Most Iconic Composer of the 21st Century
We all have heard a lot of iconic soundtracks and sound themes throughout this century. Writing this type of music that just made the movie or TV-series memorable is a rare thing and something extra.
Which one of the following composers did the most remarkable performances in your own opinion?
Discuss the Poll here
Which one of the following composers did the most remarkable performances in your own opinion?
Discuss the Poll here
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German-born composer Hans Zimmer is recognized as one of Hollywood's most innovative musical talents. He featured in the music video for The Buggles' single "Video Killed the Radio Star", which became a worldwide hit and helped usher in a new era of global entertainment as the first music video to be aired on MTV (August 1, 1981).
Hans Florian Zimmer was born in Frankfurt am Main, then in West Germany, the son of Brigitte (Weil) and Hans Joachim Zimmer. He entered the world of film music in London during a long collaboration with famed composer and mentor Stanley Myers, which included the film My Beautiful Laundrette (1985). He soon began work on several successful solo projects, including the critically acclaimed A World Apart, and during these years Zimmer pioneered the use of combining old and new musical technologies. Today, this work has earned him the reputation of being the father of integrating the electronic musical world with traditional orchestral arrangements.
A turning point in Zimmer's career came in 1988 when he was asked to score Rain Man for director Barry Levinson. The film went on to win the Oscar for Best Picture of the Year and earned Zimmer his first Academy Award Nomination for Best Original Score. The next year, Zimmer composed the score for another Best Picture Oscar recipient, Driving Miss Daisy (1989), starring Jessica Tandy, and Morgan Freeman.
Having already scored two Best Picture winners, in the early 1990s, Zimmer cemented his position as a preeminent talent with the award-winning score for The Lion King (1994). The soundtrack has sold over 15 million copies to date and earned him an Academy Award for Best Original Score, a Golden Globe, an American Music Award, a Tony, and two Grammy Awards. In total, Zimmer's work has been nominated for 7 Golden Globes, 7 Grammys and seven Oscars for Rain Man (1988), Gladiator (2000), The Lion King (1994), As Good as It Gets (1997), The The Preacher's Wife (1996), The Thin Red Line (1998), The Prince of Egypt (1998), and The Last Samurai (2003).
With his career in full swing, Zimmer was anxious to replicate the mentoring experience he had benefited from under Stanley Myers' guidance. With state-of-the-art technology and a supportive creative environment, Zimmer was able to offer film-scoring opportunities to young composers at his Santa Monica-based musical "think tank." This approach helped launch the careers of such notable composers as Mark Mancina, John Powell, Harry Gregson-Williams, Nick Glennie-Smith, and Klaus Badelt.
In 2000, Zimmer scored the music for Gladiator (2000), for which he received an Oscar nomination, in addition to Golden Globe and Broadcast Film Critics Awards for his epic score. It sold more than three million copies worldwide and spawned a second album Gladiator: More Music From The Motion Picture, released on the Universal Classics/Decca label. Zimmer's other scores that year included Mission: Impossible II (2000), The Road to El Dorado (2000), and An Everlasting Piece (2000), directed by Barry Levinson.
Some of his other impressive scores include Pearl Harbor (2001), The Ring (2002), four films directed by Ridley Scott; Matchstick Men (2003), Hannibal (2001), Black Hawk Down (2001), and Thelma & Louise (1991), Penny Marshall's Riding in Cars with Boys (2001), and A League of Their Own (1992), Tony Scott's True Romance (1993), Tears of the Sun (2003), Ron Howard's Backdraft (1991), Days of Thunder (1990), Smilla's Sense of Snow (1997), and the animated Spirit: Stallion of the Cimarron (2002) for which he also co-wrote four of the songs with Bryan Adams, including the Golden Globe nominated Here I Am.
At the 27th annual Flanders International Film Festival, Zimmer performed live for the first time in concert with a 100-piece orchestra and a 100-voice choir. Choosing selections from his impressive body of work, Zimmer performed newly orchestrated concert versions of Gladiator, Mission: Impossible II (2000), Rain Man (1988), The Lion King (1994), and The Thin Red Line (1998). The concert was recorded by Decca and released as a concert album entitled "The Wings Of A Film: The Music Of Hans Zimmer."
