Last year, with “Dosuemon”, Shingo Kanemoto gave us one of the worst Japanese movies of all time, not only for its lack of any kind of cinematic value, but also due to the offensive comments on raping, beating and stealing (from the elderly). Surprisingly, this year, he came up with a new one, which may not be as offensive as the previous one, but is definitely as amateurish.
I’ve Died a Lot Lately is screening at Japan Filmfest Hamburg
Satoko Sato is a 32 years old woman, who after her grandmother’s death from Covid (in a blood vomiting scene indicative of what is about to follow), she has quit everything in life, including her job, and is just living in her parents’ house in Nara. Her parents try to make her search for a job, but she is having none of it, instead staying in her rather colorful room,...
I’ve Died a Lot Lately is screening at Japan Filmfest Hamburg
Satoko Sato is a 32 years old woman, who after her grandmother’s death from Covid (in a blood vomiting scene indicative of what is about to follow), she has quit everything in life, including her job, and is just living in her parents’ house in Nara. Her parents try to make her search for a job, but she is having none of it, instead staying in her rather colorful room,...
- 6/25/2022
- by Panos Kotzathanasis
- AsianMoviePulse
IIwatch and review a lot of Asian films, a number of which can definitely be described by the term “extreme” at least due to their distance from everything that is perceived as mainstream cinema. Pink, exploitation, splatter and all kinds of cult do not deter me at all, on the contrary, I frequently enjoy them, despite their no-budget aesthetics. It seems, however, I do have a limit in terms of how low the quality of a title and can be, and “Dosuemon” went much further, even to the point that can be described as offensive, a term I do not remember giving to any title before.
Dosuemon is screening at Japan FilmFest Hamburg
The paper-thin script seems to be a parody of the radically popular character Doreamon, who in this case, is replaced by the titular character, who has come from the future in order to help young Kasu Kasuto,...
Dosuemon is screening at Japan FilmFest Hamburg
The paper-thin script seems to be a parody of the radically popular character Doreamon, who in this case, is replaced by the titular character, who has come from the future in order to help young Kasu Kasuto,...
- 9/1/2021
- by Panos Kotzathanasis
- AsianMoviePulse
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