With the festival kicking off tomorrow, Telluride Film Festival has now unveiled its lineup, featuring new films from Jeff Nichols (the first image from which can be seen above), Emerald Fennell, Annie Baker, Andrew Haigh, Yorgos Lanthimos, Justine Triet, Wim Wenders, Kitty Green, Ethan Hawke, and many more.
“Fifty years is a long time to do anything. And while we might be a little biased, we feel the work that Tff does is pretty important,” comments Telluride Film Festival director Julie Huntsinger. “We take the charge of preserving the theatrical experience and promoting film seriously, but with necessary winks here and there. We’re ecstatic to share a program we feel reflects so much of the past fifty years, naturally and organically, films old and new, which stand as a testament to our beloved co-founders Tom Luddy and Bill Pence who are no longer with us.”
• All Of US Strangers...
“Fifty years is a long time to do anything. And while we might be a little biased, we feel the work that Tff does is pretty important,” comments Telluride Film Festival director Julie Huntsinger. “We take the charge of preserving the theatrical experience and promoting film seriously, but with necessary winks here and there. We’re ecstatic to share a program we feel reflects so much of the past fifty years, naturally and organically, films old and new, which stand as a testament to our beloved co-founders Tom Luddy and Bill Pence who are no longer with us.”
• All Of US Strangers...
- 8/30/2023
- by Leonard Pearce
- The Film Stage
2023 Festival dedicated to founders Tom Luddy, Bill Pence, Stella Pence, James Card.
Telluride Film Festival has announced its 2023 50th anniversary line-up with Emerald Fennell’s Saltburn, Yorgos Lanthimos’ Poor Things, Justine Triet’s Palme d’Or winner Anatomy Of A Fall, and Steve McQueen’s Occupied City on the roster.
The selection, which will play in the Colorado Rockies locale from August 31 to September 4, includes Jeff Nichols’ The Bikeriders, Jonathan Glazer’s Cannes sensation The Zone Of Interest, Pablo Larrain’s El Conde, Kitty Green’s The Royal Hotel, George C. Wolfe’s Rustin, Nyad from Elizabeth Chai Vasarhelyi and Jimmy Chin,...
Telluride Film Festival has announced its 2023 50th anniversary line-up with Emerald Fennell’s Saltburn, Yorgos Lanthimos’ Poor Things, Justine Triet’s Palme d’Or winner Anatomy Of A Fall, and Steve McQueen’s Occupied City on the roster.
The selection, which will play in the Colorado Rockies locale from August 31 to September 4, includes Jeff Nichols’ The Bikeriders, Jonathan Glazer’s Cannes sensation The Zone Of Interest, Pablo Larrain’s El Conde, Kitty Green’s The Royal Hotel, George C. Wolfe’s Rustin, Nyad from Elizabeth Chai Vasarhelyi and Jimmy Chin,...
- 8/30/2023
- ScreenDaily
The 50th edition of the Telluride Film Festival will include the world premieres of Emerald Fennell’s “Saltburn,” Jeff Nichols’ “The Bikeriders,” George C. Wolfe’s “Rustin,” Elizabeth Chai Vasarhelyi and Jimmy Chin’s “Nyad,” and Alexander Payne’s “The Holdovers,” among other top awards hopefuls, festival organizers announced on Wednesday.
In keeping with tradition, the 2023 Telluride lineup was kept under wraps until 24 hours before the annual festival begins – although sharp-eyed pundits and awards experts were able to accurately speculate about many of the titles in this year’s lineup due to premiere designations at other festivals in Toronto, Venice, and New York.
“Saltburn” is Fennell’s second film after 2020’s “Promising Young Woman,” which landed the budding auteur a trio of Oscar nominations. The film stars recent Best Supporting Actor nominee Barry Keoghan, as well as Jacob Elordi of “Euphoria” fame, former Oscar nominees Rosamund Pike and Richard E. Grant,...
In keeping with tradition, the 2023 Telluride lineup was kept under wraps until 24 hours before the annual festival begins – although sharp-eyed pundits and awards experts were able to accurately speculate about many of the titles in this year’s lineup due to premiere designations at other festivals in Toronto, Venice, and New York.
“Saltburn” is Fennell’s second film after 2020’s “Promising Young Woman,” which landed the budding auteur a trio of Oscar nominations. The film stars recent Best Supporting Actor nominee Barry Keoghan, as well as Jacob Elordi of “Euphoria” fame, former Oscar nominees Rosamund Pike and Richard E. Grant,...
- 8/30/2023
- by Christopher Rosen
- Gold Derby
Alexander Payne’s “The Holdovers,” Elizabeth Chai Vasarhelyi and Jimmy Chin’s “Nyad,” Emerald Fennell’s “Saltburn” and George C. Wolfe’s “Rustin” are among the films that will screen at the 2023 Telluride Film Festival, Telluride organizers announced on Wednesday.
The festival begins on Thursday, only one day after the announcement of the lineup. The late notice is a tradition at Telluride, which sells out its passes every year without revealing what films will be playing in the Colorado mountain town — although as the Toronto International Film Festival has gotten more detailed in announcing the premiere status of its bookings, it’s been increasingly easy to read between the lines of Toronto releases to figure out what’s headed to Telluride.
(This year, for example, Payne’s “The Holdovers,” which reunites the director with his “Sideways” star Paul Giamatti, was listed as an international premiere by TIFF, which meant that...
The festival begins on Thursday, only one day after the announcement of the lineup. The late notice is a tradition at Telluride, which sells out its passes every year without revealing what films will be playing in the Colorado mountain town — although as the Toronto International Film Festival has gotten more detailed in announcing the premiere status of its bookings, it’s been increasingly easy to read between the lines of Toronto releases to figure out what’s headed to Telluride.
(This year, for example, Payne’s “The Holdovers,” which reunites the director with his “Sideways” star Paul Giamatti, was listed as an international premiere by TIFF, which meant that...
- 8/30/2023
- by Steve Pond
- The Wrap
Iranian filmmaker Ali Ahmadzadeh clinched the Golden Leopard in the main international competition of the 76th Locarno Film Festival with his latest feature Critical Zone (Mantagheye Bohrani).
Ahmadzadeh was not in attendance to receive the award as he is currently banned from leaving his native Iran. Last month, the country’s authorities summoned Ahmadzadeh to the Ministry of Security, where he was pressured to pull Critical Zone from Locarno’s official competition. The film’s international sales agent Luxbox Paris and the producer, Sina Ataeian Dena, also said they had received threatening emails and messages demanding the film be pulled from the fest.
The pic, described as “a hymn to freedom and resistance in Iran,” was shot without permission from authorities before recent protests started. The plot follows a man who drives through Tehran’s underworld with his dog, dealing drugs and healing troubled souls. Born in Tehran in 1986, Critical Zone...
Ahmadzadeh was not in attendance to receive the award as he is currently banned from leaving his native Iran. Last month, the country’s authorities summoned Ahmadzadeh to the Ministry of Security, where he was pressured to pull Critical Zone from Locarno’s official competition. The film’s international sales agent Luxbox Paris and the producer, Sina Ataeian Dena, also said they had received threatening emails and messages demanding the film be pulled from the fest.
The pic, described as “a hymn to freedom and resistance in Iran,” was shot without permission from authorities before recent protests started. The plot follows a man who drives through Tehran’s underworld with his dog, dealing drugs and healing troubled souls. Born in Tehran in 1986, Critical Zone...
- 8/12/2023
- by Zac Ntim
- Deadline Film + TV
Next time someone wistfully insists, “They don’t make ’em like they used to,” why not point that nostalgic cinephile to the work of Dominique Abel and Fiona Gordon? The Belgium-based creative couple are almost single-handedly keeping the classic burlesque tradition alive on-screen — if the word “single-handedly” can fairly be used to describe a near-silent comic duo with four hands between them, plus a growing company of collaborators (including dancer Kaori Ito) and a prosthetic arm with a mind of its own.
In “The Falling Star,” Abel and Gordon bring their old-school comedic sensibility to what could loosely be described as a detective story, told in a film noir style punctuated with flashes of color: a red dress, a tiny green car, a bright yellow scooter. Centered on a tiny Brussels bar, the pair’s relatively minor new project features a missing persons investigation, a sorta-kinda kidnapping, a fugitive couple...
In “The Falling Star,” Abel and Gordon bring their old-school comedic sensibility to what could loosely be described as a detective story, told in a film noir style punctuated with flashes of color: a red dress, a tiny green car, a bright yellow scooter. Centered on a tiny Brussels bar, the pair’s relatively minor new project features a missing persons investigation, a sorta-kinda kidnapping, a fugitive couple...
- 8/3/2023
- by Peter Debruge
- Variety Film + TV
“Lost in Paris” directing duo Dominique Abel and Fiona Gordon have shared a first look at their new film “The Falling Star,” which premieres at this year’s Locarno Film Festival.
