Set in 1930s Arnhem Land, High Ground chronicles young Aboriginal man Gutjuk, who in a bid to save the last of his family teams up with ex-soldier Travis to track down Baywara—the most dangerous warrior in the Territory, who is also his uncle. As Travis and Gutjuk journey through the outback they begin to earn each other’s trust, but when the truths of Travis’ past actions are suddenly revealed, it is he who becomes the hunted.
High Ground is directed Stephen Johnson (Yolngu Boy) and stars Simon Baker, Jack Thompson, Witiyana Marika, Aaron Pedersen, Callan Mulvey, Ryan Corr and Caren Pistorius and newcomers Jacob Junior Nayinggul and Esmerelda Marimow. Written by Anastassiades and produced by David Jowsey, Johnson, Marika, Maggie Miles and Greer Simpkin.
Madman Entertainment will release the film in cinemas January 28th, 2021.
The post ‘High Ground’ (Trailer) appeared first on If Magazine.
High Ground is directed Stephen Johnson (Yolngu Boy) and stars Simon Baker, Jack Thompson, Witiyana Marika, Aaron Pedersen, Callan Mulvey, Ryan Corr and Caren Pistorius and newcomers Jacob Junior Nayinggul and Esmerelda Marimow. Written by Anastassiades and produced by David Jowsey, Johnson, Marika, Maggie Miles and Greer Simpkin.
Madman Entertainment will release the film in cinemas January 28th, 2021.
The post ‘High Ground’ (Trailer) appeared first on If Magazine.
- 11/11/2020
- by The IF Team
- IF.com.au
For the first time ever, Sydney Film Festival will run a summer season during January’s Sydney Festival.
To be held at The State Theatre, the weekend event will open with Nel Minchin and Wayne Blair’s Firestarter – The Story of Bangarra, which depicts the story of the Indigenous dance company and brothers Stephen, Russell, and David Page. Recently nominated for the Aacta Award for Best Documentary, the film is produced by Ivan O’Mahoney for In Films.
Other local fare will include Stephen Johnson’s 1930s-set drama High Ground, starring Simon Baker, Jack Thompson and Jacob Junior Nayinggul, and Christopher Nelius’ doco Girls Can’t Surf, which follows a band of women surfers who revolutionised the male-dominated sport in the 1980s.
From overseas, audiences will be treated to Sundance Grand Jury Prize and Audience Award winner Minari, from director Lee Issac Chung, and Thomas VInterberg’s alcohol-soaked dramedy Another Round.
To be held at The State Theatre, the weekend event will open with Nel Minchin and Wayne Blair’s Firestarter – The Story of Bangarra, which depicts the story of the Indigenous dance company and brothers Stephen, Russell, and David Page. Recently nominated for the Aacta Award for Best Documentary, the film is produced by Ivan O’Mahoney for In Films.
Other local fare will include Stephen Johnson’s 1930s-set drama High Ground, starring Simon Baker, Jack Thompson and Jacob Junior Nayinggul, and Christopher Nelius’ doco Girls Can’t Surf, which follows a band of women surfers who revolutionised the male-dominated sport in the 1980s.
From overseas, audiences will be treated to Sundance Grand Jury Prize and Audience Award winner Minari, from director Lee Issac Chung, and Thomas VInterberg’s alcohol-soaked dramedy Another Round.
- 11/11/2020
- by Jackie Keast
- IF.com.au
As cinemas across the country do it tough, Sydney Film Festival’s Traveling Film Festival has partnered with Independent Cinemas Australia (Ica) to present two curated programs of features and shorts designed to drive audiences back to local theatres.
Supported by Screen Australia, the initiative dubbed ‘My Cinema My Film Festival’ will run in 19 cinemas in metro and regional Nsw, Queensland, Wa, Sa and the Act across November and December.
The first program showcases independent and arthouse features from Australia and overseas, and the second a selection of Australian short films and interview footage.
Among the highlights is Stephen Johnson’s High Ground, starring Simon Baker, Jack Thompson and Jacob Junior Nayinggul, which will be the opening night film in each regional cinema.
Written by Chris Anastassiades and produced by Bunya Productions’ Greer Simpkin and David Jowsey, Maggie Miles, Johnson and Yothu Yindi co-founder Witiyana Marika, the film earned raves...
