Tonight is the final episode of Nine’s first outing of Big Brother. With 300 crew members, 42 cameras and almost 90 hours of television broadcast each series, there is no TV production quite like it. Encore managing editor Brooke Hemphill visits the set of the revived reality show to see how it is put together and finds the training ground for Australia’s television industry.
Down the dark corridor, lit only by red strip lighting on the floor, thick black curtains cover one-way mirrors. Like a sex peep show, unidentifiable silhouettes peer through gaps in the curtains. “Shhhh. The housemates are over here,” a voice whispers shining a torch in Encore’s direction. We’re in the camera space of the Big Brother house, where up to five camera crew are on shift staffing the 10 fixed cameras rationed between the various rooms. It’s a maze of corridors populated only by the camera team,...
Down the dark corridor, lit only by red strip lighting on the floor, thick black curtains cover one-way mirrors. Like a sex peep show, unidentifiable silhouettes peer through gaps in the curtains. “Shhhh. The housemates are over here,” a voice whispers shining a torch in Encore’s direction. We’re in the camera space of the Big Brother house, where up to five camera crew are on shift staffing the 10 fixed cameras rationed between the various rooms. It’s a maze of corridors populated only by the camera team,...
- 11/6/2012
- by Brooke Hemphill
- Encore Magazine
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