Sandra Hüller, who is an awards contender with “The Zone of Interest” and “Anatomy of a Fall,” will be one of the guest speakers taking part in the International Film Festival Rotterdam’s Talks program later this month.
In her talk, Hüller will “delve into her acting trajectory, discussing the highlights of her career, but also lesser-known performances – including work in the theater and other arts,” the festival said. She will talk about her approach to acting and character with an emphasis on “The Zone of Interest,” playing at this year’s festival, and the different methods of the directors she has collaborated with through the years.
The program also includes a talk by Italian filmmaker Marco Bellocchio, who comes to IFFR with his latest examination of Italian history, “Rapito.” In this wide-ranging talk, Bellocchio will “reveal his passion as a filmmaker and his emotional connection to all stages of the filmmaking process.
In her talk, Hüller will “delve into her acting trajectory, discussing the highlights of her career, but also lesser-known performances – including work in the theater and other arts,” the festival said. She will talk about her approach to acting and character with an emphasis on “The Zone of Interest,” playing at this year’s festival, and the different methods of the directors she has collaborated with through the years.
The program also includes a talk by Italian filmmaker Marco Bellocchio, who comes to IFFR with his latest examination of Italian history, “Rapito.” In this wide-ranging talk, Bellocchio will “reveal his passion as a filmmaker and his emotional connection to all stages of the filmmaking process.
- 1/9/2024
- by Leo Barraclough
- Variety Film + TV
Other speakers at festival include Marco Bellocchio, Billy Woodberry and Anne Fontaine.
Sandra Hüller has joined the line-up of special guests confirmed for the talks programme at the International Film Festival Rotterdam (IFFR), which runs from January 25-February 4.
Hüller will discuss her recent work, including on Jonathan Glazer’s The Zone Of Interest, which plays in the IFFR 2024 Limelight section, and on the Palme d’Or-winning Anatomy Of A Fall for which she won the European Film Award for best actress in December 2023.
Also speaking in the IFFR Talks programme is Italian director Marco Bellocchio whose latest feature Rapito is screening at the festival.
Sandra Hüller has joined the line-up of special guests confirmed for the talks programme at the International Film Festival Rotterdam (IFFR), which runs from January 25-February 4.
Hüller will discuss her recent work, including on Jonathan Glazer’s The Zone Of Interest, which plays in the IFFR 2024 Limelight section, and on the Palme d’Or-winning Anatomy Of A Fall for which she won the European Film Award for best actress in December 2023.
Also speaking in the IFFR Talks programme is Italian director Marco Bellocchio whose latest feature Rapito is screening at the festival.
- 1/9/2024
- by Tim Dams
- ScreenDaily
Sandra Hüller Set For Rotterdam Talks Program
Awards season frontrunner Sandra Hüller has joined the roster of speakers lined up for the talks program of the 53rd International Film Festival Rotterdam (IFFR), running from January 25 to February 4. She joins 16 previously announced talks guests who also include L.A. Rebellion filmmaker Billy Woodberry, veteran Italian director Marco Bellocchio, animation maestro Bill Plympton, French director Anne Fontaine and avant-garde German director Alexander Kluge, who continues to blaze a trail at the age of 91 with his new AI work Cosmic Miniatures. As previously announced, IFFR opens with Jonathan Ogilvie’s post-punk, coming-of-age comedy Head South and 14 titles are in the running for its top Tiger award.
Bavaria Fiction Restructures Development Team
Germany’s Bavaria Fiction is rejigging its development team with Thomas Kren placed in charge. Work has begun to restructure the unit, with Kren expanding his existing role to “accelerate and coordinate...
Awards season frontrunner Sandra Hüller has joined the roster of speakers lined up for the talks program of the 53rd International Film Festival Rotterdam (IFFR), running from January 25 to February 4. She joins 16 previously announced talks guests who also include L.A. Rebellion filmmaker Billy Woodberry, veteran Italian director Marco Bellocchio, animation maestro Bill Plympton, French director Anne Fontaine and avant-garde German director Alexander Kluge, who continues to blaze a trail at the age of 91 with his new AI work Cosmic Miniatures. As previously announced, IFFR opens with Jonathan Ogilvie’s post-punk, coming-of-age comedy Head South and 14 titles are in the running for its top Tiger award.
Bavaria Fiction Restructures Development Team
Germany’s Bavaria Fiction is rejigging its development team with Thomas Kren placed in charge. Work has begun to restructure the unit, with Kren expanding his existing role to “accelerate and coordinate...
- 1/9/2024
- by Melanie Goodfellow, Jesse Whittock and Max Goldbart
- Deadline Film + TV
M. Raihan Halim’s “La Luna” will close the 53rd edition of International Film Festival Rotterdam, which has also revealed the lineup of its Tiger competition section, a platform for up-and-coming filmmakers, and Big Screen Competition, a program for more established talent.
“La Luna,” which has its European premiere at the festival, is a comedy about a conservative Malaysian village shaken by the arrival of a lingerie store.
Among the Tiger competition films is British director Justin Anderson’s “Swimming Home,” starring Mackenzie Davis, Christopher Abbott and Ariane Labed. Adapted from Deborah Levy’s novel, it centers on Joe and Isabel, whose marriage is dying when Kitti, a naked stranger found floating in the pool at their holiday villa, is invited to stay. Kitti collects and eats poisonous plants, and Nina their teenage daughter is enthralled by her. The film, which is being sold by Bankside Films, is described as...
“La Luna,” which has its European premiere at the festival, is a comedy about a conservative Malaysian village shaken by the arrival of a lingerie store.
Among the Tiger competition films is British director Justin Anderson’s “Swimming Home,” starring Mackenzie Davis, Christopher Abbott and Ariane Labed. Adapted from Deborah Levy’s novel, it centers on Joe and Isabel, whose marriage is dying when Kitti, a naked stranger found floating in the pool at their holiday villa, is invited to stay. Kitti collects and eats poisonous plants, and Nina their teenage daughter is enthralled by her. The film, which is being sold by Bankside Films, is described as...
- 12/18/2023
- by Leo Barraclough
- Variety Film + TV
International Film Festival Rotterdam has revealed its lineup for the Tiger, Big Screen and Tiger Short competitions. The festival runs from January 25-February 4. Scroll down for the full lists.
Head South by Jonathan Ogilvie will open the proceedings with M. Raihan Halim’s comedy La Luna on closing duties. The Tiger Competition jury will be comprised of Marco Müller, Ena Sendijarević, Nadia Turincev, Herman Yau and Billy Woodberry.
Also confirmed are the first names for the Talks lineup including Marco Bellocchio, Anne Fontaine, Alexander Kluge and Rachel Maclean.
Festival director Vanja Kaludjercic said today, “For over half a century, IFFR has stood as a haven for diverse voices – a convergence where artists share perspectives. Our program celebrates the resilience and creativity of global filmmakers, a testament to cinema’s power to transcend borders. From Indian to Japanese epics, a Kazakh thriller, Finnish Freudian reinterpretations, Dominican sci-fi and underground Iranian cinema,...
Head South by Jonathan Ogilvie will open the proceedings with M. Raihan Halim’s comedy La Luna on closing duties. The Tiger Competition jury will be comprised of Marco Müller, Ena Sendijarević, Nadia Turincev, Herman Yau and Billy Woodberry.
Also confirmed are the first names for the Talks lineup including Marco Bellocchio, Anne Fontaine, Alexander Kluge and Rachel Maclean.
