More Keaton is always a good thing — fans of The General and The Cameraman will find plenty to enjoy in these two classics. Buster befriends a cow ( ! ) in Go West and conquers several sports in College. Cohen’s Buster Keaton Collection series is up to Volume 4, with both shows featuring Italian restorations. With music scores by the Mont Alto Motion Picture Score Orchestra and Rodney Sauer; the disc extra is a rare audio talk by Buster himself.
Go West and College
Blu-ray
The Buster Keaton Collection Volume 4
Cohen Film Collection
1925, 1927
B&w / 1:33 Silent Ap / 133 min.
Street Date December 8, 2020 / 29.95
Starring & Directed by Buster Keaton
The collector and distributor Raymond Rohauer ended up with the ownership of all of Buster Keaton’s films, which was a good thing in the long run because Buster himself might have let them crumble into dust. The collection is in the hands of Cohen Media now,...
Go West and College
Blu-ray
The Buster Keaton Collection Volume 4
Cohen Film Collection
1925, 1927
B&w / 1:33 Silent Ap / 133 min.
Street Date December 8, 2020 / 29.95
Starring & Directed by Buster Keaton
The collector and distributor Raymond Rohauer ended up with the ownership of all of Buster Keaton’s films, which was a good thing in the long run because Buster himself might have let them crumble into dust. The collection is in the hands of Cohen Media now,...
- 12/12/2020
- by Glenn Erickson
- Trailers from Hell
Buster Keaton’s first full feature is a real accomplishment, a little masterpiece that deftly balances comedy and drama. Buster’s star appeal is on full display as an 1830 lad who returns to the hill country to resettle the old homestead and lands in the middle of a murderous feud — with the girl he loves on the other side. It’s an historically sensitive, hilarious comedy, with a hair-raising waterfall stunt set-piece for a finale.
Our Hospitality
Blu-ray
Kino Classics
1923 / B&w / 1:33 Silent Ap. / 75 min. / Street Date October 15, 2019 / available through Kino Lorber / 29.95
Starring: Buster Keaton, Natalie Talmadge, Joe Roberts, Monte Collins, Kitty Bradbury, Joe Keaton.
Cinematography: Gordon Jennings, Elgin Lessley
2019 Music Score by: Robert Israel
Written by Jean C. Havez, Clyde Bruckman, Joseph A. Mitchell
Produced by Joseph M. Schenck
Directed by Jack Blystone, Buster Keaton
Our Hospitality shows Buster Keaton coming into his own, as a comic genius...
Our Hospitality
Blu-ray
Kino Classics
1923 / B&w / 1:33 Silent Ap. / 75 min. / Street Date October 15, 2019 / available through Kino Lorber / 29.95
Starring: Buster Keaton, Natalie Talmadge, Joe Roberts, Monte Collins, Kitty Bradbury, Joe Keaton.
Cinematography: Gordon Jennings, Elgin Lessley
2019 Music Score by: Robert Israel
Written by Jean C. Havez, Clyde Bruckman, Joseph A. Mitchell
Produced by Joseph M. Schenck
Directed by Jack Blystone, Buster Keaton
Our Hospitality shows Buster Keaton coming into his own, as a comic genius...
- 4/11/2020
- by Glenn Erickson
- Trailers from Hell
In his day Buster Keaton’s popularity trailed that of Charlie Chaplin and Harold Lloyd, but now those reputations have switched around. These two ‘lesser’ Keaton features generate more sheer fun than anything going. Seven Chances and Battling Butler are great on remastered Blu-ray — better materials, no missing frames — but do yourself a favor and find a way to see a Keaton picture with a big audience!
Seven Chances & Battling Butler: The Buster Keaton Collection Volume 3
Blu-ray
Cohen Film Collection
Street Date August 20, 2019 / 29.98
Original Music composed and Conducted by Robert Israel
Produced by Joseph M. Schenck
Starring, and Directed by Buster Keaton
Seven Chances
1925 / B&w + Color / 1:37 Silent Ap / 56 min.
Starring: Buster Keaton, Snitz Edwards, Ruth Dwyer, T, Roy Barnes, Jean Arthur, Constance Talmadge.
Cinematography: Elgin Lessley, Byron Houck
Art Direction: Fred Gabourie
Written by Clyde Bruckman, Jean Havez, Joseph Mitchell from a play by Roi Cooper Megrue
Directed...
Seven Chances & Battling Butler: The Buster Keaton Collection Volume 3
Blu-ray
Cohen Film Collection
Street Date August 20, 2019 / 29.98
Original Music composed and Conducted by Robert Israel
Produced by Joseph M. Schenck
Starring, and Directed by Buster Keaton
Seven Chances
1925 / B&w + Color / 1:37 Silent Ap / 56 min.
Starring: Buster Keaton, Snitz Edwards, Ruth Dwyer, T, Roy Barnes, Jean Arthur, Constance Talmadge.
Cinematography: Elgin Lessley, Byron Houck
Art Direction: Fred Gabourie
Written by Clyde Bruckman, Jean Havez, Joseph Mitchell from a play by Roi Cooper Megrue
Directed...
- 8/20/2019
- by Glenn Erickson
- Trailers from Hell
Containing multitudes is a time-honored cinematic tradition.
Sure, featuring a single actor as more than one character in your movie smells a bit like a gimmick—but at the end of the day, it’s an efficient and often effective means of showcasing the versatility of a performer. And that can hardly be faulted. We caught a whiff of it with Split this year, though McAvoy might be disqualified for being a Legion of One rather than a cast with a shared face. Personally, I had no idea the trend cast such a wide-reaching historical net — I’d stupidly assumed it was something made possible by the advent of modern makeup and digital tech. Again, stupidly.
Be it gimmick or something more nuanced (or both!) — it’s particularly fascinating that it has such a long standing history as a marketing device. Film quality aside, the main draw is often the performative tour-de-force itself. Some...
Sure, featuring a single actor as more than one character in your movie smells a bit like a gimmick—but at the end of the day, it’s an efficient and often effective means of showcasing the versatility of a performer. And that can hardly be faulted. We caught a whiff of it with Split this year, though McAvoy might be disqualified for being a Legion of One rather than a cast with a shared face. Personally, I had no idea the trend cast such a wide-reaching historical net — I’d stupidly assumed it was something made possible by the advent of modern makeup and digital tech. Again, stupidly.
Be it gimmick or something more nuanced (or both!) — it’s particularly fascinating that it has such a long standing history as a marketing device. Film quality aside, the main draw is often the performative tour-de-force itself. Some...
- 4/13/2017
- by Meg Shields
- FilmSchoolRejects.com
Harry Langdon, that pasty imp, enjoyed a brief renown in the heyday of silent comedy, assisted by his gagman-turned-director Frank Capra, then fired Capra and sank into a decades-long post-fame afterglow as a poverty row clown (briefly emerging to stand in for Laurel opposite Hardy in 1939's Zenobia). This portrait, painted by Capra, is somewhat true, but Capra embroidered it with his own self-aggrandizing version of events: Langdon didn't understand his own screen persona, which had been entirely created for him (mostly by Capra), and so without the guiding influence of greater talents, he sank inevitably into obscurity. Capra created a whole tragedy for his enemy, making Langdon sympathetic yet foolish, a man who achieved brief greatness thanks to the genius of others, but who lost out in the long result of time. Since none of Langdon's films were easily available for study when Capra was speaking, he got away with this.
- 6/21/2012
- MUBI
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