Abel and Gordon also star in the film, which follows Boris (Abel), a former activist who works at a bartender at the Falling Star. According to the film’s official synopsis, Boris’ “guilty past resurfaces when a victim finds him and wants revenge. The appearance of a double, the depressed and solitary Dom (Abel), provides Boris, his resourceful partner Kayoko and their faithful friend Tim with the perfect escape plan. But they haven’t accounted for Dom’s ex-wife (Gordon), a suspicious detective on their trail.”
The new clip sees Gordon, as Dom’s ex-wife Fiona, going to great lengths to transport a tall sunflower stalk. She arrives at a graveyard and, after delivering the sunflower to a particular grave,...
Abel and Gordon also star in the film, which follows Boris (Abel), a former activist who works at a bartender at the Falling Star. According to the film’s official synopsis, Boris’ “guilty past resurfaces when a victim finds him and wants revenge. The appearance of a double, the depressed and solitary Dom (Abel), provides Boris, his resourceful partner Kayoko and their faithful friend Tim with the perfect escape plan. But they haven’t accounted for Dom’s ex-wife (Gordon), a suspicious detective on their trail.”
The new clip sees Gordon, as Dom’s ex-wife Fiona, going to great lengths to transport a tall sunflower stalk. She arrives at a graveyard and, after delivering the sunflower to a particular grave,...
- 8/3/2023
- by Ellise Shafer
- Variety Film + TV
As the first major international film festival mounted following SAG-aftrta’s decision to join the WGA in strike action against the studios, there was much speculation about how the Locarno Film Festival would adapt its lineup.
The fest lost its opening-night centerpiece at short notice, with UK actor-producer Riz Ahmed pulling out of an appearance during which he was set to receive Locarno’s Davide Campari lifetime achievement award. Fellow lifetime award recipient Stellan Skarsgård also pulled out of his festival engagements.
Instead, the fest pulled into motion Wednesday evening with a subdued opening-night ceremony. Proceedings began with the festival’s outgoing president, Marco Solari, opening the event for the last time following a 23-year tenure. He was followed onstage by artistic director Giona A. Nazzaro, who, despite Ahmed’s absence, pushed on with the Davide Campari lifetime achievement award presentation, handing the gong to director Yann Mounir Demange. The...
The fest lost its opening-night centerpiece at short notice, with UK actor-producer Riz Ahmed pulling out of an appearance during which he was set to receive Locarno’s Davide Campari lifetime achievement award. Fellow lifetime award recipient Stellan Skarsgård also pulled out of his festival engagements.
Instead, the fest pulled into motion Wednesday evening with a subdued opening-night ceremony. Proceedings began with the festival’s outgoing president, Marco Solari, opening the event for the last time following a 23-year tenure. He was followed onstage by artistic director Giona A. Nazzaro, who, despite Ahmed’s absence, pushed on with the Davide Campari lifetime achievement award presentation, handing the gong to director Yann Mounir Demange. The...
- 8/2/2023
- by Zac Ntim
- Deadline Film + TV
When we dial Locarno chief Giona A. Nazzaro’s line, he’s in the process of slipping into an air-conditioned bar where he can escape the blistering heat that has consumed Southern Europe for much of July.
“It’s like living in a furnace,” he says. “It’s terrible, believe me.”
This year’s Locarno Film Festival is Nazzaro’s third edition as Artistic Director. He took charge in 2020, navigating the festival through the pandemic, and has now been tasked with pulling the event together amid dual US labor strikes.
“There hasn’t been a moment since I took the helm where I could switch to autopilot and cruise along,” he adds.
Mounted on the Italian-Swiss border, Locarno will be the first major international festival impacted by the strike, with an Aug 2 kick-off date. The fest runs until Aug 12. Locarno hosts an Official Competition, several sidebar sections, and an open-air screening program for local audiences.
“It’s like living in a furnace,” he says. “It’s terrible, believe me.”
This year’s Locarno Film Festival is Nazzaro’s third edition as Artistic Director. He took charge in 2020, navigating the festival through the pandemic, and has now been tasked with pulling the event together amid dual US labor strikes.
“There hasn’t been a moment since I took the helm where I could switch to autopilot and cruise along,” he adds.
Mounted on the Italian-Swiss border, Locarno will be the first major international festival impacted by the strike, with an Aug 2 kick-off date. The fest runs until Aug 12. Locarno hosts an Official Competition, several sidebar sections, and an open-air screening program for local audiences.
- 7/27/2023
- by Zac Ntim
- Deadline Film + TV
Do Not Expect Too Much Of The End Of The World (Radu Jude).The lineup for the 76th edition of the festival has been announced, including new films by Eduardo Williams, Leonor Teles, Lav Diaz, Radu Jude, and others.Concorso INTERNAZIONALEAnimal (Sofia Exarchou)Critical Zone (Ali Ahmadzadeh)Essential Truths of the Lake (Lav Diaz)Home (Leonor Teles)The Human Surge 3 (Eduardo Williams)The Invisible Fight (Rainer Sarnet)Do Not Expect Too Much Of The End Of The World (Radu Jude)Lousy Carter (Bob Byington)Manga D’Terra (Basil Da Cunha)Nuit Obscure – Au Revoir Ici, N’Importe Où (Sylvain George)Patagonia (Simone Bozzelli)The Permanent Picture (Laura Ferrés)Rossosperanza (Annarita Zambrano)Stepne (Maryna Vroda)Sweet Dreams (Ena Sendijarević)The Vanishing Soldier (Dani Rosenberg)Yannick (Quentin Dupieux)Excursion (Una Gunjak).Concorso Cineasti Del PRESENTECamping du Lac (Eléonore Saintagnan)Ein Schöner Ort (Katharina Huber)Excursion (Una Gunjak)Family Portrait (Lucy Kerr)Dreaming...
- 7/6/2023
- MUBI
For his third edition at the helm, Locarno Film Festival artistic director Giona A. Nazzaro has assembled a wide spectrum of films that “do not resemble each other in terms of tone or form” while reflecting “the world in all its expressions and manifestations,” he tells Variety.
This boundless range is best exemplified by the fact that starkly surrealist Filipino arthouse star Lav Díaz’s latest work, “Essential Truths of the Lake,” will be vying for the fest’s Golden Leopard alongside fare that, at least on paper, appears much lighter. This includes U.S. director Bob Byington’s indie comedy “Lousy Carter” and Estonian helmer Rainer Sarnet’s “The Invisible Flight,” which Nazzaro says “mixes Kung Fu, hard rock and the Orthodox Church.”
There are also lots of titles at Locarno that can broadly be described as “political,” like Ukrainian director Maryna Vroda’s “Stepne” — which marks a rare...
This boundless range is best exemplified by the fact that starkly surrealist Filipino arthouse star Lav Díaz’s latest work, “Essential Truths of the Lake,” will be vying for the fest’s Golden Leopard alongside fare that, at least on paper, appears much lighter. This includes U.S. director Bob Byington’s indie comedy “Lousy Carter” and Estonian helmer Rainer Sarnet’s “The Invisible Flight,” which Nazzaro says “mixes Kung Fu, hard rock and the Orthodox Church.”
There are also lots of titles at Locarno that can broadly be described as “political,” like Ukrainian director Maryna Vroda’s “Stepne” — which marks a rare...
- 7/6/2023
- by Nick Vivarelli
- Variety Film + TV
A stellar precursor to the busy fall film festival season, Locarno Film Festival annually premieres some of the year’s most exciting cinema and 2023 looks to be no different. Taking place from August 2-12 in the Swiss town, the festival has now unveiled its lineup for the 76th edition. Highlights include Eduardo Williams’ The Human Surge 3 (brilliantly forgoing a second film), Radu Jude’s Do Not Expect Too Much Of The End Of The World, Lav Diaz’s Essential Truths of the Lake, Sylvain George’s Nuit Obscure – Au Revoir Ici, N’Importe Où, and Quentin Dupieux’s Yannick.
Speaking to its main section, Giona A. Nazzaro, artistic director of the Locarno Film Festival, said, “From Quentin Dupieux and his edgy surrealism to Lav Diaz. From the sarcastic humor of Radu Jude to the night poetry of Sylvain Georges. From the mad inventions of Rainer Sarnet to the abstract psychedelia of Eduardo Williams.
Speaking to its main section, Giona A. Nazzaro, artistic director of the Locarno Film Festival, said, “From Quentin Dupieux and his edgy surrealism to Lav Diaz. From the sarcastic humor of Radu Jude to the night poetry of Sylvain Georges. From the mad inventions of Rainer Sarnet to the abstract psychedelia of Eduardo Williams.
- 7/5/2023
- by Jordan Raup
- The Film Stage
UK star Riz Ahmed will be feted with a career achievement award at the upcoming 76th edition of the Locarno Film Festival, running August 2 and 12.
