“Prince was like nobody I had ever worked with before,” says one of his longtime recording engineers, Peggy McCreary. “He never explained anything to me. You never knew who a song was for until somebody got called in to sing on it.”
McCreary, whose credits also include monolithic albums like Van Halen’s self-titled debut and Toto’s IV, worked with the artist from 1982 to 1987, the peak of his fame. You would think she would have known him well, but she says getting close to him was an impossible task.
McCreary, whose credits also include monolithic albums like Van Halen’s self-titled debut and Toto’s IV, worked with the artist from 1982 to 1987, the peak of his fame. You would think she would have known him well, but she says getting close to him was an impossible task.
- 6/24/2019
- by Kory Grow
- Rollingstone.com
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