In 2003, Zimmer completed his 100th film score for the film The Last Samurai, starring Tom Cruise, for which he received both a Golden Globe and a Broadcast Film Critics nomination. Zimmer then scored Nancy Meyers' comedy Something's Gotta Give (2003), the animated Dreamworks film, Shark Tale (2004) (featuring voices of Will Smith, Renée Zellweger, Robert De Niro, Jack Black, and Martin Scorsese), and Jim Brooks' Spanglish (2004) starring Adam Sandler and Téa Leoni (for which he also received a Golden Globe nomination). His 2005 projects include Paramount's The Weather Man (2005) starring Nicolas Cage, Dreamworks' Madagascar (2005), and the Warner Bros. summer release, Batman Begins (2005).
Zimmer's additional honors and awards include the prestigious Lifetime Achievement Award in Film Composition from the National Board of Review, and the Frederick Loewe Award in 2003 at the Palm Springs International Film Festival. He has also received ASCAP's Henry Mancini Award for Lifetime Achievement. Hans and his wife live in Los Angeles and he is the father of four children.Gladiator (2000), Pirates of the Caribbean (2003), Inception (2010), The Dark Knight (2008), Interstellar (2014)- Composer
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Ludwig Göransson is a Swedish composer known for composing Black Panther, the Creed films, Venom, Fruitvale Station, The Mandalorian, The Book of Boba Fett, Turning Red, New Girl, Community, Top Five, Central Intelligence, 30 Minutes or Less and Tenet. He had a son from Serena McKinney, who was married to him since 2018.Black Panther (2018), The Mandalorian (2019), Tenet (2020), Community (2019), We're the Millers (2013)- Music Department
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As one of the best known, awarded, and financially successful composers in US history, John Williams is as easy to recall as John Philip Sousa, Aaron Copland or Leonard Bernstein, illustrating why he is "America's composer" time and again. With a massive list of awards that includes over 52 Oscar nominations (five wins), twenty-odd Gold and Platinum Records, and a slew of Emmy (two wins), Golden Globe (three wins), Grammy (25 wins), National Board of Review (including a Career Achievement Award), Saturn (six wins), American Film Institute (including a Lifetime Achievement Award) and BAFTA (seven wins) citations, along with honorary doctorate degrees numbering in the teens, Williams is undoubtedly one of the most respected composers for Cinema. He's led countless national and international orchestras, most notably as the nineteenth conductor of the Boston Pops Orchestra from 1980-1993, helming three Pops tours of the US and Japan during his tenure. He currently serves as the Pop's Conductor Laureate. Also to his credit is a parallel career as an author of serious, and some not-so-serious, concert works - performed by the likes of Mstislav Rostropovich, André Previn, Itzhak Perlman, Yo-Yo Ma, Gil Shaham, Leonard Slatkin, James Ingram, Dale Clevenger, and Joshua Bell. Of particular interests are his Essay for Strings, a jazzy Prelude & Fugue, the multimedia presentation American Journey (aka The Unfinished Journey (1999)), a Sinfonietta for Winds, a song cycle featuring poems by Rita Dove, concerti for flute, violin, clarinet, trumpet, tuba, cello, bassoon and horn, fanfares for the 1984, 1988 and 1996 Summer Olympics, the 2002 Winter Olympics, and a song co-written with Alan Bergman and Marilyn Bergman for the Special Olympics! But such a list probably warrants a more detailed background...
Born in Flushing, New York on February 8, 1932, John Towner Williams discovered music almost immediately, due in no small measure to being the son of a percussionist for CBS Radio and the Raymond Scott Quintet. After moving to Los Angeles in 1948, the young pianist and leader of his own jazz band started experimenting with arranging tunes; at age 15, he determined he was going to become a concert pianist; at 19, he premiered his first original composition, a piano sonata.
He attended both UCLA and the Los Angeles City College, studying orchestration under MGM musical associate Robert Van Eps and being privately tutored by composer Mario Castelnuovo-Tedesco, until conducting for the first time during three years with the U.S. Air Force. His return to the states brought him to Julliard, where renowned piano pedagogue Madame Rosina Lhevinne helped Williams hone his performance skills. He played in jazz clubs to pay his way; still, she encouraged him to focus on composing. So it was back to L.A., with the future maestro ready to break into the Hollywood scene.