The Sound Of Metal actor will be presented with the Excellence Award Davide Campari at the opening night ceremony on the festival’s landmark Piazza Grande open-air cinema.
The ceremony will premiere Yann Mounir Demange’s semi-autobiographical short film Dammi, in which Ahmed participated alongside Isabelle Adjani, Souheila Yacoub, Sandor Funtek and Suzy Bemba.
The tribute will also screen Bassam Tariq’s 2020 rapper drama Mughal Mowgli, which Ahmed starred in and also produced and co-wrote, as part of it program.
Locarno announced the tribute during its announcement on Wednesday of its full 2023 line-up.
French directorial duo Fiona Gordon and Dominique Abel’s The Falling Star will open the festival as part of the Piazza Grande program, which also features Justine Triet’s 2023 Cannes d’Or Winner Anatomy of a Fall,...
The Sound Of Metal actor will be presented with the Excellence Award Davide Campari at the opening night ceremony on the festival’s landmark Piazza Grande open-air cinema.
The ceremony will premiere Yann Mounir Demange’s semi-autobiographical short film Dammi, in which Ahmed participated alongside Isabelle Adjani, Souheila Yacoub, Sandor Funtek and Suzy Bemba.
The tribute will also screen Bassam Tariq’s 2020 rapper drama Mughal Mowgli, which Ahmed starred in and also produced and co-wrote, as part of it program.
Locarno announced the tribute during its announcement on Wednesday of its full 2023 line-up.
French directorial duo Fiona Gordon and Dominique Abel’s The Falling Star will open the festival as part of the Piazza Grande program, which also features Justine Triet’s 2023 Cannes d’Or Winner Anatomy of a Fall,...
- 7/5/2023
- by Melanie Goodfellow
- Deadline Film + TV
The Locarno International Film Festival unveiled the full program for 2023 on Wednesday, with dozens of world premieres set to screen in the 76th edition of the Swiss festival.
Locarno’s main Piazza Grande section will include several of this season’s festival favorites, among them Cannes Palme d’Or winner Anatomy of a Fall from French director Justine Triet starring Sandra Hüller; Ken Loach’s latest (and possibly last) feature, The Old Oak; Noora Niasari’s Sundance audience award winner Shayda, featuring Holy Spider star Zar Amir Ebrahimi; and Molly Gordon and Nick Lieberman’s comedy Theater Camp, which won a special jury prize at Sundance. Other highlights include U.S. horror feature Falling Stars by directors Richard Karpala and Gabriel Bienczycki; Dammi from 71′ and White Boy Rick-helmer Yann Demange; and Magnetic Continent, the new nature documentary from March of the Penguins‘ filmmaker Luc Jacquet about the continent of Antarctica.
Locarno’s main Piazza Grande section will include several of this season’s festival favorites, among them Cannes Palme d’Or winner Anatomy of a Fall from French director Justine Triet starring Sandra Hüller; Ken Loach’s latest (and possibly last) feature, The Old Oak; Noora Niasari’s Sundance audience award winner Shayda, featuring Holy Spider star Zar Amir Ebrahimi; and Molly Gordon and Nick Lieberman’s comedy Theater Camp, which won a special jury prize at Sundance. Other highlights include U.S. horror feature Falling Stars by directors Richard Karpala and Gabriel Bienczycki; Dammi from 71′ and White Boy Rick-helmer Yann Demange; and Magnetic Continent, the new nature documentary from March of the Penguins‘ filmmaker Luc Jacquet about the continent of Antarctica.
- 7/5/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
L’Étoile filante
After an output with Bruno Romy on their first three features the Belgian tandem of Dominique Abel and Fiona Gordon moved into their fifth feature film last July. Dubbed as a darkly comic mystery thriller, L’Étoile filante (The Falling Star) will once again showcase the two in front of the camera. Dancer Kaori Ito is also cast. Very much in the whimsical Tati vein, the pair have premiered at several major film festivals over the years even netting a surprise world premiere invite at the Telluride Film Fest back in 2016 for Lost in Paris.…...
After an output with Bruno Romy on their first three features the Belgian tandem of Dominique Abel and Fiona Gordon moved into their fifth feature film last July. Dubbed as a darkly comic mystery thriller, L’Étoile filante (The Falling Star) will once again showcase the two in front of the camera. Dancer Kaori Ito is also cast. Very much in the whimsical Tati vein, the pair have premiered at several major film festivals over the years even netting a surprise world premiere invite at the Telluride Film Fest back in 2016 for Lost in Paris.…...
- 1/9/2023
- by Eric Lavallée
- IONCINEMA.com
The Paris-based sales company has a hefty slate for AFM.
Paris-based mk2 Films is kicking off sales on Darren Thornton’s Ireland-set comedy-drama Four Mothers at the AFM this week.
The title is an Irish twist on Gianni Di Gregorio’s 2008 Italian hit Mid-August Lunch that won several awards including the Luigi De Laurentiis prize when it premiered at the Venice Film Festival. Thornton, whose previous credits include RTÉ comedy-drama series Love Is The Drug and his debut feature A Date For Mad Mary, penned the script with his brother Colin Thornton who also co-wrote the script for A Date For Mad Mary.
Paris-based mk2 Films is kicking off sales on Darren Thornton’s Ireland-set comedy-drama Four Mothers at the AFM this week.
The title is an Irish twist on Gianni Di Gregorio’s 2008 Italian hit Mid-August Lunch that won several awards including the Luigi De Laurentiis prize when it premiered at the Venice Film Festival. Thornton, whose previous credits include RTÉ comedy-drama series Love Is The Drug and his debut feature A Date For Mad Mary, penned the script with his brother Colin Thornton who also co-wrote the script for A Date For Mad Mary.
- 10/31/2022
- by Rebecca Leffler
- ScreenDaily
MK2 Films, which is at Venice with “Love Life” playing in competition, is reteaming with Fiona Gordon and Dominique Abel on “The Falling Star,” a darkly comic mystery thriller.
The directing duo is rolling off “Lost in Paris,” their international breakout film, which had a buzzy premiere at Telluride in 2016. The film was also a commercial success, grossing nearly 3 million outside of France, with strong performances in the U.S., Italy, Germany, Brazil and Australia/New Zealand.
“The Falling Star” tells the story of Boris, a former activist who’s been a fugitive for 35 years, and works as a bartender. Boris’ past finally catches up with him when a mysterious stranger appears at the bar, armed and wanting revenge. The appearance of a double, the depressed and solitary Dom, provides Boris’ cunning partner Kayoko and their faithful friend Tim with the perfect escape plan, but they haven’t accounted for Dom’s ex-wife,...
The directing duo is rolling off “Lost in Paris,” their international breakout film, which had a buzzy premiere at Telluride in 2016. The film was also a commercial success, grossing nearly 3 million outside of France, with strong performances in the U.S., Italy, Germany, Brazil and Australia/New Zealand.
“The Falling Star” tells the story of Boris, a former activist who’s been a fugitive for 35 years, and works as a bartender. Boris’ past finally catches up with him when a mysterious stranger appears at the bar, armed and wanting revenge. The appearance of a double, the depressed and solitary Dom, provides Boris’ cunning partner Kayoko and their faithful friend Tim with the perfect escape plan, but they haven’t accounted for Dom’s ex-wife,...
- 9/2/2022
- by Elsa Keslassy
- Variety Film + TV
Further funding awarded to new Bruno Dumont feature and ‘Niko’ franchise.
Joshua Oppenheimer’s upcoming musical The End starring Tilda Swinton is one of 23 features to receive a share of €5.5m ($6.1m) in the latest round of Eurimages co-production support funding.
The film, a co-production between Denmark, Germany and Ireland, receives €480,000 – the largest of the 23 awards in this selection.
Scroll down for the full list of titles
The End stars George MacKay and Stephen Graham alongside Swinton in the musical about the last human family. Neon has acquired North America rights.
The Empire, the latest film from French director Bruno Dumont,...
Joshua Oppenheimer’s upcoming musical The End starring Tilda Swinton is one of 23 features to receive a share of €5.5m ($6.1m) in the latest round of Eurimages co-production support funding.
The film, a co-production between Denmark, Germany and Ireland, receives €480,000 – the largest of the 23 awards in this selection.
Scroll down for the full list of titles
The End stars George MacKay and Stephen Graham alongside Swinton in the musical about the last human family. Neon has acquired North America rights.
The Empire, the latest film from French director Bruno Dumont,...
- 3/30/2022
- by Ben Dalton
- ScreenDaily
The French film centre will also support films by Clément Cogitore, Baya Kasmi, Nicolas Philibert, Sophie Fillières, Sébastien Betbeder, Mathieu Vadepied and Dominique Abel & Fiona Gordon. Eight projects were selected during the 5th and final 2020 session of the Cnc’s second committee for pre-production advances on receipts. Stealing focus amongst these projects we find Les Amandiers, which will be the 5th fiction feature directed by Valeria Bruni Tedeschi following on from It’s Easier For A Camel (the winner of the 2003 Louis Delluc Best First Film Award), The Summer House (screened out of competition in Venice 2018) and two films previously selected for Cannes: Actresses (gracing the Un Certain Regard section in 2007) and A Castle in Italy (in competition in 2013). Her new work will plunge us back into the universe of the Nanterre-Amandiers Theatre, as helmed by Patrice Chéreau at the beginning of the 1990s, training young...