Festival director Vanja Kaludjercic said today, “For over half a century, IFFR has stood as a haven for diverse voices – a convergence where artists share perspectives. Our program celebrates the resilience and creativity of global filmmakers, a testament to cinema’s power to transcend borders. From Indian to Japanese epics, a Kazakh thriller, Finnish Freudian reinterpretations, Dominican sci-fi and underground Iranian cinema,...
- 12/18/2023
- by Nancy Tartaglione
- Deadline Film + TV
‘Swimming Home’ is directed by Justin Anderson and stars Mackenzie Davies, Christopher Abbott and Ariane Labed.
The International Film Festival Rotterdam (IFFR) has unveiled the Tiger and Big Screen programmes for the 3rd edition, taking place January 25 – February 4, 2024 in the Netherlands.
Justin Anderson’s Swimming Home, starring Mackenzie Davies, Christopher Abbott and Ariane Labed, is among the titles world premiering in the Tiger Competition.
Scroll down for full line-up
The drama is adapted from Deborah Levy’s novel about a woman who implores the help of a naked stranger found floating in her pool. It is produced by Emily Morgan’s UK outfit Quiddity Films,...
The International Film Festival Rotterdam (IFFR) has unveiled the Tiger and Big Screen programmes for the 3rd edition, taking place January 25 – February 4, 2024 in the Netherlands.
Justin Anderson’s Swimming Home, starring Mackenzie Davies, Christopher Abbott and Ariane Labed, is among the titles world premiering in the Tiger Competition.
Scroll down for full line-up
The drama is adapted from Deborah Levy’s novel about a woman who implores the help of a naked stranger found floating in her pool. It is produced by Emily Morgan’s UK outfit Quiddity Films,...
- 12/18/2023
- by Ellie Calnan
- ScreenDaily
International Film Festival Rotterdam has revealed that Belgian cinematographer Grimm Vandekerckhove will be the recipient of the fifth annual Robby Müller Award, which pays homage to the craft of artists working behind the lens in the spirit of the celebrated cinematographer.
Vandekerckhove is “known for delicately capturing the inner lives of characters,” the festival said, such as a cleaning lady on a late-night journey in “Ghost Tropic” or the encounter of a foreign construction worker and a moss researcher in “Here,” both directed by Bas Devos. He also shot Stephan Streker’s “A Wedding,” about a teenager forced into an arranged marriage.
“With profound commitment and a wondrous tranquillity he captures details and hidden shades of everyday existence in his own singular way that mirrors the emotionally moving images of Robby Müller,” the jury stated.
In other announcements, the festival, which runs Jan. 25 – Feb. 4, revealed that the jury for the...
Vandekerckhove is “known for delicately capturing the inner lives of characters,” the festival said, such as a cleaning lady on a late-night journey in “Ghost Tropic” or the encounter of a foreign construction worker and a moss researcher in “Here,” both directed by Bas Devos. He also shot Stephan Streker’s “A Wedding,” about a teenager forced into an arranged marriage.
“With profound commitment and a wondrous tranquillity he captures details and hidden shades of everyday existence in his own singular way that mirrors the emotionally moving images of Robby Müller,” the jury stated.
In other announcements, the festival, which runs Jan. 25 – Feb. 4, revealed that the jury for the...
- 12/12/2023
- by Leo Barraclough
- Variety Film + TV
Titles for the Limelight, Harbour, Cinema Regained and Focus strands have been added to the line-up.
Marco Müller, who headed International Film Festival Rotterdam (IFFR) from 1989-1991, is returning as part of the 2024 Tiger international competition jury.
He is being joined by Bosnian-Dutch filmmaker Ena Sendijarević,producer, industry expert and founder of Easy Rider Films, Nadia Turincev; Hong Kong filmmaker Herman Yau; and LA Rebellion film movement figure and filmmaker Billy Woodberry, whose title Mário will have its world premiere in the Harbour strand.
They will choose the winners of the Tiger award, worth €40,000, and the special jury awards, worth...
Marco Müller, who headed International Film Festival Rotterdam (IFFR) from 1989-1991, is returning as part of the 2024 Tiger international competition jury.
He is being joined by Bosnian-Dutch filmmaker Ena Sendijarević,producer, industry expert and founder of Easy Rider Films, Nadia Turincev; Hong Kong filmmaker Herman Yau; and LA Rebellion film movement figure and filmmaker Billy Woodberry, whose title Mário will have its world premiere in the Harbour strand.
They will choose the winners of the Tiger award, worth €40,000, and the special jury awards, worth...
- 12/12/2023
- by Mona Tabbara
- ScreenDaily
What Sets Us Free? New German Cinema is now showing on Mubi in most countries.The All-Round Reduced Personality.In September 1968, filmmaker Helke Sander delivered a spirited speech to the men of the powerful Socialist German Student Association (Sds). She demanded equal rights for women in all matters. How could women bring their perspective to political discourse when they were expected to organize the private lives of revolutionaries and raise the children? When she confronted the progressive men of the Sds with their sexism, Sander earned derisive laughter. The 1960s and 1970s were a time of upheaval and rebellion in Germany, but the male heroes of the anti-authoritarian student revolt had no interest in challenging their patriarchal dominance. As they fought against the established institutions with teach-ins, happenings and street protests, their wives, girlfriends, and lovers resisted male chauvinism at all levels of society. Film became an important means of...
- 8/2/2023
- MUBI
Above: Poster for Bamboo Dogs. Art by Soika Vomiter.Unless you’ve been going to film festivals around the world for the past 15 years you may not have heard of Khavn dela Cruz. I had not myself until a poster caught my eye recently. It was a design for Orphea, a 2020 collaboration between the venerable 89-year-old German filmmaker Alexander Kluge and an artist called simply Khavn. The poster had a certain iconoclastic energy and a stylish title treatment and so I decided to dig deeper. And there was a lot to uncover. Born in Quezon City in the Philippines in 1973, Khavn has made over 50 features and 150 shorts over the past 20 years, but he is also a musician with 40 albums to his name, and a writer who has published eight books of poetry, a novel, and two collections of short stories and has twice won the most prestigious literary award in the Philippines.
- 8/13/2021
- MUBI
The series Phantoms Among Us: The Films of Christian Petzold starts on Mubi on May 13, 2021 in many countries.Sooner or later, most interviews with Christian Petzold recur to literature as a pool of inspiration, the visceral experience of books that he synthesizes into on screen narratives. Thickening his films with references, he carefully constructs audacious architectures of ideas and aesthetic impressions, so that a “great desire for cinema” fuses with the legacy of his teacher, Harun Farocki, well known for his documentaries and essay films. Petzold’s “Spielfilme” can thus have an intellectual bent that reflects on “concepts [...] in such a way that they support one another, that each becomes articulated through its configuration with the others,” as Adorno wrote about the Essay as Form. Disparate elements, he described enigmatically, “crystallize as a configuration of their motion,” but do not come across as rigidly discursive. However, the depth suggested by...
- 5/12/2021
- MUBI
Like most film festivals this year, Locarno Film Festival will not be moving ahead as usual. However, they’ve found inventive ways to both celebrate filmmakers they’ve long admired and present films physically and digitally. After announcing a new initiative to support new films by Lucrecia Martel, Lisandro Alonso, Lav Diaz, Wang Bing, Miguel Gomes, and more, they’ve asked this class of talented directors to select their favorite films in Locarno history.
A Journey in the Festival’s History is devoted to Locarno’s 73-year history of showing the best in international cinema. Made up of twenty films, a selection will screen online for those in Switzerland as well as Mubi internationally. On August 5-15, they will also screen in person at Locarno’s theaters.
Lili Hinstin, Artistic Director of the Locarno Film Festival, said, “It would be an impossible task to present a review of the history...
