Yet another 3-D Blu-ray treat — the 3-D Film Archive restores a rare English production, an international crime tale in 3-D. Dennis O’Keefe’s T-Man helps Scotland Yard track down a gang of smugglers that kidnaps and murders to force an Atom scientist to perfect his manufacturing formula for synthetic diamonds. You know, just like the silicon chip business. The widescreen 3-D is excellent, especially in two action set pieces. Margaret Sheridan co-stars. It’s almost a premiere, as the movie was never publicly exhibited in 3-D. Kino also provides an anaglyphic encoding with a pair of red-cyan glasses as an alternate 3-D option. Plus good extras about the 3-D process.
The Diamond Wizard 3-D
3-D Blu-ray
Kl Studio Classics
1954 / B&w / 1:66 widescreen / 83 min. / Street Date November 15, 2022 / Available at Kino Lorber / 29.95
Starring: Dennis O’Keefe, Margaret Sheridan, Philip Friend, Alan Wheatley, Francis De Wolff, Eric Berry, Gudrun Ure, Paul Hardtmuth,...
The Diamond Wizard 3-D
3-D Blu-ray
Kl Studio Classics
1954 / B&w / 1:66 widescreen / 83 min. / Street Date November 15, 2022 / Available at Kino Lorber / 29.95
Starring: Dennis O’Keefe, Margaret Sheridan, Philip Friend, Alan Wheatley, Francis De Wolff, Eric Berry, Gudrun Ure, Paul Hardtmuth,...
- 11/1/2022
- by Glenn Erickson
- Trailers from Hell
Style can be the star in Classic Noir, making a less prestigious film more entertaining than one with bigger names. Dennis O’Keefe, Claire Trevor and Marsha Hunt spin an excellent crime-love-murder triangle, for a road picture that’s one of the best Noirs not made by a big studio. Director Anthony Mann and cinematographer John Alton dial up the intensity for an experience as rich as the best pulp crime fiction.
Raw Deal
Blu-ray
ClassicFlix
1948 / B&W / 1:37 Academy / 79 min. / Special Edition / Street Date January 16, 2018 / 39.99
Starring: Dennis O’Keefe, Claire Trevor, Marsha Hunt, John Ireland, Raymond Burr, Curt Conway, Chili Williams, Regis Toomey, Whit Bissell, Cliff Clark, Greg Barton, Tom Fadden, Ilka Grüning, Ray Teal.
Cinematography: John Alton
Film Editor: Alfred DeGaetano
Original Music: Paul Sawtell
Written by Leopold Atlas, John C. Higgens, from a story by Arnold B. Armstrong & Audrey Ashley
Produced by Edward Small
Directed by Anthony Mann...
Raw Deal
Blu-ray
ClassicFlix
1948 / B&W / 1:37 Academy / 79 min. / Special Edition / Street Date January 16, 2018 / 39.99
Starring: Dennis O’Keefe, Claire Trevor, Marsha Hunt, John Ireland, Raymond Burr, Curt Conway, Chili Williams, Regis Toomey, Whit Bissell, Cliff Clark, Greg Barton, Tom Fadden, Ilka Grüning, Ray Teal.
Cinematography: John Alton
Film Editor: Alfred DeGaetano
Original Music: Paul Sawtell
Written by Leopold Atlas, John C. Higgens, from a story by Arnold B. Armstrong & Audrey Ashley
Produced by Edward Small
Directed by Anthony Mann...
- 1/9/2018
- by Glenn Erickson
- Trailers from Hell
Cinema Retro has received the following press release from the Classicflix.com:
For one night only, fans of classic film noir will be able to watch a free streaming World Premiere of the recently restored thriller T-Men (1947) on Friday, November 24, hosted by ClassicFlix. Anthony Mann's breakout film will be part of the home video label’s “Black and White Friday,” which will be streaming the film in high definition on their YouTube channel from 5:00 Pm to 7:00 Pm Pt*.
The ground-breaking film recently made its Blu-ray™ debut after undergoing major restoration. The T-Men Special Edition Blu-ray is loaded with bonus features and a 24-page booklet. During the screening ClassicFlix will be hosting a giveaway of T-Men Special Edition via their Twitter page, in addition to a special low-price offering for fans who wish to buy the Blu-ray. Instructions on how to participate in the giveaway will be posted...
For one night only, fans of classic film noir will be able to watch a free streaming World Premiere of the recently restored thriller T-Men (1947) on Friday, November 24, hosted by ClassicFlix. Anthony Mann's breakout film will be part of the home video label’s “Black and White Friday,” which will be streaming the film in high definition on their YouTube channel from 5:00 Pm to 7:00 Pm Pt*.
The ground-breaking film recently made its Blu-ray™ debut after undergoing major restoration. The T-Men Special Edition Blu-ray is loaded with bonus features and a 24-page booklet. During the screening ClassicFlix will be hosting a giveaway of T-Men Special Edition via their Twitter page, in addition to a special low-price offering for fans who wish to buy the Blu-ray. Instructions on how to participate in the giveaway will be posted...