Michael “Brit” Withey, the artistic director of the Denver Film Society, died Sunday in a car accident in Colorado. He was 50. Withey was a well-known figure in the Denver film community who worked for the Denver Film Society for 23 years. The nonprofit is responsible for the Denver Film Festival, local screening series, and other Colorado film events.
News of Withey’s death, which was first reported in The Denver Post, jarred the festival world Monday. In Denver, where the June television festival Seriesfest was preparing for a board meeting, the news left many of Withey’s longtime colleagues in shock, while processing the memories of his legacy at the festival, providing a microcosm of the long-term impact of regional programmers on their local audiences.
“He was a singular irreplaceable human, first and foremost,” said festival director Britta Erickson in a phone interview. “The amount of mentorship that he gave to...
News of Withey’s death, which was first reported in The Denver Post, jarred the festival world Monday. In Denver, where the June television festival Seriesfest was preparing for a board meeting, the news left many of Withey’s longtime colleagues in shock, while processing the memories of his legacy at the festival, providing a microcosm of the long-term impact of regional programmers on their local audiences.
“He was a singular irreplaceable human, first and foremost,” said festival director Britta Erickson in a phone interview. “The amount of mentorship that he gave to...
- 4/2/2019
- by Eric Kohn
- Indiewire
French screen icon joins writer-directors Dominique Abel and Fiona Gordon for one of her final appearances
Here is one of the final screen appearances of Emmanuelle Riva, icon of movies from Michael Haneke’s Amour to Gillo Pontecorvo’s Kapò and Alain Resnais’s Hiroshima Mon Amour, who died in January at the age of 89. It is a delectably gentle, elegant, self-effacing performance. Riva plays a lovably scatty old lady called Marthe in this Tati-esque comedy from French writer-directors Dominique Abel and Fiona Gordon. The movie they have jointly devised, and in which they star, is a clever, funny and distinctly unworldly comedy with an insouciant line in visual humour.
Fiona (Fiona Gordon) is a young goof from Canada who comes to Paris to visit her similarly away-with-the-fairies aunt Marthe (Riva). A mishap on the banks of, and then in, the Seine leads to an encounter with a romantic tramp...
Here is one of the final screen appearances of Emmanuelle Riva, icon of movies from Michael Haneke’s Amour to Gillo Pontecorvo’s Kapò and Alain Resnais’s Hiroshima Mon Amour, who died in January at the age of 89. It is a delectably gentle, elegant, self-effacing performance. Riva plays a lovably scatty old lady called Marthe in this Tati-esque comedy from French writer-directors Dominique Abel and Fiona Gordon. The movie they have jointly devised, and in which they star, is a clever, funny and distinctly unworldly comedy with an insouciant line in visual humour.
Fiona (Fiona Gordon) is a young goof from Canada who comes to Paris to visit her similarly away-with-the-fairies aunt Marthe (Riva). A mishap on the banks of, and then in, the Seine leads to an encounter with a romantic tramp...
- 11/24/2017
- by Peter Bradshaw
- The Guardian - Film News
Indochine, which screened at the first French Film Festival in 1992. Régis Wargnier will attend The French Film Festival UK celebrates its silver jubilee this year and has announced the titles which will screen at the event, which runs at cinemas across the UK from November 2 to December 17.
Among the guests attending this year's festival will be Oscar-winning director Régis Wargnier, who will present a screening of Indochine, which screened at the first French Film Festival in 1992.
Other attendees include director Lucas Belvaux, who brings his topical film This Is Our Land and physical comedians Abel and Fiona Gordon, who will introduce their latest comedy Lost In Paris.
A number of films that screened in Cannes join the slate, including Redoubtable, about a young Jean-Luc Godard, Mathieu Amalric's singer biopic Barbara and Arnaud Desplechin's Ismael's Ghosts, which charts the complications that arise for a filmmaker when his former lover returns to the scene.
Among the guests attending this year's festival will be Oscar-winning director Régis Wargnier, who will present a screening of Indochine, which screened at the first French Film Festival in 1992.
Other attendees include director Lucas Belvaux, who brings his topical film This Is Our Land and physical comedians Abel and Fiona Gordon, who will introduce their latest comedy Lost In Paris.
A number of films that screened in Cannes join the slate, including Redoubtable, about a young Jean-Luc Godard, Mathieu Amalric's singer biopic Barbara and Arnaud Desplechin's Ismael's Ghosts, which charts the complications that arise for a filmmaker when his former lover returns to the scene.
- 10/20/2017
- by Amber Wilkinson
- eyeforfilm.co.uk
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.
The Big Sick (Michael Showalter)
From start to finish, The Big Sick, directed by Michael Showalter, works as a lovingly-rendered, cinematic answer to the dinner party question: “So how did you two meet?” Based on comedian Kumail Nanjiani‘s real life (he co-wrote the screenplay with his wife Emily V. Gordon), we meet Kumail (Nanjiani) as he finishes a stand-up set in Chicago. He becomes fast friends with a...
The Big Sick (Michael Showalter)
From start to finish, The Big Sick, directed by Michael Showalter, works as a lovingly-rendered, cinematic answer to the dinner party question: “So how did you two meet?” Based on comedian Kumail Nanjiani‘s real life (he co-wrote the screenplay with his wife Emily V. Gordon), we meet Kumail (Nanjiani) as he finishes a stand-up set in Chicago. He becomes fast friends with a...
- 9/8/2017
- by Jordan Raup
- The Film Stage
Our resident VOD expert tells you what's new to rent and/or own this week via various Digital HD providers such as cable Movies On Demand, Amazon, iTunes, Vudu, Google Play and, of course, Netflix. Cable Movies On Demand: Same-day-as-disc releases, older titles and pretheatrical Megan Leavey (biographical drama; Kate Mara, Ramon Rodriguez, Tom Felton, Bradley Whitford, Will Patton, Edie Falco, Common; rated PG-13) Rough Night (comedy; Scarlett Johansson, Kate McKinnon, Jillian Bell, Ilana Glazer, Zoë Kravitz, Paul W. Downs, Ty Burrell, Demi Moore; includes gag reel; rated R) Paris Can Wait (romantic comedy; Diane Lane, Alec Baldwin; rated PG) The Wedding Plan (romantic comedy; Noa Koler, Oz Zehavi; rated PG) Lost in Paris (romantic comedy; Fiona Gordon...
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- 9/6/2017
- by Robert B. DeSalvo
- Movies.com
MaryAnn’s quick take… An exquisite miniature puzzle-box pop-up-book of a movie. All is color and light and exhilaration here, a fantastical lark that is sheer mischievous joy. I’m “biast” (pro): nothing
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
When we think of summer movies, we usually think big: action and explosions, superheroes and supervillains. But here’s another kind of perfect — absolutely perfect — summer movie: the exquisite miniature puzzle-box pop-up book that is Lost in Paris. This fourth film from the Belgian clown duo of Dominique Abel and Fiona Gordon (who wrote and directed as well as star) pits her hapless Canadian visitor against his insouciant tramp in the City of Lights as she tries to find the elderly aunt (Emmanuelle Riva: Amour) who has run away in order to avoid the social workers who want to plant her in a nursing home.
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
When we think of summer movies, we usually think big: action and explosions, superheroes and supervillains. But here’s another kind of perfect — absolutely perfect — summer movie: the exquisite miniature puzzle-box pop-up book that is Lost in Paris. This fourth film from the Belgian clown duo of Dominique Abel and Fiona Gordon (who wrote and directed as well as star) pits her hapless Canadian visitor against his insouciant tramp in the City of Lights as she tries to find the elderly aunt (Emmanuelle Riva: Amour) who has run away in order to avoid the social workers who want to plant her in a nursing home.
- 6/22/2017
- by MaryAnn Johanson
- www.flickfilosopher.com
The latest collaboration between Dominique Abel and Fiona Gordon is a delicate, breezy and entirely endearing comic tale of love and kinship. Herewith I will admit to my shameful, total ignorance of the couple's previous features, L'iceberg (2005), Rumba (2008) and La fee (The Fairy; 2011, reviewed by our own Jim Tudor). They actually have been working together in film since at least 1994, when their short Merci Cupidon was completed. Per Cineuropa, they "met in Paris through their love of the circus" some 37 years ago and make their films in Belgium. I mention all that because Lost in Paris (Paris pieds nus) feels simultaneously fresh and also studied, like the latest chapter in a continuing, lighthearted epic that has little to do with...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 6/15/2017
- Screen Anarchy
With a tip of the hat to Jacques Tati, Charlie Chaplin, and Jacques Demy, husband/wife team Fiona Gordon and Dominique Abel’s Lost in Paris is a whimsical, almost silent comedy set on the streets and in the parks of Paris.
