‘Hey Blondie!’ Dagwood, Blondie, Mr. Dithers and a victimized postman return for a stab at a TV revival of the 1940s series from Chic Young’s never-ending comic strip. It’s not bad, with Arthur Lake clowning up a storm and Pamela Britton a charming new embodiment of a character who began as ‘Blondie Boopadoop.’ It’s the entire one-season series.
Blondie The Complete 1957 Television Series
DVD
ClassicFlix
1957 / B&W / 1:33 TV aperture / 26 x 30 min. / Street Date September 25, 2018 / 39.99
Starring: Arthur Lake, Pamela Britton, Stuffy Singer, Florenz Ames, Ann Barnes, Harold Peary, Hollis Irving, Elvia Allman, Lucien Littlefield.
Cinematography: Lothrop B. Wort
Original Music: Mahlon Merrick
Written by John L. Greene, George Beck, George Carleton Brown, Jo Conway, Frank Gill Jr., Gordon T. Hughes, Don Nelson, Jay Sommers, Warren Spector from characters created by Chic Young
Produced by William Harmon
Directed by Hal Yates, Paul Landres, Gerald Freedman
Chic Young’s...
Blondie The Complete 1957 Television Series
DVD
ClassicFlix
1957 / B&W / 1:33 TV aperture / 26 x 30 min. / Street Date September 25, 2018 / 39.99
Starring: Arthur Lake, Pamela Britton, Stuffy Singer, Florenz Ames, Ann Barnes, Harold Peary, Hollis Irving, Elvia Allman, Lucien Littlefield.
Cinematography: Lothrop B. Wort
Original Music: Mahlon Merrick
Written by John L. Greene, George Beck, George Carleton Brown, Jo Conway, Frank Gill Jr., Gordon T. Hughes, Don Nelson, Jay Sommers, Warren Spector from characters created by Chic Young
Produced by William Harmon
Directed by Hal Yates, Paul Landres, Gerald Freedman
Chic Young’s...
- 11/13/2018
- by Glenn Erickson
- Trailers from Hell
Apparently, we trust in no one. I'm itching to tie all this business up, because I can't take the creepiness anymore. The only relationships we can rely on are those between the Atlas MacDowell cronies and Spangler. They're also the only ones whose motives aren't suspect: they are keeping a secret and will stop at nothing to keep Will Travers from discovering it. Otherwise, nothing seems to be certain, especially after this episode. Can Will really trust an artist who doesn't live in a shoebox who talks to her sister on the phone in the bathroom? Maggie apparently can't trust her ex to be a good father, which Kale warned her about. The team isn't legally allowed to trust Tanya since she lost her clearance. And in the spirit of equality, the homosexual relationship is just as trust fucked. First we suspected Kale of working against Will but now we...
- 9/27/2010
- by Dustin Rowles
Last night was the third fast-moving and interesting episode of "Rubicon," where secrets were revealed, as were weaknesses and strengths of our characters. The FBI raids Api because there's a leak in the building. Everyone's put on lockdown and forced to take polygraph tests. What could have been an episode that makes the audience as stir-crazy as the employees turned into an evaluation of how each member of Api deals with stress and how it affects the decisions they make. We also learn that Asshole is probably a philanderer, Will and Miles narrowly escape being fired and Kale is a badass.
I'm going to get my complaints out of the way: first, why does Katherine's narrative exist at all in this episode? We got about two minutes of Katherine scenes and it feels like they could have been shelved until next week and been further explored then. We don't need...
I'm going to get my complaints out of the way: first, why does Katherine's narrative exist at all in this episode? We got about two minutes of Katherine scenes and it feels like they could have been shelved until next week and been further explored then. We don't need...
- 9/7/2010
- by Dustin Rowles
So last week we finally got the episode that shocked this series to life and this week, I expected much of the same. To some extent, my expectations were fulfilled: the characters seem more sincere and we're getting more plot exposition. It's also clear that Will (James Badge Dale) is getting more and more traumatized by the formal and informal weights of his job (it's not everyday we need to please the new boss and figure out if he had our father-in-law murdered). However, the episode was a bit choppy; the editors don't seem to have found their pacing, shifting from plodding and painfully slow to scenes that last about 10 seconds. A prime example is the opening scene where we see Kale breaking into Will's apartment and observing the post-it notes spewed over the carpet. Then we cut to credits, nothing more of that.
Will's narrative centers on his relationship...
Will's narrative centers on his relationship...
- 8/30/2010
- by Dustin Rowles
Seriously. It's called "exposition." You need to give us something. And what we're getting in these 47 minutes is a lot of melancholy faces, coding montages and violin music.
I'm all for the slow build narrative; one of this year's best examples was "Breaking Bad's" "The Fly" episode. It contained the perfect amount of dialogue and metaphor, with very little action, really, but it didn't feel like filler. That particular episode deepened the tension felt by the viewer, not necessarily between the characters themselves, and made me even more invested in the coming episodes. In "Rubicon," the entire show feels like filler -- bad filler. It's like substituting shards of glass for bread crumbs in a really bad crabcake. Unless this show gives viewers a reason to care (besides being the lead-in to "Mad Men"), we're going to tune out. I'm still hanging on because 1) I promised Dustin I would...
I'm all for the slow build narrative; one of this year's best examples was "Breaking Bad's" "The Fly" episode. It contained the perfect amount of dialogue and metaphor, with very little action, really, but it didn't feel like filler. That particular episode deepened the tension felt by the viewer, not necessarily between the characters themselves, and made me even more invested in the coming episodes. In "Rubicon," the entire show feels like filler -- bad filler. It's like substituting shards of glass for bread crumbs in a really bad crabcake. Unless this show gives viewers a reason to care (besides being the lead-in to "Mad Men"), we're going to tune out. I'm still hanging on because 1) I promised Dustin I would...
- 8/9/2010
- by Dustin Rowles
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