Supported by Screen Australia, the initiative dubbed ‘My Cinema My Film Festival’ will run in 19 cinemas in metro and regional Nsw, Queensland, Wa, Sa and the Act across November and December.
The first program showcases independent and arthouse features from Australia and overseas, and the second a selection of Australian short films and interview footage.
Among the highlights is Stephen Johnson’s High Ground, starring Simon Baker, Jack Thompson and Jacob Junior Nayinggul, which will be the opening night film in each regional cinema.
Written by Chris Anastassiades and produced by Bunya Productions’ Greer Simpkin and David Jowsey, Maggie Miles, Johnson and Yothu Yindi co-founder Witiyana Marika, the film earned raves...
- 10/29/2020
- by Jackie Keast
- IF.com.au
‘Rams.’
Samuel Goldwyn Films continues to show a greater appetite for Australian films than any other North American distributor, with Jeremy Sims’ Rams as the latest acquisition.
WestEnd Films negotiated the deal for the remake of the cult Icelandic pic Hrútar, which stars Sam Neill, Michael Caton, Miranda Richardson, Wayne Blair, Asher Keddie and newcomer Will McNeill.
Roadshow will launch the comedy-drama produced by Wbmc’s Janelle Landers and Aidan O’Bryan and scripted by Jules Duncan on more than 240 screens on October 29.
This year Goldwyn released Mirrah Foulkes’ Judy & Punch, Wayne Blair’s Top End Wedding, Paul Ireland’s Measure for Measure, John Sheedy’s H is for Happiness and Gregor Jordan’s Dirt Music, mostly on VOD.
Stephen Johnson’s High Ground will premiere next year after its Australian release via Madman Entertainment.
Landers tells If that two US distributors made bids for Rams and Goldwyn won out...
Samuel Goldwyn Films continues to show a greater appetite for Australian films than any other North American distributor, with Jeremy Sims’ Rams as the latest acquisition.
WestEnd Films negotiated the deal for the remake of the cult Icelandic pic Hrútar, which stars Sam Neill, Michael Caton, Miranda Richardson, Wayne Blair, Asher Keddie and newcomer Will McNeill.
Roadshow will launch the comedy-drama produced by Wbmc’s Janelle Landers and Aidan O’Bryan and scripted by Jules Duncan on more than 240 screens on October 29.
This year Goldwyn released Mirrah Foulkes’ Judy & Punch, Wayne Blair’s Top End Wedding, Paul Ireland’s Measure for Measure, John Sheedy’s H is for Happiness and Gregor Jordan’s Dirt Music, mostly on VOD.
Stephen Johnson’s High Ground will premiere next year after its Australian release via Madman Entertainment.
Landers tells If that two US distributors made bids for Rams and Goldwyn won out...
- 10/22/2020
- by Don Groves
- IF.com.au
Wayne Blair and Nel Minchin’s Firestarter – The Story of Bangarra has won Adelaide Film Festival’s documentary competition, pocketing a $10,000 cash prize.
The jury, consisting of playwright and screenwriter Andrew Bovell; director, producer and screenwriter Khao Do; film critic and programmer Zak Hepburn; producer Rebecca Summerton and actress, singer and dancer Natasha Wanganeen, rated the doc as the film that “resonated most profoundly”.
Produced by Ivan O’Mahoney, Firestarter follows the 30-year history of the Bangarra Dance Company and brothers Stephen, Russell, and David Page. Examining how ‘art can become a weapon that helps people to survive and a nation to heal’, the film combines the Page family’s home movies, interviews with the company’s leading figures, and archive footage.
Also vying in the comp was fellow local doc A Hundred Years of Happiness, from Jakeb Anhvu, as well as Sundance Special Jury Prize winner, Benjamin Ree’s The Painter and the Thief...
The jury, consisting of playwright and screenwriter Andrew Bovell; director, producer and screenwriter Khao Do; film critic and programmer Zak Hepburn; producer Rebecca Summerton and actress, singer and dancer Natasha Wanganeen, rated the doc as the film that “resonated most profoundly”.
Produced by Ivan O’Mahoney, Firestarter follows the 30-year history of the Bangarra Dance Company and brothers Stephen, Russell, and David Page. Examining how ‘art can become a weapon that helps people to survive and a nation to heal’, the film combines the Page family’s home movies, interviews with the company’s leading figures, and archive footage.