Several years ago Aunt Martha (one of the final roles from the late, great Emmanuelle Riva) departs from a snowy arctic Canadian outpost for sunnier Paris. Several years later she’s lived quite a life with a reputation around the neighborhood, and now the stubborn elderly Martha refuses to leave her apartment and move into a nursing home. She writes to the older Fiona (Gordon), now a librarian in a remote village that looks like it might house Santa’s workshop, and summons her on the adventure of a lifetime to Paris. The only problem is Fiona’s French is rusty, leading to many a misadventure when she...
Several years ago Aunt Martha (one of the final roles from the late, great Emmanuelle Riva) departs from a snowy arctic Canadian outpost for sunnier Paris. Several years later she’s lived quite a life with a reputation around the neighborhood, and now the stubborn elderly Martha refuses to leave her apartment and move into a nursing home. She writes to the older Fiona (Gordon), now a librarian in a remote village that looks like it might house Santa’s workshop, and summons her on the adventure of a lifetime to Paris. The only problem is Fiona’s French is rusty, leading to many a misadventure when she...
- 6/15/2017
- by John Fink
- The Film Stage
With the state of the world being what it is, we all need as many opportunities to escape into magic and wonder as we can get. Lost In Paris, the new film from filmmaking duo Fiona Gordon and Dominique Abel, is just one such escape, with a sense of whimsy that is being compared to Jacques Tati in early reviews. Gordon and Abel—who previously collaborated on 2007’s L’Iceberg and 2011’s The Fairy—come from circus backgrounds, and bring that same love of physical performance to the tale of Fiona (Gordon), a small-town Canadian librarian who rushes off to Paris after receiving a distressing letter from her elderly aunt, played by French screen legend Emmanuelle Riva. Once she arrives, she discovers her aunt has gone missing, leading to a madcap series of adventures in the company of Dom (Abel), a Chaplinesque tramp who takes a shine to ...
- 6/13/2017
- by Katie Rife
- avclub.com
Oscilloscope has released an exclusive clip from their upcoming film “Lost in Paris” featuring some musical-style footwork to a jaunty ragtime melody. The romantic comedy follows the journey of a Canadian librarian named Fiona (Fiona Gordon) who travels to Paris, France after receiving a troubling letter from her 88-year-old Aunt Martha (Emmanuelle Riva).
Upon her arrival to France, Fiona is met with an astronomical amount of disasters, including a genial but annoying tramp named Dom (Dominique Abel).
Read More: Telluride Review: ‘Lost in Paris’ Does For Slapstick What ‘La La Land’ Does For Musicals
Directed by Fiona Gordon and Dominique Abel, “Lost in Paris” brings back the silly antics and choreographed slapstick comedy that is a staple in the directing duo’s work. Abel and Gordon previously collaborated on “L’Iceberg,” “Rumba,” and “The Fairy.”
While the concern for Fiona’s aunt is what jetsets her off to Paris, it...
Upon her arrival to France, Fiona is met with an astronomical amount of disasters, including a genial but annoying tramp named Dom (Dominique Abel).
Read More: Telluride Review: ‘Lost in Paris’ Does For Slapstick What ‘La La Land’ Does For Musicals
Directed by Fiona Gordon and Dominique Abel, “Lost in Paris” brings back the silly antics and choreographed slapstick comedy that is a staple in the directing duo’s work. Abel and Gordon previously collaborated on “L’Iceberg,” “Rumba,” and “The Fairy.”
While the concern for Fiona’s aunt is what jetsets her off to Paris, it...
- 6/12/2017
- by Gabrielle Kiss
- Indiewire
"Will you dance with me?" Oscilloscope Labs has released an official Us trailer for the whimsical, quirky comedy Lost in Paris, made by (and starring) the filmmakers Dominique Abel and Fiona Gordon, known as "Abel & Gordon". This actually has the feel of a comedy made by Wes Anderson if he was French, with a overtly charming and amusing visual style along with absurd but entertaining humor. Emmanuelle Riva, who passed away earlier this year, plays Aunt Martha, who sends a letter to her niece which prompts her to travel to Paris to find out what's going on. There, she gets in all kinds of trouble and meets a lovable goofball named Dom, as played by Abel & Gordon. This looks surprisingly unique and totally fun to watch. Here's the official Us trailer (+ poster) for Abel & Gordon's Lost in Paris, direct from YouTube: When Fiona's (Gordon) orderly life is disrupted by a...
- 5/17/2017
- by Alex Billington
- firstshowing.net
With the genre of physical comedy sorely lacking in today’s cinematic landscape, Dominique Abel and Fiona Gordon are helping to revive it with some style with Lost in Paris. Starring, written, directed, and produced by the pair, the first U.S. trailer has now arrived for the whimsical comedy courtesy of Oscilloscope Laboratories.
The story follows a small-time Canadian librarian who ventures to Paris after receiving a letter from her aunt (the late, great Emmanuelle Riva). When she gets there though, her aunt has disappeared, and so begins a journey of mishaps. Judging from this preview, the Jacques Tati comparisons are spot-on for the film that will arrive this summer. Check out the trailer and poster below.
Filmed in Dominique Abel and Fiona Gordon’s signature whimsical style, Lost In Paris stars the filmmakers as a small-town Canadian librarian and a strangely seductive, oddly egotistical vagabond. When Fiona’s...
The story follows a small-time Canadian librarian who ventures to Paris after receiving a letter from her aunt (the late, great Emmanuelle Riva). When she gets there though, her aunt has disappeared, and so begins a journey of mishaps. Judging from this preview, the Jacques Tati comparisons are spot-on for the film that will arrive this summer. Check out the trailer and poster below.
Filmed in Dominique Abel and Fiona Gordon’s signature whimsical style, Lost In Paris stars the filmmakers as a small-town Canadian librarian and a strangely seductive, oddly egotistical vagabond. When Fiona’s...
- 5/15/2017
- by Jordan Raup
- The Film Stage
Fiona Gordon‘s aunt lives in Paris and she’s trying to find her. Yes, that’s a La La Land joke, but the premise for Gordon and fellow director and co-star Dominique Abel‘s whimsical, candy-colored comedy Lost in Paris doesn’t do justice to the superb brand of physical comedy that the recently released trailer boasts. Fiona Gordon’s self-named […]
The post ‘Lost in Paris’ Trailer: Searching For the Aunt Who Lives in Paris appeared first on /Film.
The post ‘Lost in Paris’ Trailer: Searching For the Aunt Who Lives in Paris appeared first on /Film.
- 5/12/2017
- by Hoai-Tran Bui
- Slash Film
A distinctive -- and very witty -- sense of humor is abundantly on display in a new trailer for Lost in Paris (aka Paris pieds nus). Sure, the quiet, knockabout physical comedy is apparent, but it's presented with grace and ease, as in 'Of course if you walk backward on a bridge you're going to be legs up in the river!' That makes it very appealing, even if you're someone like me who has not yet encountered the work of filmmakers (and stars) Dominique Abel and Fiona Gordon. In the words of the official synopsis ... Filmed in Dominique Abel and Fiona Gordon’s signature whimsical style, Lost in Paris stars the filmmakers as a small-town Canadian librarian and a strangely seductive, oddly egotistical vagabond. When Fiona's...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 5/11/2017
- Screen Anarchy
Keep up with the always-hopping film festival world with our weekly Film Festival Roundup column. Check out last week’s Roundup right here.
Lineup Announcements
– Hot Docs has announced the ten documentary features that will screen in this year’s Special Presentations program. Special Presentations features a high-profile collection of world and international premieres, award winners from the recent international festival circuit and works by master filmmakers or featuring some star subjects.
Special Presentations will screen as part of the 2017 Hot Docs Canadian International Documentary Festival, running April 27 – May 7. The complete Special Presentations program and the full selection of films to screen at Hot Docs 2017 will be announced on March 21, including the 2017 opening night film.
The new titles include: “Bill Nye: Science Guy,” “Chasing Coral,” “Dolores,” “Elian,” “Joshua: Teenager vs. Superpower,” “In Loco Parentis,” “Nobody Speak: Trials of the Free Press,” “Rumble: The Indians Who Rocked the World,” “Strong Island” and “The Workers Cup.
Lineup Announcements
– Hot Docs has announced the ten documentary features that will screen in this year’s Special Presentations program. Special Presentations features a high-profile collection of world and international premieres, award winners from the recent international festival circuit and works by master filmmakers or featuring some star subjects.
Special Presentations will screen as part of the 2017 Hot Docs Canadian International Documentary Festival, running April 27 – May 7. The complete Special Presentations program and the full selection of films to screen at Hot Docs 2017 will be announced on March 21, including the 2017 opening night film.
