Republic Records and Sony Pictures Entertainment release the year’s biggest and most-anticipated album, Charlie’s Angels (Original Motion Picture Soundtrack). Check out Charlie’s Angels (Original Motion Picture Soundtrack) Here. The blockbuster record features the runaway smash “Don’t Call Me Angel (Charlie’s Angel)” by Ariana Grande, Miley Cyrus, and Lana Del Rey, “Pantera” by Anitta, and “How It’s Done” by Kash Doll, Kim Petras, Alma, and Stefflon Don. Additionally, it boasts a total of five new songs from co-executive producer and Grammy®-winner Ariana Grande. These include another triple threat anthem “Bad To You” featuring Normani and Nicki Minaj, “Nobody” with the legendary Chaka Khan, and “Got Her Own” with Victoria Monét as well as Grande’s own solo song “How I Look On You.” The soundtrack also spans tracks from Danielle Bradbery, M-22, Arlissa, and Kiana Ledé as well as the unparalleled Donna Summer. See the full tracklisting below!
- 11/1/2019
- by Kristyn Clarke
- Age of the Nerd
Post Malone and Swae Lee dropped a new song on Thursday called “Sunflower,” which apparently includes in its title the name of the forthcoming film soundtrack from which it comes (the song’s full title is “Sunflower (Spider-Man: Into the Spider-Verse)”). The single re-teams Post and Swae after the two joined forces for “Spoil My Night” from Post’s album “beerbongs & Bentleys.”
Sony Pictures Entertainment and Republic Records have teamed up for the first time to create a “contemporary musical companion” for the upcoming feature film, according to the announcement. “The two camps worked closely to create a soundtrack in support of the multicultural protagonist of the film, Miles Morales,” it continues. “The music from the soundtrack will span multiple genres including Hip Hop, Latin and Pop and look to portray what a teen like Miles is listening to across the country.”
“Post and Swae have delivered a song that’s both heroic and emotional,...
Sony Pictures Entertainment and Republic Records have teamed up for the first time to create a “contemporary musical companion” for the upcoming feature film, according to the announcement. “The two camps worked closely to create a soundtrack in support of the multicultural protagonist of the film, Miles Morales,” it continues. “The music from the soundtrack will span multiple genres including Hip Hop, Latin and Pop and look to portray what a teen like Miles is listening to across the country.”
“Post and Swae have delivered a song that’s both heroic and emotional,...
- 10/18/2018
- by Variety Staff
- Variety Film + TV
A string of women have left Sony over the past year — Christine Birch, Paula Askanas, Amy Carney, Andrea Wong and Jean Guerin come to mind — and now this: an email from two male executives inviting women to participate in a Women’s Creative Leadership Initiative “to better equip our women leaders with the tools necessary to amplify their voices.” It was signed by the two male execs: Tom Rothman and Mike Hopkins, the top managers at Sony representing both film and TV. Read the email below.
Bravo if women want to mentor other women and support is given for that from the top management, but the email as written is tone deaf and condescending to women. It suggests that the reason women aren’t being heard is they don’t have the know-how — or “tools” — to communicate. This is not about women being unable to express themselves. This suggests a broader cultural problem,...
Bravo if women want to mentor other women and support is given for that from the top management, but the email as written is tone deaf and condescending to women. It suggests that the reason women aren’t being heard is they don’t have the know-how — or “tools” — to communicate. This is not about women being unable to express themselves. This suggests a broader cultural problem,...
- 4/27/2018
- by Anita Busch and Dawn C. Chmielewski
- Deadline Film + TV
Sony Pictures Entertainment has promoted Spring Aspers to head of music. She previously held the title of executive vp, music creative affairs. In her new role, Aspers will oversee all music-related facets of the company's film labels.
Most recently, the exec worked with Edgar Wright on the soundtrack for the just-released hit film Baby Driver, starring Billboard cover star Ansel Elgort, which hit the No. 1 soundtrack slot at the iTunes Store following its release. Prior to joining Sony Pictures in 2009, Aspers launched the soundtrack department at Island Def Jam Records, where she helped produce soundtracks for films like 2 Fast 2 Furious, Jackass and Spider-Man.
Aspers got her start working alongside the Coen brothers...
Most recently, the exec worked with Edgar Wright on the soundtrack for the just-released hit film Baby Driver, starring Billboard cover star Ansel Elgort, which hit the No. 1 soundtrack slot at the iTunes Store following its release. Prior to joining Sony Pictures in 2009, Aspers launched the soundtrack department at Island Def Jam Records, where she helped produce soundtracks for films like 2 Fast 2 Furious, Jackass and Spider-Man.
Aspers got her start working alongside the Coen brothers...
- 7/6/2017
- by Lyndsey Havens, Billboard
- The Hollywood Reporter - Movie News
You don't have to be a Trekkie -- or Trekker -- to get a chuckle out of "Free Enterprise", an uneven but admittedly inspired low-budget comedy.
A "Swingers" for geeks, with a little of "My Favorite Year" thrown into the mix courtesy of the delightfully self-parodying presence of William Shatner, the picture could beam up some nice specialty business, particularly with the right kind of handling from novice distributor Regent Entertainment.
Rafer Weigel and Eric McCormack ("Will & Grace") star as Robert and Mark, a pair of self-absorbed, emotionally dysfunctional little boys in grown-up bodies who are experiencing a "Logan's Run" sense of doom on the cusp of their 30th birthdays.