- 11/23/2017
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Do you think older crime thrillers weren’t violent enough? This shocker from 1948 shook up America with its true story of a vicious killer who has a murderous solution to every problem, and uses special talents to evade police detection. Richard Basehart made his acting breakthrough as Roy Martin, a barely disguised version of the real life ‘Machine Gun Walker.
He Walked by Night
Blu-ray
ClassicFlix
1948 / B&W /1:37 flat full frame / 79 min. / Street Date November 7, 2017 / 39.99
Starring: Richard Basehart, Scott Brady, Roy Roberts, Whit Bissell, James Cardwell, Jack Webb, Dorothy Adams, Ann Doran, Byron Foulger, Reed Hadley (narrator), Thomas Browne Henry, Tommy Kelly, John McGuire, Kenneth Tobey.
Cinematography: John Alton
Art Direction: Edward Ilou
Film Editor: Alfred De Gaetano
Original Music: Leonid Raab
Written by John C. Higgins and Crane Wilbur
Produced by Bryan Foy, Robert T. Kane
Directed by Alfred L. Werker
Talk about a movie with a dynamite...
He Walked by Night
Blu-ray
ClassicFlix
1948 / B&W /1:37 flat full frame / 79 min. / Street Date November 7, 2017 / 39.99
Starring: Richard Basehart, Scott Brady, Roy Roberts, Whit Bissell, James Cardwell, Jack Webb, Dorothy Adams, Ann Doran, Byron Foulger, Reed Hadley (narrator), Thomas Browne Henry, Tommy Kelly, John McGuire, Kenneth Tobey.
Cinematography: John Alton
Art Direction: Edward Ilou
Film Editor: Alfred De Gaetano
Original Music: Leonid Raab
Written by John C. Higgins and Crane Wilbur
Produced by Bryan Foy, Robert T. Kane
Directed by Alfred L. Werker
Talk about a movie with a dynamite...
- 11/7/2017
- by Glenn Erickson
- Trailers from Hell
Found: a must-see Film noir in all its brutal glory, restored to a level of quality not seen in years. Anthony Mann and John Alton made their reputations with ninety minutes of chiaroscuro heaven — it’s one of the best-looking noirs ever. With extras produced by Alan K. Rode.
T-Men
Blu-ray
ClassicFlix
1947 / B&W / 1:37 flat full frame / Special Edition / 92 min. / Street Date October 10, 2017 / 39.99
Starring: Dennis O’Keefe, Alfred Ryder, Wallace Ford, Charles McGraw, Jane Randolph, Art Smith, Herbert Heyes, Jack Overman, John Wengraf, June Lockhart, Keefe Brasselle, James Seay, Tito Vuolo, John Newland, Reed Hadley.
Cinematography: John Alton
Film Editor: Fred Allen
Original Music: Paul Sawtell
Written by John C. Higgins, story Virginia Kellogg
Produced by Aubrey Schenck, Edward Small
Directed by Anthony Mann
Wow — I’ve seen T-Men many times, but never like this. It’s always listed as a significant success, a trend-starter, a career-launcher, but only...
T-Men
Blu-ray
ClassicFlix
1947 / B&W / 1:37 flat full frame / Special Edition / 92 min. / Street Date October 10, 2017 / 39.99
Starring: Dennis O’Keefe, Alfred Ryder, Wallace Ford, Charles McGraw, Jane Randolph, Art Smith, Herbert Heyes, Jack Overman, John Wengraf, June Lockhart, Keefe Brasselle, James Seay, Tito Vuolo, John Newland, Reed Hadley.
Cinematography: John Alton
Film Editor: Fred Allen
Original Music: Paul Sawtell
Written by John C. Higgins, story Virginia Kellogg
Produced by Aubrey Schenck, Edward Small
Directed by Anthony Mann
Wow — I’ve seen T-Men many times, but never like this. It’s always listed as a significant success, a trend-starter, a career-launcher, but only...
