Winner of a Spanish Academy supporting actress Goya Award for “Marshland” and nominated for a 2023 best doc short Spanish Academy Goya Award for “Memory,” which she also directed, Nerea Barros, star of “The Gypsy Bride” is preparing “The Coast” (“La Costa”) which will mark her directorial feature debut.
Also written by Barros, “The Coast” will make its market debut in March at the 2024 Malaga Festival Fund & Co-Production Event (Maff). Its news comes little more than a month after the end of the run on Nov. 29 of Atresplayer of “La Red Purpura,” the second part of a crime trilogy begun with “The Gypsy Bride,” which both star Barros and have consolidated her reputation as one of Spain’s finest actors of her generation.
“I am an actress, but for years I have felt the need to give shape to my obsessions, the legacy of the elderly, climate change and women, through art.
Also written by Barros, “The Coast” will make its market debut in March at the 2024 Malaga Festival Fund & Co-Production Event (Maff). Its news comes little more than a month after the end of the run on Nov. 29 of Atresplayer of “La Red Purpura,” the second part of a crime trilogy begun with “The Gypsy Bride,” which both star Barros and have consolidated her reputation as one of Spain’s finest actors of her generation.
“I am an actress, but for years I have felt the need to give shape to my obsessions, the legacy of the elderly, climate change and women, through art.
- 1/12/2024
- by John Hopewell
- Variety Film + TV
Entertainment One (eOne) have sold their first Soanish language series “Operación Marea Negra” to over 60 territories including the U.S. and Mexico (Roku), Austarlia (Sbs), Latin American (AMC Networks Intl), Canada (Teleus) and Spain (Disney-owned Fox channel).
The four-part series is based on the true story of Europe’s first intercepted narco-submarine in November 2019, when three smugglers crossed the Atlantic in a home-made sub-aquatic vessel carrying more than 3,000 kilos of cocaine. After boarding in the middle of the Amazon, they sailed to Europe while enduring terrible conditions including hunger, engine problems and storms before finally being captured on the Galician coast by the Civil Guard.
Álex González (“3 Caminos”) stars as “Nando, the ex-boxer and leader of the pack who turns to trafficking when his other financial options dry up.” Joining him are Nerea Barros (“La Isla Mínima”), Nuno Lopes (“White Lines”), Miquel Insua (“La Unidad”), Luis Zahera (“El Reino”), Xosé Barato...
The four-part series is based on the true story of Europe’s first intercepted narco-submarine in November 2019, when three smugglers crossed the Atlantic in a home-made sub-aquatic vessel carrying more than 3,000 kilos of cocaine. After boarding in the middle of the Amazon, they sailed to Europe while enduring terrible conditions including hunger, engine problems and storms before finally being captured on the Galician coast by the Civil Guard.
Álex González (“3 Caminos”) stars as “Nando, the ex-boxer and leader of the pack who turns to trafficking when his other financial options dry up.” Joining him are Nerea Barros (“La Isla Mínima”), Nuno Lopes (“White Lines”), Miquel Insua (“La Unidad”), Luis Zahera (“El Reino”), Xosé Barato...
- 10/14/2022
- by K.J. Yossman
- Variety Film + TV
Murky blue- brown images, bringing to mind a Lorca play developed for today’s premium TV audience, fill the screen in the trailer for “The Gypsy Bride,” from “Penny Dreadful” director Paco Cabezas, which world premiered at the San Sebastián Film Festival.
The fiction is produced by ViacomCBS International Studios (Vis), with the participation of Atresmedia Televisión, and in collaboration with Diagonal TV.
As well as presenting the first season of the series at the Spanish-speaking world’s highest-profile festival, Cabezas, the show’s creator and director had something else to celebrate on Wednesday.
The show, which premieres on Sept. 25 on Atresplayer Premium, the ebullient Ott service of broadcast network Atresmedia, has renewed “The Gypsy Bride” (“La Novia Gitana”) for a second season.
The Seville-born director sat down with Variety to talk about creating he eight-part Season 1 of “The Gypsy Bride,”shot inside the Madrid gypsy community, Spain’s largest,...
The fiction is produced by ViacomCBS International Studios (Vis), with the participation of Atresmedia Televisión, and in collaboration with Diagonal TV.
As well as presenting the first season of the series at the Spanish-speaking world’s highest-profile festival, Cabezas, the show’s creator and director had something else to celebrate on Wednesday.
The show, which premieres on Sept. 25 on Atresplayer Premium, the ebullient Ott service of broadcast network Atresmedia, has renewed “The Gypsy Bride” (“La Novia Gitana”) for a second season.
The Seville-born director sat down with Variety to talk about creating he eight-part Season 1 of “The Gypsy Bride,”shot inside the Madrid gypsy community, Spain’s largest,...
