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On a recent visit to Zagreb in Croatia, I was stopped in my tracks by this poster, above, in the Museum of Contemporary Art. It is a design for the First Science Fiction Fair held in 1972 in the museum’s previous incarnation as the Gallery of Contemporary Art. The poster’s artist, Mihajlo Arsovski, had been designing exhibition posters for the Gallery for more than a decade and this poster was awarded the Gold Medal at the International Poster Exhibition in Varese, Italy, in 1973. After finding it, I posted about the design on my Movie Poster of the Day Instagram and asked whether anyone followed my account in Croatia, which led to my meeting up with two Croatian artists/designers Neven Udovičić and Sara Kern Gacesa. Neven told me more about Arsovski, who had died at the age of 83 in 2020, and also about Boris Bućan, whose famous poster for Stravinsky...
- 8/5/2023
- MUBI
Great news for Mary Pickford fans! Mary Pickford won the Academy Award for Coquette in 1929 and it’s now available on DVD From Warner Archives
In her first talkie, Mary Pickford won 1929’s Best Actress Academy Award® for her delightful portrayal of Norma Besant, a flirtatious socialite who falls in love with a poor ne’er-do-well. When Norma tells her father she has fallen in love with Michael Jeffery (Johnny Mack Brown), her widowed father forbids the two to see each other, knowing that Michael will never rise to their family’s social class. But their love for each other is stronger than her obligation to obey her father, and the lovers secretly continue their romance. But when they are seen together late one night, her father, gun in hand, sets out to settle things once and for all. Full of romance, passion and suspense, Coquette is also quite risqué for its time.
In her first talkie, Mary Pickford won 1929’s Best Actress Academy Award® for her delightful portrayal of Norma Besant, a flirtatious socialite who falls in love with a poor ne’er-do-well. When Norma tells her father she has fallen in love with Michael Jeffery (Johnny Mack Brown), her widowed father forbids the two to see each other, knowing that Michael will never rise to their family’s social class. But their love for each other is stronger than her obligation to obey her father, and the lovers secretly continue their romance. But when they are seen together late one night, her father, gun in hand, sets out to settle things once and for all. Full of romance, passion and suspense, Coquette is also quite risqué for its time.
- 4/23/2019
- by Tom Stockman
- WeAreMovieGeeks.com
Joan Crawford Movie Star Joan Crawford movies on TCM: Underrated actress, top star in several of her greatest roles If there was ever a professional who was utterly, completely, wholeheartedly dedicated to her work, Joan Crawford was it. Ambitious, driven, talented, smart, obsessive, calculating, she had whatever it took – and more – to reach the top and stay there. Nearly four decades after her death, Crawford, the star to end all stars, remains one of the iconic performers of the 20th century. Deservedly so, once you choose to bypass the Mommie Dearest inanity and focus on her film work. From the get-go, she was a capable actress; look for the hard-to-find silents The Understanding Heart (1927) and The Taxi Dancer (1927), and check her out in the more easily accessible The Unknown (1927) and Our Dancing Daughters (1928). By the early '30s, Joan Crawford had become a first-rate film actress, far more naturalistic than...
- 8/10/2015
- by Andre Soares
- Alt Film Guide
By Fred Blosser
Many books have been written about Hollywood Westerns. After 45 years, the late William K. Everson’s “A Pictorial History of the Western Film” (The Citadel Press, 1969) remains one of the best: a coffee-table book with substance. Everson appropriately tips his sombrero to John Ford, John Wayne, Henry Hathaway, and Howard Hawks (with measured praise for “Red River”), and his comments on films spanning the history of the genre up to the end of the 1960s, from “The Great Train Robbery” (1903) to “The Wild Bunch” (1969), are incisive and thought-provoking. As a film scholar and preservationist, Everson was particularly knowledgeable about older and often obscure movies from the silent and early sound eras. Three of the classic titles he highlights are worthy of his approval and deserve to be better known than they are.
King Vidor’s “Billy the Kid” (1930) is slow going at times, particularly if you’re...
Many books have been written about Hollywood Westerns. After 45 years, the late William K. Everson’s “A Pictorial History of the Western Film” (The Citadel Press, 1969) remains one of the best: a coffee-table book with substance. Everson appropriately tips his sombrero to John Ford, John Wayne, Henry Hathaway, and Howard Hawks (with measured praise for “Red River”), and his comments on films spanning the history of the genre up to the end of the 1960s, from “The Great Train Robbery” (1903) to “The Wild Bunch” (1969), are incisive and thought-provoking. As a film scholar and preservationist, Everson was particularly knowledgeable about older and often obscure movies from the silent and early sound eras. Three of the classic titles he highlights are worthy of his approval and deserve to be better known than they are.
King Vidor’s “Billy the Kid” (1930) is slow going at times, particularly if you’re...
- 9/13/2014
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Well, the dog days of summer are fast approaching, and what better way to duck out of the heat than by spending a cool day inside, AC-blasting, with your Blu-ray player and an endless supply of chilled adult beverages. June sees the release of an Alfred Hitchcock classic (beautifully restored), a trio of Lina Wertmüller gems, a nearly lost Michael Curtiz effort, a movie about the sex lives of ghosts, and a plane crash survival tale sold on the, er, ample merits of its female lead.
