Irène, the vibrant center of Sandrine Kiberlain’s impressive debut feature, is indeed radiant. Beaming with youth, she’s an 18-year-old aspiring actor, awakened to first love and to the vision of who she wants to be. Irène is also Jewish, living with her family in occupied Paris, and the awful paradox of her blossoming during the summer of ’42 while a hateful and murderous world is closing in is suggested by the movie’s original title, Une Jeune Fille Qui Va Bien: She’s “a young girl who’s doing just fine.” Her zest for life sustains her, and it’s also a dangerous kind of tunnel vision.
Played to awkward/graceful perfection by Rebecca Marder, in her first lead film role, Irène is almost always in exuberant motion, well captured by Guillaume Schiffman’s nimble, unobtrusive cinematography. When the camera lingers for a moment on her anklets and oxfords,...
Played to awkward/graceful perfection by Rebecca Marder, in her first lead film role, Irène is almost always in exuberant motion, well captured by Guillaume Schiffman’s nimble, unobtrusive cinematography. When the camera lingers for a moment on her anklets and oxfords,...
- 2/16/2023
- by Sheri Linden
- The Hollywood Reporter - Movie News
Sandrine Kiberlain’s début feature, A Radiant Girl (Une Jeune Fille Qui Va Bien), which had its world premiere at the Critics’ Week of the 2021 Cannes Film Festival, contains sparkling moments of illumination where the historical context of Paris in the summer of 1942 enters into a dialogue with lines by Marivaux from 1740, as well as a coming-of-age tale that is as old and new as theatre itself. Irène, played by the magnificent Rebecca Marder (a member of the Comédie Française who also stars in Arnaud Desplechin's Deception), is well on her way to become an actress. She is a force of nature who can’t sit still, and the “radiant” of the English title (in the original French she is merely doing well) is no exaggeration. Her energy level and enthusiasm for make-belief can be a nuisance for her father (André Marcon) and her older brother...
- 7/17/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
A celebrated French actor known for The Dreamers and Godard Mon Amour, Louis Garrel recently realized a longtime dream, coming together to write a film with venerated French writer Jean-Claude Carrière. That film, A Faithful Man, examines a couple’s complicated relationship from the time she leaves him for his best friend to her eventual return, after her new lover dies.
“It’s about sex and death, and broken friendship—in general, it’s a French movie,” Garrel joked yesterday, sitting down with Deadline ahead of the film’s Toronto premiere. Working closely with the 82-year-old Carrière—known for collaborations with Milos Forman and Luis Buñuel, among others—Garrel began with a plot by French dramatist Marivaux, eventually starring in his own film, as he has with each of his features.
For Garrel, balancing his responsibilities as director and star wasn’t difficult at all, instead making the entire process easier.
“It’s about sex and death, and broken friendship—in general, it’s a French movie,” Garrel joked yesterday, sitting down with Deadline ahead of the film’s Toronto premiere. Working closely with the 82-year-old Carrière—known for collaborations with Milos Forman and Luis Buñuel, among others—Garrel began with a plot by French dramatist Marivaux, eventually starring in his own film, as he has with each of his features.
For Garrel, balancing his responsibilities as director and star wasn’t difficult at all, instead making the entire process easier.
- 9/10/2018
- by Matt Grobar
- Deadline Film + TV
Red Bull Theater today announced the cast for the one night only benefit performance of Marivaux's The Triumph Of Love, translated by James Magruder and directed by Jesse Berger.
- 9/7/2017
- by BWW News Desk
- BroadwayWorld.com
Louis Garrel as Dorante and Isabelle Huppert as Araminte, in False Confessions, director Luc Bondy’s French-language adaption of Marivaux’s play “Les Fausses Confidences.” Photo courtesy of Big World Pictures ©
Romantic comedy with a French accent and a love letter to theater both describe the French-language False Confessions (Les Fausses Confidences), the last film by Swiss film, theater and opera director Luc Bondy. Bondy re-sets Marivaux’s 18th century classical play about love, “Les Fausses Confidences,” in modern-day Paris, and stars Oscar-nominee Isabelle Huppert (Elle) and Louis Garrel as the would-be lovers at the center of all the twists and deceits.