- 9/23/2022
- by Liza Foreman
- Variety Film + TV
Atresplayer Premium, the burgeoning Ott service behind HBO Max hit “Veneno,” has renewed “The Gypsy Bride” (“La novia gitana”), whose Season 1, from “Penny Dreadful” director Paco Cabezas, world premieres at the San Sebastian Film Festival.
Atresmedia Television will produce with Banijay Iberia’s Diagonal TV, producer of Netflix hit “Heirs to the Land.”Produced by Vis with the participation of Atresmedia Television and the collaboration of the Diagonal TV, the first season of “The Gypsy Bride” will bow on Atresplayer Premium on Sept. 25.
Directed in its totality by Cabezas, whose credits also include “American Gods,” Season 1 is set in a gypsy community on Madrid’s humble outskirts as homicide inspector Elena Blanco, is called in to investigate the torture and assassination of a young woman just before her wedding.
Channelling echoes of a Lorca tragedy, the series, shot with large visual ambition by Cabezas – mixing bold panoramics and hand-held camerawork...
Atresmedia Television will produce with Banijay Iberia’s Diagonal TV, producer of Netflix hit “Heirs to the Land.”Produced by Vis with the participation of Atresmedia Television and the collaboration of the Diagonal TV, the first season of “The Gypsy Bride” will bow on Atresplayer Premium on Sept. 25.
Directed in its totality by Cabezas, whose credits also include “American Gods,” Season 1 is set in a gypsy community on Madrid’s humble outskirts as homicide inspector Elena Blanco, is called in to investigate the torture and assassination of a young woman just before her wedding.
Channelling echoes of a Lorca tragedy, the series, shot with large visual ambition by Cabezas – mixing bold panoramics and hand-held camerawork...
- 9/15/2022
- by John Hopewell
- Variety Film + TV
Entertainment One (eOne) has picked up international distribution rights (outside of Spain and Portugal) to Operación Marea Negra, a four-part submarine drama series.
The Spanish-language project comes from Amazon Prime Video and Ficción Producciones. The deal was brokered by Noel Hedges, eOne’s EVP, Acquisitions, International Distribution and marks eOne’s first Spanish-language acquisition.
Set in November 2019 and inspired by real events, the show follows three companions as they attempt to cross the Atlantic in a homemade sub loaded with more than 3,000 kilos of cocaine. While aboard, they fight for survival – battling storms, unpredictable currents, hunger, infighting, and the authorities – in this risky underwater adventure.
Álex González stars along with Nerea Barros, Nuno Lopes, Miquel Insua, and Luis Zahera.
Mamen Quintas and Julio Casal serve as executive producers with Portugal’s Ukbar Filmes. Co-producers are Forta, led by Tvg, and the Portuguese Rtp. The series will be directed by Daniel Calparsoro,...
The Spanish-language project comes from Amazon Prime Video and Ficción Producciones. The deal was brokered by Noel Hedges, eOne’s EVP, Acquisitions, International Distribution and marks eOne’s first Spanish-language acquisition.
Set in November 2019 and inspired by real events, the show follows three companions as they attempt to cross the Atlantic in a homemade sub loaded with more than 3,000 kilos of cocaine. While aboard, they fight for survival – battling storms, unpredictable currents, hunger, infighting, and the authorities – in this risky underwater adventure.
Álex González stars along with Nerea Barros, Nuno Lopes, Miquel Insua, and Luis Zahera.
Mamen Quintas and Julio Casal serve as executive producers with Portugal’s Ukbar Filmes. Co-producers are Forta, led by Tvg, and the Portuguese Rtp. The series will be directed by Daniel Calparsoro,...
- 9/27/2021
- by Tom Grater
- Deadline Film + TV
Streaming
Over the weekend, the La Biennale di Venezia launched its new Biennale Cinema Channel in collaboration with Italian streamer MYmovies, offering up a streamable selection of films which have featured in previous editions of the Venice International Film Festival but which are not currently available elsewhere in Italy. The channel drops with an initial library of 36 titles which featured in various sections of the festival between 2007 and 2020. In September, the first group of films will be supplemented with titles available on the 2021 festival’s Sala Web from Sept. 1-11, and continuously updated thereafter. The channel is available as a monthly subscription for €7.90 ($9.38) or in three-month blocks for €19.90 ($23.62).
Venice prizewinning titles from the initial lineup include 2014 best screenplay winner “Tales” by Rakhshan Banietemad, Gastón Solnicki’s 2016 Fipresci Award-winner “Kékszakállú” (“Bluebird”), and Amat Escalante’s “La región salvaje” (“The Untamed”), which won the filmmaker the Golden Lion for best director in...