The new titles include: “Bill Nye: Science Guy,” “Chasing Coral,” “Dolores,” “Elian,” “Joshua: Teenager vs. Superpower,” “In Loco Parentis,” “Nobody Speak: Trials of the Free Press,” “Rumble: The Indians Who Rocked the World,” “Strong Island” and “The Workers Cup.
- 3/2/2017
- by Kate Erbland
- Indiewire
Houda Benyamina [pictured], Jessica Hausner and Rebecca Daly among directors due to attend the festival.
The Les Arcs European Film Festival will champion female filmmakers at its eighth edition unfolding in the heart of the French Alps Dec 10-17.
A sidebar titled The New Women of Cinema will screen features by 10 female directors including Houda Benyamina’s Caméra d’Or-winning Divines, Rebecca Daly’s Mammal and Rachel Lang’s Baden Baden.
Older titles such as Jessica Hausner’s Lourdes, Agnes Kocsis’ Fresh Air and Nanouk Leopold’s Brownian Movement are also included in the line-up
The initiative is an extension of the festival’s Femme de Cinema award introduced in 2013, the recipients of which have included Bosnian director Jamila Zbanic and Poland’s Małgorzata Szumowska.
Alongside the screenings, there will also be a presentation on a specially-commissioned study of emerging female directors, as well as round-tables and a master-class by one of the attending female directors.
The programme...
The Les Arcs European Film Festival will champion female filmmakers at its eighth edition unfolding in the heart of the French Alps Dec 10-17.
A sidebar titled The New Women of Cinema will screen features by 10 female directors including Houda Benyamina’s Caméra d’Or-winning Divines, Rebecca Daly’s Mammal and Rachel Lang’s Baden Baden.
Older titles such as Jessica Hausner’s Lourdes, Agnes Kocsis’ Fresh Air and Nanouk Leopold’s Brownian Movement are also included in the line-up
The initiative is an extension of the festival’s Femme de Cinema award introduced in 2013, the recipients of which have included Bosnian director Jamila Zbanic and Poland’s Małgorzata Szumowska.
Alongside the screenings, there will also be a presentation on a specially-commissioned study of emerging female directors, as well as round-tables and a master-class by one of the attending female directors.
The programme...
- 11/8/2016
- ScreenDaily
Houda Benyamina [pictured], Jessica Hausner and Rebecca Daly among directors due to attend the festival.
The Les Arcs European Film Festival will champion female filmmakers at its eighth edition unfolding in the heart of the French Alps Dec 10-17.
A sidebar titled The New Women of Cinema will screen features by 10 female directors including Houda Benyamina’s Caméra d’Or-winning Divines, Rebecca Daly’s Mammal and Rachel Lang’s Baden Baden.
Older titles such as Jessica Hausner’s Lourdes, Agnes Kocsis’ Fresh Air and Nanouk Leopold’s Brownian Movement are also included in the line-up
The initiative is an extension of the festival’s Femme de Cinema award introduced in 2013, the recipients of which have included Bosnian director Jamila Zbanic and Poland’s Małgorzata Szumowska.
Alongside the screenings, there will also be a presentation on a specially-commissioned study of emerging female directors, as well as round-tables and a master-class by one of the attending female directors.
The programme...
The Les Arcs European Film Festival will champion female filmmakers at its eighth edition unfolding in the heart of the French Alps Dec 10-17.
A sidebar titled The New Women of Cinema will screen features by 10 female directors including Houda Benyamina’s Caméra d’Or-winning Divines, Rebecca Daly’s Mammal and Rachel Lang’s Baden Baden.
Older titles such as Jessica Hausner’s Lourdes, Agnes Kocsis’ Fresh Air and Nanouk Leopold’s Brownian Movement are also included in the line-up
The initiative is an extension of the festival’s Femme de Cinema award introduced in 2013, the recipients of which have included Bosnian director Jamila Zbanic and Poland’s Małgorzata Szumowska.
Alongside the screenings, there will also be a presentation on a specially-commissioned study of emerging female directors, as well as round-tables and a master-class by one of the attending female directors.
The programme...
- 11/8/2016
- ScreenDaily
Those who have seen a Fiona Gordon and Dominique Abel film will never forget their first time. From Rumba (2008) to The Fairy (2011), the duo’s romantic comedies are like no other currently out there, each exquisitely choreographed real-life fairy-tales about ‘real’ characters, the little people without a voice who get overlooked as life rushes […]
The post Lff 2016: Lost in Paris Review appeared first on HeyUGuys.
The post Lff 2016: Lost in Paris Review appeared first on HeyUGuys.
- 10/17/2016
- by Lisa Giles-Keddie
- HeyUGuys.co.uk
Keep up with the always-hopping film festival world with our weekly Film Festival Roundup column. Check out last week’s Roundup right here.
Full Lineup Announcements
– The Denver Film Festival (Dff), produced by Denver Film Society (Dfs), has announced its full festival lineup including all feature film selections, short films and complete sidebars. “Our 39th Festival program truly has something for everyone — from the delightful dance-filled comedies of Tribute guests Dominique Abel and Fiona Gordon to the diverse slate of works that makes up our country of focus, Spain, from timely and serious documentaries such as ‘Do Not Resist’ and ‘Jackson’ to the always curious and creepy Late Night Showcase,” said Brit Withey, Artistic Director. Other highlights include “I, Daniel Blake,” “The Ornithologist” and “Off the Rails.”
During the 12-day Festival, DFF39 will present more than 200 titles representing local, national and international independent films, as well as industry panels, workshops,...
Full Lineup Announcements
– The Denver Film Festival (Dff), produced by Denver Film Society (Dfs), has announced its full festival lineup including all feature film selections, short films and complete sidebars. “Our 39th Festival program truly has something for everyone — from the delightful dance-filled comedies of Tribute guests Dominique Abel and Fiona Gordon to the diverse slate of works that makes up our country of focus, Spain, from timely and serious documentaries such as ‘Do Not Resist’ and ‘Jackson’ to the always curious and creepy Late Night Showcase,” said Brit Withey, Artistic Director. Other highlights include “I, Daniel Blake,” “The Ornithologist” and “Off the Rails.”
During the 12-day Festival, DFF39 will present more than 200 titles representing local, national and international independent films, as well as industry panels, workshops,...
- 10/13/2016
- by Kate Erbland
- Indiewire
Exclusive: An co-star Masatoshi Nagase to play photographer with failing eyesight.
French outfit MK2 Films is reuniting with Japanese director Naomi Kawase [pictured] to sell her upcoming feature Radiance ahead of its shoot this October.
The picture, budgeted at $2.3m (€2m), revolves around Misako, a passionate writer of film voiceovers for the visually impaired. At a film screening, she meets Masaya, an older photographer who is slowly losing his eyesight. His work provokes memories of her past. Together, they learn to see the radiant world that was previously invisible to her eyes.
Prolific Japanese actor Masatoshi Nagase, who played the baker Sentaro opposite veteran actress Kirin Kiki as the elderly pastry chef Tokue in An, and also appears in Jim Jarmusch’s 2016 Cannes competition title Paterson, has signed for the role of Masaya. The role of Misako has yet to be cast.
Paris-based MK2 Films is launching sales at Toronto International Film Festival (Sept 8-18). The company handled...
French outfit MK2 Films is reuniting with Japanese director Naomi Kawase [pictured] to sell her upcoming feature Radiance ahead of its shoot this October.
The picture, budgeted at $2.3m (€2m), revolves around Misako, a passionate writer of film voiceovers for the visually impaired. At a film screening, she meets Masaya, an older photographer who is slowly losing his eyesight. His work provokes memories of her past. Together, they learn to see the radiant world that was previously invisible to her eyes.
Prolific Japanese actor Masatoshi Nagase, who played the baker Sentaro opposite veteran actress Kirin Kiki as the elderly pastry chef Tokue in An, and also appears in Jim Jarmusch’s 2016 Cannes competition title Paterson, has signed for the role of Masaya. The role of Misako has yet to be cast.
Paris-based MK2 Films is launching sales at Toronto International Film Festival (Sept 8-18). The company handled...
- 9/9/2016
- ScreenDaily
No modern comedy group has shown as much commitment to resurrecting the spirit of classic slapstick than Brussels-based husband-and-wife comedy duo Dominique Abel and Fiona Gordon. They have performed for decades, but only brought their talents into feature-length filmmaking in the last 10 years, with films like the wordless “Rumba” and “The Fairy” showcasing their commitment to a humor otherwise absent from contemporary cinema. Their lanky figures are ideal vessels for deadpan visuals that mine territory ranging from Charlie Chaplin to Jacques Tati. “Lost in Paris,” their fourth effort (and first without co-director Bruno Romy), continues that earnest commitment to the genre by tapping into the material’s appeal without reinventing it.