A Journey in the Festival’s History is devoted to Locarno’s 73-year history of showing the best in international cinema. Made up of twenty films, a selection will screen online for those in Switzerland as well as Mubi internationally. On August 5-15, they will also screen in person at Locarno’s theaters.
Lili Hinstin, Artistic Director of the Locarno Film Festival, said, “It would be an impossible task to present a review of the history...
- 7/21/2020
- by Jordan Raup
- The Film Stage
Films by Roberto Rossellini, Chantel Akerman and Marguerite Duras feature in selection.
The Locarno Film Festival has unveiled the selection of 20 classic film titles that will be showcased in its A Journey In The Festival’s History sidebar as part of its special hybrid edition running August 5 to 15.
The line-up is part of the festival’s ’Locarno 2020 – For the Future of Films’ edition which was created after it was forced to cancel its 73rd edition due to the Covid-19 pandemic.
The titles have been selected by the directors taking part in its festival’s exceptional The Films After Tomorrow initiative...
The Locarno Film Festival has unveiled the selection of 20 classic film titles that will be showcased in its A Journey In The Festival’s History sidebar as part of its special hybrid edition running August 5 to 15.
The line-up is part of the festival’s ’Locarno 2020 – For the Future of Films’ edition which was created after it was forced to cancel its 73rd edition due to the Covid-19 pandemic.
The titles have been selected by the directors taking part in its festival’s exceptional The Films After Tomorrow initiative...
- 7/20/2020
- by 1100388¦Melanie Goodfellow¦69¦
- ScreenDaily
High-profile filmmakers including Lucrecia Martel and Lav Diaz have contributed to a retrospective program for the Locarno Film Festival (August 5-15), selecting 20 titles from the event’s 74-year history that will have online and physical screenings next month.
Due to ongoing pandemic disruption Locarno shifted the majority of its festival online this year, though ten of the below list of titles will still have physical screenings in Switzerland. The entire program will be shown online for free in Switzerland by the fest, while it is partnering with streamer Mubi to stream the films outside of the country.
Ranging from 1948 (Locarno’s third edition) to 2018 (its 71st), the titles offer a broad insight into the fest’s history and are directed by filmmakers such as Roberto Rossellini, Pier Paolo Pasolini, Jim Jarmusch, Michael Haneke, and Whit Stillman. The selectees are all participating in Locarno’s ‘The Films After Tomorrow’ initiative this year,...
Due to ongoing pandemic disruption Locarno shifted the majority of its festival online this year, though ten of the below list of titles will still have physical screenings in Switzerland. The entire program will be shown online for free in Switzerland by the fest, while it is partnering with streamer Mubi to stream the films outside of the country.
Ranging from 1948 (Locarno’s third edition) to 2018 (its 71st), the titles offer a broad insight into the fest’s history and are directed by filmmakers such as Roberto Rossellini, Pier Paolo Pasolini, Jim Jarmusch, Michael Haneke, and Whit Stillman. The selectees are all participating in Locarno’s ‘The Films After Tomorrow’ initiative this year,...
- 7/20/2020
- by Tom Grater
- Deadline Film + TV
Lilith Stangenberg began her acting career at P14 youth theater of the Volksbühne Berlin. Without training as an actor, she was then hired at the Basel Theater and the Hanover Theater and from 2009 to 2012 was in the ensemble of the Zurich Schauspielhaus. At the same time, she also worked for film and television. As a film actress, Stangenberg was best known for the multi-award-winning leading role in Nicolette Krebitz ‘s feature film Wild , in which she played a young woman who had a relationship with a wolf. In October 2018, she starred in the television film “Tatort: Blut”, the leading role in an episode of a woman suffering from a light allergy, who believes she is a vampire. In “Orphea“, the adaptation of the myth of Orpheus with reverse gender roles by Alexander Kluge and Khavn, she embodies the title role. The film celebrated its world premiere at the Berlinale 2020.
On the occasion of the #TheKhavnProject,...
On the occasion of the #TheKhavnProject,...
- 5/21/2020
- by Panos Kotzathanasis
- AsianMoviePulse
Stephan Holl is Managing Director of Rapid Eye Movies, a German film label dealing in distribution, production and music. Since 1996 the company has been distributing highly aesthetical and extraordinary cinematic gems. As distributor, Rapid Eye Movies triggered the breakthrough of Asian directors like Takeshi Kitano, Takashi Miike, Park Chan-wook and Kim Ki-Duk in Germany and above all, popular Indian cinema in Europe. The initial focus of primarily distributing national and international film has been extended bringing together talents from a diverse array of cultures and artistic spheres – from music to film and visual arts – to create and produce movies that push boundaries and defy the conventional.
On the occasion of our #TheKhavnProject, we speak with him about his career, Rapid Eye Movies, Asian cinema, the future of the movie industry and of course, Khavn.
Can you give some details about your background in cinema. How did you end up creating Rapid Eye Movies?...
On the occasion of our #TheKhavnProject, we speak with him about his career, Rapid Eye Movies, Asian cinema, the future of the movie industry and of course, Khavn.
Can you give some details about your background in cinema. How did you end up creating Rapid Eye Movies?...
- 5/20/2020
- by Panos Kotzathanasis
- AsianMoviePulse
Brücher piloted international promotions at Swiss Films and was a well-known figure on the festival and market circuit.
The Swiss and European film industry has paid tribute to film sales and marketing pioneer and veteran Francine Brücher, who died at the age of 77 in Munich after a long illness on May 6.
With her calm manner and sympathetic smile, Brücher was a well-known and much-liked figure on the festival and market circuit. She was best known in the latter part of her career for her work at Switzerland’s national cinema promotional body Swiss Films.
During her time at the agency...
The Swiss and European film industry has paid tribute to film sales and marketing pioneer and veteran Francine Brücher, who died at the age of 77 in Munich after a long illness on May 6.
With her calm manner and sympathetic smile, Brücher was a well-known and much-liked figure on the festival and market circuit. She was best known in the latter part of her career for her work at Switzerland’s national cinema promotional body Swiss Films.
During her time at the agency...
- 5/13/2020
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
Considering how many works of art deal with the concept of mythology, this approach demonstrates how these stories might provide important answers on how to define modernity or at the very least provide much needed ideas. At the same time, it is also quite entertaining, from the side of the spectator and the artist, to witness and play around with these ancient stories, their heroes and their topics. With their first collaboration “Happy Lamento” German director Alexander Kluge and Filipino filmmaker Khavn de la Cruz proved their willingness and skill to approach towards concepts of modernity and, through combining the audiovisual worlds of their individual works, find a language to communicate these ideas. Screening at Berlinale 2020, their new feature “Orphea” is a modern re-telling of the myth of Eurydice and Orpheus, a wild mixture of musical and drama, and very much in line with their approach in “Happy Lamento”.
“Orphea...
“Orphea...
- 3/1/2020
- by Rouven Linnarz
- AsianMoviePulse
The 70th Berlin International Film Festival (Feb 20 – March 1) unveiled its Encounters program today, featuring the premieres of new works by Tim Sutton and Romanian director Cristi Puiu.
Also screening is Josephine Decker’s Shirley with Elisabeth Moss and Michael Stuhlbarg, marking the film’s international premiere after its upcoming Sundance bow, and Gunda by Victor Kossakovsky, whose last pic was the 2018 Venice doc Aquarela.
Encounters is a newly-created competitive section at the Berlin festival that looks to highlight “new voices in cinema and to give more room to diverse narrative and documentary forms.” A three-member jury will choose the winners for Best Film, Best Director and a Special Jury Award.
“As a result of passionate research, the 15 titles chosen for Encounters present the vitality of cinema in all of its forms. Each film presents a different way of interpreting the cinematic story: autobiographical, intimate, political,...