- 10/14/2017
- by Glenn Erickson
- Trailers from Hell
Dirty cops were a movie vogue in 1954, and Edmond O'Brien scores as a real dastard in this overachieving United Artists thriller. Dreamboat starlet Marla English is the reason O'Brien's detective kills for cash, and then keeps killing to stay ahead of his colleagues. And all to buy a crummy house in the suburbs -- this man needs career counseling. Shield for Murder Blu-ray Kl Studio Classics 1954 / B&W / 1:75 widescreen / 82 min. / Street Date June 21, 2016 / available through Kino Lorber / 29.95 Starring Edmond O'Brien, Marla English, John Agar, Emile Meyer, Carolyn Jones, Claude Akins, Herbert Butterfield, Hugh Sanders, William Schallert, Robert Bray, Richard Deacon, David Hughes, Gregg Martell, Stafford Repp, Vito Scotti. Cinematography Gordon Avil Film Editor John F. Schreyer Original Music Paul Dunlap Written by Richard Alan Simmons, John C. Higgins from the novel by William P. McGivern <Produced by Aubrey Schenck, (Howard W. Koch) Directed by Edmond O'Brien, Howard W. Koch
Reviewed by Glenn Erickson
Here's the kind of '50s movie we love, an ambitious, modest crime picture that for its time had an edge. In the 1950s our country was as blind to the true extent of police corruption as it was to organized crime. Movies about bad cops adhered to the 'bad apple' concept: it's only crooked individuals that we need to watch out for, never the institutions around them. Thanks to films noir, crooked cops were no longer a film rarity, even though the Production Code made movies like The Asphalt Jungle insert compensatory scenes paying lip service to the status quo: an imperfect police force is better than none. United Artists in the 1950s helped star talent make the jump to independent production, with the prime success stories being Burt Lancaster and Kirk Douglas. But the distribution company also funded proven producers capable of putting out smaller bread 'n' butter movies that could prosper if costs were kept down. Edward Small, Victor Saville, Levy-Gardner-Laven. Aubrey Schenck and Howard C. Koch produced as a team, and for 1954's Shield for Murder Koch co-directed, sharing credit with the film's star, Edmond O'Brien. The show is a smart production all the way, a modestly budgeted 'B' with 'A' ambitions. O'Brien was an industry go-getter trying to channel his considerable talent in new directions. His leading man days were fading but he was in demand for parts in major films like The Barefoot Contessa. The producers took care with their story too. Writers Richard Alan Simmons and John C. Higgins had solid crime movie credits. Author William P. McGivern wrote the novel behind Fritz Lang's The Big Heat as well as Rogue Cop and Odds Against Tomorrow. All of McGivern's stories involve crooked policemen or police corruption. Shield for Murder doesn't tiptoe around its subject matter. Dirty cop Detective Lt. Barney Nolan (O'Brien) kills a hoodlum in an alley to steal $25,000 of mob money. His precinct boss Captain Gunnarson (Emile Meyer) accepts Barney's version of events and the Asst. D.A. (William Schallert) takes the shooting as an open and shut case. Crime reporter Cabot (Herbert Butterfield) has his doubts, and lectures the squad room about the abuse of police power. Barney manages to placate mob boss Packy Reed (Hugh Sanders), but two hoods continue to shadow him. Barney's plan for the money was to buy a new house and escape the rat race with his girlfriend, nightclub cashier Patty Winters (Marla English). But a problem surfaces in the elderly deaf mute Ernst Sternmueller (David Hughes), a witness to the shooting. Barney realizes that his only way forward is to kill the old man before he can tell all to Det. Mark Brewster (John Agar), Barney's closest friend. Once again one of society's Good Guys takes a bite of the forbidden apple and tries to buck the system. Shield for Murder posits an logical but twisted course of action for a weary defender of the law who wants out. Barney long ago gave up trying to do anything about the crooks he can't touch. The fat cat Packy Reed makes the big money, and all Barney wants is his share. Barney's vision of The American Dream is just the middle-class ideal, the desirable Patty Winters and a modest tract home. He's picked it out - it sits partway up a hill in a new Los Angeles development, just finished and already furnished. Then the unexpected witness shows up and everything begins to unravel; Barney loses control one step at a time. He beats a mob thug (Claude Akins) half to death in front of witnesses. When his pal Mark Brewster figures out the truth, Barney has to use a lot of his money to arrange a getaway. More mob trouble leads to a shoot-out in a high school gym. The idea may have been for the star O'Brien to coach actors John Agar and Marla English to better performances. Agar is slightly more natural than usual, but still not very good. The gorgeous Ms. English remains sweet and inexpressive. After several unbilled bits, the woman often compared to Elizabeth Taylor was given "introducing" billing on the Shield for Murder billing block. Her best-known role would be as The She-Creature two years later, after which she dropped out to get married. Co-director O'Brien also allows Emile Meyer to go over the top in a scene or two. But the young Carolyn Jones is a standout as a blonde bargirl, more or less expanding on her small part as a human ashtray in the previous year's The Big Heat. Edmond O'Brien is occasionally a little to hyper, but he's excellent at showing stress as the trap closes around the overreaching Barney Nolan. Other United Artists budget crime pictures seem a little tight with the outdoors action -- Vice Squad, Witness to Murder, Without Warning -- but O'Brien and Koch's camera luxuriates in night shoots on the Los Angeles streets. This is one of those Blu-rays that Los Angelenos will want to freeze frame, to try to read the street signs. There is also little downtime