Also vying in the comp was fellow local doc A Hundred Years of Happiness, from Jakeb Anhvu, as well as Sundance Special Jury Prize winner, Benjamin Ree’s The Painter and the Thief...
- 10/20/2020
- by Staff Writer
- IF.com.au
‘The Furnace.’
Most independent Australian distributors are doing it tough, forced to postpone releases while the exhibition business languishes with Victorian cinemas closed and seating capacity restricted in the rest of the country.
They fear the Federal Government’s media reforms, which will lower the Producer Offset for films to 30 per cent and double the minimum qualifying Australian production expenditure (Qape) threshold for features to $1 million, will lead to fewer narrative features and feature documentaries.
Another concern is that removing the obligation to release films in cinemas will further deplete the number of titles available to distributors next year.
However most are confident the cinema business will rebound from Boxing Day onwards with the launches of Warner Bros’ Wonder Woman 1984, Universal/DreamWorks Animation’s The Croods: A New Age and Sony’s Peter Rabbit 2, and that 2021 will be a strong year.
“Business is not what it used to be...
Most independent Australian distributors are doing it tough, forced to postpone releases while the exhibition business languishes with Victorian cinemas closed and seating capacity restricted in the rest of the country.
They fear the Federal Government’s media reforms, which will lower the Producer Offset for films to 30 per cent and double the minimum qualifying Australian production expenditure (Qape) threshold for features to $1 million, will lead to fewer narrative features and feature documentaries.
Another concern is that removing the obligation to release films in cinemas will further deplete the number of titles available to distributors next year.
However most are confident the cinema business will rebound from Boxing Day onwards with the launches of Warner Bros’ Wonder Woman 1984, Universal/DreamWorks Animation’s The Croods: A New Age and Sony’s Peter Rabbit 2, and that 2021 will be a strong year.
“Business is not what it used to be...
- 10/14/2020
- by Don Groves
- IF.com.au
‘The Furnace.’
Most independent Australian distributors are doing it tough, forced to postpone releases while the exhibition business languishes with Victorian cinemas closed and seating capacity restricted in the rest of the country.
They fear the Federal Government’s media reforms, which will lower the Producer Offset for films to 30 per cent and double the minimum qualifying Australian production expenditure (Qape) threshold for features to $1 million, will lead to fewer narrative features and feature documentaries.
Another concern is that removing the obligation to release films in cinemas will further deplete the number of titles available to distributors next year.
However most are confident the cinema business will rebound from Boxing Day onwards with the launches of Warner Bros’ Wonder Woman 1984, Universal/DreamWorks Animation’s The Croods: A New Age and Sony’s Peter Rabbit 2, and that 2021 will be a strong year.
“Business is not what it used to be...
Most independent Australian distributors are doing it tough, forced to postpone releases while the exhibition business languishes with Victorian cinemas closed and seating capacity restricted in the rest of the country.
They fear the Federal Government’s media reforms, which will lower the Producer Offset for films to 30 per cent and double the minimum qualifying Australian production expenditure (Qape) threshold for features to $1 million, will lead to fewer narrative features and feature documentaries.
Another concern is that removing the obligation to release films in cinemas will further deplete the number of titles available to distributors next year.
However most are confident the cinema business will rebound from Boxing Day onwards with the launches of Warner Bros’ Wonder Woman 1984, Universal/DreamWorks Animation’s The Croods: A New Age and Sony’s Peter Rabbit 2, and that 2021 will be a strong year.
“Business is not what it used to be...
- 10/14/2020
- by The IF Team
- IF.com.au
‘When Pomegranates Howl’.
Adelaide Film Festival has revealed its full program for 2020, including the world premieres of local titles When Pomegranates Howl, Yer Old Father, This is Port Adelaide, ShoPaapaa, and more, as well as a special strand dedicated to Australian indies.
Overall, the biennial festival – due to be an entirely physical event thanks to dedicated Covid-Safe plans – has snared a total of 54 features from more than 40 countries, including 22 world premieres and 27 Australian premieres.
As previously announced, the festival will open with Seth Larney’s sci-fi thriller 2067, starring Kodi Smit-McPhee, Ryan Kwanten and Deborah Mailman, and will close out with the Sundance Grand Jury Prize and Audience Award winner, Lee Isaac Chung’s Minari.