Also screening is Josephine Decker’s Shirley with Elisabeth Moss and Michael Stuhlbarg, marking the film’s international premiere after its upcoming Sundance bow, and Gunda by Victor Kossakovsky, whose last pic was the 2018 Venice doc Aquarela.
Encounters is a newly-created competitive section at the Berlin festival that looks to highlight “new voices in cinema and to give more room to diverse narrative and documentary forms.” A three-member jury will choose the winners for Best Film, Best Director and a Special Jury Award.
“As a result of passionate research, the 15 titles chosen for Encounters present the vitality of cinema in all of its forms. Each film presents a different way of interpreting the cinematic story: autobiographical, intimate, political,...
- 1/17/2020
- by Tom Grater
- Deadline Film + TV
‘Shirley’, starring Elisabeth Moss, among films in the new competitive strand.
The Berlin International Film Festival (Feb 20-Mar 1) has unveiled the 15 features that will comprise its first ever Encounters competitive strand.
The new section has been introduced to support new voices in cinema, running alongside the long-established competition and Berlinale Shorts, which award the Golden and Silver Bears.
A three-member jury, which has yet to be announced, will choose the winners of best film, best director and a special jury award.
The section will open with Cristi Puiu’s Malmkrog, a 200-minute drama in which an elite group of individuals...
The Berlin International Film Festival (Feb 20-Mar 1) has unveiled the 15 features that will comprise its first ever Encounters competitive strand.
The new section has been introduced to support new voices in cinema, running alongside the long-established competition and Berlinale Shorts, which award the Golden and Silver Bears.
A three-member jury, which has yet to be announced, will choose the winners of best film, best director and a special jury award.
The section will open with Cristi Puiu’s Malmkrog, a 200-minute drama in which an elite group of individuals...
- 1/17/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
According to the Oxford English Dictionary the verb “to lament” is described as “to feel or express great sadness or disappointment about somebody/something”. The word is also regarded as a synonym for “to wail” or “to complain”, giving it a vague negative connotation, for “to lament about a condition” is just complaining about something in words, rather than through actions. Considering this definition, you could say that “Happy Lamento”, a collaboration between German director Alexander Kluge and Filipino director Khavn de la Cruz poses an interesting contradiction, since it is about the happiness or joy of complaining about a condition, as the title suggests.
In general, “Happy Lamento” does not follow a narrative of any kind, and should rather be considered a cinematic collage. Sorted through various chapters with titles like “Moon” or “Circus”, Alexander Kluge interviews friends and colleagues of his, among them writer and dramatist Heiner Müller...
In general, “Happy Lamento” does not follow a narrative of any kind, and should rather be considered a cinematic collage. Sorted through various chapters with titles like “Moon” or “Circus”, Alexander Kluge interviews friends and colleagues of his, among them writer and dramatist Heiner Müller...
- 12/24/2019
- by Rouven Linnarz
- AsianMoviePulse
Ryushi Lindsay is a London and Tokyo-based Anglo-Japanese filmmaker working across documentary and narrative forms. He is particularly drawn to political cinema about power and disenfranchisement.
On the occasion of his film “Kokutai” screening at Jaeff,we speak with him about his career, the incentive behind the film, the connection between fascism and sports, the music in the movie, and other topics
Could you please tell us a little about yourself and how you were drawn into becoming a filmmaker?
Apparently we inherit our interests and careers genetically, so I wonder often how much free will has been involved in my filmmaking journey thus far. Both my parents are artists so, even though I never learnt to draw, I did grow up in a very creative environment at home and at school.
Growing up in rural and suburban Britain, and spending summer holidays in Japan looking the way I look,...
On the occasion of his film “Kokutai” screening at Jaeff,we speak with him about his career, the incentive behind the film, the connection between fascism and sports, the music in the movie, and other topics
Could you please tell us a little about yourself and how you were drawn into becoming a filmmaker?
Apparently we inherit our interests and careers genetically, so I wonder often how much free will has been involved in my filmmaking journey thus far. Both my parents are artists so, even though I never learnt to draw, I did grow up in a very creative environment at home and at school.
Growing up in rural and suburban Britain, and spending summer holidays in Japan looking the way I look,...
- 10/7/2019
- by Jamie Cansdale
- AsianMoviePulse
Last year’s Munich break-out was Eva Trobisch’s ‘All Is Good’ .
The Munich Film Festival is proving to be the place to go to first catch films by rising German directors. All of the 18 titles in the festival’s New German Cinema line-up are world premeires this year and many have attached international sales agents ahead of their launch.
Ilker Catak’s romantic drama I Was, I Am, I Will Be opened the strand on June 28. Danish sales agent Level K took on its first ever German feature when it acquired the the rights to the film just before...
The Munich Film Festival is proving to be the place to go to first catch films by rising German directors. All of the 18 titles in the festival’s New German Cinema line-up are world premeires this year and many have attached international sales agents ahead of their launch.
Ilker Catak’s romantic drama I Was, I Am, I Will Be opened the strand on June 28. Danish sales agent Level K took on its first ever German feature when it acquired the the rights to the film just before...
- 7/2/2019
- by Martin Blaney
- ScreenDaily
This article is taken from Koschke #2, the publication of Berlin Critic's Week 2019. The issue brings together writings inspired by the film and debate program running alongside the Berlinale with reflections on the late German director and notorious public provocateur Christoph Schlingensief, whose legacy is also one of the topics of the opening conference at Volksbühne. Authors and interviewees include Erika Balsom, Dietrich Kuhlbrodt, Lili Hinstin, Eva Sangiorgi, Tricia Tuttle, Kong Rithdee and many others. Christoph Schlingensief. Courtesy of Filmgalerie 451.Christoph Schlingensief was the nightmare of the German middle class. He would target those elusive yet powerful elements of society that can only be defined negatively—neither right nor left, neither poor nor rich, neither gushing nor aloof—and drag them onto every stage, before every camera, into every spotlight. The Mittelklasse, the bourgeois median, was his origin, his métier, his life’s work. He raised hell wherever normality became normative.
- 1/31/2019
- MUBI
For 11 years running, our end-of-the-year tradition on the Notebook has been to poll our roster of contributors to create fantasy double features of new and old films. But what about the curators behind Mubi itself? This year we begin what we hope to be a new tradition: publishing the favorite films of the year as chosen by our programming team: Daniel Kasman in the U.S., Anaïs Lebrun and Chiara Marañón in the U.K. We each have two lists: our top new films that premiered in 2018, and then a selection of revivals screened in cinemas.PREMIERESDaniel Kasman1. Blue (Apichatpong Weerasethakul, Thailand)2. The Image Book (Jean-Luc Godard, Switzerland)3. Support the Girls (Andrew Bujalski, USA)4. The Other Side of the Wind (Orson Welles, USA)5. The Waldheim Waltz (Ruth Beckermann, Austria)6. Unsane (Steven Soderbergh, USA)7. The Grand Bizarre (Jodie Mack, USA)8. The Red Shadow [director's cut]9. What You Gonna Do When the World's on Fire?...