Fans of director Bondy, writer Marivaux, the film’s star Isabelle Huppert or just theater in general, will find much to like in this enjoyable, clever film adaption. Passions, doubts, jealousies and tempers are all aroused in this dizzy, funny tale, in a production that blends film and theater in a creative fashion.
Romantic comedy with a French accent and a love letter to theater both describe the French-language False Confessions (Les Fausses Confidences), the last film by Swiss film, theater and opera director Luc Bondy. Bondy re-sets Marivaux’s 18th century classical play about love, “Les Fausses Confidences,” in modern-day Paris, and stars Oscar-nominee Isabelle Huppert (Elle) and Louis Garrel as the would-be lovers at the center of all the twists and deceits.
Fans of director Bondy, writer Marivaux, the film’s star Isabelle Huppert or just theater in general, will find much to like in this enjoyable, clever film adaption. Passions, doubts, jealousies and tempers are all aroused in this dizzy, funny tale, in a production that blends film and theater in a creative fashion.
- 7/14/2017
- by Cate Marquis
- WeAreMovieGeeks.com
Big World Pictures
Founded in 2013 and run almost single-handedly by Jonathan Howell, Big World Pictures is a non-profit distribution outfit dedicated to bringing the best in world cinema to film enthusiasts across the United States.
“As an expansion of the mission of our critically-acclaimed short film distribution wing, The World According to Shorts, Big World Pictures is dedicated to bringing the best in world cinema to film enthusiasts across the United States. We acquire only three to four feature films annually for theatrical release, in addition to several short films (to be released through The World According to Shorts), and ten to twelve feature films annually for video/VOD/TV release.”
Opening at Laemmle’s Royal in L.A. day and date with New York’s Lincoln Plaza Cinemas on June 23, Luc Bondy’s modern-day adaptation of the classic Marivaux play, “False Confessions”, starring Isabelle Huppert, Louis Garrel and Bulle Ogier...
Founded in 2013 and run almost single-handedly by Jonathan Howell, Big World Pictures is a non-profit distribution outfit dedicated to bringing the best in world cinema to film enthusiasts across the United States.
“As an expansion of the mission of our critically-acclaimed short film distribution wing, The World According to Shorts, Big World Pictures is dedicated to bringing the best in world cinema to film enthusiasts across the United States. We acquire only three to four feature films annually for theatrical release, in addition to several short films (to be released through The World According to Shorts), and ten to twelve feature films annually for video/VOD/TV release.”
Opening at Laemmle’s Royal in L.A. day and date with New York’s Lincoln Plaza Cinemas on June 23, Luc Bondy’s modern-day adaptation of the classic Marivaux play, “False Confessions”, starring Isabelle Huppert, Louis Garrel and Bulle Ogier...
- 6/6/2017
- by Sydney Levine
- Sydney's Buzz
“West of the Jordan River”, “Bones of Contention”, “False Confessions”…Created by a pool of producers in 1996, Doc & Film International was actively in selling tv documentaries. In 2008 when Daniela Elstner joined Doc & Film as head of the company and shareholder the activities of the company expanded to international sales of feature films and feature length documentaries, working with directors from all over the world and literally premiering their films everywhere in the world.“West of the Jordan River” by Amos Gitai
Their doc “West of the Jordan River” is selected for the upcoming Directors Fortnight in Cannes. Directed by Amos Gitai (“Rabin”, “Free Zone”). who eturns to the occupied territories of Palestine for the first time since his 1982 documentary “Field Diary”, “West of the Jordan River” describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai’s film shows the human ties woven by the military,...