The two lifelong friends share a love of all things "Trek" (the Kirk years), not to mention a fundamental distrust of women -- as a parting shot, Robert's frustrated, soon-to-be-ex-girlfriend takes back her gift of a collectible Enterprise Christmas tree ornament. The guys receive something of a wake-up call when they bump into their beloved mentor in a bookstore, looking decidedly unheroic as he thumbs through a porn magazine.
It turns out that disappointingly down-to-earth Bill has problems just like everybody else, particularly one involving the consumption of alcoholic beverages. Worse, he tries to get Robert and Mark interested in his big dream project: a musical version of "Julius Caesar" with Bill playing all the parts himself except for Calpurnia, which he's reserving for Sharon Stone.
When it's pointed out that the conceit would effectively require him to stab himself in the back, Bill glibly replies that it wouldn't be the first time.
Loosely based on the lives of its collaborators, Mark Altman and Robert Meyer Burnett, the script lays on the post-Quentin Tarantino/Kevin Williamson pop culture references a little too self-consciously, while its occasional attempts at something more purposeful have all the subtlety of a Vulcan death grip.
But when they stick to their light, goofy brand of irreverent comedy, the picture works best, particularly with things like a hysterical, full-costume "Logan's Run" dream sequence; not to mention Bill's closing rap performance of Marc Antony's eulogy ("No Tears For Caesar") during which he gamely gives his infamous rendering of "Lucy in the Sky with Diamonds" a run for its over-the-top money. While Shatner is consistently the best thing about "Free Enterprise", demonstrating an disarmingly off-handed way with self-deprecating wit, the other performers have their moments, including McCormack's opening, intense pitch for his horror movie concept about a serial murderer whose victims are all named Marcia, Jan or Cindy.
FREE ENTERPRISE
Regent Entertainment
Director: Robert Meyer Burnett
Screenwriters: Mark Altman, Robert Meyer Burnett
Executive producers: Mark Gottwald, Ellie Gottwald
Producers: Dan Bates, Mark Altman, Allan Kaufman
Cinematographer: Charles Barbee
Production designer: Cynthia Halligan
Editor: Robert Meyer Burnett
Costume designer: Ann Lambert
Music: Scott Spock
Music supervisors: Spring Aspers, Allan Kaufman
Color/stereo
Cast:
Robert: Rafer Weigel
Mark: Eric McCormack
Claire: Audie England
Bill: William Shatner
Sean: Patrick Van Horn
Dan Vebber: Jonathan Slavin
Eric Wallace: Phil LaMarr
Marlena: Deborah Van Valkenberg
Running time -- 108 minutes
MPAA Rating: R...
A "Swingers" for geeks, with a little of "My Favorite Year" thrown into the mix courtesy of the delightfully self-parodying presence of William Shatner, the picture could beam up some nice specialty business, particularly with the right kind of handling from novice distributor Regent Entertainment.
Rafer Weigel and Eric McCormack ("Will & Grace") star as Robert and Mark, a pair of self-absorbed, emotionally dysfunctional little boys in grown-up bodies who are experiencing a "Logan's Run" sense of doom on the cusp of their 30th birthdays.
The two lifelong friends share a love of all things "Trek" (the Kirk years), not to mention a fundamental distrust of women -- as a parting shot, Robert's frustrated, soon-to-be-ex-girlfriend takes back her gift of a collectible Enterprise Christmas tree ornament. The guys receive something of a wake-up call when they bump into their beloved mentor in a bookstore, looking decidedly unheroic as he thumbs through a porn magazine.
It turns out that disappointingly down-to-earth Bill has problems just like everybody else, particularly one involving the consumption of alcoholic beverages. Worse, he tries to get Robert and Mark interested in his big dream project: a musical version of "Julius Caesar" with Bill playing all the parts himself except for Calpurnia, which he's reserving for Sharon Stone.
When it's pointed out that the conceit would effectively require him to stab himself in the back, Bill glibly replies that it wouldn't be the first time.
Loosely based on the lives of its collaborators, Mark Altman and Robert Meyer Burnett, the script lays on the post-Quentin Tarantino/Kevin Williamson pop culture references a little too self-consciously, while its occasional attempts at something more purposeful have all the subtlety of a Vulcan death grip.
But when they stick to their light, goofy brand of irreverent comedy, the picture works best, particularly with things like a hysterical, full-costume "Logan's Run" dream sequence; not to mention Bill's closing rap performance of Marc Antony's eulogy ("No Tears For Caesar") during which he gamely gives his infamous rendering of "Lucy in the Sky with Diamonds" a run for its over-the-top money. While Shatner is consistently the best thing about "Free Enterprise", demonstrating an disarmingly off-handed way with self-deprecating wit, the other performers have their moments, including McCormack's opening, intense pitch for his horror movie concept about a serial murderer whose victims are all named Marcia, Jan or Cindy.
FREE ENTERPRISE
Regent Entertainment
Director: Robert Meyer Burnett
Screenwriters: Mark Altman, Robert Meyer Burnett
Executive producers: Mark Gottwald, Ellie Gottwald
Producers: Dan Bates, Mark Altman, Allan Kaufman
Cinematographer: Charles Barbee
Production designer: Cynthia Halligan
Editor: Robert Meyer Burnett
Costume designer: Ann Lambert
Music: Scott Spock
Music supervisors: Spring Aspers, Allan Kaufman
Color/stereo
Cast:
Robert: Rafer Weigel
Mark: Eric McCormack
Claire: Audie England
Bill: William Shatner
Sean: Patrick Van Horn
Dan Vebber: Jonathan Slavin
Eric Wallace: Phil LaMarr
Marlena: Deborah Van Valkenberg
Running time -- 108 minutes
MPAA Rating: R...
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