Williams found work with the Hollywood studios as a piano player, eventually accompanying such fare such as the TV series Peter Gunn (1958), South Pacific (1958), Some Like It Hot (1959), The Apartment (1960), and To Kill a Mockingbird (1962), as well as forming a surprising friendship with Bernard Herrmann. At age 24, "Johnny Williams" became a staff arranger at Columbia and then at 20th Century-Fox, orchestrating for Alfred Newman and Lionel Newman, Dimitri Tiomkin, Franz Waxman, and other Golden Age notables. In the field of popular music, he performed and arranged for the likes of Vic Damone, Doris Day, and Mahalia Jackson... all while courting actress/singer Barbara Ruick, who became his wife until her death in 1974. John & Barbara had three children; their daughter is now a doctor, and their two sons, Joseph Williams and Mark Towner Williams, are rock musicians.
The orchestrating gigs led to serious composing jobs for television, notably Alcoa Premiere (1961), Checkmate (1960), Gilligan's Island (1964), Lost in Space (1965), Land of the Giants (1968), and his Emmy-winning scores for Heidi (1968) and Jane Eyre (1970). Daddy-O (1958) and Because They're Young (1960) brought his original music to the big theatres, but he was soon typecast doing comedies. His efforts in the genre helped guarantee his work on William Wyler's How to Steal a Million (1966), however, a major picture that immediately led to larger projects. Of course, his arrangements continued to garner attention, and he won his first Oscar for adapting Fiddler on the Roof (1971).
During the '70s, he was King of Disaster Scores with The Poseidon Adventure (1972), Earthquake (1974) and The Towering Inferno (1974). His psychological score for Images (1972) remains one of the most innovative works in soundtrack history. But his Americana - particularly The Reivers (1969) - is what caught the ear of director Steven Spielberg, then preparing for his first feature, The Sugarland Express (1974). When Spielberg reunited with Williams on Jaws (1975), they established themselves as a blockbuster team, the composer gained his first Academy Award for Original Score, and Spielberg promptly recommended Williams to a friend, George Lucas. In 1977, John Williams re-popularized the epic cinema sound of Erich Wolfgang Korngold, Franz Waxman and other composers from the Hollywood Golden Age: Star Wars: Episode IV - A New Hope (1977) became the best selling score-only soundtrack of all time, and spawned countless musical imitators. For the next five years, though the music in Hollywood changed, John Williams wrote big, brassy scores for big, brassy films - The Fury (1978), Superman (1978), 1941 (1979), Raiders of the Lost Ark (1981) ... An experiment during this period, Heartbeeps (1981), flopped. There was a long-term change of pace, nonetheless, as Williams fell in love with an interior designer and married once more.
E.T. the Extra-Terrestrial (1982) brought about his third Oscar, and The River (1984), Empire of the Sun (1987), The Accidental Tourist (1988) and Born on the Fourth of July (1989) added variety to the 1980s, as he returned to television with work on Amazing Stories (1985) and themes for NBC, including NBC Nightly News with Lester Holt (1970). The '80s also brought the only exceptions to the composer's collaboration with Steven Spielberg - others scored both Spielberg's segment of Twilight Zone: The Movie (1983) and The Color Purple (1985).
Intending to retire, the composer's output became sporadic during the 1990s, particularly after the exciting Jurassic Park (1993) and the masterful, Oscar-winning Schindler's List (1993). This lighter workload, coupled with a number of hilarious references on The Simpsons (1989) actually seemed to renew interest in his music. Two Home Alone films (1990, 1992), JFK (1991), Nixon (1995), Sleepers (1996), Seven Years in Tibet (1997), Saving Private Ryan (1998), Angela's Ashes (1999), and a return to familiar territory with Star Wars: Episode I - The Phantom Menace (1999) recalled his creative diversity of the '70s.