Abel and Gordon have yet to produce a full-bodied work with more originality than references, and “Lost in Paris” doesn’t move the needle in that regard. But it’s another charming doodle that does justice to their brand of studied humor.
Abel and Gordon have yet to produce a full-bodied work with more originality than references, and “Lost in Paris” doesn’t move the needle in that regard. But it’s another charming doodle that does justice to their brand of studied humor.
- 9/3/2016
- by Eric Kohn
- Indiewire
Keep up with the wild and wooly world of indie film acquisitions with our weekly Rundown of everything that’s been picked up around the globe. Check out last week’s Rundown here.
– Oscilloscope Laboratories has acquired U.S. rights to acclaimed filmmakers Dominique Abel and Fiona Gordon’s charming and romantic fourth feature film, “Lost in Paris.” The film will have its premiere this fall and have a theatrical release in 2017.
Filmed in their signature whimsical style, the feature “stars the filmmakers as a small-town Canadian librarian and a strangely seductive, oddly egotistical vagabond. When Fiona’s (Gordon) orderly life is disrupted by a letter of distress from her 93-year-old Aunt Martha (delightfully portrayed by Academy Award nominee Emmanuelle Riva) who is living in Paris, Fiona hops on the first plane she can and arrives only to discover that Martha has disappeared. In an avalanche of spectacular disasters, she encounters Dom (Abel), the affable,...
– Oscilloscope Laboratories has acquired U.S. rights to acclaimed filmmakers Dominique Abel and Fiona Gordon’s charming and romantic fourth feature film, “Lost in Paris.” The film will have its premiere this fall and have a theatrical release in 2017.
Filmed in their signature whimsical style, the feature “stars the filmmakers as a small-town Canadian librarian and a strangely seductive, oddly egotistical vagabond. When Fiona’s (Gordon) orderly life is disrupted by a letter of distress from her 93-year-old Aunt Martha (delightfully portrayed by Academy Award nominee Emmanuelle Riva) who is living in Paris, Fiona hops on the first plane she can and arrives only to discover that Martha has disappeared. In an avalanche of spectacular disasters, she encounters Dom (Abel), the affable,...
- 9/2/2016
- by Kate Erbland
- Indiewire
Into the InfernoThe lineup for the 2016 Telluride Film Festival (September 2nd - 5th) have been announced:Arrival (Denis Villeneuve, Us)The B-Side: Elsa Dorfman's Portrait Photography (Errol Morris, Us)Bleed For This (Ben Younger, Us)California Typewriter (Doug Nichol, Us)Chasing Trane (John Scheinfeld, Us)The End of Eden (Angus Macqueen, UK)Finding Oscar (Ryan Suffern, Us)Fire at Sea (Gianfranco Rosi, Italy/France)Frantz (François Ozon, France)Gentleman Rissient (Benoît Jacquot, Pascal Mérigeau, Guy Seligmann, France)Graduation (Cristian Mungiu, Romania/France/Belgium)Into the Inferno (Werner Herzog, UK/Austria)The Ivory Game (Kief Davidson, Richard Ladkani, Austria/Us)La La Land (Damien Chazelle, Us)Lost in Paris (d. Fiona Gordon, Dominique Abel, France/Belgium)Manchester by the Sea (Kenneth Lonergan, Us)Maudie (Aisling Walsh, Canada/Ireland)Men: A Love Story (Mimi Chakarova, Us)Moonlight (Barry Jenkins, Us)My Journey through French Cinema (Bertrand Tavernier, France)Neruda (Pablo Larraín,...
- 9/1/2016
- MUBI
Kenneth Lonergan’s Sundance hit, Denis Villeneuve’s Venice selection, and Pablo Larrain’s acclaimed Chilean biopic are among select titles heading to Colorado this weekend.
The 43rd edition of the Telluride Film Festival includes Clint Eastwood’s Tom Hanks starrer Sully, Barry Jenkins’ anticipated triptych Moonlight and Maren Ade’s Cannes triumph Toni Erdmann.
Joining them are Aisling Walsh’s Maudie, Gianfranco Rosi’s Berlin Golden Bear winner Fire At Sea, Damien Chazelle’s Venice opener La La Land and also from the Lido, Rama Burshtein’s Through The Wall.
Telluride runs from September 2-5. The main slate line-up appears below.
Arrival (Denis Villeneuve, Us, 2016)The B-Side: Elsa Dorfman’s Portrait Photography (Errol Morris, Us 2016)Bleed For This (Ben Younger, Us, 2016)California Typewriter (Doug Nichol, Us, 2016)Chasing Trane (John Scheinfeld, Us, 2016)The End Of Eden (Angus Macqueen, UK, 2016)Finding Oscar (Ryan Suffern, Us, 2016)Fire At Sea (Gianfranco Rosi, Italy-France, 2016)Frantz ([link...
The 43rd edition of the Telluride Film Festival includes Clint Eastwood’s Tom Hanks starrer Sully, Barry Jenkins’ anticipated triptych Moonlight and Maren Ade’s Cannes triumph Toni Erdmann.
Joining them are Aisling Walsh’s Maudie, Gianfranco Rosi’s Berlin Golden Bear winner Fire At Sea, Damien Chazelle’s Venice opener La La Land and also from the Lido, Rama Burshtein’s Through The Wall.
Telluride runs from September 2-5. The main slate line-up appears below.
Arrival (Denis Villeneuve, Us, 2016)The B-Side: Elsa Dorfman’s Portrait Photography (Errol Morris, Us 2016)Bleed For This (Ben Younger, Us, 2016)California Typewriter (Doug Nichol, Us, 2016)Chasing Trane (John Scheinfeld, Us, 2016)The End Of Eden (Angus Macqueen, UK, 2016)Finding Oscar (Ryan Suffern, Us, 2016)Fire At Sea (Gianfranco Rosi, Italy-France, 2016)Frantz ([link...
- 9/1/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Buoyed by its worldwide premiere at the ongoing Venice Film Festival – early reviews are praising the musical as an audacious, deeply romantic feature – Damien Chazelle’s Whiplash follow-up La La Land has booked its place at Telluride 2016.
The picture, one that stars Emma Stone and Ryan Gosling in central roles, is one of the many soon-to-be-released features to be locked in for the imminent film festival, joining the ranks alongside Manchester By the Sea, Moonlight, Things to Come, Bleed For This and Clint Eastwood’s airborne thriller Sully. It is, without question, a fairly stacked lineup, which only has us all the more excited for the onset of the Toronto International Film Festival later this month.
But over the coming weekend, it is Telluride that will take center stage. Similar to La La Land, today’s unveiling confirms a second festival appearance for Denis Villeneuve’s intriguing sci-fi pic Arrival.
The picture, one that stars Emma Stone and Ryan Gosling in central roles, is one of the many soon-to-be-released features to be locked in for the imminent film festival, joining the ranks alongside Manchester By the Sea, Moonlight, Things to Come, Bleed For This and Clint Eastwood’s airborne thriller Sully. It is, without question, a fairly stacked lineup, which only has us all the more excited for the onset of the Toronto International Film Festival later this month.
But over the coming weekend, it is Telluride that will take center stage. Similar to La La Land, today’s unveiling confirms a second festival appearance for Denis Villeneuve’s intriguing sci-fi pic Arrival.
- 9/1/2016
- by Michael Briers
- We Got This Covered
One of the last question marks of the early fall film festival onslaught was Telluride Film Festival, who announces their line-up just a day before the event kicks off. Today now brings the slate for the 43rd edition of the festival, which runs from Friday through Monday.
Featuring the world premiere of Clint Eastwood‘s Sully, there’s also the Venice favorites La La Land and Arrival, as well as past festival highlights and some highly-anticipated dramas headed to Tiff, including Manchester By the Sea, Moonlight, Things to Come, Bleed For This, Toni Erdmann, Una, Neruda, and more. Check out the line-up below, along with links to our reviews where available.
Line-Up
Arrival (d. Denis Villeneuve, U.S., 2016)
The B-side: Elsa Dorfman’S Portrait Photography (d. Errol Morris, U.S., 2016)
Bleed For This (d. Ben Younger, U.S., 2016)
California Typewriter (d. Doug Nichol, U.S., 2016)
Chasing Trane (d. John Scheinfeld,...
Featuring the world premiere of Clint Eastwood‘s Sully, there’s also the Venice favorites La La Land and Arrival, as well as past festival highlights and some highly-anticipated dramas headed to Tiff, including Manchester By the Sea, Moonlight, Things to Come, Bleed For This, Toni Erdmann, Una, Neruda, and more. Check out the line-up below, along with links to our reviews where available.
Line-Up
Arrival (d. Denis Villeneuve, U.S., 2016)
The B-side: Elsa Dorfman’S Portrait Photography (d. Errol Morris, U.S., 2016)
Bleed For This (d. Ben Younger, U.S., 2016)
California Typewriter (d. Doug Nichol, U.S., 2016)
Chasing Trane (d. John Scheinfeld,...