Stephen Johnson’s High Ground, which bowed in Berlinale, will vie in the festival’s official competition, up against Thomas Vinterberg’s Another Round; Christos Nikou’s Apples, Dea Kulumbegashvili’s Beginning, Yolqin Tuychiev’s 2000 Songs of Farida,...
Adelaide Film Festival has revealed its full program for 2020, including the world premieres of local titles When Pomegranates Howl, Yer Old Father, This is Port Adelaide, ShoPaapaa, and more, as well as a special strand dedicated to Australian indies.
Overall, the biennial festival – due to be an entirely physical event thanks to dedicated Covid-Safe plans – has snared a total of 54 features from more than 40 countries, including 22 world premieres and 27 Australian premieres.
As previously announced, the festival will open with Seth Larney’s sci-fi thriller 2067, starring Kodi Smit-McPhee, Ryan Kwanten and Deborah Mailman, and will close out with the Sundance Grand Jury Prize and Audience Award winner, Lee Isaac Chung’s Minari.
Stephen Johnson’s High Ground, which bowed in Berlinale, will vie in the festival’s official competition, up against Thomas Vinterberg’s Another Round; Christos Nikou’s Apples, Dea Kulumbegashvili’s Beginning, Yolqin Tuychiev’s 2000 Songs of Farida,...
- 9/9/2020
- by jkeast
- IF.com.au
‘High Ground’.
Adelaide Film Festival announced its first five titles today, as it pushes forward with a physical event in October as originally planned.
Among the early local fare is Stephen Johnson’s 1930s drama High Ground, which premiered earlier this year in Berlin, and documentaries Firestarter – The Story of Bangarra, from Nel Minchin and Wayne Blair, and Phil Liggett: The Voice of Cycling, from Nickolas Bird and Eleanor Sharpe.
The biennial festival has also snared the Australian premiere of Thomas Vinterberg’s comedy Another Round, direct from Toronto. Starring Mads Mikkelsen, the film was selected to screen in Cannes and follows four friends, all high school teachers, who test a theory that they will improve their lives by maintaining a constant level of alcohol in their blood.
Also on the line-up is Benjamin Lee’s The Painter and the Thief, this year’s winner of the Sundance Film Festival...
Adelaide Film Festival announced its first five titles today, as it pushes forward with a physical event in October as originally planned.
Among the early local fare is Stephen Johnson’s 1930s drama High Ground, which premiered earlier this year in Berlin, and documentaries Firestarter – The Story of Bangarra, from Nel Minchin and Wayne Blair, and Phil Liggett: The Voice of Cycling, from Nickolas Bird and Eleanor Sharpe.
The biennial festival has also snared the Australian premiere of Thomas Vinterberg’s comedy Another Round, direct from Toronto. Starring Mads Mikkelsen, the film was selected to screen in Cannes and follows four friends, all high school teachers, who test a theory that they will improve their lives by maintaining a constant level of alcohol in their blood.
Also on the line-up is Benjamin Lee’s The Painter and the Thief, this year’s winner of the Sundance Film Festival...
- 8/17/2020
- by jkeast
- IF.com.au
‘High Ground’.
With Melbourne cinemas closed and most of those still in operation averaging capacities of 10 – 20 per cent, Madman Entertainment sensibly has decided to release Stephen Johnson’s High Ground next year.
The 1930s-set drama, which stars Simon Baker, Jacob Junior Nayinggul, Jack Thompson, Callan Mulvey, Aaron Pedersen, Caren Pistorius and Ryan Corr, was originally slated to open on July 9.
It will join a number of other Aussie titles dated for 2021, including Glendyn Ivin’s Penguin Bloom (January 1) and Robert Connolly’s The Dry (April 8), both Roadshow releases.
Inspired by true events, scripted by Chris Anastassiades and produced by Maggie Miles, Yothu Yindi co-founder Witiyana Marika, Johnson, David Jowsey and Greer Simpkin, High Ground has its world premiere in the Berlinale Special screenings section of the Berlin International Film Festival.
“High Ground obviously has had its trajectory post-Berlinale world premiere impacted by Covid-19,” Madman MD Paul Wiegard tells If.
“With...
