The Dardenne brothers have begun shooting their latest film - one of 21 features to receive a major financial boost from Eurimages.
Jean-Pierre and Luc Dardenne have commenced principal photography on Two Days, One Night (Deux Jours, Une Nuit) in Seraing, Belgium.
For full production details visit
Two Days, One Night (Deux Jours, Une Nuit)
Oscar-winner Marion Cotillard and Fabrizio Rongione play the leads alongside a variety of Belgian actors including Olivier Gourmet, Christelle Cornil and Catherine Salée.
The film follows 30-year old Sandra (Cotillard) and her husband (Rongione) on their hunt across the city for colleagues prepared to sacrifice their bonuses so she can keep her job.
Artificial Eye pre-bought the film for the UK from Wild Bunch, which is handling international sales. Sundance Selects has acquired it for the Us.
This €7m ($9.1m) film will be co-produced by Les Films du Fleuve (Belgium), Archipel (France) and Bim (Italy).
The technical crew will be mainly Belgian, including...
Jean-Pierre and Luc Dardenne have commenced principal photography on Two Days, One Night (Deux Jours, Une Nuit) in Seraing, Belgium.
For full production details visit
Two Days, One Night (Deux Jours, Une Nuit)
Oscar-winner Marion Cotillard and Fabrizio Rongione play the leads alongside a variety of Belgian actors including Olivier Gourmet, Christelle Cornil and Catherine Salée.
The film follows 30-year old Sandra (Cotillard) and her husband (Rongione) on their hunt across the city for colleagues prepared to sacrifice their bonuses so she can keep her job.
Artificial Eye pre-bought the film for the UK from Wild Bunch, which is handling international sales. Sundance Selects has acquired it for the Us.
This €7m ($9.1m) film will be co-produced by Les Films du Fleuve (Belgium), Archipel (France) and Bim (Italy).
The technical crew will be mainly Belgian, including...
- 6/26/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Chicago – All this fuss about Ben Affleck not getting nominated by the Academy after directing three decent flicks is even more inane in light of the fact that Jean-Pierre and Luc Dardenne, arguably the greatest directing duo in modern cinema, haven’t garnered any Oscar attention. At all. Their latest naturalistic triumph, “The Kid with a Bike,” snagged a mere Golden Globe nod several months before it even premiered on U.S. screens.
The alleged edge-of-your-seat suspense in “Argo” has all the tautness of a snail race compared to the blistering tension conjured by the Dardenne Brothers as their camera confines the audience within the solitude, desperation and mounting dread of their troubled protagonists. “The Kid with a Bike” is the Dardennes’ most excruciatingly suspenseful and emotionally galvanizing effort since their 1996 breakthrough, “La Promesse.” Both films center on self-sufficient boys in danger of deteriorating into destructive products of their environment,...
The alleged edge-of-your-seat suspense in “Argo” has all the tautness of a snail race compared to the blistering tension conjured by the Dardenne Brothers as their camera confines the audience within the solitude, desperation and mounting dread of their troubled protagonists. “The Kid with a Bike” is the Dardennes’ most excruciatingly suspenseful and emotionally galvanizing effort since their 1996 breakthrough, “La Promesse.” Both films center on self-sufficient boys in danger of deteriorating into destructive products of their environment,...
- 2/21/2013
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
While there have been many coming of age films about teenage girls, it’s safe to say none have been quite like Rosetta, Luc and Jean-Pierre Dardenne’s Palme d’Or winner from 1999. Finally getting its long awaited North American video release by Criterion, Rosetta is a film that will shock viewers with its raw, jagged energy and unvarnished realism. Watching the film is an experience akin to having dirt thrown in your face, leaving viewers to spit out specks of grit while a destitute young woman wages war with society, her family and herself.
Played by 17 year old Émilie Dequenne, Rosetta lives a hand-to-mouth existence in a decrepit trailer park on the dingy outskirts of Liége, Belgium. Rosetta’s mother (Anne Yernaux) is an alcoholic who has given up on life, and spends her days huddled about the camper in a torpid funk. So determined is Rosetta not to...
Played by 17 year old Émilie Dequenne, Rosetta lives a hand-to-mouth existence in a decrepit trailer park on the dingy outskirts of Liége, Belgium. Rosetta’s mother (Anne Yernaux) is an alcoholic who has given up on life, and spends her days huddled about the camper in a torpid funk. So determined is Rosetta not to...
- 8/14/2012
- by David Anderson
- IONCINEMA.com
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