In this millennium, the artist shows no interest in slowing down. His relationships with Spielberg and Lucas continue in A.I. Artificial Intelligence (2001), the remaining Star Wars prequels (2002, 2005), Minority Report (2002), Catch Me If You Can (2002), and a promised fourth Indiana Jones film. There is a more focused effort on concert works, as well, including a theme for the new Walt Disney Concert Hall and a rumored light opera. But one certain highlight is his musical magic for the world of Harry Potter (2001, 2002, 2004, etc.), which he also arranged into a concert suite geared toward teaching children about the symphony orchestra. His music remains on the whistling lips of people around the globe, in the concert halls, on the promenades, in album collections, sports arenas, and parades, and, this writer hopes, touching some place in ourselves. So keep those ears ready wherever you go, 'cause you will likely hear a bit of John Williams on your way.Star Wars (2005), Harry Potter (2009), Indiana Jones (2008), Jurrasic Park (2001)- Music Department
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Howard Shore is a Canadian composer, born in Toronto. He was born in a Jewish family. He started studying music when 8-years-old, and played as a member of bands by the time he was 13-years-old. He was interested in a professional career in music as a teenager. He studied music at the Berklee College of Music, a college of contemporary music located in Boston.
For a few years in the late 1960s and early 1970s, Shore was a member of Lighthouse, a jazz fusion band. In the 1970s, Shore mainly composed music for theatrical performances and a few television shows. His most notable work was composing the music for the one-man-act show of stage magician Doug Henning. He also served as a musical director in then-new television show "Saturday Night Live" (1975-). He was hired by the show's producer Lorne Michaels, who was a close friend of Shore since their teen years.
In 1978, Shore started his career as a film score composer, with scoring the B-movie " I Miss You, Hugs and Kisses" (1978). His next film score was composed for the horror film "The Brood" (1979). Shore had a good working relationship with the film's director David Cronenberg. Cronenberg would continue to use Shore as the composer of most of his films, with the exception of "The Dead Zone" (1983).
In the 1980s, Shore also composed the film scores of works by other directors, such as "After Hours" (1985) by Martin Scorsese, and "Big" (1988) by Penny Marshall. He received more acclaim for composing the film score for "The Silence of the Lambs" (1991), a major hit of its era. Shore was nominated for a BAFTA award for this film score.
By the 1990s, Shore was an established composer of high repute and worked in an ever increasing number of films. Among his better known works were the film scores for comedy film "Mrs. Doubtfire" (1993) and crime thriller "Seven" (1995). Shore received even more critical acclaim in the 2000s, when he composed the film score for fantasy film "The Lord of the Rings: The Fellowship of the Ring" (2001). He won an Academy Award and a Grammy for the film score, and received nominations for a BAFTA award and a Golden Globe.
Shore continued his career with the film scores of acclaimed films "Gangs of New York" (2002), "The Lord of the Rings: The Two Towers" (2002), and "The Lord of the Rings: The Return of the King" (2003). He received his second Academy Award for the film score of "The Return of the King", and his third Academy Award as the composer of hit song "Into the West". He won several other major awards for these film scores. His film scores for "The Lord of the Rings" trilogy are considered the most famous and successful works of his career.
For the rest of the 2000s, Shore closely collaborated with director Martin Scorsese. Shore won a Golden Globe for the film score of Scorsese's "The Aviator" (2004). In the 2010s, Shore continues to work regularly, mostly known for composing film scores for works by directors David Cronenberg, Martin Scorsese, and Peter Jackson. He was the main composer for "The Hobbit" trilogy by Peter Jackson, and the fantasy film "The Twilight Saga: Eclipse" (2010) by David Slade.The Lord of the Rings (2001), The Departed (2006), The Hobbit (2012), The Lord of the Rings: The Rings of Power (2022)- Composer
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Three-time Academy Award-nominated composer and pianist Nicholas Britell is known for his critically acclaimed scores on feature films with Academy Award winning writer-directors Barry Jenkins and Adam McKay. In 2018, Britell wrote the highly acclaimed score for Barry Jenkins' If Beale Street Could Talk. Britell received his second Academy Award nomination as well as BAFTA and Critics' Choice nominations for the score and was awarded Best Original Score by numerous critics' groups, including LA, Boston, Chicago, and Washington DC Film Critics Associations, New York Film Critics Online, and the Online Film Critics Association. In 2018, he also wrote the score for McKay's Vice, starring Christian Bale, which went on to receive eight Academy Award nominations including Best Picture. Britell's most recent film work is the score for Netflix's The King, starring Timothée Chalamet. In 2019, Britell was honored by the World Soundtrack Awards as the Film Composer of the Year for his scores for If Beale Street Could Talk and Vice.