wasted in sidebar plot detours. The gunfight in the school gym, next to an Olympic swimming pool, is an action highlight. The show has one enduring sequence. With the force closing in, Barney rushes back to the unfinished house he plans to buy, to recover the loot he's buried next to its foundation. Anybody who lived in Southern California in the '50s and '60s was aware of the massive suburban sprawl underway, a building boom that went on for decades. In 1953 the La Puente hills were so rural they barely served by roads; the movie The War of the Worlds considered it a good place to use a nuclear bomb against invading Martians. By 1975 the unending suburbs had spread from Los Angeles, almost all the way to Pomona. Barney dashes through a new housing development on terraced plots, boxy little houses separated from each other by only a few feet of dirt. There's no landscaping yet. Even in 1954 $25,000 wasn't that much money, so Barney Nolan has sold himself pretty cheaply. Two more latter-day crime pictures would end with ominous metaphors about the oblivion of The American Dream. In 1964's remake of The Killers the cash Lee Marvin kills for only buys him a patch of green lawn in a choice Hollywood Hills neighborhood. The L.A.P.D. puts Marvin out of his misery, and then closes in on another crooked detective in the aptly titled 1965 thriller The Money Trap. The final scene in that movie is priceless: his dreams smashed, crooked cop Glenn Ford sits by his designer swimming pool and waits to be arrested. Considering how well things worked out for Los Angeles police officers, Edmond O'Brien's Barney Nolan seems especially foolish. If Barney had stuck it out for a couple of years, the new deal for the L.A.P.D. would have been much better than a measly 25 grand. By 1958 he'd have his twenty years in. After a retirement beer bash he'd be out on the road pulling a shiny new boat to the Colorado River, like all the other hardworking cops and firemen enjoying their generous pensions. Policemen also had little trouble getting house loans. The joke was that an L.A.P.D. cop might go bad, but none of them could be bribed. O'Brien directed one more feature, took more TV work and settled into character parts for Jack Webb, Frank Tashlin, John Ford, John Frankenheimer and finally Sam Peckinpah in The Wild Bunch, where he was almost unrecognizable. Howard W. Koch slowed down as a director but became a busy producer, working with Frank Sinatra for several years. He eventually co-produced Airplane! The Kl Studio Classics Blu-ray of Shield for Murder is a good-looking B&W scan, framed at a confirmed-as-correct 1:75 aspect ratio. The picture is sharp and detailed, and the sound is in fine shape. The package art duplicates the film's original no-class sell: "Dame-Hungry Killer-Cop Runs Berserk! The first scene also contains one of the more frequently noticed camera flubs in film noir -- a really big boom shadow on a nighttime alley wall. Kino's presentation comes with trailers for this movie, Hidden Fear and He Ran All the Way. On a scale of Excellent, Good, Fair, and Poor, Shield for Murder Blu-ray rates: Movie: Good Video: Very Good Sound: Excellent Supplements: Trailers for Shield for Murder, Hidden Fear, He Ran All the Way Deaf and Hearing Impaired Friendly? N0; Subtitles: None Packaging: Keep case Reviewed: June 7, 2016 (5115murd)
Visit DVD Savant's Main Column Page Glenn Erickson answers most reader mail: dvdsavant@mindspring.com
Text © Copyright 2016 Glenn Erickson...
Reviewed by Glenn Erickson
Here's the kind of '50s movie we love, an ambitious, modest crime picture that for its time had an edge. In the 1950s our country was as blind to the true extent of police corruption as it was to organized crime. Movies about bad cops adhered to the 'bad apple' concept: it's only crooked individuals that we need to watch out for, never the institutions around them. Thanks to films noir, crooked cops were no longer a film rarity, even though the Production Code made movies like The Asphalt Jungle insert compensatory scenes paying lip service to the status quo: an imperfect police force is better than none. United Artists in the 1950s helped star talent make the jump to independent production, with the prime success stories being Burt Lancaster and Kirk Douglas. But the distribution company also funded proven producers capable of putting out smaller bread 'n' butter movies that could prosper if costs were kept down. Edward Small, Victor Saville, Levy-Gardner-Laven. Aubrey Schenck and Howard C. Koch produced as a team, and for 1954's Shield for Murder Koch co-directed, sharing credit with the film's star, Edmond O'Brien. The show is a smart production all the way, a modestly budgeted 'B' with 'A' ambitions. O'Brien was an industry go-getter trying to channel his considerable talent in new directions. His leading man days were fading but he was in demand for parts in major films like The Barefoot Contessa. The producers took care with their story too. Writers Richard Alan Simmons and John C. Higgins had solid crime movie credits. Author William P. McGivern wrote the novel behind Fritz Lang's The Big Heat as well as Rogue Cop and Odds Against Tomorrow. All of McGivern's stories involve crooked policemen or police corruption. Shield for Murder doesn't tiptoe around its subject matter. Dirty cop Detective Lt. Barney Nolan (O'Brien) kills a hoodlum in an alley to steal $25,000 of mob money. His precinct boss Captain Gunnarson (Emile Meyer) accepts Barney's version of events and the Asst. D.A. (William Schallert) takes the shooting as an open and shut case. Crime reporter Cabot (Herbert Butterfield) has his doubts, and lectures the squad room about the abuse of police power. Barney manages to placate mob boss Packy Reed (Hugh Sanders), but two hoods continue to shadow him. Barney's plan for the money was to buy a new house and escape the rat race with his girlfriend, nightclub cashier Patty Winters (Marla