Pepla! Pepla! Rah Rah Rah! These two remastered Italo muscleman pix could be the start of something big. A pair of relatively early Maciste epics became Samson vehicles in American-International’s Hollywood-ized revisions. Mark Forest & ex-Tarzan Gordon Scott overthrow tyrants in Egypt and Cathay, while hurling boulders and kissing exotic damsels like Chelo Alonso, Yôko Tani and Hélène Chanel. Separate releases from Kino Lorber.
Samson Double Bill
Son of Samson + Samson and the 7 Miracles of the World
Blu-ray Separate Purchases
Kl Studio Classics
1960 + 1961 / Color / 2:35 widescreen /
Starring: Mark Forest, Chelo Alonso; Gordon Scott, Yôko Tani, Hélène Chanel, Valéry Inkijinoff.
Cinematography: Riccardo Pallottini
Original Music: Carlo Innocenzi
Produced by Luigi Carpentieri, Ermanno Donati
Directed by Carlo Campogalliani, Riccardo Freda
Is it true? Will the neglected Italian costume pictures known as ‘sword ‘n’ sandals, Pepla & muscleman epics finally be released on disc in editions of worthwhile quality? We ‘fifties kids were raised...
Samson Double Bill
Son of Samson + Samson and the 7 Miracles of the World
Blu-ray Separate Purchases
Kl Studio Classics
1960 + 1961 / Color / 2:35 widescreen /
Starring: Mark Forest, Chelo Alonso; Gordon Scott, Yôko Tani, Hélène Chanel, Valéry Inkijinoff.
Cinematography: Riccardo Pallottini
Original Music: Carlo Innocenzi
Produced by Luigi Carpentieri, Ermanno Donati
Directed by Carlo Campogalliani, Riccardo Freda
Is it true? Will the neglected Italian costume pictures known as ‘sword ‘n’ sandals, Pepla & muscleman epics finally be released on disc in editions of worthwhile quality? We ‘fifties kids were raised...
- 8/20/2022
- by Glenn Erickson
- Trailers from Hell
At the end of his career, Fritz Lang returned to Germany and a producer who gave him a big budget to remake a silent classic in color, with an international cast and locations in remote India, including a palace never seen in a movie before. The two-movie, 200-minute epic was chopped in half for America and dubbed in English. Seen in its full Eastmancolor glory, The Tiger of Eschnapur and The Indian Tomb form an old-fashioned storybook tale, with its special charm lying in our knowledge of Fritz Lang’s fixation on fatalism and intricate patterns of betrayal and intrigue. Plus the films contain the erotic highlight of the decade, the spectacle of star Debra Paget’s scorching ‘temple dances’ before an all-male audience of admirers.
Fritz Lang’s Indian Epic
The Tiger of Eschnapur
and The Indian Tomb
Blu-ray
Film Movement Classics
1959 / Color / 1:33 flat full frame / 203 min. / Street...
Fritz Lang’s Indian Epic
The Tiger of Eschnapur
and The Indian Tomb
Blu-ray
Film Movement Classics
1959 / Color / 1:33 flat full frame / 203 min. / Street...
- 12/3/2019
- by Glenn Erickson
- Trailers from Hell
Two of director Philippe de Broca’s earliest renowned titles get new restorations and are available for the first time on Blu-ray, That Man From Rio (1964) and Up to His Ears (1965), the first two titles from a loose James Bond spoof trilogy featuring Jean-Paul Belmondo. Certainly ahead of his time, de Broca’s amusing adventure films are much more than the kind of lowbrow entertainment that would come to typify the genre known as spoof, and this became a notable inspiration for Steven Spielberg’s Indiana Jones films, particularly 1981’s Raiders of the Lost Ark.
Inspired by the adventures of Belgian cartoonist Herge’s Tintin adventures (which also provided the basis for a 2011 Steven Spielberg adaptation), a prized Amazonian statue is stolen from a Parisian museum. Three such statues left South American on an expedition that involved the late father of Agnes (Francoise Dorleac) and and two colleagues. Professor Catalan...
Inspired by the adventures of Belgian cartoonist Herge’s Tintin adventures (which also provided the basis for a 2011 Steven Spielberg adaptation), a prized Amazonian statue is stolen from a Parisian museum. Three such statues left South American on an expedition that involved the late father of Agnes (Francoise Dorleac) and and two colleagues. Professor Catalan...
- 4/14/2015
- by Nicholas Bell
- IONCINEMA.com
The Belgian-born Georges Simenon (1903-1989) wrote over 200 novels (by Wikipedia's count) plus many shorter works. The New York Times estimates that number (including his memoirs and nonfiction works) as being between 400 and 500. Simenon's creation, Inspector Jules Maigret, who appeared in about 75 works, "ranks only after Sherlock Holmes as the world's best known fictional detective." (I'm not sure how Poirot feels about that.) Of course, such popularity could not be overlooked by the entertainment industry, and imdb.com has compiled a list of 132 movies and TV shows based on his oeuvre. And now the Anthology Archives, with Kathy Geritz and the Pacific Film Archive, is presenting 14 of these celluloid joys within the series appropriately entitled Cine-Simenon: George Simenon on Film, which runs until August 21st.
Before viewing the celluloid Simenon, I decided to nestle down with the textural Simenon, and within a week, I had plowed through five of his works,...
Before viewing the celluloid Simenon, I decided to nestle down with the textural Simenon, and within a week, I had plowed through five of his works,...
- 8/15/2013
- by Brandon Judell
- www.culturecatch.com
The second in a short series celebrating the films of the Pathé-Natan company, 1926-1934.
Fyodore Otsep (Russia), also credited as Fjodor Ozep (Germany), Fedor Ozep (Canada) and Fédor Ozep (France) is probably best known as co-writer of sci-fi epic Aelita (1924) and director of Soviet classic Miss Mend (1926). His work in Europe and America is harder to see, and the whole lot is rarely grouped together for consideration as a whole, the curse of itinerant filmmakers like Dassin, Siodmak, even Ophüls.
To decide whether this is merely a quirk of film history, or a full-on case of major artistic neglect, simply watch this clip:
Amok (1934) is the third of Ozep's Pathé-Natan films, and the most baroque. It's based on a story by Stefan Zweig (Letter from an Unknown Woman) later filmed in Mexico with less fidelity but plenty of gusto. It's a very weird orientalist fever dream.
Jean Yonnel,...
Fyodore Otsep (Russia), also credited as Fjodor Ozep (Germany), Fedor Ozep (Canada) and Fédor Ozep (France) is probably best known as co-writer of sci-fi epic Aelita (1924) and director of Soviet classic Miss Mend (1926). His work in Europe and America is harder to see, and the whole lot is rarely grouped together for consideration as a whole, the curse of itinerant filmmakers like Dassin, Siodmak, even Ophüls.
To decide whether this is merely a quirk of film history, or a full-on case of major artistic neglect, simply watch this clip:
Amok (1934) is the third of Ozep's Pathé-Natan films, and the most baroque. It's based on a story by Stefan Zweig (Letter from an Unknown Woman) later filmed in Mexico with less fidelity but plenty of gusto. It's a very weird orientalist fever dream.
Jean Yonnel,...
- 3/22/2012
- MUBI
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