Their doc “West of the Jordan River” is selected for the upcoming Directors Fortnight in Cannes. Directed by Amos Gitai (“Rabin”, “Free Zone”). who eturns to the occupied territories of Palestine for the first time since his 1982 documentary “Field Diary”, “West of the Jordan River” describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai’s film shows the human ties woven by the military,...
- 5/10/2017
- by Sydney Levine
- Sydney's Buzz
Violette , in French, subtitled in English, follows the strange and compelling story from the World War II years through the 1960s of trailblazing bisexual French feminist novelist Violette Leduc (Emmanuelle Devos, Kings and Queen) and her struggle to find her voice as a writer. Scarred by both a childhood trauma and a loveless marriage, as an adult, she became rather crazy.
Here Violette finds a complex and difficult mentor in her friend and benefactress, Simone de Beauvoir (Sandrine Kiberlain), and gains entry to a world of literary giants after a very difficult literary passage.
A parade of great French writers from Camus to Genet is brought to life by a magnificent ensemble cast.
Director Martin Provost (Séraphine, winner of 7 César Awards) vividly and unsentimentally recreates the heady intellectual atmosphere of Paris from the 1940s to the 1960s.
Devos gives one of the most impassioned, over the top crazy (i.e., good!!) performances of her lauded career in the title role, portraying an uncompromising, though totally confused, female artist’s journey from darkness, confusion, weirdness to light and finally literary success.
Devos won her first César Award for her performance as partially deaf Carla in Jacques Audiard's Read My Lips and her second César for Xavier Giannoli’s In the Beginning. She has been praised for many other performances including Arnaud Desplechins A Christmas Tale, Alain Resnais' Wild Grass and Audiard’s The Beat That My Heart Skipped. She will soon begin filming Neil Labute’s The Geography of Hope alongside Vera Farmiga, Ethan Hawke and Ed Harris.
Sandrine Kiberlain is perfect as the famously severe Simone de Beauvoir who is Violette's instructress and mentor.
Sandrine Kiberlain, fresh off her Best Actress win at the 2014 Cesar Awards for 9 Month Stretch, is one of France’s most respected actresses, and has appeared in over fifty films including Alain Resnais' final film Life of Riley, as well as with top French directors such as Jacques Audiard (A Self-Made Hero), Benoît Jacquot (Seventh Heaven, La Fausse Suivante de Marivaux) and Claude Miller (Betty Fisher and Other Stories).
With always interesting sets shot in French period grey tones, Violette is a stunning masterwork that casts an interesting, thought provoking spell.
This is an intimate and powerful true story of the relationship between two extraordinary women in an extraordinary time. If, like me, you thought you “knew” this period, this film will give you much food for thought. It is especially insightful as to the role of French intellectual women and their trials in this most interesting period of French history.
The film premiered at Toronto International Film Festival 2013 in Official Selection where it was acquired for U.S. by Adopt Films. Its U.S. premiere will be at the Los Angeles Film Festival, will open in New York June 13 and in L.A. June 27 followed by its national rollout.
Its international sales agent, Doc & Film has licensed the film to Adopt for U.S., Madman for Australia and New Zealand. Argentina has sold to Cdi Films, Brazil Imovision, Canada Métropole Films Distribution, Denmark Camera Film A/S, France Universcine and Diaphana, Germany Kool Filmdistribution, Iceland Heimili Kvikmyndanna - Bio Paradis, Italy Movies Inspired, Netherlands Contact Film, Norway As Fidalgo Film Distribution, Poland Aurora Films, Slovak Republic Film Europe Media Company, Sweden Folkets Bio, Switzerland Xenix Filmdistribution Gmbh, Taiwan Swallow Wings Films Co.,Ltd., U.K. Soda Pictures...
Here Violette finds a complex and difficult mentor in her friend and benefactress, Simone de Beauvoir (Sandrine Kiberlain), and gains entry to a world of literary giants after a very difficult literary passage.