- 12/24/2018
- MUBI
Non-FictionThe programme for the 2018 edition of the Venice Film Festival has been unveiled, and includes new films from Tsai Ming-liang, Frederick Wiseman, Sergei Loznitsa, Olivier Assayas, the Coen Brothers, and many more.COMPETITIONFirst Man (Damien Chazelle)The Mountain (Rick Alverson)Non-Fiction (Olivier Assayas)The Sisters Brothers (Jacques Audiard)The Ballad of Buster ScruggsVox Lux (Brady Corbet)Roma (Alfonso Cuarón)22 July (Paul Greengrass)Suspiria (Luca Guadagnino)Werk ohne autor (Florian Henckel von Donnersmarck)The Nightingale (Jennifer Kent)The Favourite (Yorgos Lanthimos)Peterloo (Mike Leigh)Capri-revolution (Mario Martone)What You Gonna Do When the World's On Fire? (Roberto Minervini)Sunset (László Nemes)Frères ennemis (David Oeloffen)Where Life is Born (Carlos Reygadas)At Eternity's Gate (Julian Schnabel)Acusada (Gonzalo Tobal)Killing (Shinya Tsukamoto)Out Of COMPETITIONFeaturesThe Other Side of the Wind (Orson Welles)They'll Love Me When I'm Dead (Morgan Neville)L'amica geniale (Saverio Costanzo)Il diario di angela - noi...
- 7/25/2018
- MUBI
With the Venice Film Festival due to reveal its competition lineup tomorrow, parallel sections are getting a jump. Today’s roster unveiling is for the Venice Days section, or Giornate degli Autori — an independent section that resembles Cannes’ Directors’ Fortnight. In the mix are new films from Oscar nominee Rithy Panh, After Love‘s Joachim Lafosse, and Peter Medak with The Ghost Of Peter Sellers. The latter is billed as a Special Event and is a tragicomic documentary about the unraveling of 1973 pirate comedy Ghost In The Noonday Sun.
Panh will open the section with Graves Without A Name, the Cambodian helmer’s latest examination of the fallout of the Khmer Rouge. Lafosse is in competition with mother-son drama Keep Going starring Virginie Efira. Out of competition, the closing film is The Suicide Of Emma Peteers by Nicole Palo. In total, six of the official selection titles are directed by women.
Panh will open the section with Graves Without A Name, the Cambodian helmer’s latest examination of the fallout of the Khmer Rouge. Lafosse is in competition with mother-son drama Keep Going starring Virginie Efira. Out of competition, the closing film is The Suicide Of Emma Peteers by Nicole Palo. In total, six of the official selection titles are directed by women.
- 7/24/2018
- by Nancy Tartaglione
- Deadline Film + TV
The Venice Film Festival’s independently run Venice Days section, modeled on Cannes Directors’ Fortnight, has unveiled its lineup of 11 competition entries, all world premieres, marked by a particularly strong presence of female directors.
The section will open with “Graves Without a Name” (pictured), a new documentary on the horrors of the Khmer Rouge era by revered Cambodian-born director Rithy Panh, producer of Angelina Jolie’s “First They Killed My Father.” The lineup mixes promising entries from both well-known auteurs and newcomers. The out-of competition closer is suicide-themed comedy “Emma Peeters” from young Belgian director Nicole Palo.
Venice Days artistic director Giorgio Gosetti noted that six out of 12 titles in the official selection are directed by women and said that “female characters play a crucial role in all the films.” But he also said his choice was unconstrained by gender considerations. “We sought the best that we could find and...
The section will open with “Graves Without a Name” (pictured), a new documentary on the horrors of the Khmer Rouge era by revered Cambodian-born director Rithy Panh, producer of Angelina Jolie’s “First They Killed My Father.” The lineup mixes promising entries from both well-known auteurs and newcomers. The out-of competition closer is suicide-themed comedy “Emma Peeters” from young Belgian director Nicole Palo.
Venice Days artistic director Giorgio Gosetti noted that six out of 12 titles in the official selection are directed by women and said that “female characters play a crucial role in all the films.” But he also said his choice was unconstrained by gender considerations. “We sought the best that we could find and...
- 7/24/2018
- by Nick Vivarelli
- Variety Film + TV
Volker Schlöndorff on Germany in Autumn (Deutschland Im Herbst): "In the film there is a segment which Heinrich Böll wrote and I directed about an Antigone production …" Photo: Anne-Katrin Titze
On the last day in April, after having returned from Indiana where he spoke at the 1968 in Europe and Latin America conference (held at the University of Notre Dame), Volker Schlöndorff met with me at Lincoln Center for a follow-up conversation on the topic. His 1966 film Young Törless, starring Mathieu Carrière, was also screened.
Earlier that morning he was up at Columbia discussing Antigone and May '68 in a class taught by his Return To Montauk co-screenwriter Colm Tóibín. The director of the Oscar-winning Tin Drum on the 50th anniversary year of the student protests shared his memories on the legacy of '68 and the eternal return of Claude Lévi-Strauss.
Max Zorn (Stellan Skarsgård) with Rebecca (Nina Hoss) in...
On the last day in April, after having returned from Indiana where he spoke at the 1968 in Europe and Latin America conference (held at the University of Notre Dame), Volker Schlöndorff met with me at Lincoln Center for a follow-up conversation on the topic. His 1966 film Young Törless, starring Mathieu Carrière, was also screened.
Earlier that morning he was up at Columbia discussing Antigone and May '68 in a class taught by his Return To Montauk co-screenwriter Colm Tóibín. The director of the Oscar-winning Tin Drum on the 50th anniversary year of the student protests shared his memories on the legacy of '68 and the eternal return of Claude Lévi-Strauss.
Max Zorn (Stellan Skarsgård) with Rebecca (Nina Hoss) in...
- 5/7/2018
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Above: Polish poster for The Battle of Algiers (Gillo Pontecorvo, Italy/Algeria, 1965). Designer: Jerzy Flisak.As the 55th New York Film Festival winds down this weekend, I thought I’d look back half a century at the films of the 5th edition. That 1967 festival, programmed by Amos Vogel, Richard Roud, Arthur Knight, Andrew Sarris and Susan Sontag, featured 21 new films, all but three of which were from Europe (six of them from France, 2 and 1/7 of them directed by Godard), all of which showed at Lincoln Center’s Philharmonic Hall. (They also programmed Gance’s Napoleon, Mamoulian’s Applause and King Vidor’s Show People in the retrospective slots). The only director to have a film in both the 1967 festival and the 2017 edition is Agnès Varda, who was one of the directors of the omnibus Far From Vietnam and was then already 12 years into her filmmaking career.It will come as...
- 10/13/2017
- MUBI
Foreplays is a column that explores under-known short films by renowned directors. Peter Nestler's Death and Devil (2009) is available to watch on Mubi from August 2 - September 1, 2017 in most countries around the world as part of the retrospective A Vision of Resistance.Death and Devil (2009) holds a special place in the filmography of Peter Nestler, marking an intriguing crossroads. Nestler’s work is strongly associated with filmmakers including Jean-Marie Straub & Danièle Huillet, Alexander Kluge, and Harun Farocki. Like them, he is primarily concerned with history and politics, intent on unveiling the traces of fascism, documenting the processes of the industrialization of cities, and narrating the conditions and struggles of laborers. But here, Nestler turns his gaze to something more immediately personal: his grandfather, Count Eric von Rosen (1879-1948), a celebrated explorer, ethnographer, and archaeologist. The film seemingly presents itself as a linear biography, giving special importance to an African...
- 8/5/2017
- MUBI
Mubi's retrospective on filmmaker Peter Nestler, A Vision of Resistance, presented as part of a collaboration with the Film Society of Lincoln Center, is showing in from July 18 - September 1, 2017 in most countries around the world.EssaysIt’s difficult to talk about Peter Nestler without talking about historical materialism and the dialectic, which is an interesting problem for a filmmaker to have—interesting, at least, now that his Marxism is in part the reason for his recent recovery in the United States rather than, as it was in 1966, the reason for a self-imposed exile from his home country. Born in 1937 in Freiburg im Breisgau—later incorporated into France’s West German partition—at 18 Nestler traveled abroad (in his words, “I went to sea”), returning for school in Munich. He made his first film, By the Dike Sluice [Am Siel], in 1962, and over the next several years fell in with a crowd of...