English). But a problem surfaces in the elderly deaf mute Ernst Sternmueller (David Hughes), a witness to the shooting. Barney realizes that his only way forward is to kill the old man before he can tell all to Det. Mark Brewster (John Agar), Barney's closest friend. Once again one of society's Good Guys takes a bite of the forbidden apple and tries to buck the system. Shield for Murder posits an logical but twisted course of action for a weary defender of the law who wants out. Barney long ago gave up trying to do anything about the crooks he can't touch. The fat cat Packy Reed makes the big money, and all Barney wants is his share. Barney's vision of The American Dream is just the middle-class ideal, the desirable Patty Winters and a modest tract home. He's picked it out - it sits partway up a hill in a new Los Angeles development, just finished and already furnished. Then the unexpected witness shows up and everything begins to unravel; Barney loses control one step at a time. He beats a mob thug (Claude Akins) half to death in front of witnesses. When his pal Mark Brewster figures out the truth, Barney has to use a lot of his money to arrange a getaway. More mob trouble leads to a shoot-out in a high school gym. The idea may have been for the star O'Brien to coach actors John Agar and Marla English to better performances. Agar is slightly more natural than usual, but still not very good. The gorgeous Ms. English remains sweet and inexpressive. After several unbilled bits, the woman often compared to Elizabeth Taylor was given "introducing" billing on the Shield for Murder billing block. Her best-known role would be as The She-Creature two years later, after which she dropped out to get married. Co-director O'Brien also allows Emile Meyer to go over the top in a scene or two. But the young Carolyn Jones is a standout as a blonde bargirl, more or less expanding on her small part as a human ashtray in the previous year's The Big Heat. Edmond O'Brien is occasionally a little to hyper, but he's excellent at showing stress as the trap closes around the overreaching Barney Nolan. Other United Artists budget crime pictures seem a little tight with the outdoors action -- Vice Squad, Witness to Murder, Without Warning -- but O'Brien and Koch's camera luxuriates in night shoots on the Los Angeles streets. This is one of those Blu-rays that Los Angelenos will want to freeze frame, to try to read the street signs. There is also little downtime wasted in sidebar plot detours. The gunfight in the school gym, next to an Olympic swimming pool, is an action highlight. The show has one enduring sequence. With the force closing in, Barney rushes back to the unfinished house he plans to buy, to recover the loot he's buried next to its foundation. Anybody who lived in Southern California in the '50s and '60s was aware of the massive suburban sprawl underway, a building boom that went on for decades. In 1953 the La Puente hills were so rural they barely served by roads; the movie The War of the Worlds considered it a good place to use a nuclear bomb against invading Martians. By 1975 the unending suburbs had spread from Los Angeles, almost all the way to Pomona. Barney dashes through a new housing development on terraced plots, boxy little houses separated from each other by only a few feet of dirt. There's no landscaping yet. Even in 1954 $25,000 wasn't that much money, so Barney Nolan has sold himself pretty cheaply. Two more latter-day crime pictures would end with ominous metaphors about the oblivion of The American Dream. In 1964's remake of The Killers the cash Lee Marvin kills for only buys him a patch of green lawn in a choice Hollywood Hills neighborhood. The L.A.P.D. puts Marvin out of his misery, and then closes in on another crooked detective in the aptly titled 1965 thriller The Money Trap. The final scene in that movie is priceless: his dreams smashed, crooked cop Glenn Ford sits by his designer swimming pool and waits to be arrested. Considering how well things worked out for Los Angeles police officers, Edmond O'Brien's Barney Nolan seems especially foolish. If Barney had stuck it out for a couple of years, the new deal for the L.A.P.D. would have been much better than a measly 25 grand. By 1958 he'd have his twenty years in. After a retirement beer bash he'd be out on the road pulling a shiny new boat to the Colorado River, like all the other hardworking cops and firemen enjoying their generous pensions. Policemen also had little trouble getting house loans. The joke was that an L.A.P.D. cop might go bad, but none of them could be bribed. O'Brien directed one more feature, took more TV work and settled into character parts for Jack Webb, Frank Tashlin, John Ford, John Frankenheimer and finally Sam Peckinpah in The Wild Bunch, where he was almost unrecognizable. Howard W. Koch slowed down as a director but became a busy producer, working with Frank Sinatra for several years. He eventually co-produced Airplane! The Kl Studio Classics Blu-ray of Shield for Murder is a good-looking B&W scan, framed at a confirmed-as-correct 1:75 aspect ratio. The picture is sharp and detailed, and the sound is in fine shape. The package art duplicates the film's original no-class sell: "Dame-Hungry Killer-Cop Runs Berserk! The first scene also contains one of the more frequently noticed camera flubs in film noir -- a really big boom shadow on a nighttime alley wall. Kino's presentation comes with trailers for this movie, Hidden Fear and He Ran All the Way. On a scale of Excellent, Good, Fair, and Poor, Shield for Murder Blu-ray rates: Movie: Good Video: Very Good Sound: Excellent Supplements: Trailers for Shield for Murder, Hidden Fear, He Ran All the Way Deaf and Hearing Impaired Friendly? N0; Subtitles: None Packaging: Keep case Reviewed: June 7, 2016 (5115murd)
Visit DVD Savant's Main Column Page Glenn Erickson answers most reader mail: dvdsavant@mindspring.com
Text © Copyright 2016 Glenn Erickson...