Over the weekend, the La Biennale di Venezia launched its new Biennale Cinema Channel in collaboration with Italian streamer MYmovies, offering up a streamable selection of films which have featured in previous editions of the Venice International Film Festival but which are not currently available elsewhere in Italy. The channel drops with an initial library of 36 titles which featured in various sections of the festival between 2007 and 2020. In September, the first group of films will be supplemented with titles available on the 2021 festival’s Sala Web from Sept. 1-11, and continuously updated thereafter. The channel is available as a monthly subscription for €7.90 ($9.38) or in three-month blocks for €19.90 ($23.62).
Venice prizewinning titles from the initial lineup include 2014 best screenplay winner “Tales” by Rakhshan Banietemad, Gastón Solnicki’s 2016 Fipresci Award-winner “Kékszakállú” (“Bluebird”), and Amat Escalante’s “La región salvaje” (“The Untamed”), which won the filmmaker the Golden Lion for best director in...
- 7/5/2021
- by Jamie Lang
- Variety Film + TV
Nick Waterman’s The Flame has lit up the 30th annual Flickerfest in Sydney, awarded Best Australian Short Film at the festival’s awards ceremony on Sunday.
Other winners included Tilda Cobham-Hervey and Dev Patel’s Roborovski, which was crowned Best Australian Short Animation, and Naomi Fryer, who won Best Direction in an Australian Short Film for her work on River.
The Flame, which was directed in collaboration with Dayannah Baker Barlow, Tyrese Fernando and Lance Whitton Jr, is about a young boy and girl in a remote town who remember a time before a cold wind first swept across the land; when fire meant something different.
The film was written by Nick Waterman, Megan Washington, Dayannah Baker Barlow, Tyrese Fernando, Paul Spearim, Connie Taylor, and Lance Whitton Jr, and produced by Beyond Empathy.
It was one of four Australian films to be selected for last year’s Berlin International Film Festival.
Other winners included Tilda Cobham-Hervey and Dev Patel’s Roborovski, which was crowned Best Australian Short Animation, and Naomi Fryer, who won Best Direction in an Australian Short Film for her work on River.
The Flame, which was directed in collaboration with Dayannah Baker Barlow, Tyrese Fernando and Lance Whitton Jr, is about a young boy and girl in a remote town who remember a time before a cold wind first swept across the land; when fire meant something different.
The film was written by Nick Waterman, Megan Washington, Dayannah Baker Barlow, Tyrese Fernando, Paul Spearim, Connie Taylor, and Lance Whitton Jr, and produced by Beyond Empathy.
It was one of four Australian films to be selected for last year’s Berlin International Film Festival.
- 1/31/2021
- by Sean Slatter
- IF.com.au
Barcelona – A Netflix original produced by Spain’s Filmax, “Days of Christmas” marks the new series of Pau Freixas, one of the highest-profile creators on Spain’s vibrant drama series scene. A three-part miniseries, “Days” will be made available worldwide by Netflix on Dec. 6.
The story takes place over three different Christmas days, the first in 1949, the second twenty years later and the last one in current rimes more or less. The plot plumbs the secrets hidden and nurtured over these years by a family living in an isolated house in the mountains. The main characters are four women. Twelve actresses, among the best actors of their generations, play the role of four sisters at different times and stages of their lives. Victoria Abril (Pedro Almodóvar’s “High Heels”), Elena Anaya, (Almodóvar’s “The Skin I Live In”), Nerea Barros (Alberto Rodríguez’ “Marshland”) and Verónica Echegui (Simon Donald’s TV-series “Fortitude”) are some of them.
The story takes place over three different Christmas days, the first in 1949, the second twenty years later and the last one in current rimes more or less. The plot plumbs the secrets hidden and nurtured over these years by a family living in an isolated house in the mountains. The main characters are four women. Twelve actresses, among the best actors of their generations, play the role of four sisters at different times and stages of their lives. Victoria Abril (Pedro Almodóvar’s “High Heels”), Elena Anaya, (Almodóvar’s “The Skin I Live In”), Nerea Barros (Alberto Rodríguez’ “Marshland”) and Verónica Echegui (Simon Donald’s TV-series “Fortitude”) are some of them.
- 12/6/2019
- by Emilio Mayorga
- Variety Film + TV
Continuing its investment in Spanish originals, Netflix has unveiled five new projects which will launch on the service worldwide in 2020. In various stages of development and production, they include superhero comedy El Vecino (The Neighbor), based on the graphic novels by Santiago Garcia and Pepo Perez. Colossal and Timecrimes filmmaker Nacho Vigalondo directs the series from Elite‘s Zeta Audiovisual.