A parade of great French writers from Camus to Genet is brought to life by a magnificent ensemble cast.
Director Martin Provost (Séraphine, winner of 7 César Awards) vividly and unsentimentally recreates the heady intellectual atmosphere of Paris from the 1940s to the 1960s.
Devos gives one of the most impassioned, over the top crazy (i.e., good!!) performances of her lauded career in the title role, portraying an uncompromising, though totally confused, female artist’s journey from darkness, confusion, weirdness to light and finally literary success.
Devos won her first César Award for her performance as partially deaf Carla in Jacques Audiard's Read My Lips and her second César for Xavier Giannoli’s In the Beginning. She has been praised for many other performances including Arnaud Desplechins A Christmas Tale, Alain Resnais' Wild Grass and Audiard’s The Beat That My Heart Skipped. She will soon begin filming Neil Labute’s The Geography of Hope alongside Vera Farmiga, Ethan Hawke and Ed Harris.
Sandrine Kiberlain is perfect as the famously severe Simone de Beauvoir who is Violette's instructress and mentor.
Sandrine Kiberlain, fresh off her Best Actress win at the 2014 Cesar Awards for 9 Month Stretch, is one of France’s most respected actresses, and has appeared in over fifty films including Alain Resnais' final film Life of Riley, as well as with top French directors such as Jacques Audiard (A Self-Made Hero), Benoît Jacquot (Seventh Heaven, La Fausse Suivante de Marivaux) and Claude Miller (Betty Fisher and Other Stories).
With always interesting sets shot in French period grey tones, Violette is a stunning masterwork that casts an interesting, thought provoking spell.
This is an intimate and powerful true story of the relationship between two extraordinary women in an extraordinary time. If, like me, you thought you “knew” this period, this film will give you much food for thought. It is especially insightful as to the role of French intellectual women and their trials in this most interesting period of French history.
The film premiered at Toronto International Film Festival 2013 in Official Selection where it was acquired for U.S. by Adopt Films. Its U.S. premiere will be at the Los Angeles Film Festival, will open in New York June 13 and in L.A. June 27 followed by its national rollout.
Its international sales agent, Doc & Film has licensed the film to Adopt for U.S., Madman for Australia and New Zealand. Argentina has sold to Cdi Films, Brazil Imovision, Canada Métropole Films Distribution, Denmark Camera Film A/S, France Universcine and Diaphana, Germany Kool Filmdistribution, Iceland Heimili Kvikmyndanna - Bio Paradis, Italy Movies Inspired, Netherlands Contact Film, Norway As Fidalgo Film Distribution, Poland Aurora Films, Slovak Republic Film Europe Media Company, Sweden Folkets Bio, Switzerland Xenix Filmdistribution Gmbh, Taiwan Swallow Wings Films Co.,Ltd., U.K. Soda Pictures...
- 5/31/2014
- by Sydney Levine
- Sydney's Buzz
In American cinema, fate is often presented as a path leading to success – especially when it comes to love. People meet, fall head-over-heels for one another, experience a setback or two, then live happily ever after. In films outside of Hollywood, love stories are often more realistic, and more in tune with subjective experiences of love. In real life, you have to learn how to love. You have to know who you are before turning to others for deep-seated romantic connection. Love at first sight, though, does exist in real life. Maybe not a long-lasting, grow old together, kind of love; but a life-altering spark, where you absolutely need to experience a particular person. Blue is the Warmest Color deals with this kind of love. Similar to both her and Stranger by the Lake, Blue revolves around a character who is lost. Unlike those films, though, Blue is epic in scope.