With Melbourne cinemas closed and most of those still in operation averaging capacities of 10 – 20 per cent, Madman Entertainment sensibly has decided to release Stephen Johnson’s High Ground next year.
The 1930s-set drama, which stars Simon Baker, Jacob Junior Nayinggul, Jack Thompson, Callan Mulvey, Aaron Pedersen, Caren Pistorius and Ryan Corr, was originally slated to open on July 9.
It will join a number of other Aussie titles dated for 2021, including Glendyn Ivin’s Penguin Bloom (January 1) and Robert Connolly’s The Dry (April 8), both Roadshow releases.
Inspired by true events, scripted by Chris Anastassiades and produced by Maggie Miles, Yothu Yindi co-founder Witiyana Marika, Johnson, David Jowsey and Greer Simpkin, High Ground has its world premiere in the Berlinale Special screenings section of the Berlin International Film Festival.
“High Ground obviously has had its trajectory post-Berlinale world premiere impacted by Covid-19,” Madman MD Paul Wiegard tells If.
“With...
- 7/22/2020
- by The IF Team
- IF.com.au
In 1987, when Devo got the opportunity to write the musical score for Revenge of the Nerds II: Nerds in Paradise, the band didn’t have much going on. It had been seven long years since their breakthrough hit “Whip It” and after the back-to-back flops of 1982’s Oh, No! It’s Devo and 1984’s Shout, Warner Bros. severed all ties with them. “We were in limbo,” says frontman Mark Mothersbaugh.
Turning their attention to a film score made sense, especially since it was for a movie where the main characters are huge Devo fans.
Turning their attention to a film score made sense, especially since it was for a movie where the main characters are huge Devo fans.
- 4/22/2020
- by Andy Greene
- Rollingstone.com
Wayne Blair and Miranda Tapsell on the set of ‘Top End Wedding’.
Wayne Blair’s Top End Wedding has edged past Shawn Seet’s Storm Boy to rank as the highest grossing Australian film this year.
At the half way mark of the year, the Australian films and feature docs released in cinemas, plus holdovers, have racked up a modest $15.6 million, according to the Motion Picture Distributors Association of Australia.
That’s a long way below the $40 million generated in the same period last year, led by Peter Rabbit’s $26.6 million, Breath’s $4.4 million (finishing with $4.6 million) and Sweet Country’s $2 million.
So can the industry surpass or match the 2018 calendar year total of $57.4 million? That was the third biggest year ever behind 2001’s $63.1 million and the all-time record of 2015’s $88.1 million, the year of Mad Max: Fury Road, The Dressmaker and Oddball.
Exhibitors are optimistic about the outlook for the rest of the year,...
Wayne Blair’s Top End Wedding has edged past Shawn Seet’s Storm Boy to rank as the highest grossing Australian film this year.
At the half way mark of the year, the Australian films and feature docs released in cinemas, plus holdovers, have racked up a modest $15.6 million, according to the Motion Picture Distributors Association of Australia.
That’s a long way below the $40 million generated in the same period last year, led by Peter Rabbit’s $26.6 million, Breath’s $4.4 million (finishing with $4.6 million) and Sweet Country’s $2 million.
So can the industry surpass or match the 2018 calendar year total of $57.4 million? That was the third biggest year ever behind 2001’s $63.1 million and the all-time record of 2015’s $88.1 million, the year of Mad Max: Fury Road, The Dressmaker and Oddball.
Exhibitors are optimistic about the outlook for the rest of the year,...
- 7/2/2019
- by The IF Team
- IF.com.au
Little Johnny, Robbie and Blue in ‘Robbie Hood.’
Sbs will mark Naidoc Week 2019 (July 7-14) with a raft of programming that celebrates the success and shares the unique stories of Aboriginal and Torres Strait Islander peoples, starting July 5.
Ludo Studio’s Robbie Hood, a short-form comedy series from writer-director Dylan River, will premiere on Sbs On Demand on July 5 and on Sbs Viceland on July 9.
The six episodes follow precocious 13-year-old Robbie (Pedrea Jackson) and his friends Georgia Blue (Jordan Johnson) and little Johnny (Levi Thomas) as they skirt the law to right the wrongs they see going down in their Alice Springs home town.
Also screening on the free streaming platform that week will be Indigenous-themed classic movies including Bruce Beresford’s The Fringe Dwellers, John Honey’s Manganinnie, Steve Jodrell’s Tudawali and Philippe Mora’s Mad Dog Morgan.