- 9/1/2016
- by Jordan Raup
- The Film Stage
The Telluride Film Festival has announced its lineup for the 2016 edition, which begins Friday. As usual, the exclusive Labor Day weekend gathering of industry insiders and midwestern movie buffs will offer a sneak peak at highly anticipated fall films, including several awards season hopefuls, alongside several favorites from the festival circuit, smaller discoveries and classic films.
Damien Chazelle’s vibrant ode to musicals of the past, “La La Land,” will head to Telluride fresh from the Lionsgate release’s successful opening night slot at the Venice Film Festival, while another Venice premiere, Denis Villeneuve’s sci-fi “Arrival,” comes to Telluride courtesy of Paramount alongside a special tribute to star Amy Adams. Another tributee, Casey Affleck, will be in town with Sundance hit “Manchester By the Sea,” which Amazon famously acquired at the Park City gathering for a hefty price tag.
Read More: ‘Manchester By The Sea’ Trailer: Discover Why Kenneth Lonergan...
Damien Chazelle’s vibrant ode to musicals of the past, “La La Land,” will head to Telluride fresh from the Lionsgate release’s successful opening night slot at the Venice Film Festival, while another Venice premiere, Denis Villeneuve’s sci-fi “Arrival,” comes to Telluride courtesy of Paramount alongside a special tribute to star Amy Adams. Another tributee, Casey Affleck, will be in town with Sundance hit “Manchester By the Sea,” which Amazon famously acquired at the Park City gathering for a hefty price tag.
Read More: ‘Manchester By The Sea’ Trailer: Discover Why Kenneth Lonergan...
- 9/1/2016
- by Eric Kohn
- Indiewire
Oscilloscope Laboratories has picked up Us rights from MK2 Films to Dominique Abel and Fiona Gordon’s fourth feature.
Lost In Paris will open theatrically in 2017 and stars the filmmakers as a small-town Canadian librarian and a seductive vagabond who find love when the former rushes to Paris to attend to her ailing aunt. Emmanuelle Riva also stars.
Abel and Gordon’s credits include L’iceberg, Rumba and The Fairy.
“Lost In Paris has been found by Oscilloscope,” said the film-makers. “We are thrilled to see our new film in such caring hands and proud to be part of Oscilloscope’s beautiful collection of films. We are looking forward to working with the O-Scope team and meeting our American audience!”
“We live in an unpredictable and often sad world,” said O-Scope’s Dan Berger. “In addition to its copious other merits and beautiful execution, Lost In Paris is foremost such a joyful and heartening film to watch...
Lost In Paris will open theatrically in 2017 and stars the filmmakers as a small-town Canadian librarian and a seductive vagabond who find love when the former rushes to Paris to attend to her ailing aunt. Emmanuelle Riva also stars.
Abel and Gordon’s credits include L’iceberg, Rumba and The Fairy.
“Lost In Paris has been found by Oscilloscope,” said the film-makers. “We are thrilled to see our new film in such caring hands and proud to be part of Oscilloscope’s beautiful collection of films. We are looking forward to working with the O-Scope team and meeting our American audience!”
“We live in an unpredictable and often sad world,” said O-Scope’s Dan Berger. “In addition to its copious other merits and beautiful execution, Lost In Paris is foremost such a joyful and heartening film to watch...
- 8/29/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Screen rounds up the films from across the globe that could launch at Cannes…
With less than a month to go until the Cannes Film Festival announces its line-up at its annual Paris press conference on April 14, Screen looks at what could make it into Official Selection and the parallel sections of Directors’ Fortnight and Critics’ Week.
UK and Ireland
The UK could have one of its strongest Cannes for years with hot favourites for a competition slot including Andrea Arnold’s Shia Labeouf-starring Us road movie American Honey and Ken Loach’s gritty Northern England-set drama I, Daniel Blake. It would be Loach’s 12th time in competition.
Ben Wheatley is also reportedly gunning for an Official Selection slot for his 1970s Boston-set, gangland thriller Free Fire, potentially Out of Competition or in Midnight Screenings. He was last in Cannes with Sightseers in Directors’ Fortnight.
Other UK hopefuls include Stephen Frears’ Florence Foster Jenkins and Indian...
With less than a month to go until the Cannes Film Festival announces its line-up at its annual Paris press conference on April 14, Screen looks at what could make it into Official Selection and the parallel sections of Directors’ Fortnight and Critics’ Week.
UK and Ireland
The UK could have one of its strongest Cannes for years with hot favourites for a competition slot including Andrea Arnold’s Shia Labeouf-starring Us road movie American Honey and Ken Loach’s gritty Northern England-set drama I, Daniel Blake. It would be Loach’s 12th time in competition.
Ben Wheatley is also reportedly gunning for an Official Selection slot for his 1970s Boston-set, gangland thriller Free Fire, potentially Out of Competition or in Midnight Screenings. He was last in Cannes with Sightseers in Directors’ Fortnight.
Other UK hopefuls include Stephen Frears’ Florence Foster Jenkins and Indian...
- 3/21/2016
- ScreenDaily
It’s become a great breaking in the new year traditional here at Ioncinema.com. We begin our countdown to the our most anticipated foreign films (anything outside the U.S.) with our own Nicholas Bell curating the best bets for 2016. Here are the titles and filmmakers that didn’t make our final Top 100 cut, but are nonetheless “radar” worthy.
101. El Rey del Once – Daniel Burman
102. The Dancer – Stephanie Di Giusto
103. Le Cancre – Paul Vecchiali
104. While the Women are Sleeping – Wayne Wang
105. Tomorrow – Martha Pinson
106. Spring Again – Gael Morel
107. Crowhurst – Simon Rumley
108. Le Garcon – Philippe Lioret *
109. Marie and the Misfits – Sebastien Betbeder
110. Le Caravage – Alain Chevalier
111. Night Song – Raphael Nadjari
112. Réparer les vivants – Katell Quillevere *
113. Project Lazarus – Mateo Gil
114. Afterimages – Andrzej Wajda
115. Don’t Knock Twice – Caradog James
116. Detour – Christopher Smith
117. The Bride of Rip Van Winkle – Shunji Iwai
118. Three on the Road – Johnnie To
119. Le Vin et le Vent...
101. El Rey del Once – Daniel Burman
102. The Dancer – Stephanie Di Giusto
103. Le Cancre – Paul Vecchiali
104. While the Women are Sleeping – Wayne Wang
105. Tomorrow – Martha Pinson
106. Spring Again – Gael Morel
107. Crowhurst – Simon Rumley
108. Le Garcon – Philippe Lioret *
109. Marie and the Misfits – Sebastien Betbeder
110. Le Caravage – Alain Chevalier
111. Night Song – Raphael Nadjari
112. Réparer les vivants – Katell Quillevere *
113. Project Lazarus – Mateo Gil
114. Afterimages – Andrzej Wajda
115. Don’t Knock Twice – Caradog James
116. Detour – Christopher Smith
117. The Bride of Rip Van Winkle – Shunji Iwai
118. Three on the Road – Johnnie To
119. Le Vin et le Vent...
- 1/4/2016
- by Eric Lavallee
- IONCINEMA.com
Katharine Hepburn and Cary Grant, Jack Lemmon and Shirley MacLaine – romcoms used to be anything but bland
With this year's Oscar-nominated Silver Linings Playbook, Hollywood is attempting to get down and dirty with real people and real problems. But Us films are notoriously bad at this. I Give It a Year is a British comedy about falling out of love – not a romcom, more of a romp-incomp. But whatever happened to the simple idea of the innocently zany finding love?
Reading this on mobile? Click here
Being abnormal used to be normal. In movies such as The Apartment (1960), it was redemptive. Cc Baxter (Jack Lemmon) and Fran Kubelik (Shirley MacLaine) are outsiders who've missed the boat, careerwise and hopewise. She's wasting her time on a married man, while Baxter is caught in a sexual vortex established by his superiors, who have clandestine trysts in his apartment while "Buddy Boy" gets...
With this year's Oscar-nominated Silver Linings Playbook, Hollywood is attempting to get down and dirty with real people and real problems. But Us films are notoriously bad at this. I Give It a Year is a British comedy about falling out of love – not a romcom, more of a romp-incomp. But whatever happened to the simple idea of the innocently zany finding love?
Reading this on mobile? Click here
Being abnormal used to be normal. In movies such as The Apartment (1960), it was redemptive. Cc Baxter (Jack Lemmon) and Fran Kubelik (Shirley MacLaine) are outsiders who've missed the boat, careerwise and hopewise. She's wasting her time on a married man, while Baxter is caught in a sexual vortex established by his superiors, who have clandestine trysts in his apartment while "Buddy Boy" gets...
- 2/14/2013
- by Lucy Ellmann
- The Guardian - Film News
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