- 6/11/2016
- by Glenn Erickson
- Trailers from Hell
It's an All Star monster rally -- Lon Chaney Jr.!, John Carradine!, Bela Lugosi!, Basil Rathbone!, Tor Johnson! -- with Akim Tamiroff in there pitching as well. It's considered a must-see picture, and this HD presentation is nothing to sniff at. Added bonus: a Tom Weaver commentary. The Black Sleep Blu-ray Kl Studio Classics 1956 / B&W / 1:85 widescreen / 82 min. / Dr. Cadman's Secret / Street Date March 22, 2016 / available through Kino Lorber / 29.95 Starring Basil Rathbone, Akim Tamiroff, Lon Chaney Jr., John Carradine, Bela Lugosi, Herbert Rudley, Patricia Blake, Phyllis Stanley, Tor Johnson, Sally Yarnell, George Sawaya. Cinematography Gordon Avil Film Editor John F. Schreyer Original Music Les Baxter Written by John C. Higgins, Gerald Drayson Adams Produced by Howard W. Koch Directed by Reginald Le Borg
Reviewed by Glenn Erickson
Older monster kids know that the 1956 chiller The Black Sleep existed for years only through stills in Famous Monsters magazine. We saw tantalizing...
Reviewed by Glenn Erickson
Older monster kids know that the 1956 chiller The Black Sleep existed for years only through stills in Famous Monsters magazine. We saw tantalizing...
- 2/23/2016
- by Glenn Erickson
- Trailers from Hell
He Walked by Night
Written by John C. Higgins and Crane Wilbur
Directed by Alfred L. Werker and Anthony Mann
U.S.A., 1948
The very long and arduous investigation tasked of Los Angeles police captain Breen (Roy Roberts) and Sergeant Merty Brennan (Scott Brady) begins on a quiet night, on a quiet street when aspiring criminal guru Roy Martin (Richard Basehart) is accosted by a patrolling officer after the latter sees him trying to break into an electronics shop. Roy is prepared for the confrontation, surprising the unfortunate law enforcement representative with his pistol, killing the man in the process. With one of their own gunned down mercilessly, Captain Breen and Sgt. Brennan tackle one of the most difficult cases of their careers, a story inspired by the newspaper headlines of the time when in 1945 and 1946 a former police officer and army veteran Erwin Walker took the city by storm...
Written by John C. Higgins and Crane Wilbur
Directed by Alfred L. Werker and Anthony Mann
U.S.A., 1948
The very long and arduous investigation tasked of Los Angeles police captain Breen (Roy Roberts) and Sergeant Merty Brennan (Scott Brady) begins on a quiet night, on a quiet street when aspiring criminal guru Roy Martin (Richard Basehart) is accosted by a patrolling officer after the latter sees him trying to break into an electronics shop. Roy is prepared for the confrontation, surprising the unfortunate law enforcement representative with his pistol, killing the man in the process. With one of their own gunned down mercilessly, Captain Breen and Sgt. Brennan tackle one of the most difficult cases of their careers, a story inspired by the newspaper headlines of the time when in 1945 and 1946 a former police officer and army veteran Erwin Walker took the city by storm...
- 2/6/2015
- by Edgar Chaput
- SoundOnSight
Ridley Scott’s epic Exodus: Gods And Kings opens in theaters in three weeks.
Jessica Chastain currently stars in Christopher Nolan’s Interstellar where she plays a scientist trying to save humanity from extinction.
One year from now, Scott and Chastain, along with Matt Damon, come together in 20th Century Fox’s upcoming sci-fi film The Martian.
“Six days ago, astronaut Mark Watney became one of the first people to walk on Mars.
Now, he’s sure he’ll be the first person to die there.
After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive—and even if he could get word out, his supplies would be gone long before a rescue could arrive.”
During her recent visit to The Daily Show, the Oscar-nominated...
Jessica Chastain currently stars in Christopher Nolan’s Interstellar where she plays a scientist trying to save humanity from extinction.
One year from now, Scott and Chastain, along with Matt Damon, come together in 20th Century Fox’s upcoming sci-fi film The Martian.
“Six days ago, astronaut Mark Watney became one of the first people to walk on Mars.
Now, he’s sure he’ll be the first person to die there.
After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive—and even if he could get word out, his supplies would be gone long before a rescue could arrive.”
During her recent visit to The Daily Show, the Oscar-nominated...
- 11/21/2014
- by Michelle McCue
- WeAreMovieGeeks.com
T-Men
Written by John C. Higgins
Directed by Anthony Mann
USA, 1947
Two Treasury Board inspectors, Dennis O’Brien and Tony Genaro (Dennis O’Keef and Alfred Ryder, respectively), are sent to Detroit for undercover duty that the Board hopes will smash a nationwide counterfeiting operation. After adopting aliases and studying the Detroit crime scene, they make their way to Motown and, under the guise of former members of a now-defunct gang, infiltrate a high-end gangster’s outfit pretending to look for jobs. Upon learning that The Schemer (Wallace Ford), next in line in the food chain, operates out of Los Angeles, the duo split up with Dennis flying off to the West Coast to pursue the investigation. Of course, the closer the undercover T-Men get to the bottom of the operation, the greater the risk to their mission as well as their very lives.