The new free-to-air movie channel Sbs World Movies will...
Sbs will mark Naidoc Week 2019 (July 7-14) with a raft of programming that celebrates the success and shares the unique stories of Aboriginal and Torres Strait Islander peoples, starting July 5.
Ludo Studio’s Robbie Hood, a short-form comedy series from writer-director Dylan River, will premiere on Sbs On Demand on July 5 and on Sbs Viceland on July 9.
The six episodes follow precocious 13-year-old Robbie (Pedrea Jackson) and his friends Georgia Blue (Jordan Johnson) and little Johnny (Levi Thomas) as they skirt the law to right the wrongs they see going down in their Alice Springs home town.
Also screening on the free streaming platform that week will be Indigenous-themed classic movies including Bruce Beresford’s The Fringe Dwellers, John Honey’s Manganinnie, Steve Jodrell’s Tudawali and Philippe Mora’s Mad Dog Morgan.
The new free-to-air movie channel Sbs World Movies will...
- 6/18/2019
- by The IF Team
- IF.com.au
‘Top End Wedding’.
It’s been a quiet start for the year for Australian films at the national box office, particularly compared to last year when Peter Rabbit and Sweet Country were drawing crowds.
However exhibitors are very optimistic about the outlook for the rest of the year, including Wayne Blair’s Top End Wedding which opened yesterday, Rachel Ward’s Palm Beach and Kriv Stenders’ Danger Close: The Battle of Long Tan (both August 8) and Rachel Griffiths’ Ride Like a Girl (September 26).
Ten new releases plus holdovers collectively racked up $9.06 million through April 30, according to the Motion Picture Distributors Association of Australia.
That’s way below the first four months of 2018, which generated $32 million, with Will Gluck’s Peter Rabbit making $25.4 million en route to a final total of $26.7 million and Warwick Thornton’s Sweet Country $2 million.
Shawn Seet’s Storm Boy pocketed nearly $5 million, not a bad result,...
It’s been a quiet start for the year for Australian films at the national box office, particularly compared to last year when Peter Rabbit and Sweet Country were drawing crowds.
However exhibitors are very optimistic about the outlook for the rest of the year, including Wayne Blair’s Top End Wedding which opened yesterday, Rachel Ward’s Palm Beach and Kriv Stenders’ Danger Close: The Battle of Long Tan (both August 8) and Rachel Griffiths’ Ride Like a Girl (September 26).
Ten new releases plus holdovers collectively racked up $9.06 million through April 30, according to the Motion Picture Distributors Association of Australia.
That’s way below the first four months of 2018, which generated $32 million, with Will Gluck’s Peter Rabbit making $25.4 million en route to a final total of $26.7 million and Warwick Thornton’s Sweet Country $2 million.
Shawn Seet’s Storm Boy pocketed nearly $5 million, not a bad result,...
- 5/3/2019
- by The IF Team
- IF.com.au
Simon Baker in ‘High Ground.’
Simon Baker, Callan Mulvey, Jack Thompson, Aaron Pedersen and newcomer Jacob Jnr Nayinggul are starring in High Ground, a 1930-set action-thriller directed by Stephen Johnson.
Inspired by true events and scripted by Chris Anastassiades, the frontier Western is shooting in Kakadu Park and Arnhem Land, produced by Maggie Miles, Yothu Yindi co-founder Witiyana Marika, Johnson, David Jowsey and Greer Simpkin.
Baker plays Travis, a bounty hunter and former soldier who enlists the help of Gutjuk (Nayinggul) a young Aboriginal orphan, to track down the most dangerous outlaw in the Territory – his uncle. During the manhunt a secret is revealed which ultimately pits them against each other.
Thompson is Moran, the head of the police outpost, with Mulvey as Ambrose, a police officer who fought with Travis in World War One, and Petersen as a lethal black tracker from Queensland.
The cast also includes Caren Pistorious as Claire,...
Simon Baker, Callan Mulvey, Jack Thompson, Aaron Pedersen and newcomer Jacob Jnr Nayinggul are starring in High Ground, a 1930-set action-thriller directed by Stephen Johnson.