- 8/2/2017
- MUBI
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Metrograph
“Queer ’90s” comes to an end with the likes of Wong Kar-wai‘s Happy Together on Friday, and Thelma and Louise on Sunday. Marketa Lazarova and Northern Lights also play this Sunday, as does a restored print of ’30s horror picture Double Door.
A print of the interracial-relationship drama One Potato, Two Potato has started a run.
Metrograph
“Queer ’90s” comes to an end with the likes of Wong Kar-wai‘s Happy Together on Friday, and Thelma and Louise on Sunday. Marketa Lazarova and Northern Lights also play this Sunday, as does a restored print of ’30s horror picture Double Door.
A print of the interracial-relationship drama One Potato, Two Potato has started a run.
- 10/21/2016
- by Nick Newman
- The Film Stage
James Cameron's superb spacemen vs. monsters siege battle epic is back in a reissue with an extra collector goodie or two, still looking good on Blu-ray for its 30th Anniversary. And that heroine Ripley is still the most combat-worthy space cadet in the galaxy. Aliens 30th Anniversary Edition Blu-ray Fox Home Entertainment 1986 / Color / 2:35 1:85 widescreen 1:37 flat full frame / 137, 154 min. / Street Date September 13, 2016 / 24.99 Starring Sigourney Weaver, Carrie Henn, Michael Biehn, Paul Reiser, Lance Henriksen, Bill Paxton, William Hope, Jenette Goldstein, Al Matthews, Mark Rolston, Ricco Ross, Colette Hiller, Daniel Kash, Cynthia Scott. Cinematography Adrian Biddle Film Editor Ray Lovejoy Original Music James Horner Written by James Cameron, story by Cameron, David Giler, Walter Hill from characters by Dan O'Bannon, Ronald Shusett Produced by Gale Ann Hurd Directed by James Cameron
Reviewed by Glenn Erickson
I know I'm in a minority when I confess that I had little use...
Reviewed by Glenn Erickson
I know I'm in a minority when I confess that I had little use...
- 9/17/2016
- by Glenn Erickson
- Trailers from Hell
Rushes collects news, articles, images, videos and more for a weekly roundup of essential items from the world of film.NEWSOf course, the biggest news in the film world over the last week has been the repeated announcements of the films included in the various festivals in Cannes this May, from the Official Selection (films by Almodóvar, Maren Ade, the Dardennes, Paul Verhoeven, and Sean Penn) and the Directors' Fortnight (Paul Schrader, Alejandro Jodorowsky, Marco Bellocchio), to Critics' Week (Oliver Laxe and Chloë Sevigny) and the increasingly higher profile Acid (including Damien Manivel's follow-up to A Young Poet, which is currently playing exclusively on Mubi in the Us).Speaking of festivals, many South Korean filmmakers will be boycotting the major Asian festival of Busan, due to interference with the organization from the city government.On a lighter note, the Loch Ness Monster has been found! Actually, no: that's no monster,...
- 4/20/2016
- by Notebook
- MUBI
One entry point into the rich new issue of Cinema Comparat/ive Cinema would be the survey of ten "founding filmmakers of serial television": Alfred Hitchcock, Roberto Rossellini, Frederick Wiseman, Ingmar Bergman, Jean-Luc Godard, Rainer Werner Fassbinder, Edgar Reitz, Krzysztof Kieslowski, David Lynch and Lars von Trier. Then you might move to the "Documents" section, collecting texts by or about Gilles Deleuze, Alexander Kluge, Marguerite Duras and Serge Daney, Chris Marker and others. There's also an interview Lodge Kerrigan, who's currently "[splitting] directing duties," as he puts it, with Amy Seimetz on Steven Soderbergh's The Girlfriend Experience. And that's just the top of today's roundup of news and views. » - David Hudson...
- 4/17/2016
- Keyframe
One entry point into the rich new issue of Cinema Comparat/ive Cinema would be the survey of ten "founding filmmakers of serial television": Alfred Hitchcock, Roberto Rossellini, Frederick Wiseman, Ingmar Bergman, Jean-Luc Godard, Rainer Werner Fassbinder, Edgar Reitz, Krzysztof Kieslowski, David Lynch and Lars von Trier. Then you might move to the "Documents" section, collecting texts by or about Gilles Deleuze, Alexander Kluge, Marguerite Duras and Serge Daney, Chris Marker and others. There's also an interview Lodge Kerrigan, who's currently "[splitting] directing duties," as he puts it, with Amy Seimetz on Steven Soderbergh's The Girlfriend Experience. And that's just the top of today's roundup of news and views. » - David Hudson...
- 4/17/2016
- Fandor: Keyframe
Retrospective to include around 20 East and West German feature and documentary films from cinema and television.
The Retrospective of the 66th Berlin International Film Festival (Feb 11-21) is to be dedicated to the year 1966, a year considered to be a turning point in German cinema.
“The year 1966 stands for extraordinary films in the West and the East, films which broke new artistic ground,” said Berlinale festival director Dieter Kosslick.
“The Retrospective 2016 shows the audacious revolt and tentative exploration in a time of transition.”
The strand will include around 20 East and West German feature and documentary films from cinema and television. Additionally, more than 30 films of short and medium length - a typical format at the time - will feature in film programmes and as supporting films.
In 1966, the New German Cinema wave received critical acclaim at major film festivals for the first time.
At the Berlinale, Peter Schamoni’s debut No Shooting Time for Foxes (Schonzeit für Füchse) won a...
The Retrospective of the 66th Berlin International Film Festival (Feb 11-21) is to be dedicated to the year 1966, a year considered to be a turning point in German cinema.
“The year 1966 stands for extraordinary films in the West and the East, films which broke new artistic ground,” said Berlinale festival director Dieter Kosslick.
“The Retrospective 2016 shows the audacious revolt and tentative exploration in a time of transition.”
The strand will include around 20 East and West German feature and documentary films from cinema and television. Additionally, more than 30 films of short and medium length - a typical format at the time - will feature in film programmes and as supporting films.
In 1966, the New German Cinema wave received critical acclaim at major film festivals for the first time.
At the Berlinale, Peter Schamoni’s debut No Shooting Time for Foxes (Schonzeit für Füchse) won a...
- 11/17/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
German actor to receive Lifetime Achievement Award.
German actor Armin Mueller-Stahl is to receive a Lifetime Achievement Award at the Zurich Film Festival (Sept 24-Oct 4).
Following the award ceremony, Mueller-Stahl will present Jim Jarmusch’s Night On Earth at the Arthouse Le Paris cinema on Sept 28.
Mueller-Stahl is one of the few German actors of distinction whose careers have spanned East Germany, West Germany and Hollywood. His most noteworthy films include Lola (1981), Oberst Redl (1985), Momo (1986), Music Box (1989), Night On Earth (1991), Das Geisterhaus (1993) and Shine (1996).
Zff co-directors Nadja Schildknecht and Karl Spoerri said: “We are proud to welcome 84-year-old Armin Mueller-Stahl as our guest to this year’s festival. He is, in our opinion, one of the most important German actors of all time. His skills as a polyglot performer oscillating effortlessly between stage and screen, Germany and the USA, have more than earned him this award.”
Raised in the German Democratic Republic (Gdr) and initially trained as a concert...
German actor Armin Mueller-Stahl is to receive a Lifetime Achievement Award at the Zurich Film Festival (Sept 24-Oct 4).
Following the award ceremony, Mueller-Stahl will present Jim Jarmusch’s Night On Earth at the Arthouse Le Paris cinema on Sept 28.