In 2016, Britell was responsible for the world-renowned score for Best Picture winner Moonlight, written and directed by Jenkins. Britell received his first Academy Award, Golden Globe, and Critics' Choice nominations for Moonlight as well as the 2016 Hollywood Music in Media Award for Best Original Score (Dramatic Feature). The year prior, he wrote the score for McKay's much-nominated The Big Short, based on Michael Lewis's best-selling book.
For television, Britell re-teamed with McKay for the HBO series Succession. McKay directed the pilot and executive produces along with writer-showrunner Jesse Armstrong. Britell won an Emmy for Outstanding Original Main Title Theme as well as the 2018 Hollywood Music in Media Award for Best Original Score (TV Show/Limited Series) for Succession Season 1. Britell's score and main title theme have become some of the most talked about music for television on social media, with audience demand leading Britell to produce a remix of the main title theme with lyrics from legendary hip-hop artist Pusha-T (their remix ''Puppets" was released in October 2019 by Def Jam Recordings).
Britell's upcoming projects include writing the score for Amazon's Underground Railroad series, directed and adapted by Barry Jenkins from Colson Whitehead's Pulitzer Prize-winning novel. He is also composing the score for Succession's upcoming Season 3 on HBO.
Britell's music featured in Steve McQueen's Best Picture winning 12 Years A Slave, for which he composed, researched, and arranged the on-camera music, including the violin performances, spiritual songs, work songs, and dances. He went on to work with McQueen on McQueen's art installation Caribs' Leap, which featured as part of the "Master of Light - Robby Müller" retrospective at the Eye film museum in Amsterdam. Other original film score credits include Valerie Faris and Jonathan Dayton's Battle of the Sexes, for which he also wrote and produced original song, "If I Dare" with singer Sara Bareilles; Natalie Portman's A Tale of Love and Darkness; Adam Leon's Gimme the Loot (winner of the 2012 SXSW Grand Jury Prize); Leon's Tramps; Gary Ross' Free State of Jones, and Jack Pettibone Riccobono's documentary The Seventh Fire.
In 2017, Britell won the Discovery of the Year Award at the World Soundtrack Awards in Ghent, Belgium and also received the Distinguished Composer Award from the Middleburg Film Festival. In May 2019, he was awarded - with music supervisor Gabe Hilfer - the first-ever ASCAP Harmony Award celebrating outstanding collaborative achievement between composers and music supervisors for If Beale Street Could Talk. In 2012, he was the recipient of a Henry Mancini Fellowship from the ASCAP Foundation and also won the ASCAP/Doddle Award for Collaborative Achievement.
Britell is a Steinway Artist and is also a Creative Associate of the Juilliard School; he speaks often and gives masterclasses at conservatories and universities including the Eastman Conservatory, Harvard University, Columbia University, New York University, the Mannes School of Music, and Vassar College. In December 2018, it was announced that Britell will be part of Esa-Pekka Salonen's newly formed creative collective "brain trust" as Salonen takes the reins as music director of the San Francisco Symphony. His recent public performances have included concerts at London's Barbican Hall, the Million Dollar Theatre in Los Angeles, Chicago's Ravinia, and Lincoln Center's Alice Tully Hall.
As a producer, Britell produced Damien Chazelle's short film Whiplash, which won the Jury Award for Best US Fiction Short at the 2013 Sundance Film Festival. Following the initial success of the short, he served as co-producer on the Oscar-nominated feature film Whiplash which won Sundance's 2014 Jury Prize and Audience Award.
Britell is an honors and Phi Beta Kappa graduate of Harvard University, as well as a piano performance graduate of the Juilliard School's Pre-College Division. He returned in May 2016 as the Pre-College's commencement speaker.Succession (2018), Don't Look Up (2021), Vice (2018), Moonlight (2016), The Big Short (2015)- Composer
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Dave Porter is a Los Angeles based composer for film and television. He began his classical musical training at the piano at age five, but it was his interest in electronic music as a teen that led him to start composing his own music. He studied both classical and electronic music composition at Sarah Lawrence College under John Yannelli and started his professional career as an assistant in Philip Glass' recording studio in New York City.
