The 2022 jury and special award winners of the 29th SXSW Film Festival were unveiled on Tuesday night out of Austin, Texas. Feature films receiving jury awards were selected from the narrative and documentary competitions. Juried awards for shorts, design, and Xr experience were also announced.
Special awards announced included: Louis Black “Lone Star” Award, Adobe Editing Award, Adam Yauch Hörnblowér Award, Zeiss Cinematography Award, the Mailchimp Support the Shorts Award, and the Fandor New Voices Award.
All 2022 film categories will be eligible for category-specific audience awards, which will be certified by the accounting firm of Maxwell Locke & Ritter. Online screenings and audience award voting will conclude 9 a.m. Ct on Monday, March 21. Winners will be announced via sxsw.com that week.
“It was extraordinary to gather together in person again after so long and we are so grateful to the filmmakers and audience who joined us at SXSW 2022 in...
Special awards announced included: Louis Black “Lone Star” Award, Adobe Editing Award, Adam Yauch Hörnblowér Award, Zeiss Cinematography Award, the Mailchimp Support the Shorts Award, and the Fandor New Voices Award.
All 2022 film categories will be eligible for category-specific audience awards, which will be certified by the accounting firm of Maxwell Locke & Ritter. Online screenings and audience award voting will conclude 9 a.m. Ct on Monday, March 21. Winners will be announced via sxsw.com that week.
“It was extraordinary to gather together in person again after so long and we are so grateful to the filmmakers and audience who joined us at SXSW 2022 in...
- 3/16/2022
- by Ryan Lattanzio
- Indiewire
So few women are allowed to be cads onscreen that spotting one is as an exotic and unexpected a sight as a flamingo on the underground. Gemma Arterton’s Vita Sackville-West is one such creature – carnal and careless – Caitlin Moran’s lady sex pirate made flesh. In short…a cad. And it is a joy to behold.
As, in fact, is Vita & Virginia in its entirety. Together director Chanya Button and her (fabulous) co-writer Eileen Atkins (who penned the original play in 1992) have crafted a singular love letter to the relationship between Virginia Woolf and the delightful cad who inspired Orlando and remained her lifelong friend.
Predictably Virginia (Elizabeth Debicki) is less accessible than the irrepressible Vita, about whom we have learned scandalous intimacies within moments. They meet at a party – a gathering of the outrageous Bloomsbury set – Vita has inveigled an invitation solely to meet Virginia. Virginia remains emotionally detached from the crowd,...
As, in fact, is Vita & Virginia in its entirety. Together director Chanya Button and her (fabulous) co-writer Eileen Atkins (who penned the original play in 1992) have crafted a singular love letter to the relationship between Virginia Woolf and the delightful cad who inspired Orlando and remained her lifelong friend.
Predictably Virginia (Elizabeth Debicki) is less accessible than the irrepressible Vita, about whom we have learned scandalous intimacies within moments. They meet at a party – a gathering of the outrageous Bloomsbury set – Vita has inveigled an invitation solely to meet Virginia. Virginia remains emotionally detached from the crowd,...
- 7/5/2019
- by Emily Breen
- HeyUGuys.co.uk
One reason that the great Virginia Woolf has proven resistant to the flattening instincts of the straight-ahead, birth-to-death biopic to date is that there are so many ways into the story of her life, and each aspect seems to have its emblematic text. Stephen Daldry’s adaptation of “The Hours” with its focus on the restrictive social roles that women have historically been forced to play, took “Mrs. Dalloway” as its central motif. And now, Chanya Button’s “Vita & Virginia,” an exploration of Woolf’s (Elizabeth Debicki) 10-year, up-and-down affair with novelist and socialite Vita Sackville-West (Gemma Arterton), loosely organizes itself around the writing of “Orlando,” a novel inspired by Sackville-West in which the title character, born a man, spontaneously changes sex at about 30 years of age.
As a partial glimpse at a multifaceted personality, Button and screenwriter Eileen Atkins, drawing sometimes over-literal inspiration from the letters the pair wrote to each other,...
As a partial glimpse at a multifaceted personality, Button and screenwriter Eileen Atkins, drawing sometimes over-literal inspiration from the letters the pair wrote to each other,...
- 9/18/2018
- by Jessica Kiang
- Variety Film + TV
You've got to watch this beautifully animated fantasy short film called Premier Automne. It's got an extremely touching story, and the designs are fantastic. It was wonderfully directed by Carlos De Carvalho and Aude Danset, and here's what it's about...
Abel lives in the winter and Apolline lives in the summer. Isolated in their "natures", they never met each other. They are not even supposed to meet. So when Abel crosses the border and discovers Apolline, curiosity is overwhelming. Their encounter soon becomes more complicated than they could imagine. Both of them will have to learn compromise to protect the other...
I loved this short film; it's got one enjoyable moment after another. I hope you enjoy it as well!
Premier Automne (2013) from Carlos De Carvalho on Vimeo.
...
Abel lives in the winter and Apolline lives in the summer. Isolated in their "natures", they never met each other. They are not even supposed to meet. So when Abel crosses the border and discovers Apolline, curiosity is overwhelming. Their encounter soon becomes more complicated than they could imagine. Both of them will have to learn compromise to protect the other...
I loved this short film; it's got one enjoyable moment after another. I hope you enjoy it as well!
Premier Automne (2013) from Carlos De Carvalho on Vimeo.
...
- 3/29/2013
- by Joey Paur
- GeekTyrant
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