A long forgotten sub-genre of film noir,...
Written by John C. Higgins
Directed by Anthony Mann
USA, 1947
Two Treasury Board inspectors, Dennis O’Brien and Tony Genaro (Dennis O’Keef and Alfred Ryder, respectively), are sent to Detroit for undercover duty that the Board hopes will smash a nationwide counterfeiting operation. After adopting aliases and studying the Detroit crime scene, they make their way to Motown and, under the guise of former members of a now-defunct gang, infiltrate a high-end gangster’s outfit pretending to look for jobs. Upon learning that The Schemer (Wallace Ford), next in line in the food chain, operates out of Los Angeles, the duo split up with Dennis flying off to the West Coast to pursue the investigation. Of course, the closer the undercover T-Men get to the bottom of the operation, the greater the risk to their mission as well as their very lives.
A long forgotten sub-genre of film noir,...
- 4/4/2014
- by Edgar Chaput
- SoundOnSight
Border Incident
Directed by Anthony Mann
Written by John C. Higgins
U.S.A., 1949
The Mexico-United States border has long been the subject of controversy when discussing the arrival of those described as ‘illegal aliens,’ desperate individuals from Mexico who traverse the border without proper permission in the hopes of finding some work and money to send back to their families, while others hold to grander notions of completely starting anew. Whatever their reasons, those who venture illegally into the United States put themselves at risk, not merely of the border patrol forces, but also of the employers who willfully take advantage of their fragile state. In Border Incident, workers who slaved away in the agriculture fields in Imperial Valley are slaughtered as they traverse shadowy, rocky valleys at night on their journeys back to Mexico. In a joint effort to cease the abuse and to put the ‘law’ back...
Directed by Anthony Mann
Written by John C. Higgins
U.S.A., 1949
The Mexico-United States border has long been the subject of controversy when discussing the arrival of those described as ‘illegal aliens,’ desperate individuals from Mexico who traverse the border without proper permission in the hopes of finding some work and money to send back to their families, while others hold to grander notions of completely starting anew. Whatever their reasons, those who venture illegally into the United States put themselves at risk, not merely of the border patrol forces, but also of the employers who willfully take advantage of their fragile state. In Border Incident, workers who slaved away in the agriculture fields in Imperial Valley are slaughtered as they traverse shadowy, rocky valleys at night on their journeys back to Mexico. In a joint effort to cease the abuse and to put the ‘law’ back...
- 10/6/2012
- by Edgar Chaput
- SoundOnSight
The Movie Pool opens up The File of the Golden Goose, on DVD for the first time!
This DVD is offered as part of MGM's "Limited Edition Collection," which is available from select online retailers and manufactured only when the DVD is ordered. The DVD features a simple menu with no menu for chapters or scenes. Manufacture-On-Demand (Mod) DVDs are made to play in DVD playback units only and may not play in DVD recorders or PC drives. This DVD did not play in our laptop DVD drive but did play in our Toshiba DVD recorder.
DVD Specs
Aspect Ratio: Full screen
Running Time: 105 minutes
Rating: PG-13
Audio: Dolby Digital 2.0
Subtitles: None
Special Features: Theatrical trailer
The Set-up
An American Treasury Department agent (Yul Brenner) goes undercover in London's seedy underground to expose a counterfeiting ring that has left a trail of death in its wake.
Written by: John C. Higgins...
This DVD is offered as part of MGM's "Limited Edition Collection," which is available from select online retailers and manufactured only when the DVD is ordered. The DVD features a simple menu with no menu for chapters or scenes. Manufacture-On-Demand (Mod) DVDs are made to play in DVD playback units only and may not play in DVD recorders or PC drives. This DVD did not play in our laptop DVD drive but did play in our Toshiba DVD recorder.
DVD Specs
Aspect Ratio: Full screen
Running Time: 105 minutes
Rating: PG-13
Audio: Dolby Digital 2.0
Subtitles: None
Special Features: Theatrical trailer
The Set-up
An American Treasury Department agent (Yul Brenner) goes undercover in London's seedy underground to expose a counterfeiting ring that has left a trail of death in its wake.
Written by: John C. Higgins...
- 7/15/2011
- Cinelinx
The Movie Pool creeps up on the new DVD release of the horror classic The Black Sleep!
DVD Specs
Aspect Ratio: 1.85:1 enhanced for widescreen TVs
Running Time: 81 minutes
Rating: Not rated
Audio: Dolby Digital 2.0
Subtitles: None
Special Features: Trailer
The DVD is offered as part of MGM's "Limited Edition Collection" on DVD, which are available from select online retailers and are manufactured only when the DVD is ordered. The DVD features a simple menu with no menu for chapters or scenes. Chapters are set every ten minutes. Manufacture-On-Demand (Mod) DVDs will play in DVD playback units only and may not play in DVD recorders or PC drives. This DVD did not play in our laptop DVD drive but did play in our Toshiba DVD recorder.
