- (1974-1975 season) He directed David Rudkin's play, "Afore Night Comes," in an American premiere at the Long Wharf Theatre in New Haven, Connecticut. David Jenkins was set designer. Jania Szatanski was costume designer. Ronald Wallace was lighting designer.
- (November 29, 1986) He directed Pam Gems' play, "Camille," in an American premiere at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Based on the novel by Alexandre Dumas. Ming Cho Lee was set designer. Jess Goldstein was costume designer. Ronald Wallace was lighting designer.
- (1975) He directed David Rudkin's play, "Afore Night Comes," in an American premiere at the Long Wharf Theatre in New Haven, Connecticut with Frank Converse in the cast. David Jenkins was set designer. Jania Szatanski was costume designer. Ronald Wallace was lighting designer.
- (1975) He directed David Rudkin's play, "Afore Night Comes," in an American premiere at the Long Wharf Theatre in New Haven, Connecticut with Mary Fogarty and Emery Battis in the cast. David Jenkins was set designer. Jania Szatanski was costume designer. Ronald Wallace was lighting designer.
- (1979 to 1980 season) He directed William Shakespeare's play, "Romeo and Juliet," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota with John Spencer in the cast. Tony Straiges was set designer. Craig Miller was lighting designer. Dick Whitbeck was composer.
- (2010 Summer) He directed William Shakespeare's play, "The Taming of the Shrew," in the Old Globe Theatre production at the Lowell Davies Festival Theatre in San Diego, California. Darko Tresnjak was artistic director.
- (2011 Summer) He directed William Shakespeare's play, "Much Ado About Nothing," in the Old Globe Theatre production at the Lowell Davies Festival Theatre in San Diego, California. Darko Tresnjak was artistic director.
- (1969) He directed John Ford's play, "Tis Pity, She's A Whore," at the Royal Shakespeare Company production.
- (November 22, 1991) He directed William Shakespeare's play, "Hamlet," in collaboration with Pittsburgh Public Theatre and American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Mark Rylance (title role); Bill Camp (Hal); Royal Miller (Fortinbras) Gus Johnson (Marcellus) and Jeremy Geidt (Falstaff) in the cast. Antony McDonald was set and costume designer. Frances Aronson was lighting designer. Claire Van Kampen was composer. Maribeth Back was sound designer. Alexis Denisof was fight choreographer. Robert Brustein was artistic director.
- (February 14, 1992) He directed Anton Chekhov's play, "The Seagull," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Christina Estabrook (Arkadina); Jeremy Geidt (Sorin) and Stephanie Roth (Nina) in the cast. Robert Brustein was adapter and artistic director. George Calderon was translator. Antony MacDonald was set designer. Catherine Zuber was costume designer. James Ingalls was lighting designer. Claire Von Kampen was composer. Maribeth Back was sound designer.
- (May 28, 1993) He directed Peter Feibleman's play, "Cakewalk," in an American repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Tony Streiges was set designer. Catherine Zuber was costume designer. Howell Binkley was lighting designer. Maribeth Back was sound designer. Carly Simon was incidental music composer. Matthias Gohl was music arranger and producer. Robert Brustein was artistic director.
- (February 5, 1993) He directed Ronald Ribman's play, "Dream of the Red Spider," in a world premiere and American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Riccardo Hernandez was set designers. Catherine Zuber was costume designer. Frances Aronson was lighting designer. Maribeth Back was sound designer. Robert Brustein was artistic director.
- (April 1, 1993) He directed Stuart Greenman's play, "Silent, Cunning, Exile," in a world premiere New Stages production at the American Repertory Theatre in Cambridge, Massachusetts. Christine Jones was set designer. Karen Eister was costume designer. John Ambrosone was lighting designer. Maribeth Back was sound designer. Robert Brustein was artistic director.
- (November 26, 1993) He directed William Shakespeare's plays, "Henry IV Part I and 2," in the American Repertory Theatre Company production at the Loeb Stage in Cambridge, Massachusetts with Bill Camp (Prince Hal) and Jeremy Geidt (Falstaff) in the cast. Robert Brustein was adapter and artistic director. John Conklin was set designer. Gabriel Berry was costume designer. Frances Aronson was lighting designer. Bruce Odland was composer. Jenny Breen was fight choreographer.
- (January 21, 1994) He directed Anton Chekhov's play, "The Cherry Orchard," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Jack Willis (Lopakhin); Claire Bloom (Ranevskaya); Alvin Epstein (First) and Jeremy Geidt (Gayev) in the cast. George Tsypin was set designer. Catherine Zuber was costume designer. Frances Aronson was lighting designer. Christopher Walker was sound designer. Robert Brustein was artistic director.
- (February 17, 1995) He directed William Shakespeare's play, "Henry V," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. John Conklin was set designer. Gabriel Berry was costume designer. Frances Aronson was lighting designer. Bruce Odland was music and sound designer. Robert Brustein was artistic director.
- (May 12, 1995) He directed Bertolt Brecht's play, "The Threepenny Opera," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Kurt Weill was composer. Michael Feingold was translator. Jeremy Sams was lyric translator. Craig Smith was musical director. Michael Yeargan was set designer. Gabriel Berry was costume designer. Anne Militello was lighting designer. Christopher Walker was sound designer. Robert Brustein was artistic director.
- (November 24, 1995) He directed William Shakespeare's play, "The Tempest," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. John Conklin was set designer. Gabriel Berry was costume designer. Chris Parry was lighting designer. Bruce Odland was composer and sound designer. Amy Spencer and Richard Colton were choreographers. Robert Brustein was artistic director.
- (May 23, 1996) He directed Eugene O'Neill's play, "Long Day's Journey Into Night," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Claire Bloom; Jerome Kilty; Bill Camp and Michael Stuhlbarg in the cast. Michael H. Yeargan was set designer. Catherine Zuber was costume designer. Frances Aronson was lighting designer. Christopher Walker was sound designer. Robert Brustein was artistic director.
- (March 28, 1996) He directed Naomi Wallace's play, "Slaughter City," in an American premiere, New Stages Series and American Repertory Theatre production at the Hasty Pudding Theatre in Cambridge, Massachusetts. Ashley Martin-Davis was set and costume designer. John Ambrosone was lighting designer. Glyn Perrin was original sound score composer. Christopher Walker was additional sound designer. Robert Brustein was artistic director.
- (May 7 to 19, 1996) He directed Eugene O'Neill's play, "Long Day's Journey Into Night," in the American Repertory Theatre production at the Stamford Center for the Arts in Stamford, Connecticut. Michael H. Yeargan was set designer. Catherine Zuber was costume designer. Frances Aronson was lighting designer. Christopher Walker was sound designer. Robert Brustein was artistic director.
Contribute to this page
Suggest an edit or add missing content