Mueller-Stahl is one of the few German actors of distinction whose careers have spanned East Germany, West Germany and Hollywood. His most noteworthy films include Lola (1981), Oberst Redl (1985), Momo (1986), Music Box (1989), Night On Earth (1991), Das Geisterhaus (1993) and Shine (1996).
Zff co-directors Nadja Schildknecht and Karl Spoerri said: “We are proud to welcome 84-year-old Armin Mueller-Stahl as our guest to this year’s festival. He is, in our opinion, one of the most important German actors of all time. His skills as a polyglot performer oscillating effortlessly between stage and screen, Germany and the USA, have more than earned him this award.”
Raised in the German Democratic Republic (Gdr) and initially trained as a concert...
- 9/1/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Above: German poster for The American Friend (Wim Wenders, West Germany, 1977).
Running concurrently with the Berlin International Film Festival, at the Haus der Berliner Festspiele, there is a beautiful exhibition of some fifty posters by husband and wife graphic artists Margrit and Peter Sickert, who sign their posters simply “Sickerts.” In a year in which the festival seems to have been less than rosy for the old guard of the New German Cinema, it is nice to see some of the posters from the movement’s heyday on display.
The Sickerts, who attended the opening of the exhibition, created over 300 posters from the 1960s to the 1990s in a wide variety of styles ranging from hyperrealist illustration to monochrome photographic minimalism. Their painting of Dennis Hopper and Bruno Ganz for Wim Wenders’ The American Friend—which for years I thought was by Belgian artist Guy Peellaert who did many of...
Running concurrently with the Berlin International Film Festival, at the Haus der Berliner Festspiele, there is a beautiful exhibition of some fifty posters by husband and wife graphic artists Margrit and Peter Sickert, who sign their posters simply “Sickerts.” In a year in which the festival seems to have been less than rosy for the old guard of the New German Cinema, it is nice to see some of the posters from the movement’s heyday on display.
The Sickerts, who attended the opening of the exhibition, created over 300 posters from the 1960s to the 1990s in a wide variety of styles ranging from hyperrealist illustration to monochrome photographic minimalism. Their painting of Dennis Hopper and Bruno Ganz for Wim Wenders’ The American Friend—which for years I thought was by Belgian artist Guy Peellaert who did many of...
- 2/14/2015
- by Adrian Curry
- MUBI
Editor's Note: RogerEbert.com is proud to reprint Roger Ebert's 1978 entry from the Encyclopedia Britannica publication "The Great Ideas Today," part of "The Great Books of the Western World." Reprinted with permission from The Great Ideas Today ©1978 Encyclopædia Britannica, Inc.
It's a measure of how completely the Internet has transformed communication that I need to explain, for the benefit of some younger readers, what encyclopedias were: bound editions summing up all available knowledge, delivered to one's home in handsome bound editions. The "Great Books" series zeroed in on books about history, poetry, natural science, math and other fields of study; the "Great Ideas" series was meant to tie all the ideas together, and that was the mission given to Roger when he undertook this piece about film.
Given the venue he was writing for, it's probably wisest to look at Roger's long, wide-ranging piece as a snapshot of the...
It's a measure of how completely the Internet has transformed communication that I need to explain, for the benefit of some younger readers, what encyclopedias were: bound editions summing up all available knowledge, delivered to one's home in handsome bound editions. The "Great Books" series zeroed in on books about history, poetry, natural science, math and other fields of study; the "Great Ideas" series was meant to tie all the ideas together, and that was the mission given to Roger when he undertook this piece about film.
Given the venue he was writing for, it's probably wisest to look at Roger's long, wide-ranging piece as a snapshot of the...
- 2/12/2015
- by Roger Ebert
- blogs.suntimes.com/ebert
Above: a first look at Willem Dafoe in Abel Ferrara's Pasolini. In Film Comment, Kent Jones has published an incredible piece entitled "Critical Condition", in which he examines our limited critical views on cinema:
"The point is not to claim that film criticism took a wrong turn in the Fifties and Sixties. The auteurist idea at its most basic (that movies are primarily the creation of one governing author behind the camera who thinks in images and sounds rather than words and sentences) is now the default setting in most considerations of moviemaking, and for that we should all be thankful. We’d be nowhere without auteurism, which boasts a proud history: the lovers of cinema didn’t just argue for its inclusion among the fine arts, but actually stood up, waved its flag, and proclaimed its glory without shame. In that sense, it stands as a truly remarkable...
"The point is not to claim that film criticism took a wrong turn in the Fifties and Sixties. The auteurist idea at its most basic (that movies are primarily the creation of one governing author behind the camera who thinks in images and sounds rather than words and sentences) is now the default setting in most considerations of moviemaking, and for that we should all be thankful. We’d be nowhere without auteurism, which boasts a proud history: the lovers of cinema didn’t just argue for its inclusion among the fine arts, but actually stood up, waved its flag, and proclaimed its glory without shame. In that sense, it stands as a truly remarkable...
- 3/12/2014
- by Adam Cook
- MUBI
“If images don’t do anything in this culture,” I said, plunging on, “if they haven’t done anything, then why are we sitting here in the twilight of the twentieth century talking about them? And if they only do things after we have talked about them, then they aren’t doing them, we are. Therefore, if our criticism aspires to anything beyond soft-science, the efficacy of images must be the cause of criticism, and not its consequence—the subject of criticism and not its object. And this,” I concluded rather grandly, “is why I direct your attention to the language of visual affect—to the rhetoric of how things look—to the iconography of desire—in a word, to beauty!” I made a voilá gesture for punctuation, but to no avail. People were quietly filing out. —Dave Hickey, The Invisible Dragon.
“Originally, the embeddedness of an artwork in the...
“Originally, the embeddedness of an artwork in the...
- 8/5/2013
- by Uncas Blythe
- MUBI
Above: Reading of the Oberhausen Manifeso before the West German press.
In 1962, twenty-six West German filmmakers—including writers, directors, producers, and an actor—declared the Oberhausen Manifesto at the 8th Oberhausen Short Film Festival. To celebrate the 50th anniversary of the manifesto, the festival organized the retrospective “Provoking Reality: Mavericks, Mouvements, and Manifestos,” in which they screened nearly forty short films by the manifesto’s signatories. (Earlier this year, Daniel Kasman wrote about several of the retrospective's shorts in his report from the festival, "Manifestations".) This week, the Museum of Modern Art will also screen a selection of them from September 27th through the 30th. Out of these new films, a Junger Deutscher Film (Young German Film) emerged to counter the established film industry and the conventional German entertainment of the 1950s.
Above: The 8th Oberhausen Short Film Festival.
After the Allies defeated Germany in World War II and subsequently partitioned the country,...
In 1962, twenty-six West German filmmakers—including writers, directors, producers, and an actor—declared the Oberhausen Manifesto at the 8th Oberhausen Short Film Festival. To celebrate the 50th anniversary of the manifesto, the festival organized the retrospective “Provoking Reality: Mavericks, Mouvements, and Manifestos,” in which they screened nearly forty short films by the manifesto’s signatories. (Earlier this year, Daniel Kasman wrote about several of the retrospective's shorts in his report from the festival, "Manifestations".) This week, the Museum of Modern Art will also screen a selection of them from September 27th through the 30th. Out of these new films, a Junger Deutscher Film (Young German Film) emerged to counter the established film industry and the conventional German entertainment of the 1950s.
Above: The 8th Oberhausen Short Film Festival.
After the Allies defeated Germany in World War II and subsequently partitioned the country,...
- 9/26/2012
- MUBI
Above: Das Magische Band.