Inspired by true events and scripted by Chris Anastassiades, the frontier Western is shooting in Kakadu Park and Arnhem Land, produced by Maggie Miles, Yothu Yindi co-founder Witiyana Marika, Johnson, David Jowsey and Greer Simpkin.
Baker plays Travis, a bounty hunter and former soldier who enlists the help of Gutjuk (Nayinggul) a young Aboriginal orphan, to track down the most dangerous outlaw in the Territory – his uncle. During the manhunt a secret is revealed which ultimately pits them against each other.
Thompson is Moran, the head of the police outpost, with Mulvey as Ambrose, a police officer who fought with Travis in World War One, and Petersen as a lethal black tracker from Queensland.
The cast also includes Caren Pistorious as Claire,...
- 11/4/2018
- by The IF Team
- IF.com.au
Playtime has boarded “High Ground,” an Australian action film headlined by Simon Baker, Callan Mulvey and Jack Thompson.
Directed by Stephen Johnson, “High Ground” tells the story of Gutjuk, a young Aboriginal man orphaned in childhood who is recruited by a former soldier to track down the most dangerous outlaw in the territory — his uncle. Chris Anastassiades (“Yolgnu Boy”) wrote the script.
“High Ground” just started shooting in the world heritage-listed Kakadu Park and Arnhem Land in Australia’s rugged Northern Territory. The cast is completed by Aaron Pedersen, Caren Pistorius, Ryan Corr and newcomer Jacob Jr. Nayinggul who plays the role of Gutjuk.
Maggie Miles, Witiyana Marika and Johnson are producing the film along with David Jowsey and Greer Simpkin. Playtime has acquired international sales rights to “High Ground” and is kicking off pre-sales at the American Film Market.
“We have been following Australian directors and writers for some time now,...
Directed by Stephen Johnson, “High Ground” tells the story of Gutjuk, a young Aboriginal man orphaned in childhood who is recruited by a former soldier to track down the most dangerous outlaw in the territory — his uncle. Chris Anastassiades (“Yolgnu Boy”) wrote the script.
“High Ground” just started shooting in the world heritage-listed Kakadu Park and Arnhem Land in Australia’s rugged Northern Territory. The cast is completed by Aaron Pedersen, Caren Pistorius, Ryan Corr and newcomer Jacob Jr. Nayinggul who plays the role of Gutjuk.
Maggie Miles, Witiyana Marika and Johnson are producing the film along with David Jowsey and Greer Simpkin. Playtime has acquired international sales rights to “High Ground” and is kicking off pre-sales at the American Film Market.
“We have been following Australian directors and writers for some time now,...
- 11/3/2018
- by Elsa Keslassy
- Variety Film + TV
Goldfinch Studios has inked deals with U.K. indie producer Cowboy Cosmonaut Films and with British writer, director, and producer Tom Paton. Goldfinch has a cluster of operations spanning finance, production, facilities, post-production, and VFX, and will provide Cowboy Cosmonaut and Paton with development and production support.
Cowboy Cosmonaut is run by producers Ashley Holberry and Gavin C. Mehrtens, who were previously at Working Title Films. The initial slate of projects that Goldfinch will support includes Stephen Johnson’s “The Fire Within,” starring Hero Fiennes Tiffin (“Harry Potter and the Half-Blood Prince”), Sophie Kennedy Clark (“Philomena”) and James Cosmo (“Highlander”).
“Our partnership allows us to tell the sort of stories that we ourselves want to see on the screen – inspiring, diverse and commercial,” Mehrtens and Holberry said in a statement. “As young and hungry producers, we hope to bring a unique perspective to the U.K. and international production landscapes.
Cowboy Cosmonaut is run by producers Ashley Holberry and Gavin C. Mehrtens, who were previously at Working Title Films. The initial slate of projects that Goldfinch will support includes Stephen Johnson’s “The Fire Within,” starring Hero Fiennes Tiffin (“Harry Potter and the Half-Blood Prince”), Sophie Kennedy Clark (“Philomena”) and James Cosmo (“Highlander”).
“Our partnership allows us to tell the sort of stories that we ourselves want to see on the screen – inspiring, diverse and commercial,” Mehrtens and Holberry said in a statement. “As young and hungry producers, we hope to bring a unique perspective to the U.K. and international production landscapes.
- 5/1/2018
- by Stewart Clarke
- Variety Film + TV
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