Hey kids! Learn about the great time we’ll be having if the world powers plunge us into a nuclear winter! This post-atomic horror show traumatized England in 1984, and thanks to the liberal media magnate Ted Turner, even saw some airings in the U.S.. The most extreme prime-time response to Ronald Reagan’s heating up of the Cold War standoff, it remains an honest look at a possible grim future, that rubs our noses in the full consequences of a nuclear exchange.
Threads
Blu-ray
1984 / Color / 1:33 flat 16mm /
117 (112) min. / Street Date February 13, 2018 / 19.99
Starring: Karen Meagher, Reece Dinsdale, David Brierley, Rita May, Nicholas Lane, Jane Hazelgrove, Henry Moxon, June Broughton, Harry Beety, Ruth Holden, Patrick Allen (voice).
Cinematography: Andrew Dunn, Paul Morris
Film Editors: Donna Bickerstaff, Jim Latham
Visual Effects: Graham Brown, Peter Wragg
Written by Barry Hines
Produced and Directed by Mick Jackson
1965’s The War Game by Peter Watkins...
Threads
Blu-ray
1984 / Color / 1:33 flat 16mm /
117 (112) min. / Street Date February 13, 2018 / 19.99
Starring: Karen Meagher, Reece Dinsdale, David Brierley, Rita May, Nicholas Lane, Jane Hazelgrove, Henry Moxon, June Broughton, Harry Beety, Ruth Holden, Patrick Allen (voice).
Cinematography: Andrew Dunn, Paul Morris
Film Editors: Donna Bickerstaff, Jim Latham
Visual Effects: Graham Brown, Peter Wragg
Written by Barry Hines
Produced and Directed by Mick Jackson
1965’s The War Game by Peter Watkins...
- 2/13/2018
- by Glenn Erickson
- Trailers from Hell
I Love Blogging!!! The article in NY Times was rather simplistic and rang false on the "tipping the concierge" strategy. However, appearing in the NY Times is a great way to elicit a variety of comments and these are more interesting to me than the article itself. I'm commenting on the comments here....Sydney
Mitchell Block
There is still no "there" there. For the most part the small companies don't have the fiscal resources to do PR, advertising, trailers, promotions, viral marketing and the range of digital and film prints needed to cover the Us. The theaters still need decent box office to hold over the titles and few independent films can make $2,000 plus a week.Even if the filmmakers and distributors had the capital to make it work, the films can't attract the audiences. They open small and can't build. The NY Times article was a bit short on the numbers.
Mitchell Block
There is still no "there" there. For the most part the small companies don't have the fiscal resources to do PR, advertising, trailers, promotions, viral marketing and the range of digital and film prints needed to cover the Us. The theaters still need decent box office to hold over the titles and few independent films can make $2,000 plus a week.Even if the filmmakers and distributors had the capital to make it work, the films can't attract the audiences. They open small and can't build. The NY Times article was a bit short on the numbers.
- 8/14/2009
- by Sydney@SydneysBuzz.com (Sydney)
- Sydney's Buzz
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