Dave is perhaps best known for his enduring creative relationship with one of Hollywood's most respected figures - Vince Gilligan. Since the remarkable pilot episode of Breaking Bad in 2007, Dave has written the original music for all of Gilligan's projects. He scored all 62 episodes of that groundbreaking series and created its iconic opening theme. Actor/Producer Bryan Cranston stated: "With his music, Dave Porter has created another character for Breaking Bad. Evocative and meaningful, Dave's work is an essential part of the storytelling." Since then, Dave has also been behind all of the original music for Breaking Bad's equally acclaimed spin-off, Better Call Saul, and helped bring the Breaking Bad universe to the big screen with his original score to Gilligan's feature film El Camino: A Breaking Bad Movie.
2024 will kick off a new chapter In Dave's career -- his first collaboration with Marvel Studios, Echo, will release on January 10th. The first project to be released under the new Marvel Spotlight banner, it will also be the first Marvel series with a TV-MA rating. "The Marvel team made me feel at home right away and have created a television series full of all of the hallmarks that inspire me -- real stakes, emotions, consequences, and a world in which all of the characters are always learning and evolving," said Porter on his collaboration with Marvel.
Other credits in recent years include working with James Franco on his masterful film The Disaster Artist and collaborating with documentary visionary RJ Cutler on Murf The Surf, a 4 part series produced by Brian Glazer and Ron Howard. He also loved working with creator/showrunner Rebecca Cutter on her groundbreaking Starz series Hightown, as well as AMC's boundary-defying series Preacher - produced by Seth Rogen, Evan Goldberg and Sam Catlin. Dave also recently wrapped up a decade long run as composer for the James Spader crime thriller series The Blacklist, one of the most successful television dramas of all time spanning more than 200 episodes.
Dave has twice been awarded ASCAP's Composer's Choice Award for Best Television Composer - at the inaugural event for the award in 2013, and once again in 2017. He was also bestowed the 2019 Citation Award by his alma mater Sarah Lawrence College for his creative achievements.Breaking Bad (2015), Better Call Saul (2008), The Blacklist (2013)- Composer
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Hildur Guðnadóttir was born on 4 September 1982 in Iceland. She is a composer, known for Joker (2019), Women Talking (2022) and Tár (2022). She is married to Sam Slater. They have one child.Joker (2019), Chernobyl (2019), Sicario (2015)- Composer
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Marco Beltrami was born on 7 October 1966 in New York City, New York, USA. He is a composer and producer, known for I, Robot (2004), Hellboy (2004) and Knowing (2009).A Quiet Place (2018), Lucifer (2018), World War Z (2013), The Wolverine (2018), Ford v Ferrari (2019)- Music Department
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As Danny Elfman was growing up in the Los Angeles area, he was largely unaware of his talent for composing. It wasn't until the early 1970s that Danny and his older brother Richard Elfman started a musical troupe while in Paris; the group "Mystic Knights of Oingo-Boingo" was created for Richard's directorial debut, Forbidden Zone (1980) (now considered a cult classic by Elfman fans). The group's name went through many incarnations over the years, beginning with "The Mystic Knights of the Oingo Boingo" and eventually just Oingo Boingo. While continuing to compose eclectic, intelligent rock music for his L.A.-based band (some of which had been used in various film soundtracks, e.g. Weird Science (1985)), Danny formed a friendship with young director Tim Burton, who was then a fan of Oingo Boingo. Danny went on to score the soundtrack of Pee-wee's Big Adventure (1985), Danny's first orchestral film score. The Elfman-Burton partnership continued (most notably through the hugely-successful "Batman" flicks) and opened doors of opportunity for Danny, who has been referred to as "Hollywood's hottest film composer".The Nightmare Before Christmas in Concert (2018) Spider-Man: No Way Home (2021), Big Eyes 2014, Corpse Bride (2005), Chicago (2002)- Music Artist
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A two-time winner and five-time nominee of the Academy Award, A. R. Rahman is popularly known as the man who has redefined contemporary Indian music. Rahman, according to a BBC estimate, has sold more than 150 million copies of his work comprising of music from more than 100 film soundtracks and albums across over half a dozen languages, including landmark scores such as "Roja", "Bombay", "Dil Se", "Taal", "Lagaan", "Vandemataram", "Jodhaa Akbar", "Slumdog Millionaire" and "127 Hours".