The Set-up
A falsely-convicted doctor is saved from the gallows by a brilliant scientist (Basil Rathbone), who fakes his death and takes him to a dark,...
DVD Specs
Aspect Ratio: 1.85:1 enhanced for widescreen TVs
Running Time: 81 minutes
Rating: Not rated
Audio: Dolby Digital 2.0
Subtitles: None
Special Features: Trailer
The DVD is offered as part of MGM's "Limited Edition Collection" on DVD, which are available from select online retailers and are manufactured only when the DVD is ordered. The DVD features a simple menu with no menu for chapters or scenes. Chapters are set every ten minutes. Manufacture-On-Demand (Mod) DVDs will play in DVD playback units only and may not play in DVD recorders or PC drives. This DVD did not play in our laptop DVD drive but did play in our Toshiba DVD recorder.
The Set-up
A falsely-convicted doctor is saved from the gallows by a brilliant scientist (Basil Rathbone), who fakes his death and takes him to a dark,...
- 5/7/2011
- Cinelinx
(Celebrating award week with a look at one of Oscar’s most notable champions: The French Connection. Thirty-nine years ago, Connection – besides being one of the biggest hits of the 1970s – was the top winner at the Academy Awards walking away with gold for Best Picture [collected by producer Phil D’Antoni], Director [William Friedkin], Actor [Gene Hackman], Adapted Screenplay [by Ernest Tidyman], and Editing [Gerald Greenburg].)
“I grew up in a world where Edward G. Robinson, Humphrey Bogart, James Cagney …these were the heroes. Not the cops. Cops were the bad guys. Or they were stumbling around, couldn’t find their asses with both hands.”
So says Sonny Grosso, and it is a screen icongraphy he has worked hard to change. Grosso-Jacobson Communications has produced over 750 hours of programming for network and premium and basic cable television in its thirty-odd years. Though its output has run from Pee Wee’s Playhouse to adventure fare like Counterstrike, the most acclaimed of the company’s offerings...
“I grew up in a world where Edward G. Robinson, Humphrey Bogart, James Cagney …these were the heroes. Not the cops. Cops were the bad guys. Or they were stumbling around, couldn’t find their asses with both hands.”
So says Sonny Grosso, and it is a screen icongraphy he has worked hard to change. Grosso-Jacobson Communications has produced over 750 hours of programming for network and premium and basic cable television in its thirty-odd years. Though its output has run from Pee Wee’s Playhouse to adventure fare like Counterstrike, the most acclaimed of the company’s offerings...
- 2/20/2011
- by Bill Mesce
- SoundOnSight
Chicago – A fascinating B-movie gem from 1964, “Robinson Crusoe on Mars” gives modern viewers an idea of what America’s collective imagination (concerning space travel) looked like during that brief moment in time. As an entertainment, it’s hokey and creaky beyond belief, but as a cinematic time capsule, it’s quite a trip.
The film begins with the most heartbreaking bait and switch in camp movie history. Two years before his success with “Batman,” Adam West shows up as an astronaut orbiting Mars. The deadpan earnestness of his performance is priceless right from the beginning, as he scolds a floating monkey with the line, “Listen Mona, this banana paste is meant for your survival only!” Sadly, the ship is soon forced to evacuate, killing off West and leaving only disgruntled monkey Mona and West’s crewmate, Kit, played by Paul Mantee. Seriously, it’s like being promised Keir Dullea and getting Gary Lockwood.
The film begins with the most heartbreaking bait and switch in camp movie history. Two years before his success with “Batman,” Adam West shows up as an astronaut orbiting Mars. The deadpan earnestness of his performance is priceless right from the beginning, as he scolds a floating monkey with the line, “Listen Mona, this banana paste is meant for your survival only!” Sadly, the ship is soon forced to evacuate, killing off West and leaving only disgruntled monkey Mona and West’s crewmate, Kit, played by Paul Mantee. Seriously, it’s like being promised Keir Dullea and getting Gary Lockwood.
- 1/20/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Robinson Crusoe on Mars Directed by: Byron Haskin Written by: Daniel Defoe (novel), John C. Higgins, Ib Melchior Starring: Paul Mantee, Victor Lundin and Adam West With a title like Robinson Crusoe on Mars [1], it's easy to lump in Byron Haskin's [2] quiet and deliberate survival film with sci-fi b-movie fare like Santa Claus Conquers the Martians [3] or Mars Needs Women [4]. While I don't think it's so horrible to hold company with goofy films such as those, Robinson Crusoe on Mars certainly excels beyond Saturday Matinee fare and gives us an interesting spin on a classic tale, resulting in a film that's both entertaining and scientifically accurate (sort of). The film is a sci-fi retelling of Daniel Defoe's original novel, Robinson Crusoe [5], substituting a tropical island for a harsh Martian landscape. When Commander Christopher 'Kit' Draper (played by Paul Mantee [6]) and his co-pilot Colonel Dan McReady (a pre-Batman...
- 1/13/2011
- by Jay C.
- FilmJunk
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