- 3/2/2014
- by Griffin Bell
- SoundOnSight
Not quite a year after its memorable premiere at the 2013 Cannes Film Festival, where it would snatch the Palme d’Or from the Steven Spielberg headed jury, Criterion adds Blue is the Warmest Color to the collection, of which Abdellatif Kechiche’s 2007 film The Secret of the Grain is also a part of. Shortly after Cannes and throughout the remainder of 2013, we witnessed a very public drama play out in the media between the director and stars of the film. Both damned and praised for its graphic, and (to some, arguably) realistic portrayal of sexuality and identity in its portrayal of a lesbian relationship, the difficulty of filming behind the scenes should come as no surprised considering the achievement at hand. And while untoward comments flew back and forth, both between the cast and crew and rankled critics, there’s nothing that can demean the superlative end product.
Kechiche returns...
Kechiche returns...
- 2/25/2014
- by Nicholas Bell
- IONCINEMA.com
Blue is the Color of My True Love’s Hair: Kechiche Takes Us Deep Sea, Baby
For his latest film, Abdellatif Kechiche returns to themes of love and maturation with Blue Is the Warmest Colour (La Vie d’Adele, Chapters 1&2), based on the graphic novel by Julie Maroh. As with other entries in the actor turned director’s filmography, his latest masterpiece sports a lofty running time, at nearly three hours covering a relatively small amount of time in one character’s life in the length of time that most epic sagas run out of steam. But if you give Kechiche your time, he hardly tries your patience, once again creating a beautiful, engrossing film that manages to capture human emotion like few others films ever have. Inordinately simple on paper, as, in essence this is a coming out drama, Kechiche understands how to pace, guiding us expertly as he...
For his latest film, Abdellatif Kechiche returns to themes of love and maturation with Blue Is the Warmest Colour (La Vie d’Adele, Chapters 1&2), based on the graphic novel by Julie Maroh. As with other entries in the actor turned director’s filmography, his latest masterpiece sports a lofty running time, at nearly three hours covering a relatively small amount of time in one character’s life in the length of time that most epic sagas run out of steam. But if you give Kechiche your time, he hardly tries your patience, once again creating a beautiful, engrossing film that manages to capture human emotion like few others films ever have. Inordinately simple on paper, as, in essence this is a coming out drama, Kechiche understands how to pace, guiding us expertly as he...
- 10/25/2013
- by Nicholas Bell
- IONCINEMA.com
French actor best known for her role in Jean Renoir's 1939 masterpiece The Rules of the Game
Although Paulette Dubost, who has died aged 100, appeared in far more films than the number of years she lived, most cinemagoers know her best as Lisette, the coquettish chambermaid in Jean Renoir's La Règle du Jeu (The Rules of the Game, 1939), one of cinema's masterpieces. Lisette, who attends the Marquis de la Chesnaye during a lavish weekend party at a country chateau, flirts dangerously with a poacher turned servant (Julian Carette), while her overly jealous gamekeeper husband (Gaston Modot) tries to catch them at it.
Dubost and Carette play a deliciously sly and comic cat-and-mouse game with the absurdly rigid Modot, especially during the after-dinner entertainment, a breathtaking sequence, described by the critic Richard Roud as something from "a Marx brothers film scripted by a Feydeau who suddenly acquired a tragic sense...
Although Paulette Dubost, who has died aged 100, appeared in far more films than the number of years she lived, most cinemagoers know her best as Lisette, the coquettish chambermaid in Jean Renoir's La Règle du Jeu (The Rules of the Game, 1939), one of cinema's masterpieces. Lisette, who attends the Marquis de la Chesnaye during a lavish weekend party at a country chateau, flirts dangerously with a poacher turned servant (Julian Carette), while her overly jealous gamekeeper husband (Gaston Modot) tries to catch them at it.
Dubost and Carette play a deliciously sly and comic cat-and-mouse game with the absurdly rigid Modot, especially during the after-dinner entertainment, a breathtaking sequence, described by the critic Richard Roud as something from "a Marx brothers film scripted by a Feydeau who suddenly acquired a tragic sense...
- 9/30/2011
- by Ronald Bergan
- The Guardian - Film News
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