Rahman pursued music as a career at a very young age. After assisting leading musicians in India, he went on to compose jingles and scores for popular Indian television features. He also obtained a degree in western classical music from the Trinity College of Music, London and set up his own in-house studio called Panchathan Record-Inn in Chennai. In 1991, noted filmmaker Mani Ratnam offered Rahman a movie called "Roja" which was a run-away success and brought nationwide fame and acclaim to the composer. The movie also won Rahman the Indian National Award for Best Music Composer, the first time ever by a debut. Since then, Rahman has gone on to win the National Award three more times - the most ever by any music composer.
In 1997, to commemorate 50 years of Indian Independence, Sony Music signed Rahman as its first artist in South Asia. The result was "Vande Mataram", an album that instantly and successfully rekindled the spirit of patriotism among Indians around the world. In 2001, Sir Andrew Lloyd Webber, renowned music composer of musicals including "Phantom of the Opera" and "Jesus Christ Superstar", invited Rahman to compose for his musical, "Bombay Dreams", which was the first production that Sir Webber did not compose for. "Bombay Dreams" opened to packed houses at London's West End and had an unprecedented run for two years. The show later premiered in New York. In 2005, Rahman composed the score for the stage production of "The Lord of the Rings", one of the most expensive productions mounted on stage.
In 2008, Rahman's work gained global prominence with the extraordinary success of his score for "Slumdog Millionaire" that won eight Academy Awards including two for Rahman - Best Score and Best Song. Rahman won over 15 awards for this score including two Grammys, the Golden Globe and the BAFTA. Rahman's music led him to be noticed internationally with several of his tracks featured in movies such as "The Lord of War", "Inside Man" and "The Accidental Husband". His composition, "Bombay Theme" holds the distinction for being featured in over 50 international compilations. Aside from "Slumdog Millionaire", he also scored the music for Hollywood productions, "Elizabeth - The Golden Age", "Couples Retreat", "127 Hours", "People Like Us", "Warriors of Heaven & Earth", "The 100 Foot Journey", "Million Dollar Arm" and "Pele".
Rahman has been conferred with honorary doctorates from the Trinity College of Music, Aligarh Muslim University, Anna University, Middlesex University and Berklee College of Music. In 2009, he was featured in Time Magazine's "Time100: The Most Influential People."
In 2011, Rahman joined a super band, SuperHeavy, comprised of Mick Jagger, Joss Stone, Damian Marley and Dave Stewart. Rahman has collaborated with several other international artists including Nusrat Fateh Ali Khan, Michael Jackson, Michael Bolton, MIA, Vanessa Mae, the Pussycat Dolls, Sarah Brightman, Dido, Hossam Ramzy, Hans Zimmer and Akon.
Rahman remains one of the few mainstream artists whose works have been performed live by the likes of the London Philharmonic Orchestra, Los Angeles Philharmonic Orchestra, Babelsberg Film Orchestra and the Birmingham Symphony Orchestra.
Rahman has expanded his focus to newer horizons including the establishment of the A. R. Rahman Foundation to help poor and underprivileged children. Rahman has also announced initiatives to establish a tradition in western classical music in India and has embarked on an ambitious venture to set up the KM Music Conservatory and the KM Music Symphony Orchestra based out of Chennai, India.Slumdog Millionaire (2008), Lagaan: Once Upon a Time in India (2001)- Composer
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Michael Giacchino is an American composer of music for films, television and video games.
Giacchino composed the scores to the television series Lost, Alias and Fringe, the video game series Medal of Honor and Call of Duty and many films such as The Incredibles (2004), Star Trek (2009), Up (2009), Dawn of the Planet of the Apes (2014), Jurassic World (2015), Inside Out (2015), Spider-Man: Homecoming (2017), War for the Planet of the Apes (2017) and Coco (2017).
For his work on Up he earned an Academy Award for Best Original Score.The Batman (2022), Ratatouille (2007), Up (2009)- Writer
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Justin Hurwitz was born on 22 January 1985 in Los Angeles, California, USA. He is a writer and producer, known for La La Land (2016), First Man (2018) and Whiplash (2014).La La Land (2016), Whiplash (2014)