Also in the mix, Elite‘s co-creator, Carlos Montero, has a new project in the works for Netflix. El Desorden Que Dejas (The Mess You Leave Behind) is a psychological drama based on Montero’s own award-winning novel.
There are two female-centered series to come including dramedy Valeria based on the novels by Elísabet Benavent, and Días De Navidad (Christmas Days) starring Fortitude‘s Verónica Echegui, Las Chicas Del Cable‘s Anna Moliner and High Heels‘ Victoria Abril.
The fifth project announced today is an anime adaptation of the best-selling...
Also in the mix, Elite‘s co-creator, Carlos Montero, has a new project in the works for Netflix. El Desorden Que Dejas (The Mess You Leave Behind) is a psychological drama based on Montero’s own award-winning novel.
There are two female-centered series to come including dramedy Valeria based on the novels by Elísabet Benavent, and Días De Navidad (Christmas Days) starring Fortitude‘s Verónica Echegui, Las Chicas Del Cable‘s Anna Moliner and High Heels‘ Victoria Abril.
The fifth project announced today is an anime adaptation of the best-selling...
- 2/6/2019
- by Nancy Tartaglione
- Deadline Film + TV
Caught in the Quagmire: Rodriguez’s Satisfying Period Neo-Noir
Having swept the 2014 Goya Awards back home (winning ten of its sixteen nominations, including Best Film), Spanish director Alberto Rodriguez’s Marshland is a character driven cop thriller with the brooding intensity attributed to the contemporary movement of Nordic Noir. Incorporating specific historical elements into its pulpy tapestry for a bit of extra resonance, Rodriguez and his regular co-scribe Rafael Cobos unveil their central mystery with such painstaking deliberateness it’s easy to overlook some of the narrative’s generalities.
Set in rural Spain, just five years after the death of Franco and the fall of his ruthless dictatorship, Rodriguez recalls a nation in transition, introducing an easily fueled binary of good cop vs. bad cop based on the juxtaposing political tenor. As usual, women are relentlessly maligned, even though its dire misogyny transpires off-screen, a typicality more easily forgiven thanks to its ‘period.
Having swept the 2014 Goya Awards back home (winning ten of its sixteen nominations, including Best Film), Spanish director Alberto Rodriguez’s Marshland is a character driven cop thriller with the brooding intensity attributed to the contemporary movement of Nordic Noir. Incorporating specific historical elements into its pulpy tapestry for a bit of extra resonance, Rodriguez and his regular co-scribe Rafael Cobos unveil their central mystery with such painstaking deliberateness it’s easy to overlook some of the narrative’s generalities.
Set in rural Spain, just five years after the death of Franco and the fall of his ruthless dictatorship, Rodriguez recalls a nation in transition, introducing an easily fueled binary of good cop vs. bad cop based on the juxtaposing political tenor. As usual, women are relentlessly maligned, even though its dire misogyny transpires off-screen, a typicality more easily forgiven thanks to its ‘period.
- 10/30/2015
- by Nicholas Bell
- IONCINEMA.com
Marshland
Written by Rafael Cobos and Alberto Rodríguez
Directed by Alberto Rodríguez
Spain, 2014
The disorientating topography of the Andalusian swamplands provides the backdrop for Marshland, an atmospheric murder mystery from Spanish director Alberto Rodríguez. It opens to a series of spectacular aerial shots, taken from directly above, which transform the landscape into something alien and organic, like brightly coloured brain tissue. Birds and agricultural workers moving across the surface only emphasise the strangeness of the territory, showing how limited the perspective is from ground level. In theory, seeing the bigger picture should add clarity – the film returns to these shots at moments of revelation – but, rather than doing so, it exposes the gaps in the characters’ understanding and seems to suggest that some puzzles are too big to solve.
Marshland is set in 1980, a time when Spain is still emerging from the Franco era and adapting to the new democratic regime.
Written by Rafael Cobos and Alberto Rodríguez
Directed by Alberto Rodríguez
Spain, 2014
The disorientating topography of the Andalusian swamplands provides the backdrop for Marshland, an atmospheric murder mystery from Spanish director Alberto Rodríguez. It opens to a series of spectacular aerial shots, taken from directly above, which transform the landscape into something alien and organic, like brightly coloured brain tissue. Birds and agricultural workers moving across the surface only emphasise the strangeness of the territory, showing how limited the perspective is from ground level. In theory, seeing the bigger picture should add clarity – the film returns to these shots at moments of revelation – but, rather than doing so, it exposes the gaps in the characters’ understanding and seems to suggest that some puzzles are too big to solve.
Marshland is set in 1980, a time when Spain is still emerging from the Franco era and adapting to the new democratic regime.
- 2/22/2015
- by Rob Dickie
- SoundOnSight
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