“The 39 Steps” (Alfred Hitchcock, 1935)
Why You Should Care: Because “The 39 Steps,” a crackling (86 minutes!) spy thriller from Alfred Hitchcock, is one of the most beloved British movies of all time, coming in at fourth place in the British Film Institute’s poll of top British films, and more recently, named the 21st greatest British film of all time by movie magazine Total Film. The film,...
“The 39 Steps” (Alfred Hitchcock, 1935)
Why You Should Care: Because “The 39 Steps,” a crackling (86 minutes!) spy thriller from Alfred Hitchcock, is one of the most beloved British movies of all time, coming in at fourth place in the British Film Institute’s poll of top British films, and more recently, named the 21st greatest British film of all time by movie magazine Total Film. The film,...
- 6/7/2012
- by Drew Taylor
- The Playlist
Turner Classic Movies (TCM) has unveiled additional programming and events for the 2012 edition of the TCM Classic Film Festival, including a celebration of the 100th anniversary of Paramount Pictures. Robert Evans, longtime producer and former head of production for Paramount, is set to take part in the tribute, which will focus on the studio’s 1970s renaissance. In addition, the TCM Classic Film Festival is slated to include a look at The Noir Style, a tribute to legendary costume designer Travis Banton, a look at art deco in the movies, a collection of early cinematic rarities and much more.
TCM.s own Robert Osborne will once again serve as official host for the four-day, star-studded event, which will take pace Thursday, April 12 . Sunday, April 15, 2012, in Hollywood. Passes are on sale now through the official festival website: http://www.tcm.com/festival.
The Paramount Renaissance
The TCM Classic Film Festival will...
TCM.s own Robert Osborne will once again serve as official host for the four-day, star-studded event, which will take pace Thursday, April 12 . Sunday, April 15, 2012, in Hollywood. Passes are on sale now through the official festival website: http://www.tcm.com/festival.
The Paramount Renaissance
The TCM Classic Film Festival will...
- 12/19/2011
- by Michelle McCue
- WeAreMovieGeeks.com
Robert Montgomery, Joan Crawford, Clark Gable, Forsaking All Others Joan Crawford on TCM: Mildred Pierce, Flamingo Road, When Ladies Meet Schedule (Et) and synopses from the TCM website: 6:00 Am Forsaking All Others (1934) A woman pursues the wrong man for almost twenty years. Dir: W. S. Van Dyke. Cast: Robert Montgomery, Joan Crawford, Clark Gable. Bw-83 mins. 7:30 Am I Live My Life (1935) A flighty society girl tries to make a go of her marriage to an archaeologist. Dir: W. S. Van Dyke. Cast: Joan Crawford, Brian Aherne, Frank Morgan. Bw-97 mins. 9:15 Am Love On The Run (1936) Rival newsmen get mixed up with a runaway heiress and a ring of spies. Dir: W. S. Van Dyke. Cast: Joan Crawford, Clark Gable, Franchot Tone. Bw-80 mins. 10:45 Am When Ladies Meet (1941) A female novelist doesn't realize her new friend is the wife whose husband she's trying to steal. Dir: Robert Z. Leonard.
- 8/22/2011
- by Andre Soares
- Alt Film Guide
Ralph Bellamy on TCM: Sunrise At Campobello, The Awful Truth Schedule (Et) and synopses from the TCM website: 6:00 Am Carefree (1938) A psychiatrist falls in love with the woman he's supposed to be nudging into marriage with someone else. Dir: Mark Sandrich. Cast: Fred Astaire, Ginger Rogers, Ralph Bellamy. Bw-83 mins. 7:30 Am The Secret Six (1931) A secret society funds the investigation of a bootlegging gang. Dir: George Hill. Cast: Wallace Beery, Lewis Stone, John Mack Brown. Bw-84 mins. 9:00 Am Headline Shooter (1933) A newsreel photographer neglects his love life to get the perfect shot. Dir: Otto Brower. Cast: William Gargan, Frances Dee, Ralph Bellamy. Bw-61 mins. 10:15 Am Picture Snatcher (1933) An ex-con brings his crooked ways to a job as a news photographer. Dir: Lloyd Bacon. Cast: James Cagney, Ralph Bellamy, Patricia Ellis. Bw-77 mins. 11:45 Am The Wedding Night (1935) A married author falls for the beautiful farm girl...
- 8/14/2011
- by Andre Soares
- Alt Film Guide
Each year New York residents can look forward to two essential series programmed at the Film Forum, noirs and pre-Coders (that is, films made before the strict enforcing of the Motion Picture Production Code). These near-annual retrospective traditions are refreshed and re-varied and re-repeated for neophytes and cinephiles alike, giving all the chance to see and see again great film on film. Many titles in this year's Essential Pre-Codeseries, running an epic July 15 - August 11, are old favorites and some ache to be new discoveries; all in all there are far too many racy, slipshod, patter-filled celluloid splendors to be covered by one critic alone. Faced with such a bounty, I've enlisted the kind help of some friends and colleagues, asking them to sent in short pieces on their favorites in an incomplete but also in-progress survey and guide to one of the summer's most sought-after series. In this entry: what's playing Friday,...
- 8/4/2011
- MUBI
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