of the comedy "Harvey". His first movie role in three years was as a small-town minister in the drama The Tender Years (1948). Even though he gave a good performance, it would be another three years before he was again on the big screen, in the big-budget 1951 remake of Show Boat (1951), in which he played Cap'n Andy Hawks. When his film career became almost nonexistent, Joe worked on radio and in television. He starred as the clown in the drama The Buick Circus Hour (1952) from 1952 to 1953 and made guest appearances on a number of other shows in the 1950s and early 1960s. His peers regarded him as one of the few truly nice people in Hollywood. After a few small movie roles in the 1950s, he was discovered by a new generation as the millionaire Osgood Fielding III in Billy Wilder's classic Some Like It Hot (1959), uttering the immortal last line of the film, "Well, nobody's perfect."- Actor
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Although he came to be called "Hollywood's Irishman in Residence"--and, along with good friends James Cagney, Allen Jenkins, Frank McHugh and a few others were called "The Irish Mafia"--and he often played Irish immigrants, Pat O'Brien was US-born and -bred. As a young boy the devoutly Roman Catholic O'Brien considered entering the seminary to study for the priesthood, but although he often played a Father, Monsignor or Bishop, he never actually followed through and entered the seminary. And although never a policeman, in movies he often wore the cop's badge and, although in real life he had no discernible Irish accent, he could pour on the "brogue" when the role called for it.
Pat O'Brien excelled in roles as beneficent men but could also give convincing performances as wise guys or con artists. He was a most popular film star during the 1930s and 1940s. Over almost five decades, he co-starred in nine films with Cagney, including his own screen swansong, Ragtime (1981).- Bert Stevens was born on 26 February 1905 in Chelsea, Massachusetts, USA. He was an actor, known for Perry Mason (1957) and Trackdown (1957). He was married to Caryl Lincoln and Elizabeth Zilker. He died on 14 December 1964 in Hollywood, California, USA.
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Once a boxer, brawny character actor Tom Kennedy began his film career early in the silent era. He frequently played big, dumb, likable, working-class types, such as in The Case of the Stuttering Bishop (1937). He also worked with W.C. Fields, The Marx Brothers, and Stan Laurel and Oliver Hardy in a career that lasted until his death at the age of 80.- Actor
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Beleaguered character actor Tom Ewell, the unlikely film and TV star with the trademark lumpy figure and droopy, lugubrious mug, was born Samuel Yewell Tompkins on April 29, 1909, in Kentucky. His family tried to steer him towards a law career but he chose the path of acting instead after becoming involved in college productions at the University of Wisconsin.
Ewell began his career at the age of 19 in summer stock roles, marking his professional stage debut in the play "The Spider" in 1928, before making an emphatic move to New York three years later. A former salesman at Macy's, he found an "in" with the famed Actors Studio (later appearing in a number of their "Actor's Studio" TV episodes in the late 1940s) before taking his first Broadway curtain call in the drama "They Shall Not Die" in 1934. For the rest of the decade he demonstrated his versatility in both comedies and dramas with roles in such New York plays as "The First Legion," "Geraniums in My Window," "Let Freedom Ring," "Ethan Frome," "Tobacco Road," "Stage Door," "Brother Rat," "The Merchant of Yonkers" and "Family Portrait".
Ewell made an inauspicious film debut with an unbilled bit in the comedy They Knew What They Wanted (1940) and continued that same year just as bleakly in the westerns Back in the Saddle (1941), Desert Bandit (1941) and The Kid from Kansas (1941). Better suited for Broadway, he found more challenging roles back East in "Suzanna and the Elders" (1940), "Liberty Jones" (1941) and "Sunny River" before his career was suddenly interrupted by World War II service.
A return to The Great White Way happened almost immediately upon his discharge and Tom scored with the comedy hits "Apple of His Eye" (1946) and "John Loves Mary," the latter earning him the Clarence Derwent Award. He also co-starred in the musical revue "Small Wonder" in 1948. Hollywood seemed to pay more attention this time around what with his growing theater reputation and he was handed a terrific role (after appearing in a couple of Paramount "Pacemaker" short comedies) in the Spencer Tracy/Katharine Hepburn classic battle-of-the-sexes film comedy Adam's Rib (1949). Playing Judy Holliday's faithless husband in a part that would later mirror a number of his aging, roving-eye philanderer (minus the buckshot, of course, courtesy of Judy!), Tom's film career finally kicked into high gear.
A succession of wisecracking character supports came his way but the first two were played against his comedy typecast. He was third-billed behind Lana Turner and Ray Milland in the elegant romantic meller A Life of Her Own (1950) as Turner's suave modeling agent and played a fellow reporter along with Tyrone Power in the WWII drama American Guerrilla in the Philippines (1950). Back in the comedy fold, he appeared in the Bing Crosby musical film Mr. Music (1950) before sharing co-star billing with David Wayne in the Willie and Joe war comedy Up Front (1951). He finally received top billing in the comedy Finders Keepers (1951) and again in Back at the Front (1952) when he reprised his Willie character alongside Harvey Lembeck, who replaced a departing David Wayne as Joe.
By far Tom's most successful part began on Broadway in 1952 with "The Seven Year Itch" opposite a delectable Vanessa Brown as "The Girl Upstairs". The show ran for nearly three years and Ewell played the daydreaming adulterer wannabe Richard Sherman part more than 900 times, ultimately winning the Tony Award for his comedic tour de force. Fortunately, he was allowed to recreate the wayward husband role when The Seven Year Itch (1955) transferred to film co-starring Hollywood's hottest property at the time, Marilyn Monroe. Although an Oscar nomination eluded him for this performance, he won a Golden Globe Award and character movie stardom was assured...at least for a time.
The pudding-faced actor tried to patent his leering "ordinary man" with other female knockouts -- The Girl Can't Help It (1956) opposite blonde bombshell Jayne Mansfield, The Great American Pastime (1956) with fetching Anne Francis and The Lieutenant Wore Skirts (1956) co-starring sexy Sheree North, but the vehicles were mild in comparison. The horse-racing yarn A Nice Little Bank That Should Be Robbed (1958) co-starring Mickey Rooney wrapped up Tom's starring career in films.
The middle-aged actor turned more and more of his attention to stage and television at this juncture. He enjoyed great applause once again for the Broadway comedies "The Tunnel of Love" and "A Thurber Carnival" and went on to star in his own sitcom, The Tom Ewell Show (1960), portraying a real estate agent whose domestic life is complicated by all the women in his life (wife, three daughters, mother-in-law). It lasted one complete season. He subsequently appeared in standard guest appearances on TV over the years, plus a few films here and there. The 60-year-old actor rejuvenated on TV with the success of the Robert Blake series Baretta (1975). Tom retired in the mid-1980s after finishing work on both the TV series comedy Best of the West (1981) and the Rodney Dangerfield slapstick film Easy Money (1983).
The actor's first marriage to Judith Ann Abbott, the only child of famed Broadway director George Abbott lasted just a year, but his marriage to Marjorie Sanborn on May 5, 1948, endured a lifetime and produced one son. Tom's health declined sharply in his final years and he died on September 12, 1994, of complications from a number of maladies at the Motion Picture Country House and Hospital in Woodland Hills, California. He was 85. Ewell's mother outlived him, passing away in 1998 at the age of 109.