For the 50th anniversary of the signing of the Oberhausen Manifesto, the International Short Film Festival Oberhausen seems to have deployed an expected reminder and canonization: a retrospective. But the reality is far from this conventionality. Instead, the festival has activated a series, sequence and near-simultaneity of films programmed by Ralph Eue and Olaf Möller called Mavericks, Mouvements, Manifestos that form a complex, varied and nuanced international constellation of absolutely necessary, engaged and reactive short films from the 1950s-1960s. It is not a look back, as most retrospectives inevitably are, but a bracing engagement with a reality, both historic and contemporary, that proves to be still absolutely crucial to our understanding of the world and its cinema.
The opening ceremony of the festival capped an endless series of introductions—which included an unexpected but moving reminder of and plea about the economic ghettoization of cultural...
For the 50th anniversary of the signing of the Oberhausen Manifesto, the International Short Film Festival Oberhausen seems to have deployed an expected reminder and canonization: a retrospective. But the reality is far from this conventionality. Instead, the festival has activated a series, sequence and near-simultaneity of films programmed by Ralph Eue and Olaf Möller called Mavericks, Mouvements, Manifestos that form a complex, varied and nuanced international constellation of absolutely necessary, engaged and reactive short films from the 1950s-1960s. It is not a look back, as most retrospectives inevitably are, but a bracing engagement with a reality, both historic and contemporary, that proves to be still absolutely crucial to our understanding of the world and its cinema.
The opening ceremony of the festival capped an endless series of introductions—which included an unexpected but moving reminder of and plea about the economic ghettoization of cultural...
- 5/9/2012
- MUBI
To celebrate the 75th birthday of a leading founder of New German Cinema, the Film Museum in Munich released a collection of Alexander Kluge’s fourteen feature films and sixteen shorts from 1960 through 1986. Facets Multimedia is now bringing them out in North America, and In Danger and Deep Distress, the Middleway Spells Certain Death (1974) will be available this spring. Kluge is a master director of Autorenfilm as well as a great author and theorist who has produced several volumes of social theory, dozens of films, and thousands of short stories and television programs. Influenced by his friend and mentor Theodor Adorno and by his experience as Fritz Lang’s assistant on The Tiger of Eschnapur (1959), Kluge recognized “the necessity of a new politics for the cinema” early in his career. In response to the crisis of German cinema in the 1950s, he led twenty-six West German filmmakers to declare “Papas Kino ist tot!
- 2/20/2012
- MUBI
You can get a lot of living done in 80 years and few have proved it as vigorously as Alexander Kluge (site). He's got a new book out, Das fünfte Buch - Neue Lebensläufe. 402 Geschichten, a followup of sorts to his award-winning Lebensläufe, which was published almost exactly 50 years ago. Several volumes have appeared between these two memoir-like collections, earning him the Georg Büchner Prize for his literary oeuvre in 2003. Kluge's also a prolific social critic, a ridiculously active independent television producer and, of course, a filmmaker, an assistant to Fritz Lang on The Tiger of Eschnapur (1959), one of the signatories of the Oberhausen Manifesto in 1962 and co-founder of the Ulm Institut für Filmgestaltung.
Outside of Germany, one of Kluge's best-known films is one of his earliest, Yesterday Girl (1966), "a quickly paced collage, a jittery, jazzy patchwork that augments its sparse central narrative with myriad diversions and non sequiturs," as Ed Howard...
Outside of Germany, one of Kluge's best-known films is one of his earliest, Yesterday Girl (1966), "a quickly paced collage, a jittery, jazzy patchwork that augments its sparse central narrative with myriad diversions and non sequiturs," as Ed Howard...
- 2/14/2012
- MUBI
Alexander Kluge speaks at the Oberhausen Manifesto press conference 1962
For all the news tumbling out of Rotterdam and Berlin over the past couple of weeks, we don't want to overlook a couple of pretty major announcements coming from other festivals regarding their upcoming editions. Starting with this one: "The 58th International Short Film Festival Oberhausen will celebrate the 50th anniversary of the Oberhausen Manifesto (February 28, 2012) with a large-scale thematic program entitled Provoking Reality: Mavericks, Mouvements, Manifesto. To honor the anniversary of the Manifesto, perhaps the single most important group document in German film history, the festival has compiled a selection of films of the signatories, many of which have not been shown for decades and had to be restored expressly for the program."
In addition to the inevitable panel discussion, there'll also be a double DVD from Edition Filmmuseum and, in German, a collection of essays. Before moving on, this...
For all the news tumbling out of Rotterdam and Berlin over the past couple of weeks, we don't want to overlook a couple of pretty major announcements coming from other festivals regarding their upcoming editions. Starting with this one: "The 58th International Short Film Festival Oberhausen will celebrate the 50th anniversary of the Oberhausen Manifesto (February 28, 2012) with a large-scale thematic program entitled Provoking Reality: Mavericks, Mouvements, Manifesto. To honor the anniversary of the Manifesto, perhaps the single most important group document in German film history, the festival has compiled a selection of films of the signatories, many of which have not been shown for decades and had to be restored expressly for the program."
In addition to the inevitable panel discussion, there'll also be a double DVD from Edition Filmmuseum and, in German, a collection of essays. Before moving on, this...
- 1/15/2012
- MUBI
Like many, I've been anxiously awaiting the arrival of the new film journal that Adrian Martin and Girish Shambu have been working on for months now. Today's the day. The theme of the inaugural issue of Lola is "Histories."
Girish has already drawn up a guide, pulling quotes from each of the essays, so briefly, "Histories" features Joe McElhaney on his "passion for aging filmmakers, the older the better"; William D Routt's expansive consideration of Lubitsch; Andrew Klevan on "films which put the in-between at their centre"; Luc Moullet, with his irresistible title: "Ah Yes! Griffith was a Marxist!"; Richard Porton on Dušan Makavejev's Wr: Mysteries of the Organism (1971); Shigehiko Hasumi: "Stated briefly, my hypothesis is that the medium of film has not yet truly incorporated sound as an essential component of its composition."; Sylvia Lawson on Australian cinema's relationship with the nation's history; Stephen Goddard on the ways...
Girish has already drawn up a guide, pulling quotes from each of the essays, so briefly, "Histories" features Joe McElhaney on his "passion for aging filmmakers, the older the better"; William D Routt's expansive consideration of Lubitsch; Andrew Klevan on "films which put the in-between at their centre"; Luc Moullet, with his irresistible title: "Ah Yes! Griffith was a Marxist!"; Richard Porton on Dušan Makavejev's Wr: Mysteries of the Organism (1971); Shigehiko Hasumi: "Stated briefly, my hypothesis is that the medium of film has not yet truly incorporated sound as an essential component of its composition."; Sylvia Lawson on Australian cinema's relationship with the nation's history; Stephen Goddard on the ways...
- 8/17/2011
- MUBI
"Often he [Fritz Lang] would sit there in the country's penetrating sunlight under the merciful protection, so to speak, of his physical handicap. He allowed the films that, to his regret, he had been unable to make, pass across his inner eye. He had lost a lot of time through emigrating from Germany to France and later to the USA and then in attempting to return to Germany. And now: waiting for death. Without any commissions. These significant periods of time he would have liked to fill with films he'd already planned. He could describe them scene by scene. For a short moment, still in Europe, Godard had listened to these descriptions. For an afternoon, Godard was determined to film one of these outlines. That never came to anything, however, because he was busy with his own projects." —Alexander Kluge, "The Blind Director"
During the late 1950s, Alexander Kluge served as an...
During the late 1950s, Alexander Kluge served as an...
